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#heres something for fun...
newttxt · 29 days
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he’s here!!
from ch 7 of utilities included
masterpost
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trashworldblog · 7 months
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good to know shane and ryan also eat popcorn like a horse sometimes
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hypewinter · 9 days
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He didn't know how far he had wandered. He had just kept running and running, for once glad of his newfound body's constitution. But now he was finally tired and he doubted his pursuers were close by (if they were even looking for him anymore). So for now, he found an abandoned warehouse, bundled up under a tarp, and rested.
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Wally had been scouting the area for the enemy when he found the boy. He'd noticed a particularly weird shaped clump in the corner and when he removed the tarp, he found a body. At first he thought the body was dead since he had no pulse and was cold to the touch. But then the boy suddenly sat up causing Wally to have to back up (he did not yelp from the sudden movement thank you very much).
The boy backed up towards the warehouse wall and pulled his knees to his chest as he studied Wally. For his part, Wally studies the boy back. He was clad in a black suit with golden accents and more knives that Wally was comfortable with. His golden avian eyes seemed to bore into the young hero. They seemed to size Wally up as opposed to being full of fear. Additionally, despite being huddled away in hiding the boy displayed no signs of fear. Overall it felt less like he was cowering away and more like he was silently judging him. Wally really didn't like how it felt like this kid would slit his throat if given the chance.
As the two continued their staring contest, Wally felt a gust of wind and Barry was suddenly by his side. "Kid Flash, what's up? You weren't answering your co-" Barry trailed off as he noticed the boy.
He side glanced at Wally but the sidekick only shrugged back. Barry stepped forward. The boy tensed, muscles suddenly tight and body ready to spring. Barry quickly put his hands up.
"We don't want to hurt you," He said. "Quite the opposite actually. We're heroes, we can help."
The body blinked long and slow at him, before finally his body seemed to uncoil. He gracefully got to his feet and neared the pair, circling around them once before stopping in front of them with a soft smile.
Wally returned it with a smile of his own. "So uh- why are you here? Is someone chasing you or something? Wait, what's your name first?"
The boy's face crumpled into something sad before he pulled down the collar of his suit to reveal a scar running across his throat. Oh. Both heroes side glanced each other at the same time, a silent communication shared between them. The bats? The bats.
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tshortik · 1 month
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Cryptic visions of space and time...
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undertalethingems · 4 months
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Unexpected Guests Chapter Ten, Act Two: Page 10
First / Previous / Next
3-on-1 would normally be quite an unfair fight, but so far, Gaster's proven to be more than capable of taking what's been dealt... but the battle's far from over and our heroes still have plenty of fighting spirit!
The long fight continues next time, coming Jan. 11th!
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crescentfool · 2 months
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reunion 🌸
#persona 3#persona 3 spoilers#minato arisato#makoto yuki#ryoji mochizuki#aigis#ryomina#lizzy does art#HELLO EVERYONE!!! march 5th is upon us again so i bring... my contribution for this year. my third year drawing for it!#i made the thumbnail for this a few weeks after last year's graduation day#i thought it would be fun to lean into the ryominaigis angle of graduation day (you could read this as minato/aigis if you like-#but i feel like most people would read it as ryoji/minato)#IN ANY CASE working on this made me very emotional over this game :') (specifically minato)#i really enjoy how p3 ends it's such a nice way of wrapping up the narrative's messages and themes#working on this. minato's kindness was at the forefront of my mind throughout the piece#and i really wanted to capture how. ultimately it was his decision to sacrifice himself- to do the great seal#while to an outsider's perspective it is. sad that minato passes. i think becoming the seal is something that minato-#actively welcomes. in the same way that death (ryoji) is a comfort to him because death was housed in him for Ten YearsTM#AND I ALSO GOT REALLY SAD OVER AIGIS TOO. i still get fucked up over how in fes's animated cutscene for 3/5 they portray-#her as human and not drawing the robot parts so i wanted to do something smilar here...#but also i am very sad on aigis's behalf because she discovers her humanity through minato and realizes what she-#wants to do and then. well. minato is like. he's ready to pass on (even if he's scared) and im like. OH MY GOD THIS TRIO GETS ME MESSED UP#this was more coherent in my head LOL BUT ough i like drawing p3 and working through my feelings about it...#anyway! happy (in quotations) march 5th. i love this game to bits. it's so fun to draw for this day every year and see how i've improved#if you've read all this thank you :) lizzy appreciates you all very much. mwah! <3
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protagonist-art · 4 months
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hey girl did u fall from heaven cuz u look like Delta Dawn from trolls
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ryllen · 6 months
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I was just THINKING OF HOW ANNOYING Sebek is, H O N E S T .
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futuristichedge · 2 months
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Disability headcanons
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luzho · 10 months
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the zukka puns... continue!!
originally a bad joke by jeff, with the scenery of the first panel based on the Jianbi pavilion in the Old Summer Palace in Beijing and the pose of the second panel based on this photo. i am very happy with how the perspective and the colors turned out :) i should make more architectural drawings for fun
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inkskinned · 1 year
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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.
in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.
disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.
desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.
in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?
we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.
except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?
and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.
to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."
this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.
in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.
the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.
and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.
some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.
the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.
we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?
"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.
there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.
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bleedingoptimism · 22 days
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part one -> 📱💞🚙
part two -> 📱💞🚙
It only takes a week for Steve to show up at this door again. He knocks on the door late at night and he’s panting as if he’s run all the way there, “I had to see you” he says and it's overdramatic and kind of romantic, and Eddie barely resists the urge to jump in his arms and kiss him. Or check if there’s a filming crew and it’s raining because of how much this feels like a movie, but it’s a beautiful night outside.
“Come in,” he tells Steve, immediately turning and running around the living room, throwing away empty food containers and tidying up a bit. 
Steve watches him amused, but stands by the door, hands in his pockets, “So…” he says, “Came home today to find Chrissy, Vicky, and Robin all sitting at my dining table with their heads buried in a phone” 
Eddie looks up at that, because what the fuck? He looks at Steve confused and Steve nods, like he agrees with Eddie.
“The three of them lifted their head at the same time, it was kind of freaky honestly,” He keeps going and Eddie chuckles, curious as to where this is going, “They wanted me to see this,” Stevee finishes, lifting his phone up, the first episode of the van series playing, right at the part were Eddie first sees Steve and blushes while looking at him.
Back in reality Eddie is blushing again too, Steve saw the van series, he knows. Steve knows. “Steve…” he starts even though he has no idea what he’s gonna say.
But Steve doesn't let him try, doesn't let him think. He takes two long steps towards Eddie and kisses him, hard but short, pulls away holding Eddie’s face between his hands, and brings their forehead together,
“I didn't know,” he breathes.
Eddie shakes his head, “How could you not, I was so obvious I-”
Steve just kisses him again, once more short and sweet before pulling back, “You never said.”
Eddie wraps his hands over Steve's wrists, just holding them there, moving his thumb over Steve’s pulse slowly. He can feel how hard Steve’s heart is beating, can feel it match the rhythm of his own heart. And he wracks his brain, trying to remember if he ever did ask Steve out, or if he ever stated he liked him out loud.
He ends up laughing at the stupidity of it. Everyone knew Eddie loved Steve, except Steve, “I’m- I don't what to say. I'm sorry I-” he starts but Steve shuts him up with a kiss again, “It’s okay, I know now”
This time when they kiss, Eddie doesn't let Steve keep it short. He keeps him close, kissing him deeper, harder, longer, until he doesn't know where he begins and Steve stops.
The next day a new video gets uploaded. “Goooood morning!” Eddie says, even though it is clearly noon, from the passenger seat of his van, “Guess who is ready for their road trip!” he smiles and pulls the phone away from him, so both he and Steve are in frame. Steve is driving, eyes on the road but a huge smile on his face, Eddie’s hand is clearly visible on Steve’s thigh in the shot before Eddie moves the phone back to his face, “We’ll keep updating you guys, can’t tell you exactly where we are going cause we’d like a little privacy,” he says and wiggles his eyebrows, a soft gasp and a whispered and heated ‘Eddie!’ is heard in the background, “But we will upload videos from where we’ve been in a few weeks!” he films Steve once more, who looks at Eddie with a big sappy enamored smile on his face and then films the road for a few seconds, the world passing by the window. Finally, he twists the phone back to his face and says, “Oh! And don't worry about who’s going to drive… we’ll switch” and he winks and ends the video.
the end
☕🥐💕 coffee? by a roadhouse?
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chibishortdeath · 8 months
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Don’t u hate it when you draw something and then ur like “wow uh no one follows me for this fandom” haha lol anyway
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Undertale is a pretty cool game, I may have a favorite character from it uh—
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mepomepo · 4 months
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got a fun idea just in time!
so i drew it quickly before i have to go for the day ahaha
One of them is helping more than the other for preparations </3 thats the sibling law
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skymantle · 1 year
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glados saying "once testing starts, im required by protocol to keep interaction with you to a minimum. this will be our only chance to talk." during the beginning of portal 2 only to immediately talk to chell during every single test is funny on its own but that along with the cut scene where she stops the elevator between tests to ask if there's "anything you'd like to say to me? anything at all?"...she's so lonely and desperate </3
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crescentfool · 3 months
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judgement day 🌕
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