#i cannot even explain

[mynicosensesaretingling]

At dinner I was like „tomorrow is Le Mans!“ and my dad went like „da fährt doch der kleine Schumi“ („oh that‘s where little Schumi drives“) and I almost sobbed

[motherish]

Towards the end of the series there is no time to spare so with whatever time they have with each other, they become more open n honest. There's no more hiding. Hands instinctually reach out for one another. There is this strong sense of "I love you and I have to make sure you know that" amongst all of them. They are so deeply intertwined with one another in a way that you don't really see until this moment. I mean, the love has always been there. But now it has a voice.

[hansoeii]

we go just right.

[qoldenskies]

i think its so funny when people take the way donnie acts at face value even though its a horrible lie because he's a horrible liar, while understanding leo is bullshitting very well despite him actually being GOOD at bullshitting. many such cases

[clumsypuppy]

eos pt. 2

[noodles-and-tea]

I want you to know that whenever I change my interest/fandom. You also happen to consistently post about the same thing and I find this eerie and funny. It started with Spiderverse then FNAF, Gravity Falls, (never got into Arcane I’ll say) and now DC. We haven’t always “matched” or whatever but I wanna say I’ve never been more consistently in tune with another account’s interests as I have been with this one lol.

I hope I make sense haha but anyway I love your art!!! Can’t WAIT for that Superman movie :D

Do… do you live in my walls..?

[flowersforthemachines]

What home smells like (Crossroads comments)

Note: judging by the audio I extracted and the conversation file, Bellara and Taash don't have lines for that event (if they actually have lines and I missed them, pls lmk).

Rook: That scent… I can't place it. Neve: For a moment… it smelled like Dock Town after it rains. Lucanis: Coffee. Like Illario and I smelled in the kitchen where we grew up. But that cannot be right. Harding: That's my ma's apple cake! But… how? Davrin: That's smoke from my old clan's campfire. But… how do I even know that? Emmrich: It's reminiscent of the mortuary's perfumes, but… ah. Of course. Emmrich: There's small enchantments around this place. From the old elves, welcoming their kindred home.

My DAVG Extracted Audio Masterlist

[tinybunbunn]

Happy Valentine’s Day <3 Based this on a scene from @cloud-somersault ‘s Constellations Epilogue in chapter 9! Had this in my drafts for MONTHS and figured today would be a great day to finally finish it up ^^

[lgbtlunaverse]

"Marcille hates all of Laios' freak traits but loves them in Falin" is honestly a really good joke but... you guys do know it's a joke right?

It's such a funny one I honestly find it impossible to get mad at even when people mistake it for an actual truth about the characters but JUST TO MAKE IT CLEAR

THIS is how marcille reacts when Falin is predictably just as enthusiastic about eating monsters as her brother was.

That is not the face of a woman who thinks this trait is lovely and endearing as long as it's exhibited by the girl she loves. That is the face of a woman who is taking 7d8 psychic damage and yet knows deep in her heart she won't like Falin any less for it.

The way young Marcille reacts to Falin eating berries Marcille can't recognize but Falin knows are safe is pretty similar to how she reacts to eating monsters years later, albeit with more fear than disgust. The difference in her relationships with Laios and Falin isn't just that she's attracted to Falin, it's because the Touden siblings, while similar, are in fact different people. Not just genderswaps of each other.

Also, I think you all already know this, but just to say it: she doesn't actually hate Laios for any of his freak tendencies either. He's one of her best friends. She's just a lot quicker to be outwardly exasperated with him while she's quieter about it with Falin.

[biruesque]

again and again and again and again

[obsob]

the accolade ( the...the cat-olade...)

[renemoth]

and it's pretty amazing to be something, at least

[lazylittledragon]

please keep doing the right thing by not calling out this or any other imitators of your art. if they're not impersonating you, deceiving people about whose artworks were made/posted first, or threatening your livelihood (which is a wholly seperate issue of economics), there's no material damage being done here. that just leaves the shitty feelings you get from being aware of the imitation, and i have faith that you can get over those and move on with your life.

fact: your art is technically skillful and broadly appealing to tumblrites both in style and subject (big fandoms, popular ships, familiar tropes and ideas). that's why it's popular.

fact: social media incentivizes creators to post whatever content gets the most engagement and viewers to engage with the same kinds of content over and over, regardless of who copied who.

fact: the only thing no one else can copy is the fact that your art was made by *you*. if that's not enough for you to feel secure in the inherent value of what you make, i'm afraid there's an part of you that fears that your work is replaceable.

the discomfort and "creepiness" you talk about sounds like you're stuck in zero-sum mindset: this person can only gain something by taking it away from *you*. and that's just not true. what do you feel you're "losing" to them in this competition? praise? attention? social media points? money (see above)? unpack that.

fact: your art will be harder to imitate and less attractive to imitators if you get weirder and more experimental with it. which i would love to see, btw.

i appreciate this !! but also i should clarify: i'm not upset because i'm jealous of this person getting attention or i feel like i'm 'losing' to them in any way. i'm very secure in my own work now and if this was a stranger i probably wouldn't care as much. this is not any kind of 'threat' to me and the amount that this affects my actual life is very minimal

i'm upset because this is someone who i gave the benefit of the doubt and actually befriended, who went from taking small stylistic choices i made to potentially ripping off entire characters/comics that i wrote, and did it to my face. and i don't think it's an overreaction for me to be weirded out by that

[newttxt]

launching a rescue mission!

from utilities included, ch. 8

masterpost

[technically-human]

Comfort and safety and such things

This one was actually a commission! I had a lot of fun working with such a cute concept

[lover-of-mine]

Here are all the callbacks buddie in 817 had to previous scenes I have found so far.

First off, obviously the grocery store fight in 306.

The scene also calls back to the fight before Shannon leaves in 315. The way it was filmed calls back to the breakup with Ana in 503.

It also calls back to the other 2 fights Buck and Eddie had, gym scene in 201, and the 809 one, because Eddie in black and the angles.

Color-wise, Buck's orange is similar to the one Shannon is wearing when she comes back in 207 ("what did you need that I didn't give you" "you") and Shannon and Eddie are in orange and black in 213.

Buck himself is wearing a similar shade of orange when he starts the lawsuit in 304, when he stops the car that fixes the lawsuit in 306, when he finds out about Daniel in 404, when he talks to Chris in 701. He's in a brighter version of it when he tells Maddie and Chim about therapy in 403.

There's the actual dialogue of Eddie calling back to his breakdown. That's the description of what happened to Eddie in 513.

Waking up in the middle of the night, to that news. Sitting alone in the dark. Trying to keep it together so I don't scare the crap out of my kid.

Eddie walking in has similar visual cues to Eddie walking in after his therapy session in 514, from different angles.

The kitchen of it all calls back to Buck asking about Kim in 709, Buck finding out about Texas in 808, the talk in 612 if we decide to push it a little lol, granted the kitchen was a lot colder in 817 that we've ever seen it before.

Buck finding the note, obviously calls back to Shannon leaving. (Couch theory, you will forever be famous).

Buck is in that forest green we nicknamed the breakup green (even though the green is mostly about Buck being misguided in his own feelings, this is more about Buck jumping to conclusions, meta on the green here, please see the full picture of the use of green with Buck because it's fascinating), so call back that feeling.

I'm gonna treat Buck's shirt as both grey and blue because it looks bluer in some bits of the scene and greyer in others, just go with it for the sake of this exercise.

Most importantly, this scene calls back to the post-tsunami talk.

Inverted colors, but the same feeling, Eddie is using Chris to snap Buck out of it. This is a mirror if we count Buck's shirt as blue.

But if we count his shirt as grey, this is the mirror, 612. Both moments where Eddie is offering Buck something Buck doesn't know how to ask for.

The Chris of it all also calls back to 301, when Eddie storms into the loft to leave Chris with him. Eddie already being in the house also calls back to this.

If we count Buck's shirt as grey, we are calling back to the moments Buck is casually parenting Chris, like in 408 when Chris runs to the loft and when they are making the cookies in 613.

The scene as a whole calls back to after the earthquake, this one more if we count the shirt as blue, after the tsunami, after the shooting, but inverted, since Eddie is the one watching Chris with Buck this time.

The whole thing also calls back to 408 with Eddie coming home from the date with Ana (construction on sunset, baby), color-wise too since Eddie is that rust type color in both scenes.

Buck teasing Eddie about ordering pizza made me think of 707 after Buck burns the lasagna and the "20 Buck's for pizza" in 303, but that's a me thing.

Buck offering to cook in an ambiguous blueish-grey shirt calls back to Buck making them dinner in 601. (Couch theory conversation, anyone?)

Buck walking in visually calls back to the fight in 809. Eddie is leaning against the wall Buck wanted to tear down.

The Pepa of it all calls back to 204, with Buck watching Eddie and Chris and the actual conversation about "our Eddie". The conversation then evolves to something that reminds me of the conversation buddie had in 612. Eddie matches the couch.

Buck watching Eddie and Chris visually calls back to quite a few scenes. The facetime call with Chris and the Texas talk in 808 and Buck settling in in 811.

It also calls back to Eddie watching Buck and Chris on the couch in 612 and 615, and Eddie moving around them as they play in 403.

Now for the ones I'm less confident on, it's the wrong shades, but Chris leaving is Buck is in blue and Eddie is red.

And the groceries of it all made me think about 604 when Chris is helping Eddie with the groceries and they get the call that Chris has been lying about the science club. Mostly because Chris is holding the same brand of cereal that Buck is putting away.

I think this is all, I will come back if my brain gives me more.

As always, if you read this I love you 💜