#i of all people understand being critical of his work

[otrtbs]

Hi I hope you're doing well 🌷

I had a question. I'm totally asking out of pure curiosity, it's not a criticism or anything of the sort.

In ahb (this masterpiece of yours) Sirius's favorite painting is Degas' Dancers.

I wanted to know if you knew the background of this painting and if making it Sirius' favorite was a deliberate choice or if you had no idea at all.

Because the Ballerinas in Opera Garnier in Paris were all really young and mostly, they were poor. The dancers were often their family's hope to crawl out of misery.

The audience was full of men.

In fact, the sad flip side was that there was a whole prostitution network behind the scene. With these young girls. Men could pay for backstage access to watch ballerinas change and sometimes rape them.

So Degas was a big customer.

That's how he painted the dancers and most of his works.

That's again how he sculpted the ballerina, her tutu was added meaning the 14 year old girl was posing nude.

Degas is also suspected of being Jack the Ripper, there are a certain number of credible leads and potential evidences.

That's why I was wondering if you knew.

Since there is this whole chapter where they insult Picasso (as they should) I found it strange that Degas being a known major p*do did not receive the same treatment.

Ps: I'm french, I don't know if I made any mistakes writing this, if I have please excuse me I tried my best 🙏

Okay hi, hello! I am doing well and I hope you are as well! You have unlocked Art Historian Thesis Nat, so I am going to put an extremely lengthy post under the cut, I'm so sorry (this is literally my area of study,,, i fear i am incapable of being brief about this)

I do want to clarify that right off the bat, I don't necessarily think many of these art historical figures are "good people". Like none of them are the best, most moral, upstanding citizens you should model your life after (but they're also dead sooooo). But I also understand that I did take some time in my fanfiction to make my hatred for Picasso very clear, and so I can also understand the confusion in not extending that same hatred towards Degas. But there are a few reasons for that, that I'll try to explain below!

The direct historical documentation of Pablo Picasso's violence towards the women in his life is vast and damning. If you want particularly good insight into his violence and abuse, then I recommend reading Marina Picasso's (Picasso's granddaughter) memoir titled: Picasso: My Grandfather. I also recommend Françoise Gilot's (romantic partner of Picasso) books, Life with Picasso and Picasso and Matisse. It is through the memories of the people who loved Picasso and who loved him in turn, that we hear of his sadistic nature that drove his lovers to suicide and we get personal letters that he wrote to Gilot in which he says things like "Dora, for me, was always a weeping woman… And it’s important, because women are suffering machines" and "For me there are only two kinds of women: goddesses and doormats." His granddaughter has this to say about him: “He submitted [women] to his animal sexuality, tamed them, bewitched them, ingested them, and crushed them onto his canvas. After he had spent many nights extracting their essence, once they were bled dry, he would dispose of them.” And Gilot says: "I am the only one to not have been sacrificed to the sacred monster(…) and is alive to tell the tale. He was a wonderful person to be with, it was like fireworks, amazingly creative, so intelligent and seductive(…) but he was also very cruel, sadistic and ruthless with others and with himself (…) It was the greatest love of my life, but you have to protect yourself (…) The others did not, they clung to the powerful minotaur and paid a very high price."

Why this matters: The evidence for Degas being so virulently misogynistic and cruel towards women is extremely less substantial and more speculative in nature.

Degas being Jack the Ripper. Degas being Jack the Ripper started off as a tiktok theory posed in early 2024, (though you can find an article as early as 2004 written by The Guardian's art critic here) and while fun to think about and speculate, it isn't true. August and September and November of 1888 is when the Jack the Ripper crimes were committed in London and Degas was in the South of France at that time receiving medical treatment because he was in extremely poor health. (Which you can find in The Letters of Edgar Degas edited by Theodore Reff (I'm sure there's. free PDF version out there somewhere)). Also, self-admittedly speculative, but Degas didn't visit the East-End of London when he did make his excursions to London because he was classist 😭. So, it would be odd for him to know the ins and outs of the streets where the murders took place. And also he had failing eyesight starting at 36, so the odds of him being Jack the Ripper are extremely slim.

The Ballerinas Yes, while it is true that the ballerina's were often subject to horrific conditions and were prostitutes for the "wealthy" patrons of the opera house, this does not mean that Degas partook in that. in fact, most historical documentation surmises he didn't. Degas considered himself a "realist" painter rather than an impressionist painter, wishing to document "real life" in all of its ugliness, beauty and unstylized truth. Therefore his primary concern was documenting the opera house and ballet in all of the moments, not just when the girls were dancing on stage. And in many of his paintings, Degas captures the opera patronsn in his ballerina paintings as lurkers behind the stage curtains as sinister black shadows, or as men predatorily watching in nice suits (e.g. Ballet, 1876 and The Rehearsal of the Ballet Onstage (1874)). But Degas himself, was NEVER a ballerina patron, he is even quoted as saying "People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement...". (now this is not because Degas was morally outraged at what was happening to the ballerina's, but because he viewed the men abusing the girls as committing a sin against God by sleeping with prostitutes). But while Degas had access to backstage, he was never a customer. And in fact, Degas is a notorious, well-documented celibate. This is because Degas believed sleeping with women would make him lose his special painting ability. No lie. Here's a direct quote from Vincent Van Gogh in his a letter to his brother Theo about the artist: "Degas lives like a little lawyer and does not like women, for he knows that if liked them and went to bed with them, he would become intellectually diseased and would no longer be able to paint." Degas was also known to reject ballerina's advances as well (again, fearing women would take away his magic painting power).

Feelings towards women By all accounts, Degas friends describe him as being reclusive towards women to being jovial with them, but always kind to them outside of a working environment. He even developed friendships with his fellow contemporary women painters. In a working environment, Degas was obsessed with perfection, demanding ballerinas contort their bodies in painful positions, and making them hold those positions for hours at a time. By all accounts, this was not because he hated them, but was obsessed with capturing their movements, the limitations of the human body, and he demanded perfection from himself. (x x x) (i.e. his obsession for his work and drive for perfection as a painter made him demanding and harsh towards his subjects, not his pure hatred of women).

Conclusions: So by many accounts, Degas was not particularly fond of women, and had little regard for his dancers. But the claims that he must have slept with the ballerina's and been a patron/customer "because that's what all men did back then" are not backed by any evidence. only evidence to the contrary. I went in on Picasso because those that were close to him have written first-hand accounts of his monstrocity. This is not the case with Degas. So, while I didn't tear him down like I did Picasso, I wasn't lauding him as a saint either. I highly recommend reading the article called Degas's Misogyny by Norma Broude which details the ways in which modern times have run away with this idea of Degas being a sadistic woman-hater and how we've gotten to this point. Anyway, TLDR; I was aware of the dark "underside" of the Paris Ballet at the time in which Degas was painting his works. Do I think he is Jack the Ripper and a man who participated in ballerina prostitution? No, not at all. At the end of the day, I am just an art history girl, telling anyone who will listen that there is not enough documentation on Degas to take these claims as 100% truth, or put that man up there with Picasso. Peace and Love! <3

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[fellhellion]

I can’t tell whether this is me having an autism moment or whether this is the kind of thing that crops up 6 months out of a film’s release, and I’m not trying to be an asshole but hand wringing about what if btsv reveals Dana is Gabriella’s biological mother is just. Not a concern I understand tbh.

Like for one, atsv shows less than nothing about her other biological parent. We know Jack shit about whoever contributed 50% of her DNA to the point where there’s just as much evidence for like. Alt Miguel spawning this child asexually like a starfish or this baby arriving in a little white blanket via stork.

There’s no family photos in the bg, no other parent was in Gabriella’s life when her father died otherwise we would’ve been shown them etc. we have more evidence for alt Miguel being a trans man that got a sperm donation than we do a partner being involved in the creation of this kid lmao

also blah blah blah it’s a good writing decision that there’s no partner shown there because otherwise it invites a dimension of moral complication to the story (ie. the violation of trust and consent that is secretly replacing someone’s partner) that atsv just isn’t trying to court, because the entire point of Gabriella as a writing device is to be an additionally sympathetic dimension to Miguel’s motivations and guilt.

Secondly, PAD is the main guy continually referencing Dana as Miguel’s fiancé (whether past or current) and unless he somehow sneaks his way into the writer’s room, I genuinely don’t understand any kind of concern that we’re somehow going to get an other parent reveal for Gabriella when the opportunity for that came and went already, and the film writers have been very open abt the fact they’re taking liberties w this iteration of the character (Asking for Oscar Issac’s opinion on the writing as a Latino man etc) and thus Miguel’s characterisation isn’t supposed to be a one to one adaptation of any singular comic run.

[tenok]

.

[fish-in-need-of-a-bicycle]

Update below original post

The Iranian Regime is going to execute rapper Toomaj Salehi for supporting protests of Jina Amini’s murder by the regime in his songs.

Iranian activist Elica Le Bon says, “Iranians in the diaspora picked up on the fact that the regime tends not to execute people who become known to the international community. We have seen many examples of prisoners that were either released on bail or had their sentences commuted through our “say their names to save their lives” campaign on social media, using hashtags to garner attention for their causes, and even before social media existed, through getting the stories of political prisoners to international media outlets. Once reported on, and once the eyes shift to the regime and the reality of its pending brutality, realizing that the action is not worth the repercussions, we have seen them back down and not execute. For that reason, this is part of an urgent campaign for readers to talk about Toomaj as much as you can, using the hashtag #FreeToomaj or #ToomajSalehi. Every comment makes a difference, and if we were wrong, what did we lose by trying?”

Update: Hey everyone! Toomaj Salehi’s death sentence was overturned! The most recent article I could find says he is still in jail though. Please keep sharing, because people to need to understand what’s happening. According to Amnesty International, Iran carried out 74% of the world’s executions in 2023, not including executions from China since they don’t release those numbers. The execution rate is growing higher with 67 executions in June alone, 48 of which were ethnic minorities despite all together being only 40% of the population. Their crimes are protesting the government for murdering women. Please keep sharing, because while there are many injustices happening far away that can’t be stopped by posting, the Say Their Names to Save Their Lives Movement works.

[fiercynn]

okay, if you have ever made or reblogged a “hold your nose and vote for biden” post, this is for you.

here’s the fucking thing about these kinds of posts. i've been seeing them since i first returned to tumblr in, I think, late 2022? they've certainly increased in frequency since october 7, but they were there before too, ready to counter any kind of opposition to biden that has cropped up. many of them are not just trying to educate people about what positive things biden has done, which, like, at least I can understand the motivation behind those ones? but so many of them are directly in response to people criticizing biden, and their only real point is “sure you’re upset at this thing biden did, but have you considered the election?” starting YEARS before the next presidential election, mind you.

and october 7 only made that clearer. i don’t think it had been a week before i saw these posts cropping up. can you not see how fucking ghoulish that is? to look at the rightful pain and anger of those whose relatives and communities are being slaughtered with active american support, to respond to one of the few pieces of agency most americans have in influencing what their governments do – their vote – by saying “yes but trump would be worse.” as if the primary people you’re lecturing – palestinians, muslims, arabs, black people, indigenous people, disabled people, other marginalized people – don’t remember exactly how bad it was under trump!

and even if you think not voting is an empty gesture – something i, who studied political science at a mainstream american lib college, who has worked as a field organizer on a previous democratic presidential campaign and for several policy campaigns, who currently works in public policy in america, used to believe, but have absolutely changed my mind on – what is in no way an empty gesture is saying publicly that you will not vote for someone. the arguments people usually have about why simply not voting is bad are that you can’t tell why someone is not voting, so it is as likely to be apathy or disenfranchisement as it is a political statement. but saying publicly that you will not vote for someone, and why you will not vote for them, absolutely is a political statement, and potentially a powerful one! but you choose to negate and/or ignore that by trotting out the “lesser of two evils” bullshit.

and then there’s the whole “yes but people will DIE under trump”. PEOPLE ARE DYING NOW. even if you’re fucking racist and have decided that palestinian lives don’t count, have you forgotten biden’s ongoing covid minimalism and dismantling of the CDC’s covid research and prevention infrastructure? have you forgotten his increase in spending for law enforcement scant years after the murder of george floyd and his administration's surveillance of protesters, including cop city protesters? have you forgotten his recent ramp-up in deportations of undocumented immigrants, including the active continuation of many trump-era policies?

maybe you have forgotten all those things and do purport to care about palestinians, but you just think that biden is doing his best to influence netanyahu and is getting nowhere! but then you must have forgotten all of the things that biden and his administration themselves have done to further this fucking genocide, including:

continuing to send arms to israel

putting together a military task force within days of yemen’s red sea blockade and attacking yemeni ships

bombing yemen

bombing syria

bombing iraq

vetoing three ceasefire resolutions at the united nations

testifying to defend israel and its genocide and occupation at the international court of justice

refusing to rescue palestinian-americans stuck in gaza

halting funding to the united nations relief and works agency for palestinian refugees (UNRWA) based on israeli claims that 12 of UNRWA’s over 30,000 staff were hamas agents, even though u.s. intelligence has not been able to independently verify this

lying that he’s personally seen photos of babies beheaded by hamas when he hadn’t because they didn’t exist (and even when his own staff cautioned him that reports of beheaded babies may not be credible)

questioning the number of palestinian deaths reported by the gaza ministry of health (when even israel has not questioned them, since they are in fact proud of those numbers)

perpetuating lies about hamas having committed the attack on al-aqsa hospital

questioning united nations reports of adults and children raped by israeli soldiers while claiming to have proof (that no one else has seen) of hamas doing the same

honestly so many more things that i can’t remember them all but others feel free to add

or maybe you haven’t forgotten any of that, and think that you’re still justified in lecturing people about why they should vote for biden, because you genuinely believe trump would still be worse. if that is the case, you have still failed to see that by saying you will vote for biden no matter what, you are part of the problem of biden continuing to act like this. because biden is counting on fear of trump to win him this next election no matter what else he does. despite his appalling polling numbers, despite the knowledge that he is losing the palestinian-american vote, the arab-american vote, the muslim-american vote, the black american vote, the youth vote – despite all of that, he is secure in the idea that he will still win because he is better than trump. can you not see how that allows him to act without impunity? how it becomes increasingly impossible for his base to influence what he’s doing if he thinks that they will be with him no matter what? this is how you make yourself complicit to biden’s actions, by not affording anyone even the slightest power to hold him accountable for anything.

and in most cases, the “hold your nose and vote for biden” thing is the response of people who aren’t even being instructed by others not to vote for biden. it is their response to people saying they themselves are choosing not to vote for biden. fucking ghoulish.

[convoloutedinjoke]

This is maybe a bit of projection that is telling in all the least flattering ways but fuck it w/e, I think a breakthrough moment in postcanon Kim/Harry relationship functionality would be Harry having an epiphany like "ohhhhh. I don't HAVE to strategically manipulate him into accommodating my needs I can just TALK to him." after spending a couple months jumping through hoops and lying up a storm in order to like. not mention that some kinds of sex are scary and his joints start to hurt if they cuddle in the wrong position for too long. lol lmao etc.

[evilminji]

Okay this is going to drive me INSANE. D:>

Dearly beloved, Phandom darlings...

Can DANNY EAT VIDEO GAME/TV FOOD?

I... I NEED to know. You don't UNDERSTAND!? Think about it. No, seriously. THINK about all those HIGHLY unrealistic, too good to be true, PERFECT looking meals. Animated shows n games etc where there are chefs who will "cook for Anybody!"

Now think about being 14 going 20. A teenager. A broke college student. Your fridge is empty and everything you touch? Comes back to LIFE. You're... you're just so hungry. Tired. Your bruises have bruises and you have a paper due tomorrow.

I kinda want to CRY.

Can only eat cup ramen so many times before you DO.

And this show? That commercial? Yonder cooking game?? Well... they did a REAL good job animating it. It looks so WARM. So FILLING and COMFORTING. You can practically SMELL it.

You look down at your sad, soggy, cheap but you can afford it, EZ Noodles and? Feel something BREAK inside. You... you KNOW you can travel inside technology. KNOW this. Have done it before. Why... why AREN'T you? You can't keep living like this.

You gotta TRY, right?

I? Wanna believe it TOTALLY works?? Because Ectoplasm is weird like that? And just shrugs? Says "actual food, the concept of food backed by electricity, what's the difference? Sure, we can fuck with this"? And so Danny? IMMEDIATELY fucking switches his diet.

Like? Dead stop screech, slam on the breaks, u-turn to take that last off-ramp. Type IMMEDIATE.

Grocery bill? No, no, you mistake him! No. NOW it's his "carefully researched for their cooking, games and shows" bill. Touch his collection and he'll FUCKING BITE.

They got sticky notes on the cases. Menus n lil fold out "grocery store" locations. He punched a dragon for this fruit. Mmmmm, home cooked meeeeeals~

Just? Weird Foodie Danny. Yes he DOES know what those steaks taste like. While YOU fuckers were staring at the cat girls bizangas, HE was eating granny cat lady's home made meatball stew! Ha! YOU FOOLS!

More then that? I want him to write reviews. Like "yeah, fight system was OKAY but- *5 hour glowing rant about the food, sounding like a food critic who'd actually fucking gone and loved it* " and people are like?? Who? Is this funky lil madman? This is hilarious?

I want it to be DPxDC JUST? So everyone slowly starts to play the game "Meta or Shtick?" Because no one REALLY knows who he is. This dude gets POPULAR though. For some reason can't be hacked (shame on you guys! Way to try and ruin the FUN!). And like? Eventually? Someone just fucking ASKS?

And Danny is like... " wouldn't YOU like to know, weatherboy?"

So everyone is like:

"Meta."

But hey... since they're already ASSUMING~? >:3c WHOOOOO wants to help him PAY RENT~? Let's VLOG this fucker! Wooooo! Say "hi" Catchef! *feline noises* like? It's like a let's play combined with a mukbang.

Teen Heros everywhere are FACINATED. Game developers are suddenly like? "If there's food. You BETTER make it look amazing. We want that weird YouTube twink to... whatever his powers are, our game! Free viral marketing!" Food channels? Rending their clothes, on their KNEES, please! PLEASE! Just ANSWER OUR EMAIL! Just ONE SHOW! A one off! Guest appearance!

We have MONEY!!!

All while Danny? Is finally happy with his life. Weird as hell. Harrasing the world. Good food on the regular. Gets to travel, kinda. Best of all? He's raising money from it! Can help people! Now... who wants salad?

@babbling-babull @hdgnj @hypewinter @legitimatesatanspawn @spidori @dcxdpdabbles @the-witchhunter @lolottes

[sttoru]

‘if there’s anyone in this world who loves being a girl dad the most, it must be your husband — gojo satoru.’

☀︎｜tags. girl dad!gojo x female reader. fluff. you’re married. reader gets called ‘mama, sweetheart’. wrote this at work so not beta read. fic one out of two for satoru’s birthday!

giggles fill the living room — familiar laughter that sounded like your daughters’. a more sultry and manly voice also resonates in the background. one that you could recognise from miles away.

your curiosity leads you to investigate the source of the joyful sounds and soon enough, you find your dear husband and daughters sitting on the couch. though, in a situation you hadn’t quite foreseen.

satoru was talking on the phone about important business whilst your little girls were giving him a rather sparkly makeover. the most heartwarming thing was satoru’s surrender to your daughters’ antics — allowing them to do whatever to his face and hair.

“mhm, yeah..” the white-haired sorcerer hums over the phone, not having the slightest idea about what ijichi was yapping about. probably something that has to do with the recent sighting of a special grade curse in the city.

but, that wasn’t satoru’s priority at the moment at all (even if it should have been). his focus was all on his two daughters that were enjoying their playtime with him.

“papa’s so pretty.” one of them comments with a big smile — a smile satoru wishes to protect until his last moment on earth. her fingers push and pull on a small strand of his hair, trying to tug it into another ponytail.

satoru had already lost count of how many messy and half-done ponytails his snowy hair got divided into. the same goes for the amount of stickers on his face and neck.

the two sisters work together to put another pink and glittery sticker on satoru’s chin — though were no match to their father’s playful attitude. he jerks his head forwards and teasingly nibbles on their tiny hands that came in touch with his face.

this causes almost ear deafening squeals to reverberate through his ears. not that he’s complaining — satoru loves to hear them.

“. . .gojo, are you listening?” ijichi’s shaky voice over the phone interrupts the squeals. satoru doesn’t even try giving a proper response and only mutters a quick ‘yeah’ between snickers. that was enough of a sign for ichiji to understand that he couldn't get through.

everyone knew how much satoru loved his little family. he cherished them and put them above everything, including his work. sometimes it was necessary for you to remind satoru that he's needed outside your home - that he was and will keep being the strongest sorcerer that people depend on.

"wow, you two really made papa super pretty!" satoru coos as his daughters bring him a hand mirror. his phone had already been discarded somewhere on the couch - not even bothering to hang up on ijichi first.

your husband effortlessly picks the children up and cuddles them close to his body, smothering them both in sloppy wet kisses on their cheeks and necks - making them giggle uncontrollably. "y'know, papa will give you both a nice little reward for making me so beautifu—”

a faint cough echoing from the mobile device next to them reminds satoru that he was still on call. he reaches out and grabs his phone, rolling his eyes in a sassy way before clearing his throat;

"i need to attend important business. see ya." the sorcerer declares and hangs up right after. to him, playing around and taking care of his daughters was more than necessary. even in comparison with an actual critical situation: it wasn't like there weren't any other special grade sorcerers that could take on the mission.

the second his phone plops back down on the couch, satoru's hands fly over to tickle his little girls' bellies. they wriggle and squirm around in his lap - squealing for help from their mama.

you had been watching the scene unfold from the doorway and decide to join in on the fun once you hear your daughters’ call. you gasp dramatically before scurrying over to the couch, acting like you were genuinely scolding your husband for his 'torturuos' tickles;

"oh no, my little girls!" you pout, taking in the way your daughters laugh and outstretch their tiny arms towards you, searching for an escape in your arms. you gladly help them away from their dad's grasp, though not without getting a whine out of satoru.

one of your daughters sticks out her tongue at the sulky sorcerer on the couch, the other mimicking her sister's actions. you chuckle and decide to do the same; frowning and sticking your tongue out.

"ack!" satoru clutches his chest, fingers curling around the material of his shirt like he just got shot. he topples over on the couch and acts dead with his eyes half closed, "i can't. . . believe. . . it. my girls hate me. ugh, my heart - can't take it."

you scoff at his exaggerated act. you were used to it after years of dating and marriage, but your daughters seemed to still take the bait. they writhe around in your arms and once you put them down on the floor again, they run back to their 'fallen' dad.

they shake him by his shoulders and harshly pat his cheeks in attempt to bring him back to life. a constant loop of 'papa!'s and 'wake up!'-s echo throughout the house. even some 'we're sworry!'-s thrown in-between.

satoru couldn't take it anymore and his arms move at the speed of light so he could pull both of his daughters in a big hug. he squeezes them a bit too tight to his chest, causing them to shriek and laugh.

"are you not joining us, sweetheart?" satoru asks with a shit-eating grin. it's then that you realise that he was blushing from pure joy — his cheeks rosy. well, you couldn't possibly deny his request when he was this ecstatic.

the high-pitched 'mama too! mama too!' coming from both girls mellowed your heart even more. and thus, you give in.

you happily join the pile - climbing on top of your husband and between your daughters which lay on each of his sides. your head rests on his chest, your eyes closed and your ears filled with laughter.

satoru eventually relaxes, however that genuine smile never leaves his lips. this is where he belongs. with his family - the most important thing of all.

[artbyblastweave]

A few years ago, there was a thread on r/asksciencefiction where someone was fishing for a superhero story with an inverted Omni-Man dynamic, or a setting where Homelander's initial presentation is played straight- a setting where the Superman figure actually is the paragon of morality he's initially presented as, but no other superhero is- a situation where you've got one really competent true-blue hero standing head-and-shoulders in power above what's otherwise a complete nest of vipers.

Someone in the thread floated My Hero Academia; while I haven't read it, my understanding is that that's not really an accurate read of what's going on with Stain's neurosis about All-Might being the only "real hero," that the point of that arc is that Stain's got an insane and unreasonable standard and that taking an endorsement deal, while bad, isn't actually grounds for execution. My own contribution to the thread was Gail Simone's Welcome to Tranquility, where a major part of the backstory involved the faux Justice-League's Superman analogue having a little accident because he's the only one who thought they were morally obligated to go public with the secret life-extending macguffin that the rest of the team is using to enforce comic-book time on themselves and their loved ones; while only a couple members of the team are directly in on it, the rest are conveniently incurious. And Jupiter's Legacy gets tantalizingly close to this- The Utopian, a well-meaning stick-in-the-mud, ultimately gets blindsided and couped by his scheming brother who creates a superhero junta staffed by a Kingdom-Come-style glut of third-gen superheroes, who are framed as fundamentally self-interested because only came onto the scene after most of the situations you legitimately need a superhero to handle have been neutralized. (The rub, of course, is that the comic is also highly critical of the Utopian's intellectually incurious self-righteously 'apolitical' approach to superheroism- if for no other reason than that it left him in a position to get blindsided by a coup!) While Jupiter's Legacy gets the closest, all three of these are only loosely orbiting around the spirit of the original idea, and there's something really interesting there- particularly if the Superman figure isn't hopelessly naive in the same way as Utopian. Because first of all, if you're Metaman or Amazingman or whatever brand-name alias the writer goes with, and you really earnestly mean it, and you put together a team of all the other most powerful heroes on earth in order to pool your resources, and then with dawning horror you gradually begin to realize that everyone in the room besides yourself is a fascist or a con artist or abuser or any other variant of a kid with a magnifying glass eyeing that anthill called Earth- What the hell is your next move?

Do you just call the whole thing off? Can you trust that they'll actually go home if you call the whole thing off? I mean you've put the idea in their heads, are you sure that they aren't going to, like, start the Crime Syndicate in your absence? Do you stick around to try and enact containment, see if getting all of these people on a team makes them easier to keep on a leash? But that's functionally going to make you their enabler pretty quickly, right? Overlooking "should you kill them-" can you kill them? You're stronger than any individual one of them- are you stronger than all of them? The first time one of them really crosses a line in a way you can't ignore- will that be a one-on-one fight? Are they the kind of people capable of putting two-and-two together and pre-emptively ganging up on you if you push back too hard? Do you just start trying to get them killed, or keep them at each other's throats so they can't coordinate anything really nasty? Can you squeeze any positive moral utility out of them, or is that just a way to justify not doing the hard work of taking them down? There've been works where the conceit is to question the default assumption that Superman in specific would be a good person, and there've been works where the conceit is to question the default assumption that superheroes in general would be good people. Something to be done, I think, with questioning the default assumption that everyone Superman becomes professionally close to would be good, and to explore how he'd handle it if they weren't.

[dcxdpdabbles]

Danny has been mostly straight his whole 15 years of life. No his first kiss being Tucker doesn’t count, he will deny that to the end of the world. But he’s never really tried to explore his sexuality because it’s just never been tested.

Meanwhile DAN knows better, he did however not realize Danny wasn’t at the age he figured it out yet.

So Pride rolls around and Dan pops out of Clockwork’s tower and grabs Danny like “hey it’s time for pride.” And Danny is very confused because wtf Dan goes to pride???? He ended the world and despises humans but no, Pride is where he draws the line. Where are they even going for pride???

Gotham. Dan takes them to Gotham for Pride.

-Sincerely, Bisexual Son Dan anon

Danny glances comprehensively at the crowd of colorfully dressed people just as a woman on roller skates wearing nothing but a rainbow skirt and heart pasties flies by. At once, his whole face grows warm, and he drags his eyes down to the concrete before he makes the mistake of lingering on her too much.

He doesn't want her to think he is a creep. Or a pervert. Gosh, what if she thinks he's the reason women can't wear what they like in public because of men like him?

Danny can practically feel Sam stomping on the back of his knees with her metal boots at the mere idea.

The concrete becomes ten times more interesting as he listens to the woman zip away, dodging and weaving through the crowd with a cheer. Danny chances a glance up, only to make direct eye contact with her as she twirls in an impressive circle.

Her skirt fans out, displaying colorful shorts underneath, and she offers him a wink that makes the saliva in his mouth go down the wrong tub.

Half choking Danny, he flings his head away, staring at a different part of the group. He wants to die.

Dan snorts from where he is carefully painting a heart on the entire left side of his face. The older man had yanked him into the portal with barely an explanation and then opened a handheld mirror to paint himself with.

The heart is large, dramatic, and in three colors. Danny thinks they represent something, but he has yet to learn what. "Relax, kid. She won't bite- you don't have the bits she's into."

"What? Where are we? Why did you bring me here? Whats' going on!" Danny demands, clinging to Dan's arm as the man places the final white dots on his heart.

"We are in the best place to be in all of the Realms," Dan answers, gesturing to their surroundings. "Pride in Gotham! I brought you here to enjoy the festivities before I kick your ass in a re-match. Think of this as a second Truce Day."

"Pride?" Danny repeats, confused. Why would a person responsible for the world's end care about a minor holiday like that? Then, his mind caught up to the rest of what he said, making Danny even more confused. "Why would this count as a Truce day?"

Dan hums, pulling his long hair into a braid with careful but quick movements. "In the Realms, romance is regarded as a scarred topic and will be treated with the utmost respect. Ghosts rarely get married, so worrying about what gender people date is none existing. Unless you're stuck in a punishment island, but being in an endless era means ghosts never leave them. In this world, Gotham suffers an insane amount of crime, and on holidays, it's twice as bad, except for Valentine's Day and Pride. It's the only time the Rouges work together to ensure the city can enjoy themselves. You see? It alines in the dead and living worlds!"

Danny blinks slowly, "I don't understand any of that or why we are here."

Dan finishes his hair, by adding a little rainbow bow to the end. He truns a critical eye on Danny, looking him up and down then pulling out a pack of fake eyelashes. "I have rainbow heart lashes if you want to try them on."

"Answer my questions!"

The older man sighs as if Danny is in colossal pain, which is rude, considering he was the one who had dragged Danny from the street on his way home. "We're just here to enjoy the Pride Street Market. Maybe partake in a few contests if we're feeling brave. Look at booths. Watch the parade. You know, have fun."

"We," Danny gestures aggressively between them, just barely stopping himself from stomping his foot. "Don't do things together for fun!" And why Pride of all places, I'm not even gay!"

"I don't believe that."

Danny draws up short. "Excuse me!?"

"I said I don't believe you're not gay. I remember being your age. I was you, remember? I know how you reacted to Wes Weston."

The thought of the basketball-playing ginger runs through his head, sending a strange tingle through his body. Danny has always assumed that he was wary of the one person outside his friends who knew his secret. He can't believe Dan would even suggest that it was anything but weariness. "You mean the creep that follows me, trying to take my picture mid-transformation!?"

Dan shrugs. "You have a lot of things to wise up to. You're young; you don't know yet what having your picture taken does to you."

"What does that even mean!?"

Dan shrugs, putting away all his things in a convenient portal that pops up. "It means you're young. You'll learn."

Danny frowns, ready to demand more, when a shout of his older counterpart's name draws his attention. He twists around, looking into the flow of the crowd only to be surprised again by the more people in various revealing outfits, some of which warm his face.

Walking towards them is a man in a biker jacket, built like a brick house and towering over the people he passes. He's got big, heavy stomping boots, the kind that Sam would fist fight someone for, andan attractiveg white streak in his hair.

Was he a model?

Besides the rainbow wristband, nothing indicates he's here for pride.

"Jason!" Dan greets, grabbing the other by the outstretched arm and yanking in for a one-hand hug. "How have you been man?"

"Same old, same old," Jason responds with a laugh. Danny notes that he has a charming voice. He also has bright blue eyes and a sharp jawline—even the slope of his nose seems perfect. Danny didn't even know that was possible in noses. "Just got accepted to Gotham U for their English program."

"That's great! You'll obviously go to graduate at the top. No one is better at English than you." Dan chirps. Danny is too busy staring up at Jason in awe to be embarrassed by the eagerness with which Dan speaks to his friend. It was like listening to Jazz when she met that one famous poet at a slam and was tripping over herself to ask for his number.

Jason glances down at Danny, rasing a brow. "This is?"

Dan startsles almost as if he forgot he had kidnapped someone. " Oh, right. This is my baby brother, Danny."

"Oh," Jason grins, dragging out the o sound. He turns to Danny—who actually flinches back—and holds out his hand. "Dan told me all about you. I'm Jason Todd. Nice to meet you."

"Um...I- nice to meet. My name is. I mean, it's nice to meet you too. I'm Danny Fenton." He wants to barf.

This is worse than when Wes had cornered him in the boy's locker room, clutching his camera and hissing that he intended to document every moment of Danny's day for signs of Phantom.

It did make sense that any friends of Dan's- bringers of apocalypse, destroyers of humanity- made him uneasy. He's probably evil too.

"This is Danny's first Pride," Dan tells Jason in the same tone a parent would say: This is his first day of preschool. Dannny burns in embarrassment.

"Nice. You picked the great one to start in, kid. Gotham Pride is the best in the whole country." Jason says, tilting his head towards the booths. "My brother is helping his boyfriend run an informational booth for various sexualities if you're interested"

Dan steps forward with bright eyes. "Tim and Bernard are finally official?"

"Five months strong," Jason confirms with a laugh. You think Timmy would have realized it after going on three dates with the guy. It took Bernard getting kidnapped midway by a pain cult for it to click in Tim's head.

"He's young" Dan laughs, gesturing to a stun Danny. "Like this one."

"Ah, to be young and not dead." Jason sighed, sidestepping a child who ran by with a giant rainbow balloon. It smacked against Danny, waking him from whatever trace he was under.

Danny doesn't know what to make of all this. Figuring he should escape while Dan is distracted by the model man, he steps back, attempting to activate his powers, only to be shocked when he remains solid and in sight. Dan glances at him with an evil light in his eye.

"Lady Gotham nuterlizes our powers here. You have to be normal." He says and Jason titls his head.

"He's dead too?"

"A Halfa."

"Ah" Jason looks down at Danny who was starting to panic. "You want to go grab something to eat? There is this one food truck on the other side of the plaza run by the Riddler. He makes a mean BBQ."

At this point, did Danny even have a choice? "Okay."

Pride turned out to be surprisingly fun, and he learned that the paint that Dan had colored himself with was the "pansexual" flag. Also, Jason's parents must have marinated him in hotness juice alongside his siblings before letting any of them be born.

Hot damn.

Danny accepted the pansexual flag that Dan silently handed to him as the Waynes conversed at Tim's booth.

Maybe he should text Wes when he gets back from Pride.

[bo0tleg]

One thing I like about Top Gun (1986) is how believable the development with Ice and Mav's dynamic is.

I've seen a lot of the "Rivals suddenly become buddies after traumatic event together" in media, but I don't think I've seen it done better than in Top Gun. Mostly, I attribute it to how much build up it has.

Most of the time, the 'Rivals' hate each others guts throughout the entire movie/series and then they go through an extremely traumatic event that binds them for life and shifts their entire concept of each other. Ice and Mav never once changed how they saw each other, it just changed their understanding of it.

Ice saw Maverick as dangerous and Mav saw Iceman as stuck-up and commanding. And they weren't wrong, by any means.

From the beginning, they have tension between them because of how different they are. And it ends up in the audience seeing Ice as the 'Antagonist' because that's how Mav sees it, and we're seeing it from his perspective as the protagonist. But Ice was never inherently wrong, in fact he was right.

Other than his first scene, Iceman always has a point in what he's saying. He's criticizing Mav, not insulting him. Sure, he does it in a brash way because masculinity, but he's not trying to insult him, he's trying to knock him down a peg and wake him up to reality. All Ice wants is that he starts to act as a team player, start caring about everybody's safety AND his own, rather than being reckless for the sake of being reckless. But Mav sees it as an insult because he can't process criticism in a healthy way (due to how he grew up). The same thing happened with Charlie, for the record.

And so the strife between the two begins. What I like about it is how it bleeds out of them over time, becoming more settled as the movie goes on. In the locker room "You're dangerous" scene, the tension is palpable. It's obvious they're agitated by each other, and feel the need to prove they're the correct one.

If you pay attention, this whole... demand for superiority goes away as time progresses. They're fine with each other's presence, it's not like they're constantly at each others throat all the time. In the shower scene, Ice dropped all of the aggression and competitiveness from his tone and is instead just laying out what he thinks. He's not undermining Maverick, he's not lecturing him like a child. Iceman is just telling Maverick exactly how he sees the situation in hopes that it would make him realize what the fuck he's doing, but with little hope that it'll actually work.

That doesn't mean Ice is always correct either, he doesn't understand why Mav acts the way he does, thus fails to take into consideration the emotional trauma behind it. Which only causes even more strife.

The entire time, Iceman isn't being a dick for the sake of it, he just wants Mav to stop being stupid (by his standards). And Maverick doesn't understand it because all he gets from what Ice says is insults.

Maverick isn't good at understanding what people mean to say if it's implied, you need to say it to his face. This is the reason he stayed quiet in the shower scene, because Ice finally laid everything out in simple words that he can understand without making it sound like a dick-measuring contest.

Thing is, the tension mellows out. At the beginning, you could see the tension and cut it with a knife. By the middle you can see them getting used to each other without jumping to constantly trade jabs (namely: the volleyball scene, it's just a bunch of guys being dudes, and the scene where Charlie says that Mav flew recklessly in front of the whole class, Ice doesn't comment on it in any way). Over time, they've settled down into their tension without needing to address it all the time.

Then Goose dies.

And the tension between them is still there.

Just because Goose isn't there anymore, doesn't mean their whole dynamic vanishes all of a sudden. You can see their hesitation towards each other (especially Ice), and that's great! It demonstrates that Goose dying doesn't magically resolve their problems with each other in solidarity.

Ice tried to give his consolations to Mav, and is awfully awkward about it. You can see on his face that he wants to say more, but doesn't because he knows it's not his place given their history. And not much is said, but a lot it communicated. (Val Kilmer is a killer actor for this, OH MY FUCKING GOD BLESS THAT MAN)

Even in the graduation scene you can see how out of their depts they really are with each other. A stilted congratulations, that was it. But they're trying, and that's what matters.

A scene I think gets overlooked a lot is the scene right before the Layton, where Ice expressed his worries about Mav to Stinger, and Mav heard him. Because I feel like that was a shift that was more drastic than the Layton itself for them.

What Ice was doing in that scene wasn't doubting Maverick's flying abilities, it was his mental health. Sure, he passed the psych eval, but that means next to jack shit when in a real combat situation so close after his backseater dying. And Ice might be worried that he's gonna be left hanging, but with the way he was speaking I'm more inclined to believe he was more worried about Maverick's wellbeing than himself. Ice almost looked resigned. He knew it was gonna get dismissed because that's the military for you, but he still wanted to try to vouch for Mav to stay groundside, if only to keep his mind at bay.

But Maverick heard him, and as usual, he read it as an insult. He wasn't wrong to assume Ice didn't believe him capable of flying the mission, which wouldn't be a lie, but failed to realize that he had more than one reason to want Maverick on the ground rather than in the air. And for the first time, Maverick believes him.

Up until this point, Mav dismissed all of Ice's so called 'insults' because he was certain in and of himself. But now he isn't anymore.

And it affects his performance in the air. I'm not saying he was as shitty as he was at the start of that combat because of what he overheard, but I am saying that it certainly didn't help matters in the slightest.

So their weird 'stepping-on-eggshells' situation is all over the place by that point. Because they started to care about each other despite not being what one would call proper friends yet. It's establishing a potential friendship by implying that 1. Ice cares about Mav's wellbeing and 2. Mav cares about what Ice thinks.

On the ground, they have the wingman exchange, and their suddenly buddy buddy. Thing is, it wasn't sudden at all.

They've been setting this up the entire fucking movie.

Going back to what I said at the beginning: Ice thinks Mav is dangerous and Mav thinks Ice is stuck-up and controlling. After the Layton, they still think those things because they weren't wrong to begin with. What changed was that instead of seeing it as something that pitted them against each other, it was seen as something that simply was about the other, and that there was no changing it. It could be good.

Mav being dangerous could be good and Ice being stuck-up and controlling could be good, because those were just traits of who they were. By the end of the movie they didn't change how they saw each other, just how they interpreted each other.

And it was built up during the entire fucking movie.

There was a reason to why they acted the way they did with each other because of the stilted interpretation they had of each other. From rivalry to friendship (and perhaps more later down the line), it's glaringly obvious throughout that it wasn't a sudden shift, it was exponential.

That's why I think it was so well developed, because you could see it coming.

[livingthedragonlife]

this is an extremely petty reason to do an analysis but i hate when people call laios a himbo, not only because it really reads as infantalization but also because it's just straight up not true.

the qualities of a himbo require you to be stupid, and that simply is not true in laios' case. for a simple example, he was able to recognize pretty much instantly that the living armors were moving in an abnormal way (coming right for them, instead of just attacking as they approach), and noticed when the Boss Armor (?) protected the shield instead of using it as a defense. he recognized the egg sac on the back, was able to exploit the instinct to protect it, and save the rest of the party with that knowledge right away.

laios is the one who's able to determine which illusions are the fakes, all by himself, with nothing but his knowledge of his party members and careful observation. laios figured out why the changeling spores act the way they do, based on nothing but observation and experience once again. laios is the one who talks marcille down from her dungeon lord rampage. laios is the one who, despite succumbing to the demon's influence himself, PLANNED FOR THAT TO HAPPEN, and gave himself a loophole that saved the entire fucking world. these are just the first things i can think of off the top of my head, if i really went back through the story, i'm positive there would be more examples of laios being knowledgeable and using that knowledge intelligently.

but let's back up. laios is called an idiot by many other characters in the story. why might that be?

well it's usually for: saying something socially inappropriate or blunt, talking about monsters (his special interest) too enthusiastically, not relating to the people around him, or not being able to understand social cues or read a room. he's even called "creepy" or "crazy" in multiple instances. when chilchuck first hears about how much laios wants to eat monsters, he calls him a psychopath. that's in the very first chapter.

the characters who call laios stupid and crazy are calling him that almost exclusively after he behaves "too autistically" around them. perhaps we are giving too much credence to the characters calling him a dumbass and should instead do some critical thinking to determine if it's true. because most of the time, they're wrong! go count the times laios is called stupid for having ideas that ultimately work.

that's not to say laios isn't funny! he's a silly guy! he straight up barks like a dog to solve problems. dungeon meshi is a comedy, so it would be kind of weird if he wasn't, but lack of intelligence is never the punchline. the fact that barking like a dog WORKS is what's funny, not that he was "stupid" to think of it in the first place.

laios is goofy. he makes silly mistakes. but that doesn't mean he's brainless. laios is not a himbo.

[pomefioredove]

Hey Dove~

I was reading through the different headcannons and the mute reader really caught my attention. Could you possibly do the Vice Wardens (including Ruggie cuz he's basically second in command anyway) with Yuu that has a speech impediment? Basically they stutter/stumble on words, get them mixed up, pronounces them wrong, and maybe forgets certain words. And obviously with new arcana and magical words (and the weird ahh names some of these characters have) they can get pretty frusterated or embarressed.

You always have such good headcannons!! Feel free to throw in any other characters that you like to the mix as well!!

OH this hits close to home too. I stutter and mispronounce things when I do speak, so I'm using that for reference

twst x mute reader

*ੈ✩‧₊˚ reader with a speech impediment

summary: as described type of post: headcanons characters: trey, ruggie, jade, jamil, rook, lilia additional info: romantic or platonic, reader is gender neutral, reader is not specified to be yuu

see, I don't think Trey would say anything about it

he's not one to criticize strangeness

that would be rude, first of all

second of all, there's no such thing as "normal" at NRC

(even so, some people may point it out, but he's not one of them)

he doesn't have any trouble understanding you, either

he grew up with younger siblings who pronounced owl as "awa" and kitty as "shishi" until they were six

he's certainly patient

and he knows how to use context

*ੈ✩‧₊˚

honestly? Ruggie didn't even... notice?

for a while, he just thought you talked fast

he knows how it goes; you get excited or nervous or whatever, and you end up stumbling all over yourself

no biggie

then one day you come up to him all sad and teary, apologizing for a speech impediment he didn't even know you had, and he's like...

...oh! no!

of course he's not annoyed!

Ruggie's an adaptive guy, after all. when he wants something, he'll bend backwards for it

you think a little stuttering is gonna stop him from being friends with you?

*ੈ✩‧₊˚

much like Trey, Jade doesn't say anything

he just watches you talk

and smiles

like this -> :)

it's not that he's particularly concerned about being rude, he's just...

observing

humans are such fascinating creatures, he thinks

he learns all of your quirks just by listening to you

which words you have trouble with, which ones you mix up and forget, which consonants you stumble over...

he teaches himself your language

and he becomes a sort of translator for you

any time someone is rude to you, he'll come out of nowhere and tell them everything you said in the exact order you said it

weird, but nice

*ੈ✩‧₊˚

to put it plainly, Jamil has bigger problems

whether or not he can understand you doesn't really matter to him

it's not his job to worry over you

then, you come to him asking for help, and...

...well, he's flattered

he can't deny he likes that you come to him for guidance before anyone else

because of this, (and because he had to learn how to control his own tongue when he was little), he takes pity on you

whether your goal is to work on your speech, or to simply feel less anxiety about it, he's there

*ੈ✩‧₊˚

is it cliche to say that Rook already knows exactly what you're thinking?

perhaps, but it's true

he's mastered the art of observation

he can read your thoughts in your expression, your body language, even the slightest twitch in your lips gives you away

he just knows

you don't have to be a good speaker, or a speaker at all, to communicate with Rook

(and he can do all the talking for you if you'd like, he'd probably enjoy that)

and, of course, he is of the opinion that there is beauty in everything

you don't need to be perfectly clear and concise for him to like you

*ੈ✩‧₊˚

now, I can't guarantee that Lilia won't tease a little

only in good fun, of course

and only if you respond in kind

but he does find it rather cute when you mispronounce something, or mix up your words

he won't correct you or interrupt you, either

he'll step in to help if you're really struggling, of course, but he thinks of you as capable

he does remind you to take breathers when you're getting too anxious about it, though

he cares <3

[marudol]

kabru and the dungeon lords

kabru is a very critical character to dungeon meshi for a thousand and one reasons, and not merely for his status as the point-of-view character in the story's b-plot. kabru represents the compass by which dungeon meshi's world works. he has big-picture motives that involve the entire world, much grander than the original a-plot of "let's save falin."

he is our classic hero, a character who suffered great personal tragedy and must ensure that no one suffers the same fate. as such, he is a great parallel for dungeon meshi's most integral characters:

the dungeon lords themselves.

🚨manga spoilers ahead.🚨

thistle

picture this: you are a child, separate from anyone else in the world who looks like you due to circumstances beyond your control. you are taken by pale-skinned adults who try to treat you well; who clothe you, feed you, and put a roof over your head.

it is not enough.

who am i describing - kabru, or thistle?

kabru-thistle parallels focus on their shared past as trans-racial adoptees. their shared experiences are not a universal one to all trans-racial adoptions in the dungeon meshi universe: the floke twins are treated well by their gnomish foster (grand)parents; allowed to be children while they are children and treated as adults when they are adults.

not all trans-racial adoptees are given the same courtesy. kabru was raised by an elf who infantilized him, even once he was fully-grown. milsiril did not always know what kabru needed from her, so she defaulted to treating him the way she would treat an elf his age rather than understand what his age meant as a tall-man.

by contrast, thistle was raised by tall-men. freinag saw thistle as a son and so he and delgal thought themselves as brothers. but as delgal aged and matured, thistle remained stagnant. eventually, delgal's relative age surpassed thistle's- but no one could even conceive of that, because thistle's numerical age made the tall-men around him treat him as an adult rather than a teenager.

they both feel immense responsibility for the tragedies suffered by their people. kabru explicitly believes there must be a "reason" he survived utaya and that the reason was to destroy the dungeons to ensure it never happened again, and thistle IS the reason the golden country survived their war, and why eodio made it to adulthood all.

kabru and thistle are characters pre- and post-accomplishing their goals. kabru has yet to assume total responsibility; thistle already has.

they must save them- they must protect them all.

[🩵]

marcille

once upon a time, a child lost a parent before they were ready to, and the trajectory of their life changed forever. desperate to understand, the child grew into an adult and dedicated themself to preventing their personal loss from happening to anyone else ever again. as a result, they looked downward into the dungeon's depths.

they will find the answers they seek.

who am i describing- kabru, or marcille?

marcille and kabru stand as important secondary figures to laios, our main protagonist. in the words of another excellent post, they are the heaven foils to laios's earth. where laios is grounded and thinking about the here and now, they have both identified big picture problems plaguing their world and pursue these goals with intense fervor.

however, these goals have been diverted by censorship. marcille cannot access information about historical ancient magic through traditional means and the elves won't tell kabru what happened to utaya's dungeon, so they both decide to go and do something with their own two hands.

entering the dungeon is a step towards their grander goals, which are both rooted in opposition to long-lived supremacy. critically: the solutions they come to are vastly different.

marcille's solution is very fantastical - "fixing" everyone's lifespans by making EVERYONE long-lived (though her original solution seemed to be more grounded; being a lord gave her the chance to indulge in the full fantasy).

on the other hand, kabru wants something more concrete and based in the real world. he wants to use the dungeon as a means to an end before destroying it entirely, whereas marcille wants the dungeon to be the end. hers is a magic idea borne about by escapism, while kabru wants to solve a societal problem with something tangible to improve the lives of the shorter-lived without resorting to the fantastical.

(note the similarity in these compositions!)

kabru and marcille are aiming for the heavens; they have chosen to act as stewards to bring about a better future for as many people as possible.

but eventually, they must crash back down to earth.

[🩵]

mithrun

a long time ago, a dungeon lord met their maker and the demon ate its fill, but failed to breach the surface. carnage and destruction was sown in its wake. in the aftermath, a survivor dedicated himself completely and utterly to the cause with no room for reproach.

the dungeon will be conquered. and if he has it his way, it will be conquered by his hand.

who am i describing- kabru, or mithrun?

if thistle represents kabru's past and marcille represents kabru's present, than mithrun represents one branch of kabru's future- and a rather bleak one.

mithrun has suffered great tragedy at the hands of a dungeon and, as a result, dedicated himself to be what he believes is his one remaining desire: to finally be consumed entirely. he thinks he has nothing else to live for, so he runs himself ragged every single day just to inch closer and closer at a chance to kill himself while pursuing his goal.

this great fervor is one that kabru artificially mimics long before meeting mithrun. kabru is willing to die for his goals. he does die for his goals. he thinks he is going to die without a chance for resurrection when he sabotages the canaries, which is why his 'last' thought is "it's up to you now, laios!"

remember: kabru believes his survival has to serve a purpose- his survival must have been 'worth it.' in order to make his own survival palettable, kabru dedicates himself entirely to the dungeon's destruction without long-lived intervention as a means to avoid repeating utaya's fate. kabru self-deprives, fails to care for himself, and he is constantly killed in pursuit of his goal to conquer the dungeon before people like the canaries can. while kabru has desires, he only indulges in the one that has guided him for over a decade.

functionally, he and mithrun are identical when they first meet.

kabru has purposefully deprived himself of his desires beyond ensuring another utaya doesn't happen again, and mithrun is proof of what happens when you follow that to its logical conclusion. however, over the course of their week together and the final arc of the story, kabru makes the choice to divert from mithrun's fate.

kabru looks into the eye of his ultimate goal, and in the culmination of his arc, ultimately refuses this destiny.

what do you want, kabru? are you hungry, kabru?

kabru indulges. instead of blindly following through the dungeon's destruction and sacrificing what he wants for the greater good, he wants, and he befriends laios instead of ending his life. he leaves mithrun's fate behind...

...and senshi- one of the most steadfast representatives of dungeon meshi's thesis- sets mithrun on a path where he, too, can learn to chase after newer, healthier desires.

[🩵]

laios

one day, a child was hungry for the answer to a question: "what is wrong with me?"

there is no satisfactory answer. a mother and a sister believe nothing is wrong, but everyone else in their small world disagrees. those eyes, that personality- something must be wrong.

but there is no recourse.

so, these children endeavor to focus on the world around them in ways that won't hurt them. one chooses to study and love humans, because humans are beautiful and complex and amazing. the other chooses to study and love monsters, because monsters are easier to understand and always obey one simple rule: eat or be eaten.

they double down on their interests soon enough. monsters have hurt one child enough, and humans can't get enough of hurting the other.

you know which one is kabru. you know which one is laios- dungeon meshi's fabled narrative foils.

laios and kabru are as textually close to being explicit foils as humanly possible. the first sentence of kabru's page of the adventurer's bible says it perfectly: "in every possible way, he's a contrast with laios. laios loves monsters, while kabru has an endless interest in humans" (56).

in basic terms, a foil character is a character with traits that contrast against another's, typically the main protagonist. this contrast serves to highlight the themes of the story, and we see that illustrated perfectly with laios and kabru.

where kabru has denied himself care, laios gives it to him without thinking. where laios believed no one could ever want to be his friend, kabru proves him wrong. the nature of nourishment and human connection are both critical foundations to dungeon meshi's story, and the main character struggling with human connection while his foil struggles with nourishment is no mistake.

kabru wanted to be laios's friend all along. the b-plot of dungeon meshi is driven by kabru's unconscious desire to understand and ultimately aid one inscrutable laios touden. the reason they cross paths at all is because kabru wants to meet him! he takes a chance when toshiro appears and sees his chance through.

but kabru doesn't realize it until he's already said it. he betrays himself, completely unaware that his supposed interest in the touden siblings skews a little more to the right than he could have possibly known.

killing laios would have been the ultimate preventative measure. he was yet to be dungeon lord, and with the canaries intent on handling marcille, kabru could have dealt with him right then on that cliff. but kabru doesn't take the opportunity because he doesn't want to.

he'd rather befriend laios than see him dead, and he takes the chance by the sleeve and doesn't let go until he is listened to.

and in the end, kabru is rewarded for his leap of faith: laios puts an end to the demon. laios has ensured that another utaya will never happen again.

laios saves the world.

all because kabru allowed himself to be selfish.

[nihilityuniverse]

𝟎𝐭𝐡 𝐇𝐚𝐫𝐛𝐢𝐧𝐠𝐞𝐫 | 𝐆𝐞𝐧𝐬𝐡𝐢𝐧 𝐈𝐦𝐩𝐚𝐜𝐭 𝐱 𝐅𝐄𝐌! 𝐑𝐞𝐚𝐝𝐞𝐫

ᴡʜᴇɴ ʏᴏᴜ ᴀʀᴇ ᴛʜᴇ 𝗦𝗲𝗰𝗿𝗲𝘁 𝗖𝗿𝗲𝗮𝘁𝗼𝗿 ᴏꜰ ᴛᴇʏᴠᴀᴛ 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗕𝗼𝘀𝘀.

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MINORS DO NOT INTERACT

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Story inspired by Acheron's Lore, Power, and Personality...

ENG is not my First language

I do not own Genshin Impact or any of the pictures used.

Do NOT Repost

Story also available on WattPad: Chapter 0 | Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 | Chapter 5 | Chapter 6

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Chapter 0 | Chapter 2 | Chapter 3 | Chapter 4

𝐂𝐡𝐚𝐩𝐭𝐞𝐫 𝟏

𝐀 𝐖𝐢𝐧𝐭𝐞𝐫 𝐍𝐢𝐠𝐡𝐭'𝐬 𝐋𝐚𝐳𝐳𝐨

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Eight members of the Harbingers had gathered in the palace-like church. Inside, the air was so frigid that the nation's flags began to freeze, crackling under the intense cold. No candles lit the space; only the ethereal glow of the polar lights streaming through the stained-glass windows provided illumination.

A petite woman with long hair, her eyes concealed behind a delicate white lace mask, hums a familiar lullaby from her deceased friend as she leans against a casket. Her voice echoes softly in the frozen stillness.

The eight other Harbingers watched her from a distance, each wearing a similar coat of identical design. By order of Her Royal Highness Tsaritsa, all Harbingers were required to attend the funeral, even the elusive 0th Harbinger.

The 0th Harbinger, code name: Innamorati — The Lovers;

A figure shrouded in mystery and danger, Innamorati remained an enigma even to her fellow Harbingers.

Known only by whispers and rumors, she was a being crafted by the Cryo Archon herself, a weapon designed to challenge the Celestial Gods. Hidden away for years, her existence was the subject of much speculation.

Some Harbingers were indifferent, focusing solely on the success of their plans, while others were intensely curious. Pierro, the Director of the Fatui, claimed to know nothing about her, adding to her mystique.

Rumors abounded: some said Innamorati would annihilate anyone who crossed her path; others believed she had perished decades ago, her legend merely a shadow from the past.

What they all knew for certain was that Innamorati had a notorious reputation for forgetting critical missions assigned by Tsaritsa herself. This unreliability made her both feared and ridiculed within their ranks.

"We are gathered here today to remember our dear comrade," an old dwarf with a long nose and mustache solemnly broke the deafening silence. "In honor of her sacrifice, all work shall halt for half a day as the nation mourns her passing."

"Hehe, merely half a day...?" Pantalone laughed coldly, crossing his hands in front of his chest with a mocking smile. "People say the Northland Bank's true currencies are blood and tears... But mayor, even speaking as a banker, that sounds a little unconscionable."

"Rosalyne died in a foreign land," Arlecchino stepped forward, her crimson red X-cross pupils glowing dangerously bright with annoyance. "But you heartless businessmen and dignitaries always find a convenient excuse to remain in the comfort of your homeland..." She frowned. "You couldn't hope to understand, so why don't you keep your mouth shut?! We don't want to make the children cry."

"Hey, c'mon now, even I don't think this is the right time or place for a fight," Childe chipped in, lazily sitting on one of the wooden benches.

"Utterly risible!" Sandrone mocked, and the machine behind her emitted an audible angry sound.

"Though her methods tarnished her honor, Lohefalter's sacrifice is a great pity. Her loss shall not hinder our progress," Capitano's deep voice resonated through the entire palace, catching everyone's attention.

He turned towards the Doctor, his face hidden behind a dark veil. "But Dottore... What of Scaramouche and the Gnosis from Inazuma?"

Dottore smiled, twirling a tube filled with blue liquid between his fingers. "Conventional wisdom holds that Divine Knowledge cannot be rationally comprehended. After conquering the Divine Gaze, he will make his next move."

The heavy, frozen church door creaked open, allowing the bitter winter air to sweep inside. Everyone turned their gaze towards it, even Columbina, who had paused her humming. 

A woman, clad in a coat of the same design as theirs, stepped into the church, holding a red paper umbrella. The door closed behind her with a resounding bang. The click of her heels on the marble floor echoed through the hall, a stark contrast to the silence that had filled the room.

Her face remained obscured by shadows, yet every person in the room knew instinctively that she was not someone to be trifled with. 

The sense of her power and presence was palpable, a mutual understanding among them all. To cross her would be to invite disaster.

This was Innamorati, the 0th Harbinger, a figure shrouded in mystery and danger, whose very presence commanded respect and fear.

As she advanced, the air seemed to grow even colder, the weight of her presence adding to the already frigid atmosphere. Each step she took resonated with authority, and the silence in the room deepened, a silent acknowledgment of her status among them.

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Finally, you found your way to the place where the funeral was to be held. You hadn't thought you would make it in time, given the ferocity of the snowstorm that had nearly obscured your path and made the journey treacherous.

Your heels clicked sharply with each step as you approached the group of people gathered at the center, where the casket lay. You set your red paper umbrella on one of the wooden benches, the action deliberate and unhurried. 

As the shadow over your face disappeared, the polar light from the stained-glass windows illuminated your features.

With the shadow gone, the collective breath of the eight Harbingers halted involuntarily.

Your beauty was striking: peach-colored, plump lips; long, dark eyelashes framing eyes that seemed to hold the very essence of winter. Your skin was pale and flawless, with a cold radiance that mirrored the icy surroundings. Your presence was both ethereal and commanding, a juxtaposition of delicate grace and chilling power.

You stopped a few steps before the group of Harbingers—your comrades—and looked up at them. 

"0th Harbinger, Innamorati... That is what they call me. You may call me whatever you wish," you introduced yourself, your voice ethereal and soft, yet so cold and lifeless it sent shivers down their spines. "This must be the first time we meet."

"You are quite late, Lord Innamorati," Pulcinella, the old dwarf, addressed you with a mix of respect and caution.

After all, The top-ranked Harbingers, from rank 1 to No. 3, possess powers that can rival the gods. So what about No. 0? Could she surpass the powers of the gods? Or even be greater?

You let out an annoyed sigh. "All the snow-covered streets look the same, and the blizzard did not make navigating to this gathering any easier."

Pantalone chuckled, turning towards you with a dangerous glint in his eyes.

"If I had known, I would have taken you with me in my carriage, Lady Innamorati. Alas, I am left to wonder why there were no escorts ready for you. I thought I had ordered the highest-ranked Skirmishers for your protection." His voice was dangerously smooth, laden with speculation, hinting at the rumors of you annihilating anyone who crossed your path.

Before you could respond, Childe interjected from the side. "Huh? The oh-so-feared Innamorati getting lost in a mere snowstorm? This is truly a sight to behold." His tone dripped with mockery. 

"Were you also getting lost on the way to your missions?" His voice carried an angry undertone, bitterness seeping through his words. 

He had often been the one to hurriedly take on your missions at the last minute, running from one nation to another like a lackey. The mission to obtain the Geo Archon's Gnosis had been assigned to you, not him, nor the now-deceased Signora. In the end, he had faced severe repercussions after the Northland Bank had to pay heavy reparations.

If gazes could kill, Childe would have been long dead under Pantalone's icy stare. Though his slight smile remained, his eyes closed behind his glasses, he radiated a murderous aura. He longed to hear your voice again and to capture your attention. Such a rare opportunity shouldn't be wasted.

"Insolent child! How dare you—!" Sandrone hissed at Childe, her anger palpable. She, too, feared inciting your wrath. If Childe weren't a fellow Harbinger, Sandrone would have killed him long ago for destroying her ruin guard factory.

"It's time to end tonight's foolish theatrics." 

A deep, husky voice resonated through the church, cutting through the cold silence like a blade.

The man stepped forward from the shadows, his right side concealed by a dark mask. It was Pierro, the Director of the Fatui, and his presence commanded instant respect.

His voice, cold and demanding, echoed with authority as he advanced towards the casket.

"Right now, you have no captive audience," he said, his gaze sweeping over the assembled Harbingers and guests, silently commanding them to gather and pay heed.

You stood on the opposite side of Pierro, your own presence a stark contrast to his imposing figure.

"Let every worthy sacrifice be carved in ice, and let this nation endure for all time," Pierro intoned, his voice carrying the weight of solemn duty.

The assembly lowered their heads in reverence, eyes closing as he delivered the farewell speech. Your hand drifted absently towards your Divine Key, a subconscious gesture.

"In the name of Her Majesty, the Tsaritsa," Pierro continued, his voice imbued with a steely resolve, "we will seize authority from the gods."

After several minutes of mournful meditation, Pierro broke the silence and left the building, his movements purposeful and commanding.

The others followed in silent procession, a testament to their respect and shared grief. You took your red paper umbrella, closing your eyes briefly before stepping into the freezing, snow-covered landscape.

"Absolute peace."

As you all departed, the church behind you began to freeze over, layers of crystal ice encasing it under the unyielding winter sky, which shimmered with the ethereal glow of the aurora.

"Such is the gift from the Tsaritsa, such is Her Majesty's benevolence," Pierro declared, his voice carrying a chilling reverence as he halted and gazed up at the celestial lights.

"Now you rest in this coffin, encased in layer upon layer of ice. But, Rosalyne, I promise you..."

"Your final resting place will be the entirety of the Old World," Pierro's voice echoed through the night sky, his farewell imbued with a cold resolve that matched the frozen land around you.

As you watched the polar light dancing across the vast darkness of the sky, a thought surfaced in your mind. You had never known this person, but you had made a promise to someone...

You halted in your steps and glanced back at the frozen church.

Some tasks have to be done, even if they seem pointless.

Amidst the snow, you caught a glimpse of shadowy hands emerging from the icy landscape, reaching out towards the sky one by one, as if seeking transcendence. As you blinked, everything returned to normal.

"Another Memory..."

"Lady Innamorati, is something the matter?" Pierro's voice broke through your reverie as he noticed you staring back at the frozen church.

"...meaningless," you whispered to yourself, yet the faint wind carried your words to Pierro. 

"Pardon?" Pierro asked again, this time capturing the attention of some of the other Harbingers, especially Dottore. The Doctor, ever curious, considered whether you might make an intriguing subject for his experiments.

"It's nothing. Continue without me. I wish to be alone," you ordered, your voice light as silk yet cold as ice. Pierro nodded, casting one last glance at you before leaving. 

Dottore lingered a moment longer, watching you with a mix of curiosity and suspicion. As he did, the falling snow seemed to halt and move backward, defying the natural order.

"Existence is fleeting as the dawn's dew," your voice echoed in a dimension separate from the real world, where time had ceased.

Dottore's breath caught as he watched you, disbelief etched across his features. His analytical mind struggled to comprehend the anomaly unfolding before him.

"Yet, I guide the wandering souls on the still waters of oblivion..."

The dimension around you cracked like glass, shattering as you began to walk towards the church.

"...and weep for the departed."

A powerful gust of wind struck Dottore, and in that moment, he perceived everything yet nothing. The world seemed meaningless and empty. He felt his body ascending, his soul slipping away...

"Don't look back..." Your ethereal voice called to him, a beacon of light in the encroaching darkness.

He felt a pull from behind, "Move forward," you whispered. In the next instant, he stood where Pierro had asked if you were alright moments before.

Dottore's breath hitched, his cold heart pounding faster than ever. This was neither a dream nor an illusion. He knew this with certainty. What had just happened? The question echoed in his mind, a mystery as deep as the winter night itself.

One thing was certain: he had unmistakably felt the presence of the Almighty One—the Divine Creator.

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