I'm super late for this buuut I'm going to continue writing down some thoughts about Stampede. Haven't watched ep 9 yet, this will only be about 4 - 8.
So, I'm 8 episodes into Trigun Stampede, and my initial opinion of the series hasn't changed much. I'm still very much in love with the gorgeous visuals—there's more than one moment in every episode where I have to pick my jaw up off the floor! It's not just the action scenes with their creative camera movements, but also the pretty landscapes in the few quieter moments, or the way the series manages to portray horror and gore in a way that makes me physically cringe without going overboard. On the other hand, both pacing and characterization, while improving with each episode, are still a bit of a weak point for me in the new series.
The most beautiful thing about Stampede, though, is all the genuine enthusiasm and love I've seen for this series and the characters. I just love how positive the fanbase is. Reading the reactions or seeing people get creative after each new episode is almost the best part of watching! My dash is overflowing with love for these characters and their stories and I'm totally here for it! So I'm going to go along with that and will mostly just gush without restraint about all the things I love so far.
Obvious spoilers for Trigun Stampede (up to ep 8) under the cut (and also for the older series and the manga)
Is it just me or do the visuals get better every week? This series makes me want to run all the beautiful gifs and videos on an endless loop so I can just stare at them forever. I mean ... just look!
I go weak at all these long, long takes with their beautiful camera movements and Trigun Stampede definitely spoils me in that regard. And yet when the show's visuals most surprised me, it was in a totally different way. I wasn't prepared for the calm, contemplative scenes in the flashback with Livio and Wolfwood. Not only is their story itself heartbreaking and tragic—the soft 2D animation style, the silent film vibes, and music give these flashbacks a bittersweet yet eerie feel. They stand out from the rest of the series as if their story is part of a different, older universe. And how well that fits thematically with Wolfwood and Livio, whose entire lives have been revamped by the Eye of Michael. They have literally been forced into a new, more cruel story. Setting the flashbacks to the soft, lonely tones of a flute is ingenious; for me, this music captures the spirit and feel of the old series so well and triggers feelings of wistfulness and nostalgia, which made the flashback that much more emotionally effective. The soundtrack of the old series is iconic and I've tried not to make comparisons so far, because I feel like it sets up an impossible standard for any new adaptation. But again, this is where I'm starting to grow more and more fond of Stampede. I never skip the opening and I'm totally obsessed with the music video by Kvi Baba, which just bombards your brain with effects and colors and quick cuts until you become addicted. Studio Orange knows how to hook you with the visuals and they have proven that they can do not only loud and flashy scenes, but also quiet and soulful ones.
And I still wish we could have more of the latter. In my last review I said that I wanted this series to turn me into an emotional mess, and damn if Stampede didn't manage that more than once. It's the contrast between the quiet, sad and somber moments and the colorful, fast-paced, often gruesome action that draws me in the most. When Stampede finds that balance, the series is brilliant. And I could wax poetic again about Vash and how I think he's really the heart of this series because he embodies that contrast perfectly. I still miss his crazy antics from the old series and his funny and goofy personality, but I think there's also something to be said for this more repressed, softer Vash, for a much more open and direct portrayal of his issues like his depression, his eating disorder, his guilt and suicidal thoughts. Those things existed in the older series as well, but they were much more hidden under Vash's mask, often so well that they could even fool the viewer. And I don't mean to say that one approach is better than the other. Both have a lot to offer, and the more I think about it, the more I like that we now have two Vashs with similar problems and backgrounds, but with different personalities and ways of dealing with their struggles. I love haunted characters who are tortured by the narrative in increasingly cruel ways, beyond what any human should ever have to endure, and I love watching them getting back up and doing their best and smiling and fighting on and refusing to break down despite everything. Heroes are empowering. But there have to be moments when the mask comes off. There have to be moments when they're vulnerable and doubtful, moments when they lose their bravery and hope and either have to accept outside help or slowly pull themselves back together, because that's what ultimately makes them seem real and relatable and inspiring. I think this was done particularly well with ep 8. This is the lowest we've seen of Vash so far, and I hope that the flashback at this point wasn't just inserted to give viewers background on Vash and Knives and clear up some of the mysteries that have been building up over previous episodes. I hope that the issues raised by the flashback are also carried into the present timeline of the story, and that we get some strong character moments where Vash, for example, has to confront his past. A lot of things have been building up—Wolfwood and Livio and all the people trailing Vash, we have the tension between Wolfwood and Vash and their brief talks about ethics and morality, Meryl has the photo and so many questions, hints to Vash's identity as a plant have been revealed, Legato is hot on Vash's heels—at best, all of this should not merely serve as a setup for more brilliant action, but make for tense conversations between characters, drama and difficult decisions. I am more than curious where Stampede will take us! (And I really can't imagine how all this is going to be resolved in four episodes, so let's hope the rumors are true and we do indeed get more than 12 episodes.)
I could say so much more —about how the plants are portrayed in this series, about the atmosphere on the sand steamer, the awesome animation of the heavy machinery, the brief appearance of the Bad Lads Gang, about Brad and Luida.... But I want to talk very quickly about Meryl. I still think Stampede should take more time to develop her personality and her relationship with Roberto. By now I understand a little better the direction the show wants to go with the juxtaposition of the two: Roberto, the jaded superior who is trying to maintain a professional approach and would understandably rather stay out of trouble, and newbie Meryl, who is suddenly developing a personal interest in Vash and the events, and is tired of being a helpless and clueless bystander. So yes, I understand why they put her with Roberto instead of Milly. Roberto also gets a few moments where his character is more than a mere archetype or tool for exposition. And I hope they continue in that direction, because I think these two have a lot of potential.
The scene where Meryl stays in the control room of the sand steamer to trigger the cannon, and her speech to Roberto (and yay for the callback to Jeneora Rock and Tonis' injury!)—that scene had me crying and cheering for her. It was such an important moment. With all these superhuman men who are constantly getting riddled with bullets and losing so much blood that I feel sorry for their poor overworked kidneys and bone marrow that have to replace that amount ... yeah, it's easy to forget that Meryl is just a small human lady who has probably led a pretty sheltered life. (Not that life on Gunsmoke is easy for anyone, but it's different from the horrors that Vash, Wolfwood, Livio and co. have been through.) She doesn't have the physical strength of the other characters, and that makes her courage all the more remarkable and inspiring. The same goes for Roberto. In a way, these two are the characters that viewers can relate to the most, and I would love if Stampede didn't just use this fact to portray them as more or less passive agents who just uncover information and voice aloud all the questions that viewers are also wondering. Instead, I hope the series continues to show us what it does to ordinary human characters to witness these events, how it changes them psychologically, and how they begin to question themselves, their lives, and their values.
Because for me that's what Trigun is all about: what does it mean to be human, and how can we maintain our humanity despite this seemingly cruel and unjust life we're thrust into?
Anyway, I've been writing on this for so long that ep 9 should have dropped by now. So I'll dive right back in. It's actually quite nice to write these little reviews before watching the new episode, so that all the ideas and speculations are still fresh in the back of my mind. Since I'm expecting the new episode to be quite tense and heavy, with young Vash and Knives finally meeting each other, I'll probably be an emotional wreck for the rest of the day.
What a truly wonderful way to spend your Saturday!
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How am I supposed to cope with the fact that it is HEAVILY IMPLIED if not practically canon that Link and Zelda lived together post botw
Link can still sleep in the bed.
The table is set for two 🥹
Zelda had to have a separate room built for ‘privacy’ and Link’s hair tie and is found there. Why would she need privacy if she lived alone? Plus having to hide his new champions tunic in the throne room??? Can’t hide it in the house if they both live there
Zelda even states that Link hasn’t left her side since they were reunited 🥹 kill me I’m so fucking emotional about this
It’s referred to as ‘Zelda’s house’ but in Japanese I believe in her diary she just calls it ‘the house’ (again, I’m not positive but localizations have applied ownership where the Japanese version lacks it)
Symin says “oh! You’re back in town, link!” And then “if you’re here alone then Princess Zelda must still be missing” which implies Link does still live there and that he’s literally always with Zelda (which we been knew)
Remember that while the side quest for the house was optional, it would have been torn down if Link didn’t buy it. It’s still there. So it’s safe to assume that canonically, Link did the majority if not all the side quests in botw.
Like fuck this I’m so fucking upset Link spent years by Zelda’s side, is referred to as an ADULT, and now they’re separated AGAIN. I’m. Im fucking emotional. This is everything I wanted from the sequel which is a pretty clear indication that zelink are together like what the fuck Nintendo. What the fuck.
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Ghost gifts a single tiny ear loop to Soap one day. Says he noticed Soap had pierced ears. That rings keep from handling a gun or a knife properly. He doesn't make eye contact, tries to hide his face, even as he's already wearing his balaclava.
Soap blinks. Ghost has already given him gifts and only behaved that way for the very first one. He doesn't understand. The earring is very simple, but seems to be made of expensive material and not only covered with a thin leaf of gold.
"Didnae it come with another one?" he says, jokingly.
But Ghost flushes, turns his head, and lifts his mask, only enough for Soap to see the glinting of the other earring on his ear. Suddenly he understands that it's not simply a gift. Ghost favoured practicality, but he wanted to give him a ring.
He grabs his hand as it falls back down.
"Simon, what is this?" he asks softly, not daring to be hopeful just yet.
With his other hand, he reaches out to gently turn Simon's head back towards him. His cheeks and his nose are flushed, it makes the warmth of his dark eyes, generally hidden behind a sneer or a bored expression, undeniable.
He looks nervous. Johnny's heart is beating faster. Could it really be...?
"I know", Simon starts then pauses, uncertain. "I know I'm probably not what you thought you'd have, when you were younger" Soap wants to interrupt, to scoff, to protest that Simon is way better than anyone he could have hoped for, but doesn't. He never wants to cut off his love when he's barely starting to open up.
"I know that I'm not easy to be with some days, that I'm not friendly and easy going like you, like someone you'd deserved to be with." he continues, unconsciously pushing his face more into Soap's hand. "But... I love you, more than I thought I could, and I'd like... I'd like to be with you, for as long as you'd have me..."
Johnny's heart is soaring. He has no idea how to react. He'd have to get all the giddiness out first, and the moment doesn't seem appropriate for jumping around and squealing.
"Officially," Simon continues, voice quieter, out of breath. "If you want to."
A gigantic grin splits Johnny's face. All of his limbs are buzzing, he needs to stand up, to run, to explode something. But he's terrified to spook Simon so instead he just squeezes the hand he's holding rhythmically and moves his feet back and forth.
"Baby, are ye asking me tae marry ye?" Johnny says. He's pretty sure his voice is wobbly, but can't really hear it himself as the blood in his ears is louder than the rest.
Simon's eyes do something, what is visible of his face looks like he has an expression on but Johnny can't analyze it now, doesn't dare to see the hope in his eyes, the pleading in his brows.
"I... Yes, I guess I am," the love of his life says finally. "If you want to. You don't have to."
Soap can't keep himself in check any longer. He's making a high pitched noise, jumping up and down where he's seating on the bed, and throws himself at Simon.
"Of course ah fooking want tae!!!"
Simon lets out an excited giggle, swept in Johnny's mood, and tightens his arms around his lover. No, his fiancé.
This is the best day of his life. He just has to deal with this mission tomorrow, and then they can start to plan everything.
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