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littlepadika · 3 years

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Calling Home (1) | Frankie Morales x Reader

Summary: You are a receptionist at the VA. Frankie Morales keeps calling. Yearning ensues...

Rating: M -> E in later chapters

Warnings: fem!reader, age gap (legal), praise kink, voice kink, discussion of addiction/PTSD/trauma, no use of y/n, no beta reader, reader is bad at Spanish, Frankie has a sexy voice 😩

Masterlist here

AN: My first fic. Pedro writers have inspired me to finally start writing again 🥺. Concept inspired by the movie RED. I hope you like it ❤️Set after triple frontier.

Chapter One

~~~~~~~~~~~

The first time he called was an ordinary Thursday.

“Veterans Affairs, how can I help you?”

You had been working at the VA office for about two weeks. Fresh out of college you felt lucky to have a job in the first place. You went to school to be a writer but your big idea for 'The Next Great American Novel' had yet to present itself. At least here you had access to the most inspiring stories and interesting people. Men and women who had seen more and done more than you probably would in your entire life. You loved talking to clients on the phone. It was weird but something about only being able to hear people’s voices excited you. You would sometimes write little stories in your head about the people you'd talk to, filling in the details that were unknown.

Your desk accessories reflected your love of books and writing. You had your growing collection of books sitting on your desk sandwiched between baby pink bookends. Next to them was a matching desk organizer filled with your favorite sparkly pens and sticky notes. You had decorated the plain cubicle walls with posters of quotes from your favorite books. You also brought your favorite candle from home. Even though you couldn’t light it you still liked to lift it to your nose once and a while and smell it between chapters. When you weren’t on the phone or scanning documents you would read. You finished To Kill A Mockingbird in your first week on the job and were now halfway through Murder on the Orient Express.

You were starting a new chapter when Frankie Morales called the first time.

You picked up the phone on the second ring already mustering your chipper 'customer service' voice. “Veterans affairs.” You stated your name. “How may I help you?”

“H-Hi. My name is Frankie- uh-Francisco Morales." A deep voice answered you. "I’m calling because I have gotten my benefits check yet. It’s been a month. I was hoping you could tell me if it got sent?”

“Okay Mr. Morales." You flipped on the computer. "Let me check. Can you spell your last name for me?”

“M-o-r-a-l-e-s”

“Okay... let's see.” You clicked on his account. You were momentarily distracted by his picture likely taken when he graduated basic if you had to guess based off the uniform. He looked sweet. Sharp nose and strong jaw balanced by kind eyes and a shy smile. You could imagine how age would continue to soften his expression making him even more handsome. The image was a strange juxtaposition to the voice you were hearing on the phone which was much deeper and rougher. His profile said he was special forces. A pilot. The rest of the information was blacked out. Something you were used to seeing on many people's accounts but even his years of service were redacted. He must have been involved in some dangerous stuff, you thought to yourself. The dates that were not redacted were mostly in Latin America. You clicked over to processing requests. “Looks like the check got sent one week ago.” You informed him.

"I'll look again but I haven't seen anything-" It sounded like he was apologizing when clearly it was not his fault.

"No no. It's probably a mistake on our end." You interrupted. With how shitty and outdated the payroll interface was you wouldn't be surprised if there was a mix up. "I’ll go ahead and let payroll know to send another."

"Great. Thanks." He replied sounding relieved. The roughness in his voice gave way to a smooth baritone.

“No problem. I'm sorry for any inconvenience it may have caused. We'll get it sent right away." You hoped he was not relying on this benefit check for anything important. While you could promise you'd fix the problem, the administration was notoriously slow. When he didn't respond you asked, "Is there anything else I can help you with today, Mr. Morales?”

“Uh-no" The roughness back in place. "Thank you." He paused before adding your name onto his thank you which made you smile. People usually never remembered your name.

“Alright. Have a nice day and thank you for your service.” You chirped before hanging up. The smile he put on your face lingered for a few minutes as you returned to your book.

The next time he called was exactly twelve days later.

“Veterans affairs” you answered, your routine greeting cut short as your eyes were still on your book.

“Hi- I’m calling because uh I still haven’t gotten my benefits check. This is Frankie Morales.”

“Oh Mr. Morales.” You recognized his voice even before he even said his name. You quickly shut your book, pushing your hair out of your face. Had you been thinking about him? No! Okay maybe you stared at his picture for a few minutes longer after he hung up. Yes, it was probably very unprofessional but you couldn't fight the curiosity. You were trying to rationalize the contrasting sharpness and softness of his features with his voice. How it all worked together. How one person's voice could change textures and colors so easily. You wondered what kind of things this man might have seen on the job. Most of the veterans you would help day to day did not have so many redacted missions and deployments. You were in the middle of Narcos season one so you immediately thought of drugs or something equally dangerous. After much pondering, you had come to the conclusion that Frankie Morales was both insanely attractive and insanely courageous. “Still no check, huh?”

“Nope.” He sighed the sound making the phone's shitty speaker crackle as you held it to your ear.

“Let me just check that it was approved...“ you found his profile again and scrolled to the status page. “Hmm... it says it was sent out last Friday after we spoke. That’s so weird...”

“Yeah. Really weird.” He echoed your frustration on the other end.

Typical payroll, you thought to yourself as you rolled your eyes. “I'll get another one sent to you right away. I'll see to it myself.” You tucked the phone under your chin and typed out a short email to Mary in payroll letting her know you'd be stopping by her office to explain the situation. You realized he hadn't hung up yet.

“Sorry for the back and forth.” You said, trying to fill the silence.

“It’s not your fault." The earlier irritation gone. "You’ve been really helpful.” His voice sounded warm and reassuring. Less gruff than it was last you spoke. Instead it was that rich baritone that you caught of glimpse of last time.

You feel your face warm at his compliment. It was this annoying reflex you had. Praise always made you blush no matter what context but it was worse when it came from a (you assume) gorgeous stranger.

“And just to verify that your address is correct- you’re on Maple Lane in Miami, Florida?”

“That’s right.” He confirmed.

“Okay. Sent!” You clicked send on the email, which caused the window to close and reveal Frankie’s profile page again. “I was curious-" You spoke before you really made the decision to speak. You didn’t want to overstep but once again your curiosity got the better of you. Honestly, you were just searching for a way to keep him on the phone. The day had been so boring.

“Your profile says you were stationed in Costa Rica.”

“For a bit.” He replied after a moment. He didn’t sound too defensive but there was definitely some tightness in his answer that made you feel bad for asking. Like you were scratching a wound.

“Did you like it? The country I mean.”

“Are you planning a trip?” He sounds a little amused.

“Yeah- well- kind of. It's more a trip in my head right now. I’d like to go there one day. It looks so beautiful.” You sighed closing your eyes trying to imagine the heat on your skin.

“It is." He agrees. "Really humid though.”

“Mm that sounds nice.” You would kill for some warm weather after such a long winter in DC.

“It was too muggy for me at times." He grumbled. "If you do go, stick to the costal areas where it’s more breezy or else you’ll just be sweating the whole time.”

“I don’t mind a little sweat” you shrugged, still thinking of the awful east coast winter you were currently suffering through. The sexual connotation of what you said hit you hard as soon as you heard the statement in its entirety. You felt your face flush again, though the man on the other end would never know.

“I’m learning Spanish!" You announced loudly trying to move the conversation past your awkwardness.

“Wow. Muy impressivo.”

“Si” you replied but after a moment you admit “I don’t really know what you said.”

Frankie laughed loudly on the other end and you couldn’t help but join in, drawing dirty looks from the elderly lady, Donna, working in the cubicle across from you. You ducked your head behind a stack of papers to avoid her glare.

“Fake it till you make it.” He chuckled.

“Maybe you should help me out.” You took on an indigent but still playful tone. “You sound better than duolingo” Your smile widened when he laughed again. His laugh was what you hoped it would be, by all your assumptions from his picture. It was an unencumbered, unburdened, rich sound with only a hit of roughness from the air behind it.

“Tell me you’re not using that dumb app to learn.” he scoffed, saying your name in an almost scolding tone.

“I’m got my thirty day streak today.” You boasted.

“You’ll be a total tourist if you go by duolingo.”

“But the owl is so cute every time I get something right!” You argued your voice taking on a more childish cadence.

“That’s how they trap you, silly girl.” He teased right back. Usually such a condescending nickname would piss you off but something about the affection behind him using it made you feel very differently. You felt warm like you were proud to be silly as long as it made him laugh.

“Then you saved me just in time, Mr. Morales.” You bit your lip. His scoffing and laughter died down on the other end.

“Frankie” He corrects you.

“Frankie…” You repeated it, smiling at how well the nick name suited the voice over the phone. Honest, sincere, and not pretentious at all. Way better than the pompous guys you know with equally stuffy names like “Edward” and “Christopher.”

“So what do you want to know?” Frankie interrupted your thoughts. “Dime”

You started asking him questions in Spanish to the best of your ability. Granted they weren't particularly probing questions. What is your name? What is your favorite color? What is your favorite animal? What's your favorite book? I am reading Gone Girl. He answered them all with patience and amusement, occasionally interrupting you to correct your pronunciation or explain what a word meant. Every time you’d repeat the word back correctly he would say something like “good” or “there you go” or “you got it”. You hated to admit that his kind words and his praise was doing something to you. You didn't even realize you were clenching your legs together unconsciously, almost in anticipation of his next correction or next answer. His low voice so sweet and encouraging against your ear, more tangible when he was speaking Spanish. You just wanted to hear more of it. Would it be this sweet in other situations? Would it get huskier or rougher? If you closed your eyes it was like he was sitting right next to you. It would be all too easy to slip into that daydream and escape the dull office.

Suddenly out of the corner of your drooping eyes you saw a flashing red light on the phone console meaning another caller was waiting.

“Shoot- i’m sorry, Frankie- I have to take this call.” You shot forward in your chair, legs uncrossing.

“Of-Of course. I should let you get back to work.” He sounded a little sad or so you hoped. You felt bad for interrupting him after you both were having so much fun. You wanted to say he could wait on hold but he killed that idea when he said, "I have work too. Technically I'm five minutes past my lunch break."

Your pout turned to a smile. He was spending his precious lunch break with you? Get a grip! you snapped at yourself.

“You’re welcome to call again if you want.” You threw out the offer in a small voice, scared you would be rejected. You peered over the cubicle wall to see if you were still being glared at. Thankfully Donna was away from her desk. Probably out for a smoke. “It’s really boring here and usually no one calls.”

“Maybe I will.” He replied and you could hear the smile behind those words. You felt your heart clench weirdly in your chest like it didn't know how to process the sudden spike in emotions.

“Bye, Frankie.” You beamed.

“Bye”

This time the smile on your face lasted for hours. Frankie’s laugh echoed around in your head, taunting you, sending your mind to the gutter. His voice went from grit to molasses on a dime. You wanted to be the one to bring out those sounds. You wanted to hear his voice bend and stretch and strain as you fucked him. What the hell is wrong with me? you screamed internally. You had never been so depraved and with a stranger no less! You clearly needed to get laid fast because this much yearning would not end well.

Frankie got the second VA check a few days later and this time he didn’t even feel bad about ripping it in half. He was already reaching for the phone to call you.

~~~~~~~~~~~

Tags: Message to be added 💕 no minors please!

#frankie morales #francisco morales #triple frontier #pedro pascal #frankie morales x reader #frankie catfish morales #pedro pascal x reader #frankie morales x you #triple frontier fanfiction #pedro pascal x you #pedro pascal x y/n #frankie morales x y/n #catfish morales #calling home series #i would die for frankie #frankie morales has a sexy voice #daddy!frankie

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hakasims · 4 years

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The Most Important Review of Every Single Marwan Kenzari Film

If you’ve seen this one about Luca, you know the drill.

Now, Marwan’s brand is a little less defined than Luca’s but I managed to find similar tropes in a lot of his films. Also, rather than copy myself and give you a redundant Marwanmeter, I decided instead to recommend which Luca character best pairs with each Marwan character for your crossover pleasure. Let’s see if we ship the same things! Some of them are crack. You’re welcome.

(all gifs again by the awesomely amazing @weardes who did not ask to be my gif factory but life’s a bitch)

Het zusje van Katia (2008)

Will you miss him if you blink? Kinda. They talk about him a lot but his actual screen time is like 43.7 seconds. Also can I just say... he’s supposed to be from Italy?? The boy says literally one (1) Italian word, and you’ll never guess what it is. (Obviously, it’s “bella” like there’s a chance he could’ve said anything else.)

Is he hot? Painfully hot.

Is he naked? There’s this one scene where he’s wearing the sluttiest pair of speedos I’ve ever seen in my entire life.

Does his hair look great? Actually, yes. Perfect hair, perfect beard, he looks amazing.

Does he fuck? Yes, a lot - off screen, including an M/M/F threesome he presumably, probably, most definitely initiated.

Best paired with? From what I’ve gathered, this hoe ain’t loyal, so the best course of action is to find him a Luca that would benefit from a one night stand with no strings attached and wouldn’t fall in love with him. The obvious choice here is Valerio from Slam - Tutto per una ragazza. They meet, they fuck, then Giac makes his 4-hour drive back to Pisa, and they don’t see each other again until the next time he’s in Rome. Everybody’s happy, especially the two sluts in question.

De laatste dagen van Emma Blank (2009)

Will you miss him if you blink? Yes, absolutely.

Is he hot? Very.

Is he naked? Almost constantly.

Does his hair look great? He’s got those cute short curls, he looks so good.

Does he fuck? That’s literally why he’s there: to fuck and to die.

Best paired with? Man, I wish I had something to work with here. The only thing we know about him besides his sexual prowess is his affinity for white suits and toy helicopters. And as far as I know, those might be the exact things Fabrizio from Nina finds hot in guys. So like, why not?

Loft (2010)

Will you miss him if you blink? He’s the fifth most important character.

Is he hot? Yeah, sure.

Is he naked? There’s a scene where he’s wearing underwear and a tank top but it somehow makes him look like a kindergartener.

Does his hair look great? It looks quite nice.

Does he fuck? Yes, though I wish he didn’t.

Best paired with? Tom is a very violent person and a drug addict. He does messed up stuff to his sexual partners I’d rather he didn’t do to any of Luca’s characters. Feel free to use him for your sadistic fantasies or as a villain or whatever.

Rabat (2011)

Will you miss him if you blink? No, he’s one of the three leads.

Is he hot? Oh yes! And cute!

Is he naked? He’s at the beach wearing nothing but boxer shorts.

Does his hair look great? He’s got this extreme undercut thing that would look ridiculous on anyone less pretty, so like no, he doesn’t have great hair, but also like it’s Marwan, you know what I mean?

Does he fuck? Before he embarks on a road trip with his friends, he has an offscreen threesome with two girls he picked up at a wedding. Slut.

Best paired with? Gabriele from Waves. They’re both sweet guys who could meet in some Tunisian port and decide to sail the Mediterranean Sea together.

Black Out (2012)

Will you miss him if you blink? Not unless your blinking is very deliberate.

Is he hot? Not really. He’s a dirty cop with a shitty moustache and oral fixation.

Is he naked? No, but I wish he was: his clothes are awful. Marwan is 29 in this movie and he looks 50!

Does his hair look great? Nope. They took Marwan’s usual short hair and made it not work somehow.

Does he fuck? No.

Best paired with? The one thing Luca’s characters all have in common is that none of them come off as bootlickers. All of them are either too soft for such a relationship or wouldn’t waste their spit on a cop.

Wolf (2013)

Will you miss him if you blink? No, he’s the protagonist.

Is he hot? *gestures wildly at the gif*

Is he naked? He’s got quite a few shirtless scenes.

Does his hair look great? It’s nothing special but suits his character well.

Does he fuck? Oh yes.

Best paired with? Hear me out. I know that some people ship him with Fabio, but in my opinion that pair, while hot, doesn’t work. Here’s my pitch: Cesare from Non essere cattivo. The drug connection is still there, but in this case Majid’s problem-solving skills won’t fall on deaf ears. Cesare needs a daddy, ok? Majid can be a daddy when he needs to, especially when he has a soft boyfriend to care for. And Majid needs soft, not psycho.

Hartenstraat (2014)

Will you miss him if you blink? No, he’s the protagonist once again.

Is he hot? Painfully.

Is he naked? There’s that iconic scene where he’s wearing nothing but black boxer briefs and boots while carrying a tray...

Does his hair look great? He’s got Joe-like curls and looks like what every male romantic lead should aspire to look like and then cry because they all fail.

Does he fuck? There’s one very unfortunate sex scene played for laughs. I’m pretty sure he’ll need therapy afterwards. I certainly do.

Best paired with? Paolo from Il padre d’Italia. Paolo deserves the best boyfriend, and who’s better than Daan, an extremely hot man who cooks? They both have daughters, so they can talk about that, I guess, and Paolo can finally have a family. Honestly, this is so wholesome I just made myself cry.

Lucia de B. (2014)

Will you miss him if you blink? For sure.

Is he hot? He’s a cop. Again. But he looks good.

Is he naked? Fully dressed, but man are his clothes ugly. Is that a cop thing?

Does his hair look great? He has slightly longer curls, which is fine and the best thing about this character.

Does he fuck? ACAB. (I know this doesn’t answer the question, I just wanted to make it clear.)

Best paired with? See my bootlicker comment from earlier. While Detective *checks notes* Ron Leeflang isn’t explicitly corrupt, he’s obviously a dick, so the best I can do here is recommend any Luca character that has ever been in trouble with the law for any fics about power imbalance you want to write but aren’t comfortable with a nice Marwan playing the villain.

Bloedlink (2014)

Will you miss him if you blink? Oh no, he’s there the entire time.

Is he hot? In a weird way, yes.

Is he naked? So, so, so naked. Like, leave nothing to the imagination naked.

Does his hair look great? I’d say that little rat tail is the exact opposite of great.

Does he fuck? Probably more than is good for him. I should also add that he’s canonically queer in this.

Best paired with? Rico is a pathetic loser in need of someone who’s got his life together and has a lot of experience dealing with fuckups. Enter Loris from Il mondo fino in fondo. He has a stable job and a savior complex, and with his little bro gaying it up in Chile and not needing him anymore, all he wants right now is someone to fix. I should be a fucking matchmaker in real life, for real.

Pak van mijn hart (2014)

Will you miss him if you blink? Undoubtedly.

Is he hot? No. The whole point of his character is to be the lesser choice compared to a guy who looks like a completely ordinary bland white dude...

Is he naked? ...so of course he isn’t naked! What, are they gonna take this poor woman, show her Marwan Kenzari’s post-Wolf body and expect her to choose her deeply mediocre ex? Please! They’re gonna dress him in the dorkiest clothes possible...

Does his hair look great? ...and make him wear the most awful wig that was clearly run over by a truck.

Does he fuck? No. As you can observe, they tried really hard to make him unfuckable, but honestly, he seems like a perfectly nice guy.

Best paired with? You know what? Mattia from La solitudine dei numeri primi is in desperate need of some sweetness and normalcy. I’m sure Richard will treat him with kindness and respect.

Collide (2016)

Will you miss him if you blink? He’s the fifth most important character. Out of five.

Is he hot? Very hot.

Is he naked? Not for a second! What’s up with American movies where people aren’t just casually walking around naked without any plot necessity???

Does his hair look great? His curls are so cute you guys! Look at them!

Does he fuck? Not explicitly.

Best paired with? Fabio from Lo chiamavano Jeeg Robot. Again, the drug connection is there, but Matthias is soft enough not to butt heads with Fabio and, by the end of the movie, rich enough to satisfy his cravings for good living and fame. Also look at how good their color coordination is with those dark wine red clothes! Sometimes planets just align, okay?

Ben-Hur (2016)

Will you miss him if you blink? Yes, especially if you aren’t watching the background.

Is he hot? Your usual Marwan hot.

Is he naked? No.

Does his hair look great? His typical short curls with a twist. I think the forehead area is supposed to invoke the Caesar cut? I don’t know. It looks fine when not hidden under that dumb helmet.

Does he fuck? No.

Best paired with? A better script and a much better director. (Seriously, what is this blocking?)

The Promise (2016)

Will you miss him if you blink? He’s there a decent amount in the first half of the movie and then almost completely disappears in the second half.

Is he hot? Very much, yes.

Is he naked? Unfortunately, no.

Does his hair look great? He’s got short curls again, but this time they’re fashionably styled, it’s magnificent.

Does he fuck? Oh yeah! And there’s no way he isn’t bi or pan in this. No way.

Best paired with? Roberta from L’ultimo terrestre. Listen, Emre Ogan may be a slut but he’s a gentleman, okay? He’d treat Roberta right and he’s got daddy’s cash to spare on hundreds of gorgeous white dresses for her.

The Mummy (2017)

Will you miss him if you blink? He’s there, but barely.

Is he hot? Dangerously hot.

Is he naked? Not once! Instead we get a naked Tom Cruise literally no one asked for.

Does his hair look great? It’s your basic professional short hairdo.

Does he fuck? No.

Best paired with? Malik is a member of an organization tracking and destroying various monsters and historical artefacts related to them. Guido from Tutti i santi giorni speaks four languages, including Latin, and is a literature and ancient history nerd which makes him a valuable asset. Malik can fight and protect; Guido is bumbling and in need of saving. Guys, this writes itself.

What Happened to Monday (2017)

Will you miss him if you blink? No, especially not in the third act.

Is he hot? He’s okay.

Is he naked? Very naked.

Does his hair look great? They shouldn’t have greased his curls back. He looks like another victim of Fabio Cannizzaro’s stylist. Also I wish he’d either shaved or finished growing out that beard.

Does he fuck? He fucks and he fucks good. He’ll go down on you, he’ll deflower you slowly and gently, he’ll choke you if you want him to, he’ll spoon you all night, he’ll give you emotional support, he’ll murder people for you - he’s down for whatever.

Best paired with? There’s one Luca character who needs a lot of sex and even more emotional support. Alright, most of them do, but I’m thinking of Ettore from Lasciate andare. He needs it, okay? Good dicking, good spooning, a good ear, a fine piece of ass to cry into - you get the gist. Most importantly: someone who’d love him for who he is and with whom he could relax and be himself. (Also, I see you, people comparing him to Fabio. Shame on you for sleeping on this soft boy and judging him based on his appearance.)

Murder on the Orient Express (2017)

Will you miss him if you blink? He’s kinda always present, being very French.

Is he hot? Very hot.

Is he naked? No, but I’m willing to forgive that because he looks so good in his conductor uniform.

Does his hair look great? He never takes off his hat.

Does he fuck? No.

Best paired with? Mickey Miranda. They’re both murderers morally dubious characters who would look hot together. What else do you need? (Again, I see you, people who want Pierre for Roberta because he’s a “nice guy”, and I know for a fact you didn’t watch the movie. Spoilers, I guess.)

The Angel (2018)

Will you miss him if you blink? No, he’s the protagonist.

Is he hot? Oh yes.

Is he naked? Not once, but you won’t regret it because he’s wearing excellently stylish 1970s clothes.

Does his hair look great? It looks fantastic. The sideburns (not yet seen here) are a good touch.

Does he fuck? He can definitely get it, but he’s loyal to his wife.

Best paired with? As the most aesthetically coherent and fashionably hot pair in this post, Ashraf and Primo are a no-brainer. Can you imagine Primo calling him “Angel” in different contexts? When he’s being intimidating, not realizing how palpable the sexual tension between them is, and later not even hiding his arousal? Sometimes things just work because they’re hot. That’s all, folks.

Aladdin (2019)

Will you miss him if you blink? No, he’s the main villain.

Is he hot? It’s not like he went viral for being the “hot Jafar” or anything.

Is he naked? No! Fucking thanks a lot, Disney.

Does his hair look great? He has a buzz cut under that turban but he looks good in the turban, so that’s something.

Does he fuck? It’s a Disney movie, so he doesn’t fuck - explicitly or otherwise - but he still comes off as a thirsty bitch.

Best paired with? Jafar ends the movie as a genie who’s obligated to grant his master three wishes but is enough of a petty bitch to exploit the hell out of the “gray area” and screw them over Wishmaster style. My unconventional pair for him is Lui from Ricordi? So many scenarios with distorted memories and magic-induced mindfuck. So many possibilities for awesome and messed up crossover gifsets! Don’t say I never give you guys anything.

Instinct (2019)

Will you miss him if you blink? No, he’s very prominent.

Is he hot? I hate myself for finding him hot but I do.

Is he naked? He’s playing basketball shirtless in one scene, shaking his sweaty boobs everywhere.

Does his hair look great? His weird mohawk-like thing is honestly terrible, but if anything can make it work, it’s Marwan’s bone structure.

Does he fuck? Um, I’m pleading the Fifth on this one for the sake of good taste.

Best paired with? Prison. A very lonely, Luca-less prison.

The Old Guard (2020)

Will you miss him if you blink? No, unless blinking in your case means sleeping through the gloriousness that is the first ever canonically gay couple in an American action film.

Is he hot? Painfully.

Is he naked? Shirtless in one scene.

Does his hair look great? Soft curls courtesy of Luca Marinelli’s tireless lobbying.

Does he fuck? Not on screen, but you can just tell by the way he looks at his husband and reads impromptu poetry right to his face. And everybody knows nothing kindles the fires of passion quite like murdering homophobes together.

Best paired with? If you have to ask, you’re clearly reading this by mistake. In which case, kudos for finishing such a long and confusing post, now go watch The Old Guard and cry at the beauty that is The Immortal Marriage.

#marwan kenzari #luca marinelli #the old guard #and other movies #i'm lazy #immortal husbands #and their parallel versions i guess #crossover ships galore

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irenedubrovna · 3 years

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A post regarding Euphoria for the benefit of myself and basically no one else

So, it really bothers me when people say Euphoria is groundbreaking, progressive media. Here’s a dissection of why I don’t think it is, because this is what I feel like doing at work:

The character of Rue is objectively great. She by far receives the least overt sexualization, and is treated neutrally in terms of active sexuality. She’s treated like a normal teenage girl with mental issues and an addiction to drugs. She falls in love with a girl who she pines for and places on a pedestal. The reason I think she is written this way is because she is a Sam Levinson proxy. She written with gender ambiguity and with little regard to the experiences she’d go through as a black gay female, probably because Sam Levinson has no insight to that aspect of life. Her performance is heightened of course by Zendaya, who breathes unique life to the Sam Levinson’s artistic extension, and without her performance this show would not get even half the acclaim it gets. Attribute that to Zendaya of course, because the director has done little to deserve this acclaim.

The rest of the females, sans Lexi, are pornified to a disgusting extent, not only due to the fact that they are supposed to be underage, but also because their existence as people is treated as being absolutely secondary to their sexual appeal. They are foremost presented in terms of their relation to sex. Cassie, Maddy, Jules, and Kat cannot be removed from their sexuality without disrupting the plot or their journeys in relation to the plot. Why are the females so intrinsically linked to uber fetishized versions of female sexuality, or uber fetishized versions of blossoming female sexual identity?

Maddy is presented not only scantily clad 90 percent of the time, but also dressed in a precariously unattainable sexual fashion. At any given time she is styled to look straight out of, simultaneously, a high fashion editorial, and a “barely legal” porno. She is airheaded and profane, and promiscuous, her mannerisms dictated by the adult films she’s “studied” in order to project an image of perfect hyper sexual femininity. She’s complacent in becoming a prototypical housewife because it will earn her a comfortable place as a trophy wife. She has no aspirations beyond that. So, let’s unpack all of that. Maddy’s role in the show is mostly passive. The most active thing she does in the plot is revenge fuck a man in the pool of a party. Nearly everything else she does in the show that is plot relevant is of someone else’s volition. Even less of what she in the show is related to anything other than a man. She is abused and then pressured into framing another man for said abuse. She has no agency as a character. The only notable difference to this rule is when she takes drugs at a carnival, knocks a pot of chili over, and calls her ex’s mom a cunt. Removed from her active sexual life and carefully cultivated aesthetic, she’s a trite stereotype of an unambitious girlfriend who gets treated poorly. I see people call Maddy iconic, but if she wasn’t gorgeous and well dressed, I doubt anyone would even think twice about her, let alone create fancams and Instagram pages dedicated to her. She exists as a plot device, and as pretty set dressing to build up the shows aesthetic. Her emotions are not well explored, her motivations are sexist, and she is often there to be demeaned, objectified, or to say a bad word. The most damning part of her involvement in this show is her episode where it is stated that she, as a fourteen year old girl, lost her virginity to an adult man, and it is stated she was in control of the situation. This is a dangerous thing to say about a character, to any audience, but especially a young one. To imply that a precocious young girl was in control during her first sexual encounter with a much much older man implies things that frankly border on rape apologist ideology. This show states this unflinchingly and with no further elaboration. If there’s one thing that tells you that Euphoria is a bad show, let it be that. Also, if there’s one thing that tells you about Sam Levinson as a person, and the way he views girls and women, let it fucking be that.

Jules is a young trans girl. She also likes to have sex with men as a means to “conquer femininity”. Scratch that, she likes to have degrading sex with older men in order to “conquer femininity”. This mindset is shown to be toxic, of course, but I think the problem with this idea in general is that there’s no deeper exploration for what this mindset means. It implies that she believes women are the sum of their intrigue and degradations. This mindset I can only assume would be a cultivation of dysphoria and internalized misogyny, which this series is absolutely not prepared to address in a tactful manner. Jules is a teenager with mental illness, trauma, and is undergoing an identity crisis. There’s something powerful in her character, something worth saying, however we only get trimmings of those meaningful things, and are ultimately left with a hurtful depiction of a trans girl because all of her musings on womanhood and identity are incomplete, and they fail to reach beyond the surface of their thesis statement. She wears colorful clothing, is overtly feminine and artistic in her presentation. Everything about her screams insecurity over her own womanhood. That is the crux of her character. Now, I think we should ask ourselves, is trans person who is insecure about their identity peak representation? Is this what trans people deserve? Is it “groundbreaking “? If this show was run by someone else, I might be inclined to say that there’s nothing insidious about this, but this is the guy that made Assassination Nation, so I think we know what he thinks of young women, the way they should be portrayed (that is, for the capitulation of a man) and realize his inclusion of a trans woman in his cast is no more meaningful than the inclusion of any other woman. Women to him are made to be categorized and should, at the end of the day, be easily palatable for the capitulation of a man. The device of having Jules being interested in older men and rough sex for identity reasons is transparent. Trans women are exploited and objectified with a similar fervor to cis women, the caveat being that they are “a forbidden fruit” of sorts to straight men. Jules is sissified, her presentation fetishistic. Her role in the plot is more involved. Her relationship with Rue is sweet, though toxic on both sides. She is ultimately betrayed, blackmailed, and snowballs into something of a manic episode, all well portrayed by Hunter Schafer, but I don’t think her inclusion in the show absolves it of any of its many sins.

Let’s talk about Cassie. Cassie is the Eurocentric beauty standard exemplified. She is the blonde haired blue eyed girl next store, and her boobs are of course always on display. She is notably promiscuous, something I say right off the bat because that’s how she’s introduced, as a so called slut through the words of the devil (Nate Jacobs). She is a girl with daddy issues, which we are all familiar with at this point. Her sexual boundaries begin and end at the whim of her partner. The terms of her consent are much like the terms of consent of many young girls brainwashed by society and the rising tide of degradation porn: everything is alright as long as you provide them comfort and affirmation afterward. You can touch them roughly without asking, you can use them as a tool to affirm your masculinity. This is the way men prefer their women now: just broken enough to say yes to anything they want. It’s become a joke at this point. Men like girls with issues, but only the ones that will feed their own desires. Cassie Howard is meek. Her inclusion in the plot I suppose ties to themes of drug addiction and how it divides and destroys the people you love. It doesn’t show what it does to her beyond shaping her sexual encounters, which is no surprise. Overall I’d say Cassie is in this roster of females as the most traditional categorically, in relation to how men view women and further how they sexualize them. She has a relationship with someone who doesn’t really love her. That mostly what she does here. Gets used. Doesn’t drive the plot or conflict much. More pretty set dressing. More aesthetics. How this show consists of so many women but is driven so much by men is unsurprising, and, again, very enlightening in the grand scheme of things.

Lastly we touch on Kat. I’d like to begin with the fact that self actualization through sexual exploration, in a show run by a man, is just a cloak for a woman to gratify the audience with her sexuality. Regardless of whether or not she is plus sized, this is overt objectification. She is on this show to be sexy. Beyond that, the fact that a minor using sex work as a form of liberation is disgusting. Whether or not she is portrayed as “owning” her sexuality is negligible, and speaks to the same mindset discussed with Maddy. Minors cannot fucking consent to sex, sexual acts, or anything within the confines of such. It’s crazy that this occurs with two different characters in such a similar way. It has echoes of “Well, she looked older..” and “Well, she wanted it..” or “She’s advanced for her age”. Never, not once in the events of the series is there meaningful introspection on what doing this kind of thing does to a minor. Moreover, these acts are explicit, and made clearly for sexual gratification. None of these things are absolved by the fact that she’s plus sized. If anything, her body type is fetishized in this context. It’s also another case of a “good girl to bad girl” transformation, which are archaic and, of course, sexist. With the rise of adult websites targeting minors for explicit content, this is even more reprehensible. Once again, in terms of representation, is this really what speaks to you as progressive? Groundbreaking? A girl gains control of her own narrative by having sex with lots of men. She gains control by being sexy. She gains control by dehumanizing and objectifying herself. No she doesn’t. Media controlled by men will tell this story to you thousands of times, don’t listen because she’s bigger than a size four.

ALL OF THESE CHARACTERS ARE UNDERAGE. ALL OF THEM HAVE EXPLICIT SEX SCENES, EVEN THE SEXUAL ASSAULT IS MADE CINEMATICALLY PORNIFIED. THESE SHOTS ARE MADE TO BE OBJECTIVELY SEXY. THIS IS NOT A CASE OF SOMEONE CREATING SOMETHING FOR THE SAKE OF REALISM. IT IS ABOUT MAKING SCENES THAT SPEAK TO A MALE AUDIENCE. THAT CATER TO THE MALE GAZE. ARGUE WITH THE WALL.

I won’t go further into the plot, other characters, or the structure or the episodes for sake of brevity, but I felt compelled to air my thoughts on this to the void. I can only hope I was critical enough that Sam Levinson will one day see this and cry because another bad feminist thinks something that he made sucks

#euphoria #I don’t even think anyone will read this but #it’s just not good #sorry #anti euphoria #anti Sam Levinson

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busysavingtheuniverse · 3 years

Note

may i ask you to elaborate on tua season 2?

hell yeah dude

for an easy answer @deer-time's tua salt tag is a really good starting place (though they've moved most tua-related stuff to their sideblog @salty-coffee)

but if you don't want to go through that basically, in no particular order:

it felt they were just shoving in scenes for the music and the soundtrack just wasn't as memorable as season one

the time skip ensured that we missed out on most of their development. i have a lot of beef with the time skip

i cannot stress enough how much the handler should've died in season one lol

WHY WOULD NONE OF THEM KNOW WHERE KLAUS WAS HE WAS LITERALLY A CULT LEADER

luther, at the very least, should've seen vanya's ads in the newspaper. diego allison and klaus i can understand because one was in an asylum (i have my beef with that don't worry lol), the other wouldn't read white newspapers, and the third was traveling

vanya's amnesia plot felt like it was just there to smooth her over? she got no meaningful interactions with the siblings because she didn't know them and the conflict they set up at the end of season one ('we need to fix her') never went anywhere. we love wlw representation but was vanya really ready for romance after all the shit that went down? she needs time to process and grow not forget everything and latch onto the first woman that takes her in. we got no exploration of her trauma. also why can she just automatically control her powers now? no trauma recovery narrative for vanya i guess. she spends the entire season as essentially a side character with no real agency in the plot? also where did the new powers come from hello

speaking of the romance literally none of it was executed well. why did raymond assume his WIFE was a government plant before at least hearing her out? vissy was written so shallowly it's not even funny. liego happened way too quickly and diego forgot about eudora too fast. klave was okay i guess lol idc abt them

why did diego and lila face no racism? why were they in an integrated asylum in the south? why did they actually show diego being helped genuinely instead of them just making his situation worse? i don't think therapy was that genuinely developed. diego felt like a completely different character

why would luther, known goody-two-shoes, work for the mob? also why would he not ask jack ruby to look up his siblings' names for him before? he went back to the alley so he at least had the thought that they landed in the same spot at different times right. also he was way too dumbed down and made into comic relief for the benefit of the luther haters

klaus was literally made irrelevant? he had nothing to do, his relapse was treated as a JOKE, his addiction wasn't explored, and he was basically just comic relief like luther

allison's plotline felt it was just there to get her out of the way, she totally forgot about claire, her trauma was ignored for the second season in a row, etc. she wasn't even mad at vanya like this woman slit your throat and incinerated your daughter i don't CARE that you treated her badly i think that's a pretty good basis for some friction? (screw the amnesia plot obviously)

five and ben were left pretty intact specifically because ben's personality isn't there and five didn't get a time skip

why did they forget that drugs suppress powers when vanya was with the fbi

very sexy of tua to introduce the concept of an evil corporation that's essentially the root of all their problems in season one and then redeem it but just giving it new management? and have five of all people look into the faces of herb and DOT, WHO LEFT HIM IN THE APOCALYPSE AND DIDN'T PUSH FOR HIM TO GET EXTRACTED, and say 'yeah guys totally! :)'

also he should've eaten carmichael i don't make the rules

NONE OF THE SIBLING BONDING FELT REAL BECAUSE WE DIDN'T GET TO SEE THEIR DEVELOPMENT. NOTHING VANYA DID FELT REAL BECAUSE OF THE AMNESIA

the swedes were legitimately not necessary. screw the swedes all my homies hate the swedes. why did they stay all the way until the finale

where did the five+allison jfk plot go that was so good

why did lila automatically know how to control their powers

elliott wasn't necessary either they should've just made their home base hazel and agnes's house with no unnecessary fridging please. that's where they could've gotten a briefcase too

the atmosphere felt completely different? season one was dark and slow and had the vibes of a gothic horror, almost? it was watching a train wreck in action, seeing all these plot threads inevitably combine for one hell of a finale. there was nothing like that in season two. aside from the obvious atmosphere change, it didn't feel like there was any direction to where the story was going? the only two highlights of the finale i care about are diego deflecting the bullets and five rewinding time. that's IT. and compared to season one's finale, it's utterly disappointing

idk it just felt like a popcorn flick/marvel movie and those are fine! those have their place! but the entire draw of tua was the darker themes and focus on childhood trauma/abuse, and they just completely failed to follow up. those have their place, and it was not here

all in all the writing just felt weaker

there's more in the 'tua salt' and 'tua s2 salt' tags

anyway tua is a ten-episode-long miniseries

#tua #tua salt #tua s2 salt #luther hargreeves #diego hargreeves #allison hargreeves #klaus hargreeves #five hargreeves #number five #ben hargreeves #vanya hargreeves #sissy cooper #raymond chestnut #lila pitts #hazel #agnes #the handler #the swedes

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persephonememes · 3 years

Text

* ( THE SEVEN HUSBANDS OF EVELYN HUGO / SENTENCE PROMPTS

people think that intimacy is about sex. but intimacy is about truth.

never let anyone make you feel ordinary.

i’m under absolutely no obligation to make sense to you.

don't ignore half of me so you can fit me into a box.

don't do that.

it’s always been fascinating to me how things can be simultaneously true and false, how people can be good and bad all in one.

sometimes reality comes crashing down on you.

heartbreak is a loss. divorce is a piece of paper.

when you're given an opportunity to change your life, be ready to do whatever it takes to make it happen.

the world doesn't give things, you take things.

you have to find a job that makes your heart feel big instead of one that makes it feel small.

please never forget that the sun rises and sets with your smile.

you’re the only thing on this planet worth worshipping.

be wary of men with something to prove.

the cruelest thing you can do to someone you love, give them just enough good to make them stick through a hell of a lot of bad.

you wonder what it must be like to be a man, to be so confident that the final say is yours.

i think you're brilliant.

i think you're tough.

do yourself a favor and learn to grab life by the balls.

don’t be so tied up in trying to do the right thing when the smart thing is so painfully clear.

you can be sorry about something and not regret it

the world respects people who think they should be running it.

if i want things to change, i have to change how i do things. and probably drastically.

people are messy, and love can be ugly.

i’m inclined to always err on the side of compassion.

you can’t tell a single thing about a person’s true character if you both want the same thing.

no one is just a victim or a victor. everyone is somewhere in between.

just go knowing you were loved, that i will never forget you.

you were my best friend.

nobody deserves anything. it's simply a matter of who's willing to go and take it for themselves.

why have i spent so long settling for less when i know damn well the world expects more?

taking pride in your beauty is a damning act.

forgiveness is different from absolution.

sometimes divorce isn’t an earth-shattering loss. sometimes it’s just two people waking up out of a fog.

if there are all different types of soul mates, then you are one of mine.

i am absolutely positive that i need you more than i’ve ever needed another living soul.

i loved you so much that i thought you were the meaning of my life.

i thought that people were put on earth to find other people, and i was put here to find you.

i don't want to be meant for someone like you.

that’s the part i was stuck in, the part where you accept the apology because it’s easier than addressing the root of the problem.

it will be the tragedy of my life that i cannot love you enough to make you mine.

it’s a hard business, reconciling what the truth used to be with what the truth is now.

you're an idealist and a romantic, and you have a beautiful soul.

i wish the world was ready to be the way you see it.

i wish that the rest of the people on earth with us were capable of living up to your expectations. but they aren't.

the world is ugly, and no one wants to give anyone the benefit of the doubt about anything.

i love you too much to let you live only for me.

i’m cynical and i’m bossy, and most people would consider me vaguely immoral.

i spent half my time loving her and the other half hiding how much i loved her.

it shouldn’t be wrong, to love you. how can it be wrong?

i think being yourself—your true, entire self—is always going to feel like you’re swimming upstream.

you could be a nobody living in a cardboard box, and i’d still love you.

i simply didn't care. it cost so much, caring. i didn't have any currency to spend on it.

some marriages aren't really that great. some loves aren't all-encompassing.

the media are going to tell whatever story they want to tell. they always have. they always will.

charisma is charm that inspires devotion.

you’re not really famous if anybody still likes you.

you should know this about the rich: they always want to get richer. it is never boring, getting your hands on more money.

the truth is, praise is just like an addiction. the more you get it, the more of it you need just to stay even.

you have to push people’s boundaries and not feel bad about it. no one is going to give you anything if you don’t ask for it.

when you’ve been bested, sometimes it’s good to recognize it and move on.

no one goes around throwing caution to the wind unless the wind is blowing their way.

the easiest lie to tell is one you know the other person desperately wants to be true.

pictures speak very loudly. in general, we can almost never shake what we see with our eyes.

we all can’t go around treating people like dog shit and then expecting that a simple i’m sorry erases it.

guilt is a feeling i’ve never made much peace with. i find that when it rears its head, it brings an army.

when i feel guilty for one thing, i start to see all the other things i should feel guilty for.

accepting that something is true isn't the same as thinking that it is just.

#rp meme #rp memes #rp prompts #ask meme #Ask memes #book meme

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hrtiu · 3 years

Note

Writing prompt idea- Bobannec marriage with the mandalorian vows? Maybe it’s a sincere but spur-of-the-moment thing between the two of them. I love your writing for this pairing! :)

Sorry it takes me so long to get to these prompts! I am still working through them, though, I promise! This one is great, thanks so much for the prompt <3

The heat on Tatooine was dry, but every once in a while the temperatures soared so high that the air was still heavy and sultry with it. On just one such day, Boba Fett rested in Fennec’s basement study at the palace, his back slouched in a wicker chair and his feet propped up against the edge of Fennec’s desk. He could be in his own study, of course, but the basement was always coolest on days like this, when even old Jabba’s powerful refrigeration system struggled to cool the ancient palace.

Fennec poured over a stack of flimsi and several datapads, her eyes flitting across each page for only a few seconds before moving on. Boba left most administrative work to Dr. Pershing—his brilliant mind was perfectly suited to paying bills and sorting the junk mail from what deserved Boba’s attention—but Fennec took on some of the more complicated business matters personally. She was a genius with a ledger, bringing Boba’s empire comfortably into the black less than two years after they’d started working together.

“Are you free next Tuesday?” Fennec asked, not bothering to look up from her datapad.

“Yes.”

“Alright. Keep it free. We’re going to Mos Eisley.”

The corner of Boba’s mouth turned down in distaste. “For what?”

“I’m making an appointment at the courthouse to get married. The tax benefits are ludicrous.”

Boba froze, his back arched midway through a stretch. Marriage. To Fennec? Taxes?

“I didn’t think we were the tax-paying type,” he said once he’d recovered enough to find his voice.

Fennec set her datapad down and looked over at Boba, a slight smile playing at her lips. “Only amateurs don’t pay their taxes at all. You have to give them something to throw them off your scent.”

“You want to get married to get a break on our fake taxes? On taxes that only represent a fraction of what we should be paying?”

Fennec narrowed her eyes at him. “And you have a problem with that? How do you think we got such a healthy surplus?”

Boba got to his feet and reached for his helmet. This was not a conversation he wanted his expression visible for. “We can afford it. Just pay the damn taxes.”

He started for the door, but the cold tone of Fennec’s voice stopped him in his tracks.

“What is your problem?” she asked. “It’s just a legal status.”

He turned on her. “It’s not just a legal status. Not to me.”

Her eyes flashed. “We’re already practically married. What are you not ok with? Do you want me to move out?”

“No!”

“Do you want to stop sharing finances? Do you want me to sleep with other people? Do you want to sleep with someone else?”

“No!” Boba, more forcefully than he meant to. Then he noticed the flicker of doubt glinting in Fennec’s eyes. Funny, he didn’t think he’d ever seen something like that in her expression before. “No…” he repeated, softer this time. “Of course not.”

“Then… what’s the problem?” Her voice had gone quiet—almost delicate, though Boba would never admit to even thinking of her that way.

“I don’t want to get married in the same place that spice addicts get sentenced, that’s all,” he said. “Even if it’s just for taxes.”

Fennec slumped back in her chair with a sigh, and Boba’s body relaxed. They’d fought enough over the years for him to recognize a ceasefire when he saw one.

“Fine. We don’t have to go to the courthouse,” she said.

“Good.” He stepped out of the office and closed the door softly behind him. As he walked up the stairs out of the basement, he stubbornly ignored the knot forming in his stomach. He’d won the argument, so why did he keep feeling like he’d lost?

---

Boba barely saw Fennec over the course of the next three days. She’d always been somewhat elusive, disappearing for a few days at a time when she needed space, but this was the longest she’d been gone in years. It was the longest she’d been gone since they’d started sharing a bed.

Boba told himself he was fine with it. She was like an itinerant tooka, coming and going as she pleased. He knew he needed to be patient and let her come to him.

On the third day after their argument Boba walked into the master suite and immediately knew she was back. The signs were everywhere, subtle but unmistakable. The pile of shoes Boba had left by the door had been straightened, the lamp in the corner that Fennec liked to read under was lit, the closet doors—which Boba never bothered with—were shut. Afraid to spook her, Boba stepped cautiously further into the suite.

“...Fen?”

“In here,” her voice called from their room.

He followed the sound into their room, where Fennec tossed him his favorite blaster before he had time to register the sight in front of him.

“You have your armor on? Good,” she said.

Boba clutched at the blaster automatically, but his eyes stayed glued on Fennec. She was wearing a jet black gown that swept to the floor in elegant, draping fabric. The top twisted and criss crossed over her collarbone, tying behind her neck and revealing her shoulders. Her toned arms were hard with muscle but somehow her curves still showed through, her hips smooth and inviting and her skin begging to be touched.

“Fen… What’s this?” Boba managed to get out.

She picked up her sniper rifle from the bed and slung it over her shoulder, the thick leather strap at odds with her gazy dress but somehow still at home on her body. “You said you didn’t want to get married in a courthouse. So I did some research.”

“Research?” Boba was struggling to follow her, his mind both pleased and utterly bewildered by this turn of events.

“Yes.” She stepped towards him, sniper rifle still slung over her shoulder, and took one of his hands in hers. “I thought we could get married the Mandalorian way.”

“Oh…” This couldn’t be real, could it? Boba wondered in a daze. Did Fennec really know him so well? Could she see so far into his soul as to understand what he wanted before he even knew it himself?

That shadow of doubt passed across Fennec’s expression once more, and her grip on Boba’s hand tightened just the smallest amount. “Unless that’s not what you want,” she said.

That rare, precious show of vulnerability shook Boba from his daze, and his fingers squeezed Fennec’s back. He locked eyes with her and swallowed thickly, unexpectedly nervous.

“Mhi solus tome, mhi solus dar'tome, mhi me'dinui an, mhi ba'juri verde,” he said.

The corner of her mouth turned up and she responded, “Mhi solus tome, mhi solus dar'tome, mhi me'dinui an, mhi ba'juri verde.”

And just like that, they were husband and wife.

Boba dropped his blaster to the floor and surged forward, pulling Fennec into a fierce kiss. She returned in kind, her lips moving against his in a way that was achingly familiar yet just as thrilling as the day they’d first kissed. He broke away long enough to push her onto their bed, then he was back on her, his tongue dragging a hot line up her neck.

She squirmed under him, then pushed him away so she could remove the sniper rifle from her back. Once her weapon was out of the way she snaked her hands around the back of his neck and drew him back down to her, her eyes dark and shining with an intensity only she held.

“What’s with the blaster and rifle, anyway?” Boba asked between breathless kisses.

She chuckled into his ear, her voice throaty and irresistible. “I don’t know, it just seemed more… Mandalorian.”

He snorted in response, though he couldn’t deny she was right. His wife was always right.

His wife. What a thought. Boba’s hand crept further and further up her thigh—his wife’s thigh—and he felt himself getting lost in her. With a jerk of her hips, Fennec rolled him onto his back and all he could do was stare up in wonder at her beautiful, lethal face. Her cheeks were flushed. Her braid hung over her shoulder, messy and nearly undone. She was the most flawless woman in the whole galaxy, and she was his. She was perfect, and he was hers.

She leaned down to him, and Boba lost his breath. “You know we’re still going to the courthouse next week, right?” she said, her voice husky and commanding.

Boba chuckled and drew her closer to him. “Damn taxes…”

#bobannec #boba fett x fennec shand #boba fett #the mandalorian #star wars #fanfic #bobannec plague #fennec shand

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saintobio · 3 years

Note

ahhh I really loved this chapter and it’s time for gojo to finally suffer lol

okayy, this is gonna be long, I’m sorry but I sent this ask on your main for last chapter and i just wanna further say that I have no type of empathy towards sera because at this point she’s displaying fan behavior towards mc, you’re a grown woman acting like mc is at fault for the circumstances YOU were born into jeez

like these two lines are just so disrespectful and distasteful of her:

Sera had to pull away and roll her eyes. “Here we go again.” Truth was, she had no time for this. “I’ve heard about your mother leaving over and over. It’s getting old. Move on.”

“Seriously, if he hated his mother so much then why couldn’t he just forget about her? There were more problems to face in life. Sera already had baggage on her own and carrying Satoru’s along with hers was asking for too much. He was a grown adult. Instead of burdening her with his own problems, he should know that there were boundaries that shouldn’t be crossed.”

how are you gonna wanna be with someone but you don’t wanna be bothered by the shit that they went through in their life. it just does not make any sense, if gojo is someone she wants to marry, in a world where they’d be allowed to, marriage is about compromise and coming together as one, flaws and all, it’s not just about his money and status 🤡 like tf do you mean move on?? mayhaps she fell on her head as a baby because most people would know that’s not something you can just move on from...not only did his mom leave but he essentially became a punching bag to his father. take several seats my girl

it’s like she only wants to have the benefits of his money and that is exactly why I applaud gojo for saying this and not taking it back:

“Don’t fuck with me,” he snapped, chest rising and falling deeply. “You’re not valuable enough to ruin my life.”

the way that I squealed after reading it bc I had a feeling it was him saying it to her after you posted the sneak peaks lol

Back to sera, suddenly she’s too good to eat fried fish? like humble yourself, do you think gojo will be here forever? especially with the way his guilt is starting to catch up? watch him leave and if that happens, i’ll be happy because frankly she doesn’t even deserve to be with him. it’s always that same cycle of: “It was unfair how others had the privilege to be raised in a rich household while she was punished with jobless parents who did nothing but watch their eldest child work her ass off every single day. See, this was the difference between you and her. You didn’t experience this much hardship in life for you to complain about not winning Satoru’s heart.” and “You needed to know your place, and if passing out from crying was how you would wake up to your senses, then it was good enough that it happened. You have not even experienced half the suffering that Sera had to endure in her life.”

now imagine the guilt she’d feel if mc dies from her condition (which hopefully she doesn’t ofc) the audacity of her to do this every single time is ridiculous...sera how does it feel knowing that mc lives rent free in your mind? 🤡 just like gojo is a grown adult, so are you, like we get it, you’re poor and you want a better life but all you ever do is compare yourself to mc, stop acting like a child. and if anything, the burdens of your life maybe would’ve been better if you idk, took yourself, your siblings and mother away from the situation your father created due to his gambling addiction, idk just a thought unless that’s not possible at the moment ig

Furthermore this part:

What would only make the situation problematic was how his father would possibly strip him off of his rights to be the next CEO because of the amount of scandal that it could put the company through. Sera used to understand that Satoru had to make sacrifices to achieve his ideal life, but his indecisiveness and more so his recklessness was making her frustrated.

this is exactly why i’m starting to believe that she doesn’t even fully love him anymore and just wants the stability he creates because his lifestyle is a stark contrast to her messed up one. I wonder if she would’ve still wanted to be with him if gojo didn’t even have the option of becoming the next CEO, or would she just toss him to the side hoping to find someone else that fulfills her selfish expectations. i’m happy that gojo is making it clear that he doesn’t want to have a baby with her rn (or ever ?) and knowing that he wants one with mc instead is making her want to be pregnant out of spite so that she could possibly baby trap him. and yk, I wouldn’t put that past her at all, she’s giving me the energy of someone who will either spill out their business to the media as her last resort or fake a pregnancy just to show her dominance over gojo.

aside from speaking about that clown, yess for the reversal of roles I’m excited to see what gojo ends up doing to win her and her heart back, if she even allows that to happen, bc he has a lot of work to do... it’s time for him to feel her coldness and i’m here for!! loved the toji crumbs as well and yayy, she’s starting to go after her dreams!

I have two question that maybe you could answer as long as there are no spoilers, did mc’s family not question why she was staying at their mansion instead of at the penthouse with gojo? and since they have the same condition, was it also the circumstances of stress that ultimately led to her mom’s death?

anyways, I hope you have a good rest of your day and as usual pls get lots of rest and water! also would I be able to be the 🦢 anon?

sera’s fan behavior 😭😭😭 this whole rant abt her is lowkey what i would feel to if i was a reader (seeing as i react negatively to rashta in re, so i can now see how it feels like to see sera in ur perspective lmao) she rly thinks she’s too good to eat fried fish now 😹

as for ur questions, 1) they did question, but knowing yn she made up excuses saying that she just wanted to stay with them for a week bc she misses them and gojo’s too busy 2) no her mom was loved deeply by her dad so there was no stress, the reason for her death was simply heart failure. thanks so much for taking the time to write all of these for us to read <33

#saintobio.asks #series: sincerely not #🦢 anon

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slightlyrebelliouswriter23 · 4 years

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hey so i'm hoping to get some writing advice about creative burnout? like i seem to write in fits and spurts. some months i can churn out a oneshot or chapter everyday and some months i can do one (1) creative thing only. so i'm wondering how to prevent creative burnout and how to just create more smoothly <3 thank you!

Creative Burnout & How To Ward Against It

First, I’d like to preface this all by saying you’re definitely not alone. You probably already know this, but sometimes it’s nice to be reminded.

I know from personal experience that creative burnout can leave you feeling hopeless, detached from yourself—the kind of identity crisis no one needs in 2020.

So buckle in, folks. It’s a dosy.

I. The Symptoms

Not to be the local WebMD page here, but signs of burnout can include:

Procrastination (more than usual)

Dreading writing and feeling stuck or overly perfectionistic when you try

Physical tiredness and/or irritability

Feeling like everything is monotonous

It’s more than just writer’s block. It’s a physical and emotional exhaustion response to something that goes deeper than a simple lack of inspiration. In my experience, and from a bit of research, I’ve found that what your brain is really looking for is dopamine.

Dopamine is essentially your brain’s chemical reward system for doing something interesting or exciting to you. As someone who is diagnosed with ADHD, I have chronically low levels of dopamine, so this is a constant struggle for me—but it is absolutely made worse by creative burnout.

II. The Problem

Studies have shown that the more we do A Thing the less that thing will give us dopamine (unless a component of the activity changes regularly). This is because eventually our brains desensitise to the stimuli provided by the activity, and subsequently, we become disengaged.

But it’s not necessarily The Thing (i.e. writing) that becomes boring. Actually, more than a few factors could be at play here, and the first step to finding a solution is to identify the problem.

1. ENVIRONMENT LACKS EXCITEMENT/CHANGE—

Sometimes, the monotony of everyday life can feed creative burnout. This becomes especially applicable in quarantine when you’re not leaving your house.

What we don’t realise is that even something as small as the variables of driving to and from work, or interacting with passing coworkers, gives us dopamine. So if you have the same routine every day that does not involve any added variables, your brain will begin staunching that dopamine supply.

2. EITHER TOO EASY OR TOO CHALLENGING—

In 1975, Hungarian-American psychologist, Mihaly Csikszentmihalyi, coined the term “flow”, which refers to a heightened state of creativity and concentration on an activity. Csikszentmihalyi posited that if your skill level is equal to the level of challenge in any given activity, you will experience this state of flow.

The chart below is taken from Csikszentmihalyi’s own study on the subject of flow and motivation. It examines “your skill level” on the x axis in relation to the “challenge level” on the y axis.

Essentially:

Too much challenge + not enough skill = anxiety, worry (which might lead to procrastination and perfectionism)

Too much skill + not enough challenge = boredom, apathy (which might lead to monotony, irritability, and other depression-like symptoms)

Skill level = Challenge level = Flow

3. NOT ENOUGH “ACTIVE” STIMULATION—

When it comes to dopamine seeking, there is a distinct difference between active and passive stimulation in the brain.

Active stimulation is any form of activity that you have to actively engage in. For instance; exercising, doing a crossword puzzle, or reading a book. These kinds of activities not only give you dopamine, they also facilitate critical thinking and problem solving thought processes, which act as catalysts for creativity.

Passive stimulation, on the other hand, comes in the form of television, social media, and YouTube. It’s anything you can consume without having to actively engage. Passive stimulation will indeed give your brain dopamine, however, it won’t activate your creativity.

The problem also lies in the speed at which you receive the dopamine from passive activities. Passive stimulation is so easy to access that the more you consume, the harder it becomes to pick up active stimulation. Your brain expects a hit of dopamine just by picking up a phone or turning on the TV—it becomes addicted to the quick fix of a Netflix binge.

III. The Solutions

Based on the problems mentioned above, I am going to list a few solutions. Keeping in mind that not every solution will work for everyone, these can act as both preventative measures and remedies for someone who is currently burned out.

1. CHANGE UP YOUR ENVIRONMENT/ROUTINE—

Aim to do at least one thing per day that will add “variables” to the monotony. This can be as simple as going on a long walk, dressing up in that bold outfit you always wanted to wear to the office but never did, or sitting at a different workspace in your home.

Anything you can do that’s simple, but might provide an extra variable to your day to spice things up. Note: this shouldn’t be the same thing every day.

2. CHALLENGE YOURSELF MORE—

If you find yourself bored by your work, try challenging yourself more. This could mean setting goals for yourself that go a bit beyond what you’ve been doing.

For example, if you’ve been writing 500 words per day, see if you can beat your own word count every day for the next week. If you’ve been writing mainly fluff pieces, switch it up and do an angst piece. See if you can write a book in a month, or start a blog where you don’t write fiction at all!

Anything you can do to add a little kick to your workload. Note: Beware of challenging yourself too much! This can lead straight back into burnout.

3. CHALLENGE YOURSELF LESS—

If you’re on the flip side of that coin, and find that you are anxious, procrastinating, and perfectionistic when it comes to writing, fret not. Just because you’re experiencing any of these things, doesn’t mean you’re incapable of doing the job with your skillset.

It just means your perception of the job needs to be shifted.

Procrastination, at its heart, is a fear of failure, which results in actively avoiding the negative emotions associated with the task that causes this fear. Perfectionism is a type of procrastination that is a combination of a fear of failure and a fear of success (or, more accurately, other’s critiques of your success) all at once.

Neither have anything to do with your actual skillset, but they have everything to do with your perception of your skillset. Obviously, this is a harder thing to fix, as it has to do with deeply ingrained levels of self-esteem.

What I can offer you is a tactic to trick your mind into thinking you’re capable.

If you have a task, big or small, and you are feeling overwhelmed by it (like you might go curl up in bed and scroll Tumblr), immediately break that task up into smaller tasks. Keep breaking up the smaller tasks until you have the smallest possible part of the bigger task without doing nothing.

Then do that smallest possible thing.

If your goal is to write a 2000 word one shot, a small part of that task is writing half of it. An even smaller part of that task is breaking the one shot up into “scenes” and writing one scene. For instance:

Jude wakes up to a sore throat, a runny nose, and a fever.

She tries to go to work, but Cardan, being the mother hen that he is, threatens to never make her another grilled cheese sandwich (her favourite food) ever again if she doesn’t stay home.

Jude agrees begrudgingly, and Cardan sits her down in front of the TV with a bottle of Gatorade. He leaves to go get medicine from the store.

When Cardan comes back, Jude is worse than before. He makes her soup and saltine crackers and spoon feeds her.

She complains the whole time and, in her feverish state, threatens to never buy him another bottle of wine (his favourite food) ever again if he doesn’t let her feed herself.

Each bullet point represents one “scene” of about 200-400 words each. Obviously, there will be more details that you work out as you write. But with these five smaller scenes, your goal is no longer writing the 2000 word one shot. Your goal is writing the first of the five scenes.

If you complete the smallest possible task, you can stop, and you’ll still feel like you’ve accomplished something because you can cross off that task from your list. But chances are, by the time you cross off one task, you may have inspiration enough to keep going.

4. ENGAGE IN ACTIVE STIMULATION—

Since active stimulation has been proven to turn on the creative “tap”, try incorporating more of these activities into your daily routine:

Exercise: As the resident couch potato, I hate to say that exercising is good for creativity, but it is. Even if it’s just going on a short walk, so long as you’re moving.

Reading: Sometimes you have plenty of ideas, but no words to fit those ideas. Fill your well of words by carving out an hour or two each day for reading a good book.

The Creative Process: In the writing world, the creative process is a process of about 20-30 minutes that the writer partakes in every day before they start writing. This process should be creative, but also have nothing to do with writing. You can try colouring in a colouring book, painting, organising a page in your bullet journal. Anything that is creative but does not make you think about everything you have to do that day. Think of it as creative meditation.

Listen to music: Having APD, I personally can’t listen to music while I write. However, studies have shown that if you listen to at least ten songs per day, it will significantly benefit your dopamine levels and overall mood. If you’re like me and prefer to work in silence, maybe stick on a couple songs during your creative process. If you can manage music and writing together, get out those headphones!

5. KEEP A REGULAR SCHEDULE—

I know this is the most cliche point in the book, but it’s valid. This doesn’t mean do the same thing at the same time every day over and over, because ultimately we’re looking to avoid monotony.

But having pillars of structure to bolster the excitement can definitely work to keep you from slipping into burnout. Going to sleep, waking up, and having your meals at relatively the same time every day are good examples of this.

Feel free to change up the things you do between breakfast and lunch, but make sure you have those pillars of consistency so your brain knows that a break is on the horizon and doesn’t get tired.

6. PACE YOURSELF—

This is particularly difficult for those of us who are coming out of a creative burnout, but I urge you to pay special attention to this one. If we are suddenly hit by inspiration and the writing is flowing and flowing and flowing, eventually we will hit the point of highest dopamine capacity for writing.

Not putting a check on the flood of inspiration coming out of a creative burnout, I’d argue, is actually a guarantee that many of us will experience burnout all over again. It becomes this vicious cycle in which we are trapped.

While it feels great to write non-stop and receive immediate validation for that work, try to limit yourself to how much you’re writing and how immediately you post your writing (if you plan on posting it).

Whenever I finish a one shot or a chapter of something, I like to allow at least one day for editing before I post. This timeframe is important, because it acts as a buffer of rest between writing marathons.

You can take however long you need for the editing process, but definitely make sure you have a set amount of time in place. Otherwise, your brain might not have enough time to come down from what is essentially a writing high, and you will always need to reach greater heights in order to achieve that same level of dopamine.

~~~~

Overall, the most important things to take away from all of this are:

Change up your environment

Keep your brain actively stimulated

Have pillars of structure between which you can run about chaotically to your heart’s content

PACE YOURSELF!

Hope this helped. Happy writing!

-Em 🖤🗡

Writing Tip Masterlist

Fic Masterlist

Celebrate 2K with me!

#this one was a spiritual one y'all #thanks for the ask babes!#writing #writing tips #writing advice #writeblr #writing tip masterlist #writer #writer's desk #writer's life #writer's problems #writer's block #ao3 #fanfiction #creative burnout #asked and answered #em answers #danaanruhn #thank you for 2k!! 🥳💜

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chicgeekgirl89 · 3 years

Text

Late

Fandom: 911 Lone Star

Characters: Carlos Reyes, T.K. Strand

A/N: Thanks as always to @bluenet13 for beta reading!

Read on AO3

T.K. was late. It wasn’t uncommon for one of them to be running late; when you worked as a civil servant the end of the day was determined by when the work was done, not what the clock on the wall said. Dating someone who understood that was rare, a gift. They understood and forgave the tardiness without malice.

He’d texted, telling Carlos to go ahead and get a drink and order an appetizer if he wanted. But Carlos waited, anxious to see his date (boyfriend? booty call? friend with benefits?). It had been a long day and he’d been looking forward to this evening since T.K. had texted and asked him about it two days ago. That was a step forward, T.K. asking him out instead of the other way around. It had to mean…something, right? Maybe?

Oh god, his sister, Francesca, had been right when she told him he was hopelessly gone on this guy. Her actual comment had included a few more swear words and a surprising amount of sexual innuendo, even for his sister, but the message was the same: He was in love with a guy who liked him back. And he was doing a pretty terrible job of figuring the relationship out.

“Hey, sorry I’m late.” T.K. slid into the seat across from him, interrupting the gymnastics of his mental anxiety.

“No worries,” Carlos said, offering up a smile. “I got you a sparkling water and ordered a cheese plate.”

“Great, that’s great,” T.K. said, fidgeting in his chair like he couldn’t get comfortable.

Carlos hadn’t known T.K. for long, but the man read like an open book. He could tell something wasn’t right. “Everything okay?” he asked as T.K. picked up the menu and flipped it over without reading it before setting it back down again.

“What? Yeah, yes, yes everything’s fine,” he said, picking the menu back up again.

Carlos studied him, feeling his leg bounce up and down under the table. “You sure? You seem on edge. Rough day at work?”

T.K. set the menu down again and schooled his face into what Carlos assumed he thought was a neutrally pleasant expression, but was really a smile that strained around the edges. “No, I’m good. Sorry. So, what are you thinking about? The filet? Or actually the salmon looks really good. With the lemon sauce?”

Carlos let T.K. chatter his way through dinner about inane subjects such as the different types of hose nozzles, his Dad’s medicinal tea collection, and how to properly hail a taxi in New York. Carlos hmmed and nodded in all the right places, all the while mentally going through a list of possible reasons for T.K.’s uneasiness. A difficult shift seemed most likely, but T.K. had denied that. Could something have happened to someone he knew in New York? Or was there…was there someone else? He knew about T.K.’s recent horrendous break up, but was it possible that whoever he’d left behind had come calling? It happened more often than not, a quick rebound and then back to the previous relationship, he’d seen it time and and time again.

His heart squeezed a little bit at the thought and he mentally shook himself. T.K. had given him no indication that things between them were off, he shouldn’t assume and possibly fabricate a problem for himself that didn’t exist.

They finished their meal, declining desert and coffee, and headed for the parking lot. “So,” Carlos finally said, his first word in quite a while. “Did you want to come over or…?”

“Yeah,” T.K. said far too brightly in the fakest possible way.

T.K. seemed to have run out of bizarre facts and mundane topics to talk about because he was quiet on the drive back to Carlos’, seemingly lost in whatever was going on in his head, fingers absently playing with his phone, turning it over and over in his hands.

He didn’t even move when they stopped in the driveway, eyes staring straight ahead out the windshield. “T.K.,” Carlos said softly.

He startled and cleared his throat. “Hey, sorry.” He flashed another fake smile and leaned over, pressing a kiss to Carlos’ lips, quickly trying to turn it into more.

Carlos let him for a moment, not pulling back, but not fully giving in either, still trying to get a read on what was going on tonight. The current situation suggested it had nothing to do with them, which was a relief. But something was still wrong.

“Should we take this inside?” T.K. asked a moment later, his hand sliding up Carlos’ thigh, even as the enthusiasm didn’t quite reach his eyes.

Carlos cocked his head to the side. “Are you sure you want to?”

That got T.K.’s full attention and his brow furrowed. “I—yes. Yeah I wanted to come over and be with you.” He leaned over and kissed the tip of Carlos’ nose. “Come on.”

They walked inside and for once Carlos let T.K. take the lead as they landed on the couch, lips locked together, hands in each other’s hair, running up and down each other’s bodies. But it wasn’t fast and hard or even slow and gentle it was just…as if T.K. was going through the motions. And Carlos was not okay with that.

He pulled away, sitting up, putting distance between them. “What’s wrong?” T.K. asked in confusion. “You okay?”

“Are you?”

“What?”

Carlos fixed him with a firm look. “T.K. I want to have sex with you, I do. But I’m a big fan of enthusiastic consent. And right now you’re consenting but…I’m kind of missing the enthusiasm.”

T.K. sighed and sat up, resting his elbows on his knees, running a hand over his face. “I’m sorry. I should have just gone home.”

Carlos felt a pang of sympathy as he watched the weight of whatever T.K. was dealing with settle fully on his shoulders. He reached over and put a hand on T.K.’s knee. “You know, you don’t have to tell me what’s going on if you don’t want to. But if you do, I’m here. Or if you don’t want to talk I can drive you home. No questions asked.”

He could see T.K.’s jaw working, like he was trying to hold back tears. He shook his head silently, misery all over his face and Carlos couldn’t take it any longer. He slid closer so their thighs touched and put his free hand on T.K.’s shoulder. “T.K. what is it?”

The other man sucked in a breath, pinching the bridge of his nose as he squeezed his eyes shut. “My dad has cancer.”

Of all the things he’d considered, this had never crossed his mind. It felt like a punch in the gut. And if it felt that way to him, he could only imagine how it felt to T.K.

“It’s lung cancer,” T.K. continued. “From the towers. And he didn’t tell me. He just moved us across the country like he could run away from it. I thought he made us come here because of me but really, it was because of him. And me. Both of us I guess, I don’t even know anymore.”

T.K. looked so wrung out and exhausted and Carlos’ heart ached, wishing for all the world that he could somehow take his pain away.

“He’s been getting chemo and dealing with this for months now, all on his own because he couldn’t tell me or didn’t want to tell me or didn’t trust me enough to tell me and I feel really REALLY shitty about it,” T.K. said. “Like the worst son in the world for not noticing and not being…okay enough for him to talk to me about it. Because you know that people with a support system have a better chance of beating cancer than people that don’t. And I haven’t been providing that for him. I’ve just been dealing with my own shit again.”

His intake of breath was shaky, words continuing to pour out of him. “And I told him that I wasn’t scared, that I knew he was going to be all right, but I think that was a lie. Because right now I’m terrified. I’m terrified that I’m going to lose him. And I promised myself I would never lie to him again after what happened in New York but how could I say anything else? He needs me to be strong but,” T.K. finally looked up and met Carlos’ eyes, “I’m not very good at being strong. As evidenced by the addiction and relapses.”

He shook his head again and ran an agitated hand over his face. “And I don’t even know why I’m telling you all of this. I’m sorry, it’s been a long day and I kind of can’t stop thinking about it and it all just kind of…spilled out.”

Carlos squeezed his knee. “Well, they do call me “The Confessor” at the precinct. Bad guys take one look at me and give up all their secrets.”

T.K. raised his eyebrows. “They do?”

“No, T.K. it’s a joke.” He winced slightly. “Maybe not the right time for a joke. Sorry.”

T.K. snorted. “No it’s…thanks. I needed that.” He exhaled slowly. “I think I needed all of that. I don’t uh, I don’t have many people I can talk to about stuff like this. So thanks for letting me unload on you. Again.”

“You can talk to me anytime,” Carlos said. “I mean it. And if you need help with your dad, anything at all, I’m glad to do that too. I can drive to appointments, pick things up, make phone calls, or just be a shoulder to cry on.”

T.K. gave him a soft, smile, the first genuine one of the night, and cupped his cheek. “You are so sweet. You know that?”

“I think you’ve mentioned it once or twice,” Carlos told him. “I’m not just saying it; I’m serious T.K. Anything you need, anything at all.”

He couldn’t fix this, couldn’t tell T.K. that it would all be all right in the end, couldn’t give him the assurances he longed for, but he could offer his presence and support.

“I know,” T.K. said, and he seemed to genuinely believe it. “Thank you.”

Carlos leaned forward and pressed a soft kiss to his lips, lingering for just a moment before pressing their foreheads together. “Do you want to stay here tonight?”

T.K. nodded against him and didn’t pull back. “Do you mind if we don’t…I just don’t think I…”

“How about we watch a movie?” Carlos suggested. “I’ll make some popcorn, we can relax. Decompress a little bit.”

“Are you sure that’s okay?” T.K. asked.

Carlos smiled. “Believe it or not I like being with you even when we’re not having sex. And I am very capable of going without for a night or two.”

“But not three?” T.K. asked as Carlos got up and moved to the kitchen.

Carlos gave a fake wince. “That would be pushing it. I might have to find another hot shot firefighter from New York to hook up with.”

“You get a lot of those in Austin?”

“Oh they’re a dime a dozen around here,” Carlos said with a teasing grin as he started the microwave. “Walk down the street and you’re bound to run into at least a few. Although, I don’t think all of them have such a passion for hose nozzles.”

Now T.K. winced for real. “Sorry. I ramble when I’m anxious.”

“I noticed. It’s okay. And next time I’m at a scene and someone asks me for a hose nozzle, I will definitely be able to help. In fact, I think I’ll add that to my resumé. Hose Nozzle Expert.”

“Oh god,” T.K. rolled his eyes. “I’m a terrible date.”

Carlos returned with the popcorn. “Well I’ll guess we’ll just have to go on another one. Give you a chance to make it up to me.”

“Friday?” T.K. asked.

“I have a shift starting mid-morning.”

“Breakfast then?”

Carlos handed him the popcorn bowl. “Breakfast it is. Now,” he settled back into the couch and pulled T.K. toward him until they were cuddled together. “Relax. I’ve got you.”

#911 Lone Star #Tarlos #T.K. Strand #Carlos Reyes #Tarlos Fic #Late #Emotional Hurt/Comfort #Soft boys #Domestic Tarlos #Fluff

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ninjakitten1699 · 3 years

Text

More Oni headcanons that I wanted to add on

to @ambrosial-tea post but I forgot until now!

There are different tribes of Oni as stated in the last post. Aka Oni (Red), Ao Oni (Blue), Shiro Oni (Pale/White), and our Kuro Oni (Black/Dark).

We don’t know too much of the Dark Oni we got but we do know that Oni were originally intended to be guardians between Material Plane and Spirit World when the two began overlapping (possibly The Grasslands/Departed, and Cursed Realm before they began separating). Put a tribe of Oni on the Material Plane for a couple years and they’d splinter into subraces of Oni and become more corrupted by the years. Dark Oni became one of the tribes corrupted.

Aka Oni are the most common type of Oni with their dark red colors, large size, and toughness. They’re slightly bigger than the rest of their kin, more violent, unfocused, and pursue immediate satisfaction, disregarding long drawn out plots and schemes. They’re mostly known for strength too.

Ao Oni are known for their unnatural cunning and aptitude for magic, smaller than their red kin but larger than pale, and have different shades of dark blue. They’re the ones you’d catch calculating and meticulously pursuing lofty goals like power and knowledge.

Shiro Oni are known for their aloofness and connections to the spirit realm. They’re the smallest of the main three tribes and the fewest of members. They vary from pale white to light gray. (They may as well adopt other Oni who share their colors and hopefully teach them their ideals.) Pale Oni would rather keep things in balance between the material plane and spirit world as the ancient Oni intended. They guard their locations but will adventure for artifacts of the spirit world and mend balance. If we take that into account perhaps they are another reason why Realm travel is difficult to Oni who try to cross through the any of the realms involving afterlives.

While Oni have no concept of gender since they have both reproductive organs, they also have no concept of sexualities either. Honestly they just didn’t have a name for it when one didn’t feel the need to have sex or when another felt more attracted to the same sex aspects of their partner. (If anything, their type of relationships or way of thinking would be looked up upon because they felt closer to their spirituality and their true selves.) Again they sometimes don’t mate for reproduction but just for the vibes of their partner.

They probably didn’t have a name for having multiple partners at the time either. If one Oni wanted to be a part of what the other two had and they were content with the feel of them, then it was okay. Plus more hands to help raise the cub personally. (Essentially that’s what PolyGarm would basically be. They make Garm happy, they’re happy with him, and Lloyd would basically have more than two parents. At this point Lloyd would just have more dads and Koko is just the one good mom he deserves.)

The second Oni learn what kisses are and how they work, they find it just as addictive as they do with other acts of affection.

Oni are more closer to their family than they are to strangers because in most Oni’s belief, strangers brought suffering to the family. In turn they displayed their family’s name first before their own, showing pride in them and hoping to intimidate any strangers with ill intent towards them.

Speaking of Oni names, they don’t usually have any but when they do their names would be what positive traits the parents wish the child to take on. For example, a son could have “Akihiko”. “Aki” meaning “bright” and “hiko” meaning “boy/prince”. They could want him to be someone brighter than they ever hoped for. For a daughter, “Asuna” with “asu” meaning “tomorrow” and “na” to “greens” or “apple tree”. Maybe the parents are hoping the Oni daughter would lead them to a more plentiful day. And then there’s the family names. The most famous ones are “Hideyoshi” and “Ishikawa”. We’ve heard of these names and the history behind them, I wouldn’t want to come across any of their descendants that carry their name with honor.

Ironically “Harumi” is actually a name for a female Oni in some home brewing lore. One of her meanings is “govern/rule” and “beauty”. Goes to show how far she would take her name literally.

Shiro Oni/Pale Oni don’t have names, but it’s because they don’t want to be too close to the material plane while they guard the spirit realms. They would refer to themselves and each other as “that/this one” instead like how gargoyles in the old days would. If they come up with names, it’s for the sake of working with others on the material plane, but even then it only happens when they really trust the people around them.

Oni have a large appetite that could put the Pythor and the Anacondrai to shame. They could honestly compete against the Great Devourer and other wyrms.

An Oni’s pair of horns are a sign of honor. No pair of horns are alike, not even the closest siblings’ horns look the same. They all have their differences. Their horn length is their pride. Having them sawed off is quite literally shameful to the owner of them but they did do something to deserve it.

It’s possible that some Oni were confused at Garm’s horns not being there at first but they hear about the first time they grew out of his head he quite literally broke them off and bled for a good long while to the point of passing out. (Blood vessels actually go throughout the antlers/horns in animals which is why they aren’t busted right off easily. Why wouldn’t they to Oni horns?) Come to find out it was the FSM’s hate for Oni that made Garm hate himself and how he looked so Garm had them filed down to his scalp or small enough to hide in his hair. It honestly almost hurts the Oni’s look on the FSM even more but hey who hasn’t he hurt? It takes a couple more decades and some therapy before he finally let’s go of his internalized self hatred and trauma that he grows out his horns and finally has pride in himself like most Oni already do.

So it’s not uncommon for Oni to live among other races, whether secretly or not, due to their shapeshifting abilities, however sometimes they’re immediately shunned when their true form slips out. Unless they proved otherwise to the most accepting of inhabitants, they’re allowed to stay. By then they’d have a hybrid appearance with their horns out, either out of their kindness to ease the others’ fear of them or for their own personal benefit.

Oni that do live on their own choose to live in the wilderness or in the mountains. If living in society but still wanting some sort of solitude, they’d either be closer to the outskirts or deep in the downtown where you’d either have to ask directions to specific people to find them or already know where they are. Hence Mistaké with her small tea shop and Wu being able find her.

As stated before Oni have no problems with Half-Oni at all. They’re just welcoming another cub into the pack and it’s just the fact that they are a child of an Oni who fell in love with another humanoid. Although there are some cases of Oni being chased out by the other race with their cub in their arms and they just run until they find the closest tribe. They’d be welcomed into the tribe and the cub is basically adopted by them.

Again half Oni isn’t a problem to them, but they do have a problem with any particular wizards experimenting on Oni breeding with any other humanoids. The know it’s not the parents’ fault neither is the cub’s. If neither parent want nothing to do with them, then the half Oni cub is taken off of their hands by another Oni who was grieving at a loss of a cub (or the realization they couldn’t have any) or a pairing who wouldn’t mind another. The cub won’t have a terrible environment, the parents won’t have to unwillingly interact with the child until they resolve their own issues or they wish to visit and see them grow.

Meanwhile, those wizards will never know peace again until the day they die, even other tribes, who they could be at war with, will catch wind of what happen and help in taking them out. By the time those wizards die, even the Pale Oni who have no ties with Omega or any other tribes won’t be forgiving to them. They won’t do anything too harmful to them, but they will lead them to the terrible part of the Cursed Realm and those wizards proceed to stay there until they fade out of existence entirely.

Enough angst there and let’s go back to fluff. I bet Oni would love dice. Like not even for games but for the click-clack sound. (“Lloyd. They’re metal dice. You cannot have—.” “Shiny sparkly metal bits make pretty sounds! :D” “Garmadon please tell your son not— Not you too!” “Wha~ It does sound pretty.”)

Y’all know how like adult lions play with their babies? They pretend to be hurt and that the cub is super strong to help build up their confidence. Hear me out, Oni do that too. Big goddamn Omega really be taking hits from tiny little cubs, Mistaké be playing with little Garmadon and playing dead on him, then Garm just does the same thing for little Lloyd. (“Koko, sweetie, help. It’s the battle of the century in here. Help, save me. He’s too powerful!” “*tiny war cry*”)

Someone makes a baby Oni cry one time and boy it’s absolutely over. It’s on sight for that person. I’m telling you On Sight!

Oni can purr loud enough to the point where it rumbles in them like a motor and that’s how cubs feel their parents’ purring. Then there’s baby Oni just babbling and the adult Oni just pretend to have a whole conversation with them. Don’t get me started on them playing soft flute music to help the toddler Oni sleep.

We probably only got a few words out of Omega when they first appeared because we were hearing them through human ears. Lloyd’s Oni brain would click on and translates what he knows while Garm in full Oni form can get full sentences out of Omega.

Oni are willing to learn a different language if it helps others understand them and their intentions. Now let’s just think of Lloyd connecting to his Oni side of the family (since let’s face it, the Oni are going to be around longer than most of his friends are) through teaching them sign language.

They also try to teach him their Oni tongue but he can only grasp a few words at a time easily. When he finally learns the language, next thing you know he’s going to be cursing and only Oni will understand. Some (aka Mistaké) want to scold him and others (*cough*Garmadon*cough*) find it hilarious.

Garmadon’s Oni-Dragon hybrid brain wants him to decorate his significant others and now I think of Oni just sharing the precious items they hoard with their mate. Wait till they figure out they can make jewelry and have their significant other wear it.

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nerdygaymormon · 3 years

Note

What do you think about the possible excommunication of Natasha Helfer?

Before this week, the only thing I knew about Natasha Helfer is I’d read an article she’d written about masturbation being part of normal sexual development, and she doesn’t see it as sinful. I agree with her.

Because of the publicity surrounding her summons to a membership council, I now know much more about her.

She made a video about being summoned to a membership council scheduled for April 18th. For starters, a stake where she hasn’t lived since 2019 has decided to do this, which seems strange to me.

Here’s the things the summons letter cites as “misconduct”:

Support for same-sex marriage

Teaching that masturbation is part of a normative sexual-development journey and should not be seen as “sin” or as a reason to keep our youth from being considered worthy to serve or church activities

Her stances on sexually-explicit materials, aka pornography (she believes this is because she educates about using a values model vs an addiction model in the treatment of such concerns)

She’s been critical of Church leaders

Concerns she has encouraged people to leave the Church

—————————

I went to section 32.6 of the General Handbook which lists the things someone may face a membership council. Frankly, the things listed in the letter sent to Natasha Helfer are not found in the Handbook.

I suppose these could fit under the charge of “Apostasy,” because she publicly declares opinions different from the Church. Here’s what the Handbook says constitutes apostasy:

Repeatedly acting in clear and deliberate public opposition to the Church, its doctrine, its policies, or its leaders

Persisting in teaching as Church doctrine what is not Church doctrine after being corrected by the bishop or stake president

Showing a pattern of intentionally working to weaken the faith and activity of Church members

Continuing to follow the teachings of apostate sects after being corrected by the bishop or stake president

Formally joining another church and promoting its teachings (Total inactivity in the Church or attending another church does not by itself constitute apostasy. However, if a member formally joins another church and advocates its teachings, withdrawing his or her membership may be necessary.)

—————————

Natasha Helfer is a well-known LDS marriage counselor and certified sex therapist in Utah. She’s written several articles that have been widely read. She’s been a recurring guest on the Mormon Mental Health podcast, Mormon Matters and appeared on many other podcasts.

She’s particularly sought out because of her training & expertise and her experiences in helping members of the Church overcome their sense of shame regarding sexuality.

As a marriage counselor, she helps couples where one or both goes through a faith crisis, she says she doesn’t encourage anyone to leave the Church but honors their choices and helps them work through their thoughts & feelings, and also the effect it has on their marriage.

Because of the news about her being summoned for a membership council, I’ve learned more about her positions. Here’s a list of some of the things I’ve seen in her writing:

Sex Ed in Utah public schools should be comprehensive and accurate

Sexual assault is a crime & should be talked about as such

The LDS Church should know how to address sexual misconduct and sexual assault much better than it currently does

We should embrace and minister to our trangender neighbors, not fear them and make church difficult for them

Excommunication is cruel and unusual punishment which often is a traumatic experience used by the Church to silence its critics

Service Missions should be setup to be meaningful and seen as equal to proselyting missions

LGBTQ+ members should be affirmed and included in their faith community

LDS teachings & messages to LGBTQ+ members is akin to bullying and has real-world consequences on their mental health & lives

Fear of the BYU Honor Code actually causes many to not seek repentance for fear of academic punishment

The Church teaching that only certain families that fit the mold will get to enjoy the afterlife together is harmful. Mormon Heaven = Sad Heaven. She lists many groups who are harmed by this teaching, including: mixed-faith families, LGBTQ+ individuals & their families, families where someone struggles with addiction, single-parent families, families trying to deal with abuse & trauma, families dealing with mental health conditions such as bi-polar or impulse-control, family survivors of someone who died by suicide

When the Church rescinded the policy of exclusion against gay couples and their children, it should have been accompanied by an apology, not just a brief statement of the announcement with no explanation for the change

Social media isn’t the problem, how we use it is. If we’re keeping in touch with family & friends with whom we otherwise wouldn’t because of distance, accessing support you wouldn’t find in your area, obtaining ideas & resources, these are good. Comparing ourselves to others’ “best selves”, debating others, writing mean comments and such are not helpful. Too often people behave differently online than they do in person

We should wish people well when they leave our church and faith community and wish them well on their spiritual journey. We do a good job at celebrating newcomers even though many of them had to say goodbye to something in order to say hello to us

We need to speak of abortion more than as if anyone who gets one is evil. Even the Church’s position makes room for abortion in certain circumstances and we should be more nuanced in how we speak of it

Biological sex and gender are not binary. This may be LDS doctrine but the sciences of Biology and Psychology say otherwise

She supported the law ending conversion therapy in Utah of LGBTQ+ people

Racism is a public health emergency in the USA, racism is more than hate, it’s in our systems. It’s in our scriptures, our folklore, our culture, our history

Forgiveness is a gift you give yourself. It’s acceptance and moving forward

She also has many articles & podcasts about improving marriage relationships, how to talk with your child about sex, tips for a mixed-faith marriage and similar topics directly related to her job as a marriage counselor and sex therapist.

I’m very impressed, from what I see. She is a tremendous force for good in our LDS community. We need people willing to speak the truth.

—————————

Here’s two articles that especially impressed me.

First is one is about masturbation, how it’s a legitimate way to meet one’s needs and some of the many benefits associated with sexual release.

Second is one about pornography, the LDS culture gives pornography more power than it deserves with our blanket bans, secrecy & shaming, and calling virtually all porn viewing an addiction.

—————————

Frankly, based on what I post on my blog, I could be charged with all the same things that Natasha Helfer is being charged with.

Do I support same-sex marriage? Yes. Absolutely.

Do I think masturbation is a sin? No, and I think many Church websites, publications, and the General Handbook back up this view.

Is masturbation a normal part of sexual development? Yes. And it has many benefits for individuals, especially singles like me, and even within a marriage

Is porn always wrong? I definitely can think of ways porn can be included inside a healthy marriage, perhaps as a way to help a partner get “in the mood,” or for someone with a higher libido to use along with masturbation, as part of foreplay, or even getting some ideas to spice up their love life.

Have I been critical of Church leaders? You betcha. I think they’re wrong on LGBTQ+ topics and I say so.

Do I encourage people to leave the Church? I don’t view myself this way, although I wouldn’t say that I try to get them to stay, either. It’s their path to walk. I know most LGBTQ+ people leave the Church, it’s the way our journeys normally go. I feel God has told me it’s fine for me to leave this church, so in no way do I think poorly of people who leave. This church isn’t ready for queer people and I don’t think God requires us to remain some place that harms us.

My understanding is we’re allowed to have beliefs that differ from the Church, as long as we’re not recruiting people to our side. Simply sharing your opinion or some differences in how you view things shouldn’t be something we can be punished for.

I suppose the difference between her and me is she’s seen as a high-profile individual and she’s using her credentials to give weight to her opinions, and I’m just some rando gay guy who has a blog.

#natasha helfer #long post

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specialagentsergio · 3 years

Text

all we can do is keep breathing || chapter two

summary: Spencer’s doing better, but recovery isn’t linear, and some scars run deeper than either of you knew.

pairing: spencer reid x gn!reader

category: angst (eventual happy ending)

content warnings: swearing, drug abuse & addiction, substance use disorder, ptsd, descriptions of panic attacks/ptsd episodes, recollection of past bullying, unhealthy coping mechanisms, yelling/fighting, negative feelings towards other team members, body image issues

a/n: i was so taken aback by the response to chapter one--i didn’t think anyone would even read it tbh. thank you all and thanks for being patient with my lack of an upload schedule. i'm so sorry the word count is massive again. you get tummy appreciation, though, because 1) we all love spencer’s tummy, and 2) i personally gained weight when i was in residential treatment and it can be a bit of a mindfuck lol.

a/n 2: repeated disclaimer that i'm not a doctor, psychologist, psychiatrist, etc., just a direct care staff, past rtc patient and trauma recovery enthusiast. the horse therapy is pretty much entirely based on my own personal experience from nearly a decade ago, so don’t expect it to be an accurate portrayal of equine-assisted psychotherapy.

word count: 7.3k

song: you will be found from dear evan hansen

fic masterlist || masterlist

He’s been looking forward to the start of equine therapy since he got a spot in the program. But instead of being excited the morning of, Spencer ends up crying for an hour straight.

The day started off fine. It wasn’t hard to get up with the horses to look forward to, and he was able to get an extra plate at breakfast, so he could keep the pancake syrup from touching the eggs and sausage. Art therapy was a few hours later. He’d started to actually enjoy the pottery project—the recreational therapist had brought him a box of disposable gloves to use so the feeling of drying clay on his hands was no longer a problem.

Everyone’s projects were coming out of the kiln today and the next step was painting them. He’d been planning out the design and colors he wanted to use since the project started and was excited to finally start applying it.

Then he dropped his item, it broke into pieces, and he burst into tears.

He’d fled the room on instinct alone and curled up in a corner of the hallway, pressing his knees to his forehead. He was upset about the pottery, and upset that he was so affected by it breaking. He felt stupid and silly for crying over it, which only made him cry harder.

He heard distant laughter and he clapped his hands over his ears. He was being laughed at again for being a crybaby. He didn’t want to be a crybaby. He wanted to stop crying, he just couldn’t. The goalpost was cold against the bare skin of his back, and his wrists were starting to burn from the ties.

I want to go home. Just let me go home, please, I’ll do anything. Let me go, let me go--

“Spencer, it’s okay. You’re safe here. Can you repeat after me? I’m safe here.”

Safe here. Safe here.

Art therapy was over by the time he came out of it.

He has lunch at his therapist’s office instead of with the group. Lara asks what his flashback had been to.

He picks at his food. “It happened a long time ago. I don’t want to talk about it.”

“Alright. Can you tell me how it felt instead?”

Spencer isn’t really hungry, but bites into his sandwich to stall for time. She doesn’t rush him. Eventually, he asks, “Do you know what alexithymia means?”

“No words for feelings,” she replies.

He nods. “That’s all.”

Lara opens one of her desk drawers and pulls out a composition notebook, which she then hands to him.

“What’s this for?”

“I want you to start trying to notice your feelings and sensations throughout the day. Make some kind of note, even if you don’t exactly have the words to describe it.”

He sighs. “Why?”

“Just noticing what you feel can help you develop emotional regulation,” she explains. She’s always been honest with him about the why of what she wants him to try and do. “It’s going to help you stop ignoring what’s going on inside you.”

I don’t want to do that.

“I know you don’t.”

“I didn’t mean to say that out loud,” he blurts. “That either. I—god.” He quickly takes another bite of food before he can say more.

“It’s fine. I didn’t expect you to like it,” Lara says with a small smile. “I’m sure the thought of confronting what you’ve been suppressing and avoiding is scary. But getting better requires you to do a lot of scary things.”

Spencer wants to protest. Being strapped to a chair in a shed and dosed against your will is scary. Your mother being diagnosed with Alzheimer's is scary. Being sent to prison for a crime you didn’t commit is scary. Feeling things? That’s not scary.

Isn’t it?

He tries not to think on it too much.

Despite the unpleasant thoughts running through his mind, Spencer finds himself nodding off on the van ride to the horse ranch. His eyes unfocus, his blink rate slows… and then he jerks back awake at the sensation of his head falling forward.

A frustrated noise escapes the back of his throat. He’s sick of feeling tired all the time. He’s getting enough sleep in theory, but still finds himself drowsy at least once a day. It’s to the point that he’s regularly wearing his glasses instead of his contacts to keep his eyes from feeling quite so dry. He pushes them back up now as he tries to tune back in to his surroundings.

“… don’t get how seeing some horse is supposed to make me feel better.” That’s Aiden’s voice. He’s Spencer’s new roommate. He wasn’t happy when he found out he was getting a new one, having much preferred having the room to himself, but it’s been okay so far, mostly because they keep out of each other’s way. Aiden seems uninterested in making friends, and that suits Spencer just fine. Lara’s been encouraging him to talk to fellow patients instead of just the direct care staff, but he’s resisted it. The last time he befriended someone, they ended up--

Spencer’s fine with the two of them keeping to themselves.

Melanie, one of the staff accompanying them, is leaned over the back of the middle seat as she talks to Aiden. “Well, I couldn’t tell you why exactly, but I’ve seen this program help a lot of people in my time here,” she says. “Spencer?”

“What?”

“You’ve been reading a lot about horses, right?” At his nod, she continues, “What have you found out?”

“Equine-assisted psychotherapy lacks the rigorous scientific evidence to demonstrate if it provides benefits in mental health treatment. Horses have been used to aid in psychiatric treatment since the 1990’s, though,” he says. He intends to stop there, but can’t stop himself from continuing. “It doesn’t necessarily involve riding, but may include grooming, feeding, and ground exercises. The goal is to help the client in social, emotional, cognitive, and or behavioral ways.”

He can feel Aiden’s eyes on him and takes a breath before meeting them. He knows all too well that his infodumps aren’t always well received. He doesn’t want to be friends, but would prefer for his roommate to not view him with disdain or annoyance. But Aiden looks interested, and says as much--”that’s interesting.” He looks like he wants to say more, but doesn’t, and there’s silence between them for the remainder of the drive. It’s not uncomfortable, though.

When the van pulls into a parking spot and everyone starts to get out, Spencer begins to feel nervous. He’s read everything he could get his hands on, but as a relatively new therapy, there’s no standard program; it varies by facility, so he doesn’t know exactly what to expect. He’s been looking forward to this, but what if it turns out to be a bad fit for him? What if the people here don’t like him? What if the horses don’t like him?

He hangs at the back of their group of ten—six patients and two staff—as they’re led to a shaded area. They’re introduced to the program director and assistants, and are given an overview of what they’ll be doing over the next six weeks. They won’t be riding the horses, just doing groundwork (he’s not sure if he feels relieved or disappointed). Then he learns that intention of this specific program isn’t just for the horses to help the clients—the clients are to help the horses as well. The animals all have the gentle temperaments suited for therapy, but also have their own struggles. A lot of them were adopted out of poor situations.

They’re led to a circular corral next and spaced equidistantly around the edge. Spencer’s heart rate picks up as the horses are brought in—the animals will be picking their therapy partner, the director says. As they’re let off their leads a jolt of anxiety runs through his body, making him twitch slightly. This feels uncomfortably familiar to school P.E. when teams were picked. No one wanted him then. What’s gong to happen if none of the horses want him, either? He looks down at his shoes.

But just a few moments later, he hears his name, and looks up to see one of the horses approaching him. “Looks like you and Chance are our first pair,” the director is saying.

First?

Chance is almost entirely black, save for a spot of white between his eyes and above his nose. His size is a little intimidating, but his demeanor is gentle. One of the assistants comes up to Spencer and instructs him to hold out his hand so the horse can sniff it.

His hand trembles slightly as he lifts it. Warm breath hits his fingers as Chance sniffs at it. Then the horse presses his nose completely against his hand. The moistness would usually bother Spencer, but for some reason it doesn’t. Instead, a smile slowly spreads across his face. The assistant tells him he can pet Chance now. He runs his hand up and down the horse’s snout, and despite the slight coarseness of the hair, finds it soothing.

The horse shuffles closer when Spencer is given his lead to hold. A startled laugh escapes him when Chance presses his nose into his neck. He pats his head a few times, then takes a tiny step back. He’s thrilled that at least one of the horses likes him, but feels a little crowded by the large animal. To his surprise, Chance seems to understand, and takes a step back of his own.

He absently pats his horse as he watches the rest of the group pair up. He still can’t believe he was picked first.

The rest of their time with the horses is very simple. They’re taught how to lead them, and after practicing in the corral, they take the horses back to their paddocks. Spencer’s disappointed to say goodbye already, but understands the need to not overwhelm the horses or even themselves. “I’ll see you next week,” he finds himself whispering to Chance.

There’s ten minutes left in the session, and it’s spent with the director telling them more about each horses’ specific background. Chance was poorly treated by his previous owner, mostly kept locked up in a small barn and not properly cared for. He has many talents and abilities, the director says. He needs to learn that he didn’t deserve to be treated the way he was, and be told that he is brave.

Spencer rests his chin in his hand and stares out the window on the drive back to the treatment center. He knows from his reading that horses are emotionally intelligent creatures, but he’s still… well, amazed by how the horses all picked who was most similar to them out of the group instinctively.

He feels more understood by an animal he’s interacted with for twenty minutes than he has by a person for months.

Before bed that night, he chews on the stem of his pen cap, thinking over the events of his day. Slowly, in a manner that could almost be described as cautious, he picks up the empty composition book Lara gave him and opens it. His hand hovers over the blank page for a few moments, then he puts pen on paper and begins to write.

---

You made dinner reservations for his visit this Saturday. You’re getting ready for it when there’s a knock on the front door.

“I’ll get it,” Spencer calls from the living room.

You return to fixing your hair up. You’re not expecting anyone, so it’s probably just a package or a neighbor. But just a few moments later, you hear Spencer raise his voice.

“No! No, I don’t—don’t touch me, please.”

You’re only half dressed, but hurry out to the living room anyways. When you round the corner, you immediately see what the problem is: JJ has dropped by unexpectedly.

It’s not that Spencer doesn’t want to see his team. They just bring memories with them, and he had decided shortly after his birthday that he wasn’t ready to confront that yet.

He’s standing a little ways back from the door, staring at JJ while she looks back with hurt on her face. “Spence--” she starts before she sees you.

At Spencer’s side, you place a hand on his arm and he takes a step behind you. “JJ, what are you doing here?”

She struggles to keep her eyes off of him as she answers. “(Y/N), I’m sorry, I just—Will and I made cookies with the boys today and we had a lot of extra, so I just wanted to drop some off for you. I—I didn’t know Spence was here. I didn’t mean to--”

You hold up a hand to stop her. “It’s okay, JJ. You couldn’t have known. You were just trying to do something nice.”

She nods, relieved at your understanding. “Yeah. Yeah, I….” She blows out a breath, then holds out a plastic wrapped plate of cookies to you. You take it from her with a quiet thank you. Then she looks back to the man that’s essentially hiding behind you as best as he can, despite how tall he is. “Spence, I’m sorry. I didn’t realize you wouldn’t want me to touch you.”

There’s a tug on your clothing as he curls his fingers into the fabric on the small of your back. You tilt your head to look at him, but his gaze is on the floor. “You…” he glances up once, then looks back down. “You should ask next time,” he says quietly.

“Okay,” she replies, just as softly. “I will.”

You bite down on the inside of your cheeks to hold back a smile. Spencer often struggles to advocate for his needs, especially with his friends and colleagues, in fear of being a burden or more of a nuisance than he thinks others already perceive him as. He did it a lot with you when you first started dating. It took a lot of time and reassurance that yes, you really did want to know his wants and needs, for him to open up. Telling JJ to ask before touching him may seem small from the outside, but it’s a big deal for him.

After a rather awkward silence, JJ speaks again. “Well, um, I should get going. Just… let us know if you need anything, okay, Spence? We—the team, we’re all here for you.”

“That’s rich,” Spencer mutters behind you and you freeze. You recognize that edge to his voice. It’s usually accompanied by sharp words and remarks that he’ll regret later.

Please please please tell me JJ didn’t hear that.

“I’m sorry?”

Fuck.

“I hate to rush you out, JJ, but we have dinner reservations, so--” you try to interject but Spencer speaks over you.

“I’m just saying, why should I believe you’re here for me when you weren’t last time?”

JJ’s eyebrows come together. “I… don’t understand, I’ve always--”

“No, you haven’t!” It’s like Spencer can’t get the words out fast enough, the way he keeps interrupting before either of you can finish a sentence. This is clearly something that’s been weighing on him. You just wish he was unloading it onto his therapist rather than poor JJ, his best friend outside of you, who’s just trying to be nice. “Ten years ago I was shooting up in police station bathrooms and Emily is the only one who said a damn thing.”

His grip on your clothes tightens, forcing you to take a step back. You move the plate of cookies to one hand and reach back with the other, circling it around his wrist. “Spencer.”

Realization dawns on JJ’s face and she crosses her arms. “Spence, I couldn’t--”

“You couldn’t.” The little laugh he lets out derisive. “Yeah, I’ve heard that before.”

You don’t know where all this is coming from or what he’s referring to, but JJ does, her expression hardening.

“You know what would have happened if the higher ups found out,” she says. “I was protecting your job. We all were.”

“You shouldn’t have!” he cries, emotions other than anger seeping into the words. “This damn job is one of the worst things that’s ever happened to me! I got anthrax poisoning, I still have issues with my knee from being shot. I nearly died from a shot in the neck, and let’s not forget, I was framed for murder by a psychopath I arrested, who then kidnapped my mother while I was in prison! Oh, and what else? Oh right, this job is the reason I’m a fucking addict in the first place!”

JJ’s clearly trying to hold back tears now, but one slips out and your heart aches for her. You close your eyes briefly and take a deep breath, then speak quietly but firmly. “Spencer, you need to leave the room.”

You can hear him breathing shakily behind you. “(Y/N)--”

“Now.” You squeeze his wrist and he finally lets go of your clothing. He takes a few steps away, stops, turns back and opens his mouth to say something, but at the look you give him, shuts it and continues on his way out.

A sniffle draws your attention back to JJ, who’s looking up at the ceiling and swiping at the tears sliding down. “Sorry,” she mutters. “I shouldn’t have come by without giving you a heads-up. I’ve just made things worse.”

“No, JJ, don’t be sorry. It--” There’s thumping noises from further back in the apartment so you step forward and shut the front door behind you. She has her arms wrapped around herself when you turn back.

“It’s not your fault,” you continue. “You were just trying to be nice. You’re a good friend to him. He’s just… everything is really raw for him right now, if that makes sense?”

She nods, wiping at her eyes again.

“It’s, uh, not an excuse, though,” you clarify. “That’s not what I’m trying to say. You didn’t do anything wrong. That was all him, so please don’t blame yourself.”

JJ is quiet for a bit, staring at the floor. Then she says, “I should get going.”

“Yeah, that’s probably for the best,” you agree quietly. Realizing you’re still holding the plate of cookies in one hand, you lift it slightly and add, “Thanks for these. And, um… I’m so sorry about that.”

She shakes her head and glances at the door. “Don’t be. Like you said, it was all him,” she murmurs.

You know she’s right, but you’re still barely able to stop yourself from apologizing again as she descends the stairs. You can’t help but feel like you should have done more, stopped him somehow, even though you don’t know how you could have. The way his behavior changed… it was like he wanted to get it all out, and when Spencer Reid wants to say something, it’s nearly impossible to get him to stop.

The apartment isn’t quiet when you walk back in. There’s the scraping and clatter of a desk drawer, followed by frantic footsteps and the thud of books falling off the shelves. You know what he’s doing, and you know he won’t find anything, so you just lock the front door and continue on to the kitchen to put the cookies away.

You lean on the counter and cover your face with your hands. It doesn’t matter if you mess up your hair or face, or anything, really, because you’re not making it to dinner anymore.

You stay like that for a while, eyes closed, trying to think of a place to even start with Spencer after all of that. When the sounds of him tearing through the apartment stop, you lift you head back up and promptly jump—he’s staring at you from the nearest doorway.

“Jesus, Spencer--”

“Where’s my stuff?” he asks, and the seriousness in his tone of voice makes your anxiety spike. You know exactly what he means by stuff.

“It’s gone. What did you think was gonna happen?”

“Yeah, but it’s…” he trails off and his expression puzzles you. It almost looks like he’s confused. “It’s all gone.”

Ah. “Yeah, well, I know you think you’re sneaky, but you’re very much the opposite when you’re not sober,” you reply. “Finding your hiding spots wasn’t hard.”

He drops his gaze to the floor, frowning. “I don’t like it when you move my things,” he says quietly.

“I don’t like it when you use,” you counter.

He visibly flinches, then his hand tightens on the door frame. “I’m not going to—to take it, I just want to hold it. Where’s my stuff?” he repeats.

“Holding it, right,” you sigh.

“It’s comforting,” he argues.

“Even if I believed that, it wouldn’t matter, Spencer. I threw it all out. There’s none here.”

The humming noise he makes is angry, and he rocks back and forth on his feet in an agitated manner. “You shouldn’t… I don’t….”

I don’t have the energy for this. It’s a thought you feel terrible about as soon as you have it, but it’s the truth. Lara had cautioned you before his first visit that he was going to be hypersensitive to disappointment and frustration until he learned how to cope with the feelings he’d been using the Dilaudid to block out. Unfortunately, the information, while useful, didn’t always make his emotional extremes easier to deal with.

You run a hand down your face. “Spencer…” you start. You’re not sure what to continue with, but you don’t have to—for whatever reason, that sets him off.

He tears his eyes away from the floor to glare at you. “Don’t—don’t touch my things ever again!” Then he turns and all but runs to the bedroom, slamming the door behind him.

You suck in a breath and drop your head to the counter. The marble is cool and you thump your forehead against it gently a few times, focusing on breathing in and out slowly to calm down. When you’re ready, you walk as quietly as you can to the bedroom door and press your ear against it to hear the unmistakable sound of Spencer sobbing into his pillow.

Part of you wants to go in and comfort him, but you suspect that you’d just make it worse right now since some of his frustration is directed at you. And truth be told, you’re frustrated with him, too. So you retreat to the living room, flopping down on the couch and pulling out your phone to call the restaurant to cancel your reservations. Doing so is more upsetting than you expected; a few tears of your own slide down your face after you hang up. Before you know it, you’re calling Tara.

“Hey, what’s up?” she asks you.

“I…” You swallow down the lump in your throat. “Spencer’s… we’re having a bad day. If you’re not busy, can I talk to you about it?”

“Of course,” is her gentle reply, and you pull yourself to your feet, moving to the farthest point away from the bedroom in the apartment so Spencer won’t overhear.

“He got angry when you told him you got rid of everything?” she guesses when you reach that part.

“Yeah. He told me that he doesn’t like it when I move his things. I already knew that; that’s why everything else is where he left it. I think he was mostly just caught off guard that I knew all his hiding places.”

“If he’s having a trauma response to seeing JJ, he’s not going to be thinking clearly, either,” Tara points out. “I wasn’t there, so I could be wrong, but from what you’ve said, it sounds like she was some sort of trigger for him.”

“That’s more than a fair assessment. It’s just… confusing,” you say. “He wasn’t like this with her when he first got home from prison. He actually spent a lot of time at JJ’s house before his relapse. He’d go over and hold Michael when he couldn’t sleep. Why is seeing his best friend suddenly such a bad thing?”

“I don’t know, but it doesn’t have to make sense to us. It only has to make sense to the traumatized part of the brain,” she explains. “He may not even know why himself.”

“Hmm.” You ponder it for a moment. “I think I’d find that interesting if I wasn’t living it.”

Tara laughs out loud at that. “Yeah, I’ve found that to be rather commonplace sentiment in the field of psychology.”

You take a deep breath and let it out slowly, feeling calmer. “Thanks for listening,” you say. “I feel better now.”

“Anytime, (Y/N).”

You exchange goodbyes, making plans to catch up properly over lunch next week. You hang up, then tiptoe back to the bedroom door. It’s quiet now; Spencer seems to have stopped crying. You knock softly. “Honey? Can I come in?”

When he doesn’t respond, you try the door handle. It’s unlocked, which is a good sign—he’s upset, but not upset enough to completely shut you out. You open the door just enough to look in.

Spencer’s on the bed as expected, huddled under his weighted blanket. His back is to the door and you see his shoulders shuddering in the little breaths that follow him crying. In your experience, he usually seeks out comfort before this stage, often having the breakdown itself in your arms or stumbling into them halfway through. This is a bit of uncharted territory. You know that after outbursts of negative emotions, he tends to need reassurance and touch from someone to help him decompress and feel better. You just don’t know if that’s going to hold true for this kind of reaction. A trauma response, Tara called it. You hope it will, because you don’t know what else to do.

“I’m going to come in now,” you tell him before taking a step inside. You leave the door open behind you so he won’t feel trapped, then slowly approach him, looking out for signs that he doesn’t want you near—tensing muscles, slight rocking, shaking his head—but he stays still.

Once you sit down on the edge of the bed you can see his face. His eyes are puffy and his cheeks are red and raw from wiping away tears. A few are still slipping out, sliding sideways down his face and dropping onto the wet patch on his pillowcase as he stares blankly at the wall across the room.

Hesitantly, you reach out and touch his arm as lightly as you can. He takes in a deep breath, but does nothing to suggest that he wants you to remove it. After a few moments to ensure that he’s okay with touch, you start running your hand up and down his back. He whimpers a little in response, closing his eyes and titling back into your touch.

“Are you okay?” you ask softly.

You don’t get a straightforward answer. He chews on his bottom lip for a bit before speaking in a scratchy voice. “Can you…?” he mumbles, lifting his head up slightly from the pillow, then dropping it back down. You don’t know what he’s asking for until you see some of his fingers poking out from under the blanket and the stroking motion they’re making.

You maneuver across the mattress to sit against the headboard, jostling him as little as you can, and he shifts to place his head in your lap. When you start carding your fingers through his hair, his eyes flutter closed and he lets out a little sigh.

“What’s going on?” you ask once the tension has faded and his body has settled fully into the mattress. He just shrugs and you press your lips together to hold back a sigh. You’re familiar with him going nonverbal and you know that he can’t help it, but it’s discouraging. One of the main things he’s been working on is being more open about his emotions. It’s been a welcome change to not have to pry things out of him. But he seems to have gone right back to old habits tonight and it’s… well, it’s disappointing.

The silence carries on for a long time as you continue to run your hands through his hair. He’s so still and relaxed that you think he may have fallen asleep until he takes in a deep, shuddering breath and clears his throat. “I… I want to go back,” he whispers.

“Back whe--” you start, then your heart drops as you realize what he means. “Oh.”

Your hands fall to your lap as he sits up and clambers out of bed, muttering, “gonna get changed.” He shuts the bathroom door behind him—for whatever reason, he’s not always comfortable with you seeing him changing or in the shower anymore—and you sit still for a few moments, processing what he just said. After over a month of listening to him express his desire to come home—begging you, even, in the beginning—you were unprepared to hear the opposite.

You shake your head slightly to try and clear it, then follow his lead, leaving the bed and changing out of your fancy clothes, trying not to think about how much you had been looking forward to wearing them to the restaurant.

Spencer remains quiet for the drive back to his treatment center, staring out the passenger side window, legs pulled into his chest. He mumbles a quick “bye” to you when you check him back in—no hug or kiss on the cheek like you’ve grown accustomed to. Instead he turns right back to the nurse and staff member running the process and asks, “Is Matt working tonight? I need to talk to him.”

At least he wants to talk to someone, you tell yourself as you leave, trying to soothe the sting caused by the fact that the someone isn’t you.

---

The next time you see him is six days later, on Friday evening. You’ve only talked once since Saturday, over the phone on Wednesday night, and it wasn’t a long call. He was upset about the horse therapy appointment being canceled that afternoon because of the weather—it had rained hard all day—and didn’t say much else. He ended the call before the ten minute mark, saying that he was tired and wanted to go lie down.

He also didn’t request a visit for the weekend—he either didn’t think his treatment team would approve it or he just didn’t want one. So you’re visiting him at the center today. You’ve brought dinner with you—you cooked one of his favorites yourself—but before you eat, you’re having an appointment with him and his therapist.

Spencer glances up only briefly when you enter the office, quickly looking back down. One of his knees is bouncing.

You sit down on the other side of the couch, looking between him and Lara in the chair across from you. “So, um, what’s going on?” you ask.

Spencer looks to Lara and she gives him an encouraging nod. He takes in a deep breath before speaking. “I… I wanted to talk to you about what ha—happened last week,” he says quietly, keeping his gaze on his lap.

You don’t know why exactly he wants to do it here, with his therapist, but wanting to talk about it at all is a good sign.. “Okay. I’m listening.”

“Right, um. Seeing… seeing JJ, it--” he stops abruptly, and his hands tremble slightly as he runs them down his thighs. “Sorry, doing… doing this is making me really anxious.”

“Take your time,” Lara says and you nod in agreement.

“Okay.” He runs his hands through his hair a few times before continuing. “Se—seeing her brought up emotions and, and memories I wasn’t ready to, um, confront. It… it really tri—triggered me.”

“Yeah, I could tell,” you say quietly.

Spencer grimaces at the words. He lifts his hand, puts it back down, then lifts it again and rubs at one of his eyes. “I…” he starts, then fixes his gaze on the floor and goes silent.

“(Y/N).” You tear your eyes from him and look at Lara. “Is there anything you’d like to say to Spencer about Saturday? Maybe what it was like for you?”

“Oh. Um.” You chew on your bottom lip for a moment. You’ve worried about how what you say could effect him since his relapse—one of your biggest fears is saying something that would drive him to use. But it’s stressful to keep up with, and with his therapist is probably the best place to start ridding yourself of your new habit of… well, of walking on eggshells around him.

“I think it would be good for him to know,” Lara says.

“Alright.” You lace your fingers together in your lap. “I guess it was just… startling to me. JJ’s your best friend and you’ve never acted that way to her. Or anyone, really, other than your father.”

Spencer stays silent, but flinches at the mention of his dad.

“Do you have anything to say to that?” Lara prompts. He shakes his head, so she looks back to you. “How did seeing Spencer like that make you feel?”

You take in a deep breath and let it out slowly; you’re a little scared to say, not wanting to make him feel worse. “It was… distressing. Especially when he got mad at me for getting rid of his Dilaudid. I know he doesn’t like having his things touched without permission but I don’t think it was reasonable to expect that I wouldn’t have done that.”

Lara nods. “That makes sense. But our feelings aren’t always logical.”

“Yeah, I understand. I guess I just wish he would have told me what was wrong instead of being silent--”

Spencer finally speaks up then, in protest. “I couldn’t help it!”

“I—I know that,” you argue back. “I just—I’m just telling you how I felt.”

He looks away, folding his arms and sinking further into the couch.

“Spencer,” Lara says gently. “You wanted to know how (Y/N) felt, remember? And we talked about how you were probably going to hear things you wouldn’t like.”

You blink, taken aback that this was his idea. And with that comes the realization of just how long it’s been since he’s asked how you’re feeling. Thinking back, you realize that the last time you had a conversation that wasn’t only focused on his feelings and well-being was the day you found him asleep and tied to his mother. This… it’s Spencer before prison.

You’re drawn out of your thoughts by him sighing and muttering, “Yeah, I remember.”

“Alright. Anything else?” Lara asks you.

There’s a lot else, you’re discovering, but you’re not sure you can unpack it all right now. “Maybe…” you say. “Maybe he could just tell me what I can do to help when he’s… triggered?”

“I don’t know,” he says dully, and when he catches the small frown on your face, insists, “I don’t.”

“Yet,” Lara adds.

He sighs again. “Yet,” he repeats.

“I know it’s frustrating,” she says. “Your solution to these kinds of feelings before was denial or using. A solution, not just a problem,” she emphasizes. “I want you both to try and think of it like that, and get comfortable with the fact that it’s going to take awhile to overcome those habits.”

A solution, not a problem. It’s… weird to think of his addiction that way, but you can try, so you give her a nod.

“Yeah, yeah,” Spencer mumbles. But behind the defensive body language, he just seems tired.

He seems to relax a little when the meeting wraps up and it’s only the two of you in one of the rooms used for visits. He remains quiet, but when you place the plate of food you dish him across the table from yours, he slides it back and sits in the chair beside you. “Sorry,” he whispers as soon as you take a bite of food.

“For what?” you ask once you’ve swallowed.

“For yelling at you on Saturday,” he says quietly. “I was upset but I shouldn’t have yelled.”

His leg is bouncing under the table; you put your hand on his knee to still it. “Apology accepted,” you say softly.

He shakes his head slightly. “You don’t have to. I was awful to you on Saturday.”

You frown at his skewed interpretation of events. “Spencer, you really weren’t. You yelled at me, yes, but other than that, you were fine.” And you’ve said much worse when you’ve been high.

“I ruined dinner. And don’t say it’s not a big deal,” he adds before you can speak. “You mentioned it every time we spoke in the week leading up to it. You were really excited about it, and I ruined it.”

Spencer’s read you like a book—that was exactly what you were going to say. “Yeah, I was really looking forward to it,” you admit. “And it sucked to have to cancel the reservations. But there will be other dinners, and it’s not like you did it on purpose.”

“But what if I did?” His voice is so quiet that you wouldn’t have heard him if he wasn’t right next to you.

“What do you mean?”

“I just mean…” he rocks slightly in his seat, which you immediately recognize as one of his self-soothing behaviors. You move your hand from his knee to his hair, lightly running your fingers through the curls covering the nape of his neck to try and help. His head tilts forward a little at your touch and after a brief silence, he continues. “I just mean that self-sabotage wouldn’t exactly be something new for me.”

“Oh.” You take your time considering it; he won’t believe you if you give in to your knee-jerk reaction to protest the negative feelings he harbors towards himself. But he grows agitated at your silence, rocking a bit harder and rubbing at his eye. You tug his hair lightly without really thinking about it in response.

“I’m just thinking,” you assure. “You deserve an honest, thought-out answer.”

After taking a deep breath, he nods. “Okay. I understand. Maybe you could just, uh… to help c--comfort…” He swallows and his voice drops back to a whisper. “Could you do that again?”

“Do what?”

“Um, pull… pull my hair. You did that a few moments ago. Please?”

You almost want to tease him—a year ago, you would have. But he’s been so timid and unsure when asking for any intimate touch other than cuddling since he got back from prison. You don’t want to discourage him from asking any more than he seems to be discouraging himself.

“Of course, baby,” you answer softly, and do just that. He closes his eyes and drops his head onto your shoulder. “As far as the self-sabotaging goes, you’re… not good at lying to me,” you muse. “And after six years with you, I feel like I’m pretty familiar with all the ways Spencer Reid self-sabotages. This never even crossed my mind until you brought it up, so I don’t see that as being what happened.”

You can’t tell if he believes you. A neutral “okay” is all you get from him, but at least he’s not outright disagreeing.

You gently pull his hair a few more times. “You should eat before it gets cold and we have to heat it up again.”

He takes the suggestion, picking his fork up, but you’ve never seen him less enthused about eating one of his favorite foods. He’s only cleared half of his plate when you’re done with all of yours.

“What’s wrong?”

“Nothing.”

You can’t help but sigh at the habitual response, and consider your next words carefully. “Spencer, I don’t mean to be pushy, but you told me you were working on not dismissing people’s concern for you when they express it.”

“I am,” he mutters, but doesn’t say anything else, just continues to push his food around his plate aimlessly.

“Well, is something wrong with the food?” you ask. “Did I get the texture wrong, or--”

“No, no,” he interrupts, shaking his head. “It’s not the food. The food’s great. It’s… it’s me that’s the problem.”

Your eyebrows come together. “I don’t understand.”

“I…” He starts to blush. “I’m not eating it all because I think I need to lose some weight.”

“Don’t you dare,” you say immediately without thinking. He makes a startled noise at the same time you clap your hand over your mouth. You definitely don’t want him to lose weight, you just hadn’t meant for it to come out like that.

On the day he came home and agreed to treatment, you’d seen just how underweight he’d become as you helped him unbutton his shirt. The stark outline of his ribs against his skin had been scary, and you had no desire to see that again. It was a relief when he started to gain back what he’d lost in prison and afterwards. And you were happy to see him continue to put on even more than that.

You clear your throat. “Sorry. I didn’t mean to say it like that. You were just so skinny when you got here. You look good like this.”

“I’ve never weighed this much before,” he says, and the distress in his tone makes you think that this is a fact that has been bothering him for a while. “Some of my clothes are getting too tight.”

“We can buy you new clothes.”

“But we don’t know how much longer the insurance will cover my stay here. Residential treatment is expensive. We don’t need to be spending extra money on clothes when I could just lose the weight instead and not need them.”

“Hey.” You put your hand on his cheek. “I don’t want you to worry about money. The insurance is covering it for now. If they stop, that’s a problem to deal with when we get there. Just focus on getting better.”

He looks away from you, down to his lap. “I should still lose some weight,” he says eventually.

“Have you medical staff told you that?” you inquire, raising an eyebrow.

“No,” he admits with a sigh.

“Then you’re not allowed to worry about it,” you say firmly. “Finish your dinner.”

Spencer hesitates, but picks his fork back up. The corners of his mouth turn up just slightly when he starts eating again, telling you that despite his fretting, he’s happy not to stop himself from eating as much as he wants.

He seems to be in a much better mood at the end of the evening than he was when you arrived, though a bit more subdued and quieter than normal. He also appears to be very tired. It’s only 7:30 but he keeps yawning. He denies dozing off with his head on your shoulder while you were talking after dinner, but you’re sure he did.

During your parting hug, he nestles his face into your neck just like he always does when you’re sleeping in bed together. “Try and get some good sleep tonight,” you encourage, smoothing your hands down his back. “And Spencer?”

He pulls back to look at you and you settle your hands lightly on his waist. “I meant it, you know.” You squeeze slightly. “When I said you look good like this.”

It takes him a few moments to catch onto what you’re implying; when he does, his eyebrows shoot up and his breath catches. “Oh. O—okay. I’ll, um…” he glances down shyly. “I’ll keep that in mind.”

“You better.” You look over your shoulder as you leave, and the small smile he’s wearing prompts one of your own.

---------------

tell me what you thought here!

i'd like to put it out there that i don’t hate jj and i really hope it didn’t come across like that. i hadn’t even planned that scene; it just wrote itself. i promise it’ll be resolved before the end of this fic.

another shoutout to the book The Body Keeps the Score for helping immensely with the planning and writing of this. i literally have pages of notes from it.

you can also find irl pictures of spencer’s therapy horse here.

all we can do taglist: @thatsonezesty13 , @jhillio , @elitereid

general taglist: @calm-and-doctor

#spencer reid x reader #spencer reid x you #spencer reid fanfic #criminal minds fanfic #criminal minds self insert #spencer reid #angst #my fic #tw substances #one day i'll write something that's short

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