This (fucking heartbreaking) scene. When I watched first, I tried to make sense of Marc's tears. Over someone who, in his words, made his life a living hell? Is it because he didn't get closure?
I have a different feeling.
Which brings me to Elias Spector. The father.
He's shown as a guy wrecked with grief and torn between his spiralling wife and abused child, trying to give Marc some semblance of normalcy. But let's take a step back. There is no way Elias didn't know about the shouting and beating. He didn't pull Marc out of it. Yes, he was in a terrible spot...but he was in a higher position of power compared to a child. He chose to keep the crumbs left of his family instead of seeking help and protecting his (now) only son.
In this scene, Marc spots him in the room at his mom's funeral. There's a long stare, and his dad doesn't come out to meet him. Marc is expected to swallow in all his trauma, be the bigger man and go inside. That's the moment it crashes into him how complicit his dad had been in his abuse. Even in her death, he'd rather be at the funeral than step out and meet his son. Even in her death, Elias chooses her over Marc.
And then Marc fucking breaks.
(finally had the courage to write this post after a conversation with @thatsthewrongwallcraig !...thank you <3)
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on twitter, a viral thread started where people around the world shared their translations of “If I must die”, the last work of Dr Refaat Alareer also known as "the voice of Gaza". A beloved poet, teacher and life-long activist for Palestine, he was recently assassinated along with members of his extended family by a targeted Israeli air strike. His loss leaves a hole in the heart of palestinians all over the world.
Below the cut, I’ll be posting the translations of his poem, with links to the original posts. Unfortunately, tumblr limits posts to a maximum of 30 images. I will update when I can.
Arabic (Refaat’s mother tongue)
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2. Spanish
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3. Irish
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4. Dutch
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5. Greek
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6. German
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7. Vietnamese
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8. Tagalog
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9. Serbian
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10. Japanese
and the traditional japanese calligraphy version
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11. Nepali
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12. Tamil
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13. Bosnian
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14. Indonesian
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15. Romanian
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16. Italian
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17. Albanian
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18. Urdu
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19. Turkish
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20. Polish
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21. Norwegian
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22. Galician
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23. Swedish
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24. Jawi
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25. Bengali
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26. Russian
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Explaining the differences between FMA (2003) and FMAB cause why not
with no explicit spoilers for events, storylines, characters, etc.
Why are they different?
FMA 03 and the manga were coming out at the same time and FMA 03 was in danger of catching up to the manga. When this happens animes create filler to put some distance between the manga and anime but the FMA production team basically went Nah, imma do my own thing.
Which is exactly what they did bc instead of adding fillers they just straight up deviated from the manga.
This is why both animes while sharing the same cast and world, are so different.
How are they different?
To summarize these differences:
FMA 03 is a lot darker than FMAB
FMA 03 expanded on a lot of scenes, characters, arcs, and storylines
FMA 03 added characters, arcs, and storylines that weren’t in the manga
And FMA 03, you know, changed shit.
With the most notable being, the ending.
FMA 03's last episode isn't the conclusion. The 2005 movie Conqueror of Shamballa is
FMA 03 is DARK
I know I mentioned that FMA 03 is dark but holy fuck it’s a lot darker. To the point where if you asked someone the differences between FMA 03 and FMAB it’ll be the first thing they mention after the ending.
FMA 03 is a pretty dark anime don’t get me wrong but part of the reason why FMA 03 is seen as so dark is because in comparison FMAB is a lot more lighthearted. Now don’t get me wrong FMAB doesn’t shy away from its dark themes but FMA 03 not only embraces it but it delves deeper into them.
FMAB also has these comic relief moments to lighten the mood that FMA 03 just doesn’t have. FMAB is a surprisingly lighthearted anime, especially considering what it’s about.
How is FMAB's adaptation different?
FMAB, unlike FMA 03, stuck to the source material. It’s considered to be a completely faithful adaptation, which isn’t entirely correct.
FMAB was made with the thought that the viewers were fans of FMA 03, and were already familiar with the world and characters.
That’s why FMAB’s first episode feels like a recap and lore dump because that’s exactly what it is. Its purpose was to refresh the older fans' memories and reintroduce them to the world and characters.
This is also why FMAB feels so fast-paced for the first 15ish episodes. It’s bc they’re trying to get past the material they already adapted to get to the content that was never animated.
Though doing this means that FMAB just completely cut things out or trimmed them down.
For example, the Mining Town never got a proper adaptation in FMAB and they completely cut out the Train Battle but both of these were properly adapted in FMA 03.
That’s why FMAB tends to throw people off when Yoki appears later in the anime. The cast acts familiar with him but that part of the story just wasn’t adapted so viewers didn’t even know he existed until then.
So yeah, FMAB did stick to the manga, I just wouldn’t call it completely faithful.
I think that about sums up the differences without going too deep into it. If I forgot something or if you have any questions please let me know.
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[ID: A digital drawing of Redd, a fat, white trans man, in fishing gear. He has shaggy blonde hair, a patchy beard, body hair, freckles and acne, and is wearing a gray t-shirt that reads "women want me fish fear me" in all caps red text, a red flannel shirt, a brown fishing vest, gray jeans with a brown belt, brown boots, and a red and gray hat. He is carrying a red tackle box in one hand and a net and fishing pole in the other arm. He is walking with his arms lifted, smiling in excitement. end ID]
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drew my beloved boy redd going fishing because he does, actually, sometimes (thank you @beesabuzzin for the prompt)
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The world will tell you that you must justify your existence by being useful. Useful to other people, useful to an employer, useful to your country. You are not a product to be consumed. You matter, your feelings and dreams and needs matter, because you are a person.
Be kind, but do it for its own sake. Be productive, but make it reflect your own needs and abilities, not others' expectations. Steal time for yourself, your hobbies and your loved ones whenever you can.
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Speaking of Tyrest. A lot of people forget that he treated Pharma with absolute disdain, not only using him as a test subject for a clearly painful mass murder machine, but talking to Pharma like he saw him as nothing but some henchman to order around that was nothing more than a 'diseased cripple' if Tyrest hadn't come to rescue him.
Like it really is an interesting background dynamic with some curious implications, but when you look at fandom posts from around that issue/the years after, for some reason people just saw "Pharma worked with Tyrest" and concluded Pharma is a card carrying bigot ksjfnskxkd. Like yeah Pharma didn't do anything to stop Tyrest but it seems his main beef with the Autobots was with Ratchet in particular and maybe a general disdain for his ex-comrades. As well as continuing to hate Decepticons which like, not even the "good Autobots" are immune to (even in Pharma's introduction, First Aid says in his journal something like "yeah we all hate Decepticons, but Pharma REALLY hates them"). And despite what fandom likes to construe there's really no evidence in IDW1 that Autobots and Decepticons are different "races" or "types" of Cybertronians, so Pharma hating Decepticons really isn't a bigotry/robot racism thing. And instead probably has something to do with, idk, the 4 million year long galaxy-spanning blood feud war, or maybe being blackmailed and tortured into insanity by the Biggest and Most Decepticon-y of Decepticons.
Tyrest treated Pharma like trash, the other Decepticons working for Tyrest (how come no one ever brings that up btw) also hated him, so if anything it seems that Pharma was more of a rogue element only staying with Tyrest bc he was his best option and probably had no way to even escape.
I'm glad that at least in recent years the fandom has acquired a keen reading eye and good taste to finally recognize Pharma as the (accidentally) complex character he is instead of making him some posh, racist Starscream clone SHSJDGSGDH
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but unlike AO3's tagging system i do kind of consider TVA!Loki and Movies!Loki to be separate characters, similar to how Alligator!Loki and Sylvie are, to the point where i at first actually assumed everyone in the fandom (both the series-specific one and the mcu) would think the same on this topic especially since that series was about alternate universes and their associated different versions of characters.
so in my innocent imagined world there were - for instance - no long posts about how the main Loki in the series was "OOC" because well it's a different guy of course he's not the exactly same as that other guy. though there would i am sure be equally long posts comparing and contrasting and declaring one superior to the other, and doubtless people would argue about whether an alternate version was what the existing fanbase had wanted from the series and whether it was a good idea generally. so in my little bizarro-world the discourse is a bit different (as befits an alternate universe).
so like i still think of them as separate characters, but i am at least aware now that this is apparently an odd view of the situation somehow.
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