#hes like a disney princess at this point

[arthur-lesters-left-shoulder]

[Juno Steel voice] Hyperion City. [EPIC GUTAR RIFF FROM THE GUTAR THAT JUST FOLLOWS HIM AROUND??????]

[clovermousee]

disney turned their back on atlantis and i stole it and made milo and kida lesbians

[idiosyncraticrednebula]

People who side with Triton and criticize Ariel for rebelling against him miss the whole point of the story. I don't know what it is about Ariel in particular that many people online look for every reason to hate on her and justify everything that happened to her.

[lazlolullaby]

wish rewrite but Queen Amaya has a minor influence on the plot, aka: Divorce arc! + Bonus song context changes

(it sucks that a person with so much potential was put in the story but just utilized as the Villain's sounding board. You could have replaced her with an animal sidekick! She could have been a classic evil cat! Anyway.)

Tl:Dr: Amaya and Magnifico's relationship is utilized more in the movie for both plot and character development.

Plot: the same but Amaya is having a mid life crisis and relationship issues with Magnifico, giving them both more depth than "childhood trauma made me a control freak + evil book possession" and "I'm the indicator that something is going wrong with my husband".

(tw: verbal and emotional abuse tactics.)

Movie opens on a book. It's not adorned or flashy, just a simple journal. Amaya is writing in it, narrating.

Teen Amaya arriving on a boat with a small group of people. She looks up, enraptured by the stars but no one else does and she's left alone. There's no voice, but you can see that she says "I wish". Then someone calls for her and she leaves. The next night Magnifico appears from the forest, performing magic.

Then we get "City of Rosas" montage going through years. Amaya as the singer, giving the tour. You see the 7 friends interact with her as quick help, then Asha pops up, first next to Amaya then taking over the tour guide spot.

There's a quick establishing walk around the Castle. Amaya checking in on the 7, the servants and people. Everything is going well! The Castle is humming along perfectly! Amaya doesn't need to lend a hand, or explain what's needed. She's a bit of a workaholic and doesn't know what to do with herself.

She ends up in the kitchen with the 7 and Asha. Dahlia gets a check in, her new medication is working well so she's just got her crutch today instead of a full wheelchair. Asha is told "you care plenty, but don't let it blind you." Asha is the one who says that her grandpa Sabino is having his 100th birthday. And wants his wish granted.

Simon is sleepy, everyone is concerned. Amaya excuses herself.

She goes to Magnifico. "Mi rey. You need to give Simon's wish back. He's not well."

"You mean grant it? what do we need Knights for? We're perfectly safe!"

And with Sabino - "there's nothing that needs changing! I'm all the inspiration the Kingdom needs!"

There's hints that Magnifico doesn't like people too much. "we have to keep these safe. They are the best parts of our people." Implying that he just likes what he can choose and control out of people.

And cue "At all costs" as a duet between Magnifico and Amaya. Starting as a love song addressed to Amaya, but then his focus shifts to the Wishes. Her face falls as she realizes that he won't do what she asks. And she leaves.

(what happens when your picture perfect life falls apart? When the job you have chosen, put your whole body and soul into, doesn't need as much time or effort? When the person you love, that you have partnered with for over several decades, doesn't have the same goals you do anymore? Doesn't value you like they used to?)

Only to find Asha was eavesdropping the whole time. "Wait. Are you. Having an argument? I thought you were happy?"

"we are. It's just difficult right now. It's a disagreement. We're fine."

Cut to Asha in the kitchen gathered with the 7. "They are not fine." So. Lighthearted scheme to get the Queen and King back in love by setting up a romantic date.

The lunch date fails. Amaya asks questions, probing more into Magnifico's self serving logic. He launches into "This is the Thanks I get?" (Less of a solo tantrum, more of a mocking dialogue between them.) And shuts her down. Amaya is stricken.

"if they break up, who gets the Wishes? Who's in charge? I don't think divorce is a thing that Royalty goes through!"

They retreat - Magnifico to a wish granting and Amaya to the kitchen. Asha wants to convince Amaya to keep going, keep pushing for the wishes.

"Has he always been like that?"

"Magnifico - oh he always wanted an audience. He hasn't changed since the day we met. He was fun. We needed that support, people who believe in him, in our rule. back then, when there were so many unknowns."

"But it's not back then anymore. We deserve our wishes. Maybe if we can show him that a dangerous wish won't be so bad, he'll come around!"

"Asha, don't tell me-"

"my Grandfather Sabino! He just said wanted to play the lute, right?"

"not exactly..." Amaya felt the true nature of the wish, to inspire.

"what more time does he have! My father already lost out on his wish! I'm not letting anyone else lose!"

"this is what I can do. For now. Go home."

"I can't wait for this change. Until I'm 18? Then what? I'm just supposed to give up my wish like everyone has? Be like Simon?"

Amaya doesn't have an answer to that. Asha goes home. She talks to her family and has her solo "This Wish" song.

The Star shows up. But as in the concept art, it's a mute boy! He starts the animals singing "You're a Star" - and eventually joins in once he gets the hang of talking. "Here I are!" Is his first line.

Once that's over, Star explains. "The Stars grant Wishes. Sometimes they come down to help out personally. But that was a while ago. I want to find them, but you're the first person in a long time to make a wish on a star." They make a plan to release the Wishes themselves.

Meanwhile, Magnifico and Amaya see the light show from Star coming to the Kingdom. Amaya has vague recognition, Magnifico is mad. "Absolutely not. No one is stealing my Wishes from me."

Amaya takes this time that he's distracted to find Simon and Sabino's wishes. She sings a solo version of "Knowing what I know now" with more personal touches and she sends the wishes down the dumbwaiter.

Asha sneaks Starboy into the Castle. Gets her friends to help. They open up the dumbwaiter and find the wishes. Simon gets his back, starts to feel better. Asha grabs Sabino's and runs.

Magnifico starts to build up power. He gathers the town and tells them that there's a rogue magic user on the loose.

Asha brings the wish to Sabino. And he immediately starts to inspire people to question Magnifico. (Seriously. That was the easiest thread to follow through. And it didn't happen!!! What- who dropped the ball?)

Asha regroups with her friends. Does the full "knowing what I know now" song. Runs away to distract Magnifico while her friends release the wishes.

Star looks at Amaya - "your wish wasn't granted. There's a trick to it, if you want to hear." Amaya looks sad again.

Big courtyard confrontation. Magnifico has been absorbing Wishes to get more power.

"I haven't granted my first wish. A lot of them, actually. I won't leave." Magnifico stands his ground.

"unless I retract it."

"you won't." Magnifico laughs. "Who would love you? You're past your prime, far too bossy-"

"You. Wanted love?" Asha asks.

"I was younger than you are. I had lost everything. When I came here and looked at the stars, I thought I could have anything I wanted. And I wanted love. After everything that happened, I wanted love. That was only mine. But not like this."

"we love you. We see you. Even if you can't do magic or fix everything. We love you." Asha and the 7 say to Amaya.

So she reaches into Magnifico, pulling out her wish herself. Everyone sees that and starts to pull theirs from Magnifico.

And it leaves him as a slip of a silvery man. Star taps on him and Magnifico turns completely into his silver white star form. "That's where you've been!"

"so Stars can't stay on earth for too long or they'll go mad?"

"pfft. No. It's just this guy. C'mon let's get you some perspective." And Star takes him away into the sky.

It fades into a picture that Asha is drawing. Her and Amaya are making a book to explain what happened.

Amaya narrates the ending, telling us that it doesn't really end.

The 7 friends and Asha are made apprentices to Queen Amaya. Amaya starts to give the Wishes back, setting people up to achieve their dreams. Star pops back to say hi and go and grant more Wishes.

The handwritten book closes and Amaya stamps "Wish" on the cover with leather tools.

The end

[marciabrady]

😬😬😬

[smile-files]

NOTHING WORSE THAN BEING COLD AND. THINKING ABOUT NICKEL INANIMATE INSANITY

[weareuniqueandimportant]

Abuser Bigot Say Animals Can't Cnsent And Then Justify Killing Them Or Stealing Their Wool.

[artist-issues]

If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.

I’ll explain why, again: the message of Wish? Awful. Anti-Disney.

But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.

I'll explain.

Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."

≠

Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."

Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.

Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)

Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.

Trust in a higher power—COMBINED WITH:

—diligence to do what’s good.

The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.

Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?

Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.

Jeez, that’s the whole point of The Princess and the Frog!

Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.

It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.

But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?

Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.

More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.

Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.

How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?

Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.

How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?

Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and “never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.

Or Simba?

Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.

How about something more recent? Zootopia.

Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.

This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)

The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.

But Wish?

Not only is it bad at showing instead of telling. Not only is it lazy and soulless.

But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”

That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.

And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.

[masterhallmark]

Rant incoming

I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.

All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.

Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!

Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.

Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.

We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?

We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?

We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.

Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.

Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.

And don't get me started on the non-princess animals.

Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?

Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.

Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."

Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.

Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.

The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.

[hemmingsleclerc]

Reaction┃Charles Leclerc

summary: Charles finds out about Emma's interview on DTS

pt 2!!

The racing season had come to an end and Charles was enjoying some well-deserved time off at home with his wife and young daughter.

One lazy afternoon, they decided to catch up on a recently released movie. They settled into the double bed that he shared with his wife, turned on the TV and were ready to spend an afternoon of relaxation.

As the movie started, Charles scrolled through his phone and casually checked social media. Suddenly, the familiar sound of his phone ringing interrupted the quiet afternoon. Confused, he picked it up and saw numerous notifications flooding in. Curiosity piqued, he opened Twitter and found himself tagged in a video from the latest episode of "Drive to Survive."

He clicked on the video and his confusion grew as the scene unfolded. The camera focused on a familiar face, but it wasn't Charles. It was his daughter, Emma Jules, standing in front of the camera with a small microphone and a huge smile.

Charles leaned forward and his eyes widened in surprise. The interviewer began to ask Emma about her father and what he was like outside the track. Innocent but revealing answers came out of Emma's mouth.

"My daddy is the best here," she began saying, her eyes shining with sincerity.''Sometimes he sings very loud in the car or in the shower. But you know what? He's not very good at it!"

''"He likes to dance while he's cooking with mommy, and he snores really loud when he's asleep. It's funny!"

Charles watched in horror as Emma talked about his private quirks and habits.

''He also cries a lot at Disney or animal movies, or is more interested in playing with my toys than I am. ''

Charles exchanged a bewildered glance with Y/N, who grinned, clearly finding the situation amusing. Emma continued, unaware of her father's growing embarrassment.

''Please tell me I'm dreaming, that Emma didn't actually just say that'' Charles said.

''Sometimes we tell mommy that we are going to grand-mére's house but in reality he takes me to buy new dolls or ice cream.''

''!Wait, what did she just say?'' Y/N asked with a frown.

''Nothing mon-amour, you know how children are, they invent everything'' Charles laughed nervously, trying to avoid his wife's accusatory gaze.

''So that's what they did on the weekends, huh?''

''I have no idea what she's talking about, I swear''

''He also likes to help me make friendship bracelets for my friend and also lets me do his hair and makeup with my princess makeup set that santa gave me for Christmas, he always says that he looks very cute.''

''Jesus Christ, this is not happening, I'm gonna die''

By this point, Y/N couldn't contain her laughter and Charles's face turned several shades of red as he tried to comprehend what had just happened. He didn't expect his daughter to become the star of "Drive to Survive" in such an unexpected way.

The camera then panned slightly, revealing Charles in the background, completely unaware that he was being featured in his daughter's candid interview.

"Looks like you've been exposed, my love."

''!Emma Jules Leclerc, come here right now! You're grounded for life!''

@barcelonaloverf1life

@llando4norris

[yyokkki]

Asking to Sketch Them

---

*cough* I forgot this series was a thing I was doing uwu

---

DIASOMNIA

Malleus Draconia

"Oh? How bold of you to think you could capture my visage in a mere canvas."

He says with the goofiest smile imaginable（⌒▽⌒）

He's already summoning a chair to sit on

Very experienced with posing so it's a breeze

You have a nice chat about philosophy, gargoyles and culture while you draw him

When you're done he's fangirling internally

Asks if he can commission you to draw a portrait of the both of you tgt

Hangs it up in his room <3

Becomes a regular commissioner

Mostly gargoyles

10/10 honestly nothing bad to say he's lovely

Lilia Vanrouge

"Fufufu, I've been in thousands of portraits over the years, you'll have to try your hardest to really impress me~ No pressure though!"

100% pressure once again

The old bat man will probably be hanging from the ceiling no negotiating

So it's either you draw him upside down or get upside down too

If you choose the second option you best hope no one walks in on you cuz damn wtf

How are you doing that you aren't even using magic???

When you're finished he jumps down and looks and goes

"How nice! Art has truly evolved so much since the last time I had one done~"

Starts showing you some of the portraits he had before like he's showing you baby pics

One of them has him looking like those medieval babies TT

4/10 I can't explain why I'm not giving him a lower score he's just funky

Silver

"No problem. If I fall asleep you can just wake me up, I won't mind."

He doesn't have much experience in posing but he's a natural

He's lookin like a disney princess fr, animals have started gathering

You're having a pleasant chat abou-

Oop he fell asleep

You think about waking him up but like

He looks so peaceful and like he's not even really moving so-

By the time you're done he's probably up and he starts apologizing

Tbh it's Silver so it would've been beautiful whether he was awake or asleep

Bonus points if you include the woodland critters snuggling into him

Human anatomy AND animal anatomy practice!!

9/10 he tried his best and it did turn out well

Sebek Zigvolt

"I DO NOT HAVE TIME FOR THIS HUMAN! MY VALUABLE TIME IS SPENT GUARDING AND PROTECTING THE HONOUR OF THE GLORIOUS YOUN-"

once again someone kiss him and shut him up omg

Or actually just show him the Malleus portrait he'll shut up

Yeah you have to do Malleus first if you wanna draw him

Stiff like a ramrod his face looks constipated

Ask him a question about his young master and he forgets he's being drawn in exactly 3 seconds

His face really lights up as he talks about him it's kinda cute

By the time you're done he's probably still talking so interrupt in a speech break

Thinks you did a good job and asks for some advice with art

Then starts trying to buy the malleus portrait off of you

I should've tried harder to not make 80% of his just him talking about the dragon boi but it's really hard cuz he's just him TT

7/10 he's not that bad but your ears are bleeding

-----

Heartslabyul | Savanaclaw | Octavinelle | Scarabia | Pomefiore | Ignihyde | Diasomnia

[idiosyncraticrednebula]

One of the best analyses of this movie, and specially Ariel as a character and what she represents, I've listened to so far.

[anthurak]

As someone who was very curious as to how Mammon was going to be presented in Helluva Boss, you can probably imagine I was looking through the new episode very closely.

And while I may have been off the mark with my theory that Mammon would follow the trend of Asmodeus and Beelzebub and NOT actually be antagonistic, I nonetheless think it is VERY interesting how Vivzie and the team handled and presented him.

Specifically, in just how PETTY Mammon is shown to be in this episode.

Like really think about what you might generally expect from a character like Mammon just from a basic background description: He is one of the seven rulers of Hell, lord of the seven rings and embodiment of GREED. Likely a fallen angel who helped to create hell as it exists today, is matched in power only by his five fellow Sins, and is functionally only truly outranked by Lucifer himself.

And yet, Mammon’s characterization in this episode presents him as this petty, selfish, manipulative asshole interested in little more than money and attention. He acts more like a shitty, full-of-himself asshole celebrity than a demon lord. Just look at how he manipulates Fizzerolli, not through lording power and authority over him but through emotional coercion like an abusive parent, ex-, or boss, which is precisely WHAT he is presented as. fi

What makes this even more interesting is that despite Mammon being characterized as Fizz’s petty, manipulative boss, we nonetheless see him display all the POWER and experience we’d expect from one of the seven rulers of Hell. Asmodeus mentions earlier in the episode that he’s known Mammon ‘since the START of Hell’, confirming they were both involved in its creation, and when the two square off at the end, it’s clear that Mammon is very much Ozzie’s EQUAL in power, and that everyone else present is pretty much an insect in comparison.

This is what I think makes the inclusion of that one creepy, obsessive fan of Fizzerolli’s in this episode so significant; he serves as a point of comparison to Mammon.

For all the power and authority that he might wield, Mammon is characterized as being no different/better than a creepy, manipulative, entitled and obsessive stalker.

I think this might be the true common ‘thru-line’ connecting all of the seven sins through Helluva Boss and possibly even Hazbin Hotel: That despite essentially being ‘God-Emperors’ of Hell and outclassed in power likely only by the most powerful angels of Heaven itself, the seven sins are characterized in a very grounded, down-to-earth and for lack of a better term, ‘human’ way.

All the times we’ve seen them, Ozzie, Bee and Mam haven’t presented themselves as these all-powerful beings lording themselves over their subjects like we might expect or even what we’ve seen of the Goetic nobility. They don’t present themselves as ‘royalty’ but rather more like celebrity performers, which is certainly in keeping with Vivzie’s comments about how Hell is meant to represent a circus.

It really gives this fascinating dichotomy to the Sins as characters, where they’re presented as these big wacky celebrities with big, over-the-top personas which in turn hide very grounded, down-to-earth people underneath. While at the same time still being these monstrously powerful and ancient beings whose dominion over Hell is entirely uncontested.

It also gives them a nice contrast with the Goetic Nobility and the Sinner Overlords. Like those two groups actually do act and present themselves like demonic ‘royalty’ who lord themselves over those considered ‘beneath’ them, while in reality they’re at best the ‘middle-managers’, and instead it’s these wacky characters who are the TRUE masters of Hell.

It may even continue into what we might see in Hazbin Hotel, what with Charlie being this bubbly, happy-go-lucky Disney-esque princess who also may very well have power outclassing literally EVERYONE else in the show apart from her parents.

Overall, I loved this episode and I think we may now have a good idea what we might expect from the other Sins, and possibly even Lucifer himself in Hazbin Hotel.

[cogentranting]

Rating Non-Disney Animated Horse Designs

I’m back by popular demand/well not really but my optimism’s grand

A sequel to my Disney horse Rating post for all the other random non-Disney horses. Dreamworks, Bluesky, random cartoons, anything I could find. Featuring: Altivo, Spirit, some Barbie horses, and a few abominations.

Horse (Sing)

6/10 I don’t hate it and I feel like I should because it’s really hard to anthropomorphize horses that much without making them into the stuff of nightmares.

Shadowfax (The Lord of the Rings) 

5/10 There’s nothing WRONG with him per se, but it’s SHADOWFAX. Lord of all horses. He should wow me, and he doesn’t. Check out Gandalf’s weird sock-boots though. 

Hervé (Barbie as the Princess and the Pauper) 

-6/10 Horses' mouths don’t look like that. Horses’ mouths should not look like that. This thing wants to eat human flesh but can’t because it has two solid curved huge teeth with no physical  relationship with its jaw. Also this horse has the beginnings of male-pattern baldness. 

Princess Brietta (Barbie and the Magic of Pegasus)

1/10 Her eyes are flat like they’ve been painted onto her socketless skull. And there’s something very off-putting about this shade of pink. 

Beauty, Merry Legs, Ginger (Black Beauty) 

4/10 Ginger isn’t ginger. That is not a sorrel horse. There’s ONE requirement. Beauty’s the best of the three which is I guess what counts. 

Hans, Klaus and Greta (Ferdinand) 

2/10 I hate them so much. The core design isn’t that bad but the way they move and pose is. No horse should make that face. The one on the left is stretched putty.

The Grand Chawhee (All Dogs Go to Heaven)

I know what you’re thinking-- “isn’t that a mule or a donkey of some sort?” No. He’s a racehorse. Maybe a thoroughbred. And it’s his birthday so the other horses let him win. 

9/10

Stella (All Dogs Go to Heaven)

1/10 She gets one point for being nice to Chawhee. But she’s clearly some sort of alien giraffe hybrid. 

Odette’s horse (Swan Princess) 

7/10 Just a nice little palomino design.  

That little shaggy pony (The Quest for Camelot)

12/10 Amazing. Look at the determination.

Buck (Barnyard) 

2/10 See this is what that horse from Sing COULD have looked like. 

The Horse in the Back, Not Klaus But I Couldn’t FInd a Better Picture (Klaus)

9/10 He matches his owner and I respect that

Leah (The Star) 

4/10 This is horse is voiced by Kelly Clarkson. That has nothing to do with her rating, I just thought you should know. 

(Starchaser: The Legend of Orin) 

8/10 for both. I have questions but I do not want answers. It’s better this way. 

Fred (Over the Garden Wall)

7/10 don’t love that his head is a different color than his body in a weird way but he looks neurotic and fun. 

The Chariot Horses (Prince of Egypt)

8/10 I’ve just always liked these guys with their square faces and fun hats. 

Altivo (The Road to El Dorado)

7/10 Look at the little curl in his mane. Good personality. A little too much “Dreamworks Face” 

Donkey in Horse Form (Shrek 2? one of the Shreks) 

3/10 Look at his face. I DREAD what he might have to say. 

Esmeralda, Esperanza, Ernestina (Madgascar 3)

2/10 They’re coming for you. Coming to drag you into the Abyss. 

Police Horse (Madagascar)

7/10 I like his face shape. Compare him to the Madgascar 3 horses-- look how much more identifiable as a horse he is. 

Melvin (The Lorax)

10/10 He’s not a horse, but he’s so fluffy I love him. 

Babieca (Puss in Boots)

4/10 This horse has dead eyes. 

Onyx (Rise of the Guardians) 

13/10 She’s the leader of the nightmares and I would fully support her terrorizing the dreams of children. I’m pretty sure she and her mares ate the boogie man. A true Girlboss.

Yi Min (Kung Fu Panda but I think just an online game) 

-20/10 Just from a design perspective there’s far too much going on so it’s hard to even make it all out. Also I would have zero idea that this was a horse if the wiki page didn’t tell me it was. It has split hooves? 

Spirit Jr. (Spirit: Riding Free) 

8/10 Objectively I know the design is good  but my heart rebels against this show’s existence. 

Boomerang Thomas Stone (Spirit: Riding Free) 

8/10 I’m not doing all the horses from this show but I had to throw him in because he’s cute and he has a middle and last name for some reason.

Horse (Centaurworld) 

Why are there two distinctly different designs for her? This one gets a 9/10. The round one is like... a 5. All the other creatures in this show are eldritch abominations that will haunt me in my sleep now. 

Esperanza and all the other horses from this movie (Spirit: Stallion of the Cimarron) 

10/10 No notes. Perfect horses. 

Rain (Spirit: Stallion of the Cimarron) 

15/10 I don’t have a joke here I just really like the way they differentiated her and made her pretty without too much anthropomorphizing. I like that she has a roman nose.  I like her feather. 

Spirit (Spirit: Stallion of the Cimarron)

100/10 He’s everything. He shaped me as a person. No other animated horse can compare. 

[breadinanutshell]

I made a list of Halsin facts for my own entertainment a while back but forgot to post it. Dunno if anyone would find this interesting but in case here it is, enjoy~ o/

ACT1

-He writes in tight scribbles, smokes the pipe and loves reading (likely non-fiction). He’s the studious sort, considering his unprompted interest in the parasites and his hunger for knowledge. This aspect of him was more defined in Early Access but sadly got lost during full release. It also briefly comes up during one of his banters in later chapters.

-He rarely drinks: he’s a lightweight and gets overly affectionate when drunk. He also sings when drunk. Badly, per his word.

-Is an actual Disney princess (he has birds scouting and reporting back to him).

-He has a strong sense of duty, so much so he will stop paying attention to other aspects of his life in the pursuit of it. At least in one instance, this has been depicted as a flaw (when he abandons the grove looking for the Nightsong).

-He enjoys spending time in his bear form, and appears to have been the main caretaker for the bears in the grove. Ormn in particular acts heartbroken that Halsin is missing.

-When given the chance, he’s eager to give up his position as archdruid, as he felt it was too draining and confining. Despite his insecurities in his ability as a leader, he’s more shrewd and wise than he lets on: he can play politics when necessary. And people around him have been more than happy to rely on him. He cares about those under his protection. A lot. “The grove is everything to me”.

-He doesn’t shy away from violence when provoked.

-He feels responsible for the shadow curse, and is compelled by the need to fix everything.

-This is a relic from Early Access but you’ll have to pry it from my cold dead hands: in the grove there used to be a fanfic titled “Shadow’s Kiss” written by the druid Roan that featured a certain “Balsin”. At the end of it a written entry by Halsin would threaten to feed Roan to Ormn if he ever saw the name “Balsin” again.

ACT2

-He likes open spaces, reading and whittling utensils and ornaments (ducks in particular). He’s got a sweet tooth and a fondness for honey. He finds it hurtful when he's made fun of for his interests: he admits people tend to underestimate his sensitivity.

-He’s a very religious man and invokes Silvanus any chance he gets. Even so he doesn’t believe in blind faith and chides Shadowheart for not questioning Shar’s teachings.

-He’s 350 years old.

-He has no mercy for goblins, to the point where he disapproves if you spare them in Moonrise. A bit funny, considering there’s a banter later on with Karlach where he insists that “mercy costs us nothing”.

-His scars were caused by a bear who didn’t appreciate being spurned during mating season.

-He’s a veteran who served in the battle against Ketheric Thorm in Reithwin, where eventually the druids and Harpers won. At the time he was likely second to the archdruid that led him into battle. When the shadow curse started spreading, said archdruid died, leaving Halsin in charge. He immediately evacuated the survivors. He still feels guilty for not being able to help more that day. From one of his party banters it’s clear Halsin suffers from survivor’s guilt. He’s lost many friends to the curse, so many in fact that “it would take a day and a night to recite the names of the fallen”.

-Considering how obsessed he’s been with the curse ravaging the land for the past 100 years, it’s unlikely he had any intimate connections during this period of time. He also claims that more good has been done since meeting Tav than in the 100 years before their meeting.

-His family is dead and buried at the foot of the Grandfather Tree in High Forest.

-He seems used to changing environments and affiliations. Once recruited, he’s quick to call Tav his new family.

-He remains polite in the face of scorn and ridicule. Right when he joins if you suggest all he’s good for is cleaning camp he responds with an awkward chuckle and a “wherever you need me”. Later in Act 3 his affections can be brusquely turned down by comparing him to a deep rothé, to which he calmly responds “a simple no would have sufficed”.

-As a child he befriended Thaniel, a spirit of nature, and ever since then he felt a higher calling. Thaniel appears to be as fond of Halsin as Halsin is of Thaniel, mentioning him often to Fist Art Cullagh during their imprisonment in the Shadowfell.

-He is the only expert of shadow curse alive, and if killed in Act 1 the curse cannot be lifted.

ACT3

-He believes himself, or at the very least aims to be, a protector. Any failure (or perceived failure) in fulfilling said role leads him to spirals of self doubt and insecurity. His self worth is heavily dependent on how useful he can be, and without a big purpose or mission to fulfill, he appears lost. In the same vein he seems incapable of staying still and relax, he always needs something to focus on.

-In true druid spirit, he considers cities to be intruding on nature’s realm. On his arrival to Baldur’s Gate, he's appalled and disgusted by the class inequality encountered in the city. He’s disturbed by the suffering of children, in particular.

-When called naive for his dream of a better future he mentions he gave up cynicism when he was 200 years old.

-He’s all for heckling Dribbles’ corny jokes.

-He sees his body as a vessel and his physical prowess as a tool. He takes no pride in it.

-He admits that he didn’t realize how much his responsibilities had been weighting on him until Tav showed up and took that burden away.

-He’s polyamorous, and pretty lax when it comes to sex and relationships: he has no qualms in taking pleasure where “desire finds purchase”. He mentions that he had many lovers in the past and that his heart doesn’t stir lightly. This might imply he’s laid with many, but cared for few. He also doesn’t appear thrilled by the prospect of marriage/tying yourself forever to someone. For a man so against putting a relationship into words, he acts incredibly smitten when romanced and showers his partner in all kinds of sweet praises.

-He’s so attuned to his wildshape that he tends to lose control of his transformations when overcome by strong emotions (i.e. anger, arousal). He appears embarrassed when this accidentally happens in an intimate situation. He does enjoy wildshape during intercourse though, as he even proposes it himself during an interaction with Shadowheart. Per his word, he doesn’t discriminate against any type: in an interaction with Lae'zel he implies he slept with a chimera.

-He considers lust to be the most essential of impulses and feels it’s only natural to be guided by it.

-He’s travelled far and wide. Where we do not know, unfortunately. He mentions he’s been to the Underdark many times and possibly the Nelanther Isles. In his youth he ventured into the Underdark to sate his own wanderlust, where he got captured, enslaved and sexually abused by drows for 3 years.

-He’s self aware of his obsession with nature. When Jaheira warns him not to fall into druid stereotypes, he comments that he does think about other topics such as high art and politics, but to him nothing compares to a tree.

-When speaking of his past, he comments that people seem to focus on the more “salacious chapters” and disregard his years of study. When confronted about it, he seems perfectly content with a life spent studying, meditating, counselling, fighting, training and fucking.

-He used to hibernate as a bear and mentions he spent at least 100 years of his life sleeping. It’s unclear if he’s still in the habit.

-At the end of the campaign he sets out to create a new community in Reithwin with the victims of war and refugees that were turned away from the city. The children of this soon-to-be-founded community refer to him as “daddy Halsin”.

-He considers himself an exceedingly patient man.

[greg-montgomery]

Aaron going through boxes of old stuff and finding a journal of yours from a long time ago. He opens it out of curiosity and reads about how your younger self always wanted to be called princess from a significant other so he tries it out along with buying a nice bouquet of flowers 🤭

Aaron’s cheeks were almost hurting by smiling all day, because he was surrounded by boxes of your belongings that would soon be all over his house. Your house.

One certain box with the word “memories” in capital letters written on it though, drew his attention. Opening it, he was met with a few books, magazines, cards, and concert tickets.

At the bottom of the box, there was a pink journal with your name decorating its cover.

It looked personal, but it also looked like it was from a long time ago. He couldn’t help it, and with his curiosity getting the better of him, he opened it.

The pages were filled with pink glittery letters, little drawings, and stickers of Disney princesses and Barbie characters.

He smiled with affection while turning the pages and seeing what your younger self used to fill her journal with. He almost skipped a page when his eyes fell on the title written on top of it.

“My dream boy!”

Oh, this is gonna be interesting, he thought.

Aaron found himself competing with the ideal version of a boyfriend your teenage self had. He went through every single point you had written down, and mentally checked it.

That version of you, was still part of who you were today, and the last thing he wanted was to disappoint you or not be enough.

Tall – check.

Dark hair – check.

Sweet – check, well to you at least.

Brings me flowers – check.

Calls me princess – not check.

Princess, huh? That was new.

He knew that you were big on pet names, but princess had never occurred to him before.

A smirk grew on his face. It was time to see if your tastes had changed.

--

Just the day after, Aaron made sure to visit a flower shop after work and buy your favorite flowers. If he was gonna try something, he was going to do it right.

He found you sitting on the couch, eating a bag of chips and scrolling on your phone, some show on the TV playing in the background. You left it open for company when he wasn’t there and something inside him stung a little.

“Baby?”

You threw your head back on the couch and looked up at him as he moved closer. “You’re home,” you sighed with a smile. “Missed you.”

“I did too.” He leaned down to kiss you on the lips and brought the flowers he was hiding behind his back in front of you. “That’s why I decided to get some flowers to my princess.”

Your face lightened up at the sight of the beautiful bouquet and the sound of the pet name. “Aaron!”

You stood up on the couch and threw yourself at him, hugging him with a force that could bring down a bear. “Thank you!”

“You like them, honey?”

“I love them.”

Aaron sighed at the feeling of your lips on his neck, as you left little kisses on the curve of it. “Anything for my princess.”

Your face was still hidden in the crook of his neck but Aaron could feel you laughing.

“What are the giggles for?”

“Nothing…”

He pulled back just enough so he could look at your face, and grabbed your chin softly. You averted your eyes from him as if you had something to hide.

“Y/N?”

“It’s nothing!” you insisted. “I just like to be called that,” you added quietly, playing with a button from Aaron’s shirt. You still wouldn’t look at him.

“To be called what?” he asked.

“Princess…”

“I know.” He smirked.

“What do you mean?”

“I read it in your diary.”

“What?” you raised your voice and he couldn’t help but laugh.

“I found it through your old stuff.”

“Aaron, I’m gonna kill you!”

“I’m sorry!”

“No, you’re not. You’re laughing.”

“Oh come on, it got you what you wanted.”

“Shut up,” you said , furrowing your brows.

The two of you sat on the couch and he tried to pull you into his arms. After showing resistance for a few seconds, you let him hold you.

“What else did you read?”

“I saw the whole list. About your dream guy.”

“I don’t remember adding ‘he reads my journal without permission’,” you said.

“I do have all the rest though,” he said with a cocky smile.

“You do, I guess,” you admitted, rolling your eyes. “I was manifesting.”

“I hope you’re happy with the guy the universe sent you then, princess.”

“Ah…” you threw your head back with a lovesick smile. “And it's only getting better.”