#i have had this written for a WHILE

[turtleblogatlast]

I will never be over Leo’s 4D chess play in “Many Unhappy Returns”. Like, just in general it is a spectacle to see this character who we’ve seen goofing around time and time again, who’s only sometimes decided to take things seriously, only to show him making a maneuver like that.

And here’s what gets me the most about his plan against Big Mama: he comes up with it on the spot. The second he sees that Big Mama has the solution they need, he’s already in game mode.

It is so satisfying watching the episode back when you realize his plan, because he literally sets the stage entirely for a decisive victory. He sees that the champion is a kraken, and comes up with both the solution to defeating it and a reasonable excuse to get that solution into the battle with them on the fly:

“Like your champ aaand those six guys. In fact, we don’t want this over too quickly. You should armor up those rookies. The whole shebang. Especially with these pointy helmets.”

And this is why giving him teleportation powers is perfect, too. He analyzes the battlefield and makes use of all the assets, moving pieces around to guarantee a win. It is honestly so impressive to witness and one of my favorite parts of his character.

[macksartblock]

could you do some gothcleats? pretty please

anyone else haunted by snowballs at school dances? no? just me okay

[crowsgrudge]

fionna's world being represented by a dandelion makes so much sense ... they're weeds. yet people make wishes through them, changing their whole meaning from something meant to be destroyed to something hopeful.

dandelions are also resilient and it makes sense that something associated with them would. you know. perservere despite the destruction caused by the scarab.

but ultimately i think what REALLY made me tear up over this is that dandelions are really boring plants. when you're a kid you blow on them and make your wish but they're not eyecatching or anything but still, fionna's final wish was for her old world to still exist as it was when she left it (> plain and simple. boring even).

like the moment she realized she would lose her friends, and that her friends might forget each other if the world got its magic back, she immediately decided she didn't want it and I think that ties back to the dandelion metaphor so well... like, do you really need magic to be real to find it everywhere? or can you turn something boring into something magical?

[alicenpai]

i love...wanpee...........🍊🍶🧡💚

[wearysaer]

Basically a sequel to the sketchy comic I made back in august (posted here much later) that you can find here. I also made a tag for this au because I have more ideas, I just hope it doesn't take me another half a year to draw them :D

[ryllen]

Look what came through the mail today! The letters & ( •̀ω•́ )σ 3 little gremlins from letterstoear.

Just wanna say i adore the flower stickers on the letters too much, they are that much worth mentioning.

[forcedhesitation]

astarion origin playthrough worth it just for all the extra moments where he does the "sad wet cat" face

[cerise-on-top]

hi! how would Valeria and Kate react if their wife’s got hurt because of their work, both of them working highly jobs and it ended up catching up to their s/o. hoe you are doing well and drink plenty of water! thank you!

-🍒

Hello! Both of them would be absolutely distraught, but would go about it in different ways!

Valeria’s and Laswell’s Wife Gets Hurt Because of their Job

Valeria: Whoever hurt you will wind up tortured and eventually, once she thinks they’ve had enough of their miserable life, will wind up dead. Naturally, the first thing she does is check up on you, see if you’re alright and well, that’s her priority. You’re the love of her life, there’s no one else in this world she wants to see do well. You’ll be admitted to the best hospital nearby and will only get the finest treatment. Once you’re stabilized, that’s when the hunt begins. Whoever hurt you won’t get too far since that bastard’s life will be on the line. Regardless of where they might be hiding, Valeria will find them and show them that death is actually a kind of mercy. She has pretty much everything at her disposal, everything money can buy, this sucker won’t know what hit them. If it’s revenge they want, then revenge they’ll get. Valeria promises you that their head will be on a silver plate. She’s not very good with words when it comes to comforting someone, but she will have that person killed in the most cruel ways she can imagine. In fact, she’ll take the pleasure of torturing them upon herself. Once she’s done, she’ll take some days off, which is surprising since she usually can’t afford that at all. You’ll be under her direct care for those days. Anything you want you’ll get. Afterwards there will be a slight shift in her demeanor, Valeria becomes more protective over you. Sometimes she might even assign some trusted people of hers to watch over you since she can’t afford something like that happening again. While she can’t always take some days off, she’ll try to be closer to you anyway. Always texting you, finding excuses to come home for a day maybe. She just really needs to make sure you’re okay, she wouldn’t know what to do with herself if you died.

Laswell: Laswell will try to be a bit more diplomatic about it at first, trying to coax whoever hurt you out of hiding. This person will be held accountable for their crimes against her world. Naturally, she rescues you first, gets you to the nearest hospital and won’t leave your side until you’re stable again. If it takes you a while to wake up again, she’ll leave to find the fucker and make sure they swim with the fishes. She has a pretty large, efficient network and will find out who it was fairly easily. Once she knows who they are, she won’t hesitate to find out all their past crimes as well, if they hurt you then they must have done some other awful things as well. Once that phase is over, she’ll go to their home herself and have them arrested, put in the worst prison imaginable where the inmates are treated especially badly. She won’t kill them, but she wouldn’t be surprised if they wind up dead anyway. Laswell usually isn’t an evil person, but she does hope that person dies during their time. Their sentence will be as long as possible so there’s no chance of them ever seeing the sunlight again either. Once all of this is over, she, too, would take some days off to spend with you. You’re a priority above all else, so Laswell will want to be there for you, no matter the cost. While she usually isn’t, depending on how severely you got hurt she might become a bit overbearing, a bit overprotective. That overprotectiveness will last for a few months, afterwards she’ll try to give you some space again. However, she’ll always be keeping a closer eye on you, always texting or calling you every once in a while to make sure you’re okay. If she needs to, she’ll put you under her protection officially, but the situation needs to be dire for that to happen. Either way, she’ll be keeping you safe.

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[counting-stars-gayly]

They’re not going to rebuild Castle Byers because Will can’t rebuild his childhood, which is the reason he destroyed Castle Byers in the first place. He’d been trying to hold on to a level of carefree ignorance that no longer existed for him. The problems Castle Byers saved him from have been replaced by new problems that are bigger and stronger than a child’s fort. He needs to face them differently. Thank you and goodnight

[telling-tragedy]

henry and richard’s back and forth throughout this scene is absolutely addicting. richard isn’t having it

[bigcats-birds-and-books]

Books of 2024: THE GREAT CITIES DUOLOGY by N. K. Jemisin.

[highdefinitions]

when dew first changed from water to fire, he cut his hair. left it all over the bathroom for days until he finally let mountain into his room to check on him. mountain cleaned it up silently, behind a closed door and choked sobs.

and by the time he actually even goes down near the lake again, his hair had just grown down past his jaw. he didn't go swimming again until it was nearly past his shoulders.

the first time dew went swimming again, he nearly drowned. it had been months by then after his transition into a fire ghoul, and he hadn't been able to sleep—burdened by the urge to go down to the water. so he does. he gets up out of bed and wanders the halls, pausing just outside of the new water ghoul's room. he almost knocked, almost asked rain to come with him, but he stopped himself, and went alone. he went down to the lake alone, and stood at the end of the dock, and then closed his eyes and jumped in.

he failed to consider that he wasn't going to be as good as he used to be in the water. he couldn't hold his breath for as long, couldn't go as deep as he wanted to, and it nearly cost him his life. because he tried. he tried to swim down to the bottom and just be, to quiet the noise in his head, to stamp out the draw to the water that was no longer his. he couldn't hold his breath for as long as he used to, couldn't handle the pressure—couldn't even make it more than halfway to the bottom. he couldn't swim to the surface as fast as he used to be able to.

so his muscles screamed from the strain. his ears popped, eyes felt like they were going to explode. his lungs burned. for one feeble moment, he felt like he was actually going to die, that he'd never make it to the top and the one thing that had previously made him was going to kill him.

but then he broke the surface, swam to shore. he dragged himself up onto the sand, soaking wet and shivering. he drew his knees up to his chest, let his head hang between them.

and he cried for everything he just lost.

[writeouswriter]

The curse has lifted (finally wrote more than like 10 words on something)

[crispycreambacon]

[Image Description in the Alt Text]

Ever wondered what happened to the puppets stuck in the Wondrium Arena?

So did the Professor and his meat shield/bestie westie, Ryan. Instead of waiting for an answer, they planned to get the puppets out of there. They even argued with God over it, or rather the Professor did since Ryan was too mentally out-of-it from the absolute absurdity of this situation.

And what did God give to them in return for winning the argument? A bus. To drive to the Wondrium Arena with. ‘Cause what better way to rescue a bunch of dead puppets than crashing a bus into their purgatory?

— ☆ —

I'm happy to announce the release of my first AO3 fanfic: Seatbelts, Everyone!

As you can see from the blurb above, it's a one-shot crackfic about the Professor and Ryan rescuing the puppets in the Wondrium Arena by crashing a bus into it. 'Cause why not?!

This fic has it all! We got:

Ryan learning how to drive a bus via WikiHow!

God being the absolute worst!

Silly puppet interactions!

Existential crises occuring throughout the fic!

An honestly heart-warming ending?

Y'all the line between silly jesting and sincere genuineness is so blurry in this fic. So if that all sounds like a jam of a time, you can read the fic via clicking here! Or clicking the title. Or searching up "Seatbelts, Everyone!" by crispycreambacon on AO3.

Thank you so much for checking it out! And even if you don't, I hope you enjoyed the comic. May you all have a fantabulous day!

[elderwisp]

��� || ▷ now playing

Gabriel: Find anything good? 

Theo: Nah, a lot of the newer stuff is kinda blegh. 

Gabriel: We could always look at those cool picture books with birds. I like those. 

Theo: Of course you would like the picture books.

Gabriel: No shame. 

Theo: He likes to drink milk with his bedtime stories.

Gabriel: Oh so you got jokes?

Theo: Plenty. Hilarious ones too. 

Gabriel: [ snickers ] Maybe you should be a comedian. 

Theo: If dancing doesn’t work out, I just might.

Gabriel: I mean, hypothetically, what would happen if things didn’t work out?

Theo: Oh I’d simply be devastated. No, things have to work out.

Gabriel: I mean, you always got family to fall back on, no?

Theo: Well, that would be my last option.

Gabriel: Huh.

-

Gabriel: You cool with your family, Theo?

Theo: Hm? Oh yeah. Everything’s normal.

Gabriel: Normal’s such a unique concept because what’s normal to me, might be the complete opposite for you. 

Theo: I dunno. A lot of concepts don’t make sense, you know? 

Gabriel: So it’s better to not ask questions.

Theo: You might not like the answer.

Gabriel: Try me.

Theo: I- [ sighs ] Things were fine, then they weren’t. It always starts that way. My parents are close-minded folk and they couldn’t stand the idea that their kid didn’t want to conform. I’m good now.

Gabriel: I see. 

Theo: Things need to work out for me here, Gabriel.

Gabriel: So let’s make sure of it, yeah?

Theo: Deal.