#i really like it and i wrote it in like. beginning of 2022 i think? which is so wild

[bird-likes-to-fandom]

im gonna post a zoya and harshaw fic soon i think

[scarrletmoon]

okay i know the Discourse™️ has been going on for way too long at this point, but

i think some people outside of the OFMD fandom don’t actually get why we’re particularly annoying about this show

OFMD is not the first queer show to ever exist. if anything, it's a late entry in decades of queer media. over a year and a half since the first few episodes aired, everyone knows that OFMD is queer. that doesn't make it particularly special

but back in March? this is the trailer that dropped in February of 2022, 2 weeks before the premier. if you're used to seeing queer chemistry in shows that aren't intended to be queer, you might see the hints between Ed and Stede here. but to most people? it's just a silly little pirate comedy. just guys being dudes. the trailer doesn't even hint at the other 2 canonical queer relationships in the show -- the closest it gets suggesting romance is the music and the pink in the poster

so when people watched this show in March 2022, they went into it expecting subtext and nothing else. to them, it was like watching Sherlock or Supernatural or Merlin in the 2010s. if you were in any of those fandoms -- especially Sherlock and Supernatural -- you know what it was like; constant jokes at our expense, being mocked for creating explicit fanwork, made fun of by the creators and within the show itself. if we saw queer subtext, that was our problem. this was a time when you pretended NOT to be in fandom, for fear of ridicule. we kept our fanwork to ourselves, we DID NOT share it with the cast, and we accepted that our favourite ships would probably never be canon. maybe one day, if we were lucky, we'd have a show where the subtext wasn't mockery as much as deliberate foreshadowing -- but that had to be YEARS away

right?

OFMD was never billed as a queer show, not in the beginning. there was no LGBTQ+ tag on (HBO) Max, it wasn't on anyone's list of upcoming queer shows in 2022, it flew under the radar through most of its first season. this was a show about pirates, and sure, some of them were queer. but not the LEADS. if you think they're romantically involved, that's must be fandom brain poisoning

except the 9th episode aired, and they kissed. and the show said "you're not crazy for thinking they have chemistry because they really do. it's been a romance this whole time". and in the 10th episode, Stede realizes that he's in love

(not mandating you watch this clip if you don't care for the show, but there's something that feels particularly earth shattering about no one saying the word gay but knowing that Stede's realizing he is, that it's completely unambiguous and explicit in a way that only straight romances are usually allowed to be)

this is why people freaked out about this show. no one knew. even the creator, David Jenkins, was surprised when WE were surprised that it was gay for real -- he set out to write a love story, using all the tried and true beats of a rom com. he'd never even heard of the term queerbaiting. he looked at historical Blackbeard and Stede Bonnet and thought "oh, there's something here" and just...wrote that, with very little fanfare, like it was inevitable. like it was obvious. of course Jim and Pam end up together. of course Buttercup and Westley end up together. what kind of disappointing ending would it be if You've Got Mail ended with the main characters just going their separate ways?

so of course Ed and Stede are in love

look, i get it. we're annoying and won't shut the fuck up about this show that seems mediocre at best. i watched the whole thing back in march, thought "huh, that was cool" and was sure that i'd forget about it in a few days

an hour after looking at fanart on twitter, i was lost in the fucking sauce

there's just so much to unpack from a mere 10 episodes. it covers racism, toxic masculinity, gender expression, sexuality, trauma and abuse. and i don't think we should overlook the fact that the non-white characters in this show get to be fully human in a way i haven't seen in my favourite shows in recent memory

additionally, most OFMD are 25 or older. we're not people who've been spoiled by queer rep, who don't get how hard it used to be, how you'd have to grovel for scraps, how shipping and fanfiction was a way to find queer rep where we thought there never would be. we've been here. we're annoying about this show because for a lot of us, it's the first time we've been treated like our queerness isn't an anomaly that needs to be relegated to its own section, that needs to be praised for the bare minimum of acknowledging that we exist. it's not pulling punches to avoid scaring away a straight audience. it just is.

OFMD for me is like when i watched Black Panther for the first time and realized that this is what white people felt all the time. have there been other black superhero movies? of course! does Disney fucking suck? BOY does it. but that was the first time i got to sit in a movie theater and watch a mainstream film that looked at Africa and said "look at how beautiful you are, exactly as you are"

and idk. i think that's really cool

[slitherpunk]

games i liked in 2023 (And Other)

I like games ! You know that ?! and I played a lot 2023! and I liked a lot :). They aren't in any specific order, it's just a little highlight of games that stood out to me this year. I've attempted to write a few thoughts on each so I hope take a look. I wrote playtimes for some also but that is very subjective.

-Ones that actually came out 2023-

Lunacid https://store.steampowered.com/app/1745510/Lunacid/ I think I mentioned enjoying this in 2022 but it officially released so I can say it was one of my favorite games in 2023 :3! I like to feel around this game's walls for secrets. I like the npcs that are full of hope and whimsy despite the bleakness of its world. Chill and occasionally spooky first person dungeon crawling around moody caverns and ruins varying from underground forests to vampire castles and blood lake. (Blood lake!!!! Lake of blood!!! Big creature there.) Lots of fun weapons and spells to find, I like the one that lets you turn blood into coffins.

~20 hours

Orbo's Odyssey https://feverdreamjohnny.itch.io/orbos-odyssey If you played the massively popular demo for "Peeb Adventures" by feverdreamjohnny then you know that Johnny makes some fun and funny games and this is certainly one of them. speedy and satisfying platforming! funny dracula moments! short and sweet.

~2 hours

A Walk in the Woods https://mooncaller.itch.io/a-walk-in-the-woods Quaint little GBStudio game :) Made by some friends of mine for a jam :) It's cute I like it. There's minigames where you catch bugs and birdwatch.

~30 minutes long

Undertale Yellow https://gamejolt.com/games/UndertaleYellow/136925 I've only completed the pacifist run and checked out a neutral run so far. as the title somewhat implies, this is a prequel to Undertale where you play as the fallen human who had the yellow colored soul. This Undertale fangame has a lot of charm!!! A lot of battles really feel like they could have been in the original, with quite a bit of extra flair in some circumstances.

~10 hours

vs really cool bird https://bobacupcake.itch.io/vs-really-cool-bird you know that really cool bird that rob bobacupcake made well you can fight it in undertale and it's really fun. yeah two undertale fangames. . . wat of it …

~30 minutes

Misericorde: Volume One https://xeecee.itch.io/misericorde I wont lie the main draw for me into this was cute anime nuns I sure didn't know a whole lot else about it when I dug into it. But it's (the first part of) a VN murder mystery! And I enjoyed it a whole lot. All the characters are memorable and I really enjoy how all of them have differentiating designs. The protagonist is so failgirl. She sucks so much and I love her. I'm very intrigued by the mechanics of the game's world, it clues you in near the beginning to expect something a bit supernatural/fantastical, which gives you (and later the protagonist) a curiosity about what's real and what isn't. The music is all very impressive too, with the ost reaching past 100 tracks varying through post-rock, folk, drum & bass, and others. (Remembering when the track "Scandal" played and my friends and I took a moment to be like- okay hang on this track pwns.) Big fan of its haunting locals and how the aesthetic of the game fits them well. Also the humor is a lot of fun, and I love all the moments getting to know the different characters. Very excited to see the eventual continuation of this.

~12 hours

Absolutely Perfect Specimen https://chambersoft.itch.io/absolutely-perfect-specimen It seems like a lot of people are craving toxic horror yuri lately. Here's a recommendation. It's a VN about the android maid "Pan" and the mad scientist girl who created her. Horrifying & gut wrenching & largely about having other people define you. The art and music is haunting & poignant and matches the ever increasing feeling of dread throughout. It's yuri with the chunks. Peak robotgirl horror for those who can stomach it.

~90 minutes

Wordhopper https://kokoscript.itch.io/wordhopper Very quaint word search type puzzle game for ms dos! I think its style is very slick and that's pretty impressive to see. Chill game with nice vibes and eyecandy visuals. also it was so cool to have played this and then ended up seeing the dev's booth at Vintage Computer Festival Midwest. I was like omg woah I just played this.

~bunny

Bossgame https://lilyv.itch.io/bossgame This game is yuriful as f*ck. Delightful humor and fun character dynamics! A simple-to-understand-difficult-to-master boss rush battle system that makes you satisfied to get it right, and enticing to get just a little farther if you get it wrong. There's a lot of detail and charm to this game's menus and dialogues and win screens, I remember noticing that once you beat a boss there would be some marquee text that would pass by with some prose on it. I love how it balances its silly moments with its heartfelt moments and its high octane moments. I like the character development and revelations had throughout the plot. & I like how good the protagonists are for each other :) It's very sweet. It's hype as hell. if you want some boss rush action paired well with that sweet sweet girl's love, you *will* play this game.

~5 hours

Elly's Adventure https://bikwins.itch.io/ellys-adventure Very cute and witchy!! You are the little witch girl "Elly" on an adventure to get your toys back!! Feels like a pretty authentic gameboy type experience, it takes a lot of design cues from Kirby's adventure and the like. I am a big fan of how playful it feels.

~1 hour

Nour https://store.steampowered.com/app/1141050/Nour_Play_with_Your_Food/ This was a treat for me, but I understand that not everybody is going to get it. It's a game where you play with food(and food accessories). And that's it. It knows what it was going for. I think a lot of people were expecting something else for some reason. It's a cute little toy game and I felt satisfied with my time with it.

~food

Hi-Fi Rush https://store.steampowered.com/app/1817230/HiFi_RUSH/ Do I have to say this game is super fun? It's a big one everybody probably already knows it. This game's dopey humor made me laugh a lot and I'm not afraid to admit it.

~12 hours

WHISKEY.ST2007S https://bonicle.itch.io/whiskey-st2007nes One of the last games I played in the year because it released super last minute. Does anybody else get a rush when running a shopping cart down the parking lot? This emulates that feeling. Short game where you collect whisky stones in the whisky stone dimension because you forgot to go christmas shopping until the very last minute. it rules. It's very short you can go play it right now & get a highscore.

~5 minutes

re:curse https://devpalmer.itch.io/re-curse Discovered this one near the very end of the year also. Fun little rpg maker horror/humor game about a weird scientist lady, her butch, and an evil clown computer virus that figured out how to warp reality. I got a kick out of it. and also enjoyed digging through the game's files, which was actively encouraged by the dev, which I thought was very fun.

~90 minutes

-Didn't technically get to until 2024 but released last year-

SWOLLEN TO BURSTING UNTIL I AM DISAPPEARING ON PURPOSE https://1207.itch.io/swollen-to-bursting-until-i-am-disappearing-on-purpose People love to dunk on a lot of indie rpgs for being "quirky Earthbound inspired and about depression" or whatever. Earthbound's great. If people can nail the kind of humor and absurdity it likes to pull off while also balancing difficult topics I think that deserves a high mark. SWOLLEN TO BURSTING was fun. Bizarre and charming places to explore & distressing secrets to find. I like how it blends meander-around-the-town gameplay with Yume Nikki sort of exploration and effects. Also I'm a big fan of the music. I like how it has the lofi sound which matches the early 3d look of the game.

~6 hours

HalOPE https://starbage.itch.io/halope Another for the fans of sweet little rpg maker games that have a lot of heart. HalOPE is about an incomplete little angel wondering through worlds. Each has a theme, usually to do with an emotion or feeling, and they do well at evoking that feeling as well as its antithesis. a lot of the music is very homey and charming at moments and unnerving at others, sometimes lonely, all doing well in their corresponding chapters to further the feeling of its specified theme. There are so many delightful characters and designs in this & I found myself feeling really attached to their tiny little stories. The narrative at the core of it all hit me. If I may be vulnerable, I cried a whole lot at various moments in this game. It was really cathartic. I feel very excited for people to experience this game.

~5 hours

-Favs I finally got around to that didn't come out 2023-

An Outcry https://quinnk.itch.io/an-outcry Kind of sad it took me so long to get to this one, but glad it meant I got to play the "definitive" updated version of it. Apartment wandering RPG maker horror. Bum smokes from your neighbors and use them to save the game. I wish I could unwrap a lot more of what I like about this game than I can without spoiling too much. But if I could, I'd probably go on for too long. Let me attempt to be succinct & not giving too much away. You can tell pretty early on that An Outcry is about taking action when necessary & not turning a blind eye. What it explores about player vs protagonist agency is very fascinating to me as well, and I enjoyed learning about the inspirations for why the game's narrative works the way it does. The character Anne is such a sweetie and I love her a whole lot. This game has a very tangible feeling, this apartment complex is dirty and crumby, it smells of smoke, and there's a surrounding desperation you can feel.

~5 hours

Pigments https://punkcake.itch.io/pigments Honestly I had gotten this game in a bundle and while I was playing it I hadn't looked at the name and I just kept calling it FRUIT. On call with my friends I'd be like "hey im gonna play more FRUIT". I straight up didn't read the title screen. But it's called Pigments. You play as a fruit and you try to paint the whole floor and not get sliced by buzzsaws. Fun little arcade type game.

~fruit

Bridge, October 3rd https://lowpolis.itch.io/bridge-october-3rd Very short vignette. I like it. It's what it says it is. I'm not going to overexplain.

~like a minute

-Other Games I Want To Mention-

Pseudoregalia https://store.steampowered.com/app/2365810/Pseudoregalia/ I think a lot of people might have already known this one but I felt like it was a pretty fun 3d platformer. There were a few issues I had with it (boss fight at the beginning was frustrating, and I got lost a lot [but it looks like there's been a map patch by now, so, perhaps for some that is a fix]). I enjoyed it but sure felt weird that the only accessibility option was to give the protagonist pants. What kind of joke is that?

~5 hours

Mushroom Musume https://mortallymoonstruckgames.itch.io/mushroom-musume (Disclaimer, this game is still early access, but I saw a lot of people talking about it last year. SO I will mention here?) Haven't played much of this yet, but I have enjoyed what I played so far!! As of writing I've gone through 6 playthroughs, I feel like I've hardly scratched the surface and I've been so impressed by its depth. It's very charming, you never know what sorts of fairytale shenanigans are going to happen, and it's very cool to see how your different stats will affect things. It very much plays out like a roguelike vn. Which is not the sort of thing you may expect to make much sense but it pulls this off well. Also all the mushroom girls are very cute and I love them very much. I hope the sad goopy one who had bugs in her skin rests in peace.

~mushroom

Knuckle Sandwich https://andybrophy.itch.io/knuckle-sandwich -_- Hm. Where do I start with this one. I was pretty excited for this one since the demo and kickstarter in 2018. I felt like the demo was a hell of a hook that got me curious & horrified. As time went on, it seemed to be shaping up into something really cool. turn based combat with action commands and wario-ware-type microgames?? with a banging soundtrack?? like, count me in!! Then it released and well, the gameplay, art, music all delivered. It was very fun and engaging in those aspects. But the story… oh it just devolves into disappointing nonsensical randomness. The whole hook at the beginning seemed to be completely thrown away for the wild goose chase plot that ensues, leaving you to wonder if it was ever going to be relevant again. It felt like it had no idea what it was trying to say or do. It disappointed me that a game that has so much good in so much else about it gets brought down so much for me by this plot.

~12 hours

Rhythm Doctor https://store.steampowered.com/app/774181/Rhythm_Doctor/ (Putting this one in mentions because it is early access.) I really enjoyed the act 5 release. When I first saw this game, I kind of shrugged it off, thinking "that base mechanic doesn't seem like it will last". I thought it was basically just that one ghost shooting game from Rhythm Heaven which I Hate. Well let's just say I am now seeking penitence for my previous transgressions. It's really fun. There's a lot more to it that I didn't know when I first took a look. Also, consistently amazed by people's custom levels, I had no idea that its level editor allows people to do so much in it, I look at some levels and think "This editor seems as complex as an industry standard video editor". I'm looking forward to what they're planning next, very curious how they could possibly one-up the last update.

~rhythm

El Paso Elsewhere https://strangescaffold.itch.io/el-paso-elsewhere This was really fun & funny so far but unfortunately I had been encountering an issue with a certain level where the game would crash. I reported the issue, got a response, and there has been an update since then so I think there's a possibility that it got fixed but I have not tried yet. I would like to return to this sometime but having to relearn controls midway through is always daunting to me.

~?

-Things that looked good but didn't get around to-

Cosmic Wheel Sisterhood https://store.steampowered.com/app/1340480/The_Cosmic_Wheel_Sisterhood/ Still don't know a whole lot about this. But there are witches, and I like witches.

Casette Beasts https://store.steampowered.com/app/1321440/Cassette_Beasts/ I haven't felt thrilled about Pokémon lately. I know a lot of people seemed to really enjoy this little monster-collecting-rpg. The style is appealing to me as a die-hard gen 5 fan. I started playing it but haven't set aside the dedicated time for it yet, but I'm excited to dig in more when I do.

Little Goody Two Shoes https://store.steampowered.com/app/1812370/Little_Goody_Two_Shoes/ Started watching a friend play this, and I'm certainly curious.. Some sort of horror fairytale but also there's yuri? Yum. Enjoyed the style and animation in the nightmare segments that I saw.

Venba https://store.steampowered.com/app/1491670/Venba/ I've picked this up a while ago but still haven't gotten around to it, but I'm eager to, I've heard nothing but good things.

Goodbye Volcano High https://store.steampowered.com/app/1310330/Goodbye_Volcano_High/ I think there are gay dinosaurs in a band and it's going to be the apocalypse? I have also heard nothing but good things about this.

-Things I watched friends play-

Signalis https://store.steampowered.com/app/1262350/SIGNALIS/ This was a pretty big one. You probably already know it, right? Watched a friend play this and I missed various parts but I understood a solid bit of it. hey. robotgirls are always getting put in these fucked up situations. have you noticed this? one time i got really high and cried about it. it isn't fair

Bomb Rush Cyberfunk https://store.steampowered.com/app/1353230/Bomb_Rush_Cyberfunk/ This one was also probably big enough you don't need me to sing its praises. but it looked really neat. swag.

-Various Thoughts-

Lately I've been thinking more about design and narrative. I feel like I haven't been doing as much analysis as I should be when it comes to games. I want to dissect more what games are saying and figure out meaning. Also attempt to see how the mechanics aid in that. I feel like most of my own work is pretty abstract & random. I simply make what I like. While that's fun and all, I still want to improve in a lot of ways, especially in having more of a theme or message. Figuring out how other games accomplish this is obviously a good step toward this.

If you saw games here that interest you I highly urge you to take a look, many are pretty short, and I pretty explicitly wanted to highlight some smaller titles. If you know me you know I like to uplift small games. (Save for the occasional big game, but that's rare these days) I think it's healthy for you to play and support independently developed & published works. I don't want to ramble too much this time about why that's important, but I hope that you might have found something you may enjoy here and if not then I encourage you to find small stuff that you would like. And I would like to encourage everybody to share their findings as well! Little games need our help to be seen and talked about! They don't have the budgets the big ones do for advertising, and advertising on your own is a whole ton of work. If you like something, spread the word! I'm sure the developers would very much appreciate that.

[fili-urzudel]

A Kiss Hello - Fíli x Reader

Hey guys, look who keeps overcommitting :D

Anyway how about instead of any of the requests I have in my inbox you read a short piece I wrote in November 2022?

Word Count: 0.7k

Warnings: none

Fíli had always thought it was a bit of a strange greeting and goodbye. One kiss to each cheek, your hands easily resting on his shoulders to pull him in. You told him it was normal where you came from, and he supposed he wasn't one to tell you you weren't allowed to practice your culture near him.

It helped that he didn't exactly mind. You had lived with them under the mountain for years, and he was still the only one left with a burning face and butterflies in his stomach once you were out of sight.

"Fíli, this is getting ridiculous," Kíli sighed goofily as they traversed the halls of the mountain, trying to find the longest and most time-consuming route to their meetings. "I can see hearts in your eyes whenever she's around, why don't you just... confess?"

"Because I'm not you, Kíli," Fíli said, a bit agitated. "It's expected of me to find a nice dwarrowdam and settle down, keep our people happy. I can't just... just..."

"Just be happy with the woman you so obviously love?" Kíli interrupted, seemingly unfazed by his brother's sharp words. "You're free to make your own decisions, but I can promise you will live with regret forever if you don't do something. And soon."

Fíli looked slightly up at his younger brother. "What is that supposed to mean? What do you know?"

Kíli shrugged, eyes trained on the path ahead of them. He wasn't smiling anymore.

"Kíli!" Fíli felt his frustration rising, and with it, panic. What was happening? What were you going to do? "What, is she going to leave?"

Kíli only looked at him.

The golden prince's heart sank.

Was it his fault?

Fíli paced, wringing his hands, in the marketplace you always seemed to find yourself in, sometimes to sell, sometimes just to shop—oh, how he loved how vibrant you were when you shopped with him.

At this point, his heart was no longer in his stomach, but his feet. He couldn't stand it if you left, all because he chased you away, all because he was stupid and didn't know when to admit it—

"Y/N!" He interrupted his own thoughts, seeing you draw near. You held the basket you always used when shopping, the one he bought you in one of the towns you stopped at, before Erebor had even been won. It was looking a little worse for the wear, but you refused to give it up.

"Fíli!" You called back with a smile, but your eyes looked strained.

He wrestled with his brain, trying to figure out what to say first. His words became an incomprehensible knot. "Are you leaving?" He blurted. He just... he just really needed to know.

"Yes, actually, I am," you admitted, gazing at the floor. "I figured... I don't know, I think it's just time," you nodded, mouth twisted in a sad smile. "I hope you won't miss me too badly."

Fíli's heart raced. "Actually, if I could—"

A voice called out to you, and from the looks of it, it belonged to the head of a caravan you were looking to travel with.

"I'm so sorry, it looks like I have to go," you apologized, moving forward to bid him goodbye.

First, it was the right cheek, and as you moved to kiss his left, he turned, catching your lips with his.

The contact was fleeting, you startling back, flustered. "Oh, goodness, I'm sorry—"

You were still only centimeters from him. "Don't go," he murmured, moving to kiss you again. He didn't want to leave any doubt in your mind—that was not an accident.

His heart fluttered as he felt you kiss back, tilting your head as his hand rose to cup your face.

"I won't," you said as you pulled away, hot breath fanning across his face.

He felt eyes on the two of you from all sides. There would be no hiding this, no killing rumors or trying to keep a secret. "Good," he said, his lips still almost touching yours.

He had always liked your goodbyes, but this new beginning was much better.

[justarandompersononthehellsite]

So... @muffinlance wrote a really awesome story. I read a post from a point in time, though I truly do not remember when since it seems like I've been working on this project forever, saying that she gives blanket permission for people to print and bind the story into a book (I think there was an also addendum saying that they do not give permission to be sold, since selling fic is illegal). This fic has had total control over my whole brain since it was sent to me (@creatorofthemind I believe it was you, so thank you forever for tuning me into it) back during the days of like chapter six or seven.

So here I am now, sharing this amazing journey of my first ever bookbinding adventure. Further reading below.

So to give you an idea of what's going on, this is a fanfiction about Zuko (Avatar the Last Airbender) (animated show version, the LA show did not exist yet and we do not speak of the movie) being adopted by Hakoda, Father of Katara and Zuko. (This might have also been what kicked off the Give Zuko A Parent craze, but don't fact check me.)

Overall, the characters from the show stick very well to the cannon versions, but where MuffinLance really shines is in the rich backstories and fleshed out feeling of all the non cannon elements. Especially the background characters. I would argue that the writing in this peice of fanwork could easily rival the cannon show at many points of comparison.

Now that you have context, we can get into the actual process.

To start, I used this guide to figure out where to even begin, and fount the included resource list to also be quite helpful. I cannot for the LIFE OF ME figure out where I found the template I used for the front matter and such, but it must be somewhere and I will link to it when I inevitably come across it again.

Then I began to typeset. This step took... a long time. I worked in chunks from about September of 2022 to late March of 2024. I would get a big section done, sometimes even the entire thing, but then find I hated the way I had done it and give up for months at a time. Such is the life of ADHD and flitting interest in projects I suppose.

And then finally, step one was done, and I was left with pages on a word document that look like this. (And do please let me know if you want the link to the document. It was so much work, and I would love to not be the only one to use it.)

Next step was printing out this beast. Ended up being about eight pages of front matter, and about 630 pages of body text.

That I printed wrong.

Twice.

Before finally getting it right. And then not getting a picture of it, because I finished at 4 am and had work at 7, and am also an idiot.

Then I simply stitched along, putting everything together into a beautiful text block.

And came up with a design for the cover.

Yes the glue did end up lumpy. Ignore it.

Yes I did have to sketch out the design onto a scraped page several times before I figured out what I was doing. Ignore that too.

The cover design does wrap around the entire cover. No I did not get a picture before I glued the thing down. See again: I'm an idiot. And just... massively impatient.

Finally, we get to the stage of gluing. Behold, my bookpress.

Of course, topped with Madam MuffinLances own actual professional-people book, Fox's Tounge and Kirin's Bone. It is Excelent. Here is the LINK so you can go and support this amazing author with the real-monies as well as the internet-kudos.

Then, once everything is glued together, one must give the book its "gilt" edges.

[blueberry-lemon]

An introductory guide to getting into Sonic the Hedgehog...

…if you're a grown-ass adult who is busy and doesn't want to play a bunch of video games but thinks the characters look sorta cool.

If you've ever been curious about Sonic as a series but haven't known where to start, I have some recommendations! I think Sonic is a cool and still somewhat unique thing because it takes cartoony characters (like a Mickey Mouse or Felix the Cat) and lets them jump around in cool action sequences through the lens of a shonen anime. It's colorful and usually pretty light-hearted, and I think the character designs are pretty iconic.

There's two handy places you can start without prior context, to see if it's something you'd be into...

Getting Started: If You Wanna Read Something

The IDW Sonic Comics

There were years of different Sonic comics back in the '90s and early 2000's, but the franchise got a complete reboot and fresh start with IDW Publishing in 2018. If you're looking for the most straight-forward way to get into this world of characters, I think this is a great start. You don't need any prior knowledge whatsoever to crack open issue 1 and get started. All you need to know is "Sonic and his friends protect the world by fighting against an evil scientist named Dr. Eggman, who they just recently defeated after he briefly took over the world."

I love these comics and I feel that the writers and artists who work on it have a really good sense for this series. Reading issues 1 through 12 will get you the first major story arc. If you like it so far, I highly suggest reading up through issue 32, when another major story arc concludes. After that, the world's your oyster! Unlike the tangled web of Marvel or DC comics, IDW Sonic has a very simple and linear reading order. You pretty much just read the issues in order, and occasionally there are spinoff stories that are optional to read.

Getting Started: If You Wanna Watch Something

Sonic Mania Adventures

Maybe comics aren't your thing and you want something even quicker. These are a series of animated shorts that are lovely. Conveniently, they've been compiled together by Sega into one little video right here.

It's a great intro to some of the main characters, and combines cartoon slapstick with some amazing action sequences.

There's also a nice little epilogue short.

Sonic CD's intro cutscene

If I had to pick a single 1-and-a-half minute clip to embody what I like about this series, it would be this very simple intro movie that plays before Sonic CD. Check it out!

Sonic Origins/Sonic Origins Plus Cutscenes

In 2022, Sega released a compilation of the classic Genesis games on modern consoles. In it, they added a few animated cutscenes. You can watch those cutscenes, plus the Sonic CD intro and the Sonic Mania Adventures episodes, all compiled into one handy Youtube video.

Taking The Next Step: If You Wanna Read Something

The Archie Sonic Comics

You might have heard that Sonic had a comic series published by Archie Comics from 1992 to 2016. This was a vast, overarching series that wrote an original story by weaving together ideas from the different Sonic cartoons and games. It went through several different writers, many different artists, and obviously spanned over multiple eras of pop culture.

It's pretty cool! The fact that it was so long-running, and the fact that Sega wasn't very strict with what the writers could do, led to a lot of buckwild lore, new characters, and plot developments. That said, it's also pretty bizarre, complicated, corny, and cringey at times. There is a stretch in the middle that is pretty infamous among fans.

You have a few options for jumping in.

Option A: You can start at the very beginning and read all of it. If you do this, it is going to be like a One Piece / Homestuck / etc. kind of undertaking, and you're going to be pushing through the good and the bad of huge genre and tone shifts. That's your call!

Option B: You can brush up on the main characters on a wiki and then start at Issue 160, when Ian Flynn (who now does a lot of work on IDW Sonic) became the lead writer. More specifically, you can jump in at the start of a new story arc by starting at Issue 175.

Option C: You can start at Issue 252, when there is a universe-altering event that essentially retcons all of the characters and plot threads from the previous writers and starts completely fresh. Easier to keep track of and you won't have to worry about all the previous plot and lore.

If you want something you can read in a single sitting, you should instead read Sonic: Mega Drive, a short-lived miniseries published by Archie that follows "Classic Sonic" characters (aka, the same vibe and art style of Sonic Origins, Sonic Mania Adventures, etc.) It's really great!

Taking The Next Step: If You Wanna Watch Something

Sonic the Hedgehog (OVA) aka "Sonic the Hedgehog: The Movie" (1996)

This is, essentially, a 1-hour Sonic anime movie. You can watch it in Japanese or in English. I adore it. It makes up its own lore and continuity so you don't need to know anything before going in, besides generally knowing a one-sentence synopsis of who Sonic, Tails, and Dr. Robotnik are. It's action-packed, well-animated, and has great music. Enjoy! Sonic X If you're enjoying what you've seen so far, and you want something much, much longer...there's an official 78-episode anime adaptation of Sonic called Sonic X. It's an original story that loosely pulls together some ideas from a few of the games. It's mostly intended for a younger audience, but I hear if you watch it in the original uncut Japanese, it feels a little less "for kids."

Other Ways To Get Into Sonic

There's some great video essays on Youtube about the series!

Professional animator Dan Floyd did an in-depth video looking at the highs and lows of Sonic character animation in the games starting from Sonic 1 up through Sonic Forces.

Super Bunnyhop plays through the first level of a bunch of Sonic games to compare how the mechanics, physics, and level design feel throughout the games' history.

Liam Triforce has a great deep dive on the franchise's music.

You can play The Murder of Sonic the Hedgehog, a murder-mystery-party themed visual novel put out by Sega. It's nice and short, so you can finish it in an afternoon.

If you haven't seen them already, you can check out the live-action/animated hybrid films Sonic 1 and Sonic 2 featuring Ben Schwartz and Jim Carrey, they're pretty good. That Sonic Prime cartoon that's currently on Netflix is pretty good too.

This may sound strange, but honestly you might enjoy poring over the sprite sheets from the old games. In particular, I really like the sprite animations from the GBA games, like Sonic Advance and Sonic Battle.

Sega is pretty lax about allowing noncommercial fan games, so there's at least a hundred different Sonic fan games out there by hobbyist developers. Check out the Sonic Amateur Games Expo and the Sonic Fan Games HQ.

You can watch LPs or cutscene compilations of the games on Youtube! If you watch Sonic Adventure, Sonic Adventure 2, and Sonic Heroes, you'll get a crash course on most of the characters.

And finally, of course...you can play the games if you want to! There's a number of them that are available on Steam, Switch, Xbox, and Playstation if you don't have access to older consoles.

There's a lot of different angles to come at Sonic as a franchise, and lots of different entry points. Have fun!

[the-uninformed-zennial]

So, uh, Fable ended.

And now I’m gonna be sappy on main.

I started watching Fable about half a year before I started being active in the fandom, around the time I started falling in love with my partner @hoardingpuffin . Watching Rae and Caspian’s relationship develop was actually part of what helped me realize that the things I was feeling for them were romantic and not just platonic. Surprisingly enough, that’s just the beginning of the profound effect Fable had on me.

I had never really interacted with fandom spaces before Fable. But when I caught up with lore sometime in November 2022, I decided to join the discord. It was a crazy place. Being someone who’d never really been in a server before I was completely overwhelmed and nervous, so I didn’t interact much for the first month or so.

Then I discovered that, despite the incredible love for the project, no one had made a “which character are you?” Quiz yet, so, I decided to fuck it and make one myself. The response I got to that was unlike any I had seen before. I was getting pinged weeks afterwards with people’s results and it made me really happy to see how much my work was appreciated by everyone in the community. It got me thinking about other ways I might be able to give back.

Then, as you all know, the stream “Call” and it’s partner “Response” came out on Ghosty and HeyHay’s channels. I’d been feeling so similarly to the two characters, dealing with my long distance relationship with Puffin. So, I took those feelings and the words Heyhay and Ghosty had used to convey them for their characters and put them into a song.

And then something insane happened.

Everyone liked it. Like, everyone liked it. This crappy recording I made at 2 AM suddenly got hundreds and then thousands of views when I put it on SoundCloud and YouTube. It was insane. I had written some songs before, but they’d always been ridiculed, so having a large group of people like the fable community enjoy something that I wrote was absolutely insane to me, and it encouraged me to make more.

I found myself being inspired by the characters in fable, connecting with different storylines or sentences said on streams. I found myself writing songs, one after another after another.  At one point I was writing a song a week for a period of about three months. I had never experienced this amount of raw creativity before, but every time I put a new song out, I only got encouraged to make more.

And then people started to ask me when I was going to put them on Spotify. And that was another moment that everything changed. I realized if I was gonna put these out there in such an official way I didn’t want it to just be a bunch of crappy recorded singles. So I needed to make an album.

That was something I had never considered doing before. I knew nothing about music editing or sound mixing. Up until that point all of my songs had been made on GarageBand at 2 AM with very little editing or mixing going into them. So, I started saving for a real music editing program and within a few months I got there.

Then came the actual making of the album. I took a few months off in the summer and just dove headfirst into it. Every spare moment I wasn’t modding for the Sherbathon, or the discord, or streaming my own lore, was spent working on those songs. And while looking back now I wish I knew what I know now about music editing, I’m so glad I did what I did. Putting that album out, seeing how you all responded to it… it made me realize that this is something I love, something that I don’t have to wait for someone else’s permission or teaching to do.

This fandom is the reason I’m a musical artist and that is something I don’t think I will ever be able to express the importance of enough.



As much as I could talk about the unending support and encouragement I received from the wonderful cast members throughout my experience making the album, or how being given the role of mod on the fandom discord taught me so much about how to be a creator in my own right, or even the amazing experience I had being able to make songs for the lore. When it comes right down to it, it was the community, cast and all, that impacted my life in the profound way it has been. So thank you, each and every one of you, whether you are a cast member, a fan, a fellow mod, or even just someone who streamed a song you didn’t have any context for. Thank you for changing my life, for giving me the encouragement to pursue my dreams.

Thank you Fable SMP cast, crew, and community 💕

[choicesficwriterscreations]

September Creator of the Month: Tveitertotwrites

Please welcome this month’s Creator of the Month: @tveitertotwrites

Each month, CFWC highlights one of our talented fanfic writers or artists. The writer or artist is selected at random. More info can be found on the navigation page. Past COTMs can be found here.

Tumblr Blog Name: Tveitertotwrites

How do you want to be known on Tumblr? Megan

Quick Links:

Tumblr Blog

Masterlist

1- When did you start playing Choices? What was the first book you played? 

I started playing in 2019, and my first book was Rules of Engagement.

2- When and why did you join Choices fandom?

I joined the fandom in January 2022. I had taken a break from Choices for a while but went back in November/December 2021 and started trying to look for fanfiction for Open Heart as I wanted to see if there was more Open Heart content, so I turned to Tumblr and AO3 and decided to join.

3- How did you pick your blog name? 

It was the first thing I could think of. I’m not creative with naming things (if anyone remembers my original blog name, it was openheartfanfiction because I only wrote for OH and couldn’t think of anything else). So I was like, “I’m a fan of Aaron Tveit. His fans are called Tveiter Tots, so why not?”  I then added writing because most of the content I make is fanfiction.

4- Pull up the first post in your archive, and tell us about it! 

It was actually a little intro to my account, but I had deleted it a while back so now it’s this. It is not my favorite. I would definitely redo it now that I have had more experience with text fics. 

5- Do you write fanfiction, create fan art, or are you one of those really gifted people who do both? 

While I would love to make fan art, currently, I only write fanfiction.

6- How long have you been creating for Choices and for any other fandoms?

I have been writing/creating Choices content since 2022. But I have been writing for Star Wars and Adam Driver Characters since 2020 (even though I am on hiatus from it, and I don’t know if/when I will pick it back up). I also wrote some Marvel fanfiction with a friend in 2021. More recently, I have started writing stuff for Aaron Tveit and Cillian Murphy characters on my non-Choices blog.

7- What is your favorite Choices book, and what is your favorite Choices book to create for?

Right now, I would say either Red Carpet Diaries or America’s Most Eligible is my favorite. But I also like Open Heart, High School Story, and others. I want to create more for RCD and AME, but I think I like creating content for OH.

8- Share your first Choices fanfic or fan art that you posted with us. Do you still like it, or would you change it if you were creating it today?

Since I already mentioned the text fic, I chose the next fic I did. It was for my Open Heart MC’s (Claire Evans) Birthday. And I would 100 percent go back and rewrite it. I like the idea of what I wrote, but I don’t like its execution, and I need to go back and rewrite it.

9- What is your favorite piece of fiction or art that you created? 

Right now, I have these two favorites. While I like writing angst, I enjoy writing fluffy stuff like these two fics. Plus, it’s my MC and OC who are besties (Claire and Adelaide), so I had to choose one from both of them.

10- Do you have a fic/art that you didn’t expect to be well received, but it was? What about one you expected to do well but found it could use a little more love?

This was a fic that I wasn't expecting to get notes on. I was still very new to the fandom at the time and hadn’t really interacted with anyone at that point, so seeing people like it was a shock.

Something that I wish I could do better is the content I make for my RCD and AME MCs (Brooklyn Moore and Charlie Howard). I love that people like my OH content, but I don’t see many people liking content from those books (which is fine if you don’t like it).

11- If you could write only angst, fluff, or smut for the rest of your writing life, which would it be and why? 

Fluff. While writing Angst and Smut can be fun, writing fluff is a nice escape from real life.

12 - Do you ever recognize yourself in any of your MCs or in your writing?

Yes, I have put some things from myself into my MCs and OCs, like some personality traits, some physical traits, and some hobbies/things they enjoy. So, I do see myself sometimes, but not always.

13 - What element of writing/art do you struggle with most?

Either coming up with titles or writing bits in between the big parts. Usually, one of the last things I do is come up with a title because I can never think of one. Also, writing the “less important” parts in between the parts I want to write is what gets me sometimes and is why I have unfinished fics that I have abandoned.

14 - Do you have any neglected work you really want to finish?

I have some fics that I had done some previews for (last year or the year before) that I would like to finish at some point. Right now, I am trying to finish a Dancing with the Stars AU for Adelaide and Tobias, so that is my writing priority.

15 - If someone you know in real life (who isn’t involved in fandoms) asked to see your work, would you let them? If yes, what would you show them first? 

Maybe it depends on who it is. While I don’t think anyone would be too judgemental, I would still be very nervous to show them in fear of them hating it or something like that. I wouldn't show them the smut or some of my earlier fics but the fluff I would.

16 - Are there any writers (published authors and/or fanfic writers) who influenced your writing or art? Are there any artists that influence you?

Not really. I have liked a lot of people’s work, but I don’t think that it really influences my writing at all though.

17- Which one of your stories would you most like to see as a movie/series? 

I think my fic “Coming to You” would be fun to see as a movie. Seeing how Ethan and Claire’s relationship grows on screen when they’re in two different worlds would interest me.

19- Do you write original fiction or create non-fandom art? 

I have thought about trying to write an original fiction book, but right now I don’t. I do currently write some original screenplays as I am in college for screenwriting.

20-  What other hobbies do you have?

I like to paint and listen to music. I like to take drives in the morning to get coffee and relax or at night with my dogs. I like to watch movies and musicals (like Moulin Rouge and Six). 

21: BONUS - tell us anything you’d like (if you want to)

Thank you to anyone who has read any of my fics or enjoyed the content I create. It means a lot, and I hope to continue writing content that both you and I can enjoy.

[blueteller]

Thanks for answering! If I can ask more but what made og!Cale (and also KRS) not like their previous life? And is the novel not still complete?

Of course you can! I'll answer each topic in this order, as it will make the most sense:

the current state of the novel

why OG Cale did not like his previous life

why Kim Rok Soo did not like his previous life

how transmigration happened, and why it was good for both of them

First topic: is the novel complete?

At this moment, the novel is still in the works: more precisely, Part 2 is still in the works. Part 1 of "Trash of the Count's Family" (title from "Eat Apple Pies" English translation; the manhwa title translation is "Lout of the Count's Family" due to convoluted legality reasons) had been been completed in year 2022, with 776 chapters.

While I considered Part 1's ending a satisfying conclusion of the main story arc, it still left a lot of unanswered questions – and I do mean a LOT. It felt less like the end of a book, and more like an end of a season. So Part 2 is really the continuation of the same story.

Between Part 1 and 2, there were additional "extras" published, which were numbered as chapters 777-799. So that when the prologue for Part 2 came out, it was numbered 800, and everything from 801 up was Part 2. Yesterday on Munpia, where I read the novel in Korean (through an automatic translator of course, since I don't know any Korean. Let me tell you, it's a pain...) came out chapter 1006, which makes TCF Part 2 currently 206 chapters long.

The author originally predicted that Part 2 to be 300 chapters long. No one believed that, myself included: because the author is one of those writers who always end up writing much more than they intended, hahaha! I know that feeling well. I'm estimating Part 2 to be at least 500 chapters long by the end it's done, probably around 600.

...I know that the length of this novel might seem unreasonable, but it's really not being stretched for content or money purposes: it's truly Plot all the way through. It's all story. There really is just that much story to tell, and it would not be as satisfying if you cut any of it out.

I admire this writer a lot. TCF is so much fun. I freaking love this novel.

Second topic: why the Original Cale Henituse did not like his life?

We have to go back to the very beginning: the marriage of Count Deruth Henituse, and Jour Thames. (You might have seen the name "Drew" being used sometimes, but it's really just the matter of translation. I'm sticking with "Jour".)

Jour had a very complicated background, but I won't dive into all of that here – what matters is that Jour had a very special power. It was a Wood Ancient Power called "The Annual Rings of Life", and it allowed her to see the "annual rings" of all living things: past, present and future. Meaning she could see the fate of a person, including how many years they had to live.

And when she looked at her young son, Cale, with that power, she saw something very unusual. His "annual rings of life" were "warped". Meaning, he would experience an unusual fate in the future, and in result become a Variable: either a regressor, a transmigrator, or a reincarnator. Or, more than one at once. So she told Cale:

"You are someone who will have an unusual experience with time."

Basically, she saw OG Cale's future fate and realized that the world is going to be in Big Trouble, because gods only make Variables like that happen when something really big and really bad is going down.

Now, it's just my speculation – but on top of it, I think Jour could see her own "annual rings". Meaning, she knew she would die young, and that by the time Cale became a Variable, she would no longer be around. So, knowing all this, she decided she needed to help out as much as she could: she wrote down a journal for "the person who would possess her son's body" in the future.... and commited suicide.

Why? Because it allowed her to split the power in 2 pieces. But that is a much longer story, and we're here to talk about OG Cale.

But it all starts right here: with Jour committing suicide, although no one knew that was the case at the time. All they knew was that Jour went on a short trip to Harris Village for some reason, had a carriage accident on the way back, and then died soon after, despite her injuries not seeming very serious.

That unexpected death devastated both Deruth and Cale, who loved her very much. Deruth was emotionally broken and Cale reminded him much of his dead wife, because they both had red hair and looked very similar. I imagine he started avoiding Cale for that reason, although it wasn't at all mean-spirited: Deruth was simply depressed over his beloved wife. To cope with his broken heart (and possibly to give Cale a new mother figure), he soon chose to remarry rather quickly, to a woman named Violan, who already had a son named Basen. Basen was 3 years younger than Cale.

Basen's existence is the reason why Cale chose to become "trash". You see, while on the outside people thought that Cale was outraged at his father "replacing" his mother so soon, or that he resented Violan... that wasn't the case at all. Cale quickly grew to accept them both as family. However, unlike Jour (who was from a small noble family), Violan was descended from a merchant family. She and her son were not nobility. Because of this, Basen faced discrimination from their relatives, who did not approve of Deruth's second marriage.

Young Cale, seeing Basen insulted and belittled by other nobles, created a plan. He told Basen to lie to everyone that he was Deruth's biological son, and that he was a Henituse by blood. Then he began acting like a completely spoiled brat. He complained, he yelled, he threw things. At the age of 15, he started drinking. He did everything in his power to completely ruin his reputation.

Why? All for Basen, Violan, and later Lily. Because he wanted them to be accepted by noble society. If he, Deruth's firstborn, was removed from succession, that would make Basen the next Count. And then no one would be able to disrespect them.

While it might seem like a crazy plan (and let's be fair: he came up with it as a child), it was actually surprisingly effective. No one saw through his act: not even his butler Ron, who was a trained assassin by trade. Cale's acting abilities were flawless. He played the drunk, spoiled noble with a trash reputation perfectly. Basen was quickly accepted as the heir by the public; although nothing in the family had been formally decided. While this was going on, Deruth did not know why his son was acting like this, but he never really lost faith in him; he probably thought it was all about Jour's death, and Cale would mature in time. It was also said that despite everything, Cale still acted respectfully towards his father, and was distant but still respectful towards his step family. Their family were thus strained, but not broken.

When Kim Rok Soo transmigrated, he was under the impression that OG Cale was deliberately shunned by the rest of the family. But that distance was purely artificial, but OG Cale's own design. When KRS!Cale "stopped" acting distant towards the rest of the family, the Henituses happily embraced the change. They likely thought that he finally allowed himself to heal from Jour's death and move on. That's why no one questioned him about the "change of personality", even though they all noticed it immediately.

Now, we have to talk about the TBOAH ("The Birth of a Hero") timeline. What happened before OG Cale regressed, and transmigrated into KRS's body.

In the TBOAH timeline, when OG Cale was 18, he met Choi Han on a rainy day. OG Cale was "drunk" (actually just pretending to be, as his alcohol torelance was secretly super strong), and Choi Han mentioned being from Harris Village, which had just been all massacred by assassins.

Now OG Cale, full in his "drunk trash noble" personna, probably had his own reasons for provoking Choi Han. He likely thought that getting into a fight would prevent him from getting sent to the Capital for an important celebration, and letting Basen shine. But he also honestly hated Harris Village, which was the place where his mother died. So he insulted the dead villagers to Choi Han's face. Choi Han took it personally and beat him up quite a bit for it. That incident was what inspired KRS!Cale to change the events from the TBOAH timeline, despite his lack of desire to get involved with the "plot of the story".

What exactly happened between this point and OG Cale's transmigration 22 years later is mostly speculation, but we do know some things from the TBOAH timeline thanks to KRS!Cale.

Firstly, soon afterwards Basen went to the Capital, and it was attacked with bombs. Basen either got lucky, got injured, or died in the incident. Whichever actually happened then, Basen certainly could not remain alive for long; 2 years later, the Henituse territory was attacked by the Indomitable Alliance, as their first act of war. We know that the territory was unprepared, and suffered countless casualties. Among them, the entire Henituse family died, except for OG Cale.

So we have a clear order of events for OG Cale in the TBOAH timeline: his happy early childhood, his mother's death at 8, soon followed by his father's second marriage and the appearance of his step family, OG Cale sacrificing his heir position for Basen's sake, a terrible adolescence focused entirely on ruining his own reputation and acoholism (the latter which followed him into adulthood, and no wonder), and finally losing his home and his entire family at the age of 20.

Not to mention, the 20 years of war which followed afterwards. The TBOAH timeline sucked for absolutely everyone.

When soldier Cale was 40, during the "final battle" of all the allied forces against their enemy, he got trapped under his allies' corpses. As he laid there, he witnessed Choi Han facing the White Star, the mysterious enemy leader. OG Cale saw as White Star suddenly grabbed Choi Han and declared:

"Time is warped oddly for you."

The words made him recall what Jour told him years ago. In that moment, OG Cale realized: the White Star had his mother's power. Then the White Star shoot a stream of fire at OG Cale, intending to casually finish him off.

...but OG Cale did not die, because at that exact moment, the God of Death offered him a deal.

What kind of deal? And why? Let's get back to that in a bit.

Third topic: why Kim Rok Soo did not like his life?

First of all: from the very beginning, KRS was screwed. Why? Because he was born with a curse.

What curse? And why? I'll get back to that bit later, too. But what matters is: it was a curse of bad luck, which made KRS loose every single person he cared about sooner or later.

KRS started off not too differently from OG Cale – he wasn't a noble, but he had two loving parents. However, a tragedy struck early on, and both died in a car accident. As a young boy, KRS got adopted by a distant relative named Kim Seung Jong, his uncle.

KRS's uncle, who turned out to be a gambling addict and an alcoholic. He took KRS in only to use what little money his parents left for him, starving and abusing him. Eventually, KRS ran away.

What happened to him shortly afterwards is a bit unclear. It's possible he lived on the streets for a bit. But eventually, he had to have landed in an orphanage, because he went to high school like a normal teenager with an ordinary life.

...Except that one incident with some evil dimension travellers noticing his curse, mistaking it for something else, and trying to kill KRS. And also someone else using him as live bait. But hey, KRS got his memory erased afterwards, so it's not like the trauma of those events affected him or anything, right?? :')

Soooo anyway, all was going well for KRS. At the age of 20, he got into a university and had a part time job as a waiter. All was good!

...Except then the Monster Invasion started. That's right! You read it right! You thought KRS was from a normal modern Korea?? SIKE, he was from a post-apocalyptic world all along!! KRS spent 3 days under building debris, drinking rain water and slowly starving, until he was rescued by a young hero named Lee Soo Hyuk. LSH lead KRS into a nearby Shelter – a place with supernatural properties which were immune to monster attacks – and left. All was good!! ...Except then the leader of the Shelter turned out to be a huge jerk and started bossing KRS around and beat him up on occassion. Luckily, the Shelters failed 10 months later and everybody at the Shelter died, including that jerk!! ....Wait.

So KRS survived not just one, but 2 incidents where everybody around him died. But that's ok, because he joined the organization lead by LSH and another cool dude named Choi Jung Soo. Sure, they risked their lives every day by fighting monsters and rescuing people and fighting organized crime on the side – but hey, at least KRS had friends now, for the first time in his life! So that's good, right?

....Except, several years later – around time when KRS was 26 – a super powerful monster called an Unranked Monster killed everyone in KRS's team. But it was fine! Totally fine! He just survived everybody dying around him for the 3rd time in his life, and everybody kept talking about him behind his back how he's an unfeeling bastard because he's unable to cry anymore... but who cares! KRS became Team Leader now, and he was determined to have zero casualties from now on.

That's right! ZERO. CASUALTIES. Because he's the most stubborn person alive, and also insane. So of course, he managed to actually pull it off.

So KRS spent the next 10 years being an absolute bada**, taking down mob bosses, fighting monsters and keeping all his team members alive, but also keeping distant from everybody and not having any friends because hey – if you notice a suspicious pattern of all your friends either vanishing or dying since you were a kid, you'd probably stop trying to make friends too.

36-year-old KRS was totally fine, and emotionally stable, and absolutely-not-at-all traumatized by all the deaths he's witnessed so many times. Just like OG Cale was probably-not-at-all traumatized by how his entire family died, or the next 20 years of war witnessing people brutally dying everywhere and an evil overlord taking over the world. They were both totally fine, I assure you!!

...Anyway, what was that 4th topic again??

Fourth topic: how and why the transmigration happened, and why was it good for both of them?

Right, let's start with OG Cale's deal.

The God of Death is able to make deals with people in life threatening situations. When the White Star attacked OG Cale, it allowed the God of Death to offer him to regress back in time and then switch places with one Kim Rok Soo. But why OG Cale? Obviously KRS had the qualifications to avert the events of the TBOAH timeline and the End of the World, being an experienced leader of an apocalyptic world – but what made OG Cale so special?

Well, there could be several reasons. One of which was how despite all their differences, their lives were similar in many ways. Both OG Cale and KRS lost family when they were young, experienced rejection from society, and had military experience. Not to mention the acting skills. OG Cale was able to successfully take over KRS's job, and that was no easy feat. KRS's team noticed the change of course, but they were much more happy about their totally-not-depressed-and-potentially-suicidal Team Leader was finally starting to open up, than the fact that he apparently went "crazy" one day and decided he suddenly liked alcohol now.

Another reason, perhaps, was how OG Cale's mom had the Annual Rings of Life power. It was quite important for defeating the White Star, and the way Jour set it up, only her son – or at least, the person in her son's body – would be able to find the Ancient Power; specifically the part which was able to see fate, aka. the future. The White Star got his hands on the "weaker" half of the Annual Rings, so he was only able to see the past: which saved OG Cale, as during the confrontation where the White Star tried to kill him, he wasn't able to recognize him as a future regressor & transmigrator.

...There's also Jour's Thames heritage, but that's a a whooole other topic. (Also the possible connection between Cale Barrow's last body and the Thames, but that's just a theory right now so it doesn't really matter.)

So, that covers the part of "why OG Cale". What about KRS? He couldn't be the only person capable of defeating a final boss like the White Star, right?

Well, remember how I mentioned that KRS was cursed since birth? Well, turns out that it was all the White Star's fault! Apparently KRS was meant to be born in the fantasy TCF world. Except the White Star was a reincarnator, who reincarnated using an ancient curse. To be reborn, the White Star stole bodies from other people, like KRS. Those unfortunate souls would then pass on and reincarnate in a different dimension, except bearing a part of the very same curse. The curse which makes sure that "you can never cherish anyone ever again". While the curse was weaker in the victims of the White Star than the guy himself, it still affected people like KRS. Because the God of Death was the one who originally created the curse, he felt really guilty about it. He tried to remove it from KRS, but was unable to.

...until the transmigration, that is! So, part of the reason why KRS was chosen for the transmigration (or rather, to be the "victim" of OG Cale's own transmigration) was that it allowed the God of Death remove the curse from him. Which allowed him to FINALLY make friends and be happy.

OG Cale, in return for this deal, got: a time regression which saves his family and the entire world, the truth behind his mother's death, a new environment to live in unrelated to his traumas where he could heal, and most importantly, a young reincarnation of his birth mother, whom he got to adopt as an uncle.

KRS, on the other hand, got: a blood family that cares about him, a free luxurious lifestyle with lack of responsibilities, new environment to live in unrelated to his traumas where he could heal, a detailed guide about closest future tragedies to prevent, and most importantly, a life free of the curse he unknowingly suffered from his entire life and the ability to keep all his new family and friends close to him.

....Phew. I hope you don't mind my explanation being so long.

To sum it all up:

the novel has two parts, Part 1 is finished, Part 2 is in progress

OG Cale lived in a lie and then through a war and got to start over

KRS lived through constant suffering and trauma and got to start over

their positions in life made it perfect for a transmigration switch with no loose ends

I hope this explanation helped!

[mostlysignssomeportents]

Tiktok's enshittification

Here is how platforms die: first, they are good to their users; then they abuse their users to make things better for their business customers; finally, they abuse those business customers to claw back all the value for themselves. Then, they die.

If you’d like an essay-formatted version of this post to read or share, here’s a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

I call this enshittification, and it is a seemingly inevitable consequence arising from the combination of the ease of changing how a platform allocates value, combined with the nature of a “two sided market,” where a platform sits between buyers and sellers, hold each hostage to the other, raking off an ever-larger share of the value that passes between them.

When a platform starts, it needs users, so it makes itself valuable to users. Think of Amazon: for many years, it operated at a loss, using its access to the capital markets to subsidize everything you bought. It sold goods below cost and shipped them below cost. It operated a clean and useful search. If you searched for a product, Amazon tried its damndest to put it at the top of the search results.

This was a hell of a good deal for Amazon’s customers. Lots of us piled in, and lots of brick-and-mortar retailers withered and died, making it hard to go elsewhere. Amazon sold us ebooks and audiobooks that were permanently locked to its platform with DRM, so that every dollar we spent on media was a dollar we’d have to give up if we deleted Amazon and its apps. And Amazon sold us Prime, getting us to pre-pay for a year’s worth of shipping. Prime customers start their shopping on Amazon, and 90% of the time, they don’t search anywhere else.

That tempted in lots of business customers — Marketplace sellers who turned Amazon into the “everything store” it had promised from the beginning. As these sellers piled in, Amazon shifted to subsidizing suppliers. Kindle and Audible creators got generous packages. Marketplace sellers reached huge audiences and Amazon took low commissions from them.

This strategy meant that it became progressively harder for shoppers to find things anywhere except Amazon, which meant that they only searched on Amazon, which meant that sellers had to sell on Amazon.

That’s when Amazon started to harvest the surplus from its business customers and send it to Amazon’s shareholders. Today, Marketplace sellers are handing 45%+ of the sale price to Amazon in junk fees. The company’s $31b “advertising” program is really a payola scheme that pits sellers against each other, forcing them to bid on the chance to be at the top of your search.

Searching Amazon doesn’t produce a list of the products that most closely match your search, it brings up a list of products whose sellers have paid the most to be at the top of that search. Those fees are built into the cost you pay for the product, and Amazon’s “Most Favored Nation” requirement sellers means that they can’t sell more cheaply elsewhere, so Amazon has driven prices at every retailer.

Search Amazon for “cat beds” and the entire first screen is ads, including ads for products Amazon cloned from its own sellers, putting them out of business (third parties have to pay 45% in junk fees to Amazon, but Amazon doesn’t charge itself these fees). All told, the first five screens of results for “cat bed” are 50% ads.

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

This is enshittification: surpluses are first directed to users; then, once they’re locked in, surpluses go to suppliers; then once they’re locked in, the surplus is handed to shareholders and the platform becomes a useless pile of shit. From mobile app stores to Steam, from Facebook to Twitter, this is the enshittification lifecycle.

This is why — as Cat Valente wrote in her magesterial pre-Christmas essay — platforms like Prodigy transformed themselves overnight, from a place where you went for social connection to a place where you were expected to “stop talking to each other and start buying things”:

https://catvalente.substack.com/p/stop-talking-to-each-other-and-start

This shell-game with surpluses is what happened to Facebook. First, Facebook was good to you: it showed you the things the people you loved and cared about had to say. This created a kind of mutual hostage-taking: once a critical mass of people you cared about were on Facebook, it became effectively impossible to leave, because you’d have to convince all of them to leave too, and agree on where to go. You may love your friends, but half the time you can’t agree on what movie to see and where to go for dinner. Forget it.

Then, it started to cram your feed full of posts from accounts you didn’t follow. At first, it was media companies, who Facebook preferentially crammed down its users’ throats so that they would click on articles and send traffic to newspapers, magazines and blogs.

Then, once those publications were dependent on Facebook for their traffic, it dialed down their traffic. First, it choked off traffic to publications that used Facebook to run excerpts with links to their own sites, as a way of driving publications into supplying fulltext feeds inside Facebook’s walled garden.

This made publications truly dependent on Facebook — their readers no longer visited the publications’ websites, they just tuned into them on Facebook. The publications were hostage to those readers, who were hostage to each other. Facebook stopped showing readers the articles publications ran, tuning The Algorithm to suppress posts from publications unless they paid to “boost” their articles to the readers who had explicitly subscribed to them and asked Facebook to put them in their feeds.

Now, Facebook started to cram more ads into the feed, mixing payola from people you wanted to hear from with payola from strangers who wanted to commandeer your eyeballs. It gave those advertisers a great deal, charging a pittance to target their ads based on the dossiers of nonconsensually harvested personal data they’d stolen from you.

Sellers became dependent on Facebook, too, unable to carry on business without access to those targeted pitches. That was Facebook’s cue to jack up ad prices, stop worrying so much about ad fraud, and to collude with Google to rig the ad market through an illegal program called Jedi Blue:

https://en.wikipedia.org/wiki/Jedi_Blue

Today, Facebook is terminally enshittified, a terrible place to be whether you’re a user, a media company, or an advertiser. It’s a company that deliberately demolished a huge fraction of the publishers it relied on, defrauding them into a “pivot to video” based on false claims of the popularity of video among Facebook users. Companies threw billions into the pivot, but the viewers never materialized, and media outlets folded in droves:

https://slate.com/technology/2018/10/facebook-online-video-pivot-metrics-false.html

But Facebook has a new pitch. It claims to be called Meta, and it has demanded that we live out the rest of our days as legless, sexless, heavily surveilled low-poly cartoon characters.

It has promised companies that make apps for this metaverse that it won’t rug them the way it did the publishers on the old Facebook. It remains to be seen whether they’ll get any takers. As Mark Zuckerberg once candidly confessed to a peer, marvelling at all of his fellow Harvard students who sent their personal information to his new website “TheFacebook”:

> I don’t know why.

> They “trust me”

> Dumb fucks.

https://doctorow.medium.com/metaverse-means-pivot-to-video-adbe09319038

Once you understand the enshittification pattern, a lot of the platform mysteries solve themselves. Think of the SEO market, or the whole energetic world of online creators who spend endless hours engaged in useless platform Kremlinology, hoping to locate the algorithmic tripwires, which, if crossed, doom the creative works they pour their money, time and energy into:

https://pluralistic.net/2022/04/11/coercion-v-cooperation/#the-machine-is-listening

Working for the platform can be like working for a boss who takes money out of every paycheck for all the rules you broke, but who won’t tell you what those rules are because if he told you that, then you’d figure out how to break those rules without him noticing and docking your pay. Content moderation is the only domain where security through obscurity is considered a best practice:

https://doctorow.medium.com/como-is-infosec-307f87004563

The situation is so dire that organizations like Tracking Exposed have enlisted an human army of volunteers and a robot army of headless browsers to try to unwind the logic behind the arbitrary machine judgments of The Algorithm, both to give users the option to tune the recommendations they receive, and to help creators avoid the wage theft that comes from being shadow banned:

https://www.eff.org/deeplinks/2022/05/tracking-exposed-demanding-gods-explain-themselves

But what if there is no underlying logic? Or, more to the point, what if the logic shifts based on the platform’s priorities? If you go down to the midway at your county fair, you’ll spot some poor sucker walking around all day with a giant teddy bear that they won by throwing three balls in a peach basket.

The peach-basket is a rigged game. The carny can use a hidden switch to force the balls to bounce out of the basket. No one wins a giant teddy bear unless the carny wants them to win it. Why did the carny let the sucker win the giant teddy bear? So that he’d carry it around all day, convincing other suckers to put down five bucks for their chance to win one:

https://boingboing.net/2006/08/27/rigged-carny-game.html

The carny allocated a giant teddy bear to that poor sucker the way that platforms allocate surpluses to key performers — as a convincer in a “Big Store” con, a way to rope in other suckers who’ll make content for the platform, anchoring themselves and their audiences to it.

Which brings me to Tiktok. Tiktok is many different things, including “a free Adobe Premiere for teenagers that live on their phones.”

https://www.garbageday.email/p/the-fragments-of-media-you-consume

But what made it such a success early on was the power of its recommendation system. From the start, Tiktok was really, really good at recommending things to its users. Eerily good:

https://www.npr.org/transcripts/1093882880

By making good-faith recommendations of things it thought its users would like, Tiktok built a mass audience, larger than many thought possible, given the death grip of its competitors, like Youtube and Instagram. Now that Tiktok has the audience, it is consolidating its gains and seeking to lure away the media companies and creators who are still stubbornly attached to Youtube and Insta.

Yesterday, Forbes’s Emily Baker-White broke a fantastic story about how that actually works inside of Bytedance, Tiktok’s parent company, citing multiple internal sources, revealing the existence of a “heating tool” that Tiktok employees use push videos from select accounts into millions of viewers’ feeds:

https://www.forbes.com/sites/emilybaker-white/2023/01/20/tiktoks-secret-heating-button-can-make-anyone-go-viral/

These videos go into Tiktok users’ ForYou feeds, which Tiktok misleadingly describes as being populated by videos “ranked by an algorithm that predicts your interests based on your behavior in the app.” In reality, For You is only sometimes composed of videos that Tiktok thinks will add value to your experience — the rest of the time, it’s full of videos that Tiktok has inserted in order to make creators think that Tiktok is a great place to reach an audience.

“Sources told Forbes that TikTok has often used heating to court influencers and brands, enticing them into partnerships by inflating their videos’ view count. This suggests that heating has potentially benefitted some influencers and brands — those with whom TikTok has sought business relationships — at the expense of others with whom it has not.”

In other words, Tiktok is handing out giant teddy bears.

But Tiktok is not in the business of giving away giant teddy bears. Tiktok, for all that its origins are in the quasi-capitalist Chinese economy, is just another paperclip-maximizing artificial colony organism that treats human beings as inconvenient gut flora. Tiktok is only going to funnel free attention to the people it wants to entrap until they are entrapped, then it will withdraw that attention and begin to monetize it.

“Monetize” is a terrible word that tacitly admits that there is no such thing as an “Attention Economy.” You can’t use attention as a medium of exchange. You can’t use it as a store of value. You can’t use it as a unit of account. Attention is like cryptocurrency: a worthless token that is only valuable to the extent that you can trick or coerce someone into parting with “fiat” currency in exchange for it. You have to “monetize” it — that is, you have to exchange the fake money for real money.

In the case of cryptos, the main monetization strategy was deception-based. Exchanges and “projects” handed out a bunch of giant teddy-bears, creating an army of true-believer Judas goats who convinced their peers to hand the carny their money and try to get some balls into the peach-basket themselves.

But deception only produces so much “liquidity provision.” Eventually, you run out of suckers. To get lots of people to try the ball-toss, you need coercion, not persuasion. Think of how US companies ended the defined benefits pension that guaranteed you a dignified retirement, replacing it with market-based 401(k) pensions that forced you to gamble your savings in a rigged casino, making you the sucker at the table, ripe for the picking:

https://pluralistic.net/2020/07/25/derechos-humanos/#are-there-no-poorhouses

Early crypto liquidity came from ransomware. The existence of a pool of desperate, panicked companies and individuals whose data had been stolen by criminals created a baseline of crypto liquidity because they could only get their data back by trading real money for fake crypto money.

The next phase of crypto coercion was Web3: converting the web into a series of tollbooths that you could only pass through by trading real money for fake crypto money. The internet is a must-have, not a nice-to-have, a prerequisite for full participation in employment, education, family life, health, politics, civics, even romance. By holding all those things to ransom behind crypto tollbooths, the hodlers hoped to convert their tokens to real money:

https://locusmag.com/2022/09/cory-doctorow-moneylike/

For Tiktok, handing out free teddy-bears by “heating” the videos posted by skeptical performers and media companies is a way to convert them to true believers, getting them to push all their chips into the middle of the table, abandoning their efforts to build audiences on other platforms (it helps that Tiktok’s format is distinctive, making it hard to repurpose videos for Tiktok to circulate on rival platforms).

Once those performers and media companies are hooked, the next phase will begin: Tiktok will withdraw the “heating” that sticks their videos in front of people who never heard of them and haven’t asked to see their videos. Tiktok is performing a delicate dance here: there’s only so much enshittification they can visit upon their users’ feeds, and Tiktok has lots of other performers they want to give giant teddy-bears to.

Tiktok won’t just starve performers of the “free” attention by depreferencing them in the algorithm, it will actively punish them by failing to deliver their videos to the users who subscribed to them. After all, every time Tiktok shows you a video you asked to see, it loses a chance to show you a video it wants you to see, because your attention is a giant teddy-bear it can give away to a performer it is wooing.

This is just what Twitter has done as part of its march to enshittification: thanks to its “monetization” changes, the majority of people who follow you will never see the things you post. I have ~500k followers on Twitter and my threads used to routinely get hundreds of thousands or even millions of reads. Today, it’s hundreds, perhaps thousands.

I just handed Twitter $8 for Twitter Blue, because the company has strongly implied that it will only show the things I post to the people who asked to see them if I pay ransom money. This is the latest battle in one of the internet’s longest-simmering wars: the fight over end-to-end:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

In the beginning, there were Bellheads and Netheads. The Bellheads worked for big telcos, and they believed that all the value of the network rightly belonged to the carrier. If someone invented a new feature — say, Caller ID — it should only be rolled out in a way that allows the carrier to charge you every month for its use. This is Software-As-a-Service, Ma Bell style.

The Netheads, by contrast, believed that value should move to the edges of the network — spread out, pluralized. In theory, Compuserve could have “monetized” its own version of Caller ID by making you pay $2.99 extra to see the “From:” line on email before you opened the message — charging you to know who was speaking before you started listening — but they didn’t.

The Netheads wanted to build diverse networks with lots of offers, lots of competition, and easy, low-cost switching between competitors (thanks to interoperability). Some wanted this because they believed that the net would someday be woven into the world, and they didn’t want to live in a world of rent-seeking landlords. Others were true believers in market competition as a source of innovation. Some believed both things. Either way, they saw the risk of network capture, the drive to monetization through trickery and coercion, and they wanted to head it off.

They conceived of the end-to-end principle: the idea that networks should be designed so that willing speakers’ messages would be delivered to willing listeners’ end-points as quickly and reliably as they could be. That is, irrespective of whether a network operator could make money by sending you the data it wanted to receive, its duty would be to provide you with the data you wanted to see.

The end-to-end principle is dead at the service level today. Useful idiots on the right were tricked into thinking that the risk of Twitter mismanagement was “woke shadowbanning,” whereby the things you said wouldn’t reach the people who asked to hear them because Twitter’s deep state didn’t like your opinions. The real risk, of course, is that the things you say won’t reach the people who asked to hear them because Twitter can make more money by enshittifying their feeds and charging you ransom for the privilege to be included in them.

As I said at the start of this essay, enshittification exerts a nearly irresistible gravity on platform capitalism. It’s just too easy to turn the enshittification dial up to eleven. Twitter was able to fire the majority of its skilled staff and still crank the dial all the way over, even with a skeleton crew of desperate, demoralized H1B workers who are shackled to Twitter’s sinking ship by the threat of deportation.

The temptation to enshittify is magnified by the blocks on interoperability: when Twitter bans interoperable clients, nerfs its APIs, and periodically terrorizes its users by suspending them for including their Mastodon handles in their bios, it makes it harder to leave Twitter, and thus increases the amount of enshittification users can be force-fed without risking their departure.

Twitter is not going to be a “protocol.” I’ll bet you a testicle¹ that projects like Bluesky will find no meaningful purchase on the platform, because if Bluesky were implemented and Twitter users could order their feeds for minimal enshittification and leave the service without sacrificing their social networks, it would kill the majority of Twitter’s “monetization” strategies.

¹Not one of mine.

An enshittification strategy only succeeds if it is pursued in measured amounts. Even the most locked-in user eventually reaches a breaking-point and walks away, or gets pushed. The villagers of Anatevka in Fiddler on the Roof tolerated the cossacks' violent raids and pogroms for years, until they were finally forced to flee to Krakow, New York and Chicago:

https://doctorow.medium.com/how-to-leave-dying-social-media-platforms-9fc550fe5abf

For enshittification-addled companies, that balance is hard to strike. Individual product managers, executives, and activist shareholders all give preference to quick returns at the cost of sustainability, and are in a race to see who can eat their seed-corn first. Enshittification has only lasted for as long as it has because the internet has devolved into “five giant websites, each filled with screenshots of the other four”:

https://twitter.com/tveastman/status/1069674780826071040

With the market sewn up by a group of cozy monopolists, better alternatives don’t pop up and lure us away, and if they do, the monopolists just buy them out and integrate them into your enshittification strategies, like when Mark Zuckerberg noticed a mass exodus of Facebook users who were switching to Instagram, and so he bought Instagram. As Zuck says, “It is better to buy than to compete.”

This is the hidden dynamic behind the rise and fall of Amazon Smile, the program whereby Amazon gave a small amount of money to charities of your choice when you shopped there, but only if you used Amazon’s own search tool to locate the products you purchased. This provided an incentive for Amazon customers to use its own increasingly enshittified search, which it could cram full of products from sellers who coughed up payola, as well as its own lookalike products. The alternative was to use Google, whose search tool would send you directly to the product you were looking for, and then charge Amazon a commission for sending you to it:

https://www.reddit.com/r/technology/comments/10ft5iv/comment/j4znb8y/

The demise of Amazon Smile coincides with the increasing enshittification of Google Search, the only successful product the company managed to build in-house. All its other successes were bought from other companies: video, docs, cloud, ads, mobile; while its own products are either flops like Google Video, clones (Gmail is a Hotmail clone), or adapted from other companies’ products, like Chrome.

Google Search was based on principles set out in founder Larry Page and Sergey Brin’s landmark 1998 paper, “Anatomy of a Large-Scale Hypertextual Web Search Engine,” in which they wrote, “Advertising funded search engines will be inherently biased towards the advertisers and away from the needs of consumers.”

http://ilpubs.stanford.edu:8090/361/

Even with that foundational understanding of enshittification, Google has been unable to resist its siren song. Today’s Google results are an increasingly useless morass of self-preferencing links to its own products, ads for products that aren’t good enough to float to the top of the list on its own, and parasitic SEO junk piggybacking on the former.

Enshittification kills. Google just laid off 12,000 employees, and the company is in a full-blown “panic” over the rise of “AI” chatbots, and is making a full-court press for an AI-driven search tool — that is, a tool that won’t show you what you ask for, but rather, what it thinks you should see:

https://www.theverge.com/2023/1/20/23563851/google-search-ai-chatbot-demo-chatgpt

Now, it’s possible to imagine that such a tool will produce good recommendations, like Tiktok’s pre-enshittified algorithm did. But it’s hard to see how Google will be able to design a non-enshittified chatbot front-end to search, given the strong incentives for product managers, executives, and shareholders to enshittify results to the precise threshold at which users are nearly pissed off enough to leave, but not quite.

Even if it manages the trick, this-almost-but-not-quite-unusuable equilibrium is fragile. Any exogenous shock — a new competitor like Tiktok that penetrates the anticompetitive “moats and walls” of Big Tech, a privacy scandal, a worker uprising — can send it into wild oscillations:

https://pluralistic.net/2023/01/08/watch-the-surpluses/#exogenous-shocks

Enshittification truly is how platforms die. That’s fine, actually. We don’t need eternal rulers of the internet. It’s okay for new ideas and new ways of working to emerge. The emphasis of lawmakers and policymakers shouldn’t be preserving the crepuscular senescence of dying platforms. Rather, our policy focus should be on minimizing the cost to users when these firms reach their expiry date: enshrining rights like end-to-end would mean that no matter how autocannibalistic a zombie platform became, willing speakers and willing listeners would still connect with each other:

https://doctorow.medium.com/end-to-end-d6046dca366f

And policymakers should focus on freedom of exit — the right to leave a sinking platform while continuing to stay connected to the communities that you left behind, enjoying the media and apps you bought, and preserving the data you created:

https://www.eff.org/interoperablefacebook

The Netheads were right: technological self-determination is at odds with the natural imperatives of tech businesses. They make more money when they take away our freedom — our freedom to speak, to leave, to connect.

For many years, even Tiktok’s critics grudgingly admitted that no matter how surveillant and creepy it was, it was really good at guessing what you wanted to see. But Tiktok couldn’t resist the temptation to show you the things it wants you to see, rather than what you want to see. The enshittification has begun, and now it is unlikely to stop.

It's too late to save Tiktok. Now that it has been infected by enshittifcation, the only thing left is to kill it with fire.

[Image ID: Hansel and Gretel in front of the witch's candy house. Hansel and Gretel have been replaced with line-drawings of influencers, taking selfies of themselves with the candy house. In front of the candy house stands a portly man in a business suit; his head is a sack of money with a dollar-sign on it. He wears a crooked witch's hat. The cottage has the Tiktok logo on it.]

[olivianyx]

I didn't knew u were a respawner! That's so cool, I've been on my respawn journey for like 1-2 months, I hope this is okay to ask but how is your respawning routine? Currently I am taking a break but I would love to hear abt your respawning journey so far :>

Heyy! I'm glad I find many people who are into respawning! Actually mine's a long ass story and you might wonder how am I even doing fine to this day 😭

Okay so long story short, let's begin.

Back in 2022, I discovered shifting. After finding out about loa in 2021, I was anticipated to shift realities just to escape this one. I hated being here. I was suffering with depression, bi polar, avpd, anxiety and maladaptive daydreaming, and I was from a toxic household with narcissistic, toxic and strict parents and fake af friends. It was really hard for me to even open up to somebody. It was hard for me to handle (actually I'm tearing up rn while I type this... Especially those traumas are the worst thing I ever experienced)

When I started my research about shifting, I got into amino. I saw the word 'respawn' and I was like tf is this?? I thought it was some gaming shit and then when I researched it on amino, I really wanted to go away from here and be happier than ever. I wanted to be in peace and do whatever I want in my reality. And no one should judge or stop me from getting what I want. I quickly scripted the place I wanna respawn, and other stuffs. I decided that I will get tf outta here.

Well because I had a reason that I'll respawn, I completely ignored my 3D circumstances. Like I stopped taking care of myself, stopped talking to people around me, stopped studying, stopped doing everything. I just was desperately trying to respawn every night telling myself that I will.

When in fact I was wasting my time and energy into lack. I almost didn't study for my finals and wrote the exams and hope that I'd respawn before my results will be declared. I used to keep time crunches to respawn, and when I didn't, I used to get so depressed, that I attempted to take my own life for the first time ever back in may 2022.

My brother accidentally entered my room and saved me from doing that. When I say I've almost attempted to take my own life for like 10+ times that same year, I still didn't give up. My exam results came and I luckily passed my exams.

So after all these I decided to give a break for 3 months completely for my own mental health. Ik my journey for 2 years wasn't smooth, it was full of ups and downs, and it messed my mental health up. I wasn't even using loassumption in a proper manner at that time. Ngl, I was so damn desperate for manifesting even the smallest stuff (I just wanna time travel back in time and slap the shit outta that version of me that I was back then 💀)

So when I got into a medical university in 2023 January, I completely forgot about respawning for a while. And again in October 2023, I logged into Tumblr, and became friends with one of the respawner Julie. She was so sweet, that she even answered every stupid doubts of mine (God give me Julie's patience 🗣️🗣️) she had respawned back in October 2023.

She was the one who told me 'SELF CONCEPT IS THE KEY!' so I started working on my self concept for like 1 and a half-ish months.... Well, I wasn't even perfect with it, but I tried. I did many challenges but the meraskii one had a good effect on my mindset. So last Christmas, I even learnt about the void (I hate implying it as void, I'd rather say it as I AM state) I wanted to enter it so bad.

I just did my affs, persisted in it, and listened to subs, and on Christmas Eve, I got into it successfully.

This year, I find respawning a very relaxing topic. Like I don't even get bothered by it. I know I'm already where I wanna be. And don't worry, my mental health has been good for a few days now. I was thinking of changing my script, so for the past 2 months, I've been scripting my new reality, well still it's only half way done hehe.

By the end of this month, I'm planning on respawning through the void. So till then I just wanna be thankful for everything here and enjoy every moment here without regrets.

Everybody's journey is different. All you have to do is embody your desired state. You just have to be the version of you having your desires. Be the one who already has it. For me, that took 3 years to click. I just had to relax and give myself in. Let go and enjoy the fact that I already have my desires in the 4d.

Ig this helped... any further doubts, you can ask me! Lots of luv 🤍🤍🤍🤍

- olivia 🤍

[darkbluekies]

This is just me happy ranting, I'm in my feels don't mind me

I'm so happy that I created these characters and this blog, I really am.

I had been on wattpad for 4 years when I started this account and I could feel how things had started to change.my kpop fanfictions weren't doing as well as they once had and I felt limited in my writing. Although the stories and my imagination weren't that much different from what I'm writing now, writing these stuff (especially Silas's things) felt wrong to do since I was writing about real people so I didn't. I watered down my works so that I wouldn't feel bad, but eventually, those also felt too much. I officially left that account, and took down everything, a year ago.

So, in November 2022, I decided to create a new space, where I could start over. I wrote "intruder" and had it in my drafts for a few days, hesitating. I then published it but privated it because I was scared lol. I'm so happy I decided to make it public again.

I still remember creating Hedwig, specifically. I was out on my daily walk, it was dark outside and I was thinking of the characters I should use, a set amount. I had Silas, Kry and had in my plans to introduce Jerry as the last character. I was actually writing a character that was supposed to be the "quiet kid" in school, but i thought that using a girl in a school atmosphere would be more interesting. I wanted this "typical" yandere setting. I thought about different appearances for her, different characteristics. I had made Jerry 2 or 3 years earlier and thought "why not make someone completely opposite?" Hedwig wasn't meant to be rich from the beginning, just a normal girl. But I added it to have a bigger play field. I remember coming up with it and being like "fuck yes, write that down she's now rich".

I remember how Edmund came to life too. I was watching an old music video that I liked when I was a kid (Masquerade by Eric Saade), it was a Friday night and I was in bed. I got so inspired to write the Masquerade Massacre one-shot that I wrote it in one sitting. If you read the story, you'll notice that Edmund doesn't have a name in it. I hadn't chosen one and wasn't planning on making him one of the set characters, but it quickly became my most popular and liked one shot and people wanted continuations so I decided to make him the fifth and final character. His name was originally Edward, I had put that in his character masterlist and in the full masterlist, but changed it since one of my main characters in one of my private novels is called Edward ... and they're quite similar in both looks and behavior. I wanted something similar ... and decided upon Edmund.

I have gone out of my comfort zone on this account and I couldn't be happier, the people on here have been very supportive of me and my writing and it makes me so happy. I love you all a lot<333333

[philaet0s]

So I decided to start posting my social media AU here, in parts, and without the few bits that happen off social media that will be on the ao3 version <3

As an introduction, here’s a little bit of context:

Baz is an world-famous singer. At the beginning of the story, he’s about to go on tour for his 5th album

He and Simon are in a relationship but it’s not public. Simon asks Baz if he can make a twitter account where he claims to be Baz’s boyfriend because he thinks it’d be fun to see how people react

Baz’s albums, because I’ve thought about them a lot —except for the first one— lol:

Ergo, - 2019

→ he just wanted to be pretentious with a latin word honestly + the word “ergo” has this intrinsic meaning of consequence. for something to have a consequence, there *has* to be a something, but there’s nothing that comes before the album. it’s his first. it’s a sort of oxymoron with just one word, something contradictory at its core, Baz likes that

I don’t really know what Baz’s first album is like. the themes would probably be rather dark, but I don’t have a clear idea of what the album would represent like i do for the others. and yet i know there’s an album before those others. something that started it all

Flowers in the Water - 2020

→ a reference to Ophelia from Hamlet, who drowned surrounded by flowers. in this album baz explores his feelings after his break up. he was the one to leave his boyfriend who he was in a pretty toxic relationship with though he still had love for him. so he never had much agency during the relationship (as Ophelia doesn’t have agency during most of the play and her life) and the one time he acted on his own, he ‘ruined his life’ -the feeling of despair after a break up, when you think you’ll never find love like that again, even if it was bad (as Ophelia did when she killed herself). Cliché image of the break up as a sort of death, but you can be cliché when you’re heartbroken

baz’s ex used to buy him flowers, so there was this vase in their flat that for a long time always had flowers in it. after a while, towards the end of the relationship, baz noticed that it had been a moment since there had been flowers in the vase, and that was one of the things that made it hit that his bf didn’t care about him anymore

BUT the ‘vase’ is replaced by ‘water’ in the title of the album – a nice metonymy – to better fit the Ophelia reference.

Portrait of the Artist as a Madman - Feb. 2021

obvious reference to james joyce’s Portrait of the Artist as a Young Man. Baz reread the book during lockdown so he had that title in mind. he used Madman instead of Young Man because we all went a little crazy during lockdown so that was his state of mind when he wrote the album

his most reflexive album, in which he writes very personal things about who he was and is, but also his persona as a singer and the way the music industry impacts him and his life

The Prophecy - Sept. 2021

baz really wanted to use the word prophecy in a title. it’s his favourite word in the english language. it’s a very meaningful word, prophecies were a huge deal for ancient civilisations, prophets are important figures in the abrahamic religions + he likes the idea of a prophecy, something being foretold, an inevitable end, no matter what one does. it’s very tragic, he likes that

this album is about his new relationship with simon, a romantic piece about how when they met, he felt like their story had already been written and all they had to do was play it out, he felt this inevitability that he associates with prophecies. simon is the love that was foretold for him

Metamorphoses - 2022

in reference to Ovid’s metamorphoses. Baz reuses some of the stories in the Metamorphoses while also applying them to his life, creating songs that are a blend of mythology and personal. (his fans love trying to guess what is merely his interpretation of Ovid’s stories and what is personal elements he added to the songs). the songs are ordered in a way that shows how baz was transformed throughout his life to become the version of himself he is at the time of writing the album. a sort of memoir told through a dozen songs

Paroxysm - 2023

paroxysm: a sudden sharp attack (of pain, rage, laughter, etc)

the meaning of the word is why baz chose it as a title. he thought it fit the album, which he wrote very differently from his previous ones –in bursts. his creativity was renewed after Metamorphoses, which was a project that felt to him more like writing a book than songs, and it expressed itself differently. in this album, the topics he writes about are all different, with nothing to give a coherent theme to the album… which is the theme in itself. all the songs are little paroxysms

[yyh4ever]

Yoshihiro Togashi Handwritten Letter

Togashi sent a handwritten letter to the idol Yumiko Seki, answering 11 questions. The letter was read aloud in the Iwakura and Yoshizumi's Show, on TV Asahi, on November 14th and 21st, 2023.

There's already a translation of the Q&A by the hunter fandom (please read it), but I want to share my favorite parts and maybe some interesting info that was said during the TV program. You can watch the full version on bilibili. The whole film studio was decorated with Hunter x Hunter manuscripts and figures, and BGM from both versions of the anime was played during the broadcast.

The MCs of the show are two female comedians, Yoshizumi and Iwakura. The guests were Yumiko Seki (former Sakurazaka46); singer Toshiya Miyata (Kis-My-Ft2), a huge Hunter x Hunter fan; and the comedian Shintaro Morimoto (TONTSUKATAN) who read Togashi's letter and served as moderator.

At the beginning of the show, Seki-san revealed she met Togashi in a Sakurazaka46 live concert.

Everyone was shocked to learn she met him face-to-face!

Then, Seki-san showed an autographed shikishi Togashi-sensei gave her when she graduated from Sakurazaka46. (T/N: She announced her graduation on December 13, 2022, and graduated on April 30, 2023 at the Sakurazaka46 3rd TOUR 2023).

Killua: "Graduation is the starting line!!"

It's interesting to add that Killua is Seki's favorite character and orange & white were her penlight colors, also her favorite colors. That's why Togashi drew Killua holding a bouquet of orange and white flowers.

Miyata joked that he will make sure that everyone knows he loves Hunter x Hunter by the time he graduates from Kis-My-Ft2 boy band. Morimoto told him "don't graduate just to get a shikishi" (LOL).

By the way, Miyata loves Kurapika, so I hope Togashi gives him a Kurapika shikishi one day :P

Here's Togashi's huge letter!

Before reading sensei's answers, they anticipated the huge success of the show, and came up with the hashtag #冨樫先生からのお手紙 (letter from Togashi-sensei).

It was a success indeed, trending all over social media.

Then, Morimoto started to read the Q&A.

The second question was about the Hunter x Hunter character setting. Before reading the answer, they showed a Togashi's memo containing a detailed timeline of each character that he uses in order to develop the story without creating any contradictions. There's a timeline of the Chimera Ant Arc, and a table of the princes' entourage, allowing Togashi to distinguish them. He even drew characters that didn't appear.

Miyata left his seat and came closer to the monitor, so he could see the memo better. He's a crazy HxH stan just like us.

This material is actually from Jump Ryu's booklet (2016). You can also watch the Jump Ryu video with subs on YouTube, where Togashi explains better how this character table works.

Here's the part of the answer Togashi talks about Killua's inspirations. I am a huge fan of MDP Psycho!

The author of "Toy-y", Atsushi Kamijo, thanked Togashi on his Twitter. He also wrote that he loves Level-E.

When answering question 4, we found out Togashi-sensei watched Sakurazaka46 New Year's special feature in 2021, when Seki-san asked for the complete set of Hunter × Hunter.

But, because Togashi-sensei is such an introvert, he thought he would make her feel uncomfortable by actually sending it. It took him two years to finally decide to send it.

Miyata laughed so hard, saying: "Togashi-sensei is such an otaku!!" (LOL)

Seki-san confirmed Togashi really sent the Hunter × Hunter set to her ^^

The 5th question was about Togashi's favorite nen ability. Seki-san and Miyata also shared their favorite type of nen.

Seki-san loves Killua, thus she likes transmutation. She also likes Hisoka's analysis about nen, and thinks Killua fits his description about transmuters perfectly.

As for Miyata, he loves Kurapika, therefore he likes the conjurer type. He remembered that in order to conjurer chains, Kurapika had to imagine, touch, draw, and even licked real chains.

He was curious if Goreinu, a character that appears in Greed Island, had to do something similar and touch gorillas in order to be able to materialize them.

Miyata is a crazy HxH fan, he came up with many curious tidbits and did a deep analysis of the series. It's not confirmed in the manga or any databook if Goreinu is really a conjurer, but I really liked his point of view.

Question 7 about Meruem's final moments was really touching. After hearing Miyata's explanation about Meruem and Kogumi, Iwakura almost started crying.

Tears rolled down her cheeks when she saw the double spread of Meruem's final moments.

The funny thing is, at the beginning of the show, she told us she had only read the first chapter.

So, Morimoto joked: "Why did you have to stop at volume 1!!?" XD

Morimoto also revealed that Togashi-sensei's favorite scene is Meruem and Kogumi double spread.

Question 8, what does Togashi do on his days off? Morimoto asked Seki-san's opinion. She imagines Togashi having mandarin oranges on a kotatsu table, and talking to cats on the porch.

T/N: Eating oranges while sitting around a kotatsu table is a japanese tradition during the winter.

Togashi didn't mention anything like that in his answer, but there's an interview with Naoko Takeuchi (WITH magazine, May 2022) where she says, "We have been married for over 20 years. Although we have small fights sometimes, my husband is extremely kind and quiet, like a hermit (...) The house we have lived for 20 years is also a place of healing. Sometimes we have meals or tea in the garden". So, I can totally picture Togashi-sensei eating oranges in the winter and talking to cats.

Togashi-sensei stated he is the type of person who always has sound playing while he is working, just like Yoshizumi-san. She was happy she was acknowledged in his letter!

The question 9 was about manga that Togashi-sensei found interesting recently. Miyata remembered that Togashi had wrote a recommendation on the obi of Kimestu no Yaiba (Demon Slayer) volume 4, praising the series. I had completely forgotten Togashi loves Demon Slayer!

In his letter, Togashi-sensei wrote he couldn't give the name of the series he's currently into, since he would get criticized. But he left some clues. Yoshimizu said the crazy amount of ッッッ (small tsu) used in his answer was maybe a keyword, and that the fans would probably figure it out. She had no idea what manga he was talking about, though.

Togashi-sensei also wrote this manga is a true story published in 2023. So, many fans came up with the Autobiography of Keisuke Itagaki (author of Grappler Baki): an autobiographical manga depicting the harsh life experienced by Keisuke Itagaki in the "JGSDF 1st Airborne Brigade" that consumed his youth!

I started reading it, and the author really loves to use "ッッッ" at the end of the sentences. I don't think it's the kind of content I would recommend to an idol like Seki-san. Anyway, I don't know whether that's the correct answer or not, but it seems so.

The manga that Togashi-sensei ended up recommending was "Oi! Tombo". It has been serialized in Weekly Golf Digest since 2014. An anime is also scheduled to premiere in 2024. I was happy to see that the Golf Digest X Account mentioned his letter!

Seki-san was introduced to an unexpected golf manga, but she immediately became interested, saying, "I really want to read it'' and "I want to buy it right away.'' I guess we all felt that way. I'm definitely watching the anime!

The 10th question was about the ending! The reaction of the guests and MCs when Morimoto read there's an Ending D in case Togashi-sensei dies was priceless.

Before Morimoto could read the "Ending D", Miyata recalled he went to watch the Hunter × Hunter movie "Phantom Rouge", and received a copy of Volume 0. He grabbed it, and showed the Q&A with Togashi-sensei, highlighting Question 4: What will end up happening to Kurapika and the Phantom Troupe? A: "They will all die."

He was really looking forward to knowing the ending of Hunter × Hunter, but not this one (LOL). Morimoto and Miyata were too nervous, they took a sip to calm down before reading the "Ending D Pattern".

The final question was about the amount of text in volume 37. Miyata commenting that his answer also had an incredible amount of text made me laugh so hard. It was a huge answer indeed.

Togashi's last words were:

"Words are da best!" (Words rule/Nothing can beat words/Only words wins/ whatever sounds better in english).

Everyone laughed so hard, because this is actually a slang used by young people or fandom to say someone or something is the best. He wrote the letter in polite japanese, it was fun he ended it with a slang. By the way, Togashi-sensei loves slang, specially fandom unique vocabulary, as he usually uses it Hunter x Hunter. He's a fan of Keyakizaka46/Sakurazaka46 after all.

Miyata was excited to hear that Togashi-sensei himself is "bugged", which makes him want to continue reading HxH even more. One thing that caught Miyata's attention during this final question was the part Togashi-sensei mentioned he needs to settle many issues during the voyage of the Black Whale ship. Actually, the word "settlement" (解決) captured the attention of many fans, as they posted a lot about that on social media.

Miyata thought about people on board the ship whose fates needs a resolution. He wondered if this was about Kurapika and The Phantom Troupe since the conditions to what Togashi-sensei said in volume 0 (everyone's gonna die) are right there to happen soon.

He showed his Volume 0 again. LOL, I hope Togashi-sensei was just joking.

Of course, let's not forget that are many other unfinished business that needs a solution in this arc, we have a whole succession to the throne war in motion. But, Miyata was really hyped about Kurapika and volume 0.

The show ended with a big thanks and bow to Togashi-sensei!

Miyata said he has been reading HxH for more than 20 years, since he was in elementary school. No matter how old he is, he still gets excited about it! He loves Hunter × Hunter!

Morimoto asked Seki-san to say some final words to Togashi-sensei. Besides showing all her love for Hunter × Hunter, Seki-san was really cute and asked Togashi-sensei to take really good care of his health!

That's it, sorry for being like Togashi-sensei and writing too much. Although my posts are more about Yu Yu Haksuho, I feel I needed to address his letter too. I didn't take the Ending D too serious, since it was discarded. However, I think it was a cute closing to HxH. Like Miyata-said, everything went back to the beginning, The Whale Island where it all started.

I just want Togashi-sensei to live long and write his favorite ending!

There were other interesting parts, like Seki-san telling Togashi-sensei to make a DVD BOX of the TV show. In the end, everyone wanted to make one ^^ (me too). It is a really precious letter. I hope Seki-san frames it and make an altar :P

Thank you very much, Togashi-sensei!

[beevean]

Oh are we doing personal takes? Here’s one that might steam some hams. I think the current direction sonic has been going isn’t entirely Flynn’s fault. I mostly think sonic team/ sega are partly to blame as well, Flynn is just a writer that has dumb ideas. But sega/sonic team also overlook those ideas, they are mostly the ones that decide what their characters/games should be, and if sonic team thought giving eggman a daughter was ok, then that is also on them, not just Flynn

Strongly agree | Agree | Neutral | Disagree | Strongly disagree

This is, more or less, the summarized timeline:

Forces is considered an abysmal failure, after a streak of mediocrity and disappointment that started with Lost World and continued with the three years of Boom. Game is rushed and also wants to cater to too many people, speaking of confusion. The fandom is burned out.

Conversely, Mania is a resounding success. Mania was developed by fans, which leads to the mentality that Sonic should be just left in their hands.

Archie is cancelled. This really doesn't help the fans' mood, especially the ones who were attached to it and considered it a fun alternative to the games. However, a saving grace: another comic series begins soon after, helmed by none other than Archie veteran Ian Flynn.

IDW is another resounding success. Fans love Flynn's writing and consider it leagues above Pontaff's, as he "gets the characters" and remembers the lore. From 2018 to 2022, this is the best received Sonic content, because the games department is slightly lacking (TSR dies after a few months, Colors Ultimate becomes infamous for its glitches, Origins gets a lukewarm reception both because of its glitches and because of the lack of Amy, although the latter gets fixed in a DLC).

SEGA can't ignore how much Flynn gets seen as the savior of a franchise in danger. They decide to hire him for the next game, which was already highly experimental and made with the intention of saving Sonic from another brink.

Frontiers is a massive success, the likes SEGA hadn't seen since Mania, or perhaps even Adventure 2. The story is one of the most praised parts of the game, because at last, it "rerails" the characters and delves into them. By this point, admittedly, Flynn had caught some flack for IDW, for things like #50, but the majority still adores him.

Well. Why not keep him, then? And give him more and more to do? Clearly he knows what he's doing, right?

I don't like that Flynn is sticking his fingers in every Sonic product, but I also recognize that it's not that he's prancing in, demanding attention. Quite the contrary. While he loves basking in praise and hype, sometimes he sounds just... tired.

Also, despite my former friends being all like "there, I knew you'd get pissy and judgmental the moment Flynn was revealed as the writer for Frontiers because you hate him, you're not giving him a chance!", I'm actually aware that the biggest issues I have with its plot are not Flynn's fault. From what I gathered, he wrote the dialogue, but not the story, which was also at the mercy of the rushed development (I can't in good faith blame Flynn for things like Sonic recovering from corruption in a minute). I can safely blame him for things like Amy being all "I'm not a damsel in distress anymore!" or writing unironically the words "wildly inconsistent" or the entirety of the Egg Memos :P but no, Kishimoto is to be questioned for the plot beats. Eggman may be more callous towards Sage in Japanese, but the DLC still ends with them holding hands, and that was no Flynn.

[sizzlingpatrolfox]

https://www.tumblr.com/sizzlingpatrolfox/758487328999243776/so-was-jimin-supposed-to-go-after-him-always?source=share

Have you ever had that type of friend where you feel like you're the one carrying the friendship and the moment you stop trying you and this friend wouldn't see each other anymore? Jimin saying that if he didn't go to the US when he did the show wouldn't have happened doesn't surprise me. Remember the whole dance video thing last year and how Jungkook acted like the other members wouldn't want to do it with him when we all know they would've if he just asked?

I think he's that type of person that never initiates anything, he's just always waiting for other people to start things for him. I mean, he's even like that with his carrer. The fact that as early as beginning of 2022 Jimin was already working on his album, but a whole year after that by the beginning of 2023 and Jungkook still didn't seem to have any plans. If it wasn't for SB he wouldn't even have released an album.

I was thinking that I don't know how Jimin has the patience for him then I remembered my younger sibling is the same way where I always have to be the one to seek them out. So I get it Jimin, is that older sibling life. Which is fine when it's your sibling, but if this was my boyfriend there's no way I would let that shit slide. And that really sums up their relationship to me: Mostly fine for a friendship but shitty for a romantic relationship.

You've made several points.. especially the one about the dance challenges which I hadn't thought about now these days, but I remember that when he said that I wrote about how he was obviously lying and he didn't even ask the members to make a video with him. He just didn't ask them, the way I'm 10000% sure he never texted Jimin personally, or "formally" invited him over. I mean, not while he was on live.

The night JK went live and fell asleep with the camera on he said he didn't have anything to do the next day. If I recall correctly it was the same night he went to the theatre with wooga, then went back home and passed out drunk.

That same night Jimin was posting Instagram stories from his home, watching Hoseok and Yoongi videos. If I recall correctly, the next day he went to visit Jin with Hoseok. Later, he said they'd gone to see him because both him and Hoseok had that day off.

If you're in touch with someone you'd know if not only one but two of people who are supposedly close to you are going to meet another friend. He could've gone visit Jin as well.

People think all that started in March 2023 when it had been happening since long before. August 2022, Jimin spent like three weeks in the USA? Then he flew back to Korea and that same night, Jungkook was out eating with some people. So for the people who think they're dating, Jimin's away for like a month and his boyfriend doesn't get dinner with him when he arrives? Before world cup openings ceremony too, Jungkook went bowling with Taehyung. Around those same days they were together at the paradise hotel.

So Jungkook has time to hook up with women at his home, but not to grab dinner with Jimin?

I really can't fathom the level of self deception those who believe they're boyfriends must be putting themselves through. It's not 2+2 at this point, it's 2+2+2+2+2+2 like. There are so many factors.

I also found these posts, I took screenshots because I have to click everywhere on my phone to add the link and this is easier. But these are from March 3rd 2023.

I also remember briefly bringing up Tom Holland and Zendaya, you know, a real couple. And how they were seen together more times than jikook were seen together in two years, and Tom and Zendaya don't even live in the same continent lol. I think I got some anons trying to lecture ME on queer people and how to live like a queer person in a gay relationship, compared to disgusting heteros like tomdaya.

Anyways. I really don't think I'll reply to more asks about this because it's so repetitive. There really isn't much to say. They aren't dating each other, they're just very dear friends, obviously.

Finally.. Does anyone have the screenshot of Hoseok's ig story on his birthday last year? I'm almost scared I might've dreamed it because I can't find it anywhere but I'm sure he posted a picture of a cake or flowers? and tagged Jimin, as if Jimin had brought those to him the night of his birthday, after the live in the company.