#how is it possible that we’ve only had one filler episode

[greyscale-enthusiast]

one man’s trash is another mans treasure

happy june it’s lgbtqi+ appreciation month or something

[mamadarama]

I was going through some posts I missed and came across the “tatsumi is mature but still does 19 year old things” and I just wanna say I’ve never been able to put it into words when my friends ask but like. That’s exactly what I love about this game.

We’ve got scandals and drama and weird crypto currencies and convoluted backstories of implied murder or identity theft or military shit or relations to underground gang activity or so SO much more and yet the writers still succeed in reminding you that this is a game full of high schoolers.

Natume was one of the five oddballs and suffered through so much during the war where it affects him to this day, but he also refers to his tech savvy and love of the occult as magic and loves the junior he “adopted” to death. Despite Aira struggling against every odd to become a real idol he still buys merch and looks on the internet to look for content of the ones he likes. Rinne was destined to become the monarch of his homeland but ran away in an attempt to find happiness and acceptance and is an amazing strategist who uses it to take down corruption, but his sense of humor is entirely made up of sex jokes and romantic teasing like Aira being “hiiro’s little girlfriend”. The amount of characters that assign themselves the mom friend role just because. Trickstar. I don’t think I need to explain Trickstar-

Like this game has made me cry so many times and it has its ridiculous moments but it also has its genuine ones while also being the most teenage shit I’ve seen in my life and I feel like so few media can balance those and still have a decent story like that. Sorry for the long ass post I just have so many feelings about this kind of stuff 😭

YEAH this is exactly what i was talking about in a previous ask when i said i have nothing meaningful to add to the enstars cast that isnt a headcanon . its all very well thought out and the interpersonal relationships are nuanced enough to feel realistic but outlandish enough to be interesting .

worldbuilding and character design is one of my special interests and i say this any chance i can get: the most important part of building a character (and a story in general) is realizing the importance of comedic irony and comedy as a whole regardless of genre or tone. it makes characters feel more 3 dimensional and relatable because people arent stagnant and theres multiple facets to any individuals personality (this is also why some of the most popular animes of all time have filler episodes or funny bits that show the characters personalities, every event hits with 3x emotional impact the more you know about the characters as people but that's a different discussion) enstars does a really good job of this . like for example if wataru were to have had a realistic reaction to eichi starting the war it wouldnt be nearly as good of a story. the fact that eichis ridiculous ass backwards plan to get wataru to fall in love with him actually worked is a perfect example of comedy used to make a story more interesting. another thing similar to this is how sometimes its better to not detail something and let characters do things for a mundane reason or even no reason at all . for example subaru hating chiaki just because he annoys him, or shinobu being on the broadcasting team despite his character not being associated with technology otherwise and therefore having no real backstory on why he likes radio stuff. its all really well planned worldbuilding with an insane amount of subtle details , which is why enstars is one of my favorite stories to analyze . the only thing i could possibly want more out of it is hardcore tragedy but thats entirely a personal preference rather than a critique because im a slut for catharsis and i love sad endings , especially ones where characters die . (don't worry im in therapy)

[duhragonball]

Dragon Ball Super 005

...

Yeah.

So by this point in the arc, we’ve reached roughly the 20-30 minute mark in the Battle of Gods film.  This is the part where Beerus meets Goku for the first time, then Goku asks to spar with Beerus, who demolishes him in two blows.  It’s my favorite part of the movie, and Dragon Ball Super Episode 5 tries to re-enact it and botches the whole thing.

This episode started a whole discourse in 2015 because the animation was awful, and fans argued over who to blame.  The artists who worked on the series seemed like the obvious pick, but then people started to point out that Toei had been running a sloppy shop for a while at this point.  There was a Sailor Moon series that had been running around the same time, and fans of that show noticed the same quality problems.  In a nutshell, Toei was trying to cash in on as many of its popular franchises as possible by churning out lots and lots of new content, without the manpower needed to actually produce it properly.  So they were hiring anyone who could hold a pen to work on shows like Dragon Ball Super, just to keep it ahead of deadlines. 

I don’t claim to understand all the details, but the result seemed to be that you had a lot of overworked, underqualified artists animating this series, and the only thing working in their favor was that the first four episodes were so slow and dull that they didn’t have to animate too much.  But Episode 5 is basically a big fight, and even though it’s a total mismatch, you still have all these shots of Goku flaling around trying to hit Beerus, while Beerus plays the artful dodger.  So the standard shortcuts don’t work here.  You’re going to have to animate Goku and Beerus leaping around, twirling and moving in every direction.  And the animators gave it a try, but wound up exposing their limitations. 

Now, to be sure, there were plenty of badly animated scenes in classic Dragon Ball.  Yukio Ebisawa supervised the animation for every sixth episode, from Emperor Pilaf all the way to Uub, and every one of his entries in the series featured comically off-model characters.  You can see a lot of animation shortcuts too, especially in filler episodes, or in spots where it just didn’t matter all that much in the long run. Nobody gets into Dragon Ball because of the high-quality animation.  There’s some real classic episodes, and a murderer’s row of talent, and frankly I maintain that Yukio Ebisawa is highly underrated, but the point is that they were making a weekly cartoon show, and sometimes quality had to take a back seat to logistics. 

However, Dragon Ball Super Episode 5 was notoriously bad.  So bad that fans were swapping screenshots of the off-model characters and openly mocking Toei for putting out such a poor work.  So bad that GT-likers were coming out of the woodwork to gloat about how their fave was no longer the worst Dragon Ball series.  And it was so bad that Toei actually went back and had some of the scenes redrawn for the home video release. 

Well, I’m here to tell you they missed a spot.

Here’s the thing.   This episode was always going to suck.  They can go back and redo it as many times as they like.  They can re-animate the whole thing from scratch, but in the end, it won’t make a bit of difference.  And that’s because they already had a good version of this Goku/Beerus fight in the movie.  Episode 5 was never going to be able to measure up to that standard, and even if it could, it would never be seen as anything more than a rerun. 

There’s three things working against this episode that have nothing to do with the production values.

1) We’ve seen this before.  I know I keep harping on it, but it’s true.  By this point, the DBS manga had published its own adaptation of this fight, so how many different ways can Toei keep repeating the same scene?

2) It’s slower.  The whole point of this scene in the movie was that Goku wanted to experience Beerus’ power, and he came at him with everything he had, immediately powering up to Super Saiyan 3, and getting jobbed out almost immediately.  It establishes that Beerus isn’t just a paper tiger.  Goku needs to solve the mystery of the Super Saiyan God, because nothing less will do.  And Vegeta needs to watch his ass, because he can’t even go SSJ3, and Beerus would wipe him out in an instant either way.

But DBS #5 pumps the brakes by having Goku fight Beerus in all three of his Super Saiyan forms.  This is probably meant to introduce them all to new viewers, or to just make the fight last longer, but it’s stupid.  Goku even starts out by saying that it would be an insult to Beerus to fight him in base form, then he proceeds to fight in Super Saiyan 1, even as he tells Beerus to hold nothing back.  It makes Goku look like a hypocrite. 

Then Beerus reveals that he can perceive Goku’s power level, and he knows Goku is holding out on him, but Goku is still reluctant to bring out Super Saiyan 3.  Well does he want to go all out with Beerus or not?  The studio and the character are working at cross-purposes here.  We know what Goku ought to do in this situation, because we saw him do it the right way in the movie.  But the studio wants him to sandbag a while, so he does.  Beerus ought to be offended by this-- or at least irritated with Goku for wasting his time-- but Toei wants to drag this out, so Beerus indulges him for no good reason.

3) This whole scene is one guy dodging the other.  Even if you had enough story here to fill an entire episode, even if you had an unlimited budget and a staff of highly skilled artists to animated it, how much can you really get out of this?   The highlight of the fight is the one new wrinkle Toei added, where Goku’s about to attack and then he suddenly stops short and backs off. 

Beerus congratulates him for somehow intuiting that he was about to strike.  Even though Goku wasn’t consciously aware of it, his body somehow reacted on its own.  Like some sort of ultra-instinctive thing.  This will become an important plot point 100 episodes later.  But right now, it’s just another minute or so of Goku and Beerus not touching each other.

So Episode 5 was a failure from conception, even without the quality issues.  With the quality issues, it became a laughing stock.  It didn’t matter if the artists were the problem or the studio failing to use their talent more realistically.  Once Episode 5 aired, the fans could tell there was something... off about this show.  Even quiet, static scenes like this one could fall under scrutiny from the viewer.   I’ve been staring at these deck chairs for a while now, because something doesn’t look quite right about them, and I can’t put my finger on it.  From here on, the damage had been done, and every episode of DBS was basically an open challenge to the viewer to find something wrong with it. 

[woman-child91]

I hope this doesn't sound offensive, but can you list everything you hate about Boruto both the character himself and the series??(I wanted to ask you since I wanted to get as much information as possible to imagine a re-write or arc to fix the problems)

The way the original cast is drawn as adults. Naruto, Sasuke, Gaara, Mizukage Mei, Kiba, Hinata, Anko, Yamato, etc. They were made sooo ugly! Ugh!

How they completely ruined Hinata and NaruHina. Because, all Hinata does is act like those abusive wives who were all sweet and nice when they were dating. But, after they get married? They turn into horrible women with their husbands.

How Sasuke is so lame, docile and OOC as hell! It’s just like Vegeta from Dragon Ball Super. I prefer the original ones that I saw at the beginning.

Boruto is just so dislikable. He’s crap! He’s so annoying. He’s just like Sailor Mini Moon. They think they’re so much stronger and cooler than their parents. But, they’re not. They think they’re so perfect, powerful and mature. They’re not!

How Boruto was basically, befriending and changing his enemies like Naruto used to in Naruto and Naruto Shippuden. That’s blasphemy!!! I HATE BORUTO! That kid isn’t his dad! He’s not charismatic at all and I don’t believe he’s able to change people. I don’t buy it. The stupid creator (whose name I wrote down in my Death Note) of Boruto just did it. Because, Boruto is the main character.

How they made ALL of Naruto’s Semes/Tops completely forget about the love and how gay they were for him.

How they brainwashed Sai and erased ALL of his memories of Naruto and him. Then, they replaced them with fake ones of Ino.

Okay, the whole Mitsuki x Boruto ship. I ABHOR IT! Mitsuki was forced to love Boruto! It’s something that was implanted into his brain since he was born. The only sun & moon ship i acknowledge is, SasuNaru.

How they nerfed Sasuke and Naruto.

How they made Orochimaru all young and pretty. But, made Yamato old and ugly.

How Kakashi’s infatuation with Minato-sensei is completely gone. SERIOUSLY! What the hell?! Even Homophobic guys liked how much he idolized Minato in Shippuden.

How they took away all of Naruto‘a cool moves. Wind Shuriken? He doesn’t know it. How many thousands of shadow clones he could make? Nope. He can only make 7 or 8 now.

How some episodes are just cheap and crappy remakes of ones that we’ve already seen in Naruto and Naruto Shippuden.

They made Tsunade flat-chested. Why? That was her trait.

They cured Konohamaru of his Narutosexuality by, making him fall in love with a 99¢ store version of Tsunade in a freaking filler arc!!!

Naruto!!! Poor Naruto is no longer the cheerful boy he once was. Before anyone says something stupid about how he’s an adult now and HAD to change. That is BS! I’m 32 years old and I’ve had the exact same personality since the day I was born. My Dad too!! And like, what about Minato and Kushina? They kept the exact same personality they had as children! I mean, I understand that a person’s personality SOME TIMES changes with time or from childhood > adolescence > adulthood. OR if they had a traumatic experience. Which is what I think could be the case here. Naruto was forced to marry and have children with Hinata. Who he didn’t feel anything towards! He HAD to have an entire movie made so that he would be forced to love her. Please!!! Give me a freaking break!!! You wanna know what Naruto and Sasuke (including their American Voice Actors) wanted? They wanted to be together! Naruto wanted to “restore” Sasuke’s clan. If Sasuke would’ve asked? Well, Naruto would have transformed into Naruko/Sexy Jutsu to have children or something. They both would’ve been so happy together.

I’m probably leaving out a lot of other issues. But, I’m busy right now. I’m playing Dragon Age Inquisition on my PS5. I’m leveling up and talking to characters in the game to grind points. Bye.

[phantomoftheorpheum]

expelling my irritation with ST 4 because I need to get it out of my brain (so basically, if you loved the season, probably don’t read this because it will make you mad) - also spoilers for s4, obviously

- first of all, there is absolutely no excuse for this season being nearly 13 hours long in 9 episodes. it could easily have been 8 or 9 hour long episodes and possibly even shorter than that.

- nothing happens in 4x08. nothing. yes, obviously characters do things and have conversations, but really think about where all the characters are when the episode starts and where they all are when it ends, because nothing can justify that taking an hour and 25 minutes (which is longer than some actual feature films); it’s genuinely an hour+ of filler and like maybe 15 minutes of actual content.

- i’ve said it before, but i’ll say it again- the writers have no clue what they are supposed to do with Will as a character because he was not conceived of to play a role as a character, he was conceived of as a plot device and to incite other characters to act. it’s not inherently a bad thing for a character to be a plot device initially, and I don’t even think this is bad at all with how it’s handled in season 1, but if they continue to be a part of your show long term and are presented to the audience as a main character, then it’s important to figure out how to make them something more than a plot device and they have never figured that out for Will.

- listen, it’s not like i specifically want any of the characters i love to die, but this is season 4 and they have had zero guts about killing their main cast. will they do it in season 5? maybe because it’s the last season and they don’t have to worry about people quitting the show. once you figure that out (which if you didn’t figure it out when they revealed Hopper to be alive, then i don’t know what you were watching), it means that the stakes feel unbelievably low, considering  what’s supposedly happening. sure, people will die in s4, but it sure as hell isn’t going to be core cast we’ve been following for years.

- which leads me to- HOPPER SHOULD HAVE STAYED DEAD. The Russia plot line is so unbelievably unnecessary. i’m not going to get into the real world ethical issues i’ve seen people discussing about the filming locations and such because i’ve only seen little bits of it and haven’t looked into what is happening enough to feel like I should platform my opinion, but putting all that aside, this has to be one of the most unnecessarily drawn out plotlines I have ever seen on tv. plus, it makes rewatching season 3 fall emotionally flat at the end because you know Hopper isn’t dead! Hopper’s death & his letter to El were two of the best and emotionally resonant things they had going for them in season 3 and having him alive cuts the legs out from under some of their best work!

- this is a perfect place to add: WE SPEND WAY TOO MUCH TIME ON TOO MANY PLOTLINES THAT DON’T WARRANT IT. Russia, as previously stated, Mike & Will & Jonathan & Argyle (and Suzie), The Basketball jock douche, even some parts of El’s storyline. they. did. not. need. that. much. screen. time. this season would have worked so much better if it had stayed focused on the Vecna plotline as the center (likely needing to incorporate the far flung characters into the actual plot somehow) and anything else that is not in the central Hawkins plot takes minimal screen time.

- alright, i’m not gonna talk about specific ships. as previously stated, there are no ships I’m emotionally attached to in this show, and there are a couple that I genuinely don’t like... but i have to ask- is anyone happy/fully satisfied with how the ship content has played out this season??? because... I feel like no matter what you ship (or dislike), it wasn’t good for you. (I guess with the possible exception of people who ship mike & el or joyce & hopper and 100% don’t care about anything else?) 

- all the retconning of earlier events is annoying because it’s so clear they didn’t plan it out that way and are just trying to make things fit, even if that makes their earlier seasons seem weaker or make less sense. it’s so incredibly forced and i hate how easy it is to tell exactly what they’re doing. 

- why do they have so many (mostly unnecessary) monologues in this season??? please, please stop this. they are exhausting when they aren’t needed. 

- speaking of, did it irritate the hell out of anyone else how often we get scenes where everything stops so the characters can all stand around and lay out all the info we need to know, spoon feeding the story to the audience because they can’t seem to figure out how to have it make sense any other way. you shouldn’t have to do this practically every episode. there are plenty shows with way more complicated plots that don’t spend even a quarter of this much time doing this (e.g. Dark) 

- why does no one have a sense of urgency this season??? like there have been so many instances of characters in supposedly “high stakes” situations where they should absolutely be entirely focused on surviving, just like stopping to have a heartfelt conversation or moment with another character at the worst possible time, but instead of that having any consequences, it’s just ignored by the show.

- what it comes down to, imo, is that this show lost sight of what is was and what made it good in the first place. it was lost in season 3, but it’s even more lost now. they’re so caught up in having “cool” scenes and drowning us in nostalgia in their visuals and music and references, that they’ve forgotten that the simplest of things often hit the hardest.

- there’s a bunch of crap that just doesn’t make sense. it just doesn’t. and they might try to address some of those things in season 5 (or they might never), but a lot of them are just things that they clearly didn’t have an answer to when they were writing and now are trying to think up things to “explain” it.

- i’m sure there’s more i could say, but I’m tired and i am baffled by people thinking this is a well made season of television. there’s no accounting for taste, that’s subjective, but i can’t believe people think the writing and editing, as  technical crafts, are anything short of dreadful this time around. 

- i’m not a monster so i’ll leave this on my positive notes- i like the idea of Vecna (not so much his backstory, but the supernatural being itself) and the powers he has, Sadie Sink has been wonderful this season and has imo the best scene in the season, i do really enjoy most of the cast, there are glimmers of good it’s just that they don’t last very long.

[undercityrezident]

Alright, so we’ve been waiting weeks for this latest episode. Three fillers and a week off I think it was? But who’s counting? It’s here now.

So it wasn’t quite as bad as I was expecting it to be based on what I said I said in my post regarding the previews for this episode. The term “Sweep” used in this episode wasn’t quite accurate, thank goodness. Usually anime are pretty cut and dry with their episode titles, but maybe it was to give off the impression of what was going to happen, if not in full name.

Not that there was much doubt of what was going to happen anyway, given how much the showrunners continue to hype up Leon... but I’ve already said so much on that, so let’s push into some other things I have to say on this episode.

It’s good to get a bit of time to see Ash and Goh in a setting other than the arena during this arc. It would’ve been better paced and better received in my eyes if it hadn’t come on the heels of all those fillers that bridged the gap between the semi-finals and the quarter-finals, but here we are. I was hoping for a bit more interaction between Ash and Cynthia; it was a perfect opportunity for some more pre-battle banter and reflection, and perhaps even some references to previous sagas and encounters the two shared. While the interactions between the pokemon and the COTD’s were minorly charming, it lacked any depth to draw my interest.

At the very least, we got a very nice peek into the dynamic between Cynthia and her Garchomp, confirmed to be her first pokemon and one she hatched from an egg, with extra added cuteness of scenes of her as a child incubating it. I also like the connection drawn between her Garchomp and Ash’s Lucario, who also hatched from an egg during this saga. I’m guessing this is setting up for a clash between these two pokemon in their upcoming battle. I have to say, I’m pretty intrigued by this. Yet, I feel like we could’ve gotten so much more between these two competitors for the screen time allotted outside of the stadium.

Slightly off topic, but did you see how much hair Cynthia has, even when it’s tied up into a ponytail? Damn, how hard must it be to tame all that. If anyone could, it’s her though...

But, back on topic: truly, I wasn’t expecting so much of the episode’s screen time to be devoted to the excursion at the park, much less a hunt for the COTD’s sister. It felt very much like either the money’s run short on animation, so they had to find something to fill out time so they had the budget to animate the remaining battles, or the writers decided to get lazy regarding the battle between Leon and Diantha. Again, I’m very much rolling my eyes at either possibility because I feel like the Pokemon franchise is so wildly successful, they shouldn’t have money problems when it comes to dedicating a budget to putting on some amazing battles, nor should they be accepting of such slothful writing at what is essentially the climax of this series. Journeys has been lots of good fun with its various fillers, but eventually you got to pay dividends by screening some great, full, complex, emotionally-driven battles when it comes down to the main plot at long last. This was the time to do that.

Maybe that slothful writing was part of why we also had to see Diantha undeservingly get beaten 6-2 as well. As I mentioned in my previous linked post, Diantha is a veteran champion who has a stellar reputation as battler in addition to her other accomplishments outside the league. Even if Leon is the “Unbeatable Champion,” we should’ve been able to see Diantha put up more of a fight. We got essentially what passes as a miniature slideshow of her pokemon biting the dust, with only her Gardevoir putting up a fight. Based on the graphics on the scoreboard, Leon had been able put down five of Diantha’s mons with only two of his own team members, which seems absurd at that high a level of competition. Again, this just seems to scream lazy writing, or a ridiculous overzealous need to extol Leon’s battle-born invincibility.

To Diantha and Gardevoir’s credit, they held up well when it came down to the final clash against Charizard, and the Mega Evolution versus Gigantamax spectacle was nothing to sneeze at. I especially love how Gardevoir was able to harness all that power of not one, not two, but three moves and then start to turn it back on Charizard.

But why... why did it have to be so easily cut through in the end? Leon and Charizard blew through that powerful, massive, glorious wind-and-psychic-powered phoenix of flame with just one use of that same fire move that had to have been only a third as powerful as the sum of the turned back attack. How did that even work?

Either it’s Leon fanboyism among the writers, or another case of slothful writing, I suspect.

Let me paint a picture of something interesting: an alternate reality of how this episode could’ve proceeded, letting the writers keep their goal of Leon making it to the finals without having Diantha suffer such a one-sided defeat.

Now I know cramming a 6v6 into a single episode just can’t work. That’s fine. I can excuse that if they really want to make the focus of the semi-finals Ash versus Cynthia (we’d better get 2-3 episodes out of it then, if we’re employing that logic).

So how about we have all those park scenes that happened earlier mask about half the battle, leaving us with a tense remaining... let’s say a 4v3 in Leon’s favour heading into the final half. With proper management of run-time, I could see it being able to be done if we didn’t have all of that COTD nonsense. Maybe we don’t get to see it blow by blow, but us cutting back and forth between the battle with Cynthia and Ash watching it could at least let us feel the gravitas of a truly epic battle between Diantha and Leon without all the screen time required.

On arrival, the battle would quickly get tied at 3v3 because Diantha managed to take out the still-standing member of Leon’s team that KO’d hers.

Now Leon gains the upper hand, knocking the wind out of Diantha’s sails by bringing out Charizard, taking out one of her pokemon, and then eventually Gigantamaxing to take out another. This leaves Diantha in a tight spot with one pokemon to Leon’s three, with two turns of Gigantamax Charizard looming over her.

Diantha sends out her ace, Gardevoir, and mega-evolves, letting us see that clash of power again. As before, Gardevoir gets to turn back that g-max fire move, and absorbs the g-max flying move into it, now combined with her own enhanced psychic energy. Now, instead of the story just caving into a cheap win for Leon, we get to see Diantha succeed in turning back that move because that’s when the Gigantamax fades out, letting Charizard finally fall on the field. This could be a rare instance, or perhaps maybe even the first time people have witnessed this in Leon’s reign of champion: a chink in the armour of “The Unbeatable Champion.” A sign of the chance that both Ash and Cynthia have, both of whom take close note this incredible feat as they envision themselves in the finals with Leon, wondering if they can do the same as Diantha just did.

Of course, this endeavour wearies Gardevoir, and she has two fresh pokemon to fight against. We can cut to Ash and Cynthia watching Leon use hit-and-run tactics with the first of his remaining two pokemon to wear down Gardevoir first, though Gardevoir isn’t going down easy and manages to grab hold of that pokemon and knock it out with a powerful, mega-evolution empowered psychic attack.

Unfortunately, Gardevoir’s barely standing at this point, and Leon’s last pokemon comfortably knocks out Diantha’s ace, bringing the battle to a close.

No, I’m not go to try and fantasize my way out of what’s clearly going to become canon and try and give Diantha the win. That’s for someone who wants to write fanfic to do (and good lord I fully encourage it, please, if you’re so inclined, I’d love to see that). But what I’m trying to do is to write within the parameters of what the writers clearly want here, but in a way that doesn’t cheapen Diantha’s clear talents and abilities. I want people to know that there’s a better way to do this without caving into cheap, quick writing for a franchise that has the money and talent to do better. We’ve seen it. We’ve seen battles in the past that make me yearn for that writing to return. I want my Ash versus Paul and my Ash versus Gary’s of yesteryear... or yester-decade, as it were. It’s very much possible to present battles like this again, and if ever they deserved a time to return, a clash of champions like this one would be it.

But alas, it was not today, and our dear star actress Diantha was ignominiously led to a defeat that did not suit her abilities or reputation.

But at least we have next week, where we’ll get a firm spotlight on Ash and Cynthia’s battle. Based on the previous preview, I’d thought we’d be getting a 4v4, but apparently, we’re all 6v6′s to the end of the tournament. That’s wonderful, and I hope the showrunners dedicate at least two, preferably three episodes to Ash and Cynthia’s match. We the audience, and even the competitors, have been waiting on this battle for years. I don’t want this long-awaited battle to be rushed. Let me see it, savour it, and draw in every minute of it. Let there be clever ruses, feints, and ploys that have me gawking and putting my fist to my mouth as I lean rapt towards the screen. Give me that battle writing I crave so much: for the revived interest I have for Ash, and to justify the long-touted, ever-present, and certainly legitimate prowess of the Champion of Sinnoh.

And don’t think I didn’t see that brief flash of Pikachu performing a goddamn countershield in this week’s preview. That alone gives me hope for the potential of this battle to come.

[mylordshesacactus]

Unasked-For Writing Tip Of The Day: Action Sequences

Fight scenes, chase sequences, etc. A bunch of people recently have said how much they enjoy me and @alexkablob‘s action writing, and frankly, when we first started writing together we both DREADED action scenes because we weren’t good at them and didn’t have any experience in making them good.

So, here’s the breakthrough we had, because I think it’ll help a lot of people.

If you think you suck at action scenes, what’s actually happening is probably that you’re not writing action scenes that interest you.

I’m serious. If you struggle to write an action sequence, it’s probably not that you’re just “not good at action”. What’s happening is probably that you got to the point in your script/outline/etc where you know there needs to be a fight scene and the only thing you have going for it is “right, I need....a fight scene”.

So here’s the solution: Make it more interesting.

This isn’t me being like....tough love or anything, either. This isn’t “make it more interesting to the reader”. Make it more interesting to YOU. Change something about the scene. If it feels like a slog to get through, if you’re confused or you keep losing track of where people are or you’re bored...change it. Make it not boring. Put a twist in.

Some of the most memorable examples of things we’ve personally done, to help illustrate this.

A generic chase scene through back alleys was going to get repetitive and we were inevitably going to lose track of where everyone was. Well...this was set in the Coruscant underworld. There was no reason to treat it like a modern city layout. We worked in 3D instead, and made it a chase sequence through falling-apart, rusty catwalks and fire escapes. It opened up infinitely more possibilities.

A generic dogfight in space becomes much more interesting when you made the decision earlier in the story to put the protagonists in a ship that doesn’t have any weapons.

At one point, we were going to have no choice but to just have a bog-standard 1v2 lightsaber duel in the middle of an open, featureless plain. So we had the protagonists’ crash-landing throw up a massive white dust cloud! Suddenly, an attack could come from any direction at any time; the featureless plain meant there was nothing for the protagonists to get their back to. Suddenly the miles of featureless grey dust that had promised a really boring writing experience became a) a palpable source of tension, and b) a fascinating playground for us as writers. 

I talked about this at length in another post but, at one point we were just...not really at all excited about the next chapter in a project. It was a 5+1 layout, so we had to get through #4 in order to get to the nemesis battle in 5 that was the climax of the piece; but chapter 4 was just not shaping up to be fun to write. We liked the symbolism of it, but it was going to be a long sequence of the protagnists slowly getting overwhelmed by swarming demons and it was so. repetitive. We knew we needed something to fill the climax of that chapter, and wanted a boss fight...but all the “boss fight” options from canon had been DONE in canon. Finally, we had the lightning-bolt idea of a giant demon walrus (this...makes sense in context). This also gave us the opportunity to figure out how a giant walrus would get into an ice cave, the answer naturally ending up “from under the ice, of course”. And then THAT gave us a pitch-dark ice cavern with a massive hole in the floor, covered in thin ice under which was the freezing black Arctic ocean...

What we’d dreaded as a boring filler chapter ended up being our favorite fight sequence we’ve ever written.

Once we needed to have a ship boarded by Klingons who would then be repelled. Writing a straight firefight wasn’t our idea of fun, and it also didn’t feel like a good payoff; we wanted the Klingons to feel like a genuine threat, and if the solution was “shoot them until they go away” then that victory isn’t satisfying. So we made the B-plot of that episode “the artificial gravity is glitching” and then, in the climax, had the Chief Engineer kill all the lights on the ship. We got a zero-G battle in pitch blackness and it was very, very cool.

You get the idea.

The point is, don’t write action sequences you don’t care about! If YOU’RE not interested in what’s happening...trust me, it always shows. If you’re writing a fight or any other kind of action sequence and you can’t keep track of what’s happening, people keep “teleporting” all over the scene (this is a HUGE PROBLEM in action sequences--you NEED to always be aware of where everyone is in relation to each other and the environment) or it just feels repetitive...change it!

Change things until you find that one little tweak that makes the scene sing for you.

(Fun fact: Literally every piece of “how to write an action sequence” advice also works for sex scenes. And, even better, vice versa.)

Because here’s the thing. When you find that one detail that makes you go “oh, fuck yes I want to see this scene” all the things you’re struggling with...just kind of go away.

Having trouble with blocking (keeping track of where people are in the scene in relation to the rest of it)? Not anymore. Once you get that lightning-bolt detail, the trick here is that the scene becomes cinematic to you. You can SEE what you’re trying to describe, this has suddenly become REAL and visceral. You don’t forget about major players and their locations because you’re equally invested in every part of the sequence--or else, change things until you are.

That repetitive slog and the difficulty conveying the action...well, the purpose of changing things around is so that it no longer feels repetitive. And actions you’re EXCITED about describing flow so much easier.

Basically...if you’re not invested in the action, don’t write it until you are. Find something that makes you suddenly interested. Change the setting, change the setup, change the resources the protagonist has access to. Have them break an arm in the preceding scene and suddenly have to compensate for that during the action. Use the environment to both help and hinder your protagonists--either is great, but BOTH is even better.

You’re not bad at writing action--you just need to write action sequences you like.

[kuekyuuq]

Praise and blind spots... (6x12)

I know, I wouldn't be able to do the topic justice, so I will refrain from going in too deep into 6x12′s plot. This is not my usual format and will focus more on the series as a whole, in light of this episode...

Azie Tesfai wrote a beautiful episode on a very important topic. And managed to tie it in to what Supergirl (the show) needed to be, among other things.

Yes, it's a superhero show. But that's the thing: While movies have the luxury to keep their focus on the big picture, series should also find the time to address the micro-cosmos, the consequences, the backlash, the whole canvas.

We watch shows these days, that are more and more departing from the olden format of episodic and towards the serialized - meaning, not only villain-arcs (vaguely) span over the whole of a season, but also the main characters' developments and evolution... and more importantly the stories and characters surrounding them. This should allow for interesting stories to be told in the background, without becoming background-noise. What saddens me, is that Supergirl only really started using this narration device in an effective way in its final season. With a very important topic, that while having been touched on before, deserved a good depiction, worthy of it's depth.

In this season we had two episodes before, that made me happy on that level - both also heavily featuring Azie's character, Kelly. The story about the young black man and his little brother was a heartfelt one, a relatable and thought-provoking story, given more depth by being picked up again. Being treated not as just another plot-device.

Oh, I wished we had a time-machine, cut out so many of the unnecessary and bland filler stories (that never really went anywhere) and got to dive in deeper into the many topics CWSG checked off it's PC list during its run and actually told something worth revisiting. Like this. Like what Azie did right here in 6x12.

Now, we’ve got this little gem. In the last season. Focusing on one of the secondary main-characters. The girlfriend of the sister of the titular hero... While the titular hero herself is and has been side-lined in the past 4 episodes. (If not longer... *sigh*)

I really liked this episode. I really love its format. And the topic is so very important. On all its depicted levels (and there were many).

...why did this have to happen only now?

On one hand, I feel, this is something the series can be remembered for. The last season's arc of Kelly and the story her character has to tell, the awareness this story brings forward. In a show, that should have so much impact.

On the other, I feel it's taking up room from our main character, when there should be time spend addressing Kara's traumas, her healing, her relationships.... her story. And in better hands, we possibly could have (had) both. But, alas, this is the CW.

We should have had this episode two seasons ago!

Now we have a new hero, build up before the series' finale, when we know the new Guardian will not get to shine or tell her stories (is there even talk about a spin-off for her?).

I hope, sincerely, that the last stretch of episodes will be able to balance its stories much better. That Kelly - now that her story and origin and drive has been told - will not sink back into the shadows, while we also get more Kara (and let’s not forget wrapping up the rest of the Superfriends’ arcs).

The show hardly felt like "Supergirl" in a while now. Kara is there, yes. And I get the behind-the-scenes reasons as of why they had to have her on her own separate adventure for the first 7 episodes. But... there are so many unresolved topics around Kara, herself. (IMO, the only character that continuously got this much attention is Lena Luthor, having almost more background-story, character build-up, -arc, emotional depth and consequences, personal and surrounding her, than Kara - including the horrible over-the-top mess that was season 5.)

Gosh, the show even made a point of having Kelly say, that it wasn't Kara's job to deal with these little things. Which is right and wrong at the same time. Supergirl is an over-powered superhero. Which brings conflict in its own right. Which - in a series - should leave room to explore her as a person and dealing with the chasm between her powers and her vulnerability, her character, her emotions, her traumas, her desires, hopes and dreams and wishes, her evolution and re-evaluations...

Kara Zor-El Danvers should be the - or at least a - focus in her (last!) season.

And on top of that, we should get to see what happens when the heroes dust off their hands and leave the scene after fighting the big bad.

Consequences. The show has been horrendously bad at addressing those before. The Children of Liberty arc tried to deal with that... but in a way that lead to extremists, and for the sake of a big bad - rather than in a relatable Everyman / Everwoman / Every..person(?) way.  This episode did that. The previous Kelly episodes did that. So very well...

...addressing the little people, the normal people, the minorities, the (unintentional) victims, the over-looked, the individual sufferings, the by-standers...

...but also unintentionally showcasing the shortcomings of the show in a very unflattering way. But I guess, for an episode titled “Blind Spots”, that attempts to cast light on things that have been ignored before, that’s rather fitting...

... I don't think, I can say much else without accidentally taking away from Azie’s master piece or her intent and thoughtful execution...

I did very much appreciate the "24h earlier" bit, showing Kelly's tale paralleling the 'grand adventures' of the Superfriends.

I did not think, Diggle needed to keep telling Kelly how proud her brother would be, as Kelly should not need her brother's thumbs-up or for the show to yet again inadvertently compare a female to their male 'counterpart'. Kelly's Guardian will (hopefully) not be like James'. Just like Supergirl is her own woman and comparing her to Superman is just inadequate.

...and I love how even the mail was quicker than the jet that brought Lena back to National City.

...

I love the show for its quirkiness. Not the unintentional one, but the funny and goofy bits. For Kara being walking (or flying) sunshine incarnated, but also relatable in her day-to-day struggles. For characters with so much promise that I got so much more invested in the show, than its average writing deserves. It is a series, that had so much potential. To tell big and small stories, important and impactful stories. Fun, sad, thought-provoking, entertaining, exciting, adventurous, soothing, real, fantastic... I never asked for the show to 'pick a lane' (I'd take Lucy...) because there has always been potential to meld so many themes and motives and ...moods together - that's what an ensemble cast is perfect for.

Thank you, Azie Tesfai, for a great episode!

Fingers crossed, the last stretch of the show will be able to keep up with a bar suddenly raised so very high.

[stars-trash-18]

Home lll

Ngl this was kind of a filler chapter. but it’s what I got, if anything this will give you more background on reader and the planet’s history.

Again please message me about corrections about anything, especially if I use anything gendered or with racial descriptions. 

You did as promised, you delivered some crops and spare farming supplies. After that you turned your focus back home. You went about as normal, getting Attila to school, smoking meats, tanning hides, and prepping everything else for the monthly market. The town several miles from your ranch had a weekly market for smaller sales, but once a month they had a large fair to sell bulk items for better prices. It helped keep some income during the weeks coming in and when the fair happened it brought in tourists or larger buyers to bring in the bulk income for many of the families, including yours.

 Over the years you had gained the reputation of being one of the better ranchers to buy livestock off of. You cared for them like they were your own children and made sure that everyone walked away with a decent price, whether or not you gained a profit or broke even. 

Because of this the fair became one of the only markets you showed up to, you'd bring your products and had the city wives falling over themselves for the leather and furs, the galactic ranchers trying to outbid each other for whatever prized bull you brought with you, and the smaller families happy when you turned the wealthier business to them. Because, although you had a wider range of product than most other farmers, you made sure to make a sly comment about others like, "The Ferdorick's leather products are some of the finest, if you decide to buy from me i'm sure they'd make this hide into a wonderful jacket,". 

Something you valued so much more than the core worlds was the community that surrounded the outer rim planet, in planets like Coruscant people walked by the needy everyday. But here if someone needed shelter or something to eat the locals would give it to them, whether they were one meal away from the same fate or not, they still extended a hand and gave what they could. They did it for you when you ran, when you first landed with Attila balanced on your shoulders wondering what to do it was the Ganoris' who set you up in their spare bedroom, the Ferdoricks who taught you how to tan hides and gave you your first 5 head of cattle, and the Actorias who gathered the materials and taught you how to build and thatch. You were a stranger who was more dangerous than they knew, but they extended their hands to you and you work so that you can prosper and help them too. So when the Armorer landed on your doorstep you wondered if it would be wrong to turn her away, because you were tired of seeing people.

You enjoyed chatting with those you knew, but seeing so many strangers more than once a month made your social batteries drain. But you reluctantly invited her in and sat across from her at your table as you went about preparing the morning coffee. Already preparing yourself for the long day ahead. She sat regaly for someone who was so weary weeks prior, she reminded you of the tall bamboo stalks from your ex’s estate with how she could go from being bent with stress to tall and strong. She only watched you carefully as you moved around your small kitchen and rested a hand onto the table, only moving it to say no when you offered her a mug. 

“How can I help you today, is everything alright?” you inquired carefully, blowing the steam away to cool the sweet nectar of the gods. 

“Everything is alright in our new home, it’s been a long time since we’ve been able to call anything that,” she receded, her voice filled with warmth at her family’s good fortune before she continued.

“I’m here to ask if you would be willing to help us again, we’d like to gain some income but don’t know how we’d be received by the community and we’d prefer to stay as hidden as possible,” she breathed a heavy sigh when she finished. You blinked at her owlishly for a moment before giving her a calming smile and leaned back in your chair.

“I’d be glad to help, from what little I know of Mandalorian culture your people are famous for their care of those they consider family and it’s the same here,” You paused to sip your coffee before further explaining, “ There’s a story that the natives tell, the natives that have been here long before space exploration, that this planet was steeped in war but over time as the war dragged on the blood spilled by the fallen started to poison it, causing more to die from starvation than battle itself,”

“They came to the agreement that to preserve themselves they had to merge, it took many years but finally there was peace and balance, they shared their knowledge with each other and valued cooperation and helping others and that has remained the same since, they are wary of outsiders but would still help them at any cost, because with all the bad in this galaxy they hope to heal it one person at a time,” you finished before pausing again in thought, “But don’t mistake the peace for weakness mandalorian, the people of this planet will still fight if it’s the last thing to do, because though they prefer peace if you threaten their homes and family they fight like you wouldn’t believe, now onto the business at hand,” you chimed as you pulled your datapad in front of you.

“That was insightful, all the same. We'd like it if one of our own accompanies you to the market so you can show them how this planet works,” She replied thoughtfully, tapping her fingertips onto the table briefly in thought. “We understand that there are a few threats to you at the monthly fair but Paz has volunteered to accompany you to help carry your goods and some of ours with the added benefit of protection, from what i’m told you’re more than capable but at this moment it is the only labor we can provide,” she clarified. “ We'll give you a percentage of our sales since by extension we’re using your reputation to do so and to compensate for you teaching Paz the ropes, because what he learns with you he’ll bring to us,” she further revealed.

You huffed a laugh before waving your hand at her, “nonsense, here knowledge is free and openly shared, I’ll send you the coordinates for the public libraries and can have Attila look out for your children if you ever decide to put them into the school, besides you have more mouths to feed than I do and I could frankly use an extra set of hands at the market so this will go towards you’re payment for the land,” you receded. The armorer jolted for a moment at your news, her breathing seeming to stutter for a moment before she straightened further.

“Very well I accept the terms, I must ask however why you show us such hospitality,” she prodded, you understood what she really meant. She was trying to find any ulterior motive, and you could see why with how the mandalorians have been treated throughout their history. So you only thought for a moment before answering her, setting your mug down and looking to the floor to try and keep the memories at bay.

“I was running from someone who wanted me dead and to take my son, I was an intelligence officer for the resistance during the war so I knew that this planet would be the safest and furthest away, when I got here all I had was a small bag with necessities and little Attila slung over my shoulders,” You breathed in heavily to try and build a wall around the memories that flashed into your mind, trying not to get thrown into an episode, “I had nothing, but the people here took care of us, they helped me and as the saying goes taught  me to fish,” you smiled softly at the memory of the elderly patriarch of the Actorias lecturing you.

“So to repay them for their kindness is to pass it forward and no one is more deserving than the Mandalorians, you guys were really screwed over by history,” you finished with a slight chuckle and turning back to the mandalorian matriarch, who sat rigidly. She rose from her seat at the table and placed her arm over her chest and bowed slightly.

“That was all I needed so I’ll take my leave, but know that you have a clan of mandalorians in your debt, those who threaten you threaten us,” she said like a vow before she swiftly turned and walked out of your home. Using the jetpack you didn’t even notice light up as she took off back towards the bunker. 

~~~~POV switch to earlier that week~~~~~~

“Paz you don’t have to be the one to accompany the rancher, we can send one of our more experienced merchants to better learn the trade,” The Armourer explained with a hand to the front of her helmet in exasperation.

“I know, but if you send me it’ll be better to gauge how the people would react to us, I can also provide security,” He stressed, adamant about being the one sent to learn.

“From what you told me they are their own security, you just find them attractive,” Din teased his brother playfully, earning an elbow to the side gap in his armor from Paz and a groan from the Armourer.

“Enough you two, Paz if you’re so enthralled with the rancher I’ll grant your request now both of you out,” she reprimanded before waving her tongs at them in dismissal so she wouldn’t have to deal with their childishness.

As they left Din passed his brother with one last jab, “try to learn a little Verde”.

[misplacedgamer]

Tsuyu Can (Not) Be Trusted: A UA Traitor Theory

So when BnHA 320 dropped a couple days ago, @redblossxmm wrote a very interesting meta post that immediately grabbed my attention. In it, she goes over the chapter cover and the possible symbolism that might be at play. At first when I read it I was like "oh, that's kind of funny, wouldn't it be wild if Tsu was the UA traitor all along". But then I got to talking it over with @rikusoma on Discord and...yeah guys, Tsu might actually be the traitor.

I would just like to say before we get started that all of this is conjecture and based on a lot of admittedly circumstantial evidence. There has not been a lot of heavy handed evidence one way or the other on who the traitor even is (and if we’re being 100% honest, my primary traitor suspect isn’t even a student), but there’s still some fun stuff we can look at that could at least be considered setup against Tsu if that trigger gets pulled.

First off, I want to talk about how weirdly...in focus Tsu has been, especially in the early arcs. So far Horikoshi has only written two bonus chapters for MHA: a 5 page omake included in the character guide that highlights Bakugo's feelings after the 1st semester final exams, and a chapter completely about Tsuyu, her family, and the only friend she had growing up in middle school. Unlike the other bonus chapter though, this one was actually included in Shonen Jump with one of the chapters, and it later reappears in Volume 10.

What’s weird about this is that we ONLY see her family in this little bonus chapter. We actually do get to see a lot of the other families of class 1-A, but we DON’T see Tsu’s family. Horikoshi could have given us Tsu’s backstory and family organically in the story (or in a one page omake, he’s done a few of those, mostly notably in the chapter right before DvK2), but no, she gets a whole short chapter all to herself.

Tsu also gets a whole anime episode to herself (the first filler episode as well) in the vs Stain arc in season 2. What’s weird is that the episode opens with checking in on the other students and seeing how their internships are going, so that momentum could have been continued if they needed to fill time, but instead the entire back half is all Tsu. This should have some payoff later on, or it will have just been wasted narrative space (although since its filler, it could be argued that its empty space being wasted anyway, so it’s not as big a deal).

Now let’s get into some specific things I noticed that we can chalk up to “there are no coincidences”. First, Tsu getting dumped into the water during the USJ attack. Deku attributes this up to the LoV not knowing their power sets, but honestly Tsu is the only one who comes out on top here, compared to the other kids. Deku himself is stuck on a boat, so there’s not a lot of room for him to get going and fight, Bakugo gets blown into the ruins so there’s not a lot of room for him to do things without accidentally blowing himself up, Ojiro is surrounded by fire so he’s also going to have maneuverability issues, Tokoyami’s in the dark so Dark Shadow can’t be used effectively, etc. The low level thugs probably did not know the students' quirks because of how they reacted to Mineta’s goo balls, but if the traitor is a student and told the LoV about the class, then Kurogiri would definitely know. This would be a good opportunity to convince the rest of the class that Tsu was on their side, especially if she was able to be in her element and work as a team player.

Tsu also spends this arc adamantly trying to convince her classmates to call her “Tsu” instead of Asui, a cutesy diminutive of her full first name (like Deku using “Kacchan” for Bakugo, a shortening of Katsuki-chan). It’s interesting that she’s trying to get the boys to call her this too. While it’s fairly common for high school girls to give each other cute names, asking male classmates to also do it is honestly a little bit weird. She also calls everyone “-chan” throughout the story, which is interesting considering she’s once again lumping in the boys and the girls. You could interpret this as her trying to force a connection with the class, trying to be cute to create an air of friendship and intimacy quickly, along with getting them to drop their guard.

Next, let’s look at the Bakugo kidnapping arc. Tsu is not the only person who thinks it's a bad idea to go, but she is the one that most vehemently opposes it, comparing the mission to acting like a villain because you’re working outside of the rules. This is an extremely harsh thing to say, especially to Deku, who just broke both of his arms saving Kota and STILL pushed himself to try and rescue Bakugo and Tokoyami from Mr Compress. Seems to me like she’s very desperate to keep Deku and the rest home, enough to go for the freaking jugular like that. I could also bring up Tsuyu keeping Bakugo away from Deku in chapter 303 (because I’m convinced that if Bakugo had been able to talk to Deku he wouldn’t have run away), but the whole class was on board for that so whatever.

And now let’s get to the big one: Tsu has had two different near misses with the LoV so far. Shigaraki almost grabbed her face during the USJ attack, but it took just long enough that Aizawa was able to save her. Later on, during the Camp Training arc, Toga has her pinned to a freaking tree, but she talks JUST ENOUGH for Ochako to get the drop on her. As a counterpoint, Toga does NOT hesitate at all while trying to go for Ochako’s blood, immediately sticking her and grabbing some before making her retreat. Both times Tsu was put in enough plausible danger to make it seem like she was being threatened, but she wasn’t actually harmed in a significant way.

There are a couple other things we could point to (like how she’s on the cover for chapter 320, along with how weird it is that the chapter just randomly ends on her face, when a more dramatic ending would have probably been when Todoroki encased Deku in the wall of ice), but I think we’ve covered most of everything. To summarize: Tsuyu gets a lot of narrative space given to her despite not really being a relevant character. She is often getting put into danger without actually getting hurt, and Horikoshi has put a lot of effort into making her seem like a gungho team player that will do anything for her friends. Having Tsu be the traitor would make a lot of seemingly unconnected things make a lot more sense, and I think it would be a really good gut punch to have that rug pulled out from under us by her.

Now of course, we have the shakiest part of this theory: what would be Tsu’s motive? Well what little we know about her family is that her parents are often working and therefore she’s responsible for taking care of her younger siblings. It’s possible that she somehow got into some kind of vigilante/mercenary work in the underground in order to support her family. That would go a long way in explaining why she’s always so level headed under pressure (a lot like Bakugo, who also has a lot of experience in fighting, since he used to both bully and get bullied). Alternatively, AFO or the LoV has her family somehow, and she’s being coerced into it. Either way, I definitely think her family would be her motive here.

So in short, Tsuyu is 100% the traitor and clearly this is undeniable. Thank you to Blossxm for making my brain start turning, and thank you Riku for being my springboard the past couple days while I rambled about this ridiculous idea. More meta/theories are incoming, so if you enjoyed my shit post, please stick around and ramble with me about how crazy the last few chapters have been!

[life-rewritten]

Tharn and Type 7 Years: The duality of TharnType and LeoFiat

Okay, let's crack on to episode 4. This is going to be Looong! Strap in.  Another episode that yes I enjoyed. This show is like returning back to an old love, it feels nostalgic, it's the best thing in the day to end with, you're excited but also scared at the same time because you've become so attached that any issues that ruin this will break your heart into pieces. And I wasn't expecting it, but I became pretty attached real fast, I fell hard again. I am so grateful for this show for bringing back that excitement, and longing because waiting for the episodes is beginning to start to hurt. 

Addressing the Complaints 

In episode 4, fans have said that this episode was another filler episode full of nonsensical scenes and purely another LeoFiat storyline, fans were upset at the lack of screen time apparently for MewGulf (who play TT).  I say apparently because that's rubbish, they still have more screen time than others. Fans also thought the plot had started to be stagnant and nothing was happening. Hmm, I can see how fans may think of the last one, because I too even after watching episode 4, felt the story was on hold; however, I wasn't angry, I was intrigued. I know that the writer of this show leaves clues, information for where her plot is going right now; Tharn and Type are on a roller coaster, everything right now keeps building up, moving up waiting till it reaches that pause before we all fall and lose our minds. Because of the angst and drama. Because it will be painful. On Today's analysis, we're going to break down The dichotomy and duality of our two prominent couples this season in episode 4; LeoFiat (LF) and TharnType (TT)

Now, this is an example of the duality of LeoFiat and TharnType. We get two scenes at the beginning of episode 4, both associated with the making of or eating cake. It's funny when I analyse some shows as sometimes I hate looking deeper into scenes that may not even be planned or aren't actually that deep. But I got irritated because people stated that it was pointless having the cake scene; one because it was censored and we didn't get a kiss from TharnType, and that's what the scene was for to them, two because why the hell is Fiat eating a cake happily so important for TharnType? 

Well, I'm here to tell you that it is essential, every dialogue in these two scenes with cake is needed as much as the shopping scenes and the long focuses on characters doing mundane things. It's actually again telling you and building up the story in subtext. TharnType the show has always been a show that uses subtext to build up the tension and show what's going on secretly below the surface, in season 1 we saw this happen the opposite, we saw the angst and the fights and the pain on the surface, but we realised the depth, the meanings, the actual psychological links of our characters in subtext. In season 2 we have this reversed, we're getting the angst and the conflict being built up in the subtext. On the surface, we see ordinary moments that seem like they hold no meaning.

 Except they do: Take the cake scene, for example, we are again shown the mindset of our characters and behaviours towards the plot of the story: The marriage conflict with TT and the Fiat's interference with TT as the villain of the show. We're shown hints again to their personalities, mindsets and behaviours. 

Let me break it down even further: 

THE MESSY THING ABOUT CAKES

Cake Scene Number 1: Tharn has woken up to make a cake for Type because it's his day off in a while. Tharn isn't a great cook, so he's made a mess of the kitchen, in order to prevent more messes and Tharn getting hurt, Type distracts him with his body and intercourse. Type then proceeds to ask Tharn out for shopping, and a date and they tease each other. 

Cake scene Number 2: Fiat is happily eating cake, Leo shows up and berates him for his messiness, and Fiat pushes it off. Leo continues to complain whilst babying Fiat, Fiat and Leo then discuss Leo's family and how Fiat likes being seen as the favourite son in that family. Fiat then convinces Leo to take him out to go shopping for shoes he wants. Leo says he'd go alone, Fiat disagrees and manipulates him into letting him go by being more baby and cute. 

Tharn and Type: 

Messes and Destruction

So why is this cake scene so important? The dialogue and behaviour! Tharn is shown to be impulsive and rash. This is repeated throughout the whole episode. It's a warning, Tharn is spontaneous; ready to do new things, step out of comfort zones despite the mess and destruction it could cause to him and his safe space. With cooking he does it because he promised Type, it's to make sure Type is comfortable on his day off because he worries about him overworking (this is also repeated for the plot of this episode). However as much as he promised to cook always for Type, we've seen twice with his cooking, that Tharn is prone to making more of a mess than something useful. We even see a pan of the camera to the counter to show how much chaos he had caused. There's a reason for why it panned out. We've seen his battles with the eggs, the first time he hurt himself and Type was over-worried, and this time he messes up and destroys the kitchen to get one egg broken for the cake. It's cute but look at the dynamics:  

Type's Protective and Reactive Nature

Type is more reactive to Tharn's hurt, mess and destruction, and he's protective over what they have and is more on the watch for the damage rather than the gesture. Tharn wanted to be romantic, but he ended up ruining it by rushing, by being impulsive, by not slowing down; the gesture is for Type and to make Type happy, at ease and comfortable but it doesn't end up like that. This is foreshadowing; the cake making is the marriage plot. The reason why Tharn wants them to be married is so he can have a stable and secure relationship with Type, to make them happy and feel safe. Still, Type is more worried about the results of marriage, the 'mess' of their relationship if people get involved with their relationship or if the marriage doesn't work out because of society's laws.  This again shows how much both of them are doing things for each other but not actually not seeing each other and understanding each other. The more Tharn pushes the more Type will be worried and overreact. This was foreshadowing.

Leo and Fiat:

Messes and Obstructions

This is the one everyone said was a waste of plot except it wasn't. Look at the first details, we see Fiat happily and messily eating a cake, he's so happy, peaceful and joyful. This is the first scene we've seen him this way so far we've seen him anxious, mean, grumpy, loud, obnoxious and just overall unstable. The reason? Because Leo wasn't there. His friends mentioned it, he himself said it to Leo in episode 3 that he was losing his mind without him there, but he didn't want to bother him since Italy was so important to him. That one minute of him eating cake and smiling peacefully is there for a reason; its to show him blissful and different, the effect of Leo on Fiat. 

He's not meant to be a devil or evil he's just a kid who is spoilt and bratty.  Fiat knows how he is with Leo, and he appreciates it, he enjoys all that Leo has done for him, and it makes him love Leo. Yes, Love, Leo. He knows about his feelings, but he pushes them down because Leo keeps pushing them aside and seeing them as nothing. I wrote a post previously (here), detailing how both Fiat and Leo have feelings for each other, Fiat has been forced to let go of those feelings because Leo keeps rejecting and sweeping past his feelings because Leo sees his love as fickle or part of his spoilt personality; for example with this scene when he replies to Fiat's confession, 'You always say you love someone to whoever pampers you all the time'. 

Leo doesn't take Fiat's feelings seriously because he thinks Fiat plays too much with people, and he doesn't want to be that to Fiat (just a game to distract him so he won't get bored). Fiat just wants to be with Leo and to be by his side at all times. For Fiat, if being friends is the only way to do so, then it is better to stay friends. That's what this scene is showing you with their dynamic and with their dialogue.

Fiat's spoilt persona

Which brings us to Fiat's childish personality. I said in my previous post, Fiat felt neglected by the people around him; his parents, his friends who see him as an annoying brat and Leo, who didn't take his feelings seriously. We find out this episode that Fiat is close to Leo's family, he's like their son they take care of, but because they live far, he still feels neglected and alone. His actual family definitely don't show him care and emotional support, but they do spoil him with materialistic stuff probably. Hence why Fiat has embraced this spoilt child persona because it gives him what he wants; his parents attention, Leo's family's attention as the favourite 'son' (basically he's babied by them and spoilt by them) and Leo's care and affection.  

In fact, this is the reason why he proceeds to eat messily like a child, he knows Leo will clean it for him, and this is why he proceeds to whine and cry and complain because it gets Leo to baby him. Fiat embraces this childish, immature, spoilt personality because it makes it easy for him to be taken care of by Leo. See the cake scene for example; his mouth got wiped by Leo, Leo brought him water and then proceeded to accept Fiat's wishes to go with him to the mall because of him acting like a baby. 

On the other hand, Fiat just wants to spend as much time as possible with Leo; it's why he was so determined to join him at the mall despite coming up with other reasons. Fiat knows he loves Leo, probably knows what it means, but Leo's constant rejection and blindness make him think it's unrequited and failed.  But one thing most important to this plot, Fiat gets what he wants by being a baby. He doesn't like when he's being neglected, so he becomes manipulative, stubborn and immature whenever he wants something. This is why he becomes our villain. Leo can calm him down, but Leo is also the person who's making Fiat more of our villain because he refuses to accept Fiat's feelings; if he had taken him seriously, we wouldn't get this conflict. Fiat needs Type to distract him from his frustrations with Leo.

Plot: Fiat and Leo have known each other for a long time, are close to each other's families, and Fiat is used to being spoilt and babied. 

IT’S A DATE!

Shopping scene Number 1: It's a date, Tharn and Type eat and Tharn tries to get the marriage conversation in again, and Type becomes a bit possessive when he notices Tharn on his phone, changes the subject and we get Tharn's work philosophy, Type tries to warn Tharn to slow down, but it ends with Tharn proceeding to hint to marriage again, Type smiles whilst rejecting it softly. 

Shopping scene Number 2: Leo is possessive and jealous about Type, he wants to ensure that Type is just a fling to Fiat, Fiat doesn't get why Leo is acting this way and proceeds to say its because he gets what he wants, its a conquest basically, Fiat distracts Leo by complaining about his legs and then Leo continues to put shoes on Fiat as Fiat stares at him lovingly.

Tharn and Type.

Tharn; The hasty and rash

Again we get a repeat of this motif. Tharn wants to rush out some plans for his work, but Type is worried about him not slowing down and waiting to see the results. Again we see this misunderstanding of each other's perspective. Tharn wants to rush work stuff because he wants to make things stable and secure for him and Type fast, so their future is safe. Type doesn't understand why Tharn doesn't focus on the now, and take things slow and be protective of his work more carefully. Tharn's business is a metaphor like the cake for their relationship. Again the reason why he's being impulsive is for Type, and again Type doesn't see the reason for it. 

This is repeated again with the shopping scene, Tharn is rash and likes to spend money without thinking, because he's used to being wealthy and spoilt, (like Fiat). Again Type is protective of finances, he's their financial planner, he thinks of the big picture. He protects their relationship from any potential signs of harm, stress or issue. We actually see him do so this episode once he discovers Nana sneaking around in Tharn's life. It's him being protective and preventive. This date scene dialogue also foreshadows what will finally get Tharn and Type to the end of the conflict; possessiveness, communication and understanding.  These are three things that get Type willing to accept the proposal;

Possessiveness

Because Type finally realises that many people are still trying to ruin him and Tharn and marriage will help him get security and stability. Because the reason why people keep doing this is that they think he and Tharn are single. He realises he needs them to be exposed to the world to avoid these minor issues. 

Communication

It's only after Tharn explains why he rushes his work style for their relationship that Type finally gets his point of view, it makes him understand more why Tharn is more eager and trying to push things, it's for their security and stability, its for Type, so he also starts to feel grateful and happy at the thought of the ring on his finger. Hence the smile. 

Understanding

It's not yet happened but its losing Tharn that would make Type understand why marriage was needed. It's through them finally reaching a breaking point that will eventually push him to accept it despite his fears.

Leo and Fiat:

Leo: The oblivious and the envious 

Fiat basically says again the reason why he acts spoilt is, so that Leo pampers him; he doesn't like the idea of Leo not doing so. Obviously, the shopping scene is vital to the plot, it introduces Leo to Type, and at first, you seem him react uncomfortably because he's guessed it's one of Fiat's 'fake' relationships, people who he flirts with and sleeps with and gets bored of quickly; a quest. He still doesn't notice Fiat asking for his feelings; Fiat asks him if he thinks he's handsome Leo walks away (again pushing his feelings to the side/overlooking them). Fiat also explains why he likes Type; because he's hard to get, and a quest, it excites him, and it makes him determined to win his heart. 

We get even more clues to this when Fiat tells Leo he's always gotten what he wanted, but he had one thing he could never get. If the audience pays attention, you'd see him pause on Leo. Leo's feelings are what he couldn't get and what he had to give up on, but he diverts it to a lie, which he says that it's wanting Leo to stop nagging him. Thing is this shows Fiat's mindset again. Leo's requited feelings are something he's tried to get, but he didn't have a chance according to his perspective. Again Fiat knows he loves Leo, you see it again when he looks at him lovingly as Leo puts the shoe on him. These two aren't seeing each other eye to eye. But yes, shopping for shoes is important to the plot.

Plot: Fiat sees Type and proceeds to be eager and ensure he can keep texting him. Fiat admits he wants to be with Type to Leo. Leo isn't happy. Tharn notices Fiat and worries but gets distracted by Type so forgets about him. 

PHONES, SOCIALS AND PICTURES 

Scene 1; The social media scene: Type and Tharn discuss Tharn's worries for Type's work and how much energy he puts into it. Tharn wants Type to be more comfortable and at ease, and sends a picture on Instagram showcasing his ownership for Tharn. Type feels happy when seeing people's reactions to Tharn until he sees that Nana has liked all of Tharn’s picture, he's worried there's a homewrecker upcoming, and asks Techno for what he knows. Techno reveals he saw Nana and Tharn together. Type becomes possessive, looks through Tharn's phone and proceeds to go confront Nana.

Scene 2: The gym scene: Fiat is happily on the phone texting Type, he sends a picture (just like Tharn) to Type and discusses his behaviours and attitudes since he started getting physical therapy. Leo gets jealous and tries to get Fiat's attention, finally asking Fiat if he sees Type as something serious, Fiat says Yes. Leo loses his cool and becomes upset. Fiat doesn't notice as he's distracted happily texting with Type. 

Tharn and Type:

Possessiveness and Preventiveness:

We see Type again lean towards marriage when he notices how happy he is when Tharn declares his ownership. But also they communicate, and Tharn tells Type he's worried about him overworking, he wants to be the one taking care of Type. Type is happy and grateful, he understands he's Tharn's number one priority. And he likes seeing people react to Tharn as a good boyfriend. But we see his fears come back, because the reason why he hates being exposed to the public, why he keeps refusing to involve people in their relationship is because of people like Nana.

Now I just want to speak about Type and Tharn's possessiveness and irrational jealousy. Obviously, people would say this is the reason for toxicity of TT except if you know the show and understand them it isn't. The way they started their relationship is enough to show you why they are so jealous of people, it wasn't to do with them not trusting each other, or being toxic and controlling. It's not to do with any of that.��

It's to do with Long. Remember him? In Season 1 Type had to go through a lot because of people's interference; San kissing Tharn, (making him finally call Tharn his boyfriend) and Tar returning and chasing after Tharn ( making him also protective and find out Long's interference causing them to break up). Finally Long had been manipulating Tharn for a very long time psychologically, emotionally and physically. Type knows Tharn is easily manipulated and easily attractive to problematic people.

 Nana is one of them, she's a flashback to all these people who tried to ruin what they had, and both TT has shown repeatedly this season are extremely overprotective of their relationship. It's not a surprise Type looks into Tharns phone and answers Nana and goes to her, he's being protective and preventive not toxic. He knows Tharn won't cheat; it's not about him; it's about as I keep repeating preventing measures that could cause harm to their relationship. Same reason why Tharn wants to get married and declare ownership, its to protect and secure their relationship. They have the same goal, just different methods. 

Leo and Fiat: 

Possessiveness and Proclamations

If you guys didn't notice Leo was mirroring Tharn is season 1 episode 2 I think. Type showed attraction to Tharn shirtless and drinking water, and the jealousy seeing him text someone else. We’ve those scenes before because we’ve seen Tharn do all that is S1. First thing to notice is; Leo is confident, he can distract Fiat. This shows you he's been doing it before, he's used to getting Fiat's attention on his body,  and he's used to getting Fiat distracted from other people, this is why he hasn't bothered with others. Because Fiat gets bored and returns back to obsessing and flirting with him. 

The problem here is Leo is too late when it comes to Type; it's his lack of presence in episode 1, 2 and 3 that led Fiat to seek comfort and trust in Type. Fiat finally found someone else to be excited about, someone else to feel inspired by and someone who makes him not bored when Leo isn't around. Fiat likes that about Type, he wants that; he's being distracted from his own feelings for Leo, he doesn't see or understand why Leo is acting out. He's too focused on his quest. And I get it, he finally has a chance to move on from Leo and still keep their friendship intact. Type is the way to do that. 

 The Problem With the Unofficial Label

This is the danger of unofficial relationships. Leo thought his comfort zone was being in this unofficial thing with Fiat. He had feelings, but he also thought Fiat wasn't going anywhere or getting distracted because he always returned back to Leo probably whining and throwing tantrums, he probably also again threw his shot and flirted heavily with Leo.

 Leo was okay keeping what they had this way (like Type was okay with keeping him and Tharn hidden), but it's only when he realises that their relationship isn't stable or secure for him to declare ownership that he reacts, he's learning just a bit too late. Fiat's entire focus has shifted to Type, and it isn't going to change any time soon. Leo has pushed Fiat away too much that now he's going to be regretting it and being hurt because of this. 

To all the people who feel bad for Leo, Fiat isn't manipulative or using Leo, he has no clue about his feelings for him, he gets hints sometimes, but it's always pushed away once Leo rejects his flirtations. If you noticed this episode before Type showed up Fiat was saying how he felt to Leo repeatedly; 

'I love you the most in the world."

"I'm handsome don't you think"'

"If I stop, won't you pamper me anymore?" 

 Each time he got rebuffed by Leo, Leo assumed Fiat was saying I love you to anyone easily as long as he was spoilt by them, he believed it was fickle and interchangeable. He walked away when he was asked if he thought he was handsome because of jealousy, and he failed to see Fiat's fear when he said the last quote. Leo doesn't see Fiat's feelings and Fiat has stopped trying to see his. Hence fixation on Type. Again this is for the plot, Fiat is a villain. After all, he's started to want to win Type's heart because he likes how he feels with him, and he's never lost a quest before. 

Plot: Type is getting closer to the idea of marriage, Nana has come into the picture. Type is determined to prevent her from doing something and goes to confront her. Fiat is also starting to fall harder for Type and has decided to pursue him. Leo, on the other hand, is also getting jealous and losing his control of his feelings and Fiat's attention. 

‘A MUNDANE PLOT AND STAGNANT STORY TELLING’ 

Three scenes with immense depth to character building mirrors from season 1 and more plot building. The plot hasn't stayed still, Tharn is more determined and closer to getting Type to accept his proposal, but he's impulsive, rash and rushes things without giving Type room to think. His brother warned him about this in the episode and its foreshadowing he needs to stop and slow things down. Give Type time! Type is possessive of what he has with Tharn and is also closer to leaning towards marriage, but if rushed, he'll panic and lose his cool. 

Fiat and Leo's plot is building, both have feelings for each other, but because Leo refuses to tell Fiat straight up or take his feelings seriously both think it's unrequited; in response, Fiat finds distraction and excitement with Type and so proceeds to focus on that conquest, he's determined to win Type's heart, but he also likes being with Type because Type seems to understand him and is just like him remember.

 Leo, on the other hand, this episode realises someone has actually taken his place in Fiat's mind and is now panicking and no longer willing to keep their relationship unofficial.

 See? Is that not a plot? We get both information and a build-up to Fiat becoming the villain, whilst again making us feel sorry for him. We get the marriage plot still ongoing, there's more manipulation to get Type to say yes, and he's close to it, but if rushed, he'll stop. There's still miscommunication and misunderstanding of each other's perspective when it comes to both our characters. The plot has not paused; it's always moving, everything was needed this episode. So all those people who keep complaining, please for the love of god calm down. 

More Tharn Type Analysis: Masterpost Check under Tharn and Type Here

[simplysummers]

SPOILERS FOR EPISODE 13

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*sigh* AIGHT IDK HOW I FEEL ABOUT THIS ONE!

Again, it feels kinda like filler to me….but I still oddly really liked it. Let me be clearer.

Pros:

- cute Hunter and Omega interactions, even if it’s just the shoulder touching and the fact she runs to him after she’s held captive, she really does trust him the most, he is the one she always goes too, she likes to be with him because she loves and trusts him. I’ve gotta get back to writing these two as soon as possible.

- the Pykes are fucking hardcore. They dont fuck about. I was genuinely petrified when they took Omega, I was spamming my discord because I was so scared. I thought they were going to sell her to Bane or someone and they’d take her back to Kamino which would then lead the boys back to Kamino and then cue showdown with Crosshair while Hunter looks for Meg (of course they get both back. (oh oh! And then season two could entail their strained relationship as Cross is like hella pissed Hunter went after the girl instead of coming for him, not to mention the fact he was left for ages! Oh and poor Megs would be in such a state, the father daughter vibes it would admit it amazing…..shit did I just plan a fanfic???)) but anyways- loved seeing the Pykes! Even if they stress me the fuck out!

- I actually quite liked the criminal (I’ve already forgotten his name) he was a little cheesy but in a loveable way.

- I really liked the focus on Wrecker this episode, even if it was kinda silly sometimes. I thought it was done nicely.

- so we have “bandana/dark n’ broody”, “goggles”, “tiny”, and “muscles”, who’s betting that Echo is “wires”?

- Tech’s “I believe she’s threatening us” what a king lmao. I love his sass.

- Omega is just so kind and understanding, she wants to see the best in everybody. And I love that for her.

Cons:

- filler episode….we’re running out of time for filler episodes Dave. I know the last ep at least will be a lot longer…..but come on. I’ve made a post about this before, about how it feels everything is going to be rushed, and unless we aren’t getting Cross back this season and that’ll happen next season (?) we’re in for a rush, and I don’t want that, none of us do. We want this to be executed strategically. Think like ‘Meg would lmao.

- it just feels like a waste at this point. I would’ve enjoyed this episode maybe six weeks ago, but here it just feels out of place, as if we’ve still got another ten episodes to go to waste time… and we don’t have that!

- and I don’t even necessarily think any development was done here. At least in the last arc we had Hunter and a smidge of Tech development (and I mean a smidge) what did we get from this?? And sure maybe the Pykes will cross paths with the empire and be like “oh yeah we know some rogue clones, got a little girl with them too? Yeah yeah, Ord Mantell” but how certain is that? Especially with only three eps left!

- I just feel like there was no point to this. Where’s Crosshair??? It’s getting lowkey kinda ridiculous, he’s meant to be hunting, hunting doesn’t happen necessarily overnight, so I understand his arrival isn’t prominent yet, but we don’t have time for this! We don’t have time for him to find them at the last minute- I know we might not save him this season, if at all, but it just feels like so many arcs are open and nothing is being closed. We’ve got no closure to the huge questions.

- I’m sorry but what was so dark about that ep too?? I was so stressed out that something awful was going to happen, but…..all that really happened was the guy got his horn chopped off??

Extra potential pro:

- I guess this just means a season 2 is all but confirmed because there is no possible way they can wrap this up smoothly in three episodes.

I don’t have many interesting shots from today’s ep, pretty mediocre for key points if I’m honest. This one I personally really like because I like found family vibe, but otherwise :/. This this was hella cute tho. She runs right to him, and I think that says a lot about their relationship.

I think as an episode I’m going to give this one a 6/10, but overall I’m bringing it down to a 4/10 just based on the context :/ really cool and interesting episode, poor placement.

[razberryyum]

Scumbag System (SVSSS donghua) Episode 10 Thoughts (spoilers)

(covers SVSSS chaps 24 - 26, BC Novels Translations)

And thus the first season of the SVSSS donghua comes to an end...rather weirdly abruptly to be honest, but more on that later. Obviously I love the donghua. It was not perfect, but it still exceeded my expectations. I truly appreciate what they were able to do within their budget constraints and I think they captured the spirit of the source material perfectly, which is really all I hope for when it comes to adaptations.  The writing was strong, the humor hit the spot always (for example, when poor Shizun got motion sickness from sword riding, I guffawed), and they also gave us some of the most beautiful characters I’ve ever seen on screen, especially with Shen Qingqiu, Luo Binghe and Liu Qingge. I really, really hope they release official figurines for them. I’m going to start saving my money now just for that possibility.

Even though their time together in this episode was short, the BingQiu love was definitely strong. They gave them a combo move that was not in the source material: for someone like me who grew up watching Cantonese dramas, two characters who have a combo sword move (”雙劍合璧”!) are usually a couple so I was especially tickled by this addition. I am always thankful to the donghua team for the little Easter Eggs they give us for BingQiu, like the way Binghe's eyes lit up when he sees SQQ... 

or when SQQ touches him...

Once again, for those not in the know, it can easily be interpreted as a disciple just being devoted and filial to his Shizun. But for those of us who have read the novel, of course we know it’s indication of Bingmei falling in love with SQQ. I love how subtle yet significant these little expressions of Binghe’s are, and I hope they continue on with these little touches even in the next season. 

Of course then there are the more obvious gestures, like that HUG:

It lasted for a good 15 seconds and oh my God look at the Binghe’s hand placement!  There was totally nipple groppage happening there! This wasn’t in the book by the way...SQQ didn’t get woozy and Binghe most definitely didn’t have to catch him like some fainting damsel, so we have the donghua team to thank for this wonderful moment of (sexy) physical contact between the two of them. 

The donghua team was also especially generous in this episode since not only did we get some BingQiu love, but we got a pinch of LiuShen and QiJiu love too.

LQG’s eyes were on SQQ the entire time! And then Yue Qingyuan as usual took any opportunity he got to touch his Qingqiu.  So all shippers were fed. Hell, they even threw in some more straight-baiting again so peeps who are watching the show for the “straight” romance between Luo Binghe and his never-to-be-future-wife Qin Wanyue were fed too since the scene where Binghe gives her the handkerchief to wipe away her tears were not in the chapters of the book for this episode, and racking my brain I don’t even think it was in the book, period. I’m trying to remember if that handkerchief even holds any significance but even if it does, it’s all for naught since we know Qin Wanyue is at most just a minor side character. She does pop up again later on but then is mostly forgotten, so...not quite sure what that moment was all about other than to, I don’t know, throw off the censors?

I’m also not sure why we spent so much time with Liu Mingyan and Gongyi Xiao in this episode. Nothing against them personally, I like both characters very much (despite my previous complaints about GYX’s character design), and it’s not that they don’t deserve more screen time, but this was the season finale! Even though the next season has been announced, God knows when we’ll see it next year and how many episodes it would be, so every minute of screen time matters! That’s why I was a bit puzzled that they used up half of the episode showing LMY basically facing the same perils with her group of fellow disciples as before and GYX just running from that huge serpent. Even if that thing DOES turn out to be Zhuzhi-lang, it was still a bit much. They weren’t exactly character building scenes either so...why? Budget reasons? Didn’t have enough money to pay SQQ’s voice actor (Wu Lei-laoshi) so they had to stick in miscellaneous scenes to lessen his screen time? 

I’m kidding of course. God I hope that wasn’t the reason because that would just be sad.

Speaking of miscellaneous scenes though, what was going on with these two dudes?

I gotta admit, I’m a bit salty that these two mob characters got to do what our main couple can’t. What’s their story? Why do they get special privileges? Damn these nobodies. XD

All kidding aside, I have to say, of all the episodes this season, this might be the weakest one, not only because of the “filler” scenes, but also, the way the episode ended was so odd, especially for a season finale. The season basically ended on a scene transition. Not a cliffhanger, just a scene transition, and then cut to credits. What?? Why??? It’s almost as if they just ran out of time so had to stop the show all of a sudden. And then as if to make up for it, they added post-credit scenes which, honestly blew me away because it was so unexpected. It was indeed almost enough to make me completely forgive the weakness of the episode as a whole and that weird-ass ending.

I teared up!  The scene was kind of chopped up, didn’t even flow that smoothly, but I still got emotional! I’m sure when I see this scene in its entirety next season I am just going to be destroyed. I think they made it even more gut-wrenching than it was in the novel. Looks like the donghua team really aren’t gonna hold back when it comes to delivering the BingQiu knives. 

We also got to see Mobei-jun appear in the post-credits scene; I guess they had to stick him in there since he was featured in the poster for this season, so it would have been weird if he didn’t at least make an appearance.

I immediately thought of him as Sephiroth’s younger cousin when I first saw him on the poster and I still feel that way. Anyone related to Sephiroth, I will approve and instantly have affection for. For the MoShang shippers’ sake, I hope the Shang Qinghua they create for him will be just as pretty. I think I can now safely discard my guess from last time and also that moon-faced bearded ojisan others have guessed. We actually got a glimpse of the real deal in this sequence:

They strategically made him blurry so you can’t really make out his features, but what we still can tell from there is that he does not have facial hair (hence, he cannot be the ojisan) and the hair crown he’s wearing is silver and different from the twinky sect leader. So I guess we’ll be getting a fresh out of the microwave Airplane Bro instead of any of the no-name potential cannon fodder we’ve already seen. 

We’ll probably get the abyss opening up in maybe even the first episode of next season but that’ll still leave a lot of ground to be covered in just 10 episodes (rumored). There haven’t been any talk about a third season, but I really hope it’ll happen, even though it might take them a while to make it. I know it’s premature to even think of a third season when we haven’t even gotten an actual release date for the second, but I’m greedy because I already miss the donghua. This season was over so quickly, I’m already mourning the lack of new episodes. I hope we get the second season in the first quarter of next year and then by some miracle, a third or even fourth to properly finish out the story. I know we will never get the FULL story, but as long as they keep the spirit of BingQiu’s love and continue to hint at it like they’ve been doing this season, I will be more than satisfied. 

And while I’m wishful thinking for new seasons, I hope we also get a BingQiu duet and character songs. I love the opening and ending theme this season, if they want to save money I totally don’t mind if they just use the same OP/ED themes in the next season as well, but I hope they throw in a good BingQiu insert song and then release some individual character songs as well. I’m still not a fan of Binghe’s voice, but maybe they can have someone else do his vocals for the songs. SVSSS is the older son of MXTX’s works, I feel like it already got short-shrifted in terms of adaptation since it got the lesser budget compared to MDZS and TGCF. Hopefully with how popular the donghua is this season, it will be given a bigger budget next season so they can bring to life all the subsequent proceedings from the book properly. And whatever they’re paying Wu Lei-laoshi, SQQ’s voice actor, they should double it because that man is just amazing. I worship his voice and performance. I wish he would read the audiobook version of the the novel. I would listen to the hell out of that.  I have always loved SQQ, but if I’m going to be honest, I came into the show just a little more excited about seeing Bingge being brought to life. I still love Binghe of course, in all his phases, however, now,  because of Wu Lei-laoshi’s stellar voice performance (and of course SQQ’s beautiful looks), I’m leaving this season absolutely head over heels about SQQ/Shen Yuan. Also thanks to the show, I’m completely obsessed with Liu Qingge as well.  So for those two reasons, I will eternally be grateful to the donghua team.  

[tsukikoayanosuke]

(Temporary) Final Thoughts of Pomefiore Arc

Since this is my official first-time experience of playing this 'live', I haven't read the translation fully. So, I'll probably re-doing this after reading/watching everything.

Essentially what I like and what I'm mixed with.

I will first address something that has been bugging me since early update. And that's about the delay. Now, I'm not going to talk about the actual delay, but the reaction. Lots of people complaining and blaming the staff and just... Guys, give them some slack. Do you know what happens when you rush production? You'll get something like Frozen 2, where they had to edit so much stuff in just 6 months before the release date because of the failed test screening. As someone who once made an RPG, coding is hard, especially something massive like Twisted-Wonderland. Sitting in front of your computer for six hours straight, coding and beta testing over and over, making the OST, scripting, voice acting. This is a massive group project and it can't be rushed even if you want to unless you want it to be glitching so bad like the Ghost Marriage incident (or was it Fairy Gala?)

Especially during this pandemic and all its protocol. My parents are professors and even they don't go to campus every day, instead, they use zoom to teach and for work meetings. I barely go out from my own house except for physical therapy and volunteer work, which usually once in two weeks because we take turns. Are you saying the staff must risk their health just for a gacha game? Guys, they might be a professional, but they are still human. Cut some slacks. Be grateful we haven't gone into absolute development hell. Yes, the Halloween event was big, but Pomefiore Arc is part of the Main Story, of course, they will give extra care compare to filler event (which might be created in the first place to give them more time in Pomefiore Arc development, which is why we don't get any Christmas event)

On to the story, I don't know how to rate the scale, but it might be slightly lower than Scarabia Arc. Can you really compare a school talent show to a rebellion? Also, in paper, this should be more light-hearted than the four arcs before it.

However, the lack of stake didn't reduce the content quality. From what I remember, there is not a single chapter that can be count as filler, from Yuu's befriending Mickey, the understandably training arc, Vil's unique magic, Deuce and Epel bonding, and the actual VDC (but I do think the tour around the campus with Riddle and Trey was a bit boring)

Also, slight worldbuilding. We finally see Sage Island in its full glory and found out RSA is a freaking Disney Castle and on the same island!

This also gives us possibly the longest rhythm game, plus chibi Jamil rapping. There's just a lot of singing in this episode, which is understandable.

I appreciate Yuu finally taking notice of the Great Seven dreams, which I hope we can get more of this and actually do something with this and not just Disney Movie references, which later in the Episode shows Yuu sort of connecting their dream and Vil's poisoning attempt.

Speaking of Vil, he's a fantastic character. Okay, I aware that we can't like all characters, there will be haters anywhere. But it seems like Vil is hated a lot because he's 'arrogant' and 'only care about beauty'. Guys, he's not Jeffery Star. This Episode shows Vil as someone much more: a hard worker, passionate in acting, and a great teacher. I always see Vil as the more mature of the cast, the mentor. And he's also basically bullied when he was a child. "TV told me how to feel" as they would say, and children believe everything they saw on TV, so of course they would see Vil as the villain. It's also interesting, as someone mentioned earlier, how Vil is a foil to Leona, where Leona just gave up, Vil doesn't stop and keep striving, and that's an admirable trait. He just wants to get the protagonist role for once and break the norm.

Another character that I like is the new combo, DeuPel (Deuce and Epel). I should've known that they will be bad boy buddies with one trying to get away from the past, while the other wants to embrace it but can't at the moment. The shouting moment at the beach is wonderful despite I haven't read the full translation. Separately, Deuce shines so much with his willingness to learn. Meanwhile, Epel finally respecting Vil and all the training is probably one of the best character development so far.

Why one of the best? Because Kalim has great character development. How he grows to be more mature in this Episode really warms my heart. Again, I need to read/watch the translation to appreciate this more. The way he reassures Jamil to take the part as the main singer, but at the same time work hard to maybe get a spot as well is great.

Sadly, because Epel taking the spotlight as Deuce's partner, Ace was sort of underused. Same as Jamil, but sort of worse since he overblotted in the last chapter but has less development than Kalim. Rook also might seem doesn't do much, but he's more as Vil's support, which is why I kinda forgive him.

But, the highlight of this is probably our very own Snow White, Neige Blanche. Can I just say how much I appreciate that Niege doesn't have a dark side? He's a sweet boy and I just really appreciate that considering we're surrounded by a cast of not so great people, it's kinda refreshing to see someone just pure. The dwarves' design are also adorable, can't really say more since we haven't seen them in depth.

And since this is a School Festival Arc, all 22 students have a cameo. I know some people who are thrilled to finally Idia in the main story and to meed Che'nya again since Episode 1.

Unfortunately, Crowley proved to be useless again. When he finally appears in this final update I screamed: "SIR! Where were you?!"

Let's go back with Rook. What he did in the last update was definitely shocking. I knew something is wrong when he smiles after Vil's monologing. So this is the only time through the update I read the translation. And I sort of get it.

So, Rook and Vil's relationship should mirror how the Evil Queen and the huntsman. I mentioned above that Rook is Vil's support and I mean that. Rook and Vil's relationship is another level of prefect and their vice. It's just fascinating. Rook is just as reliable as Jade, but also not afraid to against his perfect like Jamil, also is not afraid to say something against his perfect, unlike Trey.

And it shows in this finale. Rook is always praising the beauty of things and Vil's hard works is truly a sight, but the way Vil unable to believe in himself, it clouded what is supposed to be something truly beautiful. Compare to Neige who is basically Snow White, the purest Disney Princess, there's just no way Rook would not pick RSA. I admit, I was pissed when RSA win, but when Rook started talking, I knew there was something more. And I finally found it. Rook's message is basically "believe in yourself", the most Disney-thing ever.

Saving the best (or worst) for last, I was terrified when Grim happened. We already guess that Grim is the same monster in the prologue, but I never thought it will happen so soon. The flashed of the monster and Yuu's carriage is also a point, but we have so little info that he can't pull a conclusion yet. Is this a timeloop? Is this a vision? This is the darkest ending we've gotten and I'm scared of what will happen.

Overall, Pomefiore Arc is an enjoyable Episode, definitely a step up emotionally. The cast are wonderful as always, the theme of hard work and believing in yourself are spot on, Vil's hero journey is great (I'll give more explanation soon). Great job, team.

[recurring-polynya]

Tokusatsu Au where Rukia plays the lead actress in a superhero action show. Renji plays one of the villains and they are The most popular ship in the fandom. Bonus points if Orihime plays the main villain and loves every second of it.

This was the very first prompt I got, and I fell in love. Unfortunately, aside from a brief period of being grotesquely fascinated with Power Rangers as teen, I know almost nothing about tokusatsu. I did as much research as I could and I attempted to watch an episode of Kamen Rider, but my eyes glazed over halfway through. Anyway, please forgive my inaccuracies, I wrote this with my heart.

ao3 | ff.net

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“Uh, looks like we’re almost out of time,” the panel moderator for “High-Spirited Battle Clairvoyant Tomoe!: A Sneak Peak at Season 5” declared, “but would you be willing to take just a few audience questions?”

Head Screenwriter Kurosaki Ichigo glanced at Leading Actress Kuchiki Rukia out of the corner of his eye, and she gave a tiny nod.

“Yeah, sure!” he replied.

There was already a young woman waiting at the microphone, practically vibrating with anxiety. She was wearing a t-shirt that had ZabiTo4Ever!! handwritten in marker on it. Rukia knew, deep down in her bones, what the question was going to be.

“Hi, yes, hello, big fan of your work! My question is: are Tomoe and Zabimaru going to kiss this season?”

“No,” Rukia started to say.

“As you probably know,” Ichigo said loudly on top of her, “the show holds close to the core plot points of Kuna-sensei’s manga, although, because of her minimalist style, we do expand a lot of the dialogue and filler scenes. She has said in several interviews that High-Spirited Battle Clairvoyant Tomoe! is not a romance manga, so the odds of Tomoe and Zabimaru ever kissing on screen are very, very low.”

The young woman stared at Ichigo grumpily. “Does this also count Zabimaru’s secret college student identity, Satonako Takeru?”

Ichigo stared back at her. “Yes. It does.”

The next question came from a person wearing a full suit of HellKnight’s plasma armor made out of overlapping plates of cardboard. Rukia was kind of impressed by it. She wondered if he could sit down.

“Hi, Kurosaki-sensei, I am a huge fan of your work,” a voice emanated from deep within the cardboard. “I was wondering if you are influenced at all by fanworks, and if Episode 73: Pride is on the Line!: The Bake Sale Must Go On! was based in any way on the classic fanfiction, ‘Tell Me All Your Best Lies’? It’s the top story by kudos in the ZabiTo tag, which I might point out is the most popular shipping category on AO3.”

Ichigo cleared his throat gently. “I am contractually not allowed to read fanfiction, although I do enjoy fanart! There are some incredibly talented artists in the fandom, although for some reason, no one ever wants to draw pictures of Lead Screenwriters.”

“I’ll draw you, sleeping on the set like you always do,” Rukia offered, and that got a pretty big laugh. Rukia’s Tumblr of behind-the-scenes doodle comics was beloved among the fandom.

The next question was from a nonbinary person wearing a big poufy skirt and a hairstyle that would make their make-up and hair guru, Yumichika, sit up and take notice. “Hi, this is a question for Kuchiki-san! If the show is going to roughly keep pace with the manga, as it has done up until now, you should be shooting the storyline where Tomoe and Queen Bloodbuzz switch bodies later this year. I was wondering if you could comment on how you feel about filming that storyline?”

Finally! A good one! “Yes!” Rukia nodded eagerly. “I don’t usually like to speak for my fellow cast members, but Orihime and I are beyond excited about playing each other. We’ve been studying each other’s mannerisms and practicing already! Does anyone want to hear my Queen Bloodbuzz cackle?” She wagged her eyebrows as the audience cheered. “Here goes-- bwaHaHaHaHAHAHAHAAHAAAHAAAAAAAA!”

“Bonechilling,” Ichigo commented dryly as the audience erupted.

“Amazing, Kuchiki-san!” the moderator exclaimed. “I think there is time for one more, but this will be the last question!”

A tall girl in a full set of High-Spirited Battle Clairvoyant Tomoe motorcycle leathers stepped to the microphone. She was holding a notebook. “Hello!” she warbled. “In a 2020 interview with the Psychics and Sidekicks podcast, Abarai Renji was asked about his opinion on ZabiTo as a ship, and he replied,” she consulted her notebook, “‘Tomoe is such a cool lady and talented Battle Clairvoyant, and she always follows her heart and stays true to herself. I think that Zabimaru can’t help but be impressed with her, even though they’re enemies, and I always try to roll that into our on-screen interactions.’ I know that in the past you’ve refused to comment on the ship, but I was wondering if you had any thoughts on, y’know, his thoughts?”

“Well, he’s correct, of course, Tomoe is very cool and admirable,” Rukia replied, which drew a few laughs, although it seemed like the audience was leaning forward in anticipation of her answer. “Like I said, I don’t like to speak for other cast members. I’ll be doing a big cast panel with Abarai and Inoue and Matsumoto and Ukitake tomorrow afternoon, and I hope you all can make it! See you then!”

The moderator thanked them enthusiastically, and then Ichigo and Rukia slipped out the back guest entrance.

“Evasive as always, Kuchiki,” Ichigo teased.

“Whatever,” Rukia sniffed. “The higher ups say we’re not supposed to comment on stuff like that, and I was not commenting. By the way, how many secret fanfic accounts are you up to? Four?”

“It’s only three!” Ichigo paused. “I wrote that fanfic the guy brought up.”

“Of course you did,” Rukia sighed. “I do blame you personally for the popularity of the damn ship.”

“Me? Blame Kuna for making up two such sexy, emotionally constipated dumbasses!” Ichigo defended.

“Also, it’s not Ichigo’s fault that you and Abarai have insane chemistry.”

Rukia spun around, grinning. “Orihime!”

Rukia’s two co-stars, Inoue Orihime and Abarai Renji, the portrayers of Tomoe’s demonic archnemeses, stood in the hallway behind them.

“We sat in on your panel!” Orihime beamed. “You two were brilliant!”

“Don’t worry,” Renji added. “We were incognito.”

“Incognito” was relative, Rukia supposed, when you were at Tokyo’s biggest tokusatsu

convention.

Orihime was wearing a Zabimaru outfit so detailed that she probably could have won a prize down at the cosplay hall. She had the gravity-defying ponytail, the eyeliner, the insane widow's peak (complete with forehead tatts), the fangs, the motorcycle boots. The paper mache snake skull helmet was a little lopsided, but it was charming. She had her top zipped a little higher than canon, but that was forgivable, too.

Renji had taken the opposite tack of looking as much like a normal person-- or at least a normal Battle Clairvoyant Tomoe superfan-- as possible. Relaxed fit jeans and an oversized hoodie de-emphasized his ultra-fit physique. He was wearing a t-shirt with a very dramatic rendering of Orihime that said “Queen Bloodbuzz can step on me!” and a ball cap with the logo of Seireitei University, the fictional college Tomoe and Takeru attended.

“You think you’re in disguise,” Rukia pointed out, “but there are thousands of teen girls in this place with entire Tumblrs dedicated to your stupid face when you’re out of costume.”

Renji cocked an eyebrow at her. “You underestimate me, Rukia. I have bought… new sunglasses.” With a flourish, he whipped out a pair of the dorkiest wayfarers she’d ever seen, and flipped them onto his face. “I’ve disappeared! Who am I? Where am I?”

“You look really great, Orihime,” Ichigo said, his cheeks coloring a little bit. “Did you get Uryuu or Yumichika to help you with that costume?” In his continuing theme of doing things he wasn’t supposed to, Ichigo had finally started dating Orihime on the downlow around the time they finished up filming last season. It had done absolutely nothing for how shy he still got around her. They were, in Rukia’s opinion, cute as hell.

“Oh, no, that would be cheating!” Orihime replied, wagging a finger at him. “Well…maybe I did cheat, just a tiny bit. Renji helped me make the helmet and he held up references for me while I was painting on the tattoos.”

“Only the forehead ones,” Renji quickly added.

“He wouldn’t even offer feedback on my booby tattoos!” Orihime frowned. She leaned forward. “Rukia, how do they look?”

Ichigo turned even redder.

“Perfect, as in all you do!” Rukia replied loftily.

“What’s everyone got coming up next?” Renji asked. “I was thinking of slipping out and trying to pick up some real coffee.”

“I’m judging a villainess-themed cosplay competition,” Orihime chirped. “But I’m dying for a blueberry caramel iced latte. Renji, my henchman, pleeeeease!”

“Of course, my liege,” Renji replied in his Zabimaru voice.

It’s not like it had been a hard decision to accept the role of the motorcycle-riding, badass heroine of one of the most popular manga of the last decade, but it had turned out to be one of the best decisions of Rukia’s life. not just her career. Aside from a few of the money-obsessed executives, she liked nearly everyone in the cast and crew, but the fact that the fact that the ruthless, homicidal, literally Hell-spawned villains of the show were played by the two sweetest marshmallow people she had ever met just took the cake. Renji and Orihime had already known each other from some voicework they had done previously, and their excitement at working together on a live-action project had infected the entire cast from the start. Rukia wasn’t sure, but she strongly suspected that Renji was the one who had hyped Orihime up to ask Ichigo out.

“I have a writers’ workshop I’m moderating this afternoon, and I wanted to review the writing samples people sent in,” Ichigo said, scratching the back of his head. “I’d love to stop by that cosplay contest, though, at least for a few minutes.”

“You’ll be needing caffeine, too, then, eh?” Renji offered. “Hot, black, and in the largest cup they make, as usual?”

“Ugh, you’re the best,” Ichigo groaned. “You wanna power-up this season? Costume update? You know what? Maybe I’ll just have you defeat Tomoe once and for all, no one likes her anyway.”

“C’mon, you know I’m the world’s number one Tomoe simp, don’t do that!” Renji laughed.

Rukia rolled her eyes. “I’m free and I could use some fresh air. Besides, it’s going to take all your dumb muscles just to carry Kurosaki’s vat of coffee back here.”

“Cool!” Renji proclaimed. “We’ll be back soon!”

“Thanks, Renjiiiii!” Orihime waved.

“You need to stop off and put on a disguise?” Renji asked.

“No point in it, I always get recognized,” Rukia sighed, pulling her sunglasses out of her purse anyway.

“Here,” Renji said, plunking his hat on her head. “Maybe this will help.”

“Thanks,” Rukia replied, and then did a double take. “Whaaaaaat is on your head?”

“Shut up!” Renji laughed. He usually shaved his head when they were filming, because it made it easier to deal with the make-up and wigs, but since they were between seasons, he’d grown his hair out into a short, tousled mop of reddish-brown waves. He looked, for the lack of a better word, dreamy. “I shot a movie over the summer, and they wanted me to look softer.”

Rukia looked at him over the top of her sunglasses. “You didn’t tell me you were doing a movie!”

“Oh, it was just a little indy romcom thing. I wasn’t sure it was gonna pan out, I didn’t want to make a big deal out of it.”

“You were in a romcom? You’re kidding me!” They ducked out of a side door of the convention center into the bright sunshine.

“Yeah, it’s about a guy who goes to the gym to try to get ripped to impress a girl, and makes friends with me, this nice, already ripped dude who gives him lifting tips and encourages him a bunch. By the end of the movie, it turns out we have crushes on each other.”

“Oh, no, that sounds really cute, actually!”

“It was written by a woman who graduated from one of Ichigo’s writing workshops. The script was really snappy and Ichigo thought having someone like me as the gym guy would give it just a bit of campy cachet. You know what a good sense he’s got for stuff like that.”

“That was cool of you to go out on a limb a little,” Rukia replied.

Renji rubbed the back of his neck. “I’d been wanting to try something like that for a while, actually.”

Rukia blinked. “You aren’t… you aren’t thinking of leaving the show, are you?”

“Huh? No. No! No, the show means the world to me, I would never. But… it’s not gonna run forever, y’know?”

“I would have guessed you’d want to be a big action star or something!” Rukia said, throwing a few air punches. “That’s my dream!”

Renji stuffed his hands in the pockets of his hoodie. “Yeah, that’s what I thought I wanted when I first got into acting. I’d read the Tomoe manga, and I thought playing Zabimaru would be a good jumping-off point, besides just being a cool character overall.”

“Is that… not true?” Rukia frowned.

“Oh, I mean, I guess so! I didn’t really know about the fandom, though and… to be honest, I’m kinda into the idea that there are all these fans who think I’m complex and redeemable?”

Rukia regarded him out of the corner of her eye. “They just want to fix you.”

“Maybe! Ichigo made me read this one fanfic that was eight thousand words of the reader getting sick and Zabimaru making them soup? And feeding them the soup? I still haven’t decided how I feel about it.”

“How does he have time to find these things? Does he even sleep?”

“Anyway, it doesn’t hurt to be well-rounded and it was fun. I’m still mostly an action guy, but I wouldn’t mind doin’ something with a romantic subplot. A period drama or something like that. I look pretty good in hakama, you know.”

“I bet you do,” Rukia laughed. She squinted at him, but his expression was unreadable behind the shades. Renji didn’t have the classic leading man looks, not like her ridiculously famous older brother, but she could definitely see him as the best friend, the B-plot romance, with his cute, messy hair and that big doofy grin.

“By the way, I’m sorry you had to field that question about me spilling my romantic sensibilities on that podcast.”

Rukia laughed. “You didn’t even answer the question, either! These people are relentless!”

Renji stopped at a street corner and peered down the various possible directions they could go. “Which way feels like it might have a coffee shop?”

“You didn’t have one in mind before we left? I thought you knew where we were going!”

“Nah, I just like to go out and see what there is.”

“I can look up a map,” Rukia said, reaching in her bag for her phone.

“Let’s just go this way,” Renji said, stepping out into the street in the direction that had the WALK light. Rukia sighed and had to scramble to catch up with him.

“So, what do you think about it?”

“Huh?” Rukia asked. “Think about what?”

“Our ship. ZabiTo.”

“I can’t believe you just said that word out loud. And you know we’re not supposed to give our opinion on it!”

“Aw, c’mon, we’re not supposed to give public statements on our opinions. I don’t think there’s any harm in talking between ourselves. We’re in disguise, even.”

“‘Disguise’,” Rukia sniffed.

“You don’t like it, I can tell.”

“He’s a bad guy! Everyone always talks about chemistry, and that may be true, but I just don’t think that Tomoe could ever get over his acts of violence and cruelty.”

“Queen Bloodbuzz is cruel. Zabimaru is not cruel.”

“Okay, that’s fair, but still. He’s kidnapped just about all of Tomoe’s friends and or turned them into monsters at one time or another. He’s always setting Karakura Town on fire or flooding it with magic lizard goo. He ruined the sports festival.”

“Maybe the sports festival deserved to be ruined,” Renji muttered under his breath.

“Okay, you’ve got a point on that one,” Rukia admitted.

“It’s really clear though, that he’s got some agenda beyond just simping for Queen Bloodbuzz--”

“The simping for Queen Bloodbuzz is the most relatable thing about him, to be honest.”

“Granted. But, what if he’s got a good reason for everything he does, actually? What if he’s doing all of this against his own moral code as a means of infiltrating Hell itself and getting himself into a position of trust so that he can bring down the Lords of Hell from the inside?”

Rukia slipped her sunglasses down to the tip of her nose. “Does Kuna give you Zabimaru spoilers?” The reclusive creator High-Spirited Battle Clairvoyant Tomoe! was only barely involved with the television show, but she did privately meet with each of the cast members about once a year. Most of Rukia’s meetings consisted of Kuna giving her constructive criticism on her battle poses.

“No, mostly we practice sneering,” Renji replied. “But I gotta play the guy, so I gotta think about this, you know, what motivates him? I mean, you’re probably right, it would never work out. But unlike Tomoe, whose principles would call for her to ignore any attraction she has to him, Zabimaru has the freedom to pine for her, perhaps because his love is futile and he doesn’t think he deserves it anyway.”

“That’s kinda dark, dude,” Rukia frowned.

“Yes, well, that is the kind of character acting that netted me the 2019 Nickelodeon Kids’ Choice Best Villain Award, Foreign Language Category.”

“That’s literally what’s going through your head when you’re shouting that if I can’t make some sick motorcycle jump, you’ll turn all my friends into stuffed animal versions of themselves?”

“No, of course not! At those times I’m thinking about how much I love my job. OH! and what is that I see!” Renji struck an extremely Zabimaru pose. “A MISTER DONUT!”

“My hero!” Rukia exclaimed, unable to resist an opportunity to shout dramatically. “I’m sorry I doubted you!”

“I think we should get some donuts, too. Orihime loves donuts,” Renji declared.

“Oh, for sure,” Rukia agreed. She was thoughtful for a moment. It would be easy to move on to a different subject, the subject being donuts, but she wasn’t happy with leaving the last conversation hanging. “Look, Renji, just because I don’t like the dumb ship, you know that’s not a reflection on you, right?”

“Huh?” Renji replied. “You mean you don’t mind if I like it?”

“Well… I mean, I don’t, I guess, but what I really meant was, er… we joke a lot, but Tomoe and Zabimaru are just parts, y’know? Just because I don’t think Zabimaru isn’t good boyfriend material doesn’t mean I…” Rukia trailed off, suddenly realizing what she was saying. “Um. What I mean is. You’re very nice and probably one of my favorite people I’ve ever worked with and if someone I knew wanted to ask you out, I would definitely encourage them to, A+ guy, I’d say, probably would make a great boyfriend.”

Renji pushed his sunglasses up onto his forehead and regarded her for a long moment. “For the record, Kuchiki, I think that both you and Tomoe would make excellent girlfriend material.” While Rukia stood there and gaped like a fish, he turned and pushed open the door to the coffee shop. “Ichigo likes crullers and Orihime always wants the most colorful thing they’ve got. Do you know what you want?”

“I need to think about it,” Rukia squeaked. She wasn’t talking about donuts.

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Bonus: Here are my notes from when I was making up the show. I hope this wasn’t too confusing!

High-Spirited Battle Clairvoyant Tomoe!

based on a manga by reclusive mangaka Kuna Mashiro

Head Screenwriter: Kurosaki Ichigo

🌟 Starring: 🌟

Kuchiki Rukia as Yukimura Tomoe, a spunky college student who can see ghosts and fights demons from Hell! She rides a motorcycle!

Inoue Orihime as Queen Bloodbuzz, a Lady of Hell, who seeks to gather energy from the Living Realm so that she can become the Supreme Ruler of Hell. Very aesthetic. Much bees.

Abarai Renji as Zabimaru, Queen Bloodbuzz’s ruthless henchman. He leads a double life as fierce-looking, but gentle-hearted college student Satonaka Takeru! What is his long game??

[firelxdykatara]

um not to start anything “zuko had everything handed to him by the end of the show even though it took him until nearly the very end to realize he’s wrong: a country, a crown, his girlfriend that HE left behind, the love of his uncle that zuko spent most of the show yelling at and being a dick to, and that’s why he just doesn’t deserve ANYWAY I’M JOKING but this is how y’all be talking about aang” who even talks about aang this why????

It sounds to me like some Aang stans grossly misunderstand criticisms surrounding the writing of Aang’s arc in book 3, in particular during the finale.

This is actually a pattern I’ve noticed with distressing frequency, particularly of late: any criticism of Aang at all--of his actions, the narrative scaffolding surrounding them (never having to apologize for kissing Katara without her consent, for example), or of the failings in the way his narrative was handled (in book 3 especially)--is written off as hate and derided by stans who I can only assume believe that the writing of his character arc was perfect and he never did anything wrong that deserves fair criticism ever in his life.

To this, I can only state my firm disagreement.

The thing is, they don’t really have any counter arguments to refute the points that actually get made (which isn’t to say there aren’t bad faith criticisms of his character just like everyone else, but unlike most of the cast, ppl seem far more inclined to act like there are no valid criticisms of his character or his writing), which is likely why they just write it all off as unfounded hatred of their precious bean fave and ignore it accordingly. But that doesn’t, like, make the issues with his writing, or with book 3 as a whole, go away, and the fact that they refuse to engage with good faith criticism (and, in fact, often refuse to engage with criticism at all by pretending there’s no foundation for any of it--I’ve actually seen people try to justify Aang’s actions in, for example, Bato of the Water Tribe by insisting that Sokka and Katara were actually worse and that Aang lying to them shouldn’t be held against him because they were Mean About It which.... yeah I could go off for days about that alone) says more about their lack of actual engagement with the text of the show than it does about the people who are criticizing his character.

The things that we say were handed to Aang--the deus ex lionturtle (which gave him energybending), the Rock of Destiny (aka the thing that gave him back the Avatar State without having to even attempt to do the work to unblock his chakras again himself), and Katara, presented to him as the prize he’d won at the very end of the show--are things that he did not do the work to actually earn.

Which will probably get some peoples’ backs up, so let me rephrase--the narrative did not put in the work to show how he actually earned these things, preferring to waste time with pointless filler in the front half of the season and then only bring up problems and then solve them within the four episode finale because they left no more room for these very plot critical points earlier in the show. Take Aang’s unwillingness to kill Ozai, for example--this is something that absolutely should have come up far earlier in the season (prior to the invasion at least), and the fact that it didn’t says two things: one, that because the writers knew Aang wasn’t actually going to face Ozai during the eclipse, they didn’t think it mattered to follow through on what Aang planned to do if the invasion had been successful; and two, his sudden clinging to his people’s pacifism seems directly at odds with where the entire narrative of the show had been headed to that point. Why is he suddenly insisting he’s the consummate pacifist when we’ve seen evidence in the show of not only Aang reacting in violence and vengeance (towards the sandbenders, and that wasp he killed), but also evidence that Air Nomads were not the sort of pacifists who would roll over and just let someone commit genocide (the fire nation corpses surrounding Monk Gyatso, clear evidence [which Aang never seems to so much as consider at any point during the series, despite the fact that it could have been a point of much-needed growth and maturation, or at least examining his own people’s beliefs and realizing that, at twelve, he had a flawed and incomplete understanding of his own culture] that even Aang’s mentor was willing to kill in order to protect his home and his people)? Why, if he’s so damn pacifistic, did he never seem to consider with guilt any of the lives he took while in the Avatar state and fused with the Ocean Spirit?

And no, by the way, I’m not saying he’s to blame for the deaths Koizilla caused, but I am saying that it doesn’t make sense that he feels no remorse over all of that blood. Particularly since we see that he considers actions taken while in the Avatar State to be his own--he feels guilty when he goes into the AS and scares his friends, and he very specifically removes himself from the AS to avoid killing Ozai, which tells me that he does consider the AS’ actions to be his own. And if all life is sacred to him to the point where he won’t even eat meat (although Air Nomad vegetarianism makes no sense, but that’s another rant entirely) why doesn’t he so much as mourn for the lives lost during the attack?

These are all questions which the narrative itself never considered, and it’s frustrating because many of them are questions which should have been asked--and answered, or at least attempted--in the course of the final act of Aang’s character arc. He had a great set up going into the third book, with Monk Gyatso’s teachings filling in some of the blanks in Aang’s (again, flawed and incomplete--I challenge anyone to try telling me that if they were completely removed from their culture at age twelve, and it was subsequently wiped completely from the face of the earth, that they’d have anything close to a deep and nuanced understanding of it; twelve-year-olds don’t have a deep and nuanced understanding of anything, nevermind an entire culture and worldview, which is why Aang kept parroting soundbytes from the monks without actually understanding them) understanding of Air Nomad beliefs, but this thread was completely dropped in favor of... I’m still not sure, honestly.

Was Aang running away from his problems and effectively lying to his friends (does he ever actually come clean about being completely unable to access the Avatar State of his own volition?) more important than going back to the Guru, or at least his teachings, and coming to understand his own culture? Where was his arc of regaining the Avatar State because he worked for it, because he tried to re-open his chakras and, for example, came to understand what letting go of his attachment to Katara really means? (That’s actually one of the most frustrating bits, because a) he gets to have his possessive and unhealthy attachment to Katara and get the Avatar State back, despite paying lipservice to letting her go at the end of book 2; and b) he never seems to get what ‘attachment’ the Guru was actually referring to--letting go of Katara doesn’t mean he had to stop caring about or even loving her, but it does mean he was supposed to give up his selfish and possessive attachment to her, which means no nodding when some actor in a play calls fake!Katara ‘the Avatar’s girl’ and no assuming they were supposed to be in a romantic relationship despite never actually asking about her feelings and no kissing her without her consent just because he wanted her to feel the same way about him and didn’t care whether or not she actually did [otherwise he would have asked, and he never once even tried].)

Instead, rather than having a season-long arc of re-navigating his chakras, opening them, and regaining the Avatar State under his own power, he gets thrown against a well-placed rock which does all the work for him at the very last second. Energybending, which wasn’t even thought of as a possibility earlier in the season, rather than being a concept he comes to discover on his own as he navigates his chakras for a second time and comes to understand the how the energy flows between each one, is likewise just given to him by a third party, with no work necessary on his part. And as for Katara, well, I’ve ranted at length about that in the past, but their last one-on-one interaction before the epilogue is when Aang kisses her without her consent, and she gets pissed off about it and storms off. There is nothing to bridge the gap between that and make-out city, nothing at any point indicating Katara’s feelings (because, as far as Kataang was concerned, her feelings never mattered) and how they were changing, no apology from Aang for violating her boundaries, no understanding of what he did wrong and why it was wrong. Nothing. Not a single conversation.

That is why we say that Katara was handed to him like a trophy. Because she was. Kataang was endgame not because it made any sense for Katara, but because Aang was the hero, and he saved the day, and he deserved to get his forever girl on top of it. There was never any real attempt to broach Katara’s feelings on the matter--she’s never shown reflecting on their pre-invasion kiss (in fact, by all appearances she completely forgot it even happened), and she is never once asked what her feelings are, not by Aang or the narrative--because, at the end of the day, they didn’t matter. Aang was getting the girl he wanted, and that was that.

We say that Aang was handed these things without working for them because the entire narrative of book three seemed particularly engineered to making sure he didn’t have to. Zuko, meanwhile, had to work for everything he achieved--the gaang’s trust, Katara’s in particular, his crown and his kingdom. (No, he didn’t particularly work to get Mai back, but that’s a whole other discussion, and he would’ve been much better off if she never showed up again after TBR.) He didn’t get to take any shortcuts. Aang’s arc is all shortcuts, at least in book 3, and that’s when they attempted to show how he got from point a to point b at all.

Anyway, the situations couldn’t possibly be any more different, and idk who said that but whomever it is clearly does not understand where the criticisms about Aang and his hamstringed book 3 arc are coming from.