#i may or may not be updating this when its released but this is just based on vibes alone !

[imaginarianisms]

okay so i have. no idea when fire & blood part 2 is gonna come out so its. Very possible i could be wrong about a few things but here's a meta on m.yriah m.artell.

m.yriah m.artell was definitely in an interesting time period even before she became queen. i&. genuinely have no idea if she'd ever know queen daenaera velaryon or (big maybe) larra rogare or any of aegon's mistresses but i& think it's definitely possible considering we don't know if daenaera outlived aegon iii but it's very possible she did, who knows, maybe she was one of myriah's mentors in king's landing. she was around the time of aegon iv targaryen, aegon the unworthy, who's just. one of the actual worst rulers of the targaryen dynasty. iirc she was the eldest of the prince of dorne's children at the time so she was set to rule dorne much like princess a.rianne m.artell in our current story is, she was meant to rule & likely had that expectation, so when baelor targaryen comes along to speak with the prince of dorne once the crazy fucker finally arrives at sunspear, to agree upon a peace which included a marriage between his cousin prince daeron & myriah martell & the two would marry once they came of age, that probably really shocked myriah bc like imagine being expected to rule dorne one day & then you have to give up that right to become queen of all the seven kingdoms one day? that must've stung a bit, too, but it's also a MASSIVE undertaking. it's one thing to rule one kingdom, but seven? that's quite a lot. there had been many queens of westeros before, but myriah martell is the TRUE first queen of the seven kingdoms, because in all the previous reigns, dorne was never truly a part of westeros, it was its own independent kingdom, it had never bowed to the targaryens during aegon's conquest, they were the only kingdom that managed to fight off the targaryens & actually WIN or the previous conquest of king daeron i targaryen, dorne only came into the fold with marriage & diplomacy. so she probably had to learn about the non-dornish kingdoms & peoples as well before becoming queen. becoming this queen, however, Also involves marrying into the family that's attempted to subjugate & conquer your people since aegon the conqueror & his sister wives (& they ACTUALLY KILLED RHAENYS & A DRAGON BY THE FUCKING WAY). like. can you imagine how appalling it must be to marry into a family that felt superior to you & entitled to YOUR land. & keep in mind said bizarre inbred family is no longer the powerhouse they once were on the heels of the war that cost them their dragons & yet they learned nothing, even now. myriah joined king's landing at such an interesting time. she's supposed to usher in peace & prosperity to the realm but how do you Do That when Everything is working against you as a foreign princess.

bc keep in mind. the grandson of queen rhaenyra i targaryen just died attempting to subjugate HER country once more & was killed under a peace banner. a loss that demanded blood & caused outrage, despite the fact that daeron the young dragon lost over 10,000 lives trying to control a land that. Didn't Belong To Him. baelor the blessed was instrumental in creating peace arranging her very own arranged marriage alliance, her own son who was meant to be one of the greatest kings is named after him but dorne is Also where women have always ruled & baelor's three sisters were imprisoned against their will in the maidenvault for a decade. that must've terrified myriah (& it didn't help that baelor quite literally walked all the way to sunspear barefoot on the hot sands, she must've been like "father...... what is this man doing.... he's crazy"). i think just the stories she's heard of daena the defiant, rhaena, queen naerys, elaena & daenerys she'd hold a great deal of pity for them bc in dorne nothing of the sort would ever happen to them let alone naerys' abuse by aegon iv who i think later in life she would've gotten along with naerys as her daughter in law & tried to take care of her bc she's decent. i& genuinely think that even when she wasn't queen yet, she would've tried to bring more women into the fold & into positions of power. something we Do know canonically is the fact that daeron ii's court was disliked for being progressive/intelligent, pro women & pro dornish, who btw are poc, so the red keep at the time would be VERY inclusive & were likely pro sex work, pro disability & pro lgbtqia+/queerness because the dornish were known for accepting women's rights & elderly rights, the rights of people with disabilities & queer people, sex workers as well as same sex/same gender relationships & polyamorous relationships, elaena targaryen was the unofficial master of coin & was trusted with state matters for daeron ii & myriah & famously sided with THEM & not her sister's son during the first blackfyre rebellion & she could've been friends w/ elaena & not to mention myriah martell would be the first non-valyrian woman of color to become queen of westeros (there were black women who ruled before her notably {technically visenya targaryen & rhaenys targaryen who're mixed as their mother was valaena velaryon} alyssa velaryon, alysanne targaryen & daenaera velaryon, but they were all valyrian & the rest of the queens were presumably all white women). that's a MASSIVE deal. & not to mention the fates of the queens before her must've shocked her bc like literally none of that would've happened in dorne.

myriah was also a princess & queen to be under a father in-law who hated & attempted to take her country AGAIN even after she married his son. i honestly can't even imagine the amount of anxiety, rage & stress this would've caused myriah & i can't imagine she didn't have to swallow racist insult after racist insult from aegon iv. like. i almost wonder if some of the targaryens after the dance of the dragons, specifically king aegon vi, daeron i targaryen the young dragon, daena the defiant, etc. were desperate to get back some of their sense of superiority after their great house lost the source of their power, the dragons (by their own making. btw), & what better way to do that then to conquer the land that aegon & his sisters couldn't with even their own dragons. what better way to prove themselves Real Dragons TM & to prove their superiority. so when they were reduced to normalcy like yknow Literally Everybody Else that must've been a real hard pill for the targaryens to swallow lmao

this is the court myriah would have to contend with & this isn't even going into the fact that even Before she became queen, she & her children were considered unworthy for not being white paleskinned purple eyed blondes bc they were dornish & the court was Very Fucking Racist Towards The Dornish. going w/ the presumption that she was born in 146 AC, myriah would've been 24 when she had baelon, 26-30 (most likely 26) when she had aerys, 27-31 (most likely 27) when she had rhaegel & 28-32 (most likely 28) when she had maekar; daeron treated his half siblings well & yet they STILL go to war against HER queenship & the rights of her trueborn children after the death of aegon iv; myriah would've been 26 at least or 38 at most when he died (daemon blackfyre also married rohanne of tyrosh during this time & aegon legitimized all his bastards including daemon blackfyre, aegor rivers / bittersteel, mya rivers, gwenys rivers, brynden rivers / bloodraven & shiera seastar on his deathbed so myriah would've known them & she would've been 26-38 when she became queen, but i'm gonna go with the maximum possible age so she'd be a year younger than daena the defiant so she'd be 26 when she became queen) depending on which year she was born bc even that's unclear but if she was born in 146 AC, she would've lived through the reigns of aegon iii, daeron i, baelor i, viserys ii, aegon iv & daeron ii & very possibly even outlived her husband & if she was born in 158 AC she would've lived through the reigns of daeron i, baelor i, viserys ii, aegon iv & daeron ii & likely outlived her husband but for my sanity's sake i'm gonna go with the prediction that she was born in or around 146 AC if not maybe a few years after, idk yet, hopefully that gets confirmed. if she was born in or around 146 AC myriah would've been 7 years older than him; daeron ii died when he was 55 in 209 AC so she would've been 62 (if she was born in 146 AC) at most when he died so she definitely lived during the blackfyre rebellions era & very well could've lived in aerys i's reign (209-221) & maekar i's reign (221-233), idk, i like to think she lived just long enough to see aegon v become king & dying of natural causes when she was 79 years old as an elderly woman but fire & blood part 2 could prove me wrong, but she would've lived past alysanne targaryen. maybe she adopted daenerys after naerys died so she could make sure daenerys would be a good, clever & intelligent full fledged leader capable of ruling dorne like she herself was meant to & then later shiera seastar after serenei of lys died & it's because of that loyalty to her adopted family that she was loyal to the targaryens (& that could be a reason why maekar beefed with brynden bc he's protective over his adopted little sister while technically she's biologically his half aunt after her mother died & her father was an asshat & maekar is the youngest of daeron & myriah's children & shiera's the only little sibling he had so he's a grumpy older brother), who knows, maybe she mentored b.etha b.lackwood for a time before she's queen.

myriah would've had to be a spectacular & aweinspiring woman to survive & thrive under the circumstances she lived through, she & daeron had a healthy marriage despite so many things working against them & daeron ii built the castle of summerhall in her honor & the peace in westeros. she must've been bold, unflinching, intelligent, confident, sometimes even arrogant bc she Knows She's That Bitch, kind, clever & regal, embodying the very words of her house "unbowed, unbent, unbroken".

[bbugyu]

😷

[infamous-if]

✭INFAMOUS UPDATE IS HERE ✭

238K -> 457K WORDS

Please read this post before playing! It's finally here! After five months of writing and rewriting and salvaging and crying and sweating and bleeding I finally finished sort of kind of! Firstly, I want to thank you for your patience and understanding over this duration of this rewrite. It was stressful at times but I'm happy with the end result and I hope everyone else will be too :)

This will be the last chapter I release without beta testers/other sets of eyes so expect errors. I can playtest until my fingers turn blue but I'm just one person </3 I'm bound to have missed stuff.

Please let me know of errors! I tested it a few times with no problems but we know how it goes lol

IN THIS CHAPTER THREE UPDATE:

drama

mayhem

chaos

some betrayal

some surprises

just...read it lmao

PROLOGUE - CHAPTER 2 CHANGES:

**chapter two was too large of a file to upload on dd so I had to split it last minute and I uhhhh dont know how that translates in the demo but it should work lol please let me know if its wonky!**

fixed up grammatical errors and typos

expanded some scenes and added some more choices

you can now choose that your mc has "changed" in some way (drinking, no longer drinking, partier, no longer a partier, negative, positive, attached, detached, or a general default. I was asked to add an MC who "gets around" or hookups a lot but I'm still debating on whether I'll add that since there's already quite a bit lolol)

you can choose to have changed your band's genre before/after seven

TECHNICAL CHANGES:

you will be able to explicitly state your sexuality in the beginning. this was a big ask and I apologize for not doing it earlier! I wasn't good at coding when I started and I knew I always wanted to make the genders separate from MC's sexuality but I didn't know how to do that at the start :) So you can still choose the genders of the ROs for story purposes and variety. IF YOU DO NOT SEE ROMANCE OPTIONS THAT IS NOT A BUG. You simply chose a RO gender that doesn't correlate with the sexuality you chose for your MC. Having said that, if you do see a romance option available and it's not supposed to be there please let me know! That means I may have missed it coding-wise.

the stats have been all fixed! I've added all the necessary variables and such. The stat portion of the game has been updated with the appropriate pages but they're not finished. Still, the stats should be fine.

You will now have confessionals in the stat page! The feature still isn't a thing yet because I haven't come up with the confessionals lolol but you can click on it to see what it's about. Essentially, as you progress through the story you will be able to see confessionals from the cast of Infamous throughout. They disappear and appear periodically so if you miss it, THAT'S IT! You won't get a chance to see them again until MC watches an episode where it's relevant.

There is now a: Discography page, Infamous wiki, botb cast and staff page, and other characters page for organization. Those are not finished but they're there!

I changed a few stat names but their functions remain the same.

You will be able to choose how you would like to be described (masculine, feminine, neither, both).

O is officially gender-selectable.

You can set the genders of the ROs at the start or wait till you meet them.

PLAY HERE

[paintingpuff]

So with the terrible Minecraft movie trailer dropping,

I've seen a lot of people bringing up better stories in the world of Minecraft, like Story Mode or the books or the SMPs, but may I add another option that would be a way better use of your time and money than the Minecraft movie (esp cuz its free)?

Animation Vs. Minecraft

(Note: contains out of context spoilers for this series to give you a sneak peek of what's waiting for you)

There's a good chance you've seen the first video, since it's one of the most watched minecraft videos on youtube, made by the same guy who did Animation vs Animator.

But did you know that the stick figures pick the game back up and continue the series?

There are now three completed seasons packed with fun episodic content that naturally blossoms into a larger, engrossing story that amounts to /several hours of animated content/. It's got fun characters, gorgeous fight scenes, and even musical numbers, all told with next to no dialogue!

The whole thing is a love letter to Minecraft, with way more passion and knowledge of the game than WBS.

New episodes would show off the latest updates, like when the main characters explored the ancient cities and lush caves before they were officially released.

There are even homages to the Minecraft animation community, such as the episode featuring Monster School (my favorite part of this is the way they purposefully imitate the old janky animation in Herobrine's movements)

Not a fan of piglins always being villains? While there's certainly some bad piglins in this series (though I'd argue they're under duress), the main cast also befriends some, include this adorable piglin child.

Still not over Reuben's death from MSM? Well they've also got a pig (named Reuben by the community), and it both doesn't die, and occasionally does some badassery himself!

Speaking of the action, this series doesn't just reference minecraft's world and creatures: it expands on the mechanics and worldbuilding, creating avenues for some truly incredible action that can only be achieved within minecraft. It takes full advantage of the medium and world.

My personal favorite example of this is the team's expansion on the Lucky Blocks mod, exploring the idea of a "randomizer" power to its fullest extent.

The action scenes are the kind where you have to watch them five times over because each character is doing something completely unique and fun.

Here is all the episodes of season 1 compiled in one video to get you started, though there are also playlists out there:

All in all, this series is funny, gripping, and adorable, and is worth your attention far better than some corporate schlock.

[lilacstro]

my personal opinions on your big 3: your sun, moon, rising

paid readings open xoxo

support me on ko-fi :)

I was remembering the time when I was 10 years old and used to read those astrology posts that said things like "zodiacs in school", "what does your sun sign do when bored" and I wanted to make a less complicated, fun post just like that but wanted it to still be in accordance to people I have seen so far, so expect this post to be more fun and very not serious and rather light hearted, so here we goooo so since it is like so, please scroll past if you do not resonate :) I would be posting more serious stuff kind of what i learnt from my diploma the following week if possible, luv you<3

Aries

Sun: You guys are so full of passion omg. Sun is really powerful here and you guys actually shine, so passionate and full of energy. Every Aries Sun I have seen befriends anyone within 5 cm radius to them and has a very extroverted energy. If you are close to them, they will make sure to fight for you and protect you for sure.

Moon: Chaotic emotions and restless, but this restlessness always leads to some kind of creation. The types who work out to release pent up energy. It is possible you guys keep on discarding and making new habits and do not stick to one. Very destructive if provoked, especially emotionally

Rising: Beautiful people. You guys are likely to have a intense energy and aura around. Unlike Aries Sun, many Aries risings could be reserved at times. I think you are the people everyone is afraid of to participate along with in any competition because you scream this energy of "competitive, I am gonna win you see" without even trying!

Taurus

Sun: LORD YALL ARE SO CHILL, but probably sometimes way to chill and turn ice, I mean not ice cold(yes if you are annoyed by someone lmao) but sometimes may become too boring in the sense that you may not want to do crazy things, you like stable, calm energy. The types to watch a movie, or do some art when they are bored. ALSO VERY STUBBORN but also not mad easily but if mad really really angry. ALSO yall are so beautiful and elegant without even trying

Moon: This archetype is the mother in zodiacs. But you guys indeed if once emotionally connected to someone, would make sure they are well fed and had 8 hours of sleep and make sure they are feeling ok while having 10 mental breakdowns. Also, you guys can hold more grudges than Taurus Suns and Mars, and can sometimes or maybe most of the times be unwilling to change opinions.

Rising: Gorgeous Gorgeous people, who are a little shy at first and once comfortable, everything else, whatever that is, comes out. You guys are actually really good at cooking and also, even though Taurus is the sign of wealth and stability, I have seen many Taurus risings be good with money until its the time to spend on something they like, they spend crazy lmao. Very comfortable energy around you, make other people comfortable once they are.

Gemini

Sun: Do you want to know Gossips? Ask your Gemini Suns, I bet they know a new one from 10 minutes ago. They are updated fast on drama than most google sites. Also, they have pure crackhead energy no doubt, but they can carry a conversation so well and talk about anything you want, even though might have no idea about it

Moon: Crackhead energy once again. If you want a good time and do not take things seriously or do not get offended easily, go to your Gemini Moon friends, they indeed say the most out of pocked things at times, but they are very funny. But if you are serious and want to have serious conversation, it is 9/10 chances that you would not be taken much seriously, since anything that is boring distracts gemini moons to zone out, so they probably heard you half and would comment on that half info without asking you to repeat because they do not want to listen again lmaooo But for the 1/10 times they listen seriously, they offer really good and short and simple advice.

Rising: These people are like chameleon to me, I mean they adapt so well to wherever they are and who they with. They also are very hard to recognize since they come in all different beauty and styles and aesthetics. Very good conversationalists once again and always seem to be talking about something or to someone, never really idle. Good at texting and probably post many selfies on social media.

Cancer

Sun: GOD you all are so innocent and cute until someone really gets to see past that lmao, or I may rather say, you let someone see. For some reason you guys always have your guards up, but you are good at fooling people by making them think they probably have seen all your cards, especially in terms of what you are really capable of. Most cancer suns I have seen, regardless of whatever kind of relationship they may have with their moms, they seek their validation somehow.

Moon: Very intuitive and sensitive to emotions, especially of other peoples. Really good at understanding others and healing them, they are really soft people honestly. They are again very unlikely to show you your feelings and emotions, but somehow would see yours. Very nurturing and caring, especially emotionally. Your comfort friends who treat you with ice cream and listen to your sob story.

Risings: Wonderful people, very kind and loving and caring. I have often seen Cancer risings are very keen on making people around them feel seen and heard and cared for, they carry so much charm in them. Very down to earth, and they are always willing to listen. Very emotional people like all Cancer placements and very empathetic, would try their best to make you feel warm and they do it so well that people can let their guards down and connect to them, probably even spill their secrets.

Leo

Sun: SHOW STOPPERS. So charismatic, and even if they are not loud like most leos, there is a 9.9/10 chance that you have atleast seen them once or heard about them once it is impossible that you are not aware about their existence. They usually like attention and validation from other people, but if no one would do that, they do it themselves and then other people reflect that energy back and yeah...the cycle never ends. I do know that people say Leo Suns are selfish and egoistic, while that maybe true on some level, they are really good at making people feel confident and worthy and also very generous.

Moon: 9/10 Leo moons I have seen have some kind of egoic validation and connection related to their mother. They are likely to be people who are "mumma's girls/boys" because until and unless they feel their moms validation, they would not proceed. Cancer Moons are like so too, but somewhat less than Leo Moons. Also, very possible that you are the oldest, or you act like the oldest. Very charming people though. If they are introverted, their energy is loud and charismatic without even trying, and if they are outgoing, then it is visible and double charismatic of how they are able to validate their emotions and act on them, be verbal about it. BUT BUT sometimes or I may say, most, you guys are really dramatic when hurt and high on emotions. You cannot stand being ignored I knowwww.

Rising: Um how do I say it. Leo suns are bright bright sun, Leo moons are golden enveloped kind of shiny, while Leo risings have a halo on their head and back. I mean it is an energy that you look at and feel drawn to, you do not force yourself like wanting to see the Sun in the eyes but you just see them somehow, they have a warmth around them. Usually very outgoing, great sense of style, and befriend people easily. Although all Leo placements are comfortable to put a fight, Leo risings would especially are not afraid either, especially if they feel the challenge at themselves or hurt at the ego. They are usually very kind and I have seen trust people easily irdk why. They often try to direct their light on other people and try to shine them along. Though, I sometimes see such people dimming their own light to get along with others. Generous people at hearts.

Virgo

Sun: You guys are the ones who are so serious about the next exam 2 months in advance, probably even before the exams are announced. Very critical of themselves, usually very introspective and rather quiet and even if you are outgoing, it is ambiverted, you are not in someone's face lmao. Very organized and may tie their worth to studies and grades, and their friends too, often. YOU GUYS DO NOT LIKE INTERUPTIONS IN PLANS LMAO

Moon: Logic with emotions, you do not let things hurt you until you have processed the feelings mentally. Your feelings do not go to the heart directly, it first goes to the mind and then you decide if you can make sense out of it, which most of the times you cannot, so you hurt your head with brainstorming as an extra with your heart. It feels like you guys have compartments in your head, and you put those memories and feelings in each so you can pull them up asap when needed to retrieve. Usually good at following routines and structures and like predictability in some form. If they are not in a clean or organized they do not feel good, whatever that means to them, whether that means trash in their room or floors so clean you see your face

Rising: Beautiful people yet again. Look very youthful and young. Really work oriented, and would really really want that they be seen and recognized at work/school for their efforts or can feel upset otherwise. They say and do things in exact manner, no less no more and usually avoid fuss and drama. Like showing up in a rather neat and clean, minimalistic manner than being more big and bold, all with their appearance and emotions and words. Just like Virgo Moons, these people like clean places especially and cannot handle unhygienic people and places at all. The types to be careful with spellings at school and work and while texting and maybe avoid emojis or use wrong ones.

Libra

Sun: I think the more you guys like justice and harmony, most Libra Suns I have seen have rather disbalanced scales are WILD, but the justice is indeed super important when it comes down to them ahem ahem. I also see you guys put great efforts in wanting to be liked by people often, and sometimes if not all, would try to make efforts to do that. Usually very charming and friendly and would even make a beautiful smile on their face for their worst enemy in social settings rather than letting people know they hate them. They can hate many people honestly, but with you, you are the best one and the most special person ever, behind your back, idk depends vastly honestly, so if you ever confided in a Libra Sun because of their nice nature in the 1st meeting, good luck babe!

Moons: I think Libra Moons are very nice again and do all the nice talking to make you comfortable but they are actually most justice oriented and fair than Libra Suns. Their mood can actually depend on how good they look honestly. Also very kind and nice and usually would say the things someone would blow up on your face for in the nicest manner idk how do they have so much patience. Also they have a silent charisma to them often I have seen. They again are nice to everyone and never really blow up even when the scales are highly unbalanced or I may say, unless the scales are trashed :D

Risings: AH SUPER CHARISMATIC. Very lovely people. And super attractive I must say, and I would say effortlessly idk how. If I could describe libra risings by one color I would say pastel pink idk every thing about them screams aesthetic and pretty, their aura is usually very fun and uplifting and it is unlikely they take any kind romance they have ignited in people by their words and charisma to be taken seriously. Popular people, liked by everyone kind of placement. I mean they can be worst people too but atleast from far and in the first glance, it is highly unlikely you would be able to guess.

Scorpio

Sun: I would say they are either of extremes, either you have never seen or heard from them are they are one of the mysteries of the world and super quiet or they are LOUDDDDDDD there is no in between and regardless, these people have some kind of charm and I would say MAGNET in them. They can be the most toxic people (they are not, tho there are exceptions) but you would still feel attracted to them idk why would be that so, but it would be like that most of the times. Also sometimes I have seen these people often cannot stay in friend groups for too long even if they tried to, some kind of drama would always happen if there is a friend with Scorpio Sun in the group because these people are actually super sensitive, though I never say its a bad things. I have seen whenever I simply hear or even sit near a frustrated or jealous or angry Scorpio Sun I feel a certain kind of vibe to them. It feels like heaty and heavy I cannot explain. But yeah strong emotional reactions, even if quiet or even if someone else is narrating it, I can know it was a Scorpio Sun idk how. Very territorial and possessive and if they know someone did their friend wrong they better fear lives but it only happens when they feel close to you or vice versa and that happens super rare....But once they decide they really want to keep you, it is a long friendship.

Moons: Tough, Strong people. They are brave and fight the worst adversities that are thrown on them. Their emotions change them in the sense that before going through anything they would sense a storm is about to come, and their emotions would adapt to the change before their mind and body. Really good at reading people and the room and understanding your deepest, most unexplainable feelings as if they have experienced every kind of emotion possible. Usually psychic, intuitive and empathetic. Could often dream about the past and can have troubles breaking mental patterns especially if they are harmful in some way.

Risings: They remind me of the black and white filter honestly idk why. I think I can say most scorpio risings are not as loud or outgoing, they can be fun and wild but they usually have an intimidating aura, I would say more intimidating that Sun and Moons. Often seen them have shadows on their face, and also, sleepy eyes like they do not seem intoxicated exactly but their eyes are not wide awake normal like most people. You can never know them honestly, just like any scorpio placement and they can merge into the background if they wanna hide and you would not know. They are the friends who respond to your texts 2 months later or are out of reach every 2 months. Never consistent on social media or never post is one more thing.

Sagittarius

Sun: AH VERY BLUNT LMAO. Most Sag Suns I have met are very blunt especially if they are comfortable with you or your friend. Always have a world of their own, maybe they have occupied their mind in some movie or drama or maybe they are busy creating some art or lost in their day dreams they are not really present in the current world and I guess that is why they have energy, especially physical energy I must say. Every Sag Sun I have seen has liked dancing at one point and always has some kind of engagement outside their own culture, be it supporting a sports team different from their own country or being invested in some other culture's movies and entertainment.

Moon: Sag Moons I know sometimes seem to have problems in understanding other people's emotions because theirs are so big and expanded that they cannot really see it for other people. I have seen Sag Moons are often the kinds of people to develop an affinity for some kind of place or person they have never met very easily. They are actually very dramatic just like Leo Moons honestly but different in the sense that it takes longer for them to see things clearly I feel. Usually very optimistic and motivating and very hopeful for the future. The most bold and big actions they take are when they are impulsive because of high emotions I have seen.

Risings: AH I do not know why but Sag risings are very beautiful, yes, beautiful. Literally. Such a beauty to them, even if they may not be conventionally or beauty standard pretty, they feel beautiful. These kinds of people who you sit with for 10 minutes and they say the most life changing things in a single line without even them realizing, maybe while doing random things and they do not even realize it. Always wanting to travel or connect with other cultures, more proactively than other people I feel.

Capricorn

Sun: I do not know but every Capricorn sun I have seen has a vibe of "do not touch me you peasant" or "no thanks, do not wanna hear your good morning I have a business meeting" and this is when you would be seeing them at lunch in the cafeteria, probably even in high school irdk. A serious persona and appeal idk they also seem mysterious for some reason and feel like they are unwilling to talk, its a hard and confusing energy. Also you can be their friend for years and you do not really know if they are your friend. I think the best way to know if a Capricorn Sun is your friend is when you see them respond to your texts in time, give you their time and energy. And if a Capricorn sun is spending money on you, I feel you are really serious for them lmao

Moon: STOICS. You can never read them. They will never tell you about their emotions even after they die, especially if they have specially decided not to. They hold their emotions back, and often wait for some kind of time or opportunity, which does not make it better but probably worse since the jist of the emotions and when was the right time to say was probably gone. If you are a Capricorn Moon, please tell your crush you like them before they have 10 grandkids. ALSO, you guys are good in this sense that you do not disassociate at worst emotional pressures and dramas and never act out on your emotions no matter how DRAMATIC AND INTENSE the situation is so you never really make a fool of yourself actually.

Risings: AH Capricorn risings, they are actually elites, or they feel like that. They have that serious and "do not waste my time if you have nothing important to say" kind of look. Very savage and people fear you for some reason and your intensity and seriousness is not something you try to do, its just silently felt lmao. The kind of friend in the friend group where after cracking a joke people see if you laughed, and if you did not, they feel they messed up and even if you did, they ask you if you were not offended lmao. Good people to go to for taking serious advices/conversations they have capacity for that.

Aquarius

Sun: Honestly I cannot even lie anymore, I have never seen an Aquarius who does not has completely, completely different and sometimes, even concerning views on the most common things and they are actually proud of it and its crazy. You wanna compete with your Aquarius Sun friend in what most weird things have happened to you, you cant actually LMAO. Also, most Aqua Suns can have really good emotional intelligence in understanding other people, but themselves. Always aware on what is happening in the world, and also, good with internet and computers. Kind and Generous at hearts<3 Also idk why do most of them speak with a lot of pauses in between.

Moon: I have seen 9/10 times people with Aquarius Moons have some very weird relationship with their mother. Either she is absent but not absent really, and she loves you but does not love you idk. I also feel as a child you could have been the weired one, the one people tried to tame but in the end YOU are the one who ends up doing something completely different from their family and usually succeed (especially if you do it consistently and do not get a superior complex in between) I have often seen regardless of how good and bad it is, these natives are always distant from their family emotionally, and more connected to their grandparents than their own parents. Usually people you can share anything with! and they take their friends very seriously I have seen.

Rising: Aquarius risings I have seen are mostly active on social media, and are very likely not posting themselves but rather posts on geopolitics, or maybe poetry or maybe something that people would find relatable. They also seem to be people who make you comfortable being weird around them without even trying. It is like you can say something really quirky or weird around them that people would probably make faces at you for, but they would respond genuinely without judgement lmao. Very friendly and welcoming to all kinds of people and as a result have a very colorful friend group.

Pisces

Sun: Very sweet people and usually very introverted but they are always occupied and they are always doing something, especially artistic or musical. Most Pisces Suns I know are actually really good at artistic stuff. The types to doodle at the back of their notebook, or zone out in classes. They are usually very kind but actually very sensitive. Also even if you probably bother them, they would not say much but if you bother someone they feel protective about then that is another thing. Very emotional. Random but I have often seen these people confuse romantic and platonic love they feel, so I do not know if I would say they are emotionally intelligent in that way.

Moon: Pisces Moons I know really really connect to music, or do music in some shape or forms. Really artistic. Also, I would not like to be awful and generalizing, but out of Sun and Rising, Pisces Moons are in their feels really easily. They attach themselves to things and people super easily as well. Apart from Sag Moons, Pisces Moons are also able to attach themselves to people and places they never seen and even dream about them. But they actually have really intense connections to their imaginations are fully emotionally invested in their hopes and dreams, even the ones they see in sleep. Really good at manifesting. idk but Pisces Moons are also good at lying and also making up real emotions when they need to, its like their super power.

Risings: I personally have never known a Pisces rising. But I would talk from what I have seen so yeah. First of all regardless of gender, people with Pisces rising have some kind of feminine look to them, like how do I explain, like pretty white stars shining on them. I feel most Pisces risings, at some point in their life, have been really gullible. I also feel Pisces rising really do have two completely different. opposite sides to them, now if is apparent to them or people is one other thing. Good at artsy stuff and have really good skin. Really beautiful, probably a little downturned eyes, it looks like their eyes have stars and dreams and hopes in them, and this is something I have seen be constant. Idk for some reason it feels they somehow always carry their past with them and probably never really show their vulnerable side

typing this broke my hands lol

i love you all

leave suggestions in the asks

xoxo

[modanisgf]

LIKE , HANNI PHAM

✎ SUMMARY — in which hanni makes an album about her crush, choosing to never release it for obvious reasons. but what happens when her friend accidentally leaks the album, her crush even promoting it?

✎ PAIRING(S) — musician!hanni x actor!reader

✎ GENRE — fluff, angst, wlw, mutual pining, hanni as beabadoobee (music), reader is implied to be like marsai martin, fake dating, lots of drama (sorry..)

✎ WARNING(S) — kys jokes, profanity, hanni and yn have some insane fans…, updates may be slow, nothing is real!

✎ FEATURING — newjeans, gunwook and matthew of zb1, sunoo and riki of enhypen

✎ CREDS — dividers from @/cafekitsune!

✎ STARTED 4/30/24

✎ ENDED 6/20/24

masterlist

profiles— frank ocean enjoyers, worlds best actors

001 — wdym hanni pham new album..

002 — HYEIN????

003 — its over for hanni

004 — i think we got the wrong traction..!

005 — hybe is NOT happy 🥰

006 — boyfriend

007 — oh they’re onto us..

008 — love scenario

009 — fuck overwatch

010 — the boy is mine

011 — take a bite

012 — chicago

013 — 4me 4me

014 — mariah’s so real

015 — let me love you

bonus — happy birthday matthew!

016 — maniac

017 — sunsetz

018 — my kind of woman

019 — set (hanni) me free

020 — hanni’s back?

# ACT TWO — LUNCH.

021 — dating era

022 — the fair

023 — birds of a feather

024 — don’t wanna break up again

025 — dimple

026 — just a little bit

027 — cry

028 — a pearl

029 — right side of my neck

030 — bags

031 — ivy

032 — i wish i hated you

033 — die for you

034 — supernatural

035 — forever & always

036 — one more last time

037 — bambi

038 — still monster

039 — crash my car

040 — like

TAGS 🏷️ (CLOSED): @jayjj7 @haerinsloverr @aribunnu @masuowo @multiliker @winieter @sewiouslyz @edenzeepy @popasi @home2venus @ghstvr @technicallyimportantsweets @he------len @yukianism @yeetaberry127 @haechansbbg @linnnsworld @sixflame438 @emotionallyrin @gtfoiydlyj @inosfavgf @rvoulte @hotluvlet @sserajeans @saysirhc

[speakergame]

Progress Update - 3/4/24

Hello and happy March!

It’s been a while, hasn’t it? 😅 Well, I finally have some good news for you this time: I have some actual news!

I'm happy to be able to announce at last that an update is on its way! I’ve still got some assets to make and code cleanup and testing to finish, but I should finally have something to show you soon.

I’ll put a cut at the end of this and go into more detail about the what and why of what I’ve been working on during this long and unintended hiatus, but the tl;dr is that I hope to have an update out by the end of the month, and that said update will break any saves made in Chapter 4. Unfortunate, but unavoidable, since Chapter 4 had to be recoded from the beginning 😞

I just want to thank all of you once again for sticking with me through my extended silence! Especially to my patrons who’ve put up with me putting everything on pause month after month while I dealt with my real life shit, and to everyone who’s sent me kind and supportive messages to let me know Speaker hasn’t been forgotten. It really means a lot to me.

Okay, enough of that sappy shit! I’m gonna get back to work finishing this up 😁 I’ll put out another update later this month once I have a more definite release date.

Thank you all for reading! I hope you’re having a fantastic 2024 so far, and that the rest of the week treats you kindly. See y’all soon! 💙💙💙

(For those who want a more detailed breakdown on what’s been happening and what to expect, hit the readmore)

I won’t go into the personal life stuff I’ve been dealing with this past year that has slowed down my work, but as far as the actual game goes: 

To put it simply, I just wasn’t happy with it. Some of it could be because of how many times I had to reread the same section while I was coding the scenes that would’ve taken place after the last update, but no matter how much I edited or rearranged it, I didn’t like how that scene turned out. There was something… formulaic that had been happening with the way I always laid out scenes, and a bit of stagnation in the story, character, and relationship development that bothered me.

So I rewrote it. And when I still didn’t like it, I rewrote it again. And I still didn’t like it. I thought about scrapping the whole thing on more than one occasion as I struggled to get out of the corner I’d written myself into.

Inspiration finally struck at the beginning of this year, thanks in part to another interactive novel I follow, and I really like the direction I’ve taken it now. 

Instead of the RO split scenes happening where the last one left off, Speaker, Seer, and Gavin are gonna have a chat about Things™ to move the next story arc forward. Then Speaker will get some downtime, by themself at first and then in an extended scene split with the RO of their choosing. 

All the Big Plot Things that were going to happen in Chapter 4 will be moved to Chapter 5 instead, and 4 will be a bit more of a filler episode. A deep breath before the plunge, as it were.

This split won’t just be a quick conversation/reaction from the RO, but a full on different direction for the rest of the chapter based on who you choose. Most of them will involve leaving the house; all of them will involve actual one-on-one time (or one-on-two time, as the case may be) away from the others. And though romance isn’t required, all of them will have the potential to really move the romance forward if you so choose. One or two might even have a lock-in choice (maybe. I’m not 100 percent on that, so don’t hold me to it) 

These scenes won’t be in the next update, because they’re all very complex, but the update will definitely have the Seer chat and at least some of the by-yourself stuff. The update after will have the rest of the alone time stuff (including the clothes/body CC you’ve all been waiting for), and then the one after will start the RO scenes. I think.

I may actually split the RO scenes into separate updates, and let my darlings over at Patreon vote for the order they’re released. That way I can focus on one at a time instead of trying to split my attention six ways at once.

Okay, that’s enough rambling for me today. Time to get back to work! Still got a lot to get done before this is ready, but it’s so close now.

[turnstileskyline]

The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

[pieroulette]

yandere simulator; xo (only if you say yes)

2024 | 18+ | RUNTIME: 23K | STARRING > Y.JW | SUMMARY; when you—a corporate worker in her late twenties—finds a strange self-proclaimed online game "no one has ever win this game yet", where its premise are centered around yanderes, but instead of the classic route where the yanderes had to chase you, it is you who have to do it; turn the boy you've chosen into a lovesick creature for you before someone else does. playing it online is surely fine, but what happens when you find yourself stuck in its world?

GENRE: yandere, survival/death game, character-driven story, violence/gore, dark psychology, psychological thriller, drama

LVL 2 WARNING: intense emotional outbursts, minor graphic details of gore, ;; not a native eng speaker! grammar errors ahead!,

THEME MUSIC: ROSEATE LIGHT / BGM.

DIRECTOR'S CUT, ep 2 is finally out after two months of grinding!! its not my best work, as im kind of bummed with my eng. i've revised it countless of times, so apologies for any mistakes but regardless i hope yall will still love it <3 btw i don't do taglist for my works, apologies for that! so today concludes the last release for this roleplay game bc i have to finish two film projects which has been delayed for quite awhile now :'( so there won't be any update until further notice! soo yeah 𖹭 hope you enjoy and tyvm for reading!

loading... lvl ②

this is a roleplay story game with a poll, where you may either choose to observe yourself as the protagonist or the one helping the protagonist. to play the game, it is advise to read the story properly because once you've reached the bottom, a poll will be presented with multiple routes you have to choose. every level's poll has a 1-week time limit, and therefore it is advise to not rush to vote and to have a discussion among each other first, and to think wisely which choice you think are the best —as the majority of the votes will decide how the game progresses. but its important to keep in mind, that each route has its advantages and disadvantages and may lead to the protagonists' downfall rather than benefiting her.

AUG 23. 2024

EARTH, ****

i. WHAT IS A GAME TO YOU?

A game is an activity, one that engages with for newfound experiences, for amusement and fun, or simply out of pure boredom.

In a sense, it is a virtual world where you are able to do something you were unable to do in the real world; to live out a role. There are numerous, vast array of games, whether it be analog or digital. So many of them, you couldn't get the definitive, exact count of the total number that exists in the world.

But does that even matter when its main core is to give you an experience out of this world?

The real world.

Where humans assume a role the moment they realize what it meant to live and survive, yet not just one but many. We often rotate these roles like a roulette depending on who we talk with, or what kind of situation we're in, maybe what is expected of us, or to abide by of what is our current status and position.

The origin of the word 'role' could be trace back further to French rôle from obsolete French roule ‘roll’, referring to the roll of paper on which an actor's part was written, and also from Latin—rotula, rotulus 'little wheel', which is a diminutive of rota 'wheel'.

In a sense, we created scripts in our head of how we should act. Because think of this, how would you act if your mechanics suddenly acted like a doctor? Its weird, right? Or maybe depending on your opinion, you may find it hilarious.

That's why we act according to our role, the part given to us, and the many parts that we've assumed on our own.

The most famous quote expressing this comes from Shakespeare: "All the world's a stage, and all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts." 

Shakespeare are implying that all of us are constantly wearing masks. That some people are better actors than others, and he was right.

Person, comes from Old French persone, which derived from Latin persona which means 'actor's mask, character in a play'.

We're all actors in a colossal stage play, with roles to play.

A theatre; maybe you could compare the the actors as blocks—maybe a Jenga? A colossal building blocks that fits perfectly together, forming a cohesive tightly fitting society. Major or minor, each block is a component that serves a purpose to the society—fulfilling our respective roles. Yet that role can be taken away as easy as it was given to you, or even if you worked hard for it.

Why?

There are exactly eight billion people in this world, and these numbers will kept growing. Shall that mask comes off, or if you do not play your role properly, will society still accept you?

No. We are all too easily replaceable.

One block could be filled in or pulled out when the circumstances sees it fit, it's one heck of a big thing, anyways.

Whether it be in your personal life such as friendships, ever heard about trios rarely works? Or in relationships where your lover seems to pay no attention to you any longer and you are left wondering what went wrong? Or perhaps, in your career—where you are thrown out as soon as someone new, someone way younger and capable than you are came around despite pouring your best efforts in that field for so long.

A brief, momentary experience.

Yet some blocks get to never fit in, though. Never knowing how it feels like to be in one. Because it just, never fits in. It remains as a part of the auditorium, sandwiched in between the audience seat.

Say, you desire to inherit a farm or live in the countryside but you don't even have any family nor relatives in this field. Ever wanted to ride a dragon and wear a dazzling heavy armor across the sky? Or have your own restaurant whether it be a Chinese cuisine, maybe not that one but a pizza restaurant where you serve millions of people? Start your own business startup, sign all those contracts with the tycoons and earn that huge bucks of stacks but just don't have the time, energy, and capital to do so? Or maybe a pet shop because you had the unrealistic wish to own dozens of pet breeds?

Want to go through the nine-month process of pregnancy but all the post-pregnancy effects has your face cringing in fear? Or you just wanted to have a small cozy home yet you're too broke to even afford one? A healthy relationship, a functional family? A loving mother? Sure. A responsible father? On the way! Or you just wanted to feel loved? The bare minimum of all?

Sometimes, we're not so satisfied with the roles we end up in—that we are engulfed with a desire.

It could just be a mere hobby, to escape reality, a stress reliever, or to be part of a story you've never been and desires to be in. Its a role that deviates from who you are, from the hands of judgement of the court, where no one can judge you. To live as someone.

A virtual experiences. An immersion. A roleplay. A recreation. A simulation. Whatever you call it, all of them was meant to satisfy. To satisfy an urge, a want, a need—a desire for something. To feel something. To fill in this hollow void within.

To relive what was lost or to live what never existed in the first place.

Because why do we even read stories in the first place, then?

Something you can only do behind that screen, just a second away from your digits.

A chance.

And you were being given the second chance to relive those experience one more time, without having to give something in return.

It is one in a lifetime chance, the fact they don't give this freely to anyone enticed you, tempted you.

You desired to be love and craved for with no care for limit. For you were sure as hell no one would go crazy for you in this life. For you, yanderes are the epitome of love that are eternal and immortal. Anyone can say what they want to, but this kind love, no matter how toxic it may be, are divinely tempting.

For once, you wanted to be loved, not to love.

What harm would it do to you, even? Unless this game pulled a dirty trick of asking you to pay a heavy sum of bucks after, then it go screw itself, you could just press the exit button as swift as you can but for now, you'll see to it.

You accepted the package.

Pressing the button, a set of gift boxes in a variety of colours in their ribbons appeared much to your surprise, floating around in a rhythmic motion accompanied by a new BGM before settling down in a row at the bottom of your screen.

Curious, yet intrigued—you tapped on each gift box.

➤ .. 🎁 HEARTY EYES: APPEARANCE INCREASED BY 10 POINTS!

➤ .. 🎁 LOVE POTION: A WHIFF OF ROSY SCENT!

➤ .. 🎁REPUTATION METER: INCREASE BY 5 POINTS!

New XPs and skills made its appearance one by one, lighting up your eyes with delight and excitement. This new additional gifts would surely help you in your second try! A final gift box appeared out of blue much to your surprise, there's one more? Gulping down with giddiness, exceedingly curious of what it could contain, you tapped it with no hesitation.

➤ .. 🎁 DRESS-UP DARLING, THE GRAND INVITATION: REVEL IN YOUR NEW SKIN!

Eh? Invitation? Skin..?

You rubbed your heavy lids, for what purpose would you need a new skin for? Brows knitted deeply together deeply the peculiar package. Perhaps it could contained some extra points that may increase your appearance judging by its title.

New skin..

You accepted the gift box, and to your surprise—it returned you back to the options of play again, or return to the main menu in which you pressed the latter. What? That's it? No such thing as redirecting you into a fishy website, or all those eye-boggling digits?

Breathing out a small wow, although short-lived as your jaw dropped. Gasping after noticing the devil hours glaring back at you—illuminating your dark eyebags in blue hues—the sequences of events where your employer scolded you, slamming the colossal bold title of 'fired'—sending you in sheer panic.

Placing it under your pillow on your right side, you hurried to sleep as you tucked yourself in your cozy blankets.

Pitch black cloaked the entire expanse of the sky, yet the hush of the moon herself—conquered with vigor, casted a soothing spell—beckoning your heavy lids to succumb to its embrace.

Drifting into the darkness, you did.

Unbeknownst to you, a glow of light flickers beneath your pillow—illuminating the edge of your slumber face, approaching like mist— overshadowing the moon—dusting half of your nose a stroke of rosy tint, morphing into a heavier shade that consumes your face, to scathing your entire skin in streaks of crimson.

It progressively crawled out like an animated form of blood, dripping down your bed and onto your floor—morphing into razor sharp fingers that obscured your windows from the outside world.

Submerging your window in deep red, illustrating the image of an apocalyptic day.

The floor, your furniture, your closet—enveloped by its approaching force—bathing everything it could see in red. Returning to your side, it tucks your locks behind your ear before slithering across your arm, twirling around and settling on the table by the bed.

A display screen glowed amidst the flaming red, typing out a text:

APRIL 8, 2026 ➤ .. Good night, my darling.

The ceiling of your room greeted your drowsy lids. You groaned, irritated by the rays of the sun peering through the gaps of the curtain—casting its searing heat on your face.

You shifted your body where your back faces the window, your hands instinctively searching for your phone under your pillow, frowning when you couldn't grab anything.

Head clouded with slumber, you were sure you had placed it right there. Shifting your body once more, yawning as you stretched your hands on the bedside table.

There it is!

Raising your eyelids a bit, you tapped your phone's screen twice expecting to be greeted by your lock screen. Eyebrows knitting deeply as you quickly paused, rubbing your eyes to get a better look.

"Huh?"

Stunned by the peculiar color of rosy pink blotting your blurry vision. You felt the cold material in your palms, searching for the supposedly touch screen but it was too small and slim—hold on. You jammed your thumb in-between the two layers, flicking it open.

The heck is this? A flip phone? You were sure you've threw your barely working flip phone years ago. And it wasn't even p-pink?

Your sleep-dazed brain swirls with deeper confusion as you navigated through the strange tiny icons. All dripping in pink much to your disbelief.

Favors? Schedule? Student info? What the heck is all this weird stuffs? Your eyes widened when you finally notice the three-digit clock, it propels your body to tense almost immediately, sitting right up with eyes blown wide.

A high-pitched of whines escapes your lips. You're in for a great risk of getting fired today. You pulled the blanket off your frame, hurrying to get ready before all the eerie prospects in your mind come true—

Huh? Hold on.

Your body halted when you put your bare feet on the floor, eyes falling on a carpet that strangely looks a tad bit different than it used to. The patterns? The color? Groaning, you passed it off as another trick your brain playing on you as you just woke up. You rubbed your groggy eyes, yawning as you sprinted to the bathroom.

You really got no time for this, mumbling as you grabbed your toothbrush, putting a toothpaste on it before pushing into your mouth. So much for playing the damn game, now you're terribly, terribly late.

A fatal hit to your ten year streak as a diligent corporate worker. Now that you thought of it, a sigh escapes amidst the bubbles in your mouth. After awhile, with this mundane average life of yours that you've lived over the years, you've begin to wonder when will the time come for you to save up enough money to be able to quit? You've never had even a single vacation out of embarrassment and consideration for your co-workers.

At some point, you've felt like you were an automatic machine repeating and completing the same tasks every single day for ten years. It came to a brief thought that perhaps you were only truly living at night.

If only there's a world where you an escape to for awhile, away from this boring reality. But there's no way that world exists. If only you could—

Thoughts halted, looking at your reflection in the mirror. There is something wrong, and no, it's not your face—though you look strangely youthful? Leaning closer, you inspected your features with furrowed brows. Dark eyebags and the wrinkles nowhere to be found.

Eh?

Heck, you weren't that old, for sure. Yet you look slightly younger for some reason. Squinting your eyes, you stood a few inches away from the mirror, pulling a random poses as you try to observe anything you could find. Poking your cheeks that was strangely supple, a stark contrast of the hollow cheekbones you captured in your camera a few days ago, complaining to your friend of how you were aging so rapidly.

All those random beauty products she recommended to you finally worked out? Or was it the short burst of sleep you got? Knitting your eyebrows together at the thought as you resumed brushing your teeth, it can't be though?

Wait. Hold on.

You let out a gasp, snapping your head behind to you where your bathtub stood in it's glory. That's it. That's the shit. That pristine ceramic shooting rays against your face.

You don't have a fucking bathtub.

Where did that giant heck of a thing came from?

You've spent all your years dreaming for one, to submerged yourself in bubbles to chill in after a long day of work.

However to do that, a better apartment and an extra space is what you needed first, where you could put everything in their respective place. Having everything meld into one small room is mentally exhausting, and that wish only seems get further and further away from your grasp when that five digits holding the thread of your life keeps slamming you back to reality, leaving you cramped up inside your tiny apartment.

Maybe this is the sign that you should just be grateful and not to be greedy for more. But..

But this thing—is truly in front of you.

You took a few steps backwards to take a full view of the bathroom; it's oddly familiar but unfamiliar at the same time. You were sure you've seen this somewhere but you can't put it right in your mouth. With confusion hanging in your head so deep, you took a few gargles—finishing up.

Thinking back to it, this bathtub kind of look familiar.

You stood by the door, pausing for a thought you tilt your head sideways.

Something is amiss and it begin to sink in.

This is not your room.

With the realization setting in complete form, you stood there in bewilderment—snapping your head around, observing the unfamiliar furniture and corners of this strange room.

Where are you? And what the hell is that uniform hanging at the wall for? Are you perhaps having a lucid dream, where you could feel pain and all that sort of stuff? It must be those weird YouTube videos you've watched over the past few days.

Somehow, this looks like.. This looks like just like—

No way, though. You let out a nervous laugh. Pinching your cheeks hard, you let out a terribly loud 'ow', frowning at the throbbing pain. Why the heck does it hurts so much?!

➤ .. WELCOME, DARLING! I'VE BEEN WAITING FOR YOU FOR SO LONG!

You lose your balance, letting out a high-pitched scream from your throat—tipping off your sole when a huge floating pink object emerged out of nothing at your face. A computer display?! Almost like the science fiction films you've watched, it resembled a hologram but much, much more vivid and vibrant, floating before you.

A p-popup?

"W—what? Huh?!" Elbows digging on the floor, your expressions contorts into an amalgamation of fear and confusion. You hissed at the throbbing pain on your butt, rubbing it off to ease the pain. Why the heck does it hurt so much?!

You notice as it swiftly typed out a question.

➤ .. OH MY... HAVE YOU FORGOTTEN?

What is that thing?..

"W-what? What did I forgot?" Stammering, you blurted out without much thought.

➤ .. YOU LOSE LAST NIGHT. WHICH IS QUITE UNFORTUNATE, YET IT IS TO BE EXPECTED, AFTER ALL.

"The heck are you talking about?"

➤ .. YOU'RE IN MY GAME.. IN THE WORLD OF YANDERE SIMULATOR!

It took you a whole minute to process the words, laying there on your elbows. Until a high-pitched laughter spills out of your mouth, legs kicking in frantic motions as you try to push yourself up to stand.

Yandere Simulator? The game you were playing?

Bursting into another round of giggles, holding your stomach with your arms at this newfound joke. "M-me? In a game? More like in a dream!"

After what seem like a long laugh. You let out a huge exhale, now completely sure that this is a dream.

"Okay, wake up now," You slapped yourself on the cheek lightly a few times, clearing your throat as you shut your eyes tight. "You're too freaking obsessed with that game for god's sake. Wake up, wake up!"

A few beats of silence echoes.

You open your left eye, taking a peek. But to your disappointment, you're still in this weird dream.

➤ .. YOU'RE IN MY GAME. DON'T YOU GET IT?

You ignored it. Rushing back to the bed, tucking yourself in the blankets. Go back to sleep, idiot. You screamed in your head.

A robotic giggle suddenly hit your ears, forcing your eyes to open as goosebumps riled across your skin.

That thing is giggling for fuck's sake, you thought. It bounces as its pink color flickers on and off, syncing with its giggles.

➤ .. WELL, I'LL LEAVE IT UP TO YOU TO FIND IT OUT YOURSELF THEN. IT'S A GAME AFTER ALL!

Your jaw dropped. It disappeared. More like vanishes into nothing like how it appeared out of blue. What? You weren't imagining things, do you? It w-was there, just now!

You immediately stood up, with your foot planted firmly on the floor, urgency and nervousness amplified with every second.

A game? How ridiculous.

This place that somehow resembles the game you've been playing for awhile now, it's complete nonsense. Your brain tries to search for an answer and your face beams up.

Or perhaps is it the end of the world? Have Earth been conquered at last?! Were all those news from thirteen years ago were real? Repulsed by the idea, you lose your tipping trying to make sense of this holographic square before you.

But wait, Earth is too dumb for aliens to even consider to conquer. Maybe you've had time traveled? Shit. Have you accidentally teleported into the future where cities had advanced in great lengths and technology? It could explain why that weird thing just now resembles those science-fiction stuffs.

"Am I.." You pointed towards yourself, voicing out a scary question. "In the future? Like 3000-ish or something?"

No? Thank god.

Wait, this could be lucid dreaming, though.

The fact that you're having a dream of the game, it must've been triggered by your outbursts of your failure last night. Such a vivid and immersive experience, there's no more fitting answer than that. Were you so damn obsessed with the entire game to lead you this point?

You scoffed in disbelief, placing your hands on your waist as you poked your cheek with your tongue. This is stupid.

If this is a lucid dream, then.. If you recall it correctly, to exit out of it—it requires you to say a script out loud, or perhaps do a particular action such as exiting a door or running across a hallway to mimic the speed of time, so as to accelerate your brain back to its conscious mode.

Appalled by the sequences of this strange dream, you made up your mind as your eyes darted over the door. Here you go! Pushing the door open with your might, you're greeted by a strange hall filled with rooms on your either side. This is strange, you thought. Without wasting any more time, you sprinted down the stairs where you can see a ray of light illuminating the bottom of the stairs.

Jumping off, you took a leap—landing on your feet with a thud.

"Dear, what's going on?"

You froze on the spot.

That voice. That face. It can't be..

W-what is t-this?

You haven't heard it for so long. How long had it been? You lose your footing on the stairs, covering your mouth as your hand trembles, mimicking the rampant movement of your pupils. This portrait before you, one that was long forgotten, one you've last seen so long ago.

"H-how?" You found yourself falling into your father's arms, feeling his warmth. The sensation of his freezing palms when you held it in the morgue crashes back to your head. Am I in heaven?

Were you actually dead?

"D-dad!" You wailed in his arms, gasping for air, you tried to wrap your head in this dilemma. "Y-you know that I m-miss you so much! Why did you left without saying anything?!"

No response.

Wiping off the tears off your eyes as you pulled away, trying to take one more look at your long dead father. He can't be here, you've seen it, with your own two eyes when he was buried sixty feet underground.

But this man right here, that face. You're not mistaken. From the head to toe, it was just like the day you've last seen him. "You- you aren't real, are you?"

"Honey, sweetie, breakfast is ready!"

The voice of your mother caught you off guard, eyes darting swiftly at the door across the room—caught off guard by the voice calling for you from the kitchen. Mom? Why is she— Beside her, your elder sister and younger brother are seated in the dining room, waving their palms at you,

"M-mom? Sis? What are you all doing here?"

With questions growing havoc inside you, the appearance of your mother preparing food in the kitchen puzzled you deeper. You look over at the dining room where your siblings are seated, indulging in their phones with your father now joining them in the middle—reading his newspaper for the day.

A scene all too familiar that it crawls all over your skin with rampant fear.

Home. It felt like home. But at the same time.. its not.

"Am I really dreaming?" You cupped your face, feeling the evident warmth of your blood rushing to your cheeks.

"What's wrong?"

Your soul shrinks at that voice. A gasp escapes your throat as thousand no's shrouded your head knowing all too well that this is purely impossible. Before you knew it, tears spill once more from your eyes as you turned your head towards that voice—however this one bears no longing, nor sorrow—it was resentment swirling with humiliation.

The visage that brought your whole world crumbling into pieces, flooding back a long forgotten winter that cripples away your will to wait for the next spring.

You feel yourself turning small, vulnerable—a thousand needles absorbing into your ribs. "What are you doing-" Whimpering, you casted nervous glances at everyone, "W-why is h-he here..?"

Taking a few step backwards, as you release a shaky breathe.

"W-who let him in?"

You frantically glance at your family, desperate for a response, an answer. Whereby the pitch of your voice growing louder with every second that passes as they only casted you a spine-chilling stare.

A long, empty one.

"Who let him in here?!" You repeated.

"Sister? What's wrong?" He tilted his head down, bearing an innocent expression.

"S-sister?" You emitted a scoff of disbelief, raising your arm to harshly point at him and then towards the door. "What sick game are you playing?! Get out! Get out!"

"Why are you saying that to your brother, honey?"

"Brother? M-mom— Are you being for real?!"

"Why, honey? He is your brother, you grew up together."

You were on the verge of cursing when suddenly your family—every single of them, suddenly stood in synchronization.

Alarmed by the downright frightening scene, your feet instinctively step backwards. "W-what's going on?"

If fear was something you'd never truly comprehend before, then this one tops it all.

"What's going on?" Each one of them repeated the same sentence, voices layered on top of another, resembling a cult ritual. "Darling. This is your reality." They all look back at you.

Your heart palpitate rapidly, every muscle in your body pulsated in sheer terror. Voice dripped in heavy desperation, only for it to come out louder than you expected it to. "What the fuck?!"

Suddenly, the familiar robotic giggle reaches your ears from behind.

➤ .. SO HOW'D YOU LIKE MY GIFT? ➤ .. I BROUGHT THEM HERE FOR YOU, ➤ .. SO YOU WON'T BE SO LONELY.

Your blood-shot eyes snapped to its direction, stumbling backwards on the stairs with terror engulfing your soul.

"W-who are you?" You yelled at the top of your lungs. "What are you?!"

That thing resembling a computer display carries such a heavy presence with it, you can feel it crawling in your soul—the display screen gnawing at your frame despite its lack of facial expression. Mimicking your movement and the text box flashing in timed intervals indicating its next reply didn't do nothing but give you a heavy uneasiness.

This unsettling energy it carries as it begins to type out a new sentence.

You are aching so bad to get away from this thing as far as you can.

➤ .. WHAT CAN I SAY, WHAT AM I? JUST A LITTLE POP-UP TO GUIDE YOU IN THIS WORLD.

Your frown deepens, "Guide m-me? What?"

➤ .. I TOLD YOU, DIDN'T I? YOU'RE IN A GAME.

"Stop that bullshit! Just what kind of nightmare is this?!" Smacking yourself in the cheeks once more, yet harder than you did the first time.

With trembling hands, you try to force yourself to wake up from this terrifying nightmare.

➤ .. "TAKE A LOOK AROUND FOR YOURSELF, THEN, AND SEE WHERE YOU ARE STANDING RIGHT NOW. ➤ .. DOESN'T IT LOOK FAMILIAR?"

Splayed fingers over your eyes, you observed the whole space.

These peculiar animated expressions despite the humane features, despite being the faces you've held love for—it's akin to machines having a prosthetic skin glued on it, mimicking the data installed in their drive.

But it can't be. It's just completely impossible for you even to wrap it around your head.

You, in a game?

Heart rampant. Clammy hands. Your feet frantically deciding which way to go. Before your eyes caught on to the sun rays peering behind the closed curtains, rushing towards it— swiftly pulling it open.

No. It can't be.

With disjointed thoughts, eyes darting around you. You searched for logical explanations yet with this pounding chest, trying to form a coherent sentence. Your mind says that it can't be possible, but your eyes are saying otherwise.

"T-there's no w-way."

Yet as you turned your head to every single thing in this house, your blood runs colder and colder. Every single furniture you've tapped on a screen are now before your eyes. The hours you spent on navigating around the living room, before going on with your missions and side tasks—it was now all here.

All before your eyes. Where your fingers could feel the physical edges and corners. Every single thing.

➤ .. "YES YOU ARE! AIN'T IT FUN? A WHOLE NEW IMMERSIVE EXPERIENCE! ➤ .. YOU CAN NOW MEET JUNGWON, HIMSELF!"

No.

There's no way this was possible. You can't accept it. No. No. No.

"No, t-this is not it!" Stammering, you shook your head frantically. "T-this is n-not what I wanted!"

➤ .. "WHAT DO YOU MEAN? ➤ .. DON'T YOU DESIRE TO MEET YOUR FAVOURITE BOY WITH YOUR OWN EYES?"

In your head, it sinks in deeper and thoroughly.

"I don't- I don't care!" Panic emerges inside you. "Is there a way out? There must be, right?! I don't want to stay here!"

➤ .. "OF COURSE YOU DO! WHY ELSE WOULD YOU TRY TO PLAY TWICE?"

"This is not what I mean!"

It came out louder than you expected, laced with sheer desperation as it finally sank in.

The ground doesn't feel real. Even this feet of yours. Everything is so out of place. The pitch of your voice spills out longer, dramatic and exaggerated. Your breathing grew heavier yet short, as if it were being pressed down by sheer gravity.

You look down on your hands, inspecting the finger prints yet it took just that before you clawed down your head as you imagined yourself in this vast virtual world where no one is alive but you.

You wanted to go back.

➤ .. "YOU DO. IT IS WHAT YOU WANTED IN THE FIRST PLACE. YOU'VE ACCEPTED MY INVITATION, REMEMBER? ➤ .. AND I DID NOTHING BUT GRANTED IT WITH PLIGHT."

You see nothing but red.

"Stop twisting my words." You spat out. "No! Bring me back! Th—this isn't what I wanted! You—whatever you are, please!"

"Just bring me back, to my home! I don't want to stay here!"

The pop-up remains silent, not typing out any response to your pleas.

The prospects of being trapped in here forever without any form of escape shrouded your thought with numerous case of scenarios of how lonely it would be, how scary it would be, rendering you to be totally emotional.

"How was I even able to get inside a game? That just isn't possible! Wake up, wake up!" You smacked yourself in the cheeks, pinching your arm only for you to let out a yelp.

It just floated, despite bearing no eyes. You felt like it was looking down on you with glee.

"Answer me! This was never stated anywhere in the game!"

Clutching on the table near you, struggling to keep yourself steady and composure.

You twisted your feet inwards, launching yourself to throw a punch at that thing, however it vanishes—causing you to fall on your hands. Hissing, It didn't deter you from trying once more, filling the space with your screams and profanities, however your humane limits is nothing in comparison with the swift and flawless dodges of the virtual pop-up.

You tried, over and over again.

Getting up countless of times, but not even a stroke of your finger could you land a hit on it.

➤ .. AN ADMIRABLE EFFORT, I MUST SAY. ➤ .. YET IT'S POINTLESS, MY DARLING.

Your feet paused on its tracks, exhausted beyond your limit. Fringe latching on your sweaty skin as you dropped on your knees in despair.

This... can't be your reality.

Clenching your fist tight, you pushed yourself up, racing towards the door, slamming it open only for you to squint your eyes at the blaring morning sunlight. Pushing you to look down to your bare feet planted against the asphalt, a strange feeling beneath your soles. It should've been ceramic..

Your body stiff as your eyes were presented with a sight you've never seen before.

Last night, you were inside your run-down apartment, three stories high where you could see the city tower beyond. Instead of the stairs greeting you in the morning when you opened your door, a gate stood across from you. High-rise buildings are nowhere to be seen, that should've been in high up there once you lifted your head up.

There was no way you could've been suddenly in a damn house. In a strange place. And in a town with its architecture's nothing close to where you came from.

Snapping your head to look behind you. Your stomach twisted and shattered in pits. It is that house.

➤ .. "ESCAPING IS FUTILE, MY DARLING. ➤ .. THIS WORLD IS ENDLESS, LIMITLESS. ➤ .. THERE'S NO POINT OF RETURN."

"Please, let me go!"

You can't be here. You still have work today. What if you lose your job? You have no knowledge of how time works here and there. Dropping on your knees, you crawled towards it—unsure of where to hold it, you clasped your hands together. "Please! I can't be here, I still have work! I still have to pay my bills! I— I haven't—"

➤ .. "WHAT ARE YOU SAYING, DARLING? YOU AINT A FULL-FLEDGED ADULT YET. ➤ .. LOOK! YOU'RE GONNA BE LATE!"

It turns around to gesture inside the house, towards the clock on the wall—pulling your tear-filled eyes over it which are currently hovering at 7 AM sharp.

➤ .. "IT'S TIME TO GO TO SCHOOL."

"Bitch!" You spat out, gritting your teeth. "I've graduated eleven years ago! I don't want to play your stupid game!"

Screaming at it at the top of your lungs, growing desperate as the truth begins to sink in every passing second. Propelling your body to react in ways. Crying you did, sinking your body down in unfathomable depth of helplessness.

➤ .. "OH, DON'T CRY, MY SWEET DARLING."

"Is there really no way. . Out?" You mumbled to yourself amidst all the sniffing and heavy gasps. Overwhelmed by the truth alone.

➤ ..YOU JUST HAVE TO PLAY, AND PERHAPS YOU MAY BE ABLE TO RETURN. ➤ .. ALTHOUGH I DO NOT UNDERSTAND YOU HUMANS, I THOUGHT YOU WANTED A BIG HOUSE LIKE THIS ONE. ➤ .. WEREN'T YOU JUST WISHING TO LIVE IN A MORE COMFORTABLE SPACE?

That hits you. It struck the spot inside you where it was most vulnerable. How did it know? You were terrified to ask. Glaring at it with seething rage,

"Whoever you are, I refuse to play your sick game! Who knows what else you got under your sleeve!"

➤ .. AW, SO, YOU DO NOT DESIRE TO LIVE ANYMORE?

Tongue tied, of course you don't want to.

It's not like you were fed up with life to that point despite even after all those years. This wasn't part of the plan. Not in a game where you'll meet your worse death in dreams. This wasn't where you wish to move to, and you refuse to submit. You still wanted to marry. Find a good man and have your own little family—one that is filled with tiny giggles.

"No. You can't force me to play." Clenching your jaw, you spat at it with spite. "I don't care if you kill me. Fuck you and your game!"

Your shaky breath and the searing rays of the sun echoes and echoes, the only thing that was compensating for its lack of response. As it didn't type out any sentences, as if it was trying to comprehend your sentences into its mechanisms.

Until it did.

➤ .. THAT'S NEW, INTERESTING!

It beams up much to your bewilderment, looking almost too delighted? The colors on its display glowed a few shades brighter, compensating for its lack of facial expressions.

➤ .. IF PERHAPS YOU FRET THAT YOU'LL BE LONELY, THEN DON'T BE! YOU ARE NEVER TRULY ALONE IN THIS WORLD.

"They aren't real." You spat out.

➤ .. THEY ARE, BUT NOT FOR LONG

Your eyes widened. "What do you mean..?"

XO ! ii. NEVERLAND'S SONARE

Youthful.

You scanned your features in the mirror, fingertips grazing over the skin under your eyes—where heavy and dark eyebags use to persists, giving you a feeble appearance. Your employer often points it out with distasteful comments, expressing with disdain of how your haggard looks might deter potential clients away and bring discomfort to customers. Of how you ruin the atmosphere, his mood, specifically when you appeared. He often compares you with your fellow co-workers that seemed to look after their appearances with ease.

You complied, yet despite your best efforts in treating it, it just never seems to go away. But now, such a youthful look only to be laced with sullen eyes—not bearing even an ounce of energy.

Everyone wishes to be young once more. What is youth if not to run wild and free across whatever land you may imagine? Away from whatever life you wished to run from?

Not all people define youth the same way, though. To others, it may mean physical appearances. Downing a bunch of so-called youth pills, going through dozens of procedures, going under the knife, or the fantasy aspects of searching for the youth of fountain.

Some people, though—it meant going back to the way they was before a certain event had happened. The innocent little them that was filled with vigor and curiosity for life. Those vivid memories. These kind of people go through therapies, though.

Youth, youth.

What a funny word.

Yet it has such a deepened effect, a strong grasp on everyone's heads. But would ever they accept to be in a game just for that sake?

Another, yet different popup appears before you, displaying a few options.

▶ TELEPORT TO SCHOOL

▶ TELEPORT TO TOWN

▶ TELEPORT TO BASEMENT

What a sick joke.

"Honey? Shouldn't you sit down for breakfast?"

You halted in your steps, gripping your backpack's strap. Perturbed by the scene of your family with your ex-boyfriend by the dining table, this was peak nightmare.

Suppressing the need to scoff at the image of your 'mother', it will never sit right with you, to sit down on the same table with the characters replicated as your family. Even more so with the replica of your father. So fucking twisted.

Your arms ache to embrace him but this is not your father. A home is supposed to be your bed of comfort, a shelter for protection yet this gives you an overwhelming feeling of strangers clumped up in one space. And him. You couldn't comprehend a single thing. Fitting so tightly, but never seems to belong together.

"I'm.." You gulped down, "Not hungry." You said, a little low for them to hear. But does that even matter? When they will eventually forget it, and return to their soulless routine.

You stepped out of the house for the second time, turning even more helpless and small by the sheer size of this map. This city. The street. The open shops. The pedestrian street. Its people. Children crossing the street with glee and joy.

Their innocent laughter sickens you, twisting the pit of your stomach.

The chill spring breeze blows a mouthful of cherry petals across the path ahead of you, dripping with the warm rays of the morning sun, accompanied by the chirping birds above the trees.

It almost looks too real. Just like all these younglings clad in their brightest uniforms mingling and walking alongside you, behind you, and in front of you—shrouding your line of vision, filling the air with their chatters and laughter.

The entrance to the academy greets your eyes with its opulent golden gate, the same scene that you often see whenever you started the game in your phone.

To stand in front of it was beyond your wildest dreams. A sense of dread envelops your body as you begin to step in, seeing the NPCs functioning according their monotonous coding; the teachers conversing with each other, and the students taking of their shoes and replacing it with the school's ones, heading to their respective classrooms or whatever their routine was for the day.

You gulped down, doing the same thing.

Sandwiched in-between them qualms your entire being, turning your legs into noodles. You almost losing your footing when you accidentally bumped against one of the NPCs, apologizing profusely which they in turn gave you subtle weirded out reaction before going off.

Your peripheral view caught the sight of the rooms; faculty, sewing, and so on. As you stood there, observing and observing; your eyes fell on a student with a camera on their hand, being wary of everyone else. Across the hall, you found the familiar scene of the martial arts club's members walking in a straight line. The occult club's leader strolling on his own as usual. The luscious partly dyed hair fading across the stairs, with their sweater knotted around their torso.

You still find it hard to believe, lost in your shrouded thoughts.

"Ugh!" You stumbled, almost falling on the floor if not for your quick reflex of gripping the nearest table. Turning your head to the brief apology behind you, you held the need to scoff. Of course, what is there to be surprised of?

"Oh! Sorry, didn't know you were here. You got too close, after all."

Neatly combed ginger hair, with eyes turning into crescents paired with a sweet smile. A sickening one, truth to be told. The all too familiar armband wrapped around their left arm and that pristine white uniform; the student council.

Your greatest enemy in this virtual world.

Equipped with spectacular wits, eagled eyes waiting for you to make one single mistake, hands itching to throw you into the faculty room once you do so. These students, five of them, in fact—don't trust you a single bit. You recalled the days of how pissed you were whenever they're suddenly appeared, ruining your mission, forcing you to restart all over again.

You mumbled a small it's okay, and she nodded in response, heading off to the opposite direction but not before taking a small peek at you. A gesture that is greatly embedded in their code. If anything, apart from the teachers and cops, the council is something you really have to watch out for.

Dealing with them isn't an easy feat, even trying to kill them is nearly impossible if you don't join the martial arts club first. All that club practices, and skills you have to increase. It was already difficult enough before, and now that you had to do it with your own hands. Things won't get easier from now on.

You'd have to memorize their routine in your mind to properly avoid them.

On the east side of the academy, you head to the second floor where across the hall—classroom 2-1 greets your line of vision. Your feet halted as your ears caught on the conversations of the students chattering about and on, some other students arriving at the spot.

Gripping tightly at the straps of your backpack as your eyes met the cold floor, blotted with differing size of shoes. You muster the strength to lift your head, where beyond you witness—the hymns of the cherry blossom in the courtyard reaches the space, serving as a visual instrumentation to this pretend play; set of movements controlled and navigated by the game's mechanisms.

And there he was as expected.

Across the classroom, beside the window—you could see Nishimura Ri-ki gazing out the vast field with pure concentration.

You made your way to your seat where it is highlighted by pink flurry lights.

Pulling the chair back, you seated yourself down. A wave of uncertainty washes over your soul now that you had the complete view of this classroom. You look beside you when you felt eyes drilling a hole on your head, only to see the boy staring at you down with an uninterested look, or rather an expression you were unable to read. Not caring any less by the obvious fact that he was caught.

"What are you looking at?" You asked, puzzled by the boy's deepened stare, striking a chord in your soul.

"As if I'm looking at you." Ri-ki mumbles, chin buried on his palms.

Taken aback by his lack of manners, you scoffed in disbelief. "E-excuse me?"

He rips his gaze on your frame, yawning as he stretches—deeply confusing you of this new set of movements and dialogues. It appalled you further when he just stood up, leaving as if nothing happened at all.

"Hey!" You called out, but he went on simply ignoring you.

You frowned at his lack of manners, but well it is to be expected as he is the youngest among the yanderes, he'd been in the same class as you since you started the game. Yet you've never got the chance to approach him as there were no dialogues option. He was a close off, deep in his world type of teenager. You could only see him around his members, and mostly Jake.

That's why it surprises you that he talks for the first time.

Or rather that he was surprisingly rude.

You'd forgotten a huge portion of information related to him due to his profile being situated in the very bottom, but he's supposedly attending the Drama Club but dropped out of it after skipping the club activities for nearly two weeks.

So.. everything functions like how it would in the real world, except for their repeated codes and routines. You'd thought that they would act like NPCs in the first place like the ones back in your home but you were proven otherwise, because they were not here yet.

The students in this classroom are.

You no longer have to press buttons, and all those generic options to gain social and reputation points. You would no longer need to approach them first to talk with the.

But for some reason, that words that didn't even amount to a proper conversation stirs something in you. It affected you. Because it felt too real. Almost like you were back in the real world seconds ago. But how is that even possible when you already knew why this virtual world ceases to exist.

Why it existed in the first place.

You held your composure as you seated yourself in the back of this classroom, with everything to bathe in your line of vision. A perfect audience seat to witness this orchestration of parody, of theatre, of life—surrounded with noises, yet it's so hollow.

The word "weird" is not the right word to describe your feeling right now. It was as if you were existing in-between space and time. A world that is in-between.

You don't belong here, yet at the same time, you do. You are alone, but you are not exactly alone.

Biting your lip, you clenched a fistful of your skirt as you lowered your head down, shutting your eyes tight.

➤ .. WHY DID YOU CHOOSE THIS GAME?

Appalled by its question, you remained silent---in which it lets out a robotic giggle paired with what you assumed to be a kaomoji.

➤ .. DON'T BE SHY! THERE'S NO SHAME IN DESIRING TO BE LOVED. TO BE THIRSTED FOR, AND TO BE CARED FOR, DON'T ALL WE? ➤ .. YOU PLAYED THIS GAME KNOWING WHAT ITS BASED ON, BUT DO YOU HAVE ANY IDEA HOW THIS GAME WORKS?

"Quit messing with me." You spat out.

➤ .. ALRIGHT, ALRIGHT. YOU GUESS IT! WHAT MAKES A HUMAN, A HUMAN. WHAT MAKES THEM ALIVE. WHAT MAKES THEM, THEM; THEIR PSYCHE. ➤ .. SHALL A PLAYER LOSE; A FRAGMENT OF THEIR PSYCHE IS APPLIED IN THE GAME WHICH IN TURN MORPHS INTO A NEW FEATURE IN THE GAME. ➤ .. THE SHELL, WHICH IS THEIR BODY---IS UP TO ME TO DECIDE WHAT I'D LIKE TO DO WITH IT. ➤ .. ABSORPTION AS I CALL IT, YOU HUMANS CALLS IT 'UPDATE'!

"Ab-absorption?" As you read along the lines, something leaks out from behind your ribs. "Are you saying that there were.. p-people before me?"

➤ .. VERY SMART, MY DARLING. YES, EVERY SOUL IS SPECIAL AND UNIQUE, ➤ .. THEY BRING A WHOLE NEW FLAVOR TO THE GAME. WHAT THE GAME MAY TAKE, IT WILL DO SO ACCORDINGLY WITH THE HEART OF THE HOST. THE HEART DECIDES. ➤ .. ANY PSYCHE; LIGHT OR DARK; WHATEVER HAS THE MOST IMPACT IN THEIR SOUL ARE PULLED INTO THIS GAME. THEREFORE YOU CAN SAY, EACH PLAYER INFLUENCES THE GAME. ➤ .. YOU CAN CALL IT, THE PROOF OF THEIR LIFE. EMOTIONS, THEY'RE THE ONLY THING THAT IS ETERNAL AND IMMORTAL.

"Shoot!"

Students bursts into a fit of laughter, playing a silly game before class.

A groan surfaces.

"Guys, stop being so noisy. I'm trying to concentrate here!"

"Concentrate, on what? Exams?"

A round of giggles followed after.

Clawing your fingers over your head as you try to push off all these sounds, all these meaningless conversations. You knew this set of dialogues will be repeated again, again and again. Noises that don't held any thing in them.

A subtle knock echoed amidst the petty ordeals, capturing the classroom's concentration out of whatever they were currently at.

Numerous sets of eyes fell on the fragile and tiny frame of a girl with a bandana wrapped around her head, as she carries a tray full of baked muffins; a familiar image of a member of the cooking club.

"Hey, anyone wanna taste some muffins I made?"

A round of cheers and bouts of exclaimed hungers send shivers down your spine. You watched as each of them took their turns, taking the muffin from the tray.

"Hey,"

With heavy eyes, you met hers that was wholly empty, like looking into a deepest depths of a well, wondering if you'll ever capture something in motion, only to be greeted with somber reality that there was not.

"Want one?" Hair dripping in jet black, tied up in a half updo bun. Those words floated out of her faint pink lips that had subtle bite marks on them, it seems old and scarred. A gentle voice that complements her soft features. "Been trying to perfect this recipe, can you give me your feedback after you tasted it?"

Perfect.. perfect what?

You suppressed the need to scoff, instead forcing a painful smile as you took the muffin from the tray. "Thanks."

"Hanni! It tastes so good!"

"Oh my god, really? I'm so glad!"

All these faces.. This sheer size of the game, the fact that they were all here, meant that no one has ever truly won this game.

➤ .. THAT ..WILL BE YOUR ENDING IF YOU LOSE, WHEN YOU FAIL—THEY WILL, TOO END UP HERE WITH YOU. ➤ .. ISN'T IT LOVELY? ➤ .. BLOOD IS THICKER THAN WATER THEY SAY, YET THIS EMOTION CALLED 'AFFECTION' IS A LOT MORE STRONGER. YOUR AFFECTION FOR THEM IS THE REASON THEY'RE ABLE TO BE REPLICATED IN THE FIRST PLACE. I DON'T SEE WHAT'S THE PROBLEM THOUGH, ATLEAST YOU'LL BE WITH YOUR FAMILY! ➤ .. WON'T THAT STILL BE A HAPPY ENDING FOR YOU?

How is that a happy ending? You couldn't utter that one question. How is any of these a happy ending?

You laughed. A short yet broken one, with your eyes getting blotted with swirls. Sucking your lips in as you tried to understand it, yet your eyes mirrors your thoughts; pacing round and round. You don't even know where to begin. What even is this madness? It's insane. Terribly insane.

So, all this time.. You were playing a game made out of real people? Real people who used to live?

A stupid, stupid game you once found imminent solace in, are nothing but a mass graveyard. You could at least stand it a bit more if you weren't walking alongside with people that used to live. But no.

No wonder why this world is so vast.

Even that word is an understatement. A virtual world you could spend all your day in it. No. It's a stage, a dollhouse where the audience is also its mastermind, with strings attached on the puppets—ripping, tweaking, weaving, piecing together into an amalgamation of their desired character.

Those missing people plastered on posters all round the alleyways and all else, with a trace nowhere to be seen, as if they never existed in the first place. You've wondered if perhaps this is where they've fallen into. Some of them.

You wonder how each of them met their end? All of them must have failed in numerous ways, but one thing is clear; they lose and that's what leads them to their current state—once a fallen player, their existence will be wiped out..

From everything they've ever been, subjected to a monstrous aftermath.

A monster that preys and feeds on people's desires. A monster that rewrites new scenarios, events, and all sorts accordingly every time someone falls in and loses—then it makes perfectly sense, absorbing the players in it keeps the game alive.

How cruel.

You shook your head, breaking your brain in half trying to search for a way. "I'll play! Just please, don't put my family into this!"

➤ .. THAT IS NOT HOW IT WORKS, MY DARLING. THE ONLY WAY FOR THEM TO AVOID GETTING SUCK IN HERE WITH YOU IS FOR YOU TO 'UNLOVE' THEM. ➤ .. WOULD YOU BE ABLE TO DO THAT?

Your head fell down in agony. There's no way you could do that. That is beyond reality. You don't fell out love with someone in just a day, do you?

➤ .. NO RIGHT? ➤ .. WHY'D YOU THINK YOUR EX-BOYFRIEND WAS ABLE TO BE REPLICATED IN THE FIRST PLACE?

➤ .. THAT'S VERY WELL THE REASON WHY THIS GAME WILL REMAIN IMMORTAL WITH ITS HOSTS' ETERNAL SOULS. ➤ .. NOTHING IS ETERNAL BUT A HUMAN'S SOUL. WHY'D YOU THINK A MERE OBJECT COULD HOLD CURSES AND PROMISES? FEELINGS IMMORTALIZED EVERYTHING. ➤ .. HUMAN NATURE IS SO COMPLEX AND STRONG, YET SO FRAGILE. IT LEAKS OUT WHEN ITS BROKEN. SO LONG AS HUMANS BEAR THESE FORCES, NOTHING WILL EVER FLOATS AWAY. ISN'T THAT FASCINATING?

"Wait," You lifted your eyes from the floor, gulping down. "How about the yanderes themselves? W-were they once real people too?"

Its pink shade glowed and dimmed down.

➤ .. WHO KNOWS? ➤ .. WHAT DO YOU THINK? ➤ .. THAT IS FOR YOU TO KNOW WHEN YOU SUCCEEDED.

There it goes again. Playing with you.

"Then how do I win?" The question came out dry, filled with nothing but helplessness.

➤ .. YOU KNOW VERY WELL THE ANSWER YOURSELF, DARLING. IT'S SIMPLE. ➤ .. JUST MAKE SURE YOU GET TO BE THE ONE TO TIGHTEN HIS HEART STRINGS, AND NO ONE ELSE. ➤ .. AND THAT IS TO ELIMINATE ALL THOSE OBSTACLES THAT STRIVES TO BE THE APPLE OF HIS EYES. ➤ .. YOU MUST BE IT INSTEAD. ➤ .. AND YOU DO KNOW WHAT IT TAKES TO ACHIEVE THAT, RIGHT?

Right, it's very simple it's almost hilarious. You'll end up just like any side character if you fail to become the yandere's darling.

The law of attraction. You attract what you desire. Yet often times, you received it in the most twisted forms presented by life.

If you want to live, you have to make sure he falls for you and no one else.

These yanderes are unable to discern between genders. Male or female, any breathing living being is a threat in their love-sick perspective. The mere, mere you are perceived in this light where just being close with their darling regardless of proximity and labels—is as easy as labelling you a sore thumb or better yet a pest that latches to what they deemed as theirs.

Because to them, who the fuck do you think you are? You don't even deserve to breath the same air or step in the same ground as their darling. Absurd. But to them, their darling is the source of their oxygen. Taking away what gets them going is the same as murdering them. That's basically refusing them their human rights, you know?

So if you don't get that—then in their eyes, you're better off dead because you don't deserve it either.

They adorned this bright smile around everyone, being friendly and welcoming but beneath that facade was a seething intricate web of lies and manipulation, waiting to strike. If you were too dumb to notice or deduce all the signs, then it will only be by the end of the day, when the sun has set, when it's the moonlight's turn to conquer—will you only then know, that you've dug the path to your grave.

A creature governed by heart, molded by its whims and beats. Turning into a recipe for disaster.

Exhilarating, you're drawn to this very concept ever since. However, even when you've wish for this beings to exist, prayed for them even. It was never in your wildest dreams that you'd be stuck in a game with one.

➤ .. ANY INQUIRIES, YOU MAY CHECK YOUR FLIP PHONE. IT CONTAINS EVERYTHING YOU NEED TO KNOW LIKE A HANDBOOK."

You fished out the object in question from your pockets, the flip phone back in the morning—it remains heavy on your palms despite its lightweight material, as it bears your life—containing everything.

Inside this, you are able to check everything that is necessary for you to know; tasks, favors, schedule, inventory, etc. The date is set in the year 2026, yet the phones they used were from twenty years ago—a world where social media hasn't reached its peak yet.

It's a world that stood in the midst of everything.

➤ .. FLIP PHONES WAS NOT A MAJOR FEATURE UNTIL ONE PLAYER WHO HAD AN OBSESSION WITH IT, FAIL. FASCINATING, ISN'T?

A world that is centered around its players' psyche. Then what will your existence bring into this game?

Only time could tell.

➤ .. GOOD LUCK!

Survive.

Yes. That's all I have to do.

The moment you lose everything that is you, you will be nothing but a part of the long lost souls in this deserted land of twisted roleplay game.

You just have to get through it. Make sure not to fail this time. Make him fall for you and not anyone else.

And him. Jungwon. You have to meet him soon. However you can't rush, one wrong move like you did will cost everything

There's one thing you have to consider though—your reputation; forget about getting close to Jungwon, your reputation meter itself is the second most important to your existence here as without it, you're but a burden to the society. The black sheep. You're basically nonexistent here.

All because of that choices and dialogues you've chosen so far in the game, you've set yourself up for failure. The pointer at your meter bar are hovering over the black section. You are left exactly of where you last played last night. The stakes are exceedingly high, dimming down every chance of light to come down your way.

You were already lucky enough to not have your progress reset, however that meant nothing but being perceived as one of Jungwon's rejected love confessions. A girl that has lose his favor. You'd have to find a way somehow to regain your reputation back and most importantly, his heart.

Pretend play, just like playhouse.

Your eyes lingered beyond the window, observing how the petals floated down. But how and where do you even begin? If you recalled it correctly; apart from attending classes, Jungwon's routine consists of hanging around with his friends, spend his alone time in the courtyard, attend his club practices, and then catch up with his friends outside the school's entrance after school. It won't be long till a girl comes around and sandwich herself into his life.

You cannot waste anymore time.

He must be roaming around the academy as of now, most certainly hanging around with his friends. The first period would be done about an hour from now, and he'd be occupied with his routine as well too.

But how the heck do you even approach him again? It would be so awkward and weird in his perspective when a girl he rejected, acts all lovey-dovey, and shameless at that. You might be even labelled as a weirdo, not knowing her boundaries despite being rejected.

Somehow, someway.. You would eventually have to resort to such methods. As much as you loathe the very word, they can either be your obstacles or you an turn them into your weapon. But can you even find the heart to do so? No, that's not the right question, are you even capable of doing that?

Your thoughts were interrupted by footsteps approaching from the distance, revealing a girl with shock illustrated all over her visage.

"Oh my god, guys! This is insane! You have to see this! There's a love confession happening in the courtyard and it's no one other than Yang Jungwon!"

She almost lose her footing as she relayed the message with downright glee, only for a multitude of questions and profanities to rose up in response.

"What?! Who is it?"

"Eh, who?"

"Wait, what?" It came out as a soft whisper, yet a stark contrast of your terror-filled eyes widening, an ear-wrenching creak from your chair emitted because of how you stood up so quickly, following after them.

What do you mean, a love confession?! I haven't even started yet!

The halls quake immensely like soldiers in their training, seas of shoes slammed against the floor all while multitude of questions arose in your head, where the words spilling out of the students' lips running alongside you only amplified your perennial dread.

Please, please, do not accept it! Please-

You let out harsh yelp when you suddenly collided against someone in full-force, forcing you to fall on your back. Your face scrunched at the throbbing pain in your muscles, clutching your back with greeted teeth. A series of grunts and hisses are layered on top of yours—cussing about how you should watch your steps. Your eyes shoot open, turning your head beside you—only to be met with another member of the Yanderes.

Park Sunghoon. The side of his face planted on the floor, whilst his books and assignment papers scattered about in a mess.

Horror engulfed your features, immediately pushing yourself up. Apologizing profusely as you collected the books and the papers, gathering them in your arms, rearranging them back neatly.

The boy slowly sat up with disheveled hair, lifting his head up with grim expression and narrowed eyes behind those glasses—specifically directed at you. Getting up on his knees, he dusted his pants with a hiss all while fixing his vest back.

"I see that you have eyes just like everyone else," Sunghoon leans forward, an intimidating aura emitting from him causing you to step backwards. "Atleast watch where you're going?"

His lips twisted in a sneer as he spoke, clearly showing you that he is not at all impressed by your clumsy mistake.

"I-I'm sorry—" You stammered, your eyes trembles as it met his brown ones, despite being obscured by the faint lens, it was immensely vivid; swirling in the sands of the sizzling dessert, fiery and intense—you could feel it scorching in your skin, a stark contrast from his icy skin.

So close, you could examine his features decorated with moles, and down at his faint red lips. He did not say anything, yet those blazing pupils examined your features as if it was searching for something.

This is not good. A potential yandere. You don't know why, but you had this inkling creeping inside you that you shouldn't associate yourself with other yanderes except for Jungwon.

"Kid," Leaning away, he let outs a 'tsk' with a frown, perching up the rims of his glasses neatly on the bridge of his nose before snatching his stuffs from your arms, using his other hand to gesture towards his eyes. "Next time, use your eyes more."

Finishing it up by shooting you a glare, and then heading off. You stood there in bewilderment as his silhouette faded in the distance, wondering what had just happened.

Yet you let out a relief exhale.

Park Sunghoon. What was it about him again? The generic description of him being an icy prince bounces back in your head, turning on a beaming lightbulb. Despite being labelled as that, he attends the Cooking Club much to everyone's surprise, together with his fellow member Jay.

The two of them often spent the afterhours experimenting with recipes, forcing their fellow members to taste the dishes they made. It was returned with a slight acknowledgement from Heeseung, commenting that it's not bad, followed by a couple of nods from rest. However you recalled how your stomach aches during a bout of laughter when Jungwon almost choked after—

Wait! You snapped your head behind you, the love confession!

Sprinting to the location where many other students gathered in front of the window shoulder-to-shoulder.

The glass panes of the academy were filled up to the brim, spilling with faces illustrated with variety of expressions; intrigue, interest, disbelief, and envy—all pushing their heads out to get a much better view of the courtyard. The entire commotion echoing the morbid chaos of Baroque paintings.

Yours was illustrated with an invisible weight of a noose looped around your neck. An invisible weight of stones slamming against your face as you halted your steps, nearing the edge of the window.

Like an auditorium with their utmost concentration glued on the stage; a theatre play of a romantic tale, an union of two hearts yet its nothing but a masquerade of your eventual execution.

As beyond that window, a girl you've never seen stood before him. Propelling your eyes to rattle in immense storm, your heart sailing in amidst the raging crimson ocean.

W-where the fuck did she even came from?

It should've been you.

It should've been you beside him—

Your face stiffened, a gasp caught in the back of your throat as your lips fell apart in inches. Everything slowed down except him; everyone, that girl, and you.

This heart behind your ribcage palpitates in a different motion; striking a chord that pounded your veins, till it submerged your eardrums in its frenzied rush. The desire to let yourself fall in his arms grew immense.

Your pupils snapping and panning closer akin to a camera lens, searching deeper for the features that spells your purpose for life. Closer. You couldn't make out the outline of his face. Trying one more time, blinking frantically as the rims of your eyes tears up.

There he was, standing in the courtyard—Yang Jungwon under the the cherry blossom tree, where the dropping petals adorned his visage, bringing in the saccharine touch of life. Exuding sheer perfection, captivating the audience's heart.

This charming aura he carries, laid-back demeanor, the way his fringe sways alike silk with the hush of the spring breeze. It's all too exhilarating. Heartstrings looped around your poor heart. Moonstruck. It propels your eyes to shy away like the moon does.

Chaos.

You wince at the sudden increase of volume reaching your ears, clutching your ears as you yelp with your eyes shut tight.

This trance-like spell, you snapped out of it with terror. Noticing the rosy tint that engulfs your vision whenever it fell on him. This entire landscape bathing in saccharine pink. The rhythm of your heart mimicking his breathing patterns, it aches. How your eyes swell into love-sick hearts against the window's reflection. It perturbed your soul.

What the fuck. This isn't you.

A fatal trouble, you're truly deep into it.

It felt like your face were being pushed into a well against your will.

It must be the game mechanism turning you this way—to be thrown into the same state as the game character you were playing, it sends chills down your spine. You slapped yourself to reality. He isn't real.

"What is she doing?"

"Is that Minji?"

Your ears caught on to the name spilling out of numerous arrays of lips.

That girl, Kim Minji. Enunciating the name on the tip of your tongue, it prompted your head to tilt sideways in confusion. You've never heard or encounter this character in the game before, or perhaps you've miss her existence by not bothering to check the entire NPCs' list.

But..

You were given a second chance to play one more time, so why is there another girl here..? This game functions on love confession, and who ever the girl is—if its accepted by your chosen yandere—then she won.

It will be game over.

However you were dead sure, today wasn't Friday yet. Fishing out your flip phone from your pockets, you flicked it open—eyes widening in fear as the date displays the third day of the week, Wednesday. Two days before the supposed deadline.

"Jungwon, I like you!"

The three words you've been dreading she had uttered.

She immediately shut her eyes tight with her cheeks illustrated with the deep hues of a blossoming rose, eyebrows knitted together, gripping her skirt into shambles within her digits.

Your knuckles involuntarily clenched on the edge of the window.

A series of gasps and murmurs emitted in unison, forming a rather comical orchestration. Some finds it utterly hilarious, leaning into their friend's ears—uttering about how Jungwon would never find her interesting and that her confession was all too vain. There are plenty of interesting faces dripped in the finest wines in the seas of cherry blossoms, far more suitable and deserving of his love, so how could she—a mere girl—are able to catch his interest?

Your lips fell slightly apart, not being able to process the words you're hearing right now as that girl is what you definitely would not call 'mere'. Hush whispers and gossips followed through, one after another, refusing to fleet into nothingness—as it was stuck in the heavy pungent jealousy, tied even tighter with woven prayers for Jungwon to reject her.

They kept chanting; a fool. She's a fool. A fool is all she is. A love confession in the courtyard, for everyone to see. She's setting herself up as the object of amusement, a clown of the year.

This game is truly twisted.

Silence eventually befalls as everyone waited in patience, ribs swelling down with the amount of breathe they took in their lungs, anticipating for Jungwon's answer.

The boy opens his mouth, his expressions unreadable. The tension heavy in weight, with everyone paralyzed and stuck between the two answers. Lips are sewn tight. Wishes differ. Yet those four words bears the flame to your torch of life.

If he.. if Yang Jungwon says yes to this love confession, you're gone for good. Vapored away. Spelling the end of your existence.

Please. Prayers shrouded your mind.

Please don't accept it.

I haven't even started yet!

His outstretched palms reached for the girl's, "I like you too, Minji." Jungwon pulls a shy smile, an affectionate gaze swirling in his eyes.

The girl in question, were filled with aghast, her eyes swimming in bliss as she covered her mouth with her hands.

It was as if time had stopped.

His response elicited a spur of tumultuous reactions from every single student present in the academy; one helping out their passed out friend, with one choking on their sandwich, and the other with their jaw dropped on the ground—while you, are having flashes of your death and your family's tragic end; the scene of you lying down in a pool of blood, while the members of your family falling down into the game—where all of you will eventually lose your consciousness—memories and identities vanishing from the world as if you didn't exist at all.

T-this can't be happening. You shook your head in denial.

Your line of vision drowning into the distant sea, morphing into a crashing storm. Swallowing a sore lump down your throat, you gripped the window's edge, fingers rattling as you watched the entire ordeal playing out.

A portrayal of parody.

It's hopeless. You are going to die.

These rampant thoughts piled up one after another in your head, clouding you with sporadic paranoia as your feet turned outwards, walking away, slowly accelerating in speed—hugging yourself as you choke up on your tears.

XO ! iii. PERSONA

You're done for.

Hiding in the storage room, curling yourself down as you covered your head with your hands. With a thousand apologies to your family all while waiting for death to come and get you. You lamented the day you ever came to found this game.

A pink glow of light illuminated the soles of your feet, turning the space into a well-lit theatre—with you as the main spotlight.

➤ .. WHAT'S WITH ALL THAT FACE?

"I lose." With a hoarse voice and tears dried, you look down your palms---observing its deepened etches. "It's game over."

➤ ..GAME OVER? WHO SAYS? ➤ .. YOU KNOW YOU STILL CAN GET HIM.

"What do you mean I can? He already accepted it! Wasn't that the point?"

➤ .. ACCEPTED WHAT? THE LOVE CONFESSION? THAT DOESN'T MEAN ANYTHING, A GIRLFRIEND IS ALL SHE IS ➤ .. NOT HIS DARLING.

"H-huh?"

➤ .. HIS EYES.. A LOOK OF FONDNESS IS ALL HE HAD FOR THAT GIRL, NOT THE LOOK OF OBSESSION. HIS LOVE METER HAVEN'T EVOLVED INTO WHAT WE CALL A YANDERE METER. THEIR RELATIONSHIP HAD JUST STARTED IN LESS THAN 40 MINUTES. ➤ .. THAT'S WHY YOU HAVE TO GET HIM BACK, AS QUICK AS YOU CAN, BEFORE HE FALL DEEPER. BECAUSE IF HE DOES, DEPENDING ON THE ROUTES YOU TAKE, YOU MIGHT BE UNFORTUNATE TO UNLOCK THE ENDING WHERE YOU ARE MURDERED BY THE YANDERE HIMSELF.

"Get him back? How am I supposed to do that?" How is he supposed to look at you now that he already had a lover, whom he'd rather spend time with? Even if he hasn't turn into a yandere yet, that doesn't make anything easier.

Both paths remains bleak, filled with razor-sharp spikes protruded ahead.

➤ .. WHATEVER YOU MAY CHOOSE TO GO WITH; RUIN HER REPUTATION BY SPREADING RUMOURS, THAT WOULD DO THE TRICK BY GETTING JUNGWON WARY OF HER. BUT ITS QUITE A HASSLE, AND DOESN'T DO YOU AY GOOD AS YOUR REPUTATION IS NOT THE VERY LEAST INTERESTING TO LOOK AT.

You obviously can't.

Gossiping is a deal-breaker. You might've accomplished your goal by tainting her reputation but the price in return accost you in the end. It doesn't benefit you at all as you will be labelled as the 'gossiper'.

➤ .. MAYBE YOU COULD GET HER EXPELLED, BY PUTTING FORBIDDEN STUFFS IN HER BOOKBAG. BUT THAT'S RATHER RISKY? THERE ARE COUNTLESS OF METHODS, YOU CHOOSE.

You remain silent, shaky pupils boring a hole on your hands as you weighed the risks. The receiver of the greater risk is always you. A single mistake costs everything.

➤ .. THEN YOU CAN KILL HER.

Your eyes widened. "No.." Your head shook on its own. "I c-can't do that."

➤ .. WHAT'S THE MATTER WITH IT? ➤ ..IF YOU WANT TO PLAY IT SAFE, PERHAPS GET SOME RAT POISON FROM THE MARKET. SHE WILL BE GONE BEFORE YOU KNEW IT. IT WOULD BE A SPECTACLE, A SIGHT, EVEN!

"I. Will. Not. Kill. Her."

You emphasized, stressing each single word, showing your resolute determination.

There's no way you'd stoop down that low.

Its suggestion was beyond your capability of understanding, nor was it an acceptable one in the first place. You've failed to comprehend how it can utter such chilling topic in such a leisure manner.

And there was no way you could ever bring yourself to witness them relive death for the second time.

➤ .. HUH? WHO CARES? THEY'RE ALREADY GONE, WHAT'S ALL THAT REMORSEFUL LOOK FOR?

It just doesn't feel right. It doesn't sit well with you.

Who were they before they fell into this game?

What did they do?

What did they love to do?

What were their last words before they were gone?

It imbued your insides with a heavy weight, driven with guilt to think of these people with lives they used to hold that was now nothing but an empty hollow shell. Their flesh and skin used as a mere toy.

They aren't just people to you. People aren't static objects. They're beings.

Everywhere you look; all you could see was people that once a life worth of memories before, now sucked up and absorbed as nothing but a code of repetition, and the proof of them living now but a feature that glares against your face.

They're now a burning memory.

➤ .. THIS IS WHAT THE GAME IS FOR, YOU'D THINK YOU STILL HAD YOUR MORALITY INTACT? YOU DON'T SEEM TO CARE MUCH FOR THEM WHEN YOU GO ON A KILL STREAK THAT DAY?

"That doesn't count!" You exclaimed, gritting your teeth. "I never knew they were real people—like who would have think so?"

➤ .. BUT YOU ENJOYED IT. ➤ .. I'VE NOT YET FORGOTTEN HOW YOUR EYES LOOKS LIKE THAT DAY.

Hissing with desperation, you looked down on your splayed hands.

"No.. It was never supposed to be like this." You shook your head, "The game doesn't even work this way, I was suppose to get him before the love confession, two days before Friday! What did you change?!"

➤ .. DON'T YOU GET IT? ➤ .. YOU'VE FAILED ONCE. I DIDN'T SAY ANYTHING ABOUT YOUR PROGRESS BEING RESET, DARLING. THIS WAS AFTER YOUR 'GAME OVER'. ➤ .. IN EXCHANGE FOR YOUR SOUL, YOU ARE GIVEN A SECOND CHANCE TO REDEEM YOURSELF BEHIND THE SCENES. ➤ .. WITH HIGHER STAKES, OF COURSE.

Tears begin to spill from your eyes, "No. . I can't win this way."

Lips trembling as you say so, memories from the past rushing back and flooding your insides with a heavy weight.

Higher stakes? For what? All you wanted was to play. To get into your little fantasy world, devoid of stress. The world was already too far from perfect. With this fucked up corporate life, filled with capitalism, never-ending bills---at this point, you're only surviving through all of it, not living.

But have you been really living all this time?

Everything else in the world has far more worst things that happened to them than you do. But with this small void in your heart, it shouldn't be wrong to be embrace by a little warmth, someone to cup your cheeks in their hands as they press a tender kiss on your forehead, right?

It shouldn't be wrong to indulge yourself in your little silly fantasies. So why?

➤ .. SPARE YOURSELF FROM THE ILLUSION OF GAIN WITHOUT SACRIFICE, MY DARLING.

Nothing is truly free.

This world has always given you an illusion of choice but the thing is, nothing is really free. You may have given something in an exchange for nothing, but life will soon claim it in numerous ways and various forms you could never imagine.

➤ .. OH COME ON NOW! ➤ .. AIN'T THIS A ONE LIFETIME CHANCE FOR YOU? ➤ .. YOU COULD GET AWAY WITH MURDER UNLIKE IN THE REAL WORLD!

"That isn't right." Your head drops down in downright despair. "J-just.. just kill me, I can't do this. Your fucking twisted game.."

➤ .. OH DARLING.. WHY BOTHER ABOUT SOME PETTY LIVES BUT YOUR LOVED ONES? ➤ .. WHO WOULD YOU CHOOSE, A STRANGER WHOSE LIFE NO LONGER EXISTS OR YOUR FAMILY WHO STILL HAVE THEIR WHOLE LIVES BEFORE THEM?

You stiffened. How? How did you actually forgot, how can you forget? Your family.. All these emotional outbursts has rendered you totally hopeless to the point you forgot for a split second that you're not the only one at the stake.

"I will not kill her! I'll find a way.." You clasped your head, desperately trying to think of a better option. "There's got to be some way... Right! The match-making method!"

➤ .. HOW FASCINATING.. ➤ .. YOUR MORALS ARE STILL QUITE INTACT DESPITE HAVING YOUR MENTAL PSYCHE SLOWLY REGRESSING.

What? You lifted your head back up, sniffing and gasping. "What are you saying? R-regressed.. w-what?"

➤ .. WELL, I'M CERTAIN THAT YOU'VE NOTICE SOMETHING WAS WRONG WITH YOU?

You remained silent. Yet as your eyes fell on each word it typed out next, it widens in terror.

➤ .. YOUR YOUTHFUL LOOKS.. ARE NOT THE ONLY THING THAT RETURNED, YOUR MENTAL AND EMOTIONAL PSYCHE AS WELL. IN OTHER WORDS, MENTAL REGRESSION. ➤ .. YOU KNOW THE SAYINGS, YOU MAY BE EIGHTY, NINETY, BUT INSIDE YOU'RE STILL THE SAME. ➤ .. I TOLD YOU, DIDN'T I? YOU AIN'T A FULL-FLEDGED ADULT YET.

"You!" Pushing yourself upwards, gritting your teeth.. "What else you didn't tell me about?! You wanted me-" Pointing at yourself harshly. "To play your game yet you're treating your own player like this?"

➤ .. THERE'S NO FUN IN TELLING YOU EVERYTHING AT ONCE. WHAT'S A GAME FOR IF NOT FOR THAT SOLE PURPOSE? ➤ .. YOU FIGURE OUT EVERY SINGLE THING YOURSELF. WHAT AM I, IF NOT A LITTLE POP-UP TO GUIDE YOU ONCE IN AWHILE. ➤ .. THE REST IS UP TO YOUR WITS AND ABILITIES TO SURVIVE.

"What else didn't you tell me then?!" You yelled at the top of your lungs, clenching your fists tight. "Tell me now!"

➤ .. OH DARLING, NOW THAT'S WHAT I LOVE! ALRIGHT, THEN. ➤ .. DO YOU KNOW.. YOU MAY DO AS YOU WANT YET YOU HAVE TO HURRY. ➤ .. BECAUSE YOUR SOUL WON'T WITHSTAND STAYING IN THIS WORLD ANY LONGER.

"W-what do you mean?"

➤ .. RIGHT! I'VE ONLY TOLD YOU WHAT WOULD HAPPEN AFTER YOU LOSE, THE FINAL PHASE OF ABSORPTION. ➤ .. NOT ABOUT THE FIRST PHASE.. YET, THE PROCESS OF ABSORPTION.

The terror swirling inside the pit of your stomach grew tenfold. First phase..?

➤ .. ARE YOU SCARED? DON'T BE! I THOUGHT I'D SPARE YOU FROM THIS KNOWLEDGE A LITTLE BIT LONGER, YET THIS VIGOR OF YOURS INTRIGUES ME. ➤ .. YOU KNOW, ABSORPTION DOESN'T START THE MOMENT YOU FAIL. IT STARTED THE MOMENT YOU'VE ACCEPTED MY INVITATION. ➤ .. YOU CLAIMED YOU DON'T WANT TO KILL, YET DARLING, THAT'S FAR FROM THE TRUTH. YOU'VE ALREADY DONE IT ONCE. ➤ .. BECAUSE THE SKIN IN WHICH YOU WERE PLAYING ALL THIS TIME, THE 'YOU' THAT LOSE LAST NIGHT IS ONE OF THE FALLEN PLAYERS' SKIN. BY ACCEPTING MY INVITATION FOR A SECOND CHANCE, A SECOND TRY. YOU'VE AGREED TO USE YOUR OWN SKIN, REMEMBER? ➤ .. THEREFORE IN THAT VERY MOMENT, IT HAD BEGUN.

Every single word it types out struck you deeper and deeper.

➤ .. AND NOW, YOU'D THINK THAT YOU ARE STILL YOU. WELL YES, IN FACT, YOU STILL ARE. ➤ .. BUT THE FIRST PHASE IS.. HOW CAN I SAY? IT BEGINS.. WITH YOUR YOUTH SLOWLY AND AND GRADUALLY RETURNING BACK. ➤ .. YOU'LL LOOK MORE YOUNGER WITH EACH DAY. ➤ .. AND THEN YOUR SOUL WILL START REGRESSING TO THE VERY MOMENT YOU EXPERIENCE THE PEAK OF EMOTION; JOY, BLISS, LOVE, WRATH.. THE POINT OF LIFE WHERE IT HAS IMPACTED YOU THE MOST. YOU WILL FIND YOUR MEMORIES FROM THAT POINT GROWING MORE VIVID AS IT WAS YOUR FIRST TIME TO EXPERIENCE IT. ➤ .. IN A SENSE, THE YOU FROM THAT PARTICULAR POINT WILL RETURN. ISN'T THAT FUN?

"Are you s-saying," Stuttering, struggling to form coherent words according to what you just read. "T-that everyone," You paused, engulfed with disbelief. "—around here.. was stuck in a particular age?"

➤ .. CORRECT! ITS THE AGE WHERE THEY FEEL THE MOST INTENSE EMOTIONS FOR THE FIRST TIME. ➤ .. KIND OF LIKE, TIME TRAVELLING BUT A LITTLE DIFFERENT!

Your lips fell apart.

Everyone here.. are the manifestation of when their psyche receives the most impact. As if getting absorbed here wasn't enough. They even had to suffer?

➤ .. BUT IT DOESN'T END THERE.

It twirls around, with its pinkness glowing brighter in shade every passing second. It leans closer, looking down at you.

➤ .. TO RETURN TO THE REAL WORLD. YOU WILL HAVE TO CONQUER THE WHIMS OF YOUR CHOSEN ONE'S ➤ .. HOWEVER, THE LONGER YOU TAKE TO WIN HIS HEART. ➤ .. THE MORE YOUR BODY AND SOUL WILL ROT.

"What do you mean by r-rot? In what way.. will I rot?" You stammered, suffocated by the entire revelation.

It beams up so bright it strains your eyes.

➤ ..THE MOMENT IT STOPS RIGHT WHERE YOUR PSYCHE EXACTLY ARE, WHERE IT REMAINS. ➤ .. YOU WILL START TO ROT.. IN A WAY YOU FEAR THE MOST. YOUR FEARS MANIFESTING AND DEVOURING YOU ALMOST LITERALLY! YOU MAY WONDER WHY? HUMANS ROT WHEN THEIR EMOTIONS ARE AMPLIFIED INTO A VOLUME THAT RENDERED THEM UNABLE TO THINK. ➤ .. ISN'T IT FASCINATING? EACH SOUL TRULY HAS ITS UNIQUE FLAVOR, REMEMBER? AND THATS WHAT MAKES EVERY SOUL A FREAK SHOW TO WITNESS!

Sheer terror illuminated your pupils, sucking out each hope of ever returning to the real world.

You could feel it—shreds of your remaining sanity slipping away.

➤ .. THE CODES FEEDS ON HUMAN'S FRAGILITY, MIMICKING ITS COMPLEXITY ALL WHILE ABSORBING ITS HOST AS A PART OF IT. ROLLING OUT FOR THE NEXT INSTALLMENT! ➤ .. THAT IS THE FINAL PHASE. ➤ .. BY THEN, IT IS MY CHOICE WHETHER TO TURN YOU INTO ONE OF MY PAWNS, OR DISCARD YOU. I CAN EITHER TURN THE FALLEN PLAYERS INTO THE NPCS YOU SEE EVERYDAY, LIKE A DOLL! OR INTO THE COLLECTIONS OF SKIN FOR PLAYERS IN THE REAL WORLD TO PLAY. ➤ ..DO YOU GET IT NOW?

No, I don't get it.

You sat there, staring off into the space, chanting that sentence in your head all while dealing with the horrifying fact that your life truly no longer belongs to you. Paralyzed in downright fear.

Tangled in this predicament, called hell.

Not a single reaction surfaces from your face. Your head drops down like a hand stitched doll with its neck ripped in half, showcasing an image of its head supported by a snapping piece of thread. Met with the sight of your shoes, you would really never be able to return home, do you?

"Why.." You mumbled in a low voice.

"I don't get it." Getting up on your knees, filled with despair. The suffocating pain inside you contorts into madness, exploding you finally did. "W-why are you doing this to me?!"

You bawled, yelling at it in the top of your lungs, shaking with rage shook with rage as red hot tears streamed out the rims of your eyes.

"Why did you even exists?" Punching your chest, you flailed your arms around. "Why are you doing this to all of us?!"

"What did we do to you?!" A long, stretched out wail of agony poured out of your throat. "You're a monster!"

"No, am I?"

Your jaw dropped on the ground. As the popup morphs into a pink cat before your very eyes, propelling your body to stumble backwards in panic. It slowly crawled its way to you with its tail growing and stretching out like an organ, till it wraps around your neck in swift motion.

"G-get away! Get away from me!" Its death grip around your neck had you choking, suffocating, gasping for breath.

"Perhaps your lover?"

As the cat forms another new persona—your ex-boyfriend. The rims of your eyes gathered tears. You writhe in pain. legs kicking in frantic motions as those tail are now but long pair of hands suffocating you to death.

"Or your mother?"

The grip loosens, a hand caresses down your temple—wiping off the trailing sweat with such an affectionate manner. Rendering you completely paralyzed by the hands of your 'mother'.

"Or.. my dear pathetic self?"

A deafening slap echoes in the empty air. You clutched your face tight, puzzled and unstable. A mirror. The reflection of you standing before your eyes, yet with her lips twisted in a sneer. A downright replica of you. Every edge of its visage looks exactly like you.

Yet she acts nothing like you.

An orchestration of yourself plays out; spewing all your thoughts, the one you keep yourself. Uttering about how she hates herself for being so stupid. For confessing in the first place. For being such a useless person. Every single thing you kept inside you, she utters with no regards to anything.

"S-stop! Stop doing this to me!" You screamed at the top of your lungs, wailing in agony, covering your ears with your hands to block out the hysterical savageness.

Vulnerable; it was as if your skin were being ripped out, exposing your flesh and blood, everything inside you into a freak show. To see it play out like a drama in front of your eyes humiliated you.

A few beats of silence echoes.

You lifted your wavering eyelashes to see yourself looking down at you with the most menacing smirk.

"This is only a piece of what I have yet to know about you." She tilts her head playfully, approaching you in slow steps. "Remember, the longer you take... The more I get to know you, understand you, act like you, and finally be you. Now do you understand?"

Biting your lip, you force yourself to nod— praying for this nightmare to end once and for all. Your doppelganger broke into a laughter, before her eyes swell into what you can very well decipher as pity.

"Oh, don't look at me that way." She coos, lowering herself down to your fetal position. "It makes me sad, I am neither your enemy or friend. I'm just a little guide, here and there. You wish for a reality where you desire to be craved, and I gave you just that."

She knelt down, extending her palms to you. Your glossy eyes trembled, hesitating. To your surprise, she pulled you into her embrace. Caressing your hair with her palms suffocatingly tender.

"Oh dear me, I just have to take that boy's heart, make him fall for me, make him die for me.."

You barely stifled a yelp of pain when she yanked you away in great force, a gasp spills out of your lips when the same heavy rose pink tint flooded your vision.

"You have to make this man kill for you."

His feline eyes gazing into yours, deep and close—speaking right in front of your face, holding and sinking his fingers on both your arms.

The visage of Jungwon.

He leans in forward, intertwining your both of your wrists in his grip before pressing a chaste kiss on your cheek.

Your cheeks flushed involuntarily as his lips came into contact with your neck, colliding behind your earlobe occasionally—sending tingles of goosebumps across your body.

"Make him hold you close, kiss you, and vow his life to you."

This explicit touches under his visage riled up your hormones, twisting an unfamiliar knot below your belly, alarming you. With your trembling arms, you tried pushed him away with your legs yet his grip tightens on your wrists causing you to hiss in pain—a single teardrop escaping the rim of your eye, mirroring your desire to escape.

Pair of strong arms manhandling you, forcing you into a position. Your ears are deafened by this pounding heart behind your chest, as he wipes off the tear from your cheek with his thumb.

"You know, I recall the days where my previous darlings, all of had given me the best and worthy performances, yet a few stood out the most."

His pretty eyes floated off the distance, as if reminiscing the old days.

"There was this one who didn't care at all of the NPCs in this game. He goes on a kill streak, obsessed with achieving the genocide ending. He amuses me yet was so hasty—he forgot that there was a witness escaping his hands."

A spine-chilling giggle floats out of his lips as he continued. "And another one no longer has the will to live her life whatsoever, leaving herself to rot till the very end."

"Ah! I remember," He beams up, "There was this one boy who was also just like you, he broke down into shambles after knowing everything. He swore he would never hurt anyone, but he soon lose control as he slowly reverts to his younger self, by then he's nothing like he was as an adult. He was so terrified of himself that he threw himself off the school roof."

Humming a certain tune, he gripped your shoulders—lifting your jaw up with her thumb, forcing you to look into her eyes.

"That's why you have to work for it, my darling. You don't have much time, after all. Make him yours, then all of him—he shall dedicate to you."

And then your vision flashes. Dropping on your elbows when the grip holding your wrists up vanishes. With no one in this room but you. Till you lifted your head to see the same pop-up—glowing and floating with ease.

➤ .. SONARE, YOU MAY CALL ME THAT.

Sonare?

Electrocution sparks in your veins, propelling you to wince at your hand. Your back curled involuntarily, clasping your chest almost immediately as you felt something inside. Crawling and devouring.

Its starting.

It's only about time where you'll witness the manifestation of your deepest fears.

➤ .. ISN'T THIS WHAT LIFE IS? IN PURSUIT OF SOMETHING, THAT IS HOW HUMANS LIVE. OR ELSE, HOW ARE YOU ABLE TO MOVE?

Mental regression, your soul rotting, your family. Everything else is at stake.

Clenching your fists tight on the floor, you lifted your head up forcing a short laughter. Tears had dried, only to be replaced with the sticky sensation latching on your cheeks.

"I can ask for your help.. right?"

➤ .. YOU MAY CALL ME WHEN YOU'RE IN DIRE NEED OF HELP, BUT THAT DOESN'T GUARANTEE THAT I'LL ALWAYS COME TO YOUR AID. ➤ .. IT'S NO FUN WHEN PLAYERS KEEPS GETTING HINTS.. ➤ .. YOU'RE ON YOUR OWN NOW.

Death.

A loop that could never be broken. You felt as if your life are slipping away from the tips of your fingers every passing second.

Sniffing in as you wiped off your tears with your collar, you headed to the cafeteria with a heavy heart, you went on with the tray like everyone else. You lost track of time, not having any knowledge of what had happened right after you the entire sequences of events.

You're drained.

Chewing on the meat, you sat alone just as you expected. Everyone else had their own circles, and the canteen are spilling with enmeshed voices in various rhythms. You'd find it kind of comfortable to just listen to back then, even when you'd have no one to talk with, just listening still gives you a little comfort. A fantasy world on your own.

But now all of their conversations is made up of a set of codes, repeating accordingly with their task of the day.

Take a breathe, you tell yourself.

You have a long way to go.

Go back to square one. School rivals. Just how many are there? Ten. There are a total of ten rivals. You had to eliminate all of them to survive.

Before you could even reach him, you'd be dead by all these delinquents, crazy fangirls, and students digging their eyes on you. Acting on your missions possessed great risks.

Just making one single error can cost your life; getting caught by one of the students while acting on your missions means getting expelled. Student councils, teachers, and the detectives themselves. It's such a terribly long path with thorny traps and blood spilled.

Refusing to do your missions. Death.

Getting caught. Death.

Expelled. Death.

Failing to win his heart and turning him a yandere for you. He'll be the one to lead you to your graveyard.

It's either theirs, or yours. They will kill you, he will kill you, unless you kill them first.

An inevitable bloodshed..

A gasp spills out of your throat, with your line of vision dripping in avalanche of blood. No. It isn't blood. Cold red juice drips down your face, washing over your skin with it's freezing temperature making your neck shiver at the contact.

Yet the words that followed after were even more colder, laced with contempt.

"Look at our pathetic one-sided love baby girl having her meal all alone,"

The delinquents. All of them gathered in front of you. Your eyes widened in radical inches. It's impossible. They would've never known! Unless someone has been sneaking on you, telling on you with everyone else. But as far as you've remembered, you've avoided getting under someone's skin.

Was it the occult club? The science club? Or perhaps the gardening club?

But this is really fucked up. The fact that your reputation is at its lowest right now meant everyone can ridicule you, make fun of you, toss you around like a play toy.

Series of sinister giggles spilled out one after another, an orchestration of parody playing out before you. You shudder in great humiliation yet you remain still—you couldn't afford to make anymore mistakes that could lead to you possibly being expelled. This is no longer the silly game you spent on trying to beat, this is now your real world with you are living as it's player.

"It was her fault, anyways. How could she ever think she could gain Jungwon's affection with the way she looks?"

"Right! She's making herself out here as a fool!"

"Pretty, you should've rehearse your love confession a bit. No wonder, Jungwon doesn't find you at the very least interesting. It's so bland, having no flavor! And again, can't you just be grateful for his friendship?"

"Where's your self-respect?"

The vein on your necks protrudes a visible line, hands tensing as you gripped tightly on the fork. Fire pit surging up inside your lungs as you struggle to breathe, desiring to scream at their face.

Don't lose your shit. They're just but an NPCs. They're not who they are anymore. A trap is all that it is.

You've withstand this so many times before, what differences would it make now? So why, are you so fucking pissed off?

Hands trembling as you continued chewing the bread in your mouth, and taking another mouthful bite, filling your cheeks and chewing each piece excruciatingly.

Swallowing it all down your throat with agony, as you recalled Sonare's words.

➤ .. AH, MY DARLING. I JUST WONDER, THOUGH. ➤ .. HOW LONG CAN YOU KEEP THIS NAIVETY OF YOURS? ➤ .. HOW LONG CAN YOU LAST.. BEFORE YOU ACHE TO SHED, TO THIRST FOR BLOOD?

You ran off.

Not before hearing the multitude of mockeries and degradation behind you.

It happens way in a blink of an eye. You didn't know what to do, what to act, what to say—in fear of a single mistake that would cause a heavy damage on your reputation, a massive drop that would push you a little closer to death.

With wobbling legs, you fell on your knees. Palms planted firmly on the asphalt. What was that.. clawing on your soul? This growing desire to snap their necks, images of decapitated heads and limbs flashing through your head.

What you've experienced was beyond you, as if someone had their hands wrapped around your wrist, hushing into your ear to shut their mouth once and for all. You were almost on the verge of slamming that blade in their heads.

Exhaling and inhaling a huge air, it does nothing but deepens the pain in your chest, you feel like you could explode at any moment from now.

"Hey, everything's okay there?"

A hand stretches suddenly before you catching you by surprise, you look up with fleeting curiosity—the hazy image of a girl.

"Hey, are you okay?"

Your shoulders droop down as your vision clears, with the back of her hand stroking down your temples, dark silk-like hair framing her face which only accentuates her doe eyes—Kim Minji.

"You're sweating," Pure concern etched on her features, Minji turned behind her—talking with someone. "She's so pale.. Guys, I think we have to get her to the infirmary room."

Giving a clearer view, your eyes fell on two boys; appearing as a slick black-haired boy, the tag name on his uniform written Jake Sim.

But a particular someone capture your heavy lids—standing next to him; the bane of your existence. Those eyes you had to make yours—to harbor affections, obsessions, and undying fervor; Yang Jungwon.

But how? In his eyes, you're nothing but a girl who had confessed to him, yet rejected. Why the fuck do you have to relive the same humiliation twice?

"Oh, isn't she?—" Jake halted his steps, seemingly surprised after kneeling to take a better look at you. His head turning behind him, locking eyes with Jungwon, where the boy in return has a disinterested look but cleared his throat, approaching closer.

"We have to hurry, she doesn't look too well." Jungwon says, patting Jake's back. "You go ahead, and carry her."

"Oh," Jake complied, turning his attention back to you with the same concern as Minji's in his eyes—walking to your side as he loops his arm around your back, placing other hand under your leg—lifting you up with ease.

With Jungwon following behind, hands in his pockets. Minji says with concern lace in her voice, stroking your cheek. "Hurry, Jake."

The boy in question huffs, where the heavy weight in your head pushes your lids down, dropping your head on his shoulder. The last thing you see was pitch black darkness on the other side of the tunnel, multiple giant hands stretching out to pull you inside it.

Forcing you out of your will, dragging you across the puddled asphalt. You cried out for help, your pleas echoing relentlessly. On the end of the tunnel, you could see hope illustrated in the brightest color of white.

You dragged yourself, crawling on your knees until you reached the end.

The landscape of white snows greeted your eyes. It was cold, freezing your bare skin and neck. You let your face be washed over by the breeze, closing your eyes to heighten its sensation. You're in this place again. This fucked up place.

Two silhouettes fading in the distance, stepping into a cabin caught your attention. Freezing in hell, you'd think the imagery of that underworld would be like how it was depicted in books and so. However here, you feel wholly empty, gnawing at that organ behind your ribcage.

You let your eyes remain on the cabin, recalling what your mother says, that girls shouldn't confess first yet you rejected the very idea; that regardless of gender, everyone should be able to confess their love. You didn't heed her advices, fulfilling your own set of principles, and thus you are left with more questions than answers if the boy ever love you even.

Mother was right, not everyone would reciprocate that love with sincerity and genuineness but instead manipulate it into their own benefit.

You're left behind, asking why? You felt her palms rubbed the back of your head, whispering another waves of words into your ears.

"You should never perceive yourself as a victim."

Don't complain. Once you lament your entire life only on that question, that's where hell breaks loose. Because a victim will only see themselves as one, and no one else.

A frog that frustrates over who threw the stone, lamenting over the question;

.. Why me?

But in your case, you'd like to turn this sentence into,

.. Why not me?

Why didn't he choose me in the end? Why did he choose other over me? Those questions lingered in your head.

All your life, you controlled yourself to a degree even when someone stomped on you. You bear it all, withstand it.

But it wasn't because you were kind. You don't see yourself as one.

Mother never says that, she never tells you to be evil either. Too much on either side will after all, spell your end. Your co-workers might have perceive you in the role of a victim, expressing their concerns and all that. But you don't see why, you don't see yourself as pathetic like everyone does. Even when they say you're pitiful. You don't.

You do not see yourself as pathetic, you were doing it because you just had to. You'd had to be part of this society, to survive.

Why should you live according to others' point view of life? How you view it is up to you. Mother was always right.

She was always right, that you've wanted to give her a call and cry it all out on her shoulder. But you knew that you won't be able to do so, as you've failed her not once but twice. Yet you can't help but mumble to yourself, crying out a helpless whisper.

"Mom, I'm dying."

Your eyes shot wide open.

Four white walls.

Your pupils darted wildly around you before letting out a dejected sigh after recalling what happened before you passed out. With heavy lids, you looked over to your side where you notice Minji sleeping on the edge of the bed.

You recalled the words of your boss upon seeing her.

Back then, even though, you ache to shove something into that bastard's mouth, and perhaps suffocate him to death, you persisted—digging your nails on the back of your hand, leaving a crescent marks on it that lasted for awhile. Because he was right, you'd be a hassle to look at.

Minji was the complete opposite. A visage that exudes a classic beauty, one that enthralls everyone close to her. You haven't know much about her yet, but you could get why Jungwon likes her back.

You held the need to scoff, it's just like how it was back then.

In this world, we are all, after all—easily replaceable.

Everyone was nowhere but her, however you could see the nurse in the other room adjacent to this one. Yet not a trace of Jake including Jungwon himself are at sight. Almost close, yet he slips away from your fingers once more. Upon realizing the cold damp cloth on your forehead, you're left with the question of why she had to go this far.

It's like a game of fate, though.

You didn't expect it would be this easy to get close to her. Almost tempting that your thoughts are almost morphing into ones you despise. With your eyes catching the sight of the syringe on the table across from you, you're compelled to take it and dig it inside her neck. It brought back a wave of nostalgia, a very grim one into your eyes.

You shook your head, praying for these thoughts to go away.

The girl shifted in his movements, raising her eyelids open which met yours much to your surprise. Noticing you're awake, her eyes lit up—pushing herself upright swiftly but now with concern swimming in her pupils as she asks.

"You're awake! Are you feeling okay now?"

Now that she was closer unlike the first time in the courtyard, her voice feels more clearer, to your surprise—it was kind of deep and husky. Like the ebbs and flows of the waves washing over the shore—it was pleasant to the ears.

Perhaps, a distinctive voice that you would probably remember for some time. Was she a singer in her real life? A small sentiment grow within your heart at the fact that she's very much gone already, and that whatever question you may have about what she's like, or regarding to her real life should be discarded as it won't do you any favor.

Vapid shells that once sang the hymns of the oceans. Now nothing but just a relentless roaring of the abyss. You wondered if they ever call for help when the life vanishes out of their eyes?

Licking your dry lips, you tried to push yourself up. Minji placed her palms on your back, assisting you as you sat up. "Slow down."

"You're?" Throat hoarse, you voiced out that question—feigning ignorance. You don't know what to do yet, but you can't let this chance go to waste.

"Minji," Her lips pursed up in a tender smile, "Kim Minji."

"Thanks, Minji." Placing your hand on hers, "For helping me just now."

"You don't need to, plus I wasn't the only one." Minji gestures her thumb behind her, keeping the sweet smile on her lips. "The other guys helped too, but they left awhile ago since your shirt was quite drenched."

"Oh," It was only now that you've realize your shirt was taken off, leaving you in your singlet where the former can be seen hanging on the clothing rack. "Thanks again, sorry for troubling you so much."

Shaking her head profusely, Minji replies with a small pout. "Don't say that, we are suppose to help each other when we're in need, no?"

'Help each other'. It might've done some wonders to your heart if not for the fact that this is not reality. That sentence doesn't sit too well with you in this very game. It feels off, somehow. Still, you nodded your head showing appreciation for her help.

There's a trace of hesitation swimming in her eyes, "You don't look like you were sweating that much though, did something happen?"

The sequences back in the canteen flashes in your mind, reminding you of how you were so close to death. Looking down at your legs covered by the sheets, you mustered the best small smile you can.

"I suppose I have annoyed someone."

"Did you beat up their ass?" Her question caught you off guard, but even more so with her eyes filled with anticipation as she leans closer to you. You were stammering, unsure of what to say until she notices her close proximity—letting out a nervous chuckle as she apologize meekly. "I'm sorry."

"It's fine, I'm used to it."

With a trace of what you can recognize as sympathy, swirls in her eyes. She squeezes your hand, lending you warmth.

"You've been sleeping for two hours now."

"I d-did?" Your eyes widened in shock, realizing that you must've skipped the second period which would lower your reputation meter once again. Grimacing as you cupped your forehead, "Please don't tell me you've skipped your class, too?'

"To be honest, yeah.." Minji pursed up a shy smile, "I'm just worried, you really seem like you're not in a good condition.."

You raise a brow at what she could possibly be implying at, until she finished her sentence.

"You kept saying.. that you're definitely dying." She rested her palms on yours, "Its really concerning so I can't help it but stay here with you. Whatever you're thinking about, you're not alone, okay?"

Ah. Was she thinking that you're trying to commit suicide?

In your peripherals, you could see the nurse approaching with a bottle of pills and a glass of water in her hands. "Migraines,"

As she lends you the glass and the pill, it left you downright baffled. Almost scoffing audibly at the very idea of getting fake pills. What this would do to you even?

"Take it easy, by the way. You've got to look after your health, otherwise it would only worsen and you might have to take a leave for a day or two."

No.

There was no way you could skip school—especially more than two days. Especially not after knowing all of the things that could and would happen once you're away. Not wasting any time, you quickly gulped down the pill down your throat—even when you know that it won't help that much—from this pernicious effects of your pending death.

A silhouette catches your peripherals, lips falling apart when he appears again. Yet as your heart involuntarily calls out for him, the name that floats out of his tongue is her name.

"Minji,"

"Wonnie," That nickname catches you by surprise, seeing the obvious effect on Jungwon's visage—dusting his cheeks with pink. "You're back!"

A reaction that sends a pang into your heart. It only amplified by the way his fingers tucked her hairlocks behind her ear—running his fingers down along her hair with such tenderness. The way his eyes are locked into Minji's—listening to her attentively as she talks—like every word that she utters matters more to him more than anything.

Looking away, you reminded yourself that you aren't in love with him. It's this game's mechanics convincing you that you are. So get yourself back in your senses.

"I see," As he lifted his eyes away from Minji to you, "Are you okay now?" His face turns to blank with dull eyes, despite his question carrying a sense of concern, you could sense it—this colossal wall he raises up around you, as if to shield you away from him.

A sheer gap of how he treats you and Minji is evident. Slammed at your face, even. Its only the first day yet somehow it looks like he's too far in deep.

Was Sonare lying to you again?

Whatever it may be. You're screwed. It won't be long till those eyes of his morph into sinister ones, into a fatal poison that would cost your life.

Forcing the best genuine smile you could muster, casting it on Minji.

"Thanks to Minji, yes."

"Good to hear."

He replies nonchalantly before turning his attention back to his girlfriend, his sugary demeanor surfacing back up. "You haven't eaten yet, so I've grabbed you something to eat from the cafeteria."

"You got me my favorite!" Minji beams up, jaw dropping slightly at the plastic wrapped sandwich and an orange juice box. "Thank you Wonnie."

She grabbed his hand, expressing appreciation to him with her eyes but then confusion surfaces from her visage. With her brows knitted together, she tilted her head a bit further to look behind Jungwon. "Is that all?"

"Yeah?"

"But," She turns to look at you, and then at Jungwon. "You didn't got her one?"

"Oh, sorry. I forgot." Jungwon rub his nap, as he says nonchalantly. "To be fair, that was the last one."

Lie. That's a lie.

You knew that wasn't the truth.

Despite knowing from his profile that Jungwon isn't a liar, nor does he utter white lies for the sake of others. You've remembered another thing once you scrolled down to the section of how he's like once he turns into a yandere; that once he starts falling for the player, he will begin to lie even if its the thing he had swore to never do in the first place.

You could see it. He just doesn't see the reason why he should get another one because you are not that even important to him, so why should he care about your wellbeing? As difficult as it was to swallow it down your throat, this is only the beginning. He'd treat you far more worse with each of his heart slowly dedicating itself to this girl in front of you.

"We'll share then," Minji says, as she breaks the sandwich in half—surprising you and Jungwon. "Here!"

Shaking your head, "H-hey, you don't have to, I'm not that hungry."

"You got to eat," She insisted, pushing the half of the bun on your hand. "You've skipped over lunch too, right?"

"No, I did! I've eaten."

That came out louder than you expected it to as the girl jolted in response but emitted a slight laughter shortly after. She looks back and forth at the foods on her hands, before lifting the other hand with the orange juice box on it.

"Then.. Maybe a drink would do?" Minji asks you with a convincing smile before tilting her head up to Jungwon, seemingly asking for permission. "I'm not that thirsty, anyways."

Jungwon just patted her hair, nodding in silence.

Acknowledging that she probably won't give up, you accepted it—punching the straw in the box, taking a sip from it as you observed the two getting in lost in their own world once more, like how Minji shyly commented how the sandwich tastes a lot more better when Jungwon bought it—the need to grimace amplifies, as your head are shrouded with numerous how's.

Of how to rip them apart from each other.

The match-making method would no longer work in this situation. There was no way you will be able to rip them both off each other without resorting to the very method you've been trying to avoid.

She may no longer have her consciousness intact anymore, but even the image of yourself stabbing her to death repulsed you.

➤ .. TO WIN OVER HIS HEART, TO MAKE HIM YOURS—YOU MUST LOSE YOURSELF, FIGURATIVELY OF COURSE! ➤ .. UNLESS IF YOU FAIL IN DOING SO, YOU'LL PERISH IN WAYS YOU'D NEVER IMAGINE.

You pushed away Sonare's words out of your head with a grimace.

You didn't want to keep imagining it you really don't. However, just how long are you going to keep this up? The fact that you've still yet to decide of what is the best way to get rid of her?

You still have a chance, as Jungwon hasn't turn into a yandere yet.. But it won't be long till he falls deeper for his now-girlfriend, Minji.

"Hold on, Heeseung's calling." Jungwon showed the flip phone's screen to Minji before going outside, which she nodded in return.

You didn't miss how he stroke his fingers on Minji's hair before leaving, a gesture that propels a shy smile in the girl's lips.

It hasn't been a day of them being lovers yet, but why the fuck is he so lovestruck? It only does nothing but distress you further. Plus, its weird.. of how Minji seems to have her guard down before you as if she doesn't know anything about it.

Her amiable acts towards you led you to believe that she was unaware of the events between you and Jungwon. He might've kept it from her, or just didn't see it important enough to tell her. All the way more convincing you that you are nothing to him.

You had to make something, do something in some way.

"Which club are you from, by the way?" You asked, partly of genuine curiosity, and partly because you have to dig in more details of her.

"Oh, I'm haven't join one yet.. But I got my eye on one or two clubs."

"What are they, then?"

"Drama, or the light music club." She replied, her fingers fiddling the hem of her sleeves. "But I'm leaning towards the latter.. because singing has always been my favorite thing to do."

This won't be easy, you thought to yourself.

"That's cool!" Feigning support, "You really do look like one, you know, like a singer."

You captured how her eyes lit up with stars. "You really think so?"

Nodding with no trace of hesitation, she lets out a small chuckle, as if she was suspense with disbelief.

"That's- I just didn't think that anyone would notice," Minji says with her eyes gazing out the window, but as you trace at where she was looking at, her eyes seems to look further than you can reach. "I mean, no has ever said that in this place."

"No one has ever said so?"

"Yeah, you're the first one." She says with a smile you somehow feel genuine, "You got a really good eye, I have to say."

Minji asks back with her attention undivided, leaning forward—seemingly curious as well. "What about you? Are you planning to join one of the clubs here as well?"

To be fair, you haven't join any clubs in this particular server you were playing in. You had some plans to get in the art club or martial club sometime ago, but had long forgotten about it. But now, it seems like the art club is your best bet, for now, that is.

"I was thinking, Ar—" Your words were punctuated by the distant chatters outside this room. Jungwon's voice blending with another, which you can't seem to decipher. But it grew clearer as they approached closer.

Jungwon appeared, with a particular someone following behind him.

"Jesus, I thought someone got hurt when you said you were by the infirmary room." The boy rolled his eyes as he shuts his flip phone. "Hey Minji, and.."

His eyes fell on you.

"Who's this?"

Purple hair framing his face, bouncing on his eyelashes—almost obscuring his doe eyes. The eldest among the yanderes, and the leader of the gaming club—Lee Heeseung. If there was one thing most memorable about him in his profile, is that he has a big obsession with collecting keyboards. Not often spotted around his members as he spent afterhours in the gaming club, playing games all day.

You're surprised that he doesn't look at all malnourished, or close to the stereotypical image of a gamer; disheveled hair, dark eyebags, and a gloomy atmosphere but rather a neat, and well-combed hair, paired with a healthy skin tone. Not what you would expect from someone who is cramped all day in a dimly-lit room.

You'd often wonder how the heck the players who chose him would be able to get him out of his inner world of games and keyboards.

Before Minji could answer, Jungwon did.

"Minji was the one who found her almost passed out behind the academy, so we brought her here."

With a complete air of nonchalance, that is. Since awhile ago, you notice how Jungwon has never laid his eyes on you for more than three seconds, his eyes was everywhere but you.

"So?"

"So what?" Heeseung asked with evident confusion.

"I thought you wanted to say something on the way here?"

"Why am I here again? Ah yes, the club." Heeseung mumbling to himself, before letting out a rather loud 'tsk'.

"What's up with the club?"

"You know what I'm talking about," Heeseung ruffled his hair, pushing his tongue in his cheek. "No, seriously, not one but two of the club members quitted. Like why the fuck didn't they inform me way back then? Such a bummer."

"What are you suppose to do even there?" Minji suddenly asks.

Heeseung turns to look at her, "Gaming?"

"Just gaming?"

"Yeah, what else are you suppose to do then?"

"I seriously don't get why the Gaming Club was approved in the first place." Minji shrugs, in which you shared the same thought as well. She has a point, though.

Back in the real world, you never found the gaming club useful at all. Its benefits where you could do missions through playing games to raise your stats kind of wasted your time.

"Well, you'd probably don't get it." Heeseung rolled his eyes, seemingly finding it useless to banter with her before turning to the boy in front of him. "Anyways, Jake has been considering to quit the drama club. What say you, Jungwon?"

"Me?" Jungwon points at himself, in which the former nodded in response. "Who says I'm leaving my club?"

"Dude, just quit the martial arts club." Heeseung says, with an amused expression trying to stifle a chuckle. "It's not like we have any serial killers around here with their ass for you to kick?"

Somehow, you found yourself stiffening at Heeseung's words.

"I'm in dire need for club members now, Yang."

"Ask others, then?" Jungwon said, "You know how many students wants to join your club, especially the girls."

"No, not the girls, please." Grimacing, Heeseung shook his head. "I don't have anything against girls but the thing is they don't have the same level of passion for gaming," Pointing his index finger on the ground as he continues speaking, "Not in this academy, okay?"

"The boys?"

"Sunghoon and Jay isn't budging the fuck from their recipes, while Sunoo had just joined the occult club a month ago, and Ni-ki?" Heeseung shook his head, facepalming himself. "That kid has no sense of either punctuality or responsibility."

He pauses his words in-between, though—as if a light bulb lighted up in his head.

"Wait, if I could get Jake. Perhaps, Ni-ki would follow along."

"Go for it, then."

A sigh spills out of Heeseung's lips. "The calculation I made for this is undoubtedly fairly low, unfortunately. So please,"

Jungwon only shrugs in return, seemingly putting a thought about it.

"You're my only hope now aside from Jake, or else the faculty room's gonna shut my club down, dude." Desperation evident in Heeseung's voice as he kneels down much to you all's surprise. With Jungwon having to force him to stand up but the latter only pressed on, insisting with no hint of giving up at all.

"Oh god, Heeseung." Minji cups her forehead at the sight playing out in front of her before asking you with her lips pursed up in a smile "Which club was it again, the one you wanted to join?"

"Art club."

Hearing your answer, Minji turns to look at the boy kneeling on the floor. "Guess there's no hope for you then."

Heeseung groaned, mumbling to himself how he wasted his energy going all the way down here.

"By the way, Minji. Aren't you suppose to look for the light club's members now?" Jungwon asks, a question directed to Minji.

"Oh my god!" The girl in question abruptly stands, the chair creaking at the same time. "You're right! I totally forgot about it!"

"I'll accompany you there," Jungwon suggested, stretching his hands out to her. You avoid the image of their hands intertwining, looking the other way.

"(Name), you'll be fine here, right?" Minji asks with enthusiasm, in which you nodded in return, assuring her that its okay. "I'll be back later!"

And so you observed as the two left, with Heeseung following behind them but with a pair of eyes you could see fleeting in the distance.

Footsteps and chatters fading in the distance. You watched the faint marmalade sky, taking a deep sigh as you closed your eyes, rummaging your head of what to do.

You opened your eyes to see that he hasn't left yet.

"Why are you still—"

"Ah, so you're (Name)?" Heeseung pulls away after he read your tag name, standing still all while humming a certain tune, quite familiar to your ears but you can't pinpoint where you did it hear from. "You play games?"

"No." You replied swiftly.

Judging by his first question, it was better if you shut it down fast as you don't have any intention in joining the gaming club, since it doesn't have any advantages or benefits like other clubs does. To summarize it, its a completely useless club.

Tilting his head, you feel the curiosity enveloped in his eyes. "What do you mean by 'no'?"

You raise one brow, confused as to what he was implying at.

"Your eyes," Chuckling, he gestures his fingers over his eyes, "They look like they hurt a lot, that means you must have been playing a whole lot of games."

"If you're planning to ask me to join your club, then sorry, I lose all the time."

"Pity, why don't you join my club then?" He chimes in, insisting with chins buried on his palms. "Perhaps under my tutelage, you'll get really, really good at gaming."

"I don't really care in improving my gaming." You rebutted almost nonchalantly, leaning your head on the pillow as you shut your eyes tight.

"Ugh, so close." Heeseung whines, however seemingly insistent at the topic. "Then why do you play games in the first place?"

"What else do you think?" You looked into his eyes, trying to show him that you're bored.

A few beats of silence.

"I don't think so," Heeseung says, "You don't like someone who would play for pastime."

"What makes you think so?"

"Like I said, your eyes." Heeseung says, "It hurts right?"

You played games for what really?

A game where you can freely act on your desires without inflicting real pain on real people, a fantasy world where you shouldn't cross the line.

A line you wanted someone else to cross for you instead.

You wanted someone to be selfish for you for once. Someone who won't have their love wavers with one look on others. Someone who wouldn't say.. that it wasn't true love.

It just so happens that you found this game. You ended up finding solace in these so-called yanderes where they will only have their eyes on you, where their top priority is the best interest of your heart, an affection that exceeds all boundaries and limits, vowing loyalty that never fleets till the end of their life.

It's hilarious how this beings are the twisted form of that sentence your mother utters; instead of manipulating you and using you like a play toy, it was instead used in a way to make you theirs. You ache for that kind of love. It may be all toxic, yet your body aches to be embraced. You had no hope for these obsession to exist in the real world.

Hence why you could only let out your frustrations and lamentation in this game. It's all about you, only you. That's what you love about it. A virtual world where you can unleash your pain, act on your wildest desires, and appease your hurting soul.

Thoughts come and go. But some just persists, latching in the depths of your soul like a pest, therefore your brain does what its best at—to protect you; keep it, hide it like your dirty laundry, and kicking it off in the deepest and darkest corner.

There was no need to hurt someone else just because you had been hurt yourself. You vowed that to yourself.

However you can't deny that this mind of yours, this soul of yours will never be the same. It's tainted. Smudged. Scarred. You're beyond saving, no matter how you try. You can hide it all you want, yet its there, creeping back up when you're presented with that same image of a dirty laundry.

The very same dirty laundry this game is preying on, urging you to nurture it, to let go of your self. To let yourself snap. To make you go back on your own words. A freak show in its eyes.

Oh, how the tables had turned.

"Not all people play games to get better or become pro at it like you do."

Heeseung hums in response, leaning against the edge of the window. "What type of games do you like?"

"Why do you care?"

"Hey," He scoffed, "So is it classified as weird to ask harmless questions now?"

You rolled your eyes, "It's a game where you have to survive."

"Bingo, I'm a pro at surviving, you see." Heeseung throws you a wink, "I can give you tips on how to win if you let me."

"Unfortunately for you," You covered your eyes with your forearm, giving a signal that he should just leave already. "It's a fucked up game, and I don't like playing games anymore anyways."

"I know that words," The boy snickers, approaching you with growing interest laced in his voice. "Tell me, what is this game that's making you act up like this?"

"It's none of your business."

"It is, gaming is my forte."

"Your forte in gaming won't save you from this one."

"What makes you think I can't?" You could feel his silhouette near the edge of the bed, casting a shadow on you. "All the games I've played, I've won."

No, you've lose. Despite being unsure of whether the yanderes themselves are once real people. You couldn't help but be affected by his words. Scoffing at the irony at the words leaving his mouth, you pulled your forearm from your eyes—pushing yourself to sit upright.

Meeting his eyes, you said. "Haven't you wonder that it must be that you've never found a game that will make you lose, yet?"

"That's why I have to play it, we'll know if we never try." He pressed on, keeping the smirk on his lips.

His confidence and all this words is pushing you towards the brink. Groaning, you let yourself fall back on the pillow. Shifting your body where you back faces him. "You'll definitely lose, I'm telling you."

"What? Does it take two players to win?" Tilting his head in amusement, chuckling. "If you're afraid in hindering me, then I don't suck that bad to the point to be held back by an amateur, you know."

"Not even close." Your frown deepens. "You'll only die."

"It doesn't hurt to try."

"It will hurt."

"C'mon, now."

"Don't get too ahead of yourself."

"What's a game for if not to take risks?" Heeseung smirks, "Its not too different from life, you see. There's a reason why they say life is a game." He leans closer, "We only got one chance in life."

You scoffed with your eyes closed, "I didn't know the gaming club's leader can be this persistent outside his computers, but I guess you are staying true to your role as a gamer."

"Well, you won't excel in life if you don't play your role well."

Finally losing your patience, with your eyes now shot wide open—you pushed yourself upright once more, glaring at him with spite. "Seriously? I thought you said to your friend just now that you don't want any girls to join your club because they don't have that, what was it again?"

Heeseung tilted his head sideways, waiting for you to finish your words.

"Ah, yes, passion." With a clenched jaw, and annoyance plastered on your face—you raise your index finger at him, "So why the fuck are you forcing me to join your club?"

"What? Are you offended about what I said?"

"The thing is, I don't care."

"What I said was true, though." Heeseung bends down to your eye level, "No one here has a passion for gaming like I do."

"So why—"

"But I see in it you." With your eyes locked together with his, you could the deep curiosity swirling within. A hollow well yet so strange it sucks your breath away, like a pair of hands wrapped on the back of your head. "Like I said, your eyes."

You released a shaky breath when he finally pulls away, breaking the intense prolonged eye contact.

"What say you, pretty?" His voice pulls you out, "Maybe I can help you win."

With trembling hands, you spat out. "Leave."

"Alright, alright, I'll be leaving now." Heeseung's voice fades as he heads off to the exit, but your ears caught on his halted steps. "But my offer still stands. In case you change your mind, you know where to find me."

With silence finally enveloping the room, you're left wondering what had just happened. What was that, even?

The leader of the yanderes offering you to join his club, which doesn't serve you any benefits. But as you've given it more thought, perhaps this is the golden chance to get closer to Jungwon, which is through his friends. What better way is it if not through the leader himself?

But if everything went exactly the way you want it to be, what would you do with Minji? After that seemingly genuine conversation with her, it pains your heart to even imagine anything sort that way.

It leaves you more conflicted as time passes, though, as you can't still seem to decide whether joining the gaming club is better than the art club. As tempted as you are, you cannot join the martial arts club. You are certain that it will only push Jungwon away from you.

Instead, the drama club would give you way more benefits with its costume and masks, and Jake was there too but Heeseung had mentioned that he's considering of leaving so there's that. While the cooking club has both Sunghoon and Jay—the unfortunate encounter you had with the former earlier had left you somewhat intimidated by him, and remembering Jay's profile doesn't make you feel any better as he had a shady history.

Perhaps the occult club would be a better option, and Sunoo has been an active member for two months. Despite being one of the yanderes, he's a sweet boy with a cheerful demeanor—and that makes it easier to get close to him. But the overall atmosphere of the other occult members makes you grimace, they don't seem very welcoming in your opinion.

Ruffling your hair in a mess, you clenched your jaw as you couldn't find yourself making the right decision.

What's even the right decision? You are scared. You truly are scared. It has been awhile since you've felt this much dread and fear. You've gotten really good at holding yourself back all this time, doing so well not letting your personal emotions getting the best of you.

But now you aren't so sure anymore.

You weren't sure of which are you scared of more too; was it the fact that your entire existence will be wiped out if you fail, or was it because you'll rot, or was it because everything you've tried so hard to forget will flood back once more?

Or maybe it was everything altogether.

Truth to be told, you're afraid of the you that will slowly return. That part of you that sees herself as a victim and no one else. You didn't want to go back to her anymore.

It was so far back, hazy swirls shrouding your head. You suppressed it in a way. You can no longer remember the details. Yet it was there inside your heart. That reeking dirty laundry swirling your heart, recycling it like a washing machine.

A side of you that deeply perturbs your soul.

Deep down, it also terrifies you that this game will come to understand you soon, more than you do.

A frog that frustrates over who threw the stone, lamenting over the question; "Why me?"

You do not wish to go back to the you from back then. Not anymore.

Your lips fell apart when the atmosphere against your bare skin changes, growing thick and tense as if someone had pressed the pause button. The swaying lush trees beyond the window halted, and the nurse on the other side of the room stood still. The chatters outside are replaced with a deafening silence.

A gasp spills out of your throat when the same pink display screen like Sonare appeared, however instead of texts—list of choices are presented before your eyes.

Whatever you choose to term it with, these set of choices are now the bane of your life. A heavy weight pushing you down as you read each choice, leaving you more distress than ever.

You've got to instill it in your mind that being Jungwon's girlfriend isn't enough, you have to make him die for you—where everything he sees, hear, smell, and taste is you.

If you want to live, you had to.

Make him yours, make him say yes to your love confession.

➤ .. CAN YOU CLIMB UP THE RANKS AND TAKE THE SPOT AS THE ONE AND ONLY BELOVED DARLING OF YOUR YANDERE?

© 2022-2024, pieroulette on [tumblr]. all rights reserved.

📫 qna can be delivered to my sideblog: @yuanvei !

[religion-is-a-mental-illness]

By: Andy L.

Published: Apr 14, 2024

It has now been just little under a week since the publication of the long anticipated NHS independent review of gender identity services for children and young people, the Cass Review.

The review recommends sweeping changes to child services in the NHS, not least the abandonment of what is known as the “affirmation model” and the associated use of puberty blockers and, later, cross-sex hormones. The evidence base could not support the use of such drastic treatments, and this approach was failing to address the complexities of health problems in such children.

Many trans advocacy groups appear to be cautiously welcoming these recommendations. However, there are many who are not and have quickly tried to condemn the review. Within almost hours, “press releases“, tweets and commentaries tried to rubbish the report and included statements that were simply not true. An angry letter from many “academics”, including Andrew Wakefield, has been published. These myths have been subsequently spreading like wildfire.

Here I wish to tackle some of those myths and misrepresentations.

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Myth 1: 98% of all studies in this area were ignored

Fact

A comprehensive search was performed for all studies addressing the clinical questions under investigation, and over 100 were discovered. All these studies were evaluated for their quality and risk of bias. Only 2% of the studies met the criteria for the highest quality rating, but all high and medium quality (50%+) studies were further analysed to synthesise overall conclusions.

Explanation

The Cass Review aimed to base its recommendations on the comprehensive body of evidence available. While individual studies may demonstrate positive outcomes for the use of puberty blockers and cross-sex hormones in children, the quality of these studies may vary. Therefore, the review sought to assess not only the findings of each study but also the reliability of those findings.

Studies exhibit variability in quality. Quality impacts the reliability of any conclusions that can be drawn. Some may have small sample sizes, while others may involve cohorts that differ from the target patient population. For instance, if a study primarily involves men in their 30s, their experiences may differ significantly from those of teenage girls, who constitute the a primary patient group of interest. Numerous factors can contribute to poor study quality.

Bias is also a big factor. Many people view claims of a biased study as meaning the researchers had ideological or predetermined goals and so might misrepresent their work. That may be true. But that is not what bias means when we evaluate medical trials.

In this case we are interested in statistical bias. This is where the numbers can mislead us in some way. For example, if your study started with lots of patients but many dropped out then statistical bias may creep in as your drop-outs might be the ones with the worst experiences. Your study patients are not on average like all the possible patients.

If then we want to look at a lot papers to find out if a treatment works, we want to be sure that we pay much more attention to those papers that look like they may have less risk of bias or quality issues. The poor quality papers may have positive results that are due to poor study design or execution and not because the treatment works.

The Cass Review team commissioned researchers at York University to search for all relevant papers on childhood use of puberty blockers and cross-sex hormones for treating “gender dysphoria”. The researchers then graded each paper by established methods to determine quality, and then disregarded all low quality papers to help ensure they did not mislead.

The Review states,

The systematic review on interventions to suppress puberty (Taylor et al: Puberty suppression) provides an update to the NICE review (2020a). It identified 50 studies looking at different aspects of gender-related, psychosocial, physiological and cognitive outcomes of puberty suppression. Quality was assessed on a standardised scale. There was one high quality study, 25 moderate quality studies and 24 low quality studies. The low quality studies were excluded from the synthesis of results.

As can be seen, the conclusions that were based on the synthesis of studies only rejected 24 out of 50 studies – less than half. The myth has arisen that the synthesis only included the one high quality study. That is simply untrue.

There were two such literature reviews: the other was for cross-sex hormones. This study found 19 out of 53 studies were low quality and so were not used in synthesis. Only one study was classed as high quality – the rest medium quality and so were used in the analysis.

12 cohort, 9 cross-sectional and 32 pre–post studies were included (n=53). One cohort study was high-quality. Other studies were moderate (n=33) and low-quality (n=19). Synthesis of high and moderate-quality studies showed consistent evidence demonstrating induction of puberty, although with varying feminising/masculinising effects. There was limited evidence regarding gender dysphoria, body satisfaction, psychosocial and cognitive outcomes, and fertility.

Again, it is myth that 98% of studies were discarded. The truth is that over a hundred studies were read and appraised. About half of them were graded to be of too poor quality to reliably include in a synthesis of all the evidence. if you include low quality evidence, your over-all conclusions can be at risk from results that are very unreliable. As they say – GIGO – Garbage In Garbage Out.

Nonetheless, despite analysing the higher quality studies, there was no clear evidence that emerged that puberty blockers and cross-sex hormones were safe and effective. The BMJ editorial summed this up perfectly,

One emerging criticism of the Cass review is that it set the methodological bar too high for research to be included in its analysis and discarded too many studies on the basis of quality. In fact, the reality is different: studies in gender medicine fall woefully short in terms of methodological rigour; the methodological bar for gender medicine studies was set too low, generating research findings that are therefore hard to interpret. The methodological quality of research matters because a drug efficacy study in humans with an inappropriate or no control group is a potential breach of research ethics. Offering treatments without an adequate understanding of benefits and harms is unethical. All of this matters even more when the treatments are not trivial; puberty blockers and hormone therapies are major, life altering interventions. Yet this inconclusive and unacceptable evidence base was used to inform influential clinical guidelines, such as those of the World Professional Association for Transgender Health (WPATH), which themselves were cascaded into the development of subsequent guidelines internationally.

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Myth 2: Cass recommended no Trans Healthcare for Under 25s

Fact

The Cass Review does not contain any recommendation or suggestion advocating for the withholding of transgender healthcare until the age of 25, nor does it propose a prohibition on individuals transitioning.

Explanation

This myth appears to be a misreading of one of the recommendations.

The Cass Review expressed concerns regarding the necessity for children to transition to adult service provision at the age of 18, a critical phase in their development and potential treatment. Children were deemed particularly vulnerable during this period, facing potential discontinuity of care as they transitioned to other clinics and care providers. Furthermore, the transition made follow-up of patients more challenging.

Cass then says,

Taking account of all the above issues, a follow-through service continuing up to age 25 would remove the need for transition at this vulnerable time and benefit both this younger population and the adult population. This will have the added benefit in the longer-term of also increasing the capacity of adult provision across the country as more gender services are established.

Cass want to set up continuity of service provision by ensure they remain within the same clinical setting and with the same care providers until they are 25. This says nothing about withdrawing any form of treatment that may be appropriate in the adult care pathway. Cass is explicit in saying her report is making no recommendations as to what that care should look like for over 18s.

It looks the myth has arisen from a bizarre misreading of the phrase “remove the need for transition”. Activists appear to think this means that there should be no “gender transition” whereas it is obvious this is referring to “care transition”.

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Myth 3: Cass is demanding only Double Blind Randomised Controlled Trials be used as evidence in “Trans Healthcare”

Fact

While it is acknowledged that conducting double-blind randomized controlled trials (DBRCT) for puberty blockers in children would present significant ethical and practical challenges, the Cass Review does not advocate solely for the use of DBRCT trials in making treatment recommendations, nor does it mandate that future trials adhere strictly to such protocols. Rather, the review extensively discusses the necessity for appropriate trial designs that are both ethical and practical, emphasizing the importance of maintaining high methodological quality.

Explanation

Cass goes into great detail explaining the nature of clinical evidence and how that can vary in quality depending on the trial design and how it is implemented and analysed. She sets out why Double Blind Randomised Controlled Trials are the ‘gold standard’ as they minimise the risks of confounding factors misleading you and helping to understand cause and effect, for example. (See Explanatory Box 1 in the Report).

Doctors rely on evidence to guide treatment decisions, which can be discussed with patients to facilitate informed choices considering the known benefits and risks of proposed treatments.

Evidence can range from a doctor’s personal experience to more formal sources. For instance, a doctor may draw on their own extensive experience treating patients, known as ‘Expert Opinion.’ While valuable, this method isn’t foolproof, as historical inaccuracies in medical beliefs have shown.

Consulting other doctors’ experiences, especially if documented in published case reports, can offer additional insight. However, these reports have limitations, such as their inability to establish causality between treatment and outcome. For example, if a patient with a bad back improves after swimming, it’s uncertain whether swimming directly caused the improvement or if the back would have healed naturally.

Further up the hierarchy of clinical evidence are papers that examine cohorts of patients, typically involving multiple case studies with statistical analysis. While offering better evidence, they still have potential biases and limitations.

This illustrates the ‘pyramid of clinical evidence,’ which categorises different types of evidence based on their quality and reliability in informing treatment decisions

The above diagram is published in the Cass Review as part of Explanatory Box 1.

We can see from the report and papers that Cass did not insist that only randomised controlled trials were used to assess the evidence. The York team that conducted the analyses chose a method to asses the quality of studies called the Newcastle Ottawa Scale. This is a method best suited for non RCT trials. Cass has selected an assessment method best suited for the nature of the available evidence rather than taken a dogmatic approach on the need for DBRCTs. The results of this method were discussed about countering Myth 1.

Explainer on the Newcastle Ottawa Scale

The Newcastle-Ottawa Scale (NOS) is a tool designed to assess the quality of non-randomized studies, particularly observational studies such as cohort and case-control studies. It provides a structured method for evaluating the risk of bias in these types of studies and has become widely used in systematic reviews and meta-analyses.

The NOS consists of a set of criteria grouped into three main categories: selection of study groups, comparability of groups, and ascertainment of either the exposure or outcome of interest. Each category contains several items, and each item is scored based on predefined criteria. The total score indicates the overall quality of the study, with higher scores indicating lower risk of bias.

This scale is best applied when conducting systematic reviews or meta-analyses that include non-randomized studies. By using the NOS, researchers can objectively assess the quality of each study included in their review, allowing them to weigh the evidence appropriately and draw more reliable conclusions.

One of the strengths of the NOS is its flexibility and simplicity. It provides a standardized framework for evaluating study quality, yet it can be adapted to different study designs and research questions. Additionally, the NOS emphasizes key methodological aspects that are crucial for reducing bias in observational studies, such as appropriate selection of study participants and controlling for confounding factors.

Another advantage of the NOS is its widespread use and acceptance in the research community. Many systematic reviews and meta-analyses rely on the NOS to assess the quality of included studies, making it easier for researchers to compare and interpret findings across different studies.

As for future studies, Cass makes no demand only DBRCTs are conducted. What is highlighted is at the very least that service providers build a research capacity to fill in the evidence gaps.

The national infrastructure should be put in place to manage data collection and audit and this should be used to drive continuous quality improvement and research in an active learning environment.

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Myth 4: There were less than 10 detransitioners out of 3499 patients in the Cass study.

Fact

Cass was unable to determine the detransition rate. Although the GIDS audit study recorded fewer than 10 detransitioners, clinics declined to provide information to the review that would have enabled linking a child’s treatment to their adult outcome. The low recorded rates must be due in part to insufficient data availability.

Explanation

Cass says, “The percentage of people treated with hormones who subsequently detransition remains unknown due to the lack of long-term follow-up studies, although there is suggestion that numbers are increasing.”

The reported number are going to be low for a number of reasons, as Cass describes:

Estimates of the percentage of individuals who embark on a medical pathway and subsequently have regrets or detransition are hard to determine from GDC clinic data alone. There are several reasons for this:

Damningly, Cass describes the attempt by the review to establish “data linkage’ between records at the childhood gender clinics and adult services to look at longer term detransition and the clinics refused to cooperate with the Independent Review. The report notes the “…attempts to improve the evidence base have been thwarted by a lack of cooperation from the adult gender services”.

We know from other analyses of the data on detransitioning that the quality of data is exceptionally poor and the actual rates of detransition and regret are unknown. This is especially worrying when older data, such as reported in WPATH 7, suggest natural rates of decrease in dysphoria without treatment are very high.

Gender dysphoria during childhood does not inevitably continue into adulthood. Rather, in follow-up studies of prepubertal children (mainly boys) who were referred to clinics for assessment of gender dysphoria, the dysphoria persisted into adulthood for only 6–23% of children.

This suggests that active affirmative treatment may be locking in a trans identity into the majority of children who would otherwise desist with trans ideation and live unmedicated lives.

I shall add more myths as they become spread.

==

It's not so much "myths and misconceptions" as deliberate misinformation. Genderists are scrambling to prop up their faith-based beliefs the same way homeopaths do. Both are fraudulent.

[echoingspectrum]

𝑇ℎ𝑒 𝐺𝑎𝑚𝑒𝑟'𝑠 𝑃𝑒𝑛𝑐ℎ𝑎𝑛𝑡

☆ pairing : gamer!streamer!dan heng・character!reader

☆ synopsis : how does it feel to be in dan heng's shoes and vice versa?

☆ word count : 1.1k words

☆ cw : ooc!dan heng・that's all~ here's the headcanon!

⌗ Oh, how the tables have turned~ Instead of the usual gamer you and character Dan Heng, this time it's the other way around, with Dan Heng behind the screen and you as the newest character that developers have introduced to the game in the early version. 

⌗ I imagine Dan Heng plays Honkai Star Rail 24/7, so he knows every lore like the back of his hand. He must have a deeper understanding of the game mechanics and its attributes, creating a sense of career for this game. Like a cute nerd he is~

⌗ Not only is he a gamer, he's also a streamer. He streams moderately, sharing tips and tricks with his fellow gamers, but he is known to stream Honkai Star Rail contents. He enjoys engaging with his audience and discussing strategies, making him a valuable resource for the gaming community. 

⌗ He even streams with his fellow streamers, especially with Caelus. They often get labeled by the viewers as the chaotic duo due to their dynamic and entertaining banter during gameplay. 

⌗ Now, let's proceed to you~

⌗ With version 2.4 approaching, there was a leak of your character saying that you'd be one of the important figures of one of the Xianzhou Alliance, and everyone was suspecting that you'd either be one of the swordsmen or the arbiter-general, similarly to Jingyuan or Jingliu. 

⌗ Do you know the Silhouttes marketing drip that the HSR developers posted? There were eight of them⏤including you. Ever since the new March 7th drip marketing, everyone has been hyped for the following characters that are soon to be released. 

⌗ There are four characters hailing from the Yaoqing, others from the Zhuming, and March categorize in Luofu. One in particular that caught their attention is your silhouette banner, which illustrates your figure with your desired weapon in your grasp, bird crane origami surrounding you, and a subtle winged dragon shadow hovering in the background.

⌗ Meanwhile, Dan Heng, being one of the lore fanatics, has speculated that you may be one of the Vidyadhara species like Bailu⏤Correction. He's not just speculating; he's certain of his theory. Despite the lack of the draconic features in your character, you're somehow linked to the Vidyadhara race.

⌗ The developers dropped an animation where the five high elders of Vidyadhara are shown, and one of them bears a striking resemblance to your silhouetted character. This has sparked even more speculation from Dan Heng about your true identity and affiliation to the Vidyadhara race. 

⌗ Despite you're in a cameo, Dan Heng is captivated by your character design; it's aesthetically pleasing to the eye. The developers must increase their efforts to include more details about your character in future updates to satisfy the demands of players. 

⌗ Although he notices that you lack the draconic features present in the other high elders, this would mean that your hidden role must be disclosed in later updates. 

⌗ While streaming, Dan Heng nonchalantly talks about you and the design itself, even theorizing what unit you will be in the future and the most effective relics that would give you massive damage. 

⌗ Do you guys know those informative videos where content creators break down every aspect of a character's abilities, potential damage, which lightcone suits them, or what pieces of relics would give them a buff? Dan Heng is one of those, except he's quite immersive when it comes to you.

⌗ The audience quickly notices how passionate Dan Heng is, and they labeled him as a SIMP for you. He himself hasn't noticed how well absorbed he is into you, which is terrifying to say the least.

⌗ Imagine the day when the new patch was released and Xianzhou had added a recent interlude story mission, which somehow ties to you and other characters, and Dan Heng immediately logged in to the game with breakneck speed. 

⌗ Do you guys know that every time a new story is added to the game, there's the main cover of the chapter? Where are all the major characters going to be included in the story? Yeah⏤that's basically what Den Heng is seeing right now! There's a midnight-isque backdrop, and the characters are having a smile on their faces, enjoying whatever the heck they are doing. But that's not what Den Heng is focused on.

⌗ In the corner of the cover, there's a suspicious figure in a clay blue colored cloak that seems to be hanging around with several children who are all circling around the figure. Squinting his eyes, he sees a tuff of your hair out of the cloak. He's now certain that you'll be part of the story somehow. 

⌗ During the story, Dan Heng ( he's streaming the walkthrough ) secretly basks at every moment of your screen time; he screamed internally at your first appearance⏤or every time of your appearances; he would take a minute or so to glance at your expression and design every chance he gets. His fangirl moment. 

⌗ Your voice was pleasant to hear. The audience started to spam him with SIMP texts in the chats or even memes due to his not-so-subtle, flustered reactions. Overall, he enjoyed the mission story. Because you were in it.

⌗ Now, he's waiting for anyone who leaks your gameplay.⏤Who am I kidding…HE'S THE ONE WHO LEAKS YOUR GAMEPLAY AND IDLE ANIMATION. He may seem to be a reserved guy, but mentally, he's zealous. He enjoys and approves your gameplay and animation because they are appropriate to your character and your aesthetic. 

⌗ One of your idle animations consists of creating a bird crane origami and letting it fly away, watching it with awe. A unique feature of this is that for each bird crane origami you've created, different colors and patterns are displayed.

⌗ Another idle animation of yours is⏤since in your default form, you appeared to be human. Then clouds materialize and envelope your figure. With a burst of wind, it showed your Vidyadhara form. 

⌗ In your gameplay, however, before entering the battle, you were still in your default form. Following entering a battle, you've changed into your Vidyadhara form, draconic features and all. Similar mechanics with Firefly/SAM. Your author is biased when it comes to dragon-based characters. I'll let you imagine your basic attack, skills, and ult. 

⌗ Once your banner is dropped, oh boy…Dan Heng is going to E6 and S5 of you and your signature lightcone. AND HE FRICKING DID! Giving you the best relic and maximizing your talents. Every battle he encounters, he always wins, and hearing your triumphant voice line, he's proud of himself. This guy is fucking devoted y'all. If only I had money, then I could E6 Imbibitor Lunae. 

⌗ He subtly boasts you and your build to his viewers and his fellow streamers. Caelus lost his 50/50 in your banner and got Bailu instead, but at least it's also a Vidyadhara. Overall, Dan Heng adores your character and loves to see more of you in the future patches. 

[cipheramnesia]

This is the process my brain goes through every time I see anything about Netflix Avatar The Last Airbender.

My first reaction is always: Why? The original, although not without flaws, doesn't leave a lot of room to improve. A good remake or adaptation usually involves an updated context or change in perspective that adds to the original work and gives it new meaning. It's a risky undertaking because it usually involves wanting to take on something established as iconic and make it your own. But Netflix is a corporation and seems very risk averse for the most part. Its only investment is in the name recognition of AtLA. It's hard to visualize Netflix deliberately taking a big risk on an expensive show.

My second reaction is: How? The original series is about 1400 minutes over 61 episodes, and it still had to rush the ending. We're looking at 8 episodes of roughly 45-60 minutes per episode for season 1, which would require Netflix to let it run more than 3 seasons, if the series has similar pacing. Historically however Netflix shows have glacial pacing, and rarely make three seasons. Not really sure how they plan to tell the story if the series is anything like the average Netflix series, meaning it either needs to undercut the story or let the series breathe for at least five seasons. But nothing Netflix has done makes me want to watch anything they make as an ongoing series? Why bother, they cancel everything I enjoy. So I wonder how. What's the hook to say "this will be able to provide something new and interesting compared to the original, and will be allowed to tell the complete story."

Which leads me to think, but you can't judge if something is good without seeing it. Except none of this is about whether it's good, I just find myself wondering what are the odds it's worth the effort? They're low, and it has nothing to do with whether or not it's even any good on its own merits.

Following this, I ask myself, what would a good version of this be. Imagine you are making a live action series with eight hour long episodes per season based on a children's cartoon with 20 thirty minute episodes per season. You are trying to encompass a story which was presented over three seasons as a cartoon, and you do not know if you will have more than those eight episodes. It's made for Netflix which, in terms of a company which will protect the hard earned fruits of your artistic labor, is the fox guarding the henhouse. What do you do?

If you are looking to make something good, that respects your audience investment and your own work, you make radical changes to the story. You change the pacing, the character arcs, the plot arcs. You make sure you deliver a complete story in those episodes with as much respect for the original work and as many new ideas as you can.

Except, at that point, what is even the point of a remake. The only way to work with it is either to trust Netflix allowing you to finish the story (which you'd need to be incredibly naive to do), or tell a story so different it may as well be wholly original. And that's where I always end up. Like, it'll probably be fine, but what's the point of it all? Another vanishing digital property to get canceled because of some undefinable failure to return on investment.

I think about it a lot because the two ends of the spectrum seem to be "dunk on every new piece of information" or "wait and see" but the only conclusion I can ever reach is "why even care?" That's been the lesson to take home from digital streaming in general when it comes to series, but Netflix in particular, and honestly for movie series too. If it can't be self contained, the companies who produce and release these kinds of series just cannot be trusted with it, and there are too many good original stories being put out to care anymore about big budget promises that one day they will definitely for sure deliver a finished story, this time for real.

I care enough to think about why I don't feel anything at all about Netflix Avatar. It'll be fine, whatever else. Just fine.

[utopya-cc]

Preview) Passionate Gifts| Functinal Designer Bag

Hi everyone. I hope you are all doing well! I have some exciting things to share and show you🤩!

✨This is one of the most exciting updates that I have made. There is more to it than what you saw in the preview video. The video covers just the animation; there are a lot of other features!

Basically, the update will have a whole new mod! So please Try to read the full post. Don't skip to the download page; there are some important things to know before Downloading it and using it,

The New Animation:

Let's start with the animations. This interaction has multiple animations that they may play each time you perform it. (just some small cute variation to the main animation)

One major new thing with this interaction is that it's staring from the back. Your sims will come from the back to give the gifts.

The Pros are: I think it looks great, I think coming from the back adds to The intimacy and surprise element of giving gifts, But the Cons are the game interactions are all face to face, so doing it like this isn't the best and the smoothest way to do it,

The New Designer Bag Gift:

The Designer Bag will cost your sim $1500 Simoleons ( I think it's well worth it; more on it later in this post!). The new interaction is located in the passionate gift pie menu under the romance category, with its own Custom Icons.

There are 12 in total swatches/brands that you can get. I will show you some of them now and let you explore the others.

I first planned to make it into a one-box gift, and then you can change the swatch by build buy, but it was a little bit inconvenience for the gameplay, and I didn't like it that much,

So I had to push it a little bit further, and thankfully, I did manage to figure out how to add all of them (it was one of the main reasons that extended the release date),

So now, every time you give the gift, your sims may give and receive one of 12 different Designer Bags. Each bag has its own Package Box, and the gift will change depending on each swatch. So, basically, there are twelve new gifts in this update.

You can still change the swatch by build-buy, but I think it is more fun to let your sim choose. I have also added a small mechanic to lower the chance of giving Duplicate swatches if you already have that bag in your sim inventory.

(I just want to mention that I added a surprise animation when they see the prize tag! It's just a small detail that I thought it would look cute 👇) 

The Interaction Outcome:

After performing the interaction, your sim will receive the Designer Bag and its own custom Package Box. Also, your sim will receive some Buffs and moodlets for both the target and the actor,

As I said, each bag Has its own custom package box. You can sell it for 20§ or decorate your house with it. It can also work as a pedestal for your bag. I have added a slot to it so you can put stuff on it:

The Fully Functional Bag:

Now, let's start with some more exciting stuff. The bag is fully functional🤩! You can wear it and rename it. It is also live draggable, so you can live-drag it whenever you want, and it comes with its own inventory.

First of all, how do you wear it? You can easily do that from your sim inventory! Just click on it and click on (Wear). You can wear it with any outfit you like!!

It will be shown in the queued interaction on the left side of the running interactions. You can remove it by canceling the interaction.

While you are wearing it, you can't access the bag; you have to remove it first, and then you can access it or live drag it.

By wearing the bag, your sim will get a confident Buff.

Also, wearing the bag will slow the decay of some of your sim needs. My idea behind that is that wearing a bag makes youre sim more organized and less likely to get tired.The modifiers aren't that crazy; I think with them, it's just more fun to remember to wear it before going on a walk or to the coffee shop.

I have also added some buffs to other sims around you. For example, they may be amazed by seeing your sim wearing a Designer brand, and your partner may feel flirty if they see your sim wearing their gift.

The bag is Live draggable; you can drag it anywhere you want and open it. Each bag will have its own separate inventory, which can store almost anything and help organize your sim's inventory better.

The bag will be fully functional. I am planning on some existing features for it, and I will post some sneak peeks soon, so keep an eye out for that.

There are twelve Bags for your sim to have. I mean, I can imagine that Wealthy Sims will have at least two or three bags, so I have added the (add-to favorites options); you can do that while the bag is on your Sims inventory, so you can keep track of youre favorite used bag while carrying multiple ones for your different Outfits. And you can also rename them!

Of course, you can also collect all of them just to fill and decorate your Sims' closet. So, I have kept the option of buying it from Build Buy. Most of the bag's features will work, minus some gift-related ones.

To access the bag inventory, You have to place or live-drag it first; you can't open it from the inventory.

Showering or sleeping will remove the bag automatically. (I am blacklisting the interaction where youre sim removes the bag by hand, so if I have missed something, let me know)

The sim who receives the Designer Bag Gift Will automatically be the owner Of that Bag,

DOWNLOAD:

[writingwithfolklore]

5 Things about working in a (small) publishing house that surprised me

My experiences definitely aren’t true of the entire industry. I work in a very small, very local publishing house as a marketing assistant, and I’m certain that you’d have a much different experience at Penguin Random House, or even another small house on the other side of the country. That being said, here’s five things that really surprised me about what I’ve seen from the industry so far…

1. Very few of the people who work in publishing are writers

Okay this was one of the biggest surprises but also kind of makes sense? Publishing is a lot about the business side of things—numbers and marketing strategies and event planning, etc. People who are talented in design and accounting and other essential pieces to book publishing aren’t necessarily good at or practiced writers, and not all people who love reading also love writing!

I guess this surprised me so much because I’ve never been a reader without being a writer, but we often actually rely on the author’s writing on their own works (summaries, bios, etc.) to populate the backs of books and other marketing. Including me, there are three writers in my entire office.

2. Big booksellers (think Indigo) release yearly cover palettes for book covers

When we’re deciding the colours for a book cover, one thing that goes into that consideration is actually the different palettes Indigo releases! They have different palettes for different sections they update every year. I imagine it’s to fit a certain look for their shelves for new releases, but it’s not something I had ever really thought about, or thought that they would care about!

3. On that topic—publishing houses don’t sell to readers

My first day in marketing, my manager told me, “you’d think we’re selling to readers” I did think that. She said, “we’re actually selling to bookstores and libraries, they sell to readers.” How the money works is booksellers buy our books to put on their shelf. Everything they don’t sell, they’re allowed to trade back for credit, so we want them to buy big upfront, and then sell big to readers. Every book they send back is inventory we can’t get rid of and a “free” book for them down the line, so we don’t want books to come back!

If you want to support authors and your favourite publishing houses, buy from local bookstores who can’t afford to keep underselling books on their shelves for as long as say Indigo. If you really want to support authors, check out their books from libraries (yes really). Libraries are great because they buy books from publishing houses and can use the same one book to get into the hands of several readers, (in Canada) authors get a small amount every time a book is checked out (up to a certain amount so that the library’s entire budget doesn’t go to one book/author). Often, an author’s largest cheque is from libraries.

Unfortunately in the States authors don’t get the same boon, but still supporting your local libraries is just as good as supporting your local indie bookstores!

4. Soo many people look at covers, and soo much goes into creating them

I’m not really a designer, so I’m certain this wouldn’t surprise those of you who actually do graphic design, but they seriously look at every single detail and how it will benefit or hurt the sales. The placement of blurbs, choice of fonts, colours, subtitles, even the placement of raindrops for a rainy background, everything is discussed and tested and tried several different ways. So yes, DO judge a book by its cover, we work so hard on making covers perfect for the audience we’re trying to reach.

5. Publishing houses don’t necessarily have in-house editors, publicity, or other roles

I had always assumed that every publishing house had its own editors and publicists and what not. That’s probably true for the bigger ones, but if you’re being published by a smaller one (which you may be for your debut) you may be working with freelance editors and publicists who work somewhat with your publishing house and also with others as well. We have one in-house publicist, and no editors!

I wouldn’t turn down a publishing house just because they use freelancers (our freelancers are amazing!) but it’s important that they’re upfront about it. Huge red flag if they say they have in-house editors and they don’t actually—I would pass on a publishing house that lies to you.

Any other questions you have about the industry I’ll try to answer!

[renthony]

Lost in the Remaster: Star Trek, Vintage Special Effects, and the Charm of Old Media

by Ren Basel renbasel.com

Originally created by Gene Roddenberry, Star Trek is a franchise that spans decades. From the original series of 1966 to current shows such as Lower Decks, it stands as a titan of television and pop culture. The real world has undergone incredible change since Star Trek’s first appearance, yet nerds everywhere still find entertainment, inspiration, and hope in its classic episodes. Recently, along with my husband and best friend, I decided I wanted to attempt the gauntlet of watching the entire franchise from beginning to end, revisiting favorites and finally checking out the ones I missed. Media and fandom studies are my passion, after all, and Star Trek is a foundational part of modern American nerd culture.

Starting with the original series proved more difficult than expected. Living in a tiny apartment, we don’t have much space for DVDs, so Star Trek wasn’t in our existing collection. The local public library didn’t have copies, either, and putting in a purchase request doesn’t guarantee it will be made available. My family doesn’t have the funds to pay for every single streaming service on the market, and Star Trek isn’t available on any we do have access to. Piracy was starting to look like the only option, but even that fell flat when we couldn’t find a version with subtitles. Finally we dug it up officially and with subtitles, for free via PlutoTV, but there were still limitations: PlutoTV only streams season one, and season one is only available in the remastered edition that replaced the original special effects with new visuals.

It wasn’t ideal, but, hey, it was Star Trek.

Watching just one episode a week gave us enough time to scrape together savings to get what we really wanted for seasons two and three: the official BluRay release, which includes both remastered and original-release versions of each episode. The remasters are fine, but as a lover of media history and practical effects, I’m always disappointed to lose a chance to appreciate the originals. It doesn’t matter how good it might look, remasters are never as much fun to me as matte paintings, camera tricks, and whatever the prop department could pull off with ten dollars and some glue.

Finally having the BluRays in hand for season two only affirmed my love of vintage practical effects. Seeing the Enterprise in her original glory, before she was ever rendered in digital form, felt like opening a time capsule. I love time capsules. My favorite pieces of media are always those which capture a moment in time, showcasing the aesthetics, concerns, and culture of the time and place they were created. Star Trek: the Original Series is rooted in the late sixties, when mainstream culture in the United States was experiencing immense upheaval and social change. That context is written all over the show. The vintage effects add to it, grounding it in a very specific time and place. Updating the show’s effects takes away some of that 60s aesthetic, and while some may see it as making the show more timeless, I don’t care for it. To me, seeing what they could pull off before modern technology is half the fun of watching old shows. The ingenuity and creativity of propmakers, makeup artists, and set designers working on shoestring budgets is unparalleled.

To be clear, digital effects are also done by skilled professionals who deserve much more respect and many more labor protections. There are some truly stunning works created with digital tools. That said, I hate when digital effects are used to cover up the practical effects that came before. It feels disrespectful to the original artists, as if telling them their work wasn’t good enough; as if their work was just a placeholder until something better could come along and fix it. Practical effects aren’t a placeholder, they’re an art form in their own right, and that art form is one for which I have deep appreciation.

It frustrates me that the original, non-remastered episodes were such a pain for us to access, but I’m very glad to have added them to my personal media collection. No matter what future tweaks Star Trek’s rights holders might make, I can always pop in our personal copies to enjoy the Enterprise and her crew in all their vintage, “outdated” glory. If you’re also too young to remember the show’s original airing, and you have the opportunity to watch the unedited version, I highly suggest you do. Watching the version that aired in 1966 gives the show a charm that no amount of remastering can ever match.

_

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[yuurei20]

I don't know if you answered this yet but does Idia's hair burn?

Hello hello! Thank you for this question! :>

Idia says that his hair is not usually hot, even offering to let the prefect touch it to test for themselves!

He says, "it can get that way when I'm mad," though, so maybe when his hair turns to normal fire-color, that is when it is hot to the touch?

(He also says that his neck is cold when his hair is pulled back, but that also happens with normal, non-flame hair, so that might not be relevant.)

And the difference between the blue-flames of Twst and the fire-color flames of Twst seems to be important!

In Idia's case the blue flames are said to be the manifestation of his family curse, and Ortho seems to suspect that the same might be true for Grim, who has similar blue flames and is under the effects on a mysterious spell.

Though Ortho says that his blue hair is also made of fire just like his brother's, he also says that it's just artificially generated, is not the manifestation of a curse like Idia's, and he can change the color at will (which we see in action during Fairy Gala IF).

One of the more interesting implementations of the blue flames in the game might have been a mistake: in the original release of Malleus' labwear vignette on JP, when Deuce asks Malleus to summon wind or fire to help dry out something, Malleus initially summoned blue flames.

This posed a few questions:

・Does Malleus have access to whatever curse-capable magic it is that torments Idia and has been cast on Grim?

・Aren't Malleus' signature flames supposed to be green? How many different flames can he summon, and what is the difference between them?

But it seems that Malleus summoning blue flames was an error of some kind: they have since been updated to normal flame-color on JP (and they have been flame-color on EN from the start).

Blue is the color of the flames that Grim summons, and it's possible that he's supposed to be the only one capable of doing so, thus the correction to Malleus' labwear.

This makes it seem like the blue, heat-less flames of the Twst-universe are unique: they're not the flames summoned for normal flame magic (normal flame color) and they're not Malleus' signature flames (the green flames that can be seen around the school pose a lot of questions of their own but that is theory territory).

The blue flames may be a thus-far unconfirmed third thing, possibly marking a powerful curse and/or blessing that has yet to be explained.

The rules of Grim's flames seem a little bit vague: he refers to it as "fire magic" and no one corrects him, despite the color, and it seems capable of burning when he wants it to despite never changing to normal-flame-color like Idia's do. It makes one wonder what color flames Idia summons when performing fire magic!

Grim also retains the blue flames in his ears after losing the ability to summon blue fire as an attack in Book 3, so it is possible that the rules of his ear-flames are similar to those of Idia's hair-flames, while the blue fire he can actually control has rules of its own?

(If Grim's and Idia's respective blue flames are indeed the same, as Ortho suspects, the game might have indirectly answered the question "what happens to Idia's hair when he showers" in Book 3: Grim goes underwater and cannot use his fire magic, but his ear-flames remain.)