#i can understand where that's coming from even if i disagree

[myfairkatiecat]

okay so shannon giving us a keefe pov seems actually lowkey important and what i would do in the story rn but I'm not convinced she's going to use it to do the things I feel like we need her to do.

let me explain.

Shannon set Sophie up as a character who behaves certain ways. A lot of those ways are very good, and she's certainly a hero, but she also has character flaws that get worked through. For example, she can be a little reckless (personally I would have made all the same choices) (I know we think of Keefe as the reckless one but he's a different type of reckless) she can prioritize the wrong things, she can be disorganized, etc (all things that are super valid and understandable and make her relatable btw. I am a sophie foster defender)

and BECAUSE sophie is the protagonist, we see all of this develop. She has certain qualities that are a little stagnant sometimes, at least if you look from the outside, but there's actually a ton of development going on. She hears others' opinions on her actions, good and bad, and the reader sees how this impacts her and how she grows and changes, even if that change is nonlinear or in many ways she stays the same and just grows more mature.

Here's the thing about Keefe. he wandered out of side character territory and into second main character territory starting at the end of everblaze and peaking in legacy. And Shannon has been INTENTIONALLY writing him with consistent character flaws since the beginning, explainable by his past circumstances in fascinating ways. But we aren't there to see a lot of the falling out for that stuff.

A lot of people complain that keefe never faced consequences for stealing the caches or never had the black swan or adults yelling at him or mistrusting him or his friends avoiding him. And like... we do not know that. It could simply be that that was just not Sophie's problem at the time. Sophie also may have simply not been one of the people giving him a difficult time about it. In fact, we know she wasn't, but boy oh boy Fitz certainly didn't bounce back in less than five seconds. And we don't know what the Council and/or black swan did with him that sophie just wasn't involved in--and bc it didn't become relevant to the plot from sophie's perspective, sophie being the actual MC, it just seems unimportant.

Another thing is that Keefe has a lot of the same character flaws throughout the series, but they do shift somewhat with his experiences, and that's without us even seeing in his head, you know? So here's the thing.

Shannon went and started developing Keefe like a second protagonist (who is interestingly also an anti hero in some ways) and even if you aren't a person who thinks he's the most developed character on the paper (disagree but see where you're coming from) he's DEFINITELY most developed in shannon's brain, and that bleeds through. But then we ONLY see Sophie's perspective BECAUSE THIS IS SOPHIE'S STORY, and everything revolves around what is relevant to the plot from her perspective, and then keefe is just in the background being extremely important and relevant and having all these extra issues that we ONLY ever see from sophie's perspective.

Unlocked was... well, it was half a book, and only half of it was keefe. I actually do think his perspective was enlightening in some ways, but a full keefe book at this point kind of seems necessary to me. Because... he's taken on the role of another main character in this story, but we don't see any of that development happening, and for a lot of people i can see that getting taxing. Now I get that those same people also wish keefe would just. step back from the plot. and i get that! but I think with the way he's involved in the plot NOW, seeing his perspective is important, because sophie's POV (especially with her unreliable narration) doesn't give us enough of a window into the complexity that is keefe's worldview right now, especially with all the ways he keeps impacting things. it's just a really important perspective to have at this point.

Shannon, if unraveled is just keefe trying different human foods and giggling like a kotlc react on wattpad, I will probably enjoy it bc i love your work always, but i will also be shaking you by the shoulders because we need this book and you better spend it doing the things we need

[captainjonnitkessler]

I think I've identified the reason I get so worked up about anarchism in relation to labor rights and safety in particular.

Three years ago I watched my coworker almost die when a piece of machinery we were moving unsafely fell on him. It missed his head by an inch and snapped his leg in half instead. It took months of recovery and multiple surgeries for him to walk again and he will be disabled for the rest of his life. And it didn't happen because of Capitalism or profit motive or because our evil bosses were forcing us to work unsafely. It happened because he'd done similar things a hundred times before and it had always been fine, and because I didn't know enough to clock just how dangerous what we were doing was, and just because of some plain shitty luck. Mentally it fucked me up for months in ways I didn't recognize until well after the fact.

And the thing is, almost every construction worker can tell you about the time they saw a fatal or near-fatal accident. An apprentice younger than me had a heart attack and was out of work for over a year after shocking himself on a live circuit. The woman who runs our apprenticeship program has a husband who had his arm blown off in an arc flash incident. One of my teachers had a coworker die after getting hung up on a live circuit and he wasn't found until the end of the day.

Construction is one of the single most dangerous industries to work in, and I believe this is why rates of drug and alcohol abuse and suicide are sky-high in the industry. I think many construction workers are low-key traumatized by knowing constantly that they could die or be permanently disabled due to a very simple mistake or oversight. It is simply inherently unsafe when you are working with live electricity, power tools, heights, thousands of pounds of machinery, cranes, etc. And so yes, I do believe that safety protocols and the ability to enforce them are absolutely necessary to preventing a massive amount of death. The number of worker deaths in the US has been slashed by 60% since OSHA was instated.

And so to get online and have someone who has never set foot on a jobsite in their life condescendingly explain to me that actually, we don't need OSHA or the ability to enforce safety standards because in a perfect world everyone will just suddenly start working perfectly safely, and I'm just too stupid or brainwashed to realize that The Real Villain Is Capitalism, and if we just get rid of that it will somehow also get rid of the inherent safety issues involved in the entire construction industry - well it turns out it pisses me off a little bit!

[why-is-it-always-autumn]

I am once again reminding everyone that

"I think that character will regret that decision; I can see the bad consequences coming, and if they were a real person I would yell at them." (you were engaged enough with the characters that they feel like real people capable of making their own choices)

"I would have liked the story better if the character had made a different decision" (a matter of personal preference with no bearing on the quality of the writing itself, or even whether you agree with the decision that was made in-universe)

and "Given what we've seen from this character previously, the writer having them make that decision broke my immersion" (an actual critique)

are all different statements and do not mean the same thing, even if they can all be phrased as "I don't like that the character made that decision"

[swagging-back-to]

not sorry. i extend very little sympathy and patience towards tras who are underage, and the only ones who do get said sympathy are TIFs. but again. it's MICROSCOPIC levels of sympathy.

[gutsfics]

yknow id understand the dislike of the sadie hookup in loa when you claim its because morals more if some of yall didnt turn right around and call peter koening hot

like so its so gross and morally wrong to want to hook up with a morally corrupt older woman, but its fine and dandy to call a murderer daddy? okay yes sure absolutely i 100% believe that this is because you are neither ageist, sexist, or homophobic

nevermind that liking either character genuinely does not matter because theyre fictional and their crimes did not happen because theyre not real and thus have not affected the real world with their actions in any way

[magentagalaxies]

having a moment about my gender rn and i'm just like ugggggh @ my brain do we have to. like can we just not

[andragoras-in-vanity]

some people are just too stupid to try to talk to

[musical-chick-13]

If I'm not careful, I'm going to get salty about stupid music opinions again.

[creatingblackcharacters]

"Let's Have a Talk, First"- Stereotypes, pt 1

Come sit down. You and I, before we get into any of the things I'm sure you're impatient to know: we need to have a come to Jesus talk, first.

There are some things that I've been asked and seen that strengthens my belief that we need to have a reframing of the conversation on stereotypes in media away from something as simple as "how do I find the checklist of stereotypes to avoid". Because race- and therefore racial stereotypes- is a complex construct! Stands to reason then, that seeing, understanding, and avoiding it won't be that simple! I'm going to give you a couple pointers to (hopefully) help you rethink your approach to this topic, and therefore how to apply it when you're writing Black characters- and even when thinking about Black people!

Point #1: DEVELOP THE CHARACTER!! WRITE!!

Excuse my crude language, but let me be blunt: Black people- and therefore Black characters- will get angry at things, and occasionally make bad choices in the heat of the moment. Some of us like to fuck real nasty, some might be dominant in the bedroom, they may even be incredibly experienced! Others of us succumb to circumstance and make poor decisions that lead to crime.

None of those things inherently makes any of us angry Black women and threatening Black men, Jezebels and BBC Mandingos, and gangsters and thugs!

Black people are PEOPLE! Write us as such!

If all Black characters ever did was go outside, say "hi neighbor!" and walk back in the house, we'd be as boring as racist fans often accuse.

I say this because I feel I've seen advice that I feel makes people think writing a Black character that… Emotes negatively, or gets hurt by life and circumstance, or really enjoys hard sex, or really any scenario where they might "look bad" is the issue. I can tell many people think "well if I write that, then it's a stereotype" and to avoid the difficulty, they'll probably end up writing a flat Black character or not writing them at all. Or- and I've seen this too- they'll overcompensate in the other direction, which reveals that they 'wrote a different sort of Black person!' and it comes off just as awkwardly because it means you think that the Black people that do these things are 'bad'. And I hate that, because we're capable of depth, nuance, good, evil, adventure, world domination, all of it!

My point is, if you write your character like the human being they are, while taking care to recognize that you as the writer are not buying into stereotypes with your OWN messaging, you're fine. We have emotions, we have motivations and goals, we make decisions, and we make mistakes, just like anybody else. Write that! Develop your character!

POINT #2: YOU CAN'T CONTROL THE READERS!!

Okay. You can write the GREATEST Black character ever, full of depth, love, nuance, emotional range, all those things…. And people are still going to be racist about them. Sorry. There is absolutely nothing you can do to control a reader coming from that place of bias you sought to avoid. If it's not there, TRUST AND BELIEVE, it'll be projected onto them.

That passionate young Black woman who told the MC to get her head out of her ass? Yeah she's an angry Black bitch now, and bully to the sweet white MC. Maybe a lesbian mommy figure if they like her enough to "redeem" her. That Black gay male lead that treats his partner like he worships the ground he walks on? Yeah he's an abusive thug that needs to die now because he disagreed One Time with his white partner. That Black trans woman who happened to be competing against the white MC, in a story where the white MC makes comparable choices? Ohhhh they're gonna be VILE about that poor woman.

It really hurts- most especially as a Black fan and writer- knowing that you have something amazing to offer (as a person and creative) and people are gonna spit on that and call it "preference". That they can project themselves onto white characters no matter what, but if you project your experiences onto black characters, it's "pandering", "self insert", "woke", "annoying", "boring", and other foul things we've all gotten comments of.

But expect that it's gonna happen when you write a Black character, again, especially if you're a Black writer. If you're not Black, it won't hurt as personally, but it will probably come as a shock when you put so much effort in to create a lovely character and people are just ass about them. Unfortunately, that is the climate of fandom we currently exist in.

My favorite example is of Louis De Pointe Du Lac from AMC's Interview With The Vampire. Louis is actually one of the best depictions of the existential horror that is being Black in a racist White world I have ever seen written by mostly nonblack people. It was timeless; I related to every single source of racist pain he experienced.

People were HORRIFIC about Louis.

It didn't matter that he was well written and what he symbolized; many white viewers did NOT LIKE this man. There's a level of empathy and understanding that Black characters in particular don't receive in comparison to white counterparts, and that's due to many of those stereotypes and systemic biases I'm going to talk about.

My point is, recognize that while yes, you as the author have a duty to write a character thoughtfully as you can, it's not going to stop the response of the ignorant. Writing seeking to get everyone to understand what you were trying to do… Sisyphean effort. It's better to focus on knowing that YOU wrote something good, that YOU did not write the stereotype that those people are determined to see.

POINT #3: WHY is something a stereotype?

While there are lists of stereotypes against Black people in media and life that can be found, I would appreciate if people stopped approaching it as just a list of things you can check off to avoid. You can know what the stereotypes are, sure, but if you don't understand WHY they're a problem and how they play into perception of us, you'll either end up writing a flat character trying to avoid that list, or you're going to write other things related to that stereotype because "oh its not item #1"... and it'll still be racist.

For example: if you wrote a "sassy Black woman" that does a z formation neck rotation just because a store manager asked her something… that's probably stereotype. If you thought of a character that needed to be "loudmouthed", "sassy", and "strong" and a dark-skinned black woman was automatically what fit the profile in your mind, ding ding ding! THAT'S where you need to catch your racist biases.

But a dark-skinned Black woman character cursing out a store manager because she's had a really bad, stressful day and their attitude towards her pushed her over the edge may be in the wrong, but she's not an "angry Black woman". She's a Black woman that's angry! And if you wrote the day she had to be as bad as would drive anyone to overstimulation and anxiety, the blow up will make sense! The development and writing behind her led to this logical point (which connects to point #1!)

I'm not going to provide a truly exhaustive list of Black stereotypes in media because that would ACTUALLY be worth a college credited class and I do this for free lmao. But I am going to provide some classic examples that can get y'all started on your own research.

POINT #4: WATCH BLACK NARRATIVES!

As always, I'm gonna push supporting Black creators, because that's the best way to see the range of what you'd like. You want to see Black villains? We got those! Black heroes? Black antiheroes? Assholes, lovers, comedians, depressed, criminals, kings, and more? They exist! You can get inspired by watching those movies and reading those books, see how WE depict us!

I've seen mixed reviews on it, BUT- I personally really enjoyed Swarm, because it was one of the first times I'd ever seen that "unhinged obsessed murderous Black fan girl" concept. Tumblr usually loves that shit lmao. Even the "bites you bites you bites you [thing I love]" thing was there. And she liked girls, too. Just saying. I thought it was a fun idea that I'd love to see more of. Y'all gotta give us a chance to be in these roles, to tell these tales. We can do it too, and you'd enjoy it if you tried to understand it!

POINT#5: You are NOT Black!

This is obvious lmao, but if you're not Black, there's no need to pretend. There's no need to think "oh well I have to get a 100% perfect depiction of the Black person's mind". That's… That's gonna look cringe, at its best. You don't have to do that in order to avoid stereotypes. You're not going to be able to catch every nuance because it's not your lived experience, nor is it the societally enforced culture. Just… Do what you can, and if you feel like it's coming off hokey… Maybe consider if you want to continue this way lol. If you know of any Black beta readers or sensitivity reviewers, that'd be a good time to check in!

For example, if your Black character is talking about "what's good my homie" and there's absolutely no reason for him to be speaking that way other than to indicate that he's Black… 😬 I can't stop you but… Are you sure?

An egregious example of a TERRIBLE way to write a Black character is the "What If: Miles Morales/Thor" comic. I want to emphasize the lack of good Black character design involved in some of these PROFESSIONAL art spaces, because that MARVEL comic PASSED QA!! That comic went past NUMEROUS sets of eyes and was APPROVED!! IT GOT RELEASED!! NO ONE STOPPED IT!!

I'm sorry, it was just so racist-ly bad that it was hilarious. Like you couldn't make that shit up.

Anyway, unfortunately that's how some of y'all sound trying to write AAVE. I promise that we speak the Queen's English too lmao. If you're worried you won't get it right, just use the standard form of English. It's fine! Personally, I'd much rather you do that than try to 'decode AAVE' if you don't know how to use it.

My point is, if you're actively "forcing" yourself to "think Black"… maybe you need to stand down and reconsider your approach lmao. This is why understanding the stereotypes and social environment behind them will help you write better, because you can incorporate that Blackness- without having to verbally "emphasize how Black this is"- into their character, motivations, and actions.

Conclusion

We need to reconsider how we approach the concepts of stereotypes when writing our Black characters. The goal is not to cross off a checklist of things to avoid per se, but to understand WHY we have to develop our Black characters well enough to avoid incorporating them into our writing. Give your Black characters substance- we're human beings! We have motivations and fears and desires! We're not perfect, but we're not inherently flawed because of our race. That's what makes the difference!

And as always, and really in particular for this topic, it's the thought that counts, but the action that delivers!

[amandacanwrite]

I would like to share a few head canons for Gale Dekarios being in love with tav/you. If you liked this one and have a request for another character let me know. These ones have just been percolating for a bit.

In Battle

He tries very hard to stay near you. He doesn’t like it when you go off on your own. He knows he doesn’t quite have the strength of Karlach or the sure footedness of Astarion, but he’s not just going to let you fight everyone on your own.

Sometimes he gets a little hurt that you always put yourself in harms way/take so much of the damage on the battlefield. Don’t you know that losing you would destroy him?

You have never witnessed it, but according to the other party members he goes feral if you’re knocked unconscious.

When you wake up it’s always with your head cradled in his lap as shadowheart works on the worst of the wounds.

He does this thing with his magic where he makes his hands really cold. It feels nice on your feverish skin as he gently smooths your hair away from your face, you don’t know why you feel so nauseous and sweaty after you black out but this little gesture helps you come back smoothly.

He has a hard time sleeping after a rough encounter. He keeps waking up and making sure you’re still breathing. In the end he gives up on sleeping and just reads by the fire, calming his nerves to the sound of your steady, stable breathing.

In Camp

He is hilariously fussy about what you eat.

“No, you ABSOLUTELY CANNOT subsist off of a loaf of bread, three olives and a bottle of wine. We are no longer young scholars barely SCRAPING by—“

Very resourceful when it comes to what you can scrape together out of barrels around camp. You were very skeptical when you watched him putting a variety of different bones into a cauldron as you left him back in camp one day. But you came back to a rich stew full of potatoes, some wild rice and even some cut up apple in the mix.

He likes it when you play with his hair. But he has to very pointedly avoid it if he’s in the middle of reading up on something.

“Darling, are you certain you’re not practiced in the arcane arts? I do think you’ve got some magic in those fingertips of yours, at the very least, with how quickly they can put me to sleep.”

When You’re Alone

It’s simple. He worships you. Perhaps it’s because his last lover was a goddess but it seems to come easy for him; the reverent words, the gentle touches, the utter devotion. Sometimes you catch him just… looking at you. His eyes softly hooded, a relaxed curve to his lips. It’s your favorite to ask what’s on his mind when he looks at you like that.

“Hm? Oh, nothing much. I’ve just been observing. Did you know you purse your lips when you’re reading something that you disagree with? Yes—hah—just like that.”

He loves to read WITH you. Especially loves to show you some of his favorite tomes. He’ll get you all nestled up against him and hold the book down in front of you. He reads much faster than you, so he busies himself kissing behind your ear or playing with your hair until you turn the page.

Gods does he love it when you ask him questions about something to do with magic. He loves watching the glint in your eye when he’s helped you understand something.

You love it when you get him rolling on a topic of theory that you know he doesn’t get to talk about much. Sometimes he loses you when he gets into the minutiae, but he’s so damn cute when he’s ranting about the wonder in the world.

In Intimate Moments

(Potential NSFW below.)

Of course it is not a surprise that he’s a generous lover. What is a surprise is how demanding he can be when he feels like it. He knows you are no stranger to a challenge and he loves to make things more exciting by presenting you with one.

“Of course I’m aware of our companions in camp. But it’s not as if we can afford ourselves more privacy. You’re just going to have to quiet those lovely little sounds you make while I touch you… let’s see… it was here wasn’t it? Ah, ah… shhhh, my love. Those pointy ears of Astarion’s might pick even that tiny sound.”

Gods does he know how to string words together to leave you completely undone.

Sometimes foreplay is mostly talk. He can get you going without even touching you.

“My love, I’ve not been able to stop thinking of the ways I want to touch you all day. Shall I tell you what’s been on my mind?”

His breath tickles against your ear as his hands smooth over your clothed body, telling you how he wants to take you. It’s all the more flustering when you know he always keeps his word.

Love making always starts with a kiss, deep and slow.

You feel him smile into the kiss when he slips his fingers into the front of your trousers and he feels just how aroused he’s made you.

“You are exquisite. A delicacy of the highest quality. Do you know that?”

He’s not one to bang it out for a quickie. He doesn’t like to feel like he’s stealing his time with you, or like he’s a young man again and hastily getting whatever he can before heading back to the dormitories. Every touch, every word, every thrust is slow and deliberate. He wants to relish the feeling of it all. He wants to soak you in.

Somehow, he always smells good. Like cinnamon and tea and… some earthen, herbaceous scent you cant place.

So many cuddles after you’re done.

[stevieschrodinger]

Part One Two Three

“Ow, not so hard man.” Eddie seems to be absolutely fascinated with Steve’s leg hair. Which, okay, Steve kind of understands, Eddie has neither legs nor leg hair, so he gets why it would be weird. He kind of wishes Eddie wouldn’t tug quite so hard though.

Eddie’s just demolished a big bowl of green things, and Steve’s sitting on the edge, legs dangling in the water where Eddie’s hovering, touching Steve’s skin with his slightly warmer than pool water temperature fingers. He’s scratching a little too, but it’s only a tiny bit, very gently, so Steve doesn’t mind. Eddie clearly doesn’t intend to harm him, and seems more fascinated with the thin white lines he’s leaving on Steve’s tanned skin.

Eddie gives a particularly vicious tug, Steve jerks, “Ow! Fuck. No, no more. Finished.” He sits up, pulling his legs clear of the water, waving Eddie away.

“Inied?”

“Yeah, finished. Ow. It hurts. You hurt me.”

Eddie tilts his head, swimming closer, “Steeee. Ow.”

Steve sighs, “Yes, ow. I’ll be back later.”

“I’m sure. Steve is the only one who feeds him, right?”

Steve and Robin both nod.

“Right, so, from his point of view, if he interpreted that as Robin trying to like, harm Steve, then his food supply would be jeopardized. He's just, resource guarding or whatever.”

“So...no play fighting within Eddie flopping distance?”

Dustin nods, “pretty much yeah, anything that could be interpreted as risk to Steve, I guess. Or, when Robin is here, she takes Eddie his food. Or anyone really, anytime anyone else is here. That way Eddie will start to see Steve isn’t his only resource.”

“Okay, yeah, that’s probably a good idea anyway,” Steve easily agrees, the now bare patches on his shins are still kind of stinging.

Robin returns with her bowl still full of veg, “he just won’t touch it. There’s still peas floating in the pool from last time.”

Steve sighs, “I really don’t know why he’s being like this.”

“Maybe he’s just pissed at me,” she shoves the bowl at Dustin, “you try.”

They all watch through the window as Dustin heads to the pool. They can tell from how he’s standing that Eddie’s at the end furthest away. Dustin kneels, tries offering things. It’s not long before he quits and comes back.

“How long did it take before he would eat? Maybe we just need to persevere?”

Robin disagrees, “once we figured what he would eat, it was pretty much straight away he was taking stuff from Steve.”

“Okay, so maybe it’s like, a trust thing, so if we stick this out long enough, eventually he will get hungry enough to give in, right?”

“We’re not doing that,” it just immediately strikes Steve as cruel, “he’s not put on enough weight yet for us to be fucking with his food supply.”

“Okay...okay yeah.”

Steve blinks awake. He’s not sure what woke him, but he’s almost certain he just heard something. He lies still straining to listen and yeah, he definitely heard something. Something or someone moving around downstairs. Steve quietly shifts, groping for the nail bat leaning against the wall as he slides out of bed, his heart feels like it's crawling up into his throat. He almost hopes it's a regular old burglary and not, like, monsters.

He creeps downstairs, luckily he was already sleeping in a tank top and shorts. He’s nearly to the bottom of the stairs when he hears it; a clunking noise and then, “Steee.”

He carefully puts the bat down immediately; figures Eddie got into the house somehow. Steve allows himself a moment to calm down, breathe deep and slow for a minute even as, in his head, he's calling Dustin a little shithead and blaming him for leaving the back door unlocked.

At the bottom of the stairs he can peer around the corner to see Eddie sitting in the hall. It’s light enough for Steve to make out that Eddie’s sitting quite tall, his tail curled into an ‘s’ shape underneath him. He has the phone from the hall side table held carefully next to his head, exactly like...well...like a regular person on the phone would, and while Steve is there, he says, “Steee,” uncertainly into the receiver.

For a moment, Steve is tempted to sneak up to the phone in his parents room and lift the receiver so he can answer Eddie, but quickly dismisses it; Eddie’s limited vocabulary makes it kind of pointless, anyway.

“Hey Eddie,” Steve steps off the bottom step.

“Stee!” Eddie turns to Steve, it's almost strange to see him without his sunglasses on now, and his eyes reflect what little light there is in a strange, silvery flash. He seems to remember then that he's holding something, forgotten for a second with the clear excitement of finding Steve, and he replaces the receiver on the cradle with surprising care; Steve wonders vaguely if he was just listening to the dial tone.

Eddie moves through the house, walking on his hands and using a unexpectedly efficient twist of his tail to push him along; he’s much more comfortable on land than Steve would have given him credit for. He stops and looks back, clearly waiting for Steve to follow him. Steve does. Dutifully following Eddie through the house, and it’s not until Steve’s at the door that he realizes it's not Dustin's fault at all – the spare key is in the lock. He doesn’t keep one out front – that’s just asking for trouble – but he keeps one out back. One that is only for absolute emergencies only, and it’s very specifically under the third plant pot along. Eddie must have seen Robin or one of the kids let themselves in and then just...worked it out for himself.

Well, huh, Steve thinks as he follows Eddie out into the yard and across the grass, past the pool and along to the tree line.

Steve wonders vaguely if Eddie actually does this often, getting out of the pool and exploring at night; he doesn’t seem to struggle, and he clearly knows where he’s going, passing through the tree line at the bottom of the yard and then a little further in.

Eddie comes to a stop, and when Steve gets there he sees what Eddie is looking at. It’s a bird. A pigeon probably, like a wood pigeon or something, if Steve’s very limited knowledge of birds is to be believed. It’s lying on the grass, clearly dead.

Steve crouches and watches as Eddie, very gently strokes the fluffy breast feathers of the bird, “Ow. Inied.”

Steve sighs he guesses finished is one way to put it, “yeah, yeah buddy. Uhm. Dead,” Steve pulls Eddie’s hand away, “dead. Don’t touch it. It’s dead.”

“Dead,” Eddie cocks his head.

“Yeah,” Steve yawns, getting sleepy again now the adrenaline’s died down and there’s clearly no danger, “come on, back to bed. Or, you know, the pool.”

Eddie’s reluctant to move at first, but then does when Steve gestures, sliding soundlessly back into the water.

“See you tomorrow buddy.”

“Budidy. Edidie.”

“Yeah, near enough.”

“Do you think he killed the bird?”

“Nah, there wasn’t any obvious like, injury or anything. And you should have seen how gentle he was with it Robs...it was like he felt bad, you know.”

She hums in agreement, “he must have seen someone at the lab use a phone, do you think?”

Steve figured the same, once he’d finished his night’s sleep and actually pondered on it. “Pretty sure he doesn’t know how to actually use it, he was just copying. But the fact that he worked out they were using it to talk to other people, that’s pretty smart, right?”

“Maybe we can teach him to use it?” Robin eats more waffle with her fingers, smearing the broken up bits through the cream. They’re sitting out on the pool chairs for breakfast.

“Dunno, numbers and stuff. A walkie though? I think he might be able to-”

“Steee! Steeee!” Eddie calls him from the water, arms resting on the sides. He’s smiling, looking happy, shades firmly in place today.

“What buddy?”

Eddie points confidently at the sky, “dead!”

Steve looks up; birds. There’s birds flying over.

“Oh no- birds. Eddie those are birds.”

He looks so confused, but Steve suddenly has an idea, “where you going dingus?”

“Be right back a second,” Steve heads into the lounge and runs his fingers along the lowest shelf of books, easily finding the thick children's encyclopedia he got for his birthday one year when he was little. He’s never even opened it, thought it was a shit present, but it’ll do for this.

He opens it on his way back to the pool, finding a page with a big colorful picture of loads of birds on it, sitting by the side of the pool where Eddie can see, “bird.”

“Buurd,” Eddie drags the word out, definitely making it more than a ‘u’ than an ‘i’ sound, but it’s definitely near enough.

“Yeah that’s right,” Steve lays the book out on the edge of the pool, “don’t get it too wet.”

Eddie tilts his head, “et.”

Steve slaps the water, “wet. Uhm.” Tapping the book, Steve says, “finished.”

Eddie looks at his hands, frowning.

“Right, wait,” Steve goes and grabs a towel, left forgotten on a pool chair, and brings it to the edge, “here,” Eddie’s close enough for Steve to take his hands easily, “wet,” after a moment of ruffling Eddie’s hands with the towel, Steve tells him, “dry.” Then he taps the book, “dry. Wet finished.”

He waits to see what Eddie will do, but he holds his hands carefully out of the water before he lifts himself to touch the book.

Steve turns to a page at random, showing Eddie a page with all sorts of big cats on it, lions and tigers and stuff like that, “go on, you do it.”

Steve gestures at Eddie, and, cautiously as he lets his elbows take his weight, Eddie carefully turns the page.

Part five

[autistichalsin]

So I don't usually post all that many Astarion thoughts here, but I have noticed that some people feel that a certain set of lines spawn Astarion and ascended Astarion have in the new evil endings would have been better suited for the other. Namely, after the Dark Urge stabs either of them, Spawn Astarion cries, "I should have killed you when I had the chance!" while Ascended Astarion breaks down into inelegant blubbering, "no! No, this can't be. I can't- you can't- no!"

And I can definitely understand where it might feel like these would be better responses for the other- but I happen to completely disagree.

So, Astarion, first and foremost, is a fear-driven person after what he's been through. Everything- manipulating others, seeking power, lacking empathy- comes from his belief that power is all that matters, the only way to avoid being hurt, and only his quest to become the powerful one at last matters.

Through his friendship or romance (in this case, obviously, romance) with the player, though, he starts to find this being challenged. He sees genuine kindness for the first time. No expectations that he lay down his body to get advantages. No using him. His dignity and boundaries respected for the first time that he can remember. This is set against the backdrop of Cazador and the other spawn. If he kills them and takes Cazador's power, he can become powerful enough to never fear again. But if he doesn't, he can be something more than the game Cazador pulled him into when he made him a spawn.

Your confrontation with Cazador is the moment you either entrench Astarion in this belief, or free him from it. If you let him ascend, he becomes all-powerful- at the cost of believing forever that the world is nothing more than an extended power trip, a system where by necessity there are lower people and higher people and only the strong can be free. And he has finally become the strongest of the strong.

So imagine his surprise when you, who he thought was under his thumb, grab more power than him and kill him just like that. No chance to fight back or use his vampire lord powers. He went through all that, sacrificed the core of who he was- and it still wasn't enough. His one concession to his dog-eat-dog philosophy, his love for you, was the thing that let him die. No wonder, then, that all he can do is babble out something between disbelief, a plea, and a last attempt to assert power over you. He was as powerful as he ever could have hoped to be, and he still lost, cast aside by you as soon as he was no longer useful.

Meanwhile, there's spawn Astarion, weaker in every measure- but free of his belief that power is all that matters. He's fought hard and discarded Cazador entirely- including all the power he offered. He committed himself to becoming better. To experiencing a life where things like happiness and love have just as much of a place as sheer power. And he was enjoying it, too, especially with you at his side.

And then you show him that that was all a lie, that he may very well have made the wrong choice by abandoning all that; for all he knows, you may even have talked him out of the ritual specifically so he would be easier to kill later.

So it's not disbelief and begging. Spawn Astarion actually loved and trusted you and foresook his social-Darwinist beliefs for you; what he feels is raw betrayal. And betrayal gives way to anger rapidly. So instead, he's the one cursing you with his last breath. Lamenting that he let you live at all, let alone falling in love with you.

Ascended Astarion became more powerful but more arrogant, so his reaction is that of someone who can't wrap his head around how this could have happened. Spawn Astarion foresook power for the sake of a real relationship with you, so his reaction is utter fury and betrayal.

[amysubmits]

Owning Me Is Complicated

Occasionally I come across content that makes it seem like being a Dom is easy.

Order her around, make her do the things you don't want to do, do whatever you want, "win" all the disagreements because you're the dom - or even silence her from disagreeing with you to begin with. Get sex exactly how you want it, exactly when you want it. She's just a living, breathing object that can and will do whatever you want. She has no needs other than to make your life easier. She's your own personal robot, but with a body you want to fuck. Being a dom is like a regular relationship but without the emotional labor. I'm sure there are other gender versions out there too, but I see the M/f version most often. It's so funny to me how absurd that all is compared to real life.

Owning me is complicated. Owning me means doing way more emotional labor than a vanilla relationship would require, not less.

Yes, I do what he says - but he's responsible for making the best decisions he can. He's in charge, so keeping me physically and emotionally safe is his responsibility. It's a huge part of how he earns my submission. It's no small thing to make decisions when making them well is part of how he keeps me safe and keeps me open and trusting towards him. Yes, I'll try to push my sexual limits for him - but I have complex emotional needs that accompany physical intimacy. Use my body without having respect for my physical and mental health and it'll fall apart real quick. And once again, making a reckless decision here that would leave me damaged and could forever damage our dynamic. Sure, he can take his cock out anytime and instruct me to suck and I will, but that doesn't mean it's all fun and games. He has the burden of double and triple checking that he isn't pushing me too far, or taking too much as to leave me empty. Yes, he gets the final say in disagreements, but he earns that by hearing me out. He couldn't keep me submissive if he didn't respect my feelings. I can't feel respected if I'm not heard. So he has to hear me out and really listen. And then his job is to attempt to get the best outcome for both of us. He has to try to balance our needs, because if either of us gets neglected, we individually suffer and then the relationship suffers. So he sometimes deals with the weight of threading the needle between his needs and mine, his wants and mine. His shoulders carry the weight of those choices. Yes, he can deny my wishes - and even my needs for a time, if he chose. But I am human. How long can he deny me things that bring me pleasure before I start to feel unwanted, unloved, disrespected, thrown out? Resentment would set in eventually. Self-protection would kick in eventually...and it might be too late by then, the damage may be done by the time I would wake up to look around and decide I didn't want to live like this anymore. Why would he want to even find out, given that he loves me? He wouldn't. He has a sadistic streak, so he likes to deny me things I like so that I long for them even more for a while. He likes to see me eager, desperate to get it when he decides to give it. He likes to watch me tolerate discomfort for him. Playing with these ideas require a deep understanding of my needs and limits. He has to know where "desperate for you 🥺 " starts to fade and "That goblin in the back of my head is starting to worry I'm not valued" starts to enter my thoughts. Yes, I look to him to guide and lead, and he has a lot of power and control - but that comes with the ability to destroy and damage. There's nothing easy about ownership if you feel the weight of the responsibility you're carrying.

[foone]

I want a human zoology textbook.

Zoology, as in the study of animals. Like, a study of how humans work, done by an author that is not human.

I specifically want this for a couple reasons:

1. Descriptive, not prescriptive: don't tell me what the author thinks humans should do or how they should be. Tell me what they do. Observationally!

2. No bias towards "nature". I don't particularly care what the author is imagining humans are like in some "garden of eden" unfallen state. I want it to reference how humans ARE.

3. No morality applied to this! What do humans DO, not what you think they should do, or how they should be. And most importantly, no self-censorship in order to avoid offending some of the humans that disagree with ways people live.

And the reason I want this is because of how biology textbooks/wiki pages get written, where even if they try to be progressive they're still written from this weird perspective where they're explaining based on old ideas and the progressive stuff gets a footnote.

Like it'll be "humans have two genders, male and female. This is determined from their chromosomes, XY for male and xx for female."

And then you scroll past two pages for men and another two pages for women, and then it has one subsection that covers non-binary people and intersex people. And it's like: well then integrate that into your main statement!

It's like the author's worldview is still "there's two genders and everyone is born as one" but they've been forced to accept there are some weird exceptions but the core worldview is unchanged. And it's understandable! Wrong, but understandable: the grew up in a world that is quite strong on the "there are only two genders" ideology and doesn't like to remember that intersex people exist.

But like, imagine if you tried to do this as a zoologist. You're like "hey, all bees are female!" and then someone points out the rare male drones and they're like "oh okay I'll update my zoology textbook."

And now it reads:

All bees are female. Most are workers, and one is the queen.

(a couple sections go pass)

Drones: recent science has discovered that some bees are born male. These rare exceptions live short lives where they fertilize a queen and then die.

And it's like, no? Drones are very important to how a hive lives and they can't survive without them?

And we're constantly doing the same thing to humans and it's just bad science. Like, sure, maybe you could have the theory that "humans come in two genders: male and female" but as soon as you see one non-binary person, you have to discard that theory: it has been proven false! It's like not believing in other galaxies after Henrietta Swan Leavitt figured out how Cepheid Variables worked.

Add to that the "nature" thing. Like, you can make a sort of argument about nature vs artificial settings for a lot of species: the whole alpha/beta wolf thing came about because it turns out wolves act differently in captivity compared to the wild, so it makes sense to study how the vast majority of wolves live, not a small group you stuffed into a small area with unusual conditions. It's like saying the lifespan of goldfish is under 5 minutes, based on your study of them in this dry box you put them in.

But humans are different: we are tool-users who build new environments for ourselves. And while you can talk about how humans living in different environments act differently, it doesn't make a lot of sense to call one of them "artificial". All of them are made by us, and humans always do this. This means all environments are natural (because building environments for ourselves is what we naturally do) and all environments are artificial: we always alter our environments to better suit us! That's one of the things we naturally do!

And as for morality, it's about not ignoring things humans do regularly because you think it's weird or you think they shouldn't.

Like that tweet where someone pointed out that lots of species can change gender. Clown fish are a big one, some frogs, a couple birds, some lizards, and humans.

And people often have an immediate knee-jerk reaction of "that doesn't count!" for the last entity in that list. Why? Because we do it (usually) with clothes and makeup and medication, instead of just "naturally"? Bullshit. We're naturally TOOL USERS. Of course we use tools to change gender. We use tools to do EVERYTHING. That's natural for us.

So yeah. I think it'd be refreshing and enlightening to have a zoology textbook written about humans with this detached non-human perspective. An unbiased description of what humans are and do, rather than one irrevocably tinged with ideas of what humans should be and should do.

Basically I want to load up Vulcan Wikipedia and check the "Humans" article.

[stangalina]

I want to read a fic where Arthur discovers that Merlin is Emrys, but the conflicting feelings of affection for Merlin and hatred for magic cause him to misunderstand the nature of Emrys' existence.

His brain rationalises the situation in the only way it can, and comes to the understanding that Merlin and Emrys are two separate people living in the same body. That Emrys is living WITHIN Merlin without Merlin's knowledge.

Which, if that were true, would actually be a smart move on the sorcerer's part. Arthur would not, will not, and will NEVER execute Merlin. He's also around Arthur all day everyday, so that means he's close by to get whatever he wants or needs from the king. This only further convinces Arthur that he's correct.

He is not correct, of course. But since he's Arthur, he doesn't communicate what he has "learned" with Merlin. He doesn't want to tell his clearly unaware manservant that he's got an all powerful sorcerer buried in his brain. And he certainly doesn't want to tell anyone else out of fear it'll lead to Merlin's death. So he keeps it to himself, like an idiot, and operates every day under the assumption that Merlin is possessed by the most powerful sorcerer to ever live.

Meanwhile, Merlin is thriving. Sure it had been terrifying for Arthur to first learn about the prophecy via a loose lipped druid on the verge of death, and THEN witness Merlin using his magic in order for the thing that killed the druid to not also kill Arthur, but the reveal had gone over shockingly well all things considered.

He did get a whole week of complete silence from Arthur, followed by a few more days of being stared at in a thoroughly unsettling manner, but after that everything went back to normal. Better than normal, in fact!

It was clear that Arthur was incredibly uncomfortable with his magic, which was understandable. Arthur may be a good man, but his quality of character didn't magically erase the prejudices and experiences that had been hammered into his head over and over since he was a child. The way he seemed to be coping with it was by pretending that nothing had happened at all, which was just fine as far as Merlin was concerned.

Gaius disagreed. But what did Gaius know? Healthy communication? Don't need it.

Merlin didn't use his magic around Arthur on the day to day, even though he could be sure he wouldn't get executed for it anymore. He didn't want to make Arthur uncomfortable, so he went along with the unspoken plan of pretending that nothing had happened. Resuming the exact same routines and behaviours that he'd been doing for years now. Gradually, Arthur relaxed. Well, as much as Arthur Pendragon can relax. And life resumed as normal.

Except for one little detail.

Sometimes, Arthur would call him Emrys. Not all the time, and certainly not when people were around to hear or see. But sometimes.

When he needed help. When he needed magical help.

An enchantment on a courtier, an artifact found buried under a house, a monster wreaking havoc on a town, or a hoard of bandits descending upon the two of them in the woods. A tome, a necklace, a potion, a poison, a cure.

If Arthur called him Merlin, he wanted his manservant. If Arthur called him Emrys, he wanted his sorcerer. It was a neat little system, Merlin thought. A sort of code, just for the two of them.

Of course, this equilibrium can only exist for so long before something slips and shit gets messy. But that's all part of the fun!

[tgcg]

bad mouther, hole master

TG: kissing with tongue is gross as hell

CG: COME THE FUCK OFF IT.

TG: what

CG: I'M SAYING SHUT UP.

TG: oh

CG: IT'S NOT THAT WEIRD. IT'S LIKE THE NATURAL PROGRESSION OF REGULAR KISSING TO EVENTUALLY INCLUDE THAT. IF YOU HAD ANY SEMBLANCE OF ROMANCE GHOSTING THROUGH THE DEVOLVING REMNANTS OF YOUR THINKPAN YOU'D APPRECIATE WHAT IT BRINGS TO THE NUTRITION PLATFORM OF ANY CONSENTING CONCUPISCENT RELATIONSHIP!

TG: youre talking about it like its a goddamn military weapon or some shit

TG: some kinda scientific fuckin method to fondle a dudes mouth with your own mouth thats

TG: thats gross

TG: this isnt supposed to be a debate before fuckin congress on the pros and cons of getting your mack on

TG: its i would say a reasonably personal thing to react about and thats just my reaction man you dont gotta arbitrate it

TG: and like why the hell do they have to linger on it so long in these movies do they really want me to immerse myself in people necking each other that much

TG: roll the sounds around in my earholes like im swilling a fine fuckin wine

TG: well my professional opinion is that shit tastes and sounds mad gross and tbh i havent seen a single movie where it was close to being any kind of necessary

TG: its just a cringy waste of everyones time

CG: YOU HAVE NO IDEA WHAT YOU'RE TALKING ABOUT, AND I DISAGREE WITH EVERYTHING THAT COMES OUT OF YOUR IGNORANCE GASH, YOU LUMP OF TIGHT-LIPPED CLUELESSNESS.

TG: did you just homestar me

CG: FOR THE SAKE OF ARGUMENT, SINCE YOU'RE APPARENTLY DESPERATE TO START SHIT WITH ME RIGHT NOW: HAVE YOU EVER EVEN DONE IT?

TG: hell no

CG: THANK YOU FOR PROVING MY POINT.

TG: proving your point--

TG: bro have uh

TG: have YOU???

CG: EXCUSE ME? HAVE I WHAT?

TG: come on

TG: i walked into this stupid conversation with a fucking shovel and by god am i digging myself a damn hole big and wide enough for every dave across time to squeeze in so i might as well get cosy in this shit before we all start collectively shoving dirt in our mouths

TG: bet your ass im taking you down with me though

TG: grab your spade and get digging man

CG: GRAB MY WHAT????????

TG: just tell me

CG: ???????!!!!!!!!

TG: karkat

CG: NO!

TG: f-

CG: WHAT IS YOUR PROBLEM!!!!! WHAT PART OF "SHUT UP" DO YOU NOT UNDERSTAND????

TG: wait no

TG: oh my god dude

TG: you can spin that shit all you want but you can do it the hell away from me

TG: i do not need to be hip to your weirdo foursquare fantasies

TG: patently not my business

CG: STOP RIGHT THERE. JUST SHUT IT. I AM PUTTING US OUT OF OUR MISERY RIGHT NOW. I AM CONDUCTING AN ACT OF MERCY ON THIS INSANE FUCKING CONVERSATION AND YOU ARE GOING TO ZIP YOUR LIPS AND TAKE IT.

CG: HERE IT IS: YOUR SINGLE OPPORTUNITY TO PRETEND YOU NEVER SAID THAT TO ME. I AM GOING TO FORGET YOU MADE A COMPLETE MOCKERY OF ME AND MY CULTURE THIS ONE TIME. AND LET YOU CONTINUE TO DIG YOUR STUPID, SHITTY HOLE.

CG: AND DAVE, I AM BEGGING YOU NOT TO WASTE IT.

CG: TO ANSWER YOUR SHOCKINGLY INAPPROPRIATE QUESTION, NO I HAVE NOT DONE IT.

CG: WHO GIVES A FLYING FUCK.

CG: HAPPY?

TG: ……..

TG: way to defuse the situation solid work

TG: real gold star effort grabbin that lit wick and blowing on it

TG: ok first of all you asked me first so dont act like im the one being a weirdo about this

TG: second of all i didnt mean it like that and you know it

TG: THIRD of all what the hell was the point of engaging the knightly theatrics then if you cant even verify that shit

CG: WELL FUCK, SORRY DAVE! I GUESS I'M JUST A FUCKING ROMANCE ENTHUSIAST! I GUESS I GIVE A MAJOR SHIT ABOUT THE THING YOU'RE OPENLY MOCKING TO MY FACE! IS THAT SO IMPOSSIBLE FOR YOU TO WRAP YOUR THOUGHT SPONGE AROUND?

CG: AND IT WAS COMPLETELY REASONABLE FOR ME TO ASK YOU THAT, YOU CONGEALED FETID NOOKSTAIN! MY STATUS ON THE MATTER HAS LITERALLY NOTHING TO DO WITH THE POINT EITHER OF US IS TRYING TO MAKE.

CG: TRY TO KEEP YOUR NUGBONE FROM CAVING IN ON ITSELF WHEN I DROP THIS BOMBSHELL: I'M ALLOWED TO HAVE OPINIONS ON THINGS I ACTUALLY KNOW ABOUT, EVEN IF I HAVEN'T DONE THEM! I DON'T JUST GO TROUNCING THE FUCK ABOUT LOBBING MY UNFOUNDED OPINIONS AT PEOPLE LIKE I KNOW EVERYTHING ABOUT ANYTHING. UNLIKE SOMEONE WHO MAY OR MAY NOT BE INVOLVED IN THIS CONVERSATION WE'RE HAVING RIGHT NOW!

TG: youre

CG: I’M TALKING ABOUT YOU BY THE WAY. THE SOMEONE IS YOU.

TG: oh gimme a break

TG: bro youre going apeshit over something you havent even done

TG: you know what that sounds like to me it sounds like an overcompensating fake fan who doesnt get any

TG: you heard of troll napoleon complex

CG: AT LEAST I ACTUALLY FORMED MY OPINION BASED ON CAREFUL CONSIDERATION --

TG: -- oh yeah i bet huh

CG: -- INSTEAD OF JUST BANKING ON NUBJERK --

TG: -- not a real thing you just said

CG: -- REACTIONS AND WRINKLING MY SNIFF NUB AT ANY SIGNS OF GENUINE PHYSICAL INTIMACY!

TG: stop saying nub

CG: YOU EMOTIONALLY CONSTIPATED BULGEWAD

TG: not too much worse than being a perpetual fountain of emotional diarrhea

CG: DON'T YOU DARE.

CG: DON'T YOU DARE TRY TO USE THAT AS A "GOTCHA", YOU--… YOU! FUCK!

TG: dude did you actually run out of insults

TG: okay this is getting concerning

TG: youre the international dude of verbal dunks

TG: that can not be happening

CG: AAGHRJRGHJRGRHJAGHRJGRHJAGRHJRGRHJRGRHRJR

TG: you cant run out of em youre like the ultimate peddler of hate

CG: YOU DON'T THINK I'M CRITICALLY AWARE OF THE HOOFBEASTSHIT I'M SPEWING NIGH FUCKING CONSTANTLY?! I AM PAINFULLY COGNIZANT OF HOW MORONIC EVERYTHING ABOUT THIS IS!!!!

TG: feel like ive done some damage here

CG: ESPECIALLY MYSELF!

TG: alright bud time to calm down

CG: YOU CALM DOWN!!!!

TG: okay whatever!

CG: WHATEVER!!!!!!!!

TG: jeez

…

TG: here

…

CG: UGH.

TG: yeah

TG: really glad stuff like this happens in private

CG: YEAH. SAME HERE.

CG: JEGUS, CAN WE GO BACK TO BEFORE WE HAD THIS CONVERSATION? I DON'T ASK YOU MANY FAVORS, SO SURELY YOUR SLURRY OF ILL-DEFINED TIME POWERS CAN ALLOW YOU TO DO SOMETHING LIKE THAT.

CG: JUST LIKE, WIPE THAT WHOLE THING OFF THE SLATE.

CG: LET'S START OVER. SAY, FIVE MINUTES AGO. HOW DOES THAT SOUND?

TG: what conversation?

CG: OKAY, GOTCHA.