#how did i write that???(

[ebonyheartnet]

-Recording begins-

Spider-Man: Hi folks! I’d like to give a PSA to my usual villains, and anyone else with ideas for the next two months.

Spider-Man: *holds up a brick sized lump of metal* See this? It’s titanium!

Spider-Man: *starts flattening it out and shaping it*

Spider-Man: See, we all know that I’m crazy strong, but I never wanna really hurt anybody right? Right. While that hasn’t changed, something very important does right around this time of year.

Spider-Man: *pulls off a glove and pulls a chunk into a long stem with his nails carving lines for added texture*

Spider-Man: See, this is what we like to call exam season. Anybody who knows anything about college can tell you that it drives people up the wall, and I already climb mine when I’m antsy.

Spider-Man: *starts winding the thin sheet around the stem, delicately crimping petals in place*

Spider-Man: I do wanna be clear that this isn’t a threat, okay? I’m still not interested in crossing the line, which brings me to my point.

Spider-Man: *throws the titanium rose at the brick wall behind him, stem first, and embeds it all the way through*

Spider-Man: /That/ was restrained because I could focus enough to have full control. If I’m extremely tired or otherwise distracted, there’s just as much risk of me slipping up as someone operating heavy machinery. I’m probably not going to remember what sleep is for two whole months, so remember!

Spider-Man: *pulls out a brick and snaps it like a cookie*

Peter fucking Parker: Don’t.

[biggest-gaudiest-patronuses]

woke up and someone spilled vanilla extract all over my dash, so as punishment you strange little beasties are getting all the VANILLA FACTS i know:

vanilla is the 2nd most expensive spice in the world (2nd to saffron)

which is why more than 99% of what we call "vanilla extract" is actually vanillin (vanilla's dominant flavor compound) and is not extracted from real vanilla.

luckily, even professionals struggle to tell the difference when it comes to things like baked goods. but there is a distinct difference in non-heat treated products like vanilla ice cream. real vanilla has a more complex, individualized flavor profile.

why is vanilla so expensive? because it is a ridiculously delicate & demanding crop. complete primadonna.

vanilla beans come from vanilla orchids. these crazy flowers bloom for A SINGLE DAY and have to be HAND-POLLINATED in a process that is exhausting, delicate, and requires specialist knowledge passed down over generations.

then, if you're lucky, you get vanilla beans.

which then require months of further specialized treatment.

the entire process takes about a year and can go wrong at any stage

vanilla has been cultivated for over 800 years (possibly much longer). the first known cultivators are the Totonac, an indigenous people of Mexico.

the Aztecs used it as a sweetener to balance out the bitter taste of cocoa. it was popular in a drink called xocolatl--the precursor to modern hot chocolate!

it is only pollinated by a very specific orchid bee!!!

which is why no fruit could be grown outside of Mexico until the 1800s

Edmond Albius, born into slavery, invented the pollination method we still use today--launching a global industry when he was just 12 years old.

today, the majority of the world's vanilla is grown in Madagascar

if you want real vanilla, read the labels carefully--it's harder to find than you think!

in conclusion, those tiny black specks you see in fancy vanilla ice cream? those are vanilla bean seeds! itty bitty orchid seeds!!! they are delicious and also a PRISSY BITCH!

(src)

[hhhhunty]

How funny that she never considered that.

[phantomrose96]

Actually the funniest part of the entire James Somerton debacle is the response his cowriter Nick gave. For context, Hbomberguy talks a bit about Nick as a cowriter, and there is not any strong evidence implicating Nick of also plagiarizing, so Hbomberguy takes the angle of "Nick is probably not (also) responsible for the plagiarism".

Nick's response?

To claim he could not be part of the plagiarism, because he does not read. And does not do research...

SOURCE: I Fact-Checked The Worst Video Essayist On YouTube - YouTube, video essay by Todd in the Shadows.

The second screen cap is maybe a tongue-in-cheek joke... but bold choice when everyone's eyes are on you to respond to serious allegations. And this screencap doesn't include the other wishy-washy statements, pre-video, from Nick saying to the effect of "I write based on vibes. I come up with an idea and ruminate on it." For research videos. For educational videos about queer history and queer media culture.

Adds flavor to the Todd video, which goes through two-dozen examples of Somerton videos which just claim... provably factually incorrect bullshit.

This guy is a writer. An author. You could not waterboard "I don't read" out of me if I were aiming to launch a writing career.

Beating the plagiarism allegations by confidently asserting you suck too bad to ever get that far.

[soranker]

my girlfriend

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[microwave-core]

I think it'd be very funny if there was a Zelda game where Ganon isn't the big bad, but when you get to the Gerudo area there's a male Gerudo named Ganondorf there. He has zero relevance to the plot. Not any kind of twist where he becomes the villain in the end, or any kind of side quest. He's just there and that knowledge perpetually looms over your head menacingly.

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[hailsatanacab]

Family Dinners - dpxdc

"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.

The bustling dining room goes silent as everyone turns to look at him.

"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.

"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.

"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."

"Yeah, I'm really sorry, I just never thought about it, I guess."

Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.

Ancients, that's so weird!

The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.

Wait. Family dinners?

He peers around the table, openly gawking at everyone as it all clicks into place.

"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.

"Uh... something like that..." Danny mumbles as everyone laughs again.

From further down the table, the smallest Wayne scoffs and clicks his tongue.

"I thought you said he was smart, Drake?"

"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"

"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."

"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."

The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.

Come on, Danny, recover!

"That's, uh, not what I meant, though."

"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?

"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."

"Costume? What do you mean?"

Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.

"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!

"Danny?" Tim asks, looking concerned.

"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.

His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.

"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.

Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.

"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"

"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"

"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."

"Thank you, Stephanie," Bruce sighs, massaging his forehead.

It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.

It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.

Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.

"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."

Once again, the whole table falls into silence.

"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"

"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"

"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."

Danny's grin freezes in place.

"I'm sorry, what?"

"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."

"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"

Bruce looks about as shellshocked as Danny feels.

"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.

"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."

An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.

"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.

"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."

"What did happen?"

"Seriously, don't worry about it, we cool."

"How long in the future was it?"

"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.

Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"

"A week, before I managed to get back to my present and stop him then."

"A week? Jeez, B, that has to set some kind of record, seriously."

"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"

"What?"

"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."

Dick laughs and claps his hands, delighted.

"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.

"I didn't even know I was informally adopted."

"And your parents? Are they alive or dead?"

"Damian, stop—"

"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."

"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."

"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.

"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."

"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."

"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."

"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."

[unpretty]

earlier today andrew was like, "hey, check this out" and turned their phone around to show me an image of a pair of dreamworks eyebrow sunglasses before swiping to show me another image of the sunglasses and bask in my horror

but the pictures were on tumblr and they accidentally swiped the wrong direction in the image viewer

so from my perspective what happened was that andrew was like, "hey, check this out" and turned their phone around to show me an image of a pair of dreamworks eyebrow sunglasses before swiping dramatically to reveal an unrelated image of stuart little, watching me expectantly for a reaction that never came

[mrghostrat]

dust and light

i swear to somebody, the actual good omens parallels were a complete accident when i wrote this scene in BNF, where crowley is a writer in the agnes nutter fandom and aziraphale is his big bang partner. i've been on fire ever since i realised.

"The way you talked about the lighting in that last scene was just so striking— I really want to capture it somehow; find a way to paint the different layers of sunbeams and dust motes, just as you’ve written them.” Aziraphale’s grin caught himself quite off guard. “What are you planning?” Crowley shifted with an exaggerated, bashful shrug, but his grin remained steady on his face. “Not sure, just some kind of metaphor about the light and the warmth, probably. Maybe note some stark differences between the bookshop and a dusty room with no light, or a bright place with no dust. Each feeling equally inadequate compared to the shop, and that being… Er, I dunno, a reflection of their lives without one another in it, or something.”

[newttxt]

and thats a wrapppppppp!!

from the 10th and final chapter of utilities included

masterpost

[bakedbeanchan]

AU where Zuko doesn't practice helmet safety

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[inkskinned]

"your pet doesn't love you; it just has learned that it will get treats if it acts a certain way. it can't understand you."

in between humans, i don't always speak the language either. love has always been hard for me. i don't trust it. i can't read it easily on people's faces - i'm usually trying to read past it; to the "other parts", the ones that make sense to me.

but my mom always offers me food as soon as i get through the door. my brother calls me at weird hours, just to be talking. my sister has a nightmare; asks me to please drive safe in the morning. i throw my friends random parties, just to celebrate something. she drives 45 minutes to spend 3 hours with me. amelia holds my hand while we both cross the street.

no, my dog and i don't have the same language. so what? this is not the same thing as communication. my dog is a good study in how trauma can heal - a rescue from the racetrack; i've been watching his personality develop slowly. in the last year, he's gotten so comfortable with me that he'll ask me to sit down on the grass so he can use my body as a seat. (it's important to note: he is huge. he squishes me. i don't complain. i find it lovely.)

love for us is also just endorphins and behavioral response. i'm a poet, the number of sad men that have tried to "teach me" how stupid it is to be a hopeless romantic is ... not a low one. i cannot count how many times someone has argued - it's all chemical stimulus - as if the fact of it makes it less magical. we're just electrical signals reading the universe! that's fucked up. that's so beautiful.

i find it hard to believe that in the spectrum of evolution we are the only species to feel like this - we already know that dogs and cats also have endorphins. why wouldn't they experience joy? love? companionship? in what world is it a new thing that i had to earn it? in every relationship, both individuals have to work to learn the language. i had to teach my dog what trust is. it's okay that it took time for him to learn it.

in the human world, when i love someone, it's hard for me to speak it. i write them poems or make them food or give them a cool rock i found on the beach.

i don't know how to tell goblin i love him, so i tell him through treats. through a new collar, fancy mattresses, a little bow on his leash. i tell him with long walks and petting him and sitting down on the wet ground so my 70 pound sharp noodle of a dog can prance on my thigh bones and take an awkward - if loving - seat.

"you taught your dog to love you" is kind of a cruel way to reframe what actually happened: i loved him so loudly, it skipped over language and species. the two of us just saying - oh! i have figured out a way to tell you that you make me happy.

[nibbelraz]

A writer and His number one fan hater