#i liked that one enough to actually show it to other people

[yandere-daydreams]

Hear me out hear me out on this concept idea

Southern gothic small town pastor Geto AU

tw - non/con, manipulation, unbalanced power dynamics, financial abuse via organized religion, and implied kidnapping.

wait that would actually be so hot of him actually.

i don't know what is about geto but he just,,, radiates scummy religious figure energy to such an atrocious degree. like, couldn't you just imagine him moving from small town to small town, posing as a country-values pastor to scam his ever-growing congregation out of their life's savings and retirement funds before smuggling himself away and moving on to fresher meat? if he works quickly, the whole operation takes a little less than six months, and he's got such a charming smile and such a soothing voice - no one's ever so much as thought twice about trusting him, not really, not unless they wanted to be the next town outcast.

well, no one aside from you, of course.

it's cute - just how suspicious you are of the man who has your chronically truant parents sitting in the front row of his chapel twenty minutes early. you'll tell anyone who's got the time to listen that you don't like his hollow expressions, that you don't find his sermon-topics appropriate, that you don't trust how quickly he showed up after your last pastor suddenly went missing. no one listens to you, of course. you burnt that bridge when you decided to move away to some big, new-age city and attend some expensive, self-aggrandizing university. like him, you'll only be in town for a few months, just until the start of your next semester, but unlike him, you actually care about what's going to happen to your neighbors after you leave. the fact that you stopped going to church entirely after he took over doesn't help. in a town like this, you might as well be signing the warrant for your own social exile.

you make an effort to keep your distance, but he just can't seem to pay you the same courtesy. in a town like yours, it's can be hard not to run into familiar faces, especially when he seems to stop in at the general store where you picked up a summer job every other day, when he mentions to your mother that they could really use an extra pair of hands at the church's monthly bake sale or tells your father that he might want to bring a helper the next time he comes to fix up a few things around the sanctuary. you're always so flustered around him, always so brooding - like you think someone's going to believe you just because you cross your arms and pout. he savors any chance he gets to touch you - whether it's his hand ghosting over the small of your back as he moves past you in a narrow hall or your body pressing into his after he forgoes your offered handshake in favor of a nice, tight, neighborly hug.

and, when you come to him, he thinks he might finally know why people try so hard to get into heaven. it goes without saying that you're irate, shouting at him from the steps of his parsonage as you demand he return the tens of thousands of dollars that your mother so generously donated early that day, but it's not hard to convince you to come inside, to get a glass of wine into your hand under the pretense that, if you really drove all this way just to yell at him, it's the least you deserve. things devolve from there - your glass looks a little empty, why doesn't he top you off while you tell him what a terrible person he is? you've already finished that bottle, but he's got a gorgeous vintage red, and you're just starting to slur - he's sure it'll be fine. and, oh, well, you're far too drunk to drive yourself home, but don't worry, his bed's big enough to share. and oh, look at that, don't you feel lucky to wake up naked and sore in an unfamiliar bed, the handsome young pastor's cock still buried inside of you? he's sure your parents will be elated when you two tell them about your new engagement (because, of course, you can't just sleep with your local pastor and expect to come out of it without a ring on your finger, can you?), even if you seem a little upset right now.

it's only as he watches you sob into his chest, his arms wrapped around your waist and his cum still dripping out of you, that he decides he might be able to stay in this particular small town for a few more months. just long enough to find a way to take you with him, when he leaves.

[ohbueckers]

SUIT & TIE. all pressed up in black and white, and you’re dressed in that dress i like. love is swinging in the air tonight, let me show you a few things.

ONE-SHOT! pairing, paige bueckers x reader. notes, another request i got done in ample timing because i’ve been procrastinating the last two parts of what’s my name real bad LMFAOOO enjoy! @patscorner @thaatdigitaldiary thanks baes i needed an excuse to use this picture… warnings, sexual content.

you’re standing near the grand entrance of gala, lingering behind as your parents moved effortlessly through the crowd, shaking hands and greeting guests. you’d been to many of these events for their business, and yet you always seemed to dissociate. you glance down at the dress you’re wearing—your girlfriend’s choice, of course. it fits you like a glove, the deep color standing out in a sea of black and white. paige had insisted on it, and you’d given in because the way she looks at you in it is worth every second of doubt you’d had when she first showed it to you.

but paige was late. again.

your dad walks up to you, a smug smirk on his face as he sinks his hands deeper into his pockets. “she’ll be here. follow us in,” it was like he could read your mind as he throws his head in one direction, which you figure is the main hall where the night is supposed to start. his arm extends, offering for you to take it, and after a brief pause, you do, rolling your eyes with a half-smile before threading your arm through his.

she had promised to be here after the nike event, swearing she’d make it before the night really started. you understood; between interviews, sponsorships, basketball commitments—she’s been pulled in every direction, and truthfully, you couldn’t be prouder of her. her fame had skyrocketed this past year, and it was safe to say she was booked and busy. in the world of paige bueckers, this all came with the territory.

but tonight, you need her here. it’s your parents’ night, the business gala they’ve been planning for months, and you were happy the location had aligned with her schedule. as much as you’ve gotten used to being the one waiting for paige, there’s something about this evening that’s different. maybe it’s the nerves of being around all these people, or maybe it’s the way you can’t stop checking your phone, hoping for an update.

the minutes crawl by slower than they should, your eyes flitting across the room, searching the crowd for a glimpse of white. as your fingers tap nervously against the side of your glass. the crowd blurs together—tuxedos, dresses, champagne flutes clinking—but no sign of her yet.

just as you think about actually socializing with other people, your demeanor probably giving uninterested to anyone who thought about it, the doors part, and she walks in, all legs and confidence as she shoots that smile at everyone. for a second, you think you’ve imagined her, that your mind has conjured her up to calm your nerves. but no. she’s here.

and she looks damn good.

your heart rate picks up as she clocks you from across the room, that familiar smirk pulling at her lips when she sees you staring. she knows the effect she has on you, on everyone, and she’s not shy about it.

when she finally reaches you, standing just close enough, her voice is low, intimate as she wraps her hand around your hip, and she says, “told you i’d make it, didn’t i?” paige has this way of making you feel like you’re the only person in the room. always.

you swallow, glancing at her shoes—a pair of nike’s that she’d probably worn for the shoot. of course, she’d forget to change them after the event. “you were so close to pulling this off,” you tease, nodding toward her feet. “really would’ve had me if you ditched the kicks.”

she glances down, a mock look of realization spreading across her face. “ahh, i knew i was missin’ somethin’. but honestly? i think they make the fit.”

you roll your eyes but can’t help the smile spreading across your lips. “only you would wear sneakers to a business gala.”

she leans in, smirking smugly, her breath warm against your ear as she murmurs, “and only you could make me wanna skip this whole thing.”

your stomach flips, heat rising in your face at the way her voice drops to a dangerous level. her fingers are still gripping your waist like her life depends on it, just a subtle touch, but enough. you should be mingling, keeping up appearances for your parents, but right now? all you can think about is the way paige is looking at you, like she’s already undressing you with her eyes.

she pulls back, just enough to let her eyes trail over your dress—her dress. the one she picked out specifically because, in her words, “i know what looks good on you better than you do.”

she was right.

“you’re killin’ me, you know that?” she mutters, fingers tracing the delicate fabric of the material.

you raise an eyebrow, trying to keep your best formal composure. “i could say the same about you. what’s with the tie?” your hand moves up instinctively, fingers brushing over it. it’s tucked neatly into her white vest, and you’re well-aware of how comfortable you both look right now.

paige’s grin is slow, knowing. “you’ve never seen me like this before, huh?”

you shake your head, licking your lips as you take her in. “no. and i wasn’t prepared. when do those pics come out again?” you’re serious enough to want to commit this image to memory, knowing that the suit, the tie, the whole ensemble might be your new favorite thing.

before paige can respond, you spot movement out of the corner of your eye—your parents approaching. you practically leap out of each other’s arms, standing a little straighter as they stroll over. you felt like two kids in highschool getting caught doing something they weren’t supposed to, despite being full-grown adults.

your dad gives a pointed glance between you and paige, a slight smirk tugging at the corners of his mouth. “well, isn’t this a sight?” he says with an undercurrent of teasing that only a parent could manage. “glad you could make it, paige.”

paige flashes her most polite smile, but there’s a faint blush creeping up her neck, spreading to her cheeks. “wouldn’t miss it,” she says, her voice softer and less full of the usual slang she’d use. she’s met your parents plenty of times before, but something about the way they’re looking at the two of you now, has her just a little shy.

your mom steps in, her own smile warm as she subtly nudges paige’s arm. “best behavior, okay?”

you watch paige turn a shade darker, chuckling as the confidence she walked in with slipped just slightly. she clears her throat, glancing down at her shoes before looking back up, all politeness. “of course. i’m on my best behavior.” who was she convincing?

you try to stifle a laugh at the sight of her—paige bueckers, who commands attention on the court and off, suddenly looking bashful under your parents’ orders. you’re not sure you’ve ever seen her like this, and honestly, it’s a little endearing.

your dad claps a hand on her shoulder, steering you both back to the crowd. “let’s get back to mingling. it’s almost time for the toast.”

the night continues, your parents dragging you from one conversation to the next, making you play the part of the dutiful daughter while paige keeps her distance, blending in with the crowd. well, almost. on her journey to becoming a household-known name, she had been stopped for pictures a few times. you catch glimpses of her every now and then, your eyes meeting across the ballroom, and each time, she gives you that same teasing look. you were glad she was here even if you couldn’t spend most of the night together.

then comes the toast, your father standing up to say a few words while the room quiets down, champagne glasses raised high. you’re only half paying attention, focus drifting back to paige like it had been the entire night, who’s already watching you from across the room. she doesn’t need to say anything, but the look she gives you is clear as day—a tilt of her head toward the hallway, her fingers brushing against her tie, sending a message that makes you wonder what her plan is.

meet me in the bathroom.

as your dad finishes up his speech, you wait a few seconds before you excuse yourself from the room, sure not to make anything look too suspicious, although your parents knew you and paige well-enough by now.

the noise of the gala fades as you move deeper into the hallway, the plush carpet beneath your heels muffling your steps. paige is waiting for you just outside the family bathroom, her back leaned casually against the wall, arms crossed, but there’s nothing casual about the way she’s eyeing you up and down when she sees you approaching.

“you lookin’ real fine right now,” paige says, her voice low, a little rougher than usual. she brings her hands up, rubbing them together as she tugs her bottom lip between her teeth, smiling through it. “almost didn’t recognize you for a second.”

you smirk, stepping closer, as you swat her hands down, sick of those stupid rizz hands, although it always worked.. “oh, put it down!”

paige laughs, pushing off the wall and opening the bathroom door for you. “c’mon. lemme show you something real quick.”

you step inside without hesitation, the door clicking softly behind you, and in an instant, she’s on you. her hands grip your waist, pushing you back against the door, your ass a cushion against the hard surface. and before you can react, her lips crash against yours. it’s hungry, needy, because paige can quite frankly never get enough of you.

her body presses into yours, and you whimper into her mouth, manicured nails sliding around her neck, tugging her closer. “paige,” you murmur against her lips, but that only spurs her on.

she breaks away just enough to flash you a grin, her breath hot against your skin. “what? you don’t wanna?”

you laugh, the sound breathless as she moves her lips to your neck, kissing and nipping at your skin in a way that makes your knees weak. “i didn’t think we’d be sneaking around at a gala,” you manage to say between gasps.

paige pulls back slightly again, her eyes locking onto yours, head slightly tilted down due to your height. “it’s not sneaking if they don’t catch us,” she reasons, and you suppose she’s right, but there was also no way you’d say no to her right now when she’s looking like that.

you smile, and her hands slide further around your waist. “c’mere.” she bites her lip, reaching for your wrist as she pulls you toward the sink, spinning you around so your back hits the counter. she hoists you up, and you don’t even have much time to process it before she’s on you again, lips finding yours as she slips her knee between your legs, parting them for her next move.

her hands begin gathering up the fabric of your dress, inch by inch. her fingers trail over your thighs, touch giving you goosebumps, and all you can do is breathe her in as she finally pushes it all the way up so it’s scrunched up at your hips.

she pulls away, lips pink and glossy. “you good?” she whispers.

you nod, barely able to speak as her hands explore you, fingers sliding slowly between your thighs, stroking your skin. “yeah.”

it’s all she needs, really. paige drops to her knees, maintaining eye contact as she positions herself between your legs. the sight of her down there should be framed. it has your pulse racing in all the right ways, and you can barely stand it.

she hooks her fingers around your panties, tugging them down like she’s done a million times before, because she has, and you stare at her with all the awe in the world as she pulls you to the edge of the counter. in an instant, her mouth is on you. you didn’t have much time, and the blonde didn’t plan on wasting it. the first flick of her tongue is slow, deliberate, like she’s savoring you, and one of your hands fly to the sink, gripping it for balance as a strangled gasp escapes your lips.

the other hand instinctively reaches to untuck her tie, pulling on it as the movement brings her closer. she smiles, teeth and all against your clit as she glances up, knowing how much you’re enjoying this. she brings your thighs over her shoulders, grip more rough now as she uses them as handles, having you in the exact position she’d pictured.

the sight of her there, all white suit and tie and sharp eyes, makes your breath catch in your throat. her tongue presses flat against you a few times, switching up the pleasure in a way that keeps you on your toes everytime.

you tug on her tie again, harder this time, making her groan into you, and you feel every bit of it. you can’t help it—the way she looks, the way she feels between your legs, it’s all too much. your back arches as you grind against her mouth, your thighs squeezing around her shoulders as the pleasure builds higher and higher.

“paige, please,” you breathe, your voice almost desperate. it’s a plea, but also a challenge, because you know she’s only going to push you further.

she smirks. “not going anywhere, baby. want more of me?”

she didn’t wait for an answer as she removed one of her hands from your thigh, pulling back just enough to see where her fingers were going. right into you, index and middle disappearing, the slight cold sensation of her rings at the base making your jaw drop lower, to the floor if possible.

luckily, you and paige have had sex in a few public places by now that you’d learned how to keep quiet. but right now, she wanted to hear you more than anything. needed to.

“lemme hear that mouth, too. don’t hold back.” and she meant it, head dipping between your legs once again as she got back to work, fingers moving at the same speed as her tongue.

“paige…” you breathe, practically squirming as you screw your eyes shut, unable to contain the whimper that escapes. the thrill of being caught, anyone knocking on that door, or worse, actually getting in, only heightens the sensation. “i can’t—”

“good,” she replies, the teasing lilt in her voice making you moan.

with every lick and thrust, she drives you closer to the edge, and you find yourself losing all sense of time and place, wrapped up in the moment with her. your fingers are still tugging tightly on that tie, and you’re sure this is the closest she’s ever been to your cunt, the closest she could possibly be.

you’re barely holding on, body trembling, legs wanting to close as the pleasure only builds, but paige doesn’t let up. she keeps going, curling her fingers up inside you, mouth moving faster, more insistent. your head falls against the mirror, and you can’t stop the soft, desperate sounds escaping your lips as you come undone without much warning. the sounds were enough.

paige doesn’t stop, not even when she’s sure your body has had enough, and your breath comes out in ragged gasps. she keeps her mouth on you, drawing out every last bit come until you’re spent, legs shaking around her shoulders.

when she finally pulls back, her lips are swollen, and there’s a smug, satisfied grin on her face as she runs her tongue over her top lip. she doesn’t say anything, but she stands up, pulling up your panties with her, making sure they hold every bit of the result she’d given you for the rest of the night. uncomfortable, but you didn’t have much of a choice.

and it’d give the blonde a present for when they’d get pulled down again later.

you’re still catching your breath, your fingers loosening from around her now shriveled tie. paige looks at you as if she’s just won a championship, glancing down at her chest as she tries to smooth out the tie, tucking it back in her vest. “good as new,” she mumbles.

you laugh, breathless, shaking your head as you tug her back into you, pulling her in for a kiss. “shut up,” you murmur against her lips, tasting yourself on her tongue.

but before you can say anything more, she pulls back, her grin widening as she whispers, “round two at the hotel?”

you’ll never be able to look at her in a suit the same way again.

[jmtorres]

i just saw a post about how we just have to "live with" covid and wanting more protections from our government is unreasonable because we'll never wipe it out, it jumps species and is in all sorts of animal populations (like, true ok) so why even try to

and apparently the argument was aimed at people (who I haven't seen in the wild) who are arguing we should still be in lockdown. and i have mixed feelings about the idea of extended lockdown or attenuating isolations; but my main feeling at this point is not that the government should keep us apart but that the government should be trying to make it safer for us to be together

things the government could/should be doing about covid:

we know that ventilation/air movement helps a shitton. we should be incentivizing upgrades to ventilation systems in all public buildings with shit like rebates or tax deductions, while phasing in eventual legal requirements. (and uh. it has occurred to me that the US might actually be doing this sideways by there's currently this decade enormous tax incentives in re energy efficient upgrades for slowing climate change and you know. energy efficient hvac does tend to improve ventilation. extra point to biden here.)

mandatory paid sick leave so workers aren't under social or economic pressure to work when sick

passing out RT-LAMP tests like metrix that actually work instead of the rapid antigen tests that have become less and less reliable as the virus mutates

i don't know how you'd write this law but like 95% or more of computer-based work can be done remotely and companies should not be allowed to force people to return to the office. I know there's people who want to be back in person and I'm not saying they should be forced to stay home but ffs I know of at least two people CLOSE to me who worked remotely before the pandemic and at some point their workplaces tried to tell them they weren't allowed to do that anymore despite the pre-existing contracts. stop canceling remote work for people that want, need, or prefer it.

for that matter, every college lecture that was an online class during covid should still be offered as an online class, there is no reason to force students into auditoriums in person. you got the communications infrastructure up and running, why are you tearing it down. give people the OPTION. it increases accessibility for everyone!

covid vaccine immunity lasts about four months. this should be well-publicized and everyone should be able to re-up for free every four months. "every year, like the flu vaccine" is demonstrably not often enough. actually "for free" isn't good enough start handing out $10 gift cards you will be shocked at how many people who are resistant to the idea of vaccines will fold for $10 a shot

are there already laws on the books about masks in medical settings that some medical professionals are blatantly ignoring because they forgot what best practices were before the plague and they're 'tired of masking'? if not, pass laws. if so, fucking enforce them

oh another incentives for upgrades phasing into legal requirements thing: brass doorknobs and railings over stainless steel or whatever. microbes do not survive on brass surfaces

i mean. i know this one sounds too extreme to a lot of people but. UBI.

most if not all of these measures will prevent or ameliorate other pandemics of different diseases that may arise in the future. and just. generally improve our health and quality of life for other reasons.

I haven't felt safe to go to a concert since 2020. Maybe if I knew a venue was legally required to have ventilation to a certain standard and that none of the ticket takers and ushers were on the job sick to avoid risking loss of paycheck or job, and knew a larger percentage of the crowd had up to date vaccinations--maybe if any or all that, I might ever feel comfortable going to a show again.

wouldn't it be nice if those of us who have been disabled, by covid or other conditions, had accessible remote options but also occasionally felt safe enough to interact with and participate in wider society?

one of the arguments on the post I saw was how isolation was massively psychologically damaging and various strata of society were affected in all sorts of ways, from undersocialized kids to increased depression in--well across the board, I think. and here's the thing: WE KNOW. PEOPLE WITH CHRONIC HEALTH CONDITIONS, LONG COVID OR OTHERWISE, KNOW ISOLATION SUCKS REAL BAD. because we, both for our own health and due to disability ostracism, are still isolating and isolated more than most.

what are you as individuals or societies, what are our governments, doing to help make it safe and accessible to rejoin you????

[eloiseyybish]

Touching on recent 9-1-1 fandom discourse, I think it's important to contextualise. You see, the thing is, I've typically in the past shipped non-canon ships, but they've taught me a lot about fandom culture.

Ngl, this kinda started with The Mighty Ducks (Charlie/Adam shippers rise) and keeps going onto fuckin Klance (I'm just mad about how the writers left Lance and Allura as individual characters regardless of their romantic status at the time) and Zosan (OPLA did not help this).

So I 10000% know what it's like to ship something and for it to never to be canon because that's like 95% of most ships (especially gay ones) in fandom.

I promise you...if Buddie doesn't go canon... you'll live. You'll still have the same fanon couple that you've worshipped for so long.

Just, please... stop the 'Tommy Bashing' fics just because he is hot enough to make Buck discover his sexuality (instead of Eddie). I don't have the energy especially when some people don't even un-tag Bucktommy with these fics. They still keep Buck/Tommy as the main couple even though all they're doing is making Tommy OOC and an asshole (idk I haven't actually read the fic because I muted the creator when I saw that's what they were doing)

This is all new to me.

Normally, I don't ship the canon one, but Bucktommy is cute, guys, and idk what to tell you if you disagree. There isn't a single interaction they've had (in canon, not fanon) to show you that they don't desperately want to know each other better.

My point is: YOU DO NOT NEED YOUR SHIP TO BE CANON FOR YOU TO SHIP IT. As a veteran, I'm so shocked at the entitlement of NEEDING your favourite ship to be canon because that's the only way it's valid.

Please, grow up and understand that things don't happen in this world just because you want them to. Canon or not shouldn't stop you from being able to enjoy the dynamic.

[allllium]

The Perfect Gift

~ Today is my birthday and I immediately thought about Remus being the best boyfriend ever so here's something short and sweet about Remus being amazing for your birthday <3

~ Fluff, Remus being a little insecure, WC: 963

~ Remus gets you the perfect birthday gift

Remus was really nervous. He often is around you but this time it's worse. Today is your birthday and he got you what at the time seemed like a great gift, but now, after seeing the things you got from everything else, he doesn't feel like it's so great anymore.

All day he has seen you get these amazing, slightly expensive gifts, all of which now make his gift pale in comparison. He decided not to buy you anything this year, feeling like nothing was good enough for you, instead he made you something. More like he tries to make something and ending up needing his mum to help him.

He holds the bag tentatively in his hand. A simple black bag with a ribbon of your favorite color keeping it tied. He makes his way to the muggle restaurant you agreed to meet at for dinner. After spending all day at a birthday party with your friends and family, you went shopping with a couple close friends to get new clothes for a fancy dinner.

"Rem!" You light up when you see him. You'd just gotten there moments before and decided to wait outside until he showed up.

"Hi angel." He greets in a gently murmur, pulling you in for a quiet kiss.

"You got me a gift?" You smile and ask. Of course you expected it considering Remus gets you gifts more often than you can count.

"Obviously. I love any day where I can celebrate you." He begins to walk into the restaurant as if he didn't just make you swoon. You move quickly to catch up and grab his hand.

"What is it?" You question inpatiently. You've been waiting all day for this, not just for a gift but getting a gift from him specifically. You know whatever is in that bag will be much more thoughtful and meanful to you than anything else you've gotten today. Everything else were things that people spent a lot of money on to make up for the up they don't really know what you would want. Remus knows.

"You're gonna have to wait till after dinner."

"Awwww why?" You immediately whine.

"Cause I said so."

"Meanie." You whisper, walking up towards the hostess.

Dinner lasts well over an hour. Well dinner lasted about 20 minutes once you got your food, but you and Remus stayed far longer. You spent the time talking and laughing and on Remus's end clearly procrastinating giving you your gift.

You know he's doing this because he's been fiddling with the ribbon and steering the conversation away from it every time.

"So what's making you overthink this time?"

For a moment he gives you a strange look but he quickly smiles and asks what you mean.

"Well you won't give me the gift which wouldn't matter except you've been really excited about it for weeks. Obviously you're thinking about something and I guarantee you have no reason to." You swiftly explain.

"I'm sorry, angel. I didn't get you a gift. I made you one well my mother and I made you one. But I don't know if it'll match up to the other gifts you got today." He shyly says. His face turning a shade of red.

"You made me something?" You grin wildly at him and his overly sweet heart. "Gimme it. Please."

"I don't know maybe I should get you something else."

"Hell no. Hand it over before I come over this table and get it myself." The threat comes out of your mouth before you have the opportunity to stop it. Remus only smiles at you, both because he knows you'll actually do it and it makes him feel slightly better about his strange insecurity.

He finally sighs and hands over the bag. Knowing he really has no choice. He watches anxiously as you carefully pull off the ribbon and remove the tissue paper. Watching as your face drops and eyes slightly tear. For a moment he thinks he was right in being scared but you jump out of your seat and move to his side of the table. Your chair scraps loudly against the tile floor and he winces at the noise.

At his side of the table you hug him enough to push the air out of his lungs. You grab his face and give him many quick kisses, ignoring the strange looks from people at surrounding tables.

"I love it. I love it. I love you!" You exclaim.

"Are you sure?" He asks, confused by your out of ordinary outburst.

"Remus this is the best gift I've ever gotten. I love you so much." You immediately ask him to put it on you. Lighting up even more if possible when you look down at your wrist to see the gorgeous bracelet. The gorgeous bracelet that your amazing boyfriend, and his mum, hand made just for you. The gorgeous bracelet with carved, metal charms dangling from it. The gorgeous bracelet that somehow fits you perfectly.

"I thought that I could make you more charms as time goes on. Things that represent what we are together, y'know." You look at him for a split second, with tears in your eyes, before looking back down to closely admire the charms you already have. As of right now there's a wolf, a star, a flower, and a sun. The sun is special. You flip it over to see a small engraved heart with both your initials in it.

"You are the most perfect man to exist." You turn to him and say. "Seriously this is the best gift ever."

"I love you." He says. Standing from his chair and pulling you in by the waist.

Putting your head against his, you whisper, "I love you more."

[slut4menig]

Guys my age

Paring: Luke Castellan x Curvy AphroditeFem! reader

Req: hii can you please write a prompt in which Luke is 19 and reader is 16 and he thinks the age gap is too much as doesn’t see her as anything more than the kid he is counselling, but she’s an Aphrodite child so she doesn’t mind the chase, you can make it smut or not iyw!! also do you maybe mind making the reader like chubby/curvy? i love your work!! 🫶🫶 - 💜 Anon

ofc u can be!!! also omg i actually kinda hate this but whatever… hope u enjoy!

Warnings: MDNI, big age gap, cursing, drinking, use of smoking, reader implied to be curvy

Luke Castellan, a 19-year-old at the infamous Camp Half-Blood, stood tall and pretty almost like a loyal dog, and that made it near impossible for anyone to resist his charm, he’d had a go at almost all of the girls at camp half-blood, including all of my beautiful half sisters.

His unruly curly brown hair framed his handsome face, and deep brown eyes, which seemed to look straight into my soul whenever he gave me a task, even something as simple as asking to clean my dorm, held a hint of mystery. A small scar on his upper cheek added an intriguing touch to his otherwise perfect appearance. Luke is the epitome of a golden boy, capturing the hearts and attention of girls of all ages, young and old.

I’m only 16, luke had never dare even batted an eye at me last year but this year, I came back to camp, determined for a chance to stare into those beautiful eyes and have it mean something for him too. Since last year, i’d started to… well develop. My body had formed into a nicer shape, i certainly grew into myself. My chest was definitely a lot bigger, I started using normal bras, no more training ones. My thighs were thick and beautiful, something many men wished to be suffocated with.

“hey gorgeous girl, you’ve certainly grown up” My half sister Silene winked at me, I only ever see her at camp and I was packing my stuff into my bed. I rolled my eyes and huffed at her.

“Silene seriously? i haven’t seen you in a year and that’s the best you’ve got?” I immediately hug the girl as she chuckles quite a bit at my sharp tongue, we all start talking to our other half siblings and that’s when one of them goes

“hey y/n, you do realise you’re now technically old enough to be going to the bonfire party?” my half sister smirked

The bonfire party was tradition, 16 and up campers, it involved heavy amounts of marijuana, alcohol and other illegal shit. It was an excuse for people to get drunk and hook up and deeply regret it the next morning or so i’ve heard. It’s almost like a “back to school” party but instead it’s back to camp. It happens on the one night that Chiron is away and Mr D is in charge, of course, you bribe him with some alcohol and suddenly everyone’s happy.

“yeah uhh i’ll go, we should start getting ready then i guess?” i say, a bit on edge of what’s about to happen.

As i’m getting ready, i’m being handed a black lacy corset top showing off my double d tits extremely well, i look in the mirror and smirk, this is one of those times i KNOW i looks good. I wore a mini skirt along with it, sure i looked like a slut but hey? what can you do?

I enter the Bonfire, the glow of the fire casually illuminating my face in a perfect light. In hand was a red solo cup with… tequila and some other concoction i’ve been handed, i take a sip and spot him. Luke Castellan, my camp counsellor and the man I was practically already on my knees for. He made his way over to me and looked me in the eyes.

“Y/n? wow you look… grown up” His eyes clearly wandered around my tits a lot more than they should’ve, and he almost looked as if he scolded his self for looking but i wanted him to, this whole outfit was for him

“oh yeah? in what way?” i smirked and slightly tilted my head, trying to seduce the boy infront of me

He cleared his throat and came back to eye contact “You’re uh.. you’re taller” no i wasn’t, it was a blatant lie, i hadn’t grown an inch over the year, i knew what he was talking about and smiled to myself about it.

“Let’s play truth or dare!” Luke and I both turn our heads to a very drunken silene who’s perched up on the table, some guy with his arms wrapped around her waist and mouth colliding with her jaw.

And who was anyone to say no to my beautiful sister? Soon everyone found themselves sitting in this circle, bottles of Tequila, Vodka, Whiskey, Jäger and other liquors in the middle of the circle, ready to be there for whoever backed down from a dare.

“Clarisse, truth or dare” An Apollo girl slurred, looking into clarisses eyes from across rhe circle. Clarisse smirked and in return took a sip of her drink.

“Dare” It wasn’t surprising, her choosing dare.

“I dare you, to kiss me” the apollo girl smirked at clarisse, they obviously had tension and clarisse made her way over and kissed her, passionately i might add. The entire circle cheered and cheered.

Clarisse suddenly averted her gaze to me, we’d been friends for a while now whenever I hung out with silene she would be there.

“y/n, truth or dare?” I felt myself nervously stare at her, a group of maybe 25 people waiting on my reply to this one simple question she’d asked. It wasn’t that hard of a question so i gave a simple answer.

“Dare” I wanted to play it safe, truth was too much for me right now, I knew it would end up in me having to tell a huge secret and I just wanted a casual night, nothing too crazy, which was why i was baffled as to what came out of Clarisses mouth next.

“I dare you to spend 7 minutes of heaven with the person you think is the hottest, and don’t try bullshit your way out of this lovebug” Clarisse was obviously feeling happy with herself, she was tipsy as one could be. Actually no, she was just shitfaced.

I felt my body begin to grow weak and i scanned my eyes across the room, except i found one thing. No matter how hard I looked around the room, my eyes were always drawn back to Luke castellan. The man himself.

“uhh luke…” I said, everyone cheered and Luke looked at me a bit confused as to why I’d chosen him. Nevertheless we walked into a secluded spot in the woods.

“Y/n I uh… why’d you pick me?” Luke looked at me as he leaned against a tree and i stood there looking up at him

“why not, they said to pick the hottest person there” I shrugged, trying to come off as nonchalant.

“You do realise you’re far too young for me, sweetheart?” Luke muttered at me in a deepish voice.

“I know but what did three years ever do to anyone?” I smirked, it was time for me to use the powers my mother gave me and capture this boys beautiful heart.

“Y/n i- i was- no! still am, your camp counsellor, you don’t think this is a little weird? you coming onto me.. I mean, you’re hot but” Luke said conflicted with his own thoughts at this point.

“Oh would you shut up castellan I saw you looking at my tits earlier, don’t act like you’re surprised i’m coming onto you” I smirked at him, giving him doe eyes and fluttering my lashes

“you’re such a brat, you know that? you need to shut up, it will get you killed someday, that pretty mouth of yours” Luke furrowed his brows and almost scolded me

“how about you make me shut up?” I wrapped my arms around his neck and whispered this seductively into his ear.

“oh I can think of a few ways” Suddenly I felt Luke’s warm tongue slip into my mouth, his deep kiss sending sparks to my pussy.

he pushes me against a tree, his hands roaming over my body possessively. “Fuck, you're so young and pretty, tell me, you ever fucked anyone?” Luke continued to say as he slipped his hands to the back bit of my corset top

“n-no, i’m all yours” i managed to breathe out, goosebumps trailing over my body from his cold hands unclasing my top.

His hands reach under my bra, feeling my soft skin. He leans in, kissing my neck, my collarbone, as his hands grope my breasts. His hot breath against my skin sends shivers down my spine. “that’s perfect pretty girl, let me take care of you okay?” luke then continued to kiss my forehead and unclasp my bra

He looks up at me, his eyes filled with desire. "You have no idea how much I want to fuck you right now," he says, his voice low and husky. He starts to slip his hand up my mini skirt, his hands shaking slightly. “I bet your pussy is so tight and wet...”

i groan at his words, whimpering at the boys touch. “I- do it…”

“I can’t, I can’t ruin something as perfectly innocent as you” Luke looked at me in the eyes, piercing me with his gaze

“i’m less innocent than you think you know” I trailed my hands to unbutton his jeans and i watch his eyes widen

“what did you lie on your book log in elementary school?” he chuckled trying to distract himself from his hard on being revealed

“yknow i hump my pillow most nights wishing it was your dick” i whispered in his ear, i could feel the head flush on his face as his erection was poking into my thigh.

“fuck… pretty girl… that’s so hot, i wanna fuck you senseless, show you what a man is” he collided his lips to my collarbone and sloppily kissed it, his hands making his way to my soaked panties, rubbing it through them

“all soaked for me, pretty?” he looked up at me as i nodded, biting my lip to hold back a moan. I felt him slide my underwear off and crouch down, i felt the warmth of his hot breath against my sticky wet pussy, his tongue beginning to lap it, finding my clit and sucking on it with a pop.

I became a moaning mess, begging for mercy and for luke to continue fucking my hole with his tongue just the way he did. “mmmph~”

His hands spread my thighs wider apart as his mouth works its magic. His tongue swirls around my wet, throbbing flesh, sucking and licking with expertise. I can't help but moan loudly, my fingers tangling in his hair to pull him even closer. “Luke... please...”

He can feel my body shaking with need as he continues to eat me out, his own arousal growing with each moan that escapes my lips. He sucks my clit hard, his fingers sliding inside me, curves up to rub against my G-spot. “Come for me, baby...”

His fingers pump in and out of me in a rhythm that matches his tongue on my swollen bud. The sensations overwhelm me, and I dig my heels into his back, shamelessly bucking against his face as I shatter, screaming out his name. “Luke...Luke...”

As I reach my peak, something inside me breaks. I convulse hard, and suddenly, a rush of liquid gushes out of me, drenching Luke's face. He moans approvingly, lapping up every drop like a thirsty man.

I become red from embarrassment and stare at the man in horror.. “oh my god luke did i- did i just pee on you?” Luke did nothing but grin at me, his wet face glistening in the moonlight

“No baby, it’s called squirting and it was the hottest thing ever” he grabbed my hands away from my face

After cleaning me up with his tongue, Luke gently lifts my legs over his shoulders, positioning himself at my entrance. He looks into my eyes, his own filled with a mix of desire and tenderness. “Okay, beautiful girl, this is going to hurt, but I'll be gentle”

I look up at him, tears welling in my eyes. He smiles softly, "Good girl. It'll start feeling good soon, I promise." He leans down to kiss me, his hips pulling back slightly before pushing in again, deeper this time.

As he continues to move in and out of me, his pace picking up slightly, Luke leans down to take one of my hardened nipples into his mouth, swirling his tongue around it. His thumb finds my swollen bud, rubbing it in time with his thrusts. "Luke... oh god, Luke..."

I cry out as my orgasm hits, my vision blurring, my body trembling. Luke doesn't stop, fucking me through my climax, his own need evident in his face. "Fuck, pretty girl, you're so fucking tight right now. I can feel your little pussy squeezing me."

As he thrusts into me, his pace becomes erratic, his breathing heavy. "Fuck, I'm gonna cum, Y/n. I don't know where to put it all," he groans, his eyes wild with need. "Where do you want it, huh?"

I gave Luke those oh so beautifully innocent doe eyes he’s currently corrupting, i batter my eyelashes and whimper as i speak

“I want you to do it inside of me luke” Luke’s eyes widen at the prospect but doesn’t have time and gives in.

“You’re lucky i can’t say no to those beautiful eyes of yours baby” With a low growl, Luke buries his face in my neck, his body convulsing as he spills inside me. He jerks his hips against me several times, unloading more and more of his warmth into my inexperienced core. "Oh gods."

He pulls out and we both lay there breathlessly.

“that was a lot more than 7 minutes…” i whisper sheepishly as i catch my breath and put my clothes on

“i’m sorry i had to be your first time… you do know we can’t be together right? i mean you should really be with a guy your age?” Luke refused to look in my eyes as he slipped his boxers on

“but guys my age aren’t… you”

[cravingpepsimax]

since he’s beginning to spread, here’s a rough timeline of events for the fujo bill au:

bill is defeated and is put in the theraprism

after who knows how long, bill begins coping with his spite and rage towards stan and ford by doing/making stuff that he thinks they’d hate.

he begins “shipping” stancest. bill doesn’t really GET the incest taboo, it seems pretty much entirely arbitrary to him, but he knows it exists and is something humans are REPULSED by. thus, he starts making stuff involving stan and ford dating each other. theraprism staff thinks it’s odd but him writing books about stan and ford kissing is significantly better than him writing books in an attempt to escape.

over time, bill starts getting actually invested. it may have started as pure spite, but he begins to remember things that, oh boy, sure do seem pretty incestuous, now that he thinks about it. at first, it’s funny — “HAHA, WOW, SIXER REALLY IS A FREAK, ISN’T HE?” — but then it becomes real.

since bill’s calming down and is no longer talking about wanting to murder the entire family 24/7, theraprism staff decides to move onto the next step in bill’s karma program: becoming pen pals with one of the people he used to terrorize. mabel’s a lot like bill, but not evil, so the theraprism staff choose her.

meanwhile, a 13 year old mabel gets a Crazy Paranormal Experience, in which she is told what’s going on. mabel agrees to be bill’s pen pal (he won’t be able to do any actual harm, and, worst-case scenario, it’d be funny to mess with him (note that, even though mabel’s 13, well over a year has passed for bill — time is merely a suggestion for beings as powerful as the theraprism staff)

bill HATES being made to do this stupid pen pal stuff. he can’t use it as a way out — the theraprism staff have been keeping a VERY CLOSE EYE ON HIM ever since the book, and it’s gonna be hard to trick mabel into doing ANYTHING for him. so, his first few letters are him insulting and trying to upset mabel, who doesn’t really seem to care at all.

eventually, in one of bill’s pieces of hate mail, he says some shit like “SIXER AND HIS BROTHER ARE REAL FREAKS, KID! WHAT DO YOU THINK THEY’RE DOING ON THE STAN O’ WAR II? I’LL GIVE YOU A HINT: THE ANSWER’S ‘EACH OTHER’!”

mabel promptly ignores the rest of the letter entirely, and makes a GIANT response excitedly going “oh my gosh, you noticed, too??”, and listing everything romantic she’s ever noticed about them.

bill responds, filling in some gaps here and there, telling her about some incestuous stuff from 30+ years ago, pointing out things she missed, pointing out things he missed (“WOW, THEY DID WHAT? TALK ABOUT NEEDING TO GET A ROOM, YEESH.”)

they become stancest gossip buddies from there. mabel fujopills him in other regards (bill never thought he’d watch a show called “ouran highschool host club”, much less at the request of a 13 year old who thinks the pair of twins kissing would be hot/cute, but hey, afterlife’s full of surprises, ain’t it?) but his main love is and always will be stancest

they eventually become close enough and the theraprism staff trusts them enough to get interdimensional phone call privileges. any time anything happens mabel calls him and goes “oh my gosh, you’ll NEVER guess what just happened!” and they gossip for like an hour

stan and ford are completely clueless as to what’s going on at all. i like to imagine they find out eventually but it takes awhile LMAO

[jesncin]

The Potential of Asian Lois Lane: An extra addition

A bonus addition to my Asian Lois essay. I know Lois Chaudhari isn't technically a Lois since the premise of the comic she's from is where the Superman mythos is fictional and the characters in it happen to be named Clark/Lois etc. But since she's a Lois stand in and romantic partner to the Clark Kent of that story, I figured she deserves an honorable mention at least.

Here's where I position her in my Spectrum of Asian Lois Lane chart. And I'd like to talk about her!

Compared to American Alien, this Lois is actually specific and textually Indian in Superman: Secret Identity. Unlike American Alien Lois (that never specified what kind of Asian Lois was), she can't be replaced as a white woman because the text acknowledges her Indian identity (her name, lines of dialogue like this, etc.) hence she's not interchangeable with whiteness. So this take has that going for it.

Where Lois Chaudhari still falls behind Girl Taking Over (and what it shares in common with American Alien) is yet again a sense of missed opportunities narratively.

In Superman: Secret Identity, a man named Clark Kent from Picketsville suddenly has Superman's powers. After years of being made fun of for his namesake, he suddenly is what everyone has been making fun of him for- and as he lives through life he slowly understands why fictional!Superman is the way he is. It's a great story but where it misses the mark for me is its failure to recognize Superman as an immigrant. Secret Identity's Clark isn't an alien immigrant, or a human immigrant, and is instead ostracized because of his name. Government baddies want to do experiments on him so he has to hide from them too. But then he meets city girl Lois Chaudhari, and they connect because people keep teasing them for their names and Lois knows what it's like to keep secrets because she,,, committed a crime as a teen once.

"I guess we're both dangerous felons, then. Public menaces."

Being hunted by the government and being experimented on isn't really the same as being caught shoplifting.

It works well enough as a connection but to me is a huge missed opportunity to have an Indian American relate to your Superman stand-in as an immigrant. To connect on a deeper level other than "people make fun of us for sharing names with fictional characters". Later in the story, Clark and Lois have twin daughters who are visibly Indian. They too, have Superman's powers. While we're treated extensively to the narrative showing us why Clark would hide his powers from the government wishing to seek harm on him, we never get to see what Clark's daughters have to deal with on top of being visibly non-white.

Superman as an alien immigrant is an anecdote in this story. Because after all, that's not what a white American man from Picketsville would find relatable about him, is it? I have the same thing to say about Secret Identity that I did with American Alien: "Clark isn’t the only American Alien in American Alien, if you catch my drift."

I think this story is the perfect encapsulation of the limits of a white writer. One of my hottest takes on Superman is that the best and most holistic take on his character doesn't exist in the white imagination. Take a look once more at the Spectrum of Asian Lois Lanes chart that I made. All save for Girl Taking Over were headed by white men (MAWS may have Asian directors and writers on their team but ultimately its pitch and main ideas are the brain child of Jake Wyatt, a white man).

People have taken issue with me saying this and assume that I mean white people can't write a good Superman story, and no. That's not what I'm saying. I like Superman: Secret Identity. I even like American Alien. But it's been 80 years of predominantly white writers of all backgrounds getting the chance to write Superman- and already multiple attempts at an Asian Lois- and yet it took until Gene Yang (and artists Gurihiru) with Smashes the Klan and Sarah Kuhn (and artist Arielle Jovellanos) with Girl Taking Over that I felt Superman's themes as an immigrant finally took center stage and weren't just a mention or anecdote.

In no way do I want to imply that getting writers of color or Asian writers specifically will mean you'll be guaranteed a great Superman story. I'm against promoting the idea that diverse talent is infallible or tokenizing and essentializing them in such a way. What I am saying is that the best and most holistic story on Superman as an alien immigrant isn't even a goal in the white imagination. Immigrant Superman doesn't live in that mind. He doesn't pay rent there. He doesn't stop by to visit. And no, Superman creators Shuster and Siegel wouldn't have written that story either. Superman may have been the "Champion of the Oppressed" from another planet under their pen, but he would never have related to or have had immigrant solidarity with America's perpetual foreigners the way Smashes the Klan portrayed him as having. Superman's creators were too busy writing Slam Bradley to be able to write that kind of Superman.

The appeal of these cape characters for me, is the process of adaptation. Seeing them be handed off to someone else with different life experience. Seeing them bring a whole new perspective that surpasses even the creator's intentions on their character. That's what makes these characters rich and worthy of constant revisits. I just think that people of different backgrounds should be able to get as many chances as white men have with writing Superman and his cast of characters.

[fivelila]

Okay, people may not like Five and Lila as a couple, I get it… but what I find absolutely hilarious are posts like "oh, look what they took from us" about Lila… or "Five from S1-S3 will always be a famouse" and I'm like wtf!? 🤣

Why do these people like Five or Lila? Because he's an old man in a young body who can kill a room full of people in a few minutes? Or because Lila is a sexy rebel who does messy things? Nothing deeper?

Did we watch the same show? Cause I have a feeling we didn't.

Five never wanted to be an assassin, yes, he wanted to save his family, he wanted to save the world from the apocalypse (but that doesn't mean it was a hobby he actually enjoyed doing, he just had to) - it does not make up his whole personality. Have you noticed how frustrated he is and how he wants to be at peace and finally get some rest? No? It wasn't interesting enough, was it? The guy lived one huge trauma, the fact that he was sarcastic and obnoxious most of the time might have been "funny" but it's actually rather sad that he spent most of his life training for the UA, then was alone for forty years and then had to become a killer. Haha, he must have enjoyed life, huh?

And Lila had been under the influence of the Handler for most of her life, and in fact you could see that she was afraid of her. She herself said she was a coward, she was afraid of telling the truth, which would make her weaker, she was the one who wanted the family she didn't have (and yes, all of this was back in season three). So why are some people so shocked about S4 Lila? Among other things: you don't think a woman changes in any way after 13 years? Or did you expect her to act like a crazy teenager at 40+? Or what exactly did you expect her to do?

I think Lila could have easily been childless, but then I don't think she and Diego would have been a couple at all after a six years. Because they got back together mostly because she was pregnant. Other than that, their relationship was just based on deception and their physical attraction. Well, unfortunately, that's not something you can build a long-term relationship on in real life.

Just because some people don't like it doesn't mean it doesn't make sense.

But I understand, here most people don't care about the realism of real life, where people change their attitudes, where there is a dysfunctional relationship, where the characters want a real life… just fun and nothing deeper… okay...

[bekolxeram]

The ever so observant @misterapril pointed out in this post that there may be a fake plane crash scenario on Hotshots while a real one (possibly with Athena onboard) is happening, explaining the 2 different planes we see in bts material.

I've mentioned numerous times before, this cockpit mock up belongs to an aircraft from the A320s family.

The cockpit mockup seems to be from the same type of aircraft as well. It's a narrow body judging by the proportion, and the 2 Boeing narrow body airliners (737 and 757) both have cabin doors working like a regular door, namely rotation outwards to open. While all Airbus doors pop straight out and move to the side without rotating.

B737 door vs A320 door

This aircraft on the other hand looks more like a wide body to me, simply because a narrow body airliner doesn't have enough ground clearance to fit a whole firetruck under its wing. It's a Boeing for sure, look at the cockpit windows. I'm leaning towards it being a 767 instead of a 777, simply because a 777 should be a bit larger and I see no winglet on the wing (can be a perspective issue, 777 has raked wingtips that might not show up if you take a photo leveled with the wings).

Well, thanks to @misterapril, I've just noticed something that should be super obvious if I wasn't blinded by the plane.

This is not the Ontario Airport tower.

So we know Angela filmed something at ONT terminal 2. The hangar with all the firetrucks and ambulances is also there. What you may not know is that said hangar is right next to the ONT control tower, so I always assumed the night scene with the Boeing plane and the 119 truck was also filmed there.

But guys, they're not the same tower.

The one behind the firetruck is the San Bernardino Airport tower.

In fact, I'm pretty sure I know exactly where they filmed this particular scene, taking into consideration other landmarks visible in the same bts photo.

I think this video posted by Kenny was filmed in the same location.

I believe they are the same building. You can judge it on your own by watching this clip. It's also the only area within the airfield with highway like markings, leading straight out of a fire station.

Why is this piece of information important you may ask? Well, we've been speculating the 2 different planes conundrum might be due to budget/production constraint. In S1, the show bought an actual 757 from an airplane boneyard in Arizona and shipped it piece by piece to California. It was such a headache.

Do you know San Bernardino Airport is also a boneyard? I can imagine Tim says, "don't worry about logistics, we're taking the filming straight to the boneyard this time!" So everything is possible, you have all sorts of retired airliners you can play with for cheap. There's also the possibility that the Boeing we see is just parked nearby, maybe it has nothing to do with filming.

Do you know what else San Bernardino Airport has? A USFS air base. In 7x04 they used the Helinet hangar and its (mostly news) helicopters for the Harbor tour scene, right? San Bernardino is filled with actual firefighting air tankers and helicopters. Perhaps they would be generous enough to let the show take a few shots of a certain helicopter flying around, I don't know, saving people?

EDIT: From the same bts video Kenny posted, I think they're standing under the horizontal stabilizer of a plane? I might be seeing things, and it's not very important, just curious.

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[bianca-mii]

One of the most iconic kisses between our guitarists from the 2022 tour. I can't write as beautifully as @woodswallow, but I made this gifset as I thought there is a very interesting thing to point out.

The Auslaender outro started almost as usual, with Richard feeling the music probably somewhat more.

But this moment shows one massive difference from arguably every other Auslaender's kiss: Richard is not smiling. He's not focused on seducing Paul with that evil grin. There's no tension, no predatory stare. He is... sad? He looks Paul in the eye, and while Paul is in that playful-teasing-I'm-not-that-easy-to-get mode of his, in which he rather avoids eye contact with Richard, he must realize something is off with the lead guitarist...

But they both go for the kiss. In the beginning, I thought maybe Richard was sad, at least partially, because during some of the 2022 shows Paul seemingly didn't feel like having that little smooch. From what I've read, Paul is very uncomfortable with PDA and, in general, tries to keep his private life as far from the public eye as possible. 2019 kisses were fun and outrageous, which Paul loves, and also had a political impact. But by the half of the 2022 tour, it was obvious nobody cared about any political impact anymore and the guitarists kissed just because they like it. Richard doesn't care if people are watching, he may even like it better that way, so perhaps he couldn't entirely understand Paul's hesitation. Also, on the previous show, still in Europe, their kiss was very quick, too quick for Richard's liking:

He made that gesture with his mouth as if he wanted to say: "Ahh, it ended before I could even taste it!" On which Paul said something, maybe like: "I've told you already: quick pecks - for the audience, the actual kisses - only you and me, no witnesses..." And Richard was like: "Oh, okay, but a boy can dream, can't he?"

Going back to Chicago's kiss: so it's not the case that Richard is sad because he thinks Paul wants no public kisses: they go for it as usual. I also don't think he's sad because he'd prefer the kiss to be longer - that doesn't sound like an actual reason to feel sad. It has to be something else.

Whatever it is, Richard tries to pull away first as he probably thinks the kiss will be over by that time anyway. Indeed, it's usually been (if not any other time) Paul who pulls away first; I also think Richard's hand on the back of Paul's neck used to be there for that extra control, to keep him in place just a little bit longer, but it wasn't hugely sufficient. This time though, again, Richard thinks the kiss will be over just after a moment. But what happens next? Especially from this angle, it seems very clear: Paul doesn't let go. And his reaction is really intense: he keeps his lips locked with Richard's, his right hand, put on Richard's shoulder, grabs it more firmly; you can see all his body leaning on his partner; if you look at his butt, it slightly goes up as he maybe even gets on tiptoe.

I remember reading suggestions Richard was that surprised because maybe Paul slipped him some tongue. I'd love to think that, but what I believe really happened was that Paul sucked hard on Richard's lip to keep their mouths together as Richard tried to pull away.

This is not the best quality, but it sort of confirms that theory: you can briefly see Richard's mouth, and then how it literally gets sucked:)

Paul pulls away when it's over but also slightly pushes Richard: "now, that should do!", but Richard, despite experiencing a massive WTF?! moment, remains sober enough to put some pressure on Paul's nape, doesn't let him go, and pulls him back close again, for a hug. He also starts to laugh so heartily that it makes my heart melt. Perhaps he's realized what face he's just made and laughs, just a little bit, at himself too. Paul, on the other hand, briefly returns the hug, but then is all like: "there, there, don't overdo it, babe." He gives Richard a few pats on the back, like the male friends with no benefits would do - he is back into his no PDA mode, and puts his right hand back on Richard's shoulder, this time trying to push him away.

But now Richard does not have it: "nah love, not so fast, you should have expected now I need to thank you for what you've just done... *mwah*". Another kiss on the lips, brief one this time, and finally Paul can go, obviously showing to everybody: "look! Just look at this little naughty thing right there!", Richard is doing something similar for a moment, too (what a complete pair of dorks:D).

So, I imagine Richard was so surprised because Paul not only didn't want to end the kiss quickly but literally forced it to be longer. I love this moment so much for two reasons: it totally makes sense Paul is uncomfortable with PDA, but as soon as Richard feels worse, or Paul gets sentimental himself (like by the end of tours), Paul stops thinking about any discomfort and goes for it with no hesitation, which pretty much says that comforting Richard is simply much more important for him. I think we saw it here, we saw it during Puppe 2023 or this tour after the German football team lost.

What I also more than love, is how Paul's little mouth-to-mouth treatment really brings Richard back to life and turns the night into the day for him (no wonder, who wouldn't be more than alive if they just got a kiss from Landers himself?). Richard is over the moon here, and seeing him undergo such a 180-degree mood switch is an almost otherwordly experience...

Here's the whole video cropped by me, original credit to till_lindemann_pics on ig. One of the other gifs by @davecumstaine, the other one - I can't tell, I downloaded it a long time ago and can't find it here anymore, many apologies;(

[cazzyf1]

The other day on my tiktok I created a simple post about how James Hunt is more than just the Playboy persona that is associated with him. This flew over someone's head who commented about how he was a Playboy. I responded explaining the point of the video but instead they doubled down saying that James didn't care about F1 only about partying.

So today I went through some of my books and gathered a load of quotes to show the James Hunt that most people do not know about, the one outside of the Playboy perception. I've posted it on tiktok but figured I'll upload it here as well so the true James Hunt can reach more people and slowly we can dismantle the reputation 'Rush' gave him ❤️

TW: Depression, unhealthy coping mechanisms/addictions

When you think of James Hunt you think of the 'playboy'. The guy who partied, drank lots, took drugs and slept with lots of women. Its true he did that, and a lot but to dismiss him as just that is wrong. He was a good driver, a person who tried his best, a kind man who cared for human & animal rights.

The next few slides I've compiled quotes from a few books and website to show what kind of person he actually was and what he went through in life and that less people will dismiss him as just a Playboy.

James Hunt's first marriage was rocky because James was already very involved in his addictions and he knew he didn't love Susy because he felt that he wasn't capable of love. But he felt responsible for her and wanted to look after her. Here is his own opinion from his book ->

"It was really THE problem. I thought that marriage was what I wanted and needed to give me a nice stable and quiet home life, but in fact it wasn't and the key mistake was mine. I really wanted to go racing on my own, and it wasn't much fun for Susy to sit at home and wait for me all that time. It was also a terrible hassle for her to come racing because race meetings were probably the most relaxing time in my schedule. The rest of the time you tend to be leaping on aeroplanes once a day and that made it even worse because it's bad enough organizing one person to get on an aeroplane. Organizing two gets to be twice as much hassle. It got to the point where it was a problem for Susy to come travelling and a hell of a deal for her to stay at home. It was making life miserable in the extreme for her and since I felt responsible for her it was making me miserable too. So we had agreed to split up and then Richard Burton came along and solved all the problems. We had had an immensely successful marriage because I learnt an awful lot about myself and life and I think Susy did too. We all ended up happy, anyway, which is more than can be said for a lot of marriages" - p14 Against All Odds

Much is said about James Hunt and the ladies he kept company, and without knowing anything about James you might assume the worst, but here's some quotes about what he was actually like with the ladies ->

"I don't usually have sex before a race because I am very definitely concentrating -I find that it is the communication between two people that makes it worth- while, and before a race I am pretty uncommunicative. However, if say I have an hour or so to spare before dinner on the night before a race then I can enjoy the physical release. But I will only do it with someone who is fully understanding" - p15 Against All Odds

"He was always attentive to his partners needs. Indeed much of his satisfaction came from giving pleasure. The only problem, some of them confessed, was that his desire to please often out-stripped their needs" - p264 James Hunt: The Biography

"I was sure he was gay, because he never made a move on me for so long" - p278 Jane Birbeck, long time partner, James Hunt: The Biography

"He missed the actual skirmish - he was inside getting drinks at the bar - but had to be forcibly restrained from going after the policeman who hit his girlfriend" - p284 James Hunt: The Biography

James Hunt had many affairs in his time, because he had become an addict to many things including women (more on this later) He was aware of his and it plagued James that he couldn't control it ->

"One evening she returned to their London home to find James in tears. He was tormented by feelings of guilt caused by his lust for other women. He confessed the full extent of his unfaithfulness, that it was unfair to her and that for her sake they couldn't remain a couple. It wasn't that he was bored with her, but that his desire for other women was insatiable and uncontrollable. He held Jane in his arms and they both wept" - p320

One thing that helped James in his life time was his love for animals especially his pet dog Oscar. Here are some quotes about his love for animals and how far he would go to help protect them ->

"I think in a way Oscar was the child James never had at that stage. He was a remarkable dog, no question, but James thought a lot about animals and their requirements and was very concerned about their needs. He gave Oscar the very best treatment and also was keenly intrested in the welfare of other dogs. He would look at a dog, wonder if it's owner was treating it well and bringing it up properly and if the dog was getting everything out of life that it could" - p281

"Before he came to know James better, the journalist Nigel Roebuck was pleasantly surprised by an incident involvinged stray dog. It was late in the evening after a Grand Prix and tha teams were packing up to leave when James, while talking to Roebuck, saw the dog wandering around the paddock, shiver-ing and obviously very hungry. Roebuck, also sensitive to the needs of an animal in distress, went with James to several of the team motorhomes where they got food and fed the dog. But that wasn't the end of it as far as James was concerned. He insisted that they should take the dog up to the race control centre.

Roebuck: 'He took the dog in there and would not leave until he was sure it would be looked after. James actually made this official sign a piece of paper saying he would take care of the dog and see that it was housed and properly cared for. I was very impressed with this. James was probably one of only a handful of people on this entire planet who would even give that sort of thing a second thought." - p281

"He also thought the wild animals residing on his estate should be left alone. If vermin had to be controlled it should be done in the most humane way possible, and he strongly dissaproved of blood sports. The very thought of fox hunting he found horrible and he vowed not to allow it on his property" - p308

James was also incredibly caring towards the young people in his life such as his sons and his younger siblings. Here’s an extract from his first GF about James and his siblings ->

".. the way he expressed his concern for the emotional youngest members of his family:

He really enjoyed looking after them, and just seeing the way the behaved with his little brothers and sisters you knew was instinctive in him. He was always going to be a good father.

One evening he invited her home where he was babysitting Jo Jo, Dave and Tim. When James had tucked them in he left Ping to read them a bedtime story. When Ping came downstairs James asked her if she had helped them say their prayers. When I said no, James said: "Right. You've missed out hugely there. Come on, we'd better go and do it." So they did. His attitude was that he was taught to do that by his parents and it simply had to be done.'

But he also practised what he preached, and he believed in the power of prayer. In the troubled years to come James would pray to God for strength and help, and he eventually passed on the bedtime prayer ritual to his own two boys, to whom he became completely devoted.

During his time with Ping he had talked about having children, and she thinks fatherhood earlier in his life would have prevented James from sinking into his period of decadence.

I felt so sorry for him then because I knew underneath it wasn't the real James doing this. I think he was trying to make life happy, the wrong way. If he had settled down earlier, had a more normal home life with children of his own when he was younger, one could have seen a totally different James.' - p26

James Hunt cared for human rights especially taking a stand against the Apartheids in South Africa. The Apartheids in short was a system of racial segregation. In protest most sports were not going to South Africa but Formula One still was, and James Hunt made it clear his thoughts

->

“We were once covering the South African Grand Prix during the days of apartheid. All of a sudden, and for no particular reason, he launched into an attack on apartheid.

“It was nothing to do with the Grand Prix, nor would it do British-South African relations any good. Our producer pushed a piece of paper across saying: ‘Talk about the race!’

“And then James blurted out on air: ‘Thank God we’re not actually there!”

But simply calling out Apartheid on the air wasn’t enough for Hunt. He sought to have his race commentaries blocked from being broadcast in South Africa, but was unsuccessful.

When that didn’t work, he instead — and secretly — gave financial support from his income as a race broadcaster to groups struggling to end Apartheid in South Africa."

"His deeply compassionate and loving nature was something that, unfortunately, wasn't adequately conveyed to the public, who only ever heard about the sensational side of James Hunt" - p282 John Watson

As mentioned earlier James Hunt was an addict. His playboy lifestyle was his addictions and this is all rooted back to the fact that James Hunt had depression which grew stronger and stronger. He relied on his additions to get rid of his depression which meant he kept doing more and more. Here are some quotes about his struggle with it and eventually how he overcame it ->

"At home James became increasingly introverted, uncommunicative and reclusive. He gave up golf and spent more and more of his time in the aviary tending his budgies. While the parties continued he would often leave the guests to Sarah and closet himself in the aviary for hours on end.

It became obvious that James was very troubled, but only Sarah and his closest friends knew the full extent of the anguish and despair James suffered during his bouts with what he called his 'dippers'.

Black dog' was the term Winston Churchill used for the recurring 'depressions which afflicted him throughout his life. Bubbles Horsley thinks James was 'born with a "black dog" on his shoulder. His racing pushed the "dog" away far enough so that it was no longer visible. But underneath that wonderful joie de vivre, the laughter and enjoying life, he was given to black moods. He was fearful of them and maybe it was that fear that drove him on. Perhaps without it he would never have been World Champion.

'And I think after the initial "honeymoon" of retirement from racing the black dog came and sat on his shoulder and wouldnt go away. So he became more fearful and sought distraction in various ways, through sex and drink and drugs and rock and roll, as it were." - p323

"At home Sarah watched her husband's condition worsen and desperately sought to help him. She thought his depressiond might partly be due to a chemical imbalance that James was born with, a theory that James explored himself. Then, too, to keep his dippers at bay he consumed too much alcohol and marijuana, both of which can temporarily bring relief but over the long term on have depressive effects.

Like others, Sarah felt that another reason for his 'dippers' might have been because he cut off his emotions early in his life and never learned how to open up to people, or to need them. He was essentially a lonely man and his inability to form close relationships made him despair. His depressions further deadened his feelings, and when he was unable to respond emotionally to marriage and children he grew progressively more despondent.

Sarah: 'He was at war with himself. His depressions became Intolerable and towards the end he stopped trying to fight them coming on because he knew they would take over for two days or week. His face would go black and he would take to his bed and stay there, even on Christmas Day. He'd gone to bed two days beforehand and we had Christmas stockings for the boys. I said, Come on, Beast, the boys are waiting." And he said, "Beast, i can't do it." And he was crying" - p333

"When James felt a "dipper" coming on he would go on two- or three-day benders, mostly drinking vodka. He would just keep going and going, which was always a bit terrifying, and after these deep, dark blank days he would suffer real self-loathing. He could forget his trouble with drink, but it always came back.

For many years trying to get rid of his depression was his major concern, which is why he got the budgerigars. He thought it would be such a huge amount of effort that it would distract him and they became an obsession rather than a hobby. He would sit in the aviary for hours, but he would come back still in the grip of gloom. And for a long time he was so down it was very hard to even converse with him." - p326

"He tried different treatments acupuncture, Chinese herbal medicine and looked into every possible theory. He went to different healers, therapists, psychologists, psychiatrists, psychoanalysts, the lot, to try and find the root of his depression. And in the end he cracked it" - p337

"He began to become more diet-conscious and to eat healthy foods. He also consumed information, in books and magazines, on overcoming addictions, and sought more professional help.

He knew he should stop smoking cigarettes and reduce his marijuana consumption, and he told some friends he thought he might be an alcoholic. He worried that his need for women was another form of addiction and feared he might contract AIDS and infect someone else.

John Hogan: 'So he stopped it all. Straightened himself out by absolute willpower. The strength of character of the man enabled him to get out of it. He cut out the cigarettes, the dope and drugs. the booze and the womanising and his sense of priorities became more well-balanced.' - p338

As he started healing himself of his addictions he became serious about F1 again. He always cared for the sport, doing everything he could to race when he was younger and now though he was retired he still commentated and took part in other ways to stay close to the sport ->

"James became serious about strengthening his position in the media side of Formula 1 racing. He took on an internationally syndicated newspaper column and spent many hours gathering information for it. Working with a journalist he applied himself conscientiously to making sure that every word was written to his satisfaction" - p338

James started to heal his relationships as well, becoming an amazing parent to his two boys and finally meeting a woman who helped him feel loved and be able to love after so long of not being able to ->

"The boys were real handfuls to look after but he was awfully good with them and he really fathered and mothered them extremely well. He was always up early in the morning cooking their breakfast and then the four of us would go off salmon fishing. James would fish properly and I would fool around fishing with the youngsters. And then in the evening we used to settle down and he would tell them stories." - p343

A letter James sent to his girlfriend Helen:

"I went to the parents' 50th in a totally negative frame of mind, feeling very much an outsider and wanting the floor to swallow me up. As the day went on, although I remained 'out- side', I could see and feel lots of generous, undemanding love around me. Something changed for me there with my family. Everyone was exuding love and I saw the wonder of it and want to be part of it, but firstly with you.

I realise now that the feeling of not being loved as a child made me close up to any incoming love projected onto me. I do see that I cannot live on without love. You brought it home to me when you pointed out how well I'm doing with the boys. Well I have had to work at that and I've got better at it and I have to do it with you. You are the girl of my dreams. Without you I have no future. I want to make you happy and continue to do so until I die.

All my love for the love of my life,

James"

- p350

Finally James was happy. He was healed from his addictions, in a healthy relationship, had two lovely sons and a job he loved. And best of all he was able to be open with Helen ->

"James confessed to Helen that he was unable to be faithful to anyone in the past because sex was for him just another addiction and he needed women to get his highs. He disliked social gatherings and only had parties or went to them to pick up women. Helen was willing to forgive and forget what went on before, but told him she wouldn't tolerate it in their relationship and he agreed to be faithful to her." - p350

Helen went away on a girls holiday before her and James were going to start trying for children. James proposed to her over the phone on the holiday to which she said yes. But she would never see her finance because he passed away from a heart attack. Unfortunately the previous life he lead caught up to him.

Thank you for reading all of this and I hope you now know more about James Hunt than you already did! It's sad that James is best known now for his unhealthy coping mechanisms for his depression, especially with the film 'Rush' romanticising it. But even if just one person reads all of this it means one more person knows the truth of James Hunt and that makes it worth it ❤️

[flownwrong]

chaotic ckr c6d squee propaganda (?) post

This, started half a year ago for @ds30below, was initially a general c6d short reviews post but kinda skewed majorly towards CKR's repertoire and wasn't too review-y. So I gave up on making sense and on including the non-CKR works. I don't know who the audience for this is, because I never give basic details for people who don't know about this stuff but say too much for those who do. I giffed what I could and tried to avoid what I know a lot about but haven't actually seen. Here goes.

Frank's Cock (1993)

Not much to say. It's only 8 minutes, it's beautiful and you should see it if you haven't. I won't spoil the subject, but you can likely guess. Watch it, cry a little. Then go watch some more of Mike Hoolboom's stuff, the vimeo link above is from his channel.

Two X-Files episodes (1994 – 1995)

Well, I haven't actually seen X-files since I was about fifteen and watched the like two seasons, and I remember none of it. I rewatched the two early episodes CKR appears in and they were fun. I did not watch the, the movie or whatever where he's doing the evil gay thing. But really, this one is on the list so I can show you this self-indulgent gif of him being Very Long:

Double Happiness (1994)

You shouldn't watch this one for CKR. I mean, you absolutely should see him here, looking like he's barely out of his teens and playing up the insecure act and having devastating chemistry with devastatingly beautiful Sandra Oh, but this is not why it's great. And it's really, really great. It's touching and funny and sincere. If you wanna have some feels about complicated family relationships and identity and growing up (at any point in life), you'll find them here.

Curtis's Charm (1995)

Don't regret watching it, can't recommend. Not gonna lie, I was emotionally affected. But I usually am by things as in-your-face bleak as this. Mostly, it's trying very hard to be smarter than it is, I think.

However: CKR's One Wild Curl is everything to me (see above, on the right. It was, like, actually curly. I was rendered speechless). And like two seconds of Hugh Dillon made me do a double-take, lol. Incredibly weird knowing this was shot like half a year before HCL began shooting. Feels like it must've been a decade earlier.

Hard Core Logo (1996)

I could make three separate posts about this one, so of course I have no idea what to say.

This one, you should watch for CKR, actually, he's something, but so is every single other aspect of this film. I wouldn't change a thing about it. It hits you like a 16 wheeler. Perfectly cast, unimaginably beautiful, hysterical and melancholy and disgusting and compelling.

Related recs:

A wonderfully fun article/retrospective/interview for its 20th anniversary a while back.

You should also absolutely read Hard Core Roadshow if you enjoyed the film. It's a book documenting the whole thing from conception to release. It touched me for its own sake, not just a backstage glance, full of love for the craft and the people and carrying this tangible bittersweetness about the heightened and fleeting nature of this kind of work.

(here, I feel compelled to include a quote from another c6d-related interview on Slings & Arrows, which I read after the book and went like man, it's really a universal experience isn't it.

Coyne: <...> But I also think, and this is my experience, what we were all experiencing, because we were all talking about our lives, our life in the arts — there’s something very melancholy about doing something you love, because it will never be good enough, it will always break your heart.

McKinney: Or it will be fleeting.

Coyne: It’ll be fleeting. You come together with people you feel passionately connected to and two weeks later they’re tearing down the sets.)

Quotes from the article and the book respectively include:

McDonald: So there was a kind of mutual dependency society with Hugh telling Callum, “Don’t worry, man, I got your back, I’ll tell you how high or low to wear your guitar, I’ll tell you how you should dress, I’ll tell you what you should drink…” and Callum was like, “I’ll tell you what hitting your mark is, I’ll tell you why they pull out fucking tape measures, I’ll tell you why you have to do it again, I’ll tell you about not overlapping dialogue..” and you know they clung to each other, like the other one was gonna fucking save them.

And:

A final gathering at the back of the tour bus with Bruce, Callum, Hugh, Bernie. We listen to the tape of HCL songs, all the way through, one last time. And we belt the words out. Bernie sings loudest, performing for Salerno's camera. Hugh and Callum sit back, looks of sadness. I get the sense that if they could do it, they'd chuck their lives and be Joe Dick and Billy Tallent forever. Callum leans to Bruce and says exactly what everyone else is thinking: "I don't want it to end."

There's much more to both texts than *gestures* the whatever those two had, but it certainly doesn't hurt.

And Xeriscape is the best HCL fic I've read. Granted, I read very few because it's not a source that creates in me a craving for fic. But this one perfectly matches the film's fucked up beauty with its language while also adding a quieter, more fraught layer of humanity that we only get glimpses of in canon and that perfectly fits John. 10/10, would recommend.

Anyway. Watch it. Read it. If you haven't. Otherwise, come scream with meeee! And go reblog my gifs or something. Idk.

Letters From Home (1996)

Mike Hoolboom strikes again, with another short. This goes into the "don't watch it for CKR, watch it because it's great" box. Yes, you will cry.

For Those Who Hunt The Wounded Down (1996)

Another bleak one! It sucked to watch, I mean, on purpose. There were a couple of very effective scenes. I really enjoyed the opening. They say the book is decent too, I haven't checked that out.

Actually, let's just switch back from coherent thought to undignified staring at his mouth with this one. What the fuck is that cigarette thing. I couldn't help myself.

Last Night (1998)

These gifs are not representative of the whole movie. There is more happening than CKR kissing or hugging people. He's also doing more than just kissing and hugging. It's all very... impressive.

Guess who's also here again? Sandra Oh! And say hi to Don McKellar, who is an absolute champion for writing/directing/starring. You'll be seeing more of him.

Another one for the "watch it for its own sake" box. Seriously, that late 90s indie stuff is banger after banger. It's so beautiful! Look at those colours! Look at those shots! It's very uneasy and charming and melanchioly and itself in the best way.

Twitch City (1998 – 2000)

Don McKellar is back to murder you with discomfort! Bruce McDonald lends a hand. Molly Parker is also here. And Daniel McIvor, who'd go on to direct, for example, Wilby Wonderful. It's a party. If you watched some stuff from above (or below) on this list, most faces and names will be familiar to you, tbh (another Hugh Dillon double-take happens).

If you liked Spaced, you'll love this. You might also love it because it commits to its weirdness with an admirable resolve and is genuinely hilarious. (Honestly, CKR's outfits alone warrant a watch.) The idiosyncrasy is definitely Don McKellar's doing 200%. It couldn't be more different from Last Night, but if you've seen one, you'll recognise the other.

Battlestar Galactica (2003 – 2009)

I don't think a person should be allowed to look this pretty in the sweaty-and-dying makeup in that light (this sentence probably looks very weird to those not under the CKR magic spell).

I don't know what to say about BSG because I really, really enjoyed early it initially, but by the middle of S2 it got... well, whatever that was. If you know you know, if you don't, still give it a go. You might get invested enough to suffer through it all, as I have been, slowly.

The unfortunate thing is that CKR got to be there mostly in the "what the fuck" years and not the "wow that's so cool" years. That, as you might be aware, is a pattern with him. But! When he was here, he was so genuinely, wonderfully creepy not in the typecast-baddy way, but in this slow, half-absent way, which really worked. You can also see him tortured a little, as a treat!! <3

Also, a wild John Pyper-Ferguson appears! If you're looking at him thinking you know him from somewhere but not immediately remembering, you'll figure it out, I believe in you. I was very happy to see him.

Wilby Wonderful (2004)

Another win for the put CKR in more good shit team!!! Guess who's here again? Sandra Oh! Also, Paul Gross. Don't watch it for him either though haha.

Another one for whoever wants to look at pushing against the weight of others' (or your own) expectations and growing into who you are or reconsidering who you are or finding meaningful connections with others even when you're kind of a mess and they are too.

Not nearly the first time CKR's gotten to play a queer character, but man, this one really is the heart of the in-universe community, and, through that, of the film. A rare chance to see him so far out of the prickly persona! He's just so solid and calm and there for others in this one and, and soft, ough. It's awesome.

By the way, if any of you have the commentary track or know someone who has, please drop me a line here or on discord (emotionalrisotto), I really wanna hear that.

Supernatural (2005)

I love Supernatural a lot. It was a formative experiences (albeit a very late one) and I owe a lot of my favourite stuff about fandom-ing to the buddies I met through it. I can't believe I'm telling you this (because who hasn't seen it, not because I'm reccing it), but you should really try it if you haven't. It's pretty rad.

I had no idea who this guy was when I saw that episode (the second ever one!), though. I simply cannot fathom what @nigeltde-fic felt when she first saw it. I think I personally got very lucky she didn't combust on the spot. It would've been unfortunate.

On a sillier note, CKR's character has weird tension with both Sam and Dean in this episode, which is par for the course. I personally think they should've... no, I shan't say it. You can probably imagine.

Californication (2008 – 2013)

I haven't actually seen it, lol (and I suspect I won't enjoy it, but I'm very curious and also CKR looks really really good).

The real reason for this one on the list is to share a fic rec. Really, it's a due South F/K fic featuring Lew Ashby. It's ridiculously hot and very satisfying in its romantic resolution, too (but then, I'm kind of big on selfcest. And consensual voyeurism. And pretend relationships when done like this. And sublimated yearning. Erm.)

Shattered (2010 – 2011)

I wish this never happened. I badly, badly wish this never happened. I can't turn back time, but I can warn those luckier than me: do not go there. Yes, even for this dude. You'll sleep better not knowing just what it is he was the EP on. And the only important part — the mascara — can be seen above (yes, the show does look that bad, it's not just the gifs).

Just kidding — I watched it, didn't I? You'll have fun hating it! Just prepare for industrial grade cringe, lower your expectations (No, lower. No, still lower than that. And just a bit more.) and you'll have a great time!

Star trek: Discovery (2024)

Or, as I call it, Star Trek: The Mediocre Show. Discovery S5 was... what it was, but it was a wonderful viewing experience — mostly thanks to the gang (@kittkatk and @feroxargentea especially!)

What a joy it is, to follow a show week by week, yelling and laughing and discussing the whole time. And giffing, too. I was very happy to contribute to the Disco fandom from my own little obsessive corner, and I was glad to see people adoring Rayner, haha.

He's a pretty neat character — very much a stereotype, yes, but with CKR's usual twist of odd vulnerability and weirdness. Also, I loved the ears. I miss the ears. The ears were great.

I even wrote a fic! Although it's not within my usual range to write for canons and universes I don't know well — and back then, I'd only seen S5 of Disco. It was a lot of suffering, and a lot of fun.

Closing thoughts

I'd really love the dude to get a better agent. And possibly better taste, but I realise that's a tougher ask. Seriously, it's been too long since he was in something majorly cool. I'm grateful to him, at least, for not making terrible music on the side. And I still have a lot of his back catalogue to get through, some of it even good, so there will be more insanity. Until then!

[merryslilhobbit]

There are so many things about the Daniel Ricciardo situation that frustrate and anger me, so I'm getting them off my chest before I lose the plot. I'm sure other people have said the same things, but here we go.

Horner made a whole big show of picking Daniel up after the McLaren debacle, bringing him back into "the family". Made himself out to be some sort of saviour. Rebuilding Daniel's confidence, his physical and mental health. Got a dig in at Zak in a press conference about "feeding Daniel up" because he was skinny. Invited DTS to see his return at Silverstone 2023. So to kick Daniel to the curb just a few races before the end of the season? Because they have "a lot of data on Daniel" and need to see other options for the future? Hypocritical c*nt.

Next, replacing him with someone they're not confident enough in to give a contract to straight away? Yes, Liam did a good job in Daniel's absence last year. This is absolutely not me shitting on Liam - I like him, and I think he and Yuki will be good teammates. But he's been out of full time racing for a while. Allegedly RB weren't overly excited about his testing times in the summer. While it will be interesting to see how he compares to Yuki, why are RB hanging onto Liam when they don't seem confident enough to give him a full time seat? Why are they so determined to keep pushing this one? (Yes I know the answer is probably contracts, but still.)

Then there's the fact that Daniel has actually outperformed Yuki in 6 of the last 9 races (since the start of the European leg). In the same period, they've scored the same number of points. Daniel has also been more consistent in his finishing position than Yuki. In terms of form, Singapore excluded (but I think we can forgive him that one, given the media shitstorm), he's been the better of the two and isn't it meant to be that the first person you need to beat is your teammate? There's only so much you can achieve in a tractor.

And we can't forget the Checo situation. Following the first six races he's bombed in comparison to Max. He's probably cost Red Bull the Constructors'. He was given a few races to improve, didn't and then was kept anyway (probably because of money and the Mexican GP). He often qualifies further behind (in time) Max than Daniel does Yuki. I know Red Bull are coming out now and saying they found a problem with their design from Barcelona last year, when Checo first started reporting issues but frankly I'm calling bullshit on that. As mentioned, Checo had six very good races and results at the start of 2024. And some decent ones at the end of 2023. At one point there was speculation that Daniel might even replace Checo mid-season (some reports say it was a done deal), so in the space of a few weeks to go from that to being dropped himself? I have whiplash.

And I think that's the hardest part. A lot of people were probably aware that it could be difficult for Daniel to get a seat for next year. But at no point was there any suggestion that he might get replaced mid-season. Not even in the middle, six races before the end. When Red Bull confirmed in the summer break that both Checo and Daniel would see out the seasons in their current seats.

Red Bull have created an absolute PR disaster and they deserve it. Driver of the Day, amongst many other things in the last 48 hours, reflects the love and respect so many people have for Daniel. People who see how emotional he was, who see that he didn't have an opportunity to say goodbye properly (fuck, even McLaren did that - remember the Monza 2021 photo on his steering wheel?). People who recognise that dumping him so close to the end of the season is ridiculous.

In the end, I hope that Daniel really is at peace with it all and is in better shape than he left McLaren; that he can be proud of all of his achievements in the sport. Drivers come and go, but very few make their mark in the way Daniel has done. He may not have broken records or won championships, but the fact that he will still be remembered for a very long time despite those things is a testament to his character, to the sort of person we all know and love.

[frodo-with-glasses]

Where have you been?

Uhhh, France?

(That’s a Hamilton reference, btw. I have never been to France.)

So! Another Hobbit Day is upon us. On this day last year, I’d promised you all that we would take another trek through LotR, with all new drawings and poems and fanfics. I fully expected to be finished with Book One by now, at least halfway through FotR. What actually happened is that the blog struggled through the first five and a half chapters of the book before suddenly going radio silent.

So what happened?

Well, as you might expect, real life happened. I won't go into the details here—since it has nothing to do with LotR—but I can explain in DMs if anyone is interested.

Basically, a change in my family led to a reexamination of what I thought I knew about my family, which led to a reexamination of what I thought I knew about myself, which kicked off an intense period of self-improvement.

Over the course of this past year, I began to unpack my family's abuse; I learned about boundaries; I started to unlearn my old people-pleasing tendencies; I reconnected relationships that were broken, reevaluated ones that were in the wrong place, and cut off ones that weren't good for me. I discovered there was a little kid in my head who's been waiting years and years for an adult to love her, and to take her needs seriously, and I finally have the chance to be that adult. And I'm happy to say that I've come to a place where I feel safer in my own head than I have ever been.

Probably very little of that is going to show through on this blog. It's all inward stuff; foundational stuff. But one thing that might affect you guys is that I left my (dreadfully overstimulating and stressful) part-time job, and I'm now working full time somewhere else. As much as I love what I do for a living now, working 40 hours a week does mean that I am become Boring Adult who does not have as much time for interneting. With my current schedule, there is no way I'd be able to sustain the intense schedule of "must post one drawing a day" that I had in the early days of this blog; and I don't expect myself to.

But! I would like to—slowly—get this train rolling again.

I find it hilariously apropos that the last piece of art I posted on this blog was of Frodo suddenly disappearing. From Merry's perspective, he completely vanished without explanation or warning. From your perspective, so did I.

But I find myself here again, on another September 22nd, and once again I'm beginning to feel that pull; that pull to read, and draw, and create, and share, and laugh with all of you. Life has calmed down enough for me that I once again have the mental space to think about pursuing my hobbies. There are so many things I want to do—so much to do with the time that is given to me. And I want this blog to be on that list.

My current goal is to post some new book art every other day. If that's too much, I'll adjust it. But if I find my groove and really get into it, who knows? We might return to your regularly scheduled Daily Dose of Frodo-With-Glasses. We shall have to see.

Anyway. If you've read this far, thank you! If you've stuck with this blog since the early days, thank you. And if you are one of that lovely core Fellowship that has had my back and prayed for me all along, I cannot thank you enough.

This past year has been an absolute ride. Not as difficult as a trek to Mordor, maybe, but not easy either. But no matter where I walked, I knew I didn't have to take the journey alone.

Anyway! Enough sappiness. Happy Hobbit Day! I'm excited to see what the next year has in store for us. 💚