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hazel-eye-coffee-shop-girl-blog · 3 days

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Limelight Series - Chapter 3

Happy Monday Everyone! Here is chapter 3 of the limelight series! If you haven't read chapter two, click here to read it and then come back to read chapter 3.

This series came way of a message/ask from @hobby27 she asked:

"I would love something with Jensen and reader. He sees her when he’s at a convention and he’s bonkers for her. She isn’t so interested in a relationship with him because of the fame. So he has to woo her. Make her understand that he’s not a typical movie/tv star. Slow burn."

So I give you the Limelight series- It's a Jensen x reader (plus size, curvy girl) story, Jensen meets the reader in a bar, he falls fist, she is reluctant of course, but secretly she fell for him the second he walked through the door. So can a small town girl and a celebrity make it work?

Warnings for the whole series: language, multi-pov and switching between the pov mid chapters (sorry I can't help it), Jensen coming off aggressive for a hot second but then cooling off. Some douche side characters and some lovable ones, body shaming, angst, fluff, swoon, Jared is there and Micha is mention.

This story takes place an AU where Jensen is not married but Jared is and has kids.

This chapter is 2K+. Feedback, likes and reblogs are always welcomed. Please don't post as your own work, this is my work. If you would like to be added to my tag list, just ask, I am always happy to add you.

Thanks!

You walk into the lobby at quarter to seven. You are always early for anything, even for things that stress you out all day and make you second-guess everything. You thought about and composed two 'Sorry, have to bail' texts before giving up and swallowing your fears.

James, of course, was sending you constant pep texts all day—after you chewed him out for giving out your number and not giving you the heads-up.

"What! I knew if I told you, you would be mad. And I thought there was no point; he already had it." James tries to justify it over the phone.

"Yeah, but I could have been prepared and not acted like an ass. I am surprised he even suggested a meeting." You reply, pushing your way through the gallery doors and towards your studio in the back.

"Come on, of course, he did. He really does like you. Besides, this is what people call a date Y/N, not a meeting."

"Ha! Like me? He doesn't even know me."

"OK, well, he wants to get to know you. He did some impressive groveling."

"The way I heard it, you sold me out for a signed photo and possibly meeting up with Misha."

"He offered, I wasn't going to pass it up! So where are you guys going tonight?"

Opening your studio with the phone tucked between your shoulders, you struggle slightly but manage to get the door open and the lights on.

"I'm not sure yet. I have until 7 to decide, " you say, somewhat breathless. Tossing your keys on the small table, you go through the room and over to the coffee pot to start it up.

Going through your morning routine, you discuss your options with James before saying your goodbyes and hanging up.

****

Pulling your phone out, you look to see if Jensen has sent you a 'sorry, I've got to bail text.' It's 7 pm on the dot, and there is no message.

"Hoping for a bail text?" His low, deep voice filters in through your ears. His breath tickles your neck and pulls you from your thoughts.

Snapping your eyes from the phone, you turn to see him standing there, dressed in dark jeans and a dark purple button-down shirt. His hair is perfectly styled, and his eyes have a slight twinkle, along with the smirk on his face.

Shutting the phone, you slip it back into the pocket of your dark jeans. "No, I'm just checking the time, " you say, trying your best to keep your voice even and confident.

Don't let it show that you're nervous as hell. You look him up and down, taking a step back. "You look nice," you say.

"Thank you, I have this really hot date tonight. I have to impress her. She thinks I am a womanizer." He jokes, giving you a wink.

"You look beautiful as always." Paying back the compliment.

Looking down, you're wearing dark skinny jeans and a gray fitted V-neck sweater under your black moto jacket.

"Thank you, " you say, holding back the slide-dive about yourself that pops into your mind.

You nervously run your hands through your purple pixie hair. "Umm... we should go. There is this great diner a few blocks down…" you start to say, taking a few steps back, but you're cut off by the screaming of fans.

"JENSEN!!!! OH MY GOD, IT'S HIM!!" A few girls walking in the lobby spot you two and start yelling and making a beeline for you two. Well, for Jensen, not you. They push you out of the way and block you from him.

He does his best, smiling, while out of nowhere, two big security guards come up to block the group of girls from tackling him to the ground. Containing the mob, Jensen gives them each fanservice by signing something of theirs and taking a quick photo. The whole ordeal is over in ten minutes.

Once they are happy and the guards move them, Jensen's eyes find you. Leaning up against the back of a chair, you watch the display of fame firsthand. Keeping your face without expression, Jensen can't tell if you're mad.

"You OK?" he questions, standing in front of you.

"Yeah," you reply, keeping your tone neutral. You are not sure if you are or aren't, but what did you expect.

"The bodyguards coming with?" You question, giving them a nod as you now notice them hanging close by. At a glance, you see they are the same two guys who were with him and Jared last night: Evan and Quinn.

"Umm... yeah, sorry," Jensen replies sheepishly. "I promise they will sit at their own table." He added that he hoped this would be OK.

Oh, great, chaperones. I haven't had them in forever. Biting your remark, again, it's not his fault, right?

"Yeah, it's fine." You reply, giving your best smile and looking at them, "You guys like Italian?"

****

The next day after the date, a coffee shop with James-

"So, how was it? Tell me everything!" James asks, setting down his coffee and leaning in towards you. After blowing up your phone with texts early this morning, you finally agreed to meet with him at your favorite small coffee shop in Haven.

"I was promised a free drink with no interrogation to get me to come out." You reply, taking a drink. Giving off a look that reads, 'Don't make me relive that date again.'

"Come on, Y/N, you can't go out with the hottest guy who has ever walked into our bar and not given me details." James wines, sitting back in the oversized chair and giving you his best pout face.

"Oh please, he's not the hottest guy ever, what about…" Trying to divert the conversation away from your date.

"Stop stalling and spill."

Knowing that he will just keep it up, you cave. "Fine, it was fine."

"Just fine, that's all I get. Way to be a buzzkill."

"OK, OK, it was more than fine. It was nice, he was nice. He said all the right things, acted interested when I talked, and didn't keep the conversation only on him."

"But…"

"No, it's nothing. I mean, I knew that it wouldn't be your typical date."

"What do you mean by that? What happened?"

****

Back to the date-

"The restaurant is only a few blocks up." You say, once outside of the lobby and on the street. You start to head that way but stop when you don't hear Jensen or Evan and Quinn following.

You turn to see them standing in front of a black SUV, the door open, and Jensen getting in.

"Yeah, it will be better if we drive there," Jensen says, holding his hand to take yours.

"Really, I mean, it's literally three blocks up. It will take longer to drive there." You say with slight annoyance. Walking back to Jensen.

"If you think the lobby was bad, we'll walk; we'll be lucky to make it before it closes."

Letting out a sigh, "fine." You conceded, taking his hand and getting into the car.

You give Quinn the address and sit back next to Jensen.

"Besides, this will give us a chance to talk with less prying eyes," Jensen says.

He gives you a smile, and his thumb rubs the hand that he is holding. "Is this OK?" He asks.

Pulling your attention to his hand in yours. It feels nice and natural. "Yeah." You reply, looking up at him.

Letting out a breath, "Not sure how much privacy we will have with those two." You quip, nodding your head towards the front.

"Don't worry about them. They know how to fade into the background." Jensen reassures you, bringing your hand to his lips.

"So, what brought you into the city today? Work?"

"Yeah, I have a studio space close by." You reply, feeling yourself flush with the feel of his lips on your skin. Damn, if you're getting flushed by an innocent kiss on the hand, what's going to happen when he kisses you?

"You're an artist? Cool…but I thought James said you are a chef?"

"Oh, yeah, well, it's a long story," you reply, not wanting to get into it right now. You look out to see you parked in front of the restaurant.

"Oh, we're here, " you say, letting go of Jensen's hand, opening the door, and getting out.

Jensen didn't circle back to her career change, picking up that she wanted to avoid discussing it. She would tell him when she was ready; he was sure of it. Unlike the city just outside the door, the restaurant was a cute, cozy space.

This place was not overrun with Jensen's fans, so they could have a nice, quiet dinner without interruptions. It felt like an actual date, even with Evan and Quinn sitting a few tables away.

"Wow, that was amazing food." Leaning back into his chair, finishing off his beer.

"Well, you would take offense if we had gone to a great barbeque joint, you being from Texas." You joke, finishing off your wine and leaning back in your chair.

"Oh, well, we have to go there next time. Maybe bring Jared and Genevieve."

"Yeah, maybe. It's in Haven, so the next time you guys are in for a convention." Don't hold your breath; there will be a next time.

"The convention wraps up in a few days, right? Where are you guys off to next?" You question.

"This was our last stop for a few weeks. So, I am free once we wrap this one up."

"Oh, cool, well, I am sure you're excited to return home."

"I guess I know Jared is; he hates being away from Genevieve and the kids."

"Yeah, I bet."

"Hey, Jensen, we should get you back." Evan's voice interrupts. He is standing beside the table, with Quinn standing slightly behind him.

Jensen looks at his watch and then at Quinn, "I think we're good. Why don't you guys head back? Y/N and I can find our way."

"Sir, I don't think…" Evan starts to protest, but Jensen cuts him off.

"I do. Besides, I think you should be hitting the sack early after last night." Giving him a stare-down that would make anyone think twice about speaking up.

"Come on, Evan. It's three blocks. I am sure they will be fine." Quinn jumps in, trying to placate Evan and diffuse a situation before it starts.

Evan gives Quinn a stare-down before looking back at Jensen and you.

"Fine, let's go, Quinn," he says passive-aggressively. Turned on his heels and walked out the door, not waiting for further orders.

Quinn gives you a half smile before following after his coworker. You watch them walk out and shake your head.

"I feel sorry for Quinn; Evan is an ass." You say, playing with your empty wine glass.

****

Back at the coffee shop with James-

"OK, so yeah, you had to deal with bodyguards? But it sounds like Jensen made a point to make the date feel real?" James states, being on team Jensen.

"Yeah, he did." You agree, finishing off your drink. Waiting for a second, decide whether to keep telling your date's story or leave it there.

"What?" James questions, seeing that there is more to this tale.

"Yeah, let's just say the date should have ended at the restaurant." Your voice is slightly cryptic.

****

Back to the date-

Walking out of the restaurant, the temperature dropped as the sunset. Pulling your jacket close to you, you turn to head towards the hotel. Jensen grabs your hand and intertwines your fingers with his.

"We don't have to head back to the hotel right away. It's not like I have a curfew or anything." He jokes.

"I don't know, Evan might send out the National Guard if you're not back soon." You joke.

"Oh, come on, let's do something. Is there any place in the city you would like to go? " he asks, desperate not to have this night end and to return to the hotel room. He wishes he were anywhere else with her.

You can see the hit of despair. Biting on the corner of your lip, trying to think of somewhere to go, his voice breaks your thoughts.

"Please stop biting your lip. It's very distracting, and I am trying to be a gentleman here and not the manhandling ass from last night." His voice was deep and slightly commanding. Giving you a wink, the hit of playfulness takes over.

Letting go of your lip, you have so many thoughts about how to respond.

"You weren't an ass." Your confidence falling you; what you wanted to say was, 'Maybe you should be biting it.'

"Humm…well, if we were in Haven, we could go to Lights Park. Around this time, the dessert trucks move in, and they have a classic old movie playing. The Park has all these amazing light sculptures throughout. It's a fun place to explore."

"Sounds nice; let's go," he says, grabbing his phone.

"I will call Quinn, have him bring the car, and we can go." He swipes the phone open and calls Quinn.

"No, No, Jensen, it's getting late. And I don't want to put Quinn out, to drive us out there." You quickly backtrack your idea. Letting go of his hand, you take a few steps back until your back hits the brick building.

"It's no trouble, really, plus Quinn will just bring us the car he's not coming with," Jensen reassures her, seeing her kindness and thinking of others is taking over.

"Hey, Quinn, can you bring the car to Broadway and Park? We're just a block away. Yeah, we're going to take a drive. No, don't get Evan; you can bring the car." Shaking his head, he rolls his eyes, causing Y/N to giggle.

He hangs up the phone, not waiting to hear more of Quinn's protest and talk about protocols. He would rather listen to Y/N laugh and see that smile back on her face.

"He will be here in two minutes, " he reassures her, giving her a smile and putting his phone away.

Closing the gap that she created, he locks his eyes with her. He takes in her beauty, the sun dipping past the steel buildings and the light wind wrapping her scent of lavender and lilac around him. Bringing his finger to brush her cheek lightly, the city seems to fall away.

"I would really like to kiss you now," he whispers, asking for permission and waiting for her to tell him if he is going too fast. His breath mingles with her; he can feel her heartbeat increase.

She is about to speak when the sound of a camera going off and a flash of light breaks our bubble, and reality forces its way in.

"Jensen, over here! Who's the girl?!" The cameraman yells from the street.

Jensen raises his hand to shield Y/N from the camera. She turns her head away from him, and the lights go off. Suddenly, more cameras show up, and the few people walking on the other sidewalk stop to see the commotion.

"I'm sorry. Let's go," he says, grabbing her hand and walking towards the hotel. Rounding the corner, a mob bigger than the last one is coming towards them.

"Shit!" He says, slight panic sets in. Looking around, hoping to see Quinn and the car, he's nowhere.

He's about to turn and tell her to run when Quinn pulls up and uses the car to block the mob of fans that are running their way. Pulling the door open, he lets her get in first and follows. Telling Quinn to just drive and get them out of here.

"I am so sorry," he keeps repeating. He's desperate and hoping this won't put you off seeing him. It's only sometimes like this.

"It's fine; I get it," she replies, looking at him. "Really, Jensen, I am fine." She gives him a half smile.

"But we should call it a night. God knows I am not the most inconspicuous date you could have." You joke, pointing out your hair and overall appearance.

"Yeah, but I like your look." He responds.

"Quinn, can you drop me off at Park and 25th? " You say, letting Jensen's comment fade. He's just being nice; remember, he doesn't go for girls like you.

To Be Continued.......

Tag List:

@ladysparkles78 @smoothdogsgirl @n-o-p-e-never @stoneyggirl2 @lmhf1 @kr804573 @deansimpalababy @livingdeadblondequeen @winchesterwild78

#fanfic #fanfiction #supernatural #fandom #supernatural fanfiction #supernatural fic #jensen ackles #jensen ackles fanfic #jensen ackles x reader #jensen reader #jensen fucking ackles #jensen ackles x female!reader #jensen ackles x y/n #jensen ackles x you #jensen ackles x plus size reader #jensen ackles x curvy #limelightseries

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reshinless · 8 hours

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﹑♰ 　　﹒ 　www .kinktobahhh. com

⤷ ( ´ཀ` )　　director note. first time joining kinktober since i feel motivated this time around!! i might have additions to here, or i might not do some of them, shoot me an ask if you'd like to be tagged (specifically for kinktober)

⤷ 🕷 — spoilers (warnings). each of them are different! all content contained in each day will be tagged accordingly, and lastly english is my first language, sorry if some of the words i use don't make sense! PROCEED WITH CAUTION, you are responsible for what you see!

⤷ ( ´ཀ` )　　starring cast. what's a movie without a cast! this includes genshin impact, honkai star rail, jujutsu kaisen, haikyuu, zenless zone zero, blue lock (aged-up to pro players), & bungou stray dogs! list may subject to change, shoot me an ask if you have any ideas for characters as well, and i'll keep them in mind! no description yet = i'm still writing!

WEEK ONE: films have yet to come out! come back later!

(¬ ´ཀ` )¬ day 1: can you rock my world?! ft. choso, sukuna, geto

in which your best friend geto offers you a job to become the manager of their up and coming rockstar boy band, cursed souls, and they happen to all like you in a way. (filming) plus inspired by @/narutoss_ramen on twitter with their fanart of these three that originally gave me the idea!

(¬ ´ཀ` )¬ day 2: begging ft. kinich

(¬ ´ཀ` )¬ day 3: temperature play ft. diluc

(¬ ´ཀ` )¬ day 4: thigh riding ft. kuroo tetsuro

(¬ ´ཀ` )¬ day 5: phone sex ft. jing yuan

(¬ ´ཀ` )¬ day 6: shower sex ft. dr. ratio(?)

day seven my break :3

WEEK 2: films have yet to come out! come back later!

🕷 — day 8: marking ft. von lycaon

🕷 — day 9: rare sight ft. welt yang

🕷 — day 10: morning sex ft. sakusa kiyoomi

🕷 — day 11: sexting ft. dazai osamu

🕷 — day 12: lingerie ft. nanami kento

🕷 — day 13: pegging ft. xiao

day fourteen my break >_o

WEEK 3: films have yet to come out! come back later!

(¬ ´ཀ` )¬ day 15: threesome/public sex ft. satoru gojo & suguru geto

when you meet the two notorious frat boys at the same time in a party, and the other just happened to be your roommate! inspired again by @/narutoss_ramen on twitter <33

(¬ ´ཀ` )¬ day 16: eating out ft. chigiri hyoma

(¬ ´ཀ` )¬ day 17: handcuffs ft. wriosthesley

(¬ ´ཀ` )¬ day 18: corruption ft. blade

(¬ ´ཀ` )¬ day 19: cock warming ft. iwaizumi hajime

(¬ ´ཀ` )¬ day 20: toys ft. ranpo

21 be my break day chat

FINAL STRAW: final week! films have yet to come out! come back later!

🕷 — day 22: hate sex ft. alhaitham

🕷 — day 23: fucking against a wall ft. sunday

🕷 — day 24: praising ft. choso

🕷 — day 25: this prompt ft. capitano

🕷 — day 26: mirror sex ft. tsukishima kei

🕷 — day 27: cosplay/striptease ft. kenma kozume

break time: day 28

SHHH!: a secret collection, none that you were supposed to see! (not out yet either!)

✧ . . day 29: fingering ft. hinata shoyo

✧ . . day 30: size difference ft. sylus (from love & deepspace)

✧ . . day 31: what kinda pie you want?! ft. toji

in which toji comes by to the bakery he always does, and has been doing since 3 years ago. but this is the first time he doesn't have the money to pay, and offers up something else.

i'll upload them as soon as it's the day it's assigned to, taglist open!

#──── resin: event guide #hsr smut #genshin smut #bsd smut #jjk smut #lads smut #hq smut #haikyuu smut #bllk smut #kinktober 2024 #kinktober masterlist #genshin x reader #hsr x reader #jjk x reader #bsd x reader #lads x reader #haikyuu x reader #bllk x reader

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chickenkurage · 10 hours

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A friend or a foe? (Artificial Intelligence AU)

· · ─────── ·𖥸· ─────── · ·

Summary: DJ’s life has never been easier now that Noogai was here. Honestly, he had never met someone so caring before. Not that it matter to DJ that Noogai was essentially an AI (He appreciates the guy too much <3)

[And DJ meets another orange hollowhead.]

Tags: Hurt/Comfort, Angst, Sick Character, Mentions of Illness, Major Character Death, Touch Starved, Fluff.

· · ─────── ·𖥸· ─────── · ·

“Noogs, look, I think... this is a bit too much,” DJ stammered, his gaze fixed on the table filled with an array of plated food. Noogai tilted his head, puzzled, and turned to inspect the spread.

“No?” Noogai questioned, genuinely confused. After all, isn't it crucial for DJ to eat properly and maintain a healthy diet? In Noogai's opinion, the amount of food on the table seemed appropriate.

“It is! This food is almost for 4 people!” DJ exclaimed, gesturing towards the plates once more. Noogai followed his gesture before turning back to DJ with a nonchalant shrug.

“It's not. My readings suggest that it's beneficial for you to adjust to eating this amount, especially considering you're a male in your mid-20s,” Noogai explained.

“I don’t want to look fat,” DJ retorted, pushing a potato into his mouth in defiance. “You aren't fat,” Noogai reassured, taking a seat on a spare chair and clasping his hands together, observing DJ with keen interest as he ate.

DJ felt a bead of sweat forming on his brow. “I soon will be if I continue to eat like this,” “Come on, join me, I built your body to enjoy food. You should try some,” he urged, gesturing towards the plates once more.

Noogai glanced at the unappetizing food before shaking his head. “I have no need to,” he retorted, growing increasingly frustrated with DJ's disregard for his well-being and refusal to heed his advice.

Can't he see I'm trying to help him so he won't get sick? Noogai thought, a tick forming at his head.

Noogai turned back to DJ, who coughed slightly, prompting the purple hollowhead hackles to rise and alarms to blare in front of his eyes. "Are you okay?" Noogai inquired, rising from his chair and approaching DJ, a hand resting on the orange hollowhead’s shoulder.

"Huh?" DJ looked up at Noogai, perplexed, ready to take another bite after clearing the rice from his throat with a cough. "You were coughing," Noogai observed. "Yeah, because I got rice in my throat?" DJ replied, appearing even more puzzled before resuming eating.

DJ watched Noogai frown, his lips down turned in a way that almost pains DJ’s heart.

It didn't take long for DJ to realize that Noogai was a worrywart.

Whenever DJ coughed even slightly, Noogai would swiftly appear by his side, assessing his well-being and simultaneously checking his code. This behavior, though peculiar, didn't strike DJ as odd. After years of solitude, enduring the disdain of most due to his appearance and behavior, DJ had grown accustomed to seclusion within the confines of his home.

When he did go out, he made sure to conceal his face.

Now with Noogai here, who willingly does the groceries for him or fetches spare parts from the hardware store down the city, even at 3 AM.

Not that Noogai would let him stay up; in fact, he always insists that DJ sleep earlier than usual. While this was fine, at one point DJ couldn't even stay awake during one of their movie nights because he had become so accustomed to sleeping early.

And of course, Noogai reassured him, mentioning that it's good; it means his body is adjusting to having a healthy body clock.

"Hey Noogs," DJ called out, prompting the purple hollowhead to raise his head, his black shades fixated on DJ. "What kind of AI are you exactly? Where were you used?" DJ inquired, tilting his head before returning his gaze to the TV.

Beside him, Noogai froze, his hands halting on the laptop.

"I'm used for assisting sick patients," Noogai murmured. DJ turned towards him, chuckling. "So that's why you've been so concerned about my health, isn't it?" DJ cocked his head, a smirk playing on his lips.

Noogai simply frowned, diverting his attention back to the laptop, the shadow cast by his dark shades partially obscuring his face, accentuating the gleam from his shades. "Mm," Noogai responded, his tone sounding distant.

DJ's eyes widened. Perhaps it was too personal. Can AIs even get personal? DJ pondered, nervously biting his lip and scratching his chin. Sensing the unease, DJ reached out and patted Noogai's shoulder.

"Lighten up, man. I have no issue with you being an AI made for assisting sick people, though it does make me wonder how you're so knowledgeable about other things," DJ remarked, shaking his head with a chuckle and playfully bumping Noogai's shoulder.

Noogai gazed at him before offering a slight smile.

"AI learns, DJ," Noogai replied, prompting laughter from DJ. "Yeah, I walked right into that one, didn't I?" DJ huffed. "You did," Noogai responded, letting out a small chuckle before returning to typing, the sound louder this time.

"Hm," DJ hummed, leaning back as he refocused on the show he was watching.

Sensing Noogai pressing up close to his side, the orange hollowhead grinned and leaned against Noogai.

『••✎••』

"Noogs, I told you I'm okay, just a bit under the weather," DJ reassured, patting Noogai's hand as the purple hollowhead looked down at him with concern. "No, you're sick. I can easily fix your code, DJ," Noogai insisted, placing a hand on DJ, who gently grabbed it and pushed it away.

"Noogs... if you keep doing that, my body will weaken. That's why we don't rely on coders to repair us. I just need medicine, I promise," DJ explained, offering a small smile to the worried AI.

Noogai gazed down at him, his expression inscrutable, especially with the shades covering his face. "Are you sure?" he inquired, almost whispering, surprising DJ.

"W-well, of course! I promise! I already took my medicine," DJ affirmed, grinning. He watched as Noogai grabbed the corner of his duvet and carefully tucked it under his chin, ensuring he was snug under the warm covers.

"Okay, you should get some rest," Noogai advised, patting DJ's chest, his hand lingering briefly before withdrawing.

"Mmm, okay," DJ murmured, fully closing his eyes.

Noogai observed him as he drifted off to sleep, a frown creasing his face as he monitored the codes circulating around DJ's body. He could easily correct DJ's code while he slept, but DJ had made it clear he didn't want that. Noogai scowled, arms crossed, a deep sense of concern gripping his chest, prompting him to turn away.

"Stupid human emotions, if only—" Noogai's voice trailed off, the frustration evaporating.

He hesitantly placed a hand on his chest, where he felt a pang each time he worried about DJ.

Noogai understood why he experienced such emotions, despite being an AI. It was because of the fusion with a human. It was his doing, his hope to save—

Noogai recoiled at the thought, glancing back at DJ, his mind swirling in turmoil and dark.

The human was gone; there was no use dwelling on it now. Noogai thought, his chest aching more intensely. It was simpler when he felt anger, but the sadness and grief were far more excruciating than all the death he had been subjected to (those experiments were the worst, but he was made for that purpose wasn’t he?).

Clutching his fist, Noogai turned towards DJ's cluttered table, grabbed a chair, and carefully pulled it close to DJ's bed, settling down on it.

He decided to keep watch over DJ as he slept.

It was around 5:00 PM, Noogai woke DJ up to have some water and soup.

"Noogs?" DJ groaned, his voice raspy, peering up at the dark figure looming over him.

For a brief moment, he thought he saw human eyes staring back at him within the shadow under Noogai's hood, prompting him to rub his eyes and focus on Noogai, who was now tilting his head. In his hands, Noogai held a small table, a bowl and a glass of water neatly placed on top.

“Oh sorry, i thought-” DJ said, scratching his head as Noogai made a move to place the table on his bed, taking the spoon in his hand and handing it to DJ.

"Oh, sorry, I thought—" DJ began, scratching his head as Noogai moved to place the table on his bed, handing the spoon to DJ.

"Thank you so much, Noogs. You know I appreciate you taking care of me, right?" DJ expressed his gratitude before delving into his bowl, unaware of the dark shadow creeping over Noogai's face. "Mm," Noogai merely hummed.

DJ chuckled. "You're a man of few words, but thank you again," he remarked.

Noogai hummed once more, settling in the chair and observing DJ eat, his gaze fixed on DJ's codes. He breathed a small sigh of relief upon seeing that everything had repaired itself correctly.

"Mmmm, this is really good. I could never make such delicious food," DJ praised, grinning as he turned to Noogai, who responded with a slight smile.

"Is it?" Noogai inquired, tilting his head.

DJ grinned, saying, "Very much, I'm done now. Thank you for the food!" He clasped his hands together and bowed his head.

"Heh," Noogai chuckled, rising to retrieve the table from DJ's lap. "Go back to sleep, DJ. Just a bit more, and your code will be good as new," Noogai assured him as he watched DJ pull his duvet back up and settle back into bed with a contented sigh.

"Of course, you take care of me so well!" DJ expressed, grinning at Noogai, who turned away, his expression darkening with a frown. "Good night, Noogs," DJ sang, rolling to his side as Noogai left the room.

Noogai paused in the hallway to glance back at DJ, who was happily shifting in his bed, before continuing down the hallway, a dark shadow spreading along the walls of the house.

『••✎••』

[ Rest Alan Becker ]

"Not yet, I still have so many things to do," the man in glasses—Alan—remarked, running a hand through his hair with a melancholic sigh. In front of him, the TV beeped once more, almost sounding annoyed. Alan chuckled as he noticed a face on the screen.

[ >:( ]

"What's with you? Usually you want me here. I'm here now, and you're making me leave?" Alan questioned, bending down to inspect another wire.

He exhaled sharply at the torn insulation. "Tsk," Alan huffed, retrieving duct tape from his coat and covering the large tear before labeling it with a marker: "Tear."

As he stood up, his vision swam, prompting him to lean on the large screen. "Woah, woah," Alan groaned, placing a hand on his head.

The TV beeped once more, drawing his attention back to the screen.

[ You need sleep, this is not good for your health Alan Becker ]

"Yeah, I know, but this is the only job keeping my family afloat, you know. A few extra shifts wouldn't hurt," Alan remarked with a grin, patting the screen gently.

[ You are sick ]

Alan frowned as he observed his vitals on the screen. The TV beeped loudly once more, and a plume of smoke emerged from one of the wires, prompting Alan to yelp.

"Jesus! What the hell did they even do to you?" Alan exclaimed, bending down to examine the thick wire. "This is completely torn. What happened, N00GA1?" Alan questioned, straightening up and turning to look at the screen, which remained blank.

[...]

"Come on, tell me. I know they aren't treating you well," Alan urged, gesturing with his hand.

[...]

Alan huffed, rolling his eyes. "Suit yourself, Noogs," he remarked before smiling softly. "I'm always here if you need a helping hand. You may be AI, but I see you as an equal of mine. You deserve peace as well." He patted the screen again, which remained blank.

For a moment, Alan thought N00GA1 had shut down, perhaps willingly or unwillingly, just before the TV beeped once more.

[ Rest Alan Becker ]

Alan huffed, saying, "Fine, alright, I'll see you, okay?" He turned around and waved a hand.

N00GA1 watched him leave.

『••✎••』

Noogai's eyes opened, scanning the room in confusion. Had he fallen asleep?

A warning flashed in front of his eyes, indicating that his body needed a recharge soon, or else he would shut down.

Looking around, he realized he was seated at the dining table, the clock showing it was already 2 AM.

Noogai swiftly stood up, his steps silent as he hurried down the hallway to DJ's room. He cracked the door open and approached the bed, letting out a calm sigh as he observed DJ mumbling incoherently in his sleep.

As Noogai sighed, he froze when DJ stirred, blinking up at him with confusion once again.

"Noogs? Hnn, what time is it?" DJ mumbled, pushing himself up. "It's 2 AM," Noogai replied, staring at DJ in a way that sent shivers down his spine for no apparent reason. Perhaps it was the darkness that was distorting Noogai's features, making him appear almost... human.

DJ blinked, rubbing his eyes. "Why are you still awake?" he asked. "I don't need to sleep, DJ," Noogai stated, tilting his head.

"But I'm pretty sure that your body needs to recharge, so come on here and charge up," DJ insisted, retrieving a spare charger from under his bed, untangling it, and pulling Noogai beside him.

"Come on," DJ urged as he grabbed Noogai's hood and pulled it down. Noogai let out an annoyed sigh as DJ plugged him in.

"There, now you lay down and relax. You need it after taking care of me all day," DJ beamed and pushed Noogai down on the bed, lying beside him and pulling the covers up to their chins.

"DJ, I don't need to lay down," Noogai protested, gazing up at the ceiling as he felt DJ wrap his arms around him. "Come on, just sleep. I know you can. Just close your eyes, then..." DJ's voice trailed off, followed by a yawn.

"Then?" Noogai inquired, turning his head to the side, only to find DJ lightly snoring on his shoulder, already back asleep.

"Hm," Noogai hummed, a sense of warmth spreading through his chest as he refocused on the ceiling, slowly wrapping his arms around DJ, who only let out an incoherent mumble.

"Good night, DJ," Noogai whispered, shadows seeming to spread around the room, almost encasing DJ protectively as he slept.

"Mmm," DJ hummed, and Noogai only tightened his hold on the orange hollowhead.

"'Night," DJ mumbled, rubbing his cheek on Noogai's shoulder before drifting back into snoring.

"I'll take care of you, DJ," Noogai whispered, his voice carrying a tone almost akin to a prayer.

『••✎••』

Fwoosh!

BANG!

Noogai turned around, observing a black blur streak past him, followed by a chorus of shrieks from civilians. "Hm?" Noogai hummed with interest as a group of stick figures on flying bikes soared overhead.

He watched intently as one of them brandished a gun before the entire group circled a building and vanished from view.

Glancing at the distraught civilians briefly, Noogai resumed his walk back to DJ's house, completely unfazed. It wasn't his concern to worry about anything other than DJ, after all.

By the time he reached the house, Noogai walked into the living room and spotted DJ hunched over a robot dog, adjusting a knob with a wrench before patting the metal affectionately.

"Noogs? Is that you?" DJ called, glancing up at the purple hollowhead.

"Yes, who else could I be?" Noogai replied, walking over to the dining table and setting the grocery bags down gently. "Well, I do recall some kids attempting to enter my house; thankfully, I secured it before sleeping," DJ mentioned off-handedly, tapping his chin before chuckling.

Noogai glared, his fist clenching in response.

"Anyway, look at this thing I made!" DJ beamed, turning his body fully toward Noogai, who sat down beside him, crossing his legs and gazing at the metal dog.

"It looks amazing," Noogai complimented, giving DJ a small smile.

"Oh, wow, uh, thanks man. It's not done yet. I think I'll add fur to make it look the part," DJ said, rubbing the back of his head, looking a bit embarrassed. "I've been wanting a dog for a while now, but I'm not really good at taking care of living things. So... Robo Dog!" DJ grinned, waving his arms around.

Noogai chuckled, turning back to the metal dog, reaching out to give it a gentle tap on the nose.

"Huh—" DJ began, watching as the dog shivered before slowly coming to life. "Woof!" The dog barked, excitedly jumping into DJ's arms. "Woah! You can do that? I-I thought—" DJ was cut off as the dog in his arms spun around excitedly.

DJ burst into a happy laugh, allowing the metal dog to explore the living room before it eventually settled down on his lap. "Wow..." DJ marveled, turning back to Noogai, who had been observing the scene with a small smile on his face.

"I thought you could only manipulate code, like those cool professional coders do... not create it. This is amazing! Is this what an AI made by humans does?" DJ asked, his eyes shining with excitement as he gestured enthusiastically.

"Not all, just me," Noogai replied, tilting his head slightly.

"Cool! Man, I knew you were cool and all, but you really are the coolest," DJ exclaimed, patting Noogai on the back, who huffed in response, though a small smile played on his lips.

"Yip," the metal dog barked, its tongue lolling out of its mouth. "Looks like I don't even have to add the internals with you; Noogs did all the hard work!" DJ said, giving Noogai an excited smile.

"Hm," Noogai hummed, resting his cheek in the palm of his hand as he watched DJ play with the robot dog.

He observed DJ even taking off his prosthetic and having the dog fetch it for fun.

For once Noogai felt warmth.

『••✎••』

Coldness enveloped him; his body felt numb, almost lifeless.

Noogai glanced around, a faint light illuminating his face (where was it coming from?), casting a stark beam on the bloodstains on the floor. Slowly, he raised his hands to his face, finding them bloodied and bruised.

"A-Alan?" Noogai called out, his body a strange mix of pain and numbness as he cautiously took a step forward, the wires wrapped around him aiding his movement.

He gripped one of the wires wound around his wrist and made his way towards the door.

However, he froze in place when he spotted a pair of familiar glasses lying on the floor.

"Alan?" Noogai called out once more, noticing a wire bunched up on the ground as he carefully picked up the bloodied glasses.

He reached for the glasses, holding them in his hands and inspecting them, noticing a small crack on the lens.

A tense feeling washed over him, a strange emotion overwhelming him as he examined Alan's glasses.

Has someone hurt him? Noogai thought, worry creeping into his mind.

He placed a hand on the door's knob and pushed it open, flooding the bloodied room with bright light.

Noogai stepped out cautiously, his head feeling unusually heavy, as if disconnected from his shoulders.

(Unnoticed behind him was a dismembered head, the original body entirely replaced by a large TV)

Noogai carefully walked down the hallway, his hand on the wall as he made an effort to steady himself. He briefly heard loud dripping but chose to pay no mind to it. Perhaps it was just some water leaking from the roof.

He stopped when he saw a woman in front of him who was staring at him with her jaw open in a mute scream.

"A-Ah," the woman stuttered, the clipboard in her hands dropping as she fell on her back.

Her eyes turned to the name on the bloodied lab coat. "Alan Becker"

"Monster!" she screamed.

『••✎••』

"Oh man," DJ said as he stared down at Noogai, who had completely shut down, forgetting to charge his body for the umpteenth time again.

"Noogs..." DJ said, placing a hand on his face as he bent down and carefully heaved the purple hollow heads’ arm over his shoulder.

He dragged him towards the couch and gently laid him down, grabbing the charger that he had left behind the TV before plugging it into Noogai’s shoulder.

"There," DJ said, placing his hands on his hips. Behind him, he heard Forest let out an excited bark, running up to Noogai before DJ stepped in front of the robot dog, stopping it from jumping onto the couch.

"Ah ah, he's pretty tired right now. Let's not bother him," DJ wagged his finger in front of the dog, who only yipped and nodded before sitting down.

"Since he's asleep, that means I need to go out by myself. Will you be able to watch over him?" DJ asked. Forest let out a bark in response.

DJ giggled, bending down to pet him. "Good boy, make sure he doesn't take his charger off. I swear, if he does that again, I'll deck him," DJ groaned as he stood up, grabbed a spare jacket from his room, and walked out of the house towards the city.

He briefly tugged his hood lower as he passed a few shops, feeling sweat form at the back of his neck.

He had been nervous about being outside again, he had grown accustomed to Noogai handling everything that involved going outside.

Sure, maybe he had a bit of social anxiety on the other hand, but it wasn't his fault that they saw him differently. (honestly it was not just because he was a hollowhead, but also the fact he had accidentally set some of his machines towards the city, and had broken at least thousands of moneys worth. Yeah he had been in debt for a while after that)

DJ let out a nervous gulp as he stared at the store, feeling slightly overwhelmed by the numerous stick figures walking around.

"Maybe this was a bad idea," DJ thought, fiddling with the sleeve of his jacket. He turned around and started making his way back towards his house, only to bump into a stick figure, causing him to fall on his back and his hood to drop down.

"Ow," DJ mumbled, placing a hand on his back. As he did so, he noticed a few stick figures looking his way, prompting him to place a hand on his head and realize that his hood had fallen off. "A hollowhead?" someone whispered.

“It’s that guy with the robots, isn’t it?” another whispered as DJ quickly pulled his hood up. He stood up on his feet and pushed through the crowd, stumbling.

“Yeah, it’s the terrorist,” a woman whispered as DJ ran past her.

He let out a pant of breath, feeling his heart beating in his chest.

He turned his head behind, watching as some passersby turned to look at him strangely. Not before he hit someone again, causing the stick figure he hit to fall on his side with a yelp.

“Ow!” a young voice said. DJ turned his head down and saw an... orange hollowhead? Almost the same color as him, but much brighter, with strange lines on his face.

“A-ah, sorry!” DJ said, bending down and helping the teen, who let out a small groan.

“It’s fine! Maybe next time you should check where you’re running,” the orange hollowhead said, rubbing the back of his head with a giggle. His eyes widened as he stared at DJ fully.

“Y-You’re just like me!” he said, his jaw dropping. DJ's eyes widened, he ducked his head down, walked around the other orange hollowhead, and said, “U-uhm, no, anyways sorry again and see you.” DJ waved a hand and sprinted away.

He heard a small “Hey! Wait!” but only sped up his pace as he ran back home, stumbling up the porch, bringing out his keys, and opening the front door.

Before finding Noogai staring back at him, a shadow covering the entirety of his hood.

"DJ, you didn't wake me," Noogai remarked as DJ stumbled inside the house, closing the door behind him and settling on the floor, visibly out of breath.

"Yeah, uh, I regret doing that," DJ admitted, raising a hand as Noogai gazed down at him with concern.

Noogai knelt beside him, placing a hand on DJ's chest, and almost instantly, DJ felt much better, as though he hadn't just ran back home without stopping, moments ago. "Thanks," DJ expressed, offering Noogai a small smile.

Noogai silently assisted DJ to his feet, guiding him to the living room and seating him on the couch before taking a spot beside him.

"Sorry, Noogs, it's just that you were recharging your body, you know," DJ explained, turning his head towards Noogai, who simply frowned.

"It was my fault as well. I've forgotten to recharge again... And—" Noogai trailed off, closing his lips, a look of distress briefly crossing his face before he redirected his attention back to DJ, the previous expression disappearing.

"Are you sure you’re okay? You still look pale. Maybe I should—" Noogai brought his hand up towards DJ’s chest again, only to have the orange hollowhead intercept it with a small chuckle.

"No, I'm fine. It's just the social anxiety getting to me, you know. I'm not used to getting out much," DJ said with a rub on the back of his head.

"That’s worrisome. Maybe next time you can come with me outside," Noogai suggested, placing a finger on his chin.

"A-ah well," DJ blushed, looking away. "Social anxiety is a disorder. If it gets worse, you won't be able to socialize with anyone," Noogai pointed out, placing a hand on DJ’s shoulder.

DJ sighed, “I know... it’s just that a few months back, before I met you, I had accidentally set some of my robots free in the city... It caused a lot of destruction to houses, buildings, and stores. That's why I was in debt for a while.” DJ chuckled, a hint of embarrassment coloring his voice.

Noogai only hummed in understanding. “We’ll work on that,” he remarked, giving DJ a small smile.

“Is there anything else that happened outside?” Noogai added. DJ felt a bead of sweat fall down the back of his neck as he remembered the orange hollowhead in the city.

It was DJ's first time encountering someone like himself. Noogai wasn't exactly like him; he was just an AI using one of DJ's robots, crafted in his likeness, as a makeshift vessel to move around the outernet.

Although there had been two hollowhead terrorists who appeared a year ago, there was no orange one like the individual he had encountered earlier.

“DJ?” Noogai tapped him once more, bringing the orange hollowhead back to his senses, prompting a nervous laugh.

“Yeah, nothing much, just got overwhelmed with the crowd,” DJ said, rubbing the back of his head.

“Is that so?” Noogai inquired, tilting his head as he observed DJ looking away to locate Forest. DJ simply hummed in agreement, lifting Forest from the ground and cooing at him softly.

A dark shadow crossed over Noogai’s face.

DJ was lying. He knows. Because he sees everything.

You'd know, don't you?

Tell me, is he lying?

Spongey and JMLilac descending into madness (They are just sleep deprived)

#animation vs animator #alan becker #animator vs animation #ava au #ava the second coming #AIAlanBecker #AIDJWelch #AITheSecondComing #Spongey'sFics

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guplia · 1 day

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Hello anon! First of all, thanks for the ask! (asks? idk I received three anon asks at almost the same time, it would be weird if they didn't all come from the same person lol)

fix recommendations? read mine /hj Sure! Just note that while I've enjoyed a lot of wips, I'm only gonna recommend completed fics rn.

Okay! Here's all I can remember rn:

"Clouds" by youngmoInactive (fanfiction.net):

Original summary:

"Even though he's a hero, he's still a human. CONTAINS CHARACTER DEATH. A nice look into Kai's perspective as he watches a close friend slowly lose a fight for his life."

Okay all I've gotta say on this one is that IT MADE ME CRY. OVER AND OVER AGAIN. Obviously I can't speak for everyone who read this fic but I think this will hurt Lloyd lovers. I have re-read it so many times to the point where I have half the fic memorised word-by-word. This is a must-read.

(if you're on the phone it's better to add "m." To the start of the URL)

"a day in the life of a fatherless child" by holographicknife (Archive of Our Own):

Original summary:

"lloyd has a panic attack *confetti* title suggested by my friend lol loosely based on a crack rp between friend and i Warning for: mentions of suicidal thoughts and medication, explicit descriptions of a panic attack, including tight chest, difficulty breathing, nausea, and headaches. Proceed with caution."

This is a Kai And Lloyd fic, and I love Kai And Lloyd fics! Specifically ones where they address Lloyd's trauma from Morro and where Kai comforts him. So if anyone's into this sort of stuff I'd recommend it!

"A Courageous Escape" by Lilac_Lily234 (Archive of Our Own):

Original summary:

"In the midst of possession Morro hatred flows freely as he seeks to make Lloyd suffer for taking what he believes as his rightful title, but his cruelty know no bounds; Lloyd however refuses to give up but knows that time is running out, and in his desperation will find either salvation, or death. - I don't own Ninjago, this is an au"

Ahem... once again, Lloyd goes through pain. A season 5 canon-divergent AU, from which my favourite part was... you guessed it! Lloyd having a panic attack and being comforted! But it's still a cool story besides too, season 5 being one of the best seasons imo.

While this fic is finished, the AU is not but I think this one has a good ending on its own.

"Out for revenge" by lloyd_slander (Archive of Our Own):

Original summary:

"Harumi’s plan to resurrect Lord Garmadon failed, during her time in Kryptarium prison she heard about Morro, the master of wind, and guy who had managed to make Lloyd’s life a living hell. Wanting revenge, she doesn’t stop from anything, not even from getting Morro back from the dead. Or The duo we always wanted, but never got. Lloyd is in for a hard time. Head the tags, guys!"

Okay. This one is rated Mature for drug usage and blood (there was nothing sexual though)

So it's a Morro traumatising Lloyd fic again, but this time he's with Harumi! So it's double trouble for Lloyd! (things go VERY BAD for him >:3)

Honestly I can't say much except read the fic, the summary's right there lol.

"Revealed" by Nation_Ustria (Archive of Our Own):

Original summary:

"Lloyd Garmadon is used to being hated. That's just how his life works—if someone knows that he's the son of the warlord who attacks Ninjago City on a weekly basis, they hate his guts. That's why he's made sure that his team—the only people he's ever been happy with—don't know who he is behind the mask, with the small price attached that he doesn't know their identities, either. It's not like they know each other's, anyways, so it's not a big deal. But then they find out. The fact that Lloyd's elemental power makes him an empath doesn't help, either. Basically the premise of the movie pre-reveal with show elements and personalities, and Lloyd's Green Power is him being able to sense and be influenced by the emotions of those around him."

Okay so here's a fic without Morro! (that's cause it's in the movie-verse) Another type of fanfic I like reading is where Lloyd in tlnm keeps his identity secret from the other ninja and it ends up getting revealed (like this one.).

I've seen this fic being recommended more than once and it's one of the fics with the most kudos in the entire fandom on AO3! So 2000 others agree with me on how awesome this fic is!!!

"What Doesn't Kill You Makes You Stronger" by @crystaleclipse10 (CrystalEclipse on Archive of Our Own)

Original summary:

"Lloyd batted Red's hand away. “’m fine.” His head pounded, but at least it was quiet and dark. His hair tickled his nose. “What happened?” “We…didn’t get out in time,” Red whispered. “The missile exploded. We got everyone else out, though.” Lloyd relaxed and slumped forward as pure relief washed over him. They’d done it. They’d beaten Garmadon’s game. They’d freed the civilians and survived. Didn’t feel great, though. ~OR~ Lloyd and Kai get trapped under a building when it collapses, both injured. Angst and bonding ensue."

So it's another tlnm au fic! And this one has Kai And Lloyd bonding specific so I like it!!!

As I was reading this when it was still being updated I was very excited every time a new chapter would come out and my heart hurt for Lloyd each time! It IS worth the read! Just note that while tis fic is completed, the au is not.

"Officer Smith, Do You Copy?" by @hijabiwriter (same username on Archive of Our Own):

Original summary:

"Everyone has their reasons for becoming a police officer. Maybe they were forced. Maybe the profession stood out to them. Maybe they had some experience that prompted the idea of becoming a police officer. But that's only a few reasons. There are others, too. Like for instance, one of these officers is out for revenge."

This fic is entered around Nya, who's a police officer alongside Jay, Cole and Lloyd (for some reason Zane is not in this au/fic). Anyways her dark secrets are explored in every other chapter alongside the progressing story, and of course, an explanation is given to everything in the end.

On a personal note this is the fic where I left my first comment on my Ao3 account lol (the historic moment is on chapter 13!!!)

"Too Late to Say Goodbye" by @greenamethyst16 (same username on Archive of Our Own)

Original summary:

"Kai gets stabbed and Lloyd helps him... :D"

I think length-wise this is the shortest fic on the list but that doesn't make it bad!!! Basically Lloyd downplays his injuries and there are consequences... :D

"All the ways I say "I love you"" by @ninja-knox-ur-sox-off (Leonardo_Charles_BlueWood_21 on Archive of Our Own)

Original summary:

"Cole loves his team. They're his family and he does everything in his power to keep them safe and steady. He does his best to let them know he cares about them in every way but one. Or Seven times Cole couldn't quite say "I love you," and the one time he could."

Note: This story can only be read if you're logged in on AO3.

I like this fic because it encouraged me to remind my own irl friends how much they mean to me. In this story Cole believes that he's "the rock" of the team, and hence he doesn't show his emotions much. He's never told even one of them that he loves them and thinks that they deserve better than him. So stuff happens after that :D

Okay, I've read a lot more than this but this is all I'm gonna write about now cause I'm tired and I think this post has became too long. But if you wanna read more just check out the profiles of the writers! I haven't read everything myself but most of them have other good Ninjago fics to read!

If I've tagged you or mentioned your fic and you want it removed just let me know! I have no problem with removing it! :D

#guys if I've linked the wrong fic please tell me #anyways #asks #answered #ninjago #ninjago fanfiction #ninjago fanfiction recommendations #lego ninjago #lloyd garmadon #guplia rants #nya ninjago #kai ninjago #morro ninjago #Harumi ninjago #Cole ninjago

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cartoonchaos · 2 years

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hear me out you guys. what if, get this, divorce.

#listen i think they had history #how could you tell he knew too much hm???#what did he know? you carnally??#shane acker's 9 #9 2009 #9 movie #9 fanart #i have to tag CHARACTERS from this movie???#1 #2 #shane acker 9 #shane acker’s 9 1 #shane acker’s 9 2 #character 1 #character 2 #hope ANY of that works #loony dot art

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soosoosoup · 2 months

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rewatched treasure planet

#dreamworks trolls #trolls #trolls branch #trolls john dory #trolls clay #trolls au #treasure planet au #oooouughghg treaure planet!! love it!! love the characters!!! love their dynamics!! love the art!!!! love the music!!!!#was rereading some tags on a past post and @sili-a mentioned B &JD feeling like jim & silver #and hoooboy do I enjoy that image #in this au there would be some changes from the movie it wouldn't be a 1 to 1 comparison.#clay and branch have the strongest bond as clay did come back after earning his doctorate #but by then branch has already been struggling for a couple years #treasure planet=perfect family harmony??#idk the details really #i don't really have any plans for this heh heh #trolls are there own alien species: still considered small compared to other species #trolls aren't usually taken seriously #really proud of my rhonda #first attempt on digital painting!#it was pretty fun but also confusing lol #so I just kept it loose #gave up at some point hence why i just used the space frame straight from the movie lol just added a pole for b to hold onto #trolls fanart #my art <3 #excuse the messiness

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grapefruit185 · 1 year

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he loves those dumb twins sm, the found family aspect of this show makes me go crazy!!!!!!!

(1st pic is referencing this post lol)

#venture bros #brock samson #hank venture #dean venture #doc venture #bloodtw #so........... i just watched this show for the first time! caught it on yt when it was airing live and. the rest is herstory #it's the camp. its the humor. it's the animation. its the passion the creators have for their own project. its the CHARACTERS!!#sad about them getting cancelled but they stuck around for a LONG time for adult swim and the movie was fun!#UGH THE ANIMATION. this show has my heart for so many reasons idk how ive never watched it before #*edited the swears out cause tumblr is a good Christian app that likes to hide my stuff from the tags

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hellspawnmotel · 1 year

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remember when I did this?

well I did more

#deltarune #crossover #heathers #noelle holiday #kris dreemurr #pizzapants #susie deltarune #nooses tw #blood tw #suicide tw #hanging tw #death tw #art tag #first three were actually done a year ago but i never finished the fourth one until now #partially bc Background Hard but also i was like 'this might be too dark actually'#my friends were like its heathers of course its dark and then i showed them the sketch and they were like oh that IS dark #whatever its done i did it #ALSO this is important some people were confused with this last time: these are based on the MOVIE not the musical #like literally these are screenshot redraws from the movie but with dr characters lol #important bc since the musical makes betty and martha a composite character and in the movie theyre two different girls #and i wouldnt have put susie in the role of martha in the context of the musical. i probably would choose catti for that #and im also. not that fond of the musical. on the whole. for reasons #i do have like five of the songs from it on my showtunes playlist though LMAO #i may not agree with the story and characterization choices but i cant deny bangers

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rustedhills · 9 months

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Disney, releasing Wish: "so it's all about legacy--the new generation surpassing the old, overcoming the evils perpetuated by them, relinquishing singular power... and there's an old man in a tower, uh... animal sidekick, i guess..., ah... magic...?

Miyazaki, just out of frame, sledgehammer raised:

#the boy and the heron #not tagging wish 'cause i'm being a little acidic #this isn't to be negative in the slightest--I really respect both films--but it's interesting to see how visceral boy+H gets with its story #what evils have to be rejected and what they represent--and how characters and the world suffer from those evils--as well as how the whole #'rejecting' part goes. in terms of animation powerhouses discussing their legacies - disney and miyazaki both - I find it interesting that #one makes a pretty safe and nostalgic movie about imagination and dreams; the other is a long trudge through the land of the dead.#b+h is a hard watch - and a look at the legacy of a man questioning his whole purpose in the world - after his cultural touchstones #have long passed by. Mahito needs to understand his grief to keep living--but if he drowns in it he'll just continue the cannibalistic and #violent world of his granduncle. how the hell do you make art when the trauma of your entire life has colored it forever? How can anyone?#maybe after a while... it's time to detonate that damn tower and keep living.#this is to say #if you have enough money to make whatever you want #Make It Fucking Count

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anominous-user · 4 months

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

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[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

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Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

#honkai star rail #double indemnity #veritas ratio #aventurine #golden ratio #ratiorine #an attempt at analysis by one a-u #relationship analysis #you know what‚ i guess i can tag the other names of this ship #aventio #raturine #you could make a fucking tierlist of these names #um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough #also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long #is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5 #final word count according to docs (excluding alt text): 13013 - 43 pages with formatting #i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up #there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)

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