#how is a book published

[blogtey45]

Why Your manuscript probably got rejected | SummitPressPublishers

[tartppola]

headmage's night terrors, based on raverne = crowley theory

[strangebiology]

Success is Dependent on Secret Information

A lot of career success depends on you and the work you put into it, as well as luck beyond your control, but sadly, it also depends on secret information, magic words, and stupid little tricks.

That's not fair. I don't like it, but we can help by sharing that secret information--which is the antidote to gate-keeping. That's why I recently wrote this in my Authors of Nonfiction Books in Progress substack:

It can be really disheartening to realize that, when you thought you failed at something because you didn't do well enough, other people had the magic words. For instance, some injustices I've witnessed (that may or may not always be the case, or maybe not anymore!) include:

A good athletic score doesn't get you into a college sport--having a coach or parent talk to the college coach is mandatory

Many school-sponsored scholarships are often not tightly linked to grades, test scores, or financial need, but whether the student said the right words ("I can't afford that") to the right person (presumably some financial office person.)

Apparently, some aspects of some degrees are cheated on by most students (if that's the case, we should tell all students that it's ok to cheat on that so they don't waste their time on something that apparently wasn't important anyway, or worse, fail out just for being ethical.)

Especially related to books: Few people will mention that you can get grants! Not my agent, not my publisher, not the 1 zillion "pros and cons of trad publishing" articles out there mentioned grants (Grant eligibility is a HUGE benefit of trad publishing.) I got more money from grants than my entire book advance!

Let me know what magic words/secret knowledge you've learned, that you wish you knew sooner. Or: the widespread understanding of what information would make a field more fair?

And please share ANBIP with anyone writing, publishing, or seriously about to start writing, a nonfiction non-memoir book, especially if they're interested in the more practical side (I share more about resources and strategy than craft.)

[damonp304]

The cure for Imposter Syndrome | Summit Press Publishers

Why do we experts suffer from Imposter Syndrome, particularly when we want nothing more than to write and publish an expert-positioning book? I can't answer the why, but I can share the cure.

[pallastronomy]

looking for a new piece of xenofiction

ask the creator if their xenofiction is Watership Down or Warrior Cats

they don’t understand

pull out illustrated diagram explaining what is Watership Down and what is Warrior Cats

they laugh and say ‘It’s good xenofiction sir’

look inside

it’s Warrior Cats

[thewriteadviceforwriters]

Master Dialogue Writing Techniques for Engaging Fiction (For Writers)

(Beware, long post!)

As fiction writers, we all know that effective dialogue is essential for bringing our stories and characters to life. After all, the way our protagonists, antagonists, and supporting players speak to one another is one of the primary ways readers get to know them on a deep, intimate level. Dialogue reveals personality, uncovers motivation, and propels the narrative forward in a way that felt narration simply can't match.

But nailing natural, compelling dialogue is easier said than done. It's a craft that takes serious skill to master, requiring writers to have a keen ear for authentic speech patterns, a nimble handle on subtext and implication, and the ability to strike that delicate balance between being true to real-world conversation while also keeping things snappy, dynamic, and laser-focused on the story at hand.

If you're someone who struggles with crafting dialogue that truly sings, never fear. In this in-depth guide, I'm going to dive deep into the techniques and best practices that will help you elevate your dialogue writing to new heights. By the end, you'll have a toolbox full of strategies to ensure that every exchange between your characters is as gripping, revealing, and unforgettable as possible.

The Fundamentals of Effective Dialogue

Before we get into the more advanced nuances of dialogue writing, let's start by covering some of the foundational principles that all great fictional conversations are built upon:

Reveal Character One of the primary functions of dialogue is to give readers a window into who your characters are as people. The way they speak — their word choices, their tone, their body language, their turns of phrase — should provide vivid insight into their personalities, backgrounds, values, quirks, and emotional states.

Think about how much you can glean about someone just from how they communicate in real life. Do they use a lot of slang and shorthand? Are they verbose and flowery with their language? Do they struggle to make eye contact or fail to respond directly to questions? All of these subtle linguistic cues are powerful tools for crafting multi-dimensional characters.

Drive the Plot Forward While revelations about character are crucial, you also want to ensure that your dialogue is constantly pushing the story itself forward. Each exchange should feel purposeful, moving the narrative along by introducing new information, triggering plot points, creating conflict, or prompting characters to make pivotal decisions.

Dialogue that feels aimless or extraneous will ultimately bore readers and detract from the forward momentum of your story. Every line should have a clear intent or function, whether it's uncovering a hidden truth, setting up a future complication, or escalating the tension in a high-stakes moment.

Establish Distinct Voices In a story featuring multiple characters, it's crucial that each person has a clearly defined and differentiated way of speaking. Readers should be able to tell who's talking just from the rhythm, diction, and personality of the dialogue, without any additional context clues.

This doesn't mean every character has to have an over-the-top, hyper-stylized way of communicating. In fact, the most effective character voices often feel grounded and natural. But there should still be distinct markers — whether it's word choice, sentence structure, tone, or speech patterns — that make each person's voice instantly recognizable.

Convey Subtext While the literal words being spoken are important, great dialogue also traffics heavily in subtext — the unspoken emotional undercurrents, power dynamics, and hidden agendas that simmer beneath the surface of a conversation.

The most compelling exchanges happen when characters are communicating on multiple levels simultaneously. Perhaps they're saying one thing out loud while their body language and tone convey a completely different sentiment. Or maybe they're engaged in a subtle war of wits, trading verbal jabs that reveal deeper wells of resentment, attraction, or vulnerability.

Mastering the art of subtext is key to creating dialogue that feels layered, lifelike, and imbued with dramatic tension.

Strategies for Writing Snappy, Realistic Dialogue

Now that we've covered the foundational principles, let's dive into some specific techniques and best practices that will take your dialogue writing to the next level:

Omit Unnecessary Details One of the biggest mistakes many writers make with dialogue is bogging it down with too much extraneous information. In real life, people rarely speak in perfectly composed, grammatically correct full sentences. We stumble over our words, interrupt each other, trail off mid-thought, and pack our speech with filler words like "um," "uh," and "you know."

While you don't want to go overboard with mimicking that messiness, you should aim to strip your dialogue of any overly formal or expository language. Stick to the essentials — the core thoughts, feelings, and information being exchanged — and let the subtext and character voices do the heavy lifting. Your readers will fill in the gaps and appreciate the authenticity.

Master the Art of Subtext As mentioned earlier, crafting dialogue that's rich in subtext is one of the keys to making it feel gripping and lifelike. Think about how much is often left unsaid in real-world conversations, with people dancing around sensitive topics, conveying hidden agendas, or engaging in subtle power struggles.

To layer that sense of unspoken tension into your own dialogue, consider techniques like:

• Having characters contradict themselves or say one thing while their body language says another

• Utilizing loaded pauses, interruptions, and moments of uncomfortable silence

• Injecting subtle sarcasm, skepticism, or implication into a character's word choices

• Allowing characters to talk past each other, missing the unspoken point of what the other person is really saying

The more you can imbue your dialogue with that layered, emotionally-charged subtext, the more it will resonate with readers on a deeper level.

Establish Distinct Voices As mentioned earlier, ensuring that each of your characters has a clearly defined and differentiated speaking voice is crucial for great dialogue. But how exactly do you go about accomplishing that?

One effective strategy is to give each person a unique set of verbal tics, idioms, or speech patterns. Maybe one character is prone to long-winded, flowery metaphors, while another speaks in clipped, efficiency-minded sentences. Perhaps your protagonist has a habit of ending statements with questioning upticks, while the sarcastic best friend always punctuates their barbs with an eye roll.

You can also play with differences in diction, syntax, and even accent/dialect to further distinguish how your characters communicate. The key is to really get to know the unique personality, background, and psychology of each person — then let those elements shine through in how they express themselves.

Lean Into Conflict and Confrontation When it comes to crafting gripping dialogue, conflict is your friend. The most compelling exchanges often arise from characters butting heads, engaging in verbal sparring matches, or working through deep-seated tensions and disagreements.

Conflict allows you to showcase the high stakes, unresolved needs, and deeper emotional currents that are driving your characters. It forces them to make bold choices, reveals aspects of their personalities that might not otherwise surface, and generates the kind of dramatic tension that will really hook your readers.

Of course, you'll want to avoid making every single dialogue scene a full-blown argument. But learning to sprinkle in well-placed moments of friction, confrontation, and clashing agendas is a surefire way to elevate the energy and impact of your character interactions.

Read Your Dialogue Out Loud One of the most valuable tricks for ensuring your dialogue sounds natural and lifelike is to read it aloud as you're writing. Hearing the words out loud will quickly expose any clunky phrasing, overly formal grammar, or inauthentic rhythms that would otherwise go unnoticed on the page.

Pay close attention to how the dialogue rolls off your tongue. Does it have a smooth, conversational flow? Or does it feel stilted and unnatural? Are your characters' unique voices shining through clearly? Are there any spots where the back-and-forth starts to drag or feel repetitive?

Actively listening to your dialogue — and making adjustments based on how it sounds in the real world — is an essential part of the writing process. It's one of the best ways to refine and polish those character interactions until they feel truly alive.

Hopefully, this can help you all!

The key is to always keep your focus on authenticity. Ask yourself: how would real people actually speak?

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[a-book-of-creatures]

I love old science books so much

This was from 1963

[fitsofgloom]

You'll Never Lose Your Novelty

[shanklin]

“Ford’s the smart twin and Stan’s the creative one.” is a nice statement but also a lie.

Life isn’t that fair. Not to Stan.

No, Ford’s the smart twin AND the creative one. Take one look at his notebook and you’d know immediately how great of an artist and storyteller Ford really is.

All Stan has to show for himself is, as his Ma likes to put it, “personality”. A thing everyone has.

“Having personality” just means people think you're dumb as a brick and hope you won’t understand the insult.

And yet, despite not being the creative one Stan dreams of creating his own comic books. It’s a dream just for himself.

And if he learned anything from his favourite comic book heroes it’s to keep trying and to never give up!

So Stan practices drawing every day and he likes what he sees. His future comic book empire will be amazing!

But when he shows off his pictures all he gets is the usual spiel of “oohs and aahs” and “we need to put this on the fridge!” from his Ma in the fake way adults like to do when they're lying to children.

Ford’s art however gets genuine astonishment.

“He’s better than most adults! We should send it to the papers!”

Ford pictures get put on the fridge. And framed on the walls. And printed in the local newspaper.

Stan's own art looks silly next to Fords. Ugly childish scribbles next to something amazing. Next to art that is actually worth something.

Ashamed, Stan takes his pictures down. No one notices. 

It was a stupid dream anyway. As if Stan could ever do something worthwhile without Ford by his side. 

At least he’ll always have the Stan o’ War.

[r-aindr0p]

Oh yeah like two days ago I woke up and I instantly remembered this guy for no particular reason

Green bike guy.....

[blogtey45]

The cure for Imposter Syndrome | Summit Press Publishers

[deadtower]

Do you like books about guys and girls that spend the entire book as best friends and don’t get together at any point in the story?

Do you like books where “aaaaagggghhhhh [my telekinesis throws the furniture across the room]” is not just a hilarious Tumblr post, but also something that happens at regular intervals to the deuteragonist?

Do you like books where sixteen-year-olds get sacrificed by their parents to eldritch gods that live in their basement but the sacrifice doesn’t entirely take and they Come Back… Right? Sort Of????

WELL THEN HAVE I GOT THE BOOK FOR YOU.

(It’s my first book and also, like, it’s free on Kindle Unlimited and only $4.99 on Kindle, and if you really can’t afford it, you can send me a message with your email and I can send you a PDF of it, so like… why not, y’know.)

[poorly-drawn-mdzs]

Gaslight, Gatekeep, Girl found dead in a hidden room.

[First] Prev <–-> Next

[damonp304]

Why Your manuscript probably got rejected | SummitPressPublishers

This video explains why your manuscript was most likely rejected. These are the most common reasons that publishing houses reject manuscripts. Check out this video to learn more.

[blueskittlesart]

Idk why god has appointed you as his favourite suffering soldier. Everytime I see you on my dash, you go through a different kind of hell. Stay strong o7 (btw love your art and og comic)

ijust want to draw gay rabbits and everyone is so so so mean to me. everyone shut up and look at my little guy

[jasminedragonart]

genuinely wondering how some people on here haven't started their own publishing company. It's not like we don't have the skills. The amount of bookbinders, proofreaders and artists on here could rule the publishing world if they had the right motivation.