#i no longer read books

[maaikeatthefullmoon]

This week I have mostly been reading...

May 20-26th, 2024

Hooray, I’ve managed it for the second week in a row! *If you have written/illustrated one of the works I've mentioned and I've not tagged you, please let me know!*

Completed works I've read this week:

Under Construction by @summerofspock Rated E – Honestly, this one can be summed up by the rather excellent tags ‘there was only one wifi’, ‘weaponized coziness’, ‘erotic woodchopping’ and ‘emotionally significant flannel’ (as in the shirt, not the miniature towel for cleaning one’s self…). It’s cosy, it’s Hallmarkian, it’s disaster puppy Crowley, and Aziraphale has a beard. 10/10 no notes.

Temporal Adjustment by @ukcalico & @vavoom-sorted-art Rated E – Written by Calico to accompany the ever-wonderful vavoom’s art, it’s a Post S1 Ritz scene which plays with time and some *very* spicy scenes. Three chapters of mild D/s content – mind the tags if you’re new to that world.

Sweet Dreams: A Companion Fic by @sixbynine-da & @vavoom-sorted-art Rated E – went down a vavoom rabbit hole, which is truly a delightful hole to go down…pun erm…not intended? But perhaps it was. Anyway. The tags initially had me hesitant to read this one (blood drinking, blood as lube) but it was a much more minor point than I was worried about and it ended up being a beautifully accepting, tender, loving story. I shed a couple of tears at this one.

You Can Stay At My Place, If You Like by AstroGirl Rated T – A lovely, touching piece about the moment A & C switch corporations/bodies and get to experience each other’s thoughts and feelings. Both POVs are written throughout the story, which adds a richness and emotion to it.

If It Looks Like A Duck, And Buzzes Like A Duck, It’s A Sex Toy by @quefish77 Rated M – Look at me bring the tone down after the last recommendation, but ho hum. This one had me weeping with laughter. Once again, the tags tell the story for me: ‘Look if you’re here for medical advice I got bad news for you’, If you don’t say WTF and laugh at least 3 times I’ve failed’, ‘Tags Are Fun’, ‘How many will you read before you roll your eyes and read the fic?, ‘Congratulations! You made it to the end of the tags’, ‘I lied there are more tags’. Yes…there were more tags. I laughed continuously throughout the entire fic, so I’m not sure if that counted as more than three times, and I read all the tags before I started reading, but I can guarantee this does not disappoint, but then none of Quefish’s work ever does if you’re looking for humour.

Aziraphale’s Diaries series by azzfell & @fellshish Rated T – This is a four-part series of humorous, fluffy diary entries written by A. 1. Empirical study on the principles of snake care – A tries to look after C as you would a snake…be ready to cringe and facepalm and giggle 2. Experiments of an angel who has read entirely too much fanfic – A finds fanfic. Tries some of what he’s read on C. Yikes. 3. How to be a demon: a brief history of the Arrangement – I can’t describe it any better than the authors’ description: “The Arrangement: the hard and challenging life of an angel who tries to make a demon do good deeds, and in turn has to perform temptations and wear devilishly sexy outfits.” 4. Adventures of a mystery shopper in the bookshop – this was by far my favourite. A puts C in charge of the bookshop…and then mystery shops. I laughed. And laughed. And laughed.

Lit by @fellshish Rated T – C decides to take a Uni course on literature (for absolutely no reason whatsoever…definitely not because he wants to impress a certain angel with his literary knowledge, nope, nuh uh)…but it turns out to be slightly different to what he was expecting…and they’re discussing Good Omens. Shit.

If You Touch Me You’ll Understand What Happiness Is by locketofyourhair Rated E – It’s no secret I like a bit of angst. You need only read what I write to get smacked round the side of the head with it. This one’s got it in spades. C confesses their love for A – repeatedly – through time. To keep them safe, A erases the memory of the confession each time. But A never forgets. Ouch. It does have a happy ending, though. Phew.

Lace And Gold Braid by @elsajeni Rated M – After rescuing A from the Bastille, C went to bed for 70 years. He never actually said he was sleeping. This fic goes into lots of delicious detail about A’s slutty, slutty outfit. The imagery is really well written and it has a podfic!

WIPs which have updated this week (which I devour as soon as I get the update!)

There Is A Light And It Never Goes Out by @phoen1xr0se Rated M - A is a researcher (puffins!), C is a lighthouse keeper on the island where A has run away to to escape his problems and do his research. The author has recently spent a week studying puffins - which is the ultimate dedication, if you ask me. Ch 9/26 posted this week

Find The Light by @klikandtuna Rated E - Headmaster A and Rockstar C. The story teases out a fraught history between them whilst keeping a tension between them in the modern day. Ch 6/? posted this week.

Terminus by @emotional-support-demon-crowley Rated T - Astronaut A is guided back to Earth by controller C after 92 years in space. There are many difficulties both of them have to face and they develop an amazing rapport. Ch 16/17 posted this week.

Oddity by @tsyvia48 Rated E - Actor C is contracted by (useless) Gabriel to guest curate an exhibition at the museum where A works. After getting off on the wrong foot, can they work together to pull off this show? Ch 23/26 posted this week (note increased chapter count!)

Under The Summer Stars by @pannotbread Rated E - This wonderful fic has taught me more about physics than school ever did (mostly because I never did any physics, but...well). A & C have to share their time at an observatory because there is Only One Telescope. Not only will you learn about astrophysics, astrobiology, and astroecology, you'll also read some of the most poetically, beautifully written masturbation scenes I've ever seen. *ahem* Ch 7/13 posted this week.

Exodus2 by @tismrot Rated E – Human AU set in a dystopian future. The summary says it best, really: Ezra studies programming at the University of ha-Gan. He’s as determined as he is damaged, as fastidious as he is precise, and likes to believe he'll stop at nothing to achieve his goals. His beliefs are challenged when a new student appears late to the first Ethics module lecture - and his life is changed forever. It's the future, it's dystopian, it's cyber and it's punk. It's political, grimy and slick with tears, lube and chemical snot. TW: Sex, drugs, trauma. Ch 28/35 posted this week.

Free by well, me: imposterssyndrome Rated E - A & C meet (again?) in an acute mental health ward after both having had mental health crises. A runs a bookshop but is very much under his parents' control. C has been homeless since childhood and has struggled his entire life. They do not trust each other when they first meet, but feel strangely drawn to one another all the same. Where will this lead them? This is a passion piece for me. There is a lot of lived experience in it, and extensive research from both professionals and peers. It has been a real journey for me to write it, and as I'm coming closer to the end it's becoming very emotional for me. Ch 45/? posted this week

Want more recommendations? This is last week's list.

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[sugarcoatednightshade]

thinking about how Humans Are Space Orcs stories always talk about how indestructible humans are, our endurance, our ability to withstand common poisons, etc. and thats all well and good, its really fun to read, but it gets repetitive after a while because we aren't all like that.

And that got me thinking about why this trope is so common in the first place, and the conclusion I came to is actually kind of obvious if you think about it. Not everyone is allowed to go into space. This is true now, with the number of physical restrictions placed on astronauts (including height limits), but I imagine it's just as strict in some imaginary future where humans are first coming into contact with alien species. Because in that case there will definitely be military personnel alongside any possible diplomatic parties.

And I imagine that all interactions aliens have ever had up until this point have been with trained personnel. Even basic military troops conform to this standard, to some degree. So aliens meet us and they're shocked and horrified to discover that we have no obvious weaknesses, we're all either crazy smart or crazy strong (still always a little crazy, academia and war will do that to you), and not only that but we like, literally all the same height so there's no way to tell any of us apart.

And Humans Are Death Worlders stories spread throughout the galaxy. Years or decades or centuries of interspecies suspicion and hostilities preventing any alien from setting foot/claw/limb/appendage/etc. on Earth until slowly more beings are allowed to come through. And not just diplomats who keep to government buildings, but tourists. Exchange students. Temporary visitors granted permission to go wherever they please, so they go out in search of 'real terran culture' and what do they find?

Humans with innate heart defects that prevent them from drinking caffeine. Humans with chronic pain and chronic fatigue who lack the boundless endurance humans are supposedly famous for. Humans too tall or too short or too fat to be allowed into space. Humans who are so scared of the world they need to take pills just to function. Humans with IBS who can't stand spicy foods, capsaicin really is poison to them. Lactose intolerance and celiac disease, my god all the autoimmune disorders out there, humans who struggle to function because their own bodies fight them. Humans who bruise easily and take too long to heal. Humans who sustained one too many concussions and now struggle to talk and read and write. Humans who've had strokes. Humans who were born unable to talk or hear or speak, and humans who through some accident lost that ability later.

Aliens visit Earth, and do you know what they find? Humanity, in all its wholeness.

[odetojupiter]

uhhh so the number four is associated with death in certain cultures, including japanese, which is fitting for the butcher’s son, yes but just remember neil was supposed to be number three and jean was supposed to be number four ,and in every draft but one jean dies. he is symbolically saved from that fate by dodging the number four (being given, instead, the number three which represents REBIRTH of all things - i made a whole post about that if ur curious) because it means he was never marked for death. so in this draft, where he’s number three, but was supposed to be number four, he comes so close to death - to the point where renee doesn’t know how he’s still alive - because he was supposed to die, doomed by the narrative, but that number three saves him. that number three represents resurrection, and so he doesn’t die like he was supposed to. because he’s not number four, he’s number three. he comes back. he transforms, he heals. he becomes number 29 (i will eventually make a post about jean and the 29)

neil, though, was marked for death. he had the number four tattooed on him, and he goes through his own narrative believing he will die by the end of it. his survival, however, is foreshadowed in the very moment neil thinks he’s about to die - when he is kidnapped. lola burns the number four - the signifier of death - off his face, leaving him scarred, yes, but not marked for death anymore. and so he lives. and guess what: the number 10 represents the start of a new chapter, that one cycle is coming to an end and a new life is starting, one that you’ve worked hard for. so for the number four to be burned off of neil, that tells us neil is going to live. and when neil becomes neil legally, he settles into the number 10 properly. and his new life begins.

[jay-wasstuff]

Official Character Concept Artwork for DnDHAT

from the 4K book flipping of The Art and Making of Dungeons & Dragons Honor Among Thieves

[kentopedia]

since i've seen others talking about this, as someone who writes predominately lengthy fics (5k+ words), what annoys me the most is that i've seen so many people on tumblr & tiktok specifically say "i hate when writers have too much build-up and don't get straight to the smut, i just skip to it." ???? writers spend HOURS on pieces like that, and to find out you don't really care is very disheartening & is quite literally going to kill not only writing on these platforms but literature as a whole

[retroautomaton]

✨NEW starscream zine’s now up!✈️

just a whole bunch of little comics and if that’s up your alley, give it a look!

Now on Ko-Fi! ☕️

[lotus-pear]

bsd fic authors i understand yalls pain SO well right now why is it so fucking HARD to write dazai. like i have a whole fucking spreadsheet dedicated to tireless analysis i have done on my part so i can accurately characterize him but he is such an unpredictable and morally gray character that it's hard knowing his limits and boundaries and where he draws the line for himself.

[annabelle--cane]

fucked up that I can read 100 pages in a day but it has to be to the exclusion of all other tasks. reading a 500 page book in a week sounds totally reasonable, that sounds like a media experience that should take a week, and it can! but watch out!

[avnasace]

no but the way viserys continues to haunt the story through rhaenyra and alicents conflict, which gets passed down to both of their children, is crazy good content.

the irony in that viserys the peaceful was the one who started this war, and the downfall of the dragons/his family in the first place.

viserys and daemon had their own conflict, but when viserys alienated rhaenyra initially by marrying her best friend, he then ignored his and alicents children, eventually later his actions leading to rhaenyra marrying his brother (who he'd also taken for granted and ignored).

he then kept doting on rhaenyra up until the moment he died, further seperating himself from his own children by alicent.

alicent knows of rhaenyras affairs, grows hateful and takes that resentment out on her own children instead, while her father otto is further poisoning her and them for his own ends to scheme for the throne.

so then alicents children learnt to grow up disliking rhaenyra's. the only time you see them even remotely amicable is when theyre bullying aemond, another bond made through cruelty instead of kindness. this is ironic considering at laenas funeral you can see that aemond actually thinks about trying to offer comfort to i think baela and rhaena (if i remember correctly?)

aegon and helaena couldnt care less, which to me makes it even more sad. if aemond had, he might not have then been so quick to rub his claiming of vhagar in their faces, and he might not have lost an eye.

the taking of the eye plus viserys' incompetence reignites and cements alicents hatred for rhaenyra even more. viserys takes rhaenyras side, not defending his hurt child at all, even going as far as to shout at aegon for even the mention that he might have said something against rhaenyra. this causes alicent to attack her, and later making her then double down on her efforts to pressure aegon into hating rhaenyra, further distancing him from her.

later we see with aegon that his mothers pressure leads him to find affection in other very unhealthy and harmful ways, assaulting his maids, excessive drinking, brothel going, and assumably fathering many bastards, leading him tho the child fighting rings as well. aemond too starts going to the brothel and avoiding alicent, but for platonic affection instead of anything more.

helaena is the one who received the most of her mothers love and the least of her cruelty, however their relationship is similarly screwed up because shes the only child that doesnt actually want affection from her...

meanwhile rhaenyra is a very loving and fiercely protective mother to her children, fighting for them above all else, especially when their parentage is concerned. she does anything for them, and it shows in their natures that their upbringing, other than the scrutiny from other nobles about their father, that they were raised kindly and wisely.

whats also completely different is that rhaenyras children have not one but three father figures, all of which love them in different ways, which is three more than alicents children have. you could make an argument for cole being a prominent male figure in their lives but he is also quite cruel and hateful.

we see team greens children grow up to be anxious, affection starved control freaks, with mummy and daddy issues, with not one of them knowing how to be a leader even though they are all in some way forced to be one.

aegon is an incompetent drunkard of a king who knows nothing of court or war or politics, not even high valyrian. he is only a figurehead, but is strangely empathetic towards his subjects and loves his children.

aemond is cruel and objective, a fierce fighter and being the most studied and educated of them all, but with no care to his subjects and far too willing to disregard or maim his own blood for his own ambitions.

helaena is the gentlest but she herself has no ambition to rule, she is kind but also an outcast of their society because of her prophecies. she also does not particularly care for her subjects, even being scared of them and their willingness to get to know her.

meanwhile in complete contrast jacaerys and lucerys are kind, more than willing to learn, theyre fluent in high valyrian, they are very interested in their histories and heritage and they learn sword fighting from harwin and assumably laenor? later probably daemon too.

they stand in the war council room with their mother and learn, and even baela and rhaena are involved by rhaenyra to both take part and learn.

the generational trauma goes crazy in this show, but all these characters are so compelling. i dont think there is a single main character that doesnt interest me. yes most of them are bad people and have done awful things, but its also so interesting to see how they got that way and see how one fathers actions, or lack thereof, caused so much destruction.

[raspberryusagi]

Me, rambling to my wife about this crackpot theory I came up with in the shower about how Les Miserables may have been an answer to The Count of Monte Cristo, or at least could be read as such: ... But then Valjean didn't personally screw Javert over like Dantes' enemies did-

My wife: Are you sure Valjean didn't screw Javert? I thought I read that on AO3 once.

[marblerose-rue]

moonpaw

(request)

[brother-emperors]

ANTONY: if Caesar doesn't set Sextius Baculus up in a house worthy of Lucullus for all that he did, I'll kill him myself.

so the fun thing about the Caesarians is that there is. weird stuff happening in there. a lot of focus seems to go towards non Caesarian dissent, specifically with the conspiracy of Cassius and Brutus, but there's like. stuff going on in Caesar's own camp that's very Intriguing.

There's a couple places where you can see some clear points that would be grounds for a conspiratorial falling out between Caesar and Trebonius, but from the way that Trebonius tries to seduce Antony over to conspiracy, I wonder if there was a secret third thing that was going on since Antony turned him down but. didn't snitch intriguing!

anyway, all of this is to say that this means I get to invent some shit. like, I'm drawing comics which is already invention, but this is one where I get to really start throwing stuff into the narrative soup because it has to set up three different character arcs (Trebonius, and then Antony twice)

(in theory, this would be explained in the story itself if I did the entirety of the Gallic Wars out as a comic. which I have not done because I do not want to draw horses. I wanted to fuck around with some panel layouts and not draw a single horse, so now I will provide the context and revisit this in the future)

Antony's comment about Trebonius running himself into a grave has to do with the Caesar's Gallic Wars have a lot of men doing a whole lot for Caesar that has me going. hey. hey guys. uh.

specifically, Sextius Baculus:

The War for Gaul, Julius Caesar (trans James J. O'Donnell)

and the closing comment from Antony is playing on several things: romans claiming gods on their family tree (see: Legendary Genealogies in Late-Republican Rome, T.P. Wiseman for more on this) and then divinization arc of Caesar and Octavian. Antony himself will later be taking part the same kind of god-association that has prompted his disdain in this scene

At any rate, when Antony made his entry into Ephesus, women arrayed like Bacchanals, and men and boys like Satyrs and Pans, led the way before him, and the city was full of ivy and thyrsus-wands and harps and pipes and flutes, the people hailing him as Dionysus Giver of Joy and Beneficent. For he was such, undoubtedly, to some; but to the greater part he was Dionysus Carnivorous and Savage.

Plutarch, Antony 24

and the second layer of thematic fun: Antony's later relationship with his soldiers is something similar to what Caesar had with his here, but ultimately: decayed. Antony's love affair with his military makes his failure to lead well at the end a worse betrayal. at some point I'll talk about Antony's Tormentous Military Nightmare and cite some academic sources, but Linda Bamber's description of the final tragedy of Antony and his men lives in my head rent free

Cleopatra and Antony, Linda Bamber

where's the fun in doing identity focused tragedy if you don't become unrecognizable to yourself later on! isn't that right mark antony

ko-fi⭐ bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara.app

[newvision]

No Longer Human by Osamu Dazai

[atopvisenyashill]

Thoughts on the Alysanne is Maegor's daughter AU? I feel like it has some interesting potential, and it vastly recontextualizes different parts of Jaehaehae (I do not like him sjsjsjs) and Alysanne's relationship (such as Jaehaehae's treatment of their daughters) but I wanna hear what you think about it!

I’ve touched on this a bit before but since you actually want to hear my thoughts, allow me to present to you my Jaehaerys Is The Goddamn Worst, And Alysanne Annoys Me Too: An Essay lmao but my answer is basically “yeah all of what you just said.”

I think it makes Alysanne much more palatable (to me) as a character because as she stands, she just fixates on forcing her daughters through these fucked up marriages at too young an age bc it traumatized her to be married and pregnant at 15 too but she’d never admit that being a willing participant in her own kidnapping by her brother-husband was the single worst thing that ever happened to her, and because Alysanne doesn’t want to admit it (and Jaehaerys would never see it as wrong or a mistake) F&B really shies away from delving into the fact that Alysanne is as deranged of a mother as Cersei is. So as she stands, she’s very flat to me because she’s presented very flatly and inconsistently. She’s so in love with Jaehaerys, she’s maritally raped by Jaehaerys, she’s a loving and doting mother, she forces her daughters into marriages when they’re the same too young age she was, she accuses her teenage girls of being scheming whores then gets angry when her husband accuses their teenage girls of being scheming whores, and worst of all we are just told “Maegelle tells them to make up so they do” so we don’t know why Alysanne gets over all of this. What is the point of riding a dragon when you never use that dragon to protect your daughters from unwanted teen marriages? We’re just not given a good enough justification for why her behavior is so weird and frustrating towards her daughters.

Make her Maegor’s daughter though…most of her behavior as an adult makes more sense. Like a worse version of Rhaenyra’s childhood almost - a father desperate for a son, but lowkey obsessed with his daughter, who makes all his hang ups about his parents the problems of every woman around him, except Maegor is out here blood sacrificing and torturing and starting wars and forcing babies on wives he discards quickly and brutally. Then here comes Jaehaerys on a white horse green dragon to save her from the horror her life has become, and he loves her so much he runs away with her even though Alyssa says they shouldn’t marry because people won’t like it. And they have beautiful children, and a beautiful marriage, and build a beautiful kingdom.

Then her pregnancies start getting dangerous. Gaemon, then Valerion, die. Alysanne thinks of the shriveled up mutants she called brothers, if Maegor’s taint has passed to her. Her perfect husband ignores her no, and forces Gael on her. Alysanne remembers that he said nothing to Rogar when Alyssa died, merely wept. Then her daughters start to die. Daella, Alyssa, Viserra, all within a few years. Then Jaehaerys makes Saera watch as he murders her boyfriend, calls her a whore, and says Alysanne cannot follow Saera to Lys. Alysanne thinks of Maegor torturing the Harroways over Alys’ presumed infidelity. Jaehaerys says he’s sorry, and her daughter badgers her into forgiving him, and she remembers how she helped Jaehaerys badger Alyssa into forgiving Rogar. Not two years later, Jaehaerys passes over Rhaenys. Alysanne thinks of how she was never enough for her father, how she felt so superior to Rhaena banished to Dragonstone and resented by Aerea, yet there she is dragging Gael away from court because she can’t stand to be with Jaehaerys. How her father was surrounded by dead women and dead babies and how Jaehaerys is surrounded by his own dead daughters, but surely she did the right thing, surely Maegor was worse, surely the realm is better off? Is he right to pass over Rhaenys? Is she enabling a man just as monstrous as her father? She will never decide, because Maegelle will guilt her about keeping Gael isolated at Dragonstone, and Alysanne will do as she’s told, just like Rhaena, and Alyssa, and Jeyne, Elinor, Ceryse, Alys, and Tyanna, just like every one of her daughters.

I do get why Alysanne is Alyssa & Aenys’ and not Maegor’s. The weird Targ babies, the line not descending from Visenya, Jaehaerys and Alysanne being held up as the perfect Targaryen couple specifically because they are brother and sister and dragon riders. I do even think canon Alysanne is likely traumatized by her time as a hostage on Dragonstone, and the ensuing war, and the trauma bond that caused with Jaehaerys, and it makes her idolize Jaehaerys, and then he isolates her at Dragonstone so he can swiftly and safely marry, groom, and knock her up. It’s not like,,,, a fun time, and it’s enough to make anyone crazy and weird about their daughters, but I think having her father be Maegor makes Alysanne herself much deeper because it gives her, as the most beloved Targaryen queen, a blood tie to the most hated Targaryen king, and a marriage to the most beloved Targaryen king. It fits better with a lot of the themes of the main series (again, imo) - forcing the spotlight on the outsiders to see how the affect the story from behind the scenes. The fall of Aegon’s sons, and The Long Reign, not told from the PoV or to serve the PoV of any of the kings or princes, but of the queen that tied them all together.

[boy-in-red-dress]

It's out...

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