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#i swear it's a good chapter
wehadabondingmoment · 4 months
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Chapter 10 of my senti!Adrien Post Hawk Moth-defeat fanfic is out! This is straight up the best thing I have ever written so if you want to read any of my stuff, read this.
It was strange, seeing his father again after all this time. He was sitting there, hands neatly folded on his lap. He looked entirely out of place in prison, his calm composure being ridiculed by his tangerine clothes. They were dirty and mute in the flickering light, yet they didn't fail to assault Adrien’s eyes, burning the color that was so unlike his father deep into his mind. 
“Adrien,” Gabriel greeted him with a smile. “I see you got my invitation.”  
‘What invitation?’ Adrien wanted to ask. He hadn't received anything. 
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sentinens · 25 days
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My piece for @klapollo-minibang from the first chapter of my partner @smolgirlowo's awesome fic, Breaking up Is Hard to (Un)Do, linked here! The first chapter is up so go check it out :]] (plsplspls you will enjoy it so much)
I'll be posting more pieces accompanying the next chapters in the following weeks ^^
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waterlilyvioletfog · 2 years
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See the thing is, you read HtN and like yeah, obviously lobotomizing yourself so a dead girl’s soul doesn’t get cannibalized is completely fucking wild and you probably have to love someone at least a little to do that, but Harrow has spent the whole book having tension with Ianthe and fervently claiming to be in love with the Body— and then you get to Act V and Harrow is literally weeping wailing feral about Gideon, constructing Prince!Gideon AUs (which, she doesn’t know about Gideon’s paternity!! She is simply drawing upon a (romantic!!!) genre trope!!!) and role reversal AUs and fucking coffee shop AUs about Gideon, and she’s refusing to go back to her own body, and Abigail and Magnus and Dulcie so obviously and completely believe that Harrow is in love with Gideon because they directly compare them to Abigail and Magnus, and she says she’s saving the last dance. Agh!!! Aggghhhhh!!!!!!
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mrghostrat · 4 months
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in the room where you sleep :: 3/4 (E)
Though the flat was stuffed to the brim with just as many books and knick knacks as his shop, it also appeared well lived in. The various cushions were squashed and sagged, and empty teacups littered the few glimpses of clear table tops. Still with his crucifix held out, Crowley leaned over to shine his light into one of the cups, still hopeful, against all odds, that he wouldn’t find the inevitable inside. The sight of a dark red ring of blood staining the white china made his knuckles whiten around his cross.
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saintobio · 2 months
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you guys, i’m feeling really bad for sylus on this final part. likeee i’ve been crying while writing this. you wanted him to grovel but i’m so 🤧🤧🤧 for him. i have 2 scenes left to write but i think i’m gonna need a short break sdksks
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fosermi · 3 months
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On this ARK we sail together...
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@stillafanofsonic enabled me and I RAN with it.
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starrysharks · 10 months
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google "how to write a character who is known within her universe for having no filter and swearing a lot (especially in the face of authority) without having it read like i graduated from vivziepop school of writing"
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fellandcrow · 1 month
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I've been struggling with writer's block for weeks now, as you can probably tell (I can't believe 'Poetry Carved in Flesh' last update was nearly two months ago 😭).
BUT I'm glad to say I'm finally writing again! Working on PCIF chapter 10 as we speak, and it's all thank to the help and support of my amazing friend @friedratart 🤍✨
It's not done yet, and I still have to draw some illustrations for it, but, in the meantime, and to thank you all for your support and patience, here's a little snippet under the cut (feel free to ignore if you'd rather wait for the whole chapter to be out of course 🤍).
“Look at you, you’re gorgeous,” Crowley suddenly said, effectively pulling Aziraphale from his reverie.
Aziraphale felt himself blushing at the praise, not expecting it at all. But, when he turned his head to look at the other man, his chest full of hope even though he felt a bit disconcerted by the sudden compliment, he felt himself deflate, and rolled his eyes. Of course Crowley would be talking to the Gutenberg press he’d tattooed on his arm a few months ago, and not about Aziraphale himself. Of course. The idiot was now cooing and poking at it with a huge grin plastered on his face, completely oblivious of the heart-attack he had very nearly just caused. 
Aziraphale was not impressed.  
“Did you miss me?” Crowley went on, poking the tattoo again and staring at it with stars in his eyes.
What an insufferable man.
“I’m sure it did,” Aziraphale replied in an acerbic tone, vexed despite himself. “Can we get a wiggle on, now?”
“What?” Crowley asked, finally looking at him, all cheer gone from his voice and face.
“Tattoo appointment. Now, if you please.”
“I got that. It was the wiggle-on”, Crowley scoffed.
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starry-bi-sky · 1 year
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Childhood Friends Au: Danny's in Gotham Again
when the wool is off your eyes you'll stop counting sheep at night cause you'll eat your fill of them during the daytime
A few weeks after Danny’s visit to Gotham, he buys an apartment in the city. It’s this little thing, a studio apartment on the same street he grew up in. In Crime Alley. When he tells his parents, they protest heavily. They don’t think it's safe. They think he should reconsider. There were plenty of apartments and places to live somewhere else. And what about college? 
Danny doesn’t think he’ll go to college. He isn’t sure what he wants to do, now that being an astronaut is off the table. It’d be a waste of money to go without a goal in mind, he thinks. He says he’ll take a gap year and apply at one of the community colleges funded by the Wayne Corporation, possibly. It just wasn’t in the cards right now. 
“If things get tough,” He says at dinner that night, “then I can talk to the Waynes. I’m friends with the family, remember?” He ended up getting Bruce’s number in his phone again before he left, and in the process got Tim’s as well. They don’t talk much, Danny isn’t sure what to say. But he sends Tim memes whenever he comes across one and thinks he’ll like. Tim sends memes back in return.   
His parents do remember. They remember. They also remember the horrified shriek that echoed through the house when Danny learned of Jason’s passing. They remember running up the stairs and bursting into their son’s room and finding him sobbing into his bed, curled up like a little kid, like he was in pain. He lost his voice that day, stuck between screaming out his grief and sobbing it. 
They’re still not sure if they should let him go. 
In the end, Danny wins them out, and he lets them help him search for an apartment. They take a break from their lab work to help search for cheap furniture to buy. They may have more money than when they were in Gotham, but that frugal part of you never fully goes away. They all agree that they don’t want Danny to be seen carrying in nice-looking furniture when he moves in. 
He ends up with a basic furniture set, all mismatched, and in the warm summer of June, his parents rent out a u-haul and drive him down to Gotham to move in. They meet the landlord when they arrive, a skinny and frail old man with wispy white hair and a wrinkled face. He gives Danny the keys and tells him what apartment number he is, and then he leaves. 
His parents help him move in. They help him carry his heavy furniture up to the second floor, where his apartment is. Danny isn’t sure if he wants them to help. His mom and dad are strong, but they are getting old, closer to their fifties now that their children are grown. His dad’s hair is slowly beginning to thin, and rather than the white eating at the sides of his head, it now streaks through his hair like salt-and-pepper. His mom’s hair is graying out too, and there are more lines in their faces than he remembers there being. 
When he voices his concerns, his mom laughs spiritedly and says that they may be getting old, but they are still as spry as when they were in their twenties. Danny isn’t sure if he believes them or not. He can see his dad struggle a bit when they return to get his bed frame, and they have to take a break before they go back down for the rest of their things. 
Five years ago, his dad could do this without breaking a sweat. It forces a heavy thing in the back of Danny’s throat. (He is less afraid of his own death than he is of his loved ones, and while he has always felt rocky with his parents, he still loves them more than anything else.) 
Danny’s apartment is exactly as he would have expected it to be: shabby and worn through. The entire room smells like stale cigarette smoke and weed, nicotine stains the wall with poorly covered bullet holes, and stains in the carpet that are a color he can’t discern. The fridge has a broken light and when he tries to turn on the gas stove, it click-click-clicks before lighting, fire fwooshing out while the smell of gas fills the air. There’s rat droppings in the cupboards and the closet-like bathroom is just as bad. 
The ghostly part of him can sense the heavy stench of death in the room; people have died in this room. People have died in every room of this building, he thinks. They have died on the streets outside and in the alleys squeezed between them. He can feel it like a heavy fog in the air. 
It is painfully nostalgic, a bittersweet feeling in his chest that he grimaces to. 
When the last box is placed in his apartment, his parents offer to help unpack. They are hesitant to leave and Danny knows it, although he doesn’t know if it’s from empty nest syndrome or because it's Gotham. He thinks it might be both. He is their youngest child finally leaving home to a city known for its danger. 
“Are you sure you don’t want us to stay behind, sweetie?” His mother asks, a frown she tries to hide settled in the creases of her face. She fiddles with her hands, a nervous habit Danny has since noticed when she feels truly unsure and doesn’t need to hide it. Hesitancy looms over her like a heavy cloud. 
His dad jumps in hastily, splaying his hands and smiling painfully wide to hide the glistening in his eyes. “You’re mother’s right! We can help you get everything set up, champ. I could probably do something with that stove of yours to make it faster!” He says, his voice still booming like it always does even if there’s a stumble in his words. 
It makes his heart squeeze, knowing just how much they care. It was hard last summer, telling him that he was the Phantom. Terrifying, actually. They couldn’t comprehend it. He hadn’t felt his heart beat that fast in years when he stood in front of them at the kitchen table and told them he was a halfa, begging them to believe that ghosts weren’t inherently evil. 
His parents were people of science, however, and after much, much shock, they slowly came to terms with it. How could they not? The evidence was right in front of them. Their son was dead-alive, alive-dead. Somewhere stuck in the between. The tears they shed that night could fill a river, moving from the kitchen to the living room as Danny explains how he died. 
(When Danny tells them that he died after a week Jason did, his mom and dad look horrified. His mom covers her mouth when he adds that it was his idea to go inside it, his dad looks ashy pale, gripping his pant legs so tight that his knuckles turn white. There is a conclusion coming to their minds that he can tell they don’t like.) 
(“You’ve always hated our inventions, Danny.” Mom says in a hushed voice, and Danny winces at the wording, sinking into the back of the cushions in shame. He never thought that his parents noticed. Mom quickly grabs his arm, “No, no, there’s nothing to be ashamed of Danny. We were… perhaps too careless with our inventions, too enthusiastic. You had every right to hate the things we made when they had a tendency to… to malfunction.”) 
(Malfunction is a delicate way of putting it, when Danny remembers every time they had to evacuate their old apartment complex because whatever half-baked creation his parents made inevitably blew up into ash and smoke. There were soot marks permanently stained into the ceiling.) 
(Her hand slides down and grabs his, and she cups it in both of her hands, squeezing tightly. He forces himself to look up, and there is a look like her heart breaking when he looks into his mother’s eyes. “You’ve always avoided the lab after we moved, Danny. And you had every right to, so why on Earth did you ever think about going into the portal?”)
(Danny struggles to come up with an adequate answer, a way to verbalize what came over him that day five years ago. The answer is there, hanging in the air like a knot in a noose. He opens his mouth, and then closes it.)
(Finally, with a tongue made of lead, he shrugs lamely and looks away. “I didn’t know there was an on button inside it.” He mumbles, and despite being the truth it feels like a lie. But that is the truth. He didn’t know there was an on button inside it. So he didn’t care what happened.)
(Something dulls in mom’s eyes, like she thought of something else that Danny hadn’t said. Her eyes shimmer, and she squeezes them shut, breathing in so deep that it shakes. And then she pulls him into a hug, a hand burying into his hair and pressing him close. “It must have hurt so much, sweetheart. I’m so sorry.”)
(It is something that Danny doesn’t expect her to say, like missing the last step of the stairs. It startles him so much he laughs this short, bark of a thing. He feels his dad press against his back and wrap his big arms around them, his nose pushed into his hair.) 
(Because yeah. Yeah, it did hurt. It hurt more than anything else he’s ever felt before. It had torn him apart and sewn him back together again, only to rinse and repeat. The pain was nothing he ever spoke to Sam or Tucker about, and it was something they never brought up. No, that’s not true. If they ever brought it up, Tucker would call it a zap. As if Danny only experienced a mild static shock. Like it was painless. It’s a pretty lie that Danny lets him and Sam believe.)
(His eyes sting and water immediately wobbles into his vision, coming up with such a force that he doesn’t even need to blink before it spills over. “Yeah.” He forces out, voice unexpectedly rough and cracking. “Yeah, it- it hurt. A lot.”)
He tells them about fighting the Lunch Lady a month later. He tells them about finding Jason. It comes spilling out like a waterfall. “I found him, mom.” He says, holding onto her tight while she keeps him tucked under his chin like a little kid. The secret of Jason being Robin stays hidden under his tongue, it is not his secret to tell. Not his identity to expose. He grips her tighter. “I found him, mom. Right there in the Ghost Zone, and he was my Jason. He wasn’t an echo or a— an imprint of him.”
Mom is silent; quiet and attentive, and so is dad, who rubs his large hands up and down Danny’s spine in an attempt to soothe him. It only works a little. Danny breathes in like a gasp as the urge to cry overcomes him again. He always avoids talking about Jason, his grief is like a never-healing scab that can be picked off at any time. It is ingrained into his core. 
“And then I lost him.” He forces out, a sob layering under his words that he chokes on and swallows. The hand on his back stills, and he can feel mom and dad breathe in like a question. He turns his head and pushes it into mom’s shoulder. “He disappeared, mom. Just— just gone.”
“And he didn’t move on.” He says, voice snarling like teeth biting before his mom can ask, because he knows that’s what she was going to ask. It’s what Sam and Tucker asked when he came to them in tears hours after he found Jason gone. It’s what Jazz said when he finally told her about it. It’s what every one of his ghosts asked when he told them about it and begged for their help. 
Danny grits his teeth and tries not to dig his nails into mom’s clothes as a fresh wave of tears run down his face. “His haunt is still there. If Jason really moved on it would have disappeared with him. That’s how it works. But it’s still in the zone, so Jason’s out there I just don’t know where.” 
(Sam once asks him why Danny didn’t just move on from it a year after Jason’s disappearance. She asked him why he didn’t give it up. Danny nearly saw red, and nearly bit her head off for it. It was incomprehensible to him to just stop looking for Jason, to give up. Not when he was out in the zone somewhere. Because he had to be in the zone.)
(Danny once tried to take Jason through the portal with him, and much like what happened to Kitty, it didn’t work. Jason was too tied to the ghost zone to leave.) 
(Some bonds are just unbreakable, he thinks. Bonds forged through blood and time and trust, and when you’re on the streets of Gotham, you hoard what little trust you have in someone like a dragon with its gold. It is scarcely given and fiercely kept.) 
“I’ve been looking for him.” Danny whispers when talking becomes too hard for him, when it runs the risk of him crying. “When- when I’m not fighting ghosts or, or in school or with my friends, I’ve been looking for him.” He has explored the Ghost Zone in every reach he can. He has met so many people. He’s met the ghosts of aliens from planets in every corner of the galaxy. He has met gods or god-like beings and their disciples. 
He’s met famous scholars and writers (he’s gotten the autographs of all of Jason’s favorite writers). He has found entire cities that have so much life in it that it's been permanently etched into the ghost zone, like a mirror version of itself. 
He’s visited the ghostly vision of Gotham so many times, and he avoids the imprint of Wayne Manor like the plague. There are ghostly newspapers that he reads. There are the ghosts of Martha and Thomas Wayne in many of them. 
Jason’s haunt connects to Wayne Manor, but it is also the street they grew up in. It is a small brick building with a door that leads to Jason’s room. A ghost knows when someone enters their haunt, it alerts them like a doorbell in the back of their mind. A foreign ecto-signature in a place drenched in your own. 
Danny visits it every time he goes into the Ghost Zone. It’s always his first stop. 
He tells his parents all of it. He tells them of the ghosts he’s met, of the places he’s seen. And when he feels brave, he tells them about Rath and the terror that his future self brings him. He keeps some details hidden, the ones that he can afford to keep without muddling up the story. 
(Rath is a tall, spindly thing, like a funhouse mirror version of Danny himself. He has arms that are much too long and legs that are much too tall, with skinny fingers that extend into claws.He wears his suit the same as Danny does, with it partially undone and the sleeves wrapped around his waist.)
(There is a black hole in his chest that is much bigger than Danny’s own. It takes up his chest cavity and drips the same, viscous black liquid as the tears falling from his eyes. Danny never forgets his voice; a scraping, quiet thing like he’s screamed himself hoarse. Rath has a voice like goosebumps, and it haunts Danny like a bump in the night.) 
Danny speaks and speaks and speaks until he can’t think of anything else to speak of. He is tired and sad, and it feels like his heart has been ripped out and rubbed raw again. And yet, he also feels so much better. Like a long heavy weight has been taken off his chest. 
Yeah, last summer was hard. His parents walked on eggshells around him, and they forced themselves to unlearn their bias of ghosts. It was more than Danny could have ever dreamed of, and when they felt ready for it, they asked him more about the ghost zone.
He smiles sadly at his dad, “I think fixing the stove can be a priority another time, dad.” He says, watching him wilt and his smile fall. Jack Fenton was always so good at making himself look like a kicked puppy. “I can handle unpacking by myself, I promise.” 
His parents still look so unsure, like they want to argue. Danny watches his mom purse her lips tightly, confliction running across her face like a datastream. She takes dad’s hand, squeezing their fingers together despite the droop in her shoulders. 
“Oh, alright then, I suppose.” She relents, her hand placing on Jack’s arm. “I guess we could go, we’re just going to miss you so much, Danny.” 
Tears seem to have won over his dad, and Jack Fenton sniffs back before he can cry properly. “Our little boy, all grown up.” He says, voice wobbling. It makes Danny laugh, and it makes his heart pang. His smile grows impossibly wider and so much fonder. “You’ve become such a kind, wonderful young man, Danno. We’re so proud of you.” 
Danny laughs again, and it cracks. “You’re gonna make me cry, dad.” (He feels a welling of guilt in his gut that he ignores — he doesn’t feel like a kind man. He doesn’t feel like a good one either. Not with what he plans to do.) 
His father holds out his arms in hopefulness, “One last hug for your old man before we head out?” He asks, mustering up a smile on his face. 
Danny barrels into him, nearly knocking his dad over with an oomph. He’s as tall as him now, but he still feels little in his bear hugs. With arms wrapping around his middle, Danny hugs his father tight and breathes him in one last time. 
“Careful there, Danno.” He laughs, patting Danny’s back roughly. “You’ll break my ribs with that ghostly strength of yours!” But he holds on just as tight.
Out of spite, Danny bends back and lifts him off his feet, laughing when Jack tenses up and nearly scrambles out of surprise. His mom laughs with him, stepping back to give them room for the few seconds that dad is in the air. 
When it’s his mom’s turn, Danny has to hunch to hug her. Something bittersweet to him as she plants a kiss on his forehead and says that he’ll always be her baby. “Even if you do have that horrid smoking habit.” She adds on with a disapproving eyebrow raise. 
Danny turns red in embarrassment, and walks them back to the GAV. Gothamites of all kinds slow to stop and boggle at the monstrous, road-illegal thing that is parallel-parked next to the curbside. In the past, Danny would have died with mortification to be seen with it. Now it just makes him laugh. Before he goes back into the apartment building, he buys a newspaper from a nearby convenience store.  
The first thing he does when he gets back up to his room is one: make a mental note to buy a bicycle chain lock for the door. The locks jiggle and there are splinters along the side that show signs of it being broken into in the past. The second thing he does is pull his cigarettes out of his pocket and light one. 
Danny starts to unpack with a cigarette hanging from his mouth, placing the newspaper he bought onto the counter. He has a cheap loveseat that he pushes off to the side, and he moves the boxes into the kitchen. It’s a matter of organization that Danny has to think about before he does anything. 
It’s as he’s pushing the sofa up against the wall facing the windows that his phone rings a familiar tune: Sam. The phone is fished out before he can think about it and when he stares down at the screen, he realizes it's a facetime call. 
He presses answer and walks over to prop his phone up onto the counter. The smiling faces of Sam and Tucker greet him, rather than just Sam. Immediately, Danny grins. “Hey Danny.” Sam greets, smiling a dark-painted lazy thing. From the background it looks like they’re in Tucker’s room. Sam is in Tucker’s desk chair, and Tucker is behind her, leaning against it. “Have you moved in yet?” 
Danny pulls the cigarette from his mouth and huffs, a cloud of smoke following his breath. “Yeah! It’s a shithole.” He grins lopsidedly, and his feet carry him off to the side to allow Sam and Tucker view of his apartment. He lets thirty seconds pass, allowing the both of them to really see the rest of the room. And then he steps back into frame. 
Sam and Tucker both look like they’re trying not to look judgemental, like they’re trying to hide a grimace that Danny sees anyway with the small turns at the corner of their mouths. He grins wider, mirth filling his lungs. “I know, it looks awful doesn’t it?”
“It’s— it’s not so bad.” Sam says with a strain in her voice, a forced smile on her face that tries to be reassuring. Tucker nods along readily, and he looks just as unsure as Sam does. Danny stifles laughter behind his teeth. 
“No, no, it looks bad,” He takes a drag of his cigarette, shaking his head. “You can say it, I won’t get offended. It’s a fucking apartment in crime alley. Of course it looks bad.” 
Sam remains silent, a rearing of her stubbornness showing itself. Tucker takes a different approach, and heaves a dramatic sigh of relief, slumping like a weight. “Okay, you’re right. It looks bad.” He frowns, “Sorry, man.” 
While Danny snorts, Sam sighs. “Yeah, it looks bad. What even are those stains?” She asks, and both she and Tucker lean closer in tandem to the screen, eyes squinting at the floor behind him. Danny glances at the floor, and shrugs. 
“Blood, probably.” He says, and while years in Amity Park have accustomed him to a clean environment, the desensitization of Gotham still remains. Tucker and Sam both make faces and lean away, as if the stain itself was capable of passing through to them. “Yeah, there are bullet holes in the walls.” 
“Are you sure it’s safe to be there?” Tucker asks, a furrow appearing between his brows. He adjusts his glasses and leans against the chair. Sam is frowning heavily, and Danny can already see her thinking up of a new way to fix the problem. 
“Oh, I never said this place was safe.” Danny tells him cheerily, taking a last hit of his cigarette before placing the dead stick onto the counter. He itches for another one. Instead he walks over to the shelf his parents brought in and starts moving it. “It’s Crime Alley, Tuck. Safe isn’t even in its vocabulary.” 
Tucker and Sam look like they’ve both swallowed a lemon.
“But it’s where I want to be right now.” He says, grunting quietly when the shelf is against the wall he wants it to be, near the short hallway leading to the front door. He can push it in front of it if someone tries to break in. “And Crime Alley’s apartments are the only ones I can really afford right now without mooching off my parents, and I’d rather not depend on them.” 
He can hear the disapproving hesitance from where he stands. And he ignores it. 
Danny walks back into frame, lifting up a box onto the counter. He hums lightly, fingers run over the tape keeping it shut. “Why do you even want to be in Gotham, Danny?” Sam asks, and she sounds genuinely perplexed. Danny stills. “I thought this place only had bad memories for you.” 
His blood turns cold, and like a dime being flipped his slow heartbeat fills his ears. “It does.” He replies automatically, before he can think. Shit, shit. He knows that Sam or Tucker would ask that question, and yet he still feels unprepared for it. His heart pulses quickly against his ribcage, knocking, asking him what he’s going to tell them that isn’t the truth. 
Danny stammers, “I mean— I just— I guess I felt nostalgic.” He says, and it sounds like a weak defense. He looks away, finding himself instinctively scratching his jaw. A new tick of his when he’s nervous. From the corner of his eye, he sees Sam and Tucker both narrow their eyes at him. 
He cannot tell them the real reason why he’s moved back to Gotham. He can’t tell them of the little secret and vow he told himself five years ago, the one that’s been left to fester and burn like an open wound close to his core. The one that, if he thinks too much about it, sends a searing hot electricity through him, filling him from crown to toe top-full of direst wrath.  
(Danny was always the angrier one in the duo of Jason and Danny. He was always the one with glass in his mouth, cutting his teeth and tongue so that he could spit blood at the world around them. His knuckles had more blood and bruises on it than skin, once upon a time. All because he couldn’t keep his mouth shut. He has grown from it, that fury has turned to a small simmering candle.) (But sometimes, sometimes it rears its head, and electricity will buzz under Danny’s skin. There is lightning before the thunder, the second before a fist pulled to punch lands, the spark before it becomes a blaze.) 
He stumbles over his words, and then sighs long and low, drooping his head. “I… was thinking that I can’t avoid this place forever.” He says, and the best lies always have the truth in it. Because it’s not a lie, not completely. But it’s not close enough to the truth either. “And that maybe if I came back, I’d be able to do something about those bad memories. Make them better or make it hurt less.” 
Like wool over their eyes, it fools Sam and Tucker. Their narrowed eyes soften, and Danny feels like a snake is in his lungs as they both adopt their own versions of gentleness on their faces. “Oh, Danny.” Sam breathes out, and the snake squeezes, “Of course, we understand.”
Tucker nods, smiling at him. “Yeah, bro, that’s really brave of you. I know it can’t be easy coming back.” He says, “Maybe you can reconnect with the Waynes again, you always thought well of Mister Wayne whenever you came back from visiting.”
Danny smiles weakly, the gesture cutting into his cheeks like a knife. Perhaps he could. He was still upset with Bruce for hiding Jason’s killer from him. But he doesn’t hate him. Maybe five years ago, he did, when the death of Jason was still fresh in his mind and freshly bleeding in his heart. Now he just doesn’t know what to think of him. He was Batman. Jason was Robin, and the Joker killed Robin. 
It would need to be something he’d have to speak to Bruce about in person, he thinks, in order to resolve it. To hear his judgment on it and make an opinion from there. Danny has learned in the last five years, much to Jazz’s smug delight, that talking to people about something he was upset about did make him feel better. 
The conversation slips on from there into something more light, more breathable. And while they talk, Danny unpacks. He sets up his bed in the corner of the room, adjacent to the windows, and unpacks his cheap TV and table stand. It’s directly across from the couch, in front of the windows. He puts up knicks and knacks he’s collected over the years on the shelves.
When he puts up the curtains, he notices that more than one frame jiggles loosely. Sam makes a comment on the musty stains permanently dyed into the glass, and Danny talks about getting something to fix the cracks. Gotham winters can get brutal, and even if he can withstand the cold, doesn’t mean everything else in his apartment can. 
“Oh, watch this.” He says halfway through unpacking, and pulls out a stick of thick white chalk from a box. “This is something I learned from Clockwork a while back; I think he knew I was going to move to Gotham.” He grins sillily, popping into the camera frame to show them. “I wonder how?” 
Sam rolls her eyes, smiling while Tucker huffs. “It’s not like he’s the Master of Time and can see all past, present, and future.” Tucker snarks. 
Danny hums lightly, curt like he isn’t sure he believes Tucker, and walks to a piece of bare wall not yet blocked by furniture. He starts to draw on it. The chalk shimmers with faint ectoplasm on the wall. 
“Uhh…” Tucker’s voice cuts through, “Are you sure you should be doing that? Won’t you get in trouble for that?”
“There are bullet holes in the plaster, Tucker.” Danny retorts dryly, arching his hand to make a big circle. “I don’t think the landlord is gonna care if I get washable chalk on his walls.” Inside the circle, he inscribes the symbols of the Infinite Realms. “I don’t think he’d be able to see it anyways, he was really old.” 
When he is done, Danny steps back to admire his work. It’s not bad, he thinks, for a lack of practice. He tosses the chalk off to the side, it lands on the couch and rolls back into the cushions. Ectoplasm heats under his hand, slowly glowing from his fingertips before stretching down the rest of his palm. 
Danny’s fingers press against the wall, into the center of the circle. The result is immediate, ectoplasm is siphoned off his hand and into the circle. It glows, and then swirls. He steps off to the side for Sam and Tucker to watch its transformation. The circle fills with a swirling pool of ectoplasm, like a smaller version of the basement portal, and then it warps and stretches. 
It fills out a rectangular shape, shifting like taffy being pulled this way and that, before settling into a solid shape. It solidifies, and instead of a wall there is a glowing purple door, warped in nature and seemingly shifting like a trick of the eyes. He can hear the gentle hum of the zone standing next to it, and can see the carving of the circle in the wood. 
He gestures dramatically, grinning from ear to ear. “Ta-da~” He sings, “A door to my haunt! For whenever I feel like visiting it.” He pats the wood, making a strange thunk-thunk sound. “And then watch this.” 
Danny touches the circle again, and the door twists and recedes like water going down a drain. The circle flashes bright green, and then fades into nothing on the wall, invisible to the naked eye. “I can hide it whenever I want! So if I ever invite someone over—” which he doubts, “—I won’t have to worry about them asking, ‘Hey Danny? Why is there a creepy fucking door in your studio apartment?’”
He gets a pair of laughs for his efforts, and Danny grins wider. 
Sam and Tucker have to end the call when Danny is nearly done unpacking, leaving him alone with only his thoughts and the Gotham ambience outside. There were only a few boxes left, and they promise to call him tomorrow. He tells them that they better keep that promise. 
The silence that follows after they leave feels somberly, as if the reality of moving in has finally set in and filled the air with its loneliness. With its change. Finally, Danny lets the strangeness of moving back to Gotham hit him when he reaches the last box, and he stops to take another smoke break to let it settle. 
It feels so strange to be back in Gotham, he thinks. He’s all grown up, or almost grown up. He can vote and pay taxes, but he doesn’t feel much older than he was at fourteen. There’s a disconnect that makes him feel sad. 
There are cars running outside, driving by. He can only catch glimpses of them, his apartment faces an alleyway. There are dogs barking in the distance, strays he bets. It’s already dark out, and he wonders if he looks out the window he would see the bat-signal shining through the night and staining the permanent cloud that hangs over Gotham. 
Bruce would be so disappointed if he learned the reason for Danny’s return to Gotham. But Danny’s not here for him. He’s here for someone far more important. And like that, the simmering anger that has tucked itself into the furthest corners of his heart starts slipping through. His heart has teeth, ready to strike and snarl and bite. 
He crushes the cigarette in his hand and throws it away. When he opens the last box, it is with hands that tremble and with a face of stone. With a delicateness he does not feel, he reaches in and pulls a corkboard from the box. On the corner frame is a small, near inconspicuous carving of another ghost rune. 
Danny hangs it up on an empty space on the wall, out of sight from the window. It’s plain, and he has nothing to pin to it. He presses the small rune on the corner, pushing ectoplasm into it. Unlike the door, it does not twist and warp and shape itself into something new. Instead it bursts into green flame, eating away at the board and revealing the same thing underneath it, just in dark blue-black-purple. 
Now this board, this board Danny has something to pin to it. The newspaper he bought earlier sits abandoned on the counter, and Danny unrolls it with something like viciousness in his chest. On the front page is an image of a damaged street, and above it is titled: “JOKER STRIKES AGAIN, 3 DEAD AND 27 INJURED”
Danny rips out the first page, he rips out every mention of him. His hands shake and threaten to crumple the paper as he turns back to the board, there is hot blood pounding in his ears. There is an impending sense of finally in his chest, like a setting sun giving the stage to a starless night. There is a stern set in his jaw, five years of festering rage rushing forth like a tidal wave, threatening to make his vision swim. 
It would be so easy, he thinks, to go out as Phantom right now and hunt the clown down. It would only take a night. All it would take is a night, and then he could sink his hands into the Joker’s chest and rip out his heart where he stood. It would be so easy. 
The thought alone forces Danny to stop as he is hit with another rush of fury, really making his head and vision swim. Thorny vines wrap around his throat, making it hard to breathe. He stares at a spot on the wall until the shaking passes. 
If he wants to be discreet about this, then he can’t do it now. Even if he wants to. He doesn’t want witnesses. He doesn’t want an audience. He made a mistake, telling Red Hood about his plan. He wasn’t sure what he was thinking. Perhaps he wasn’t thinking at all. But he can only hope that the Hood hasn’t mentioned it to Bruce. He knows it hasn’t been long since they started working together. He hopes that the Hood has already forgotten about it. 
He pins the newspaper clippings onto the black-blue-board, and stands back. It’s bare now, but it won’t be forever. 
He presses the circle again, and the pinboard reverts back to its original blank state. 
-----
Was I expecting to make a third part?? No. No I was not. I was also not expecting to make an entire google doc filled with summaries for short story ideas about this au that all tie into each other so that way if i DO continue this i have a skeleton pathway to follow rather than making everything up from scratch and potentially cornering myself
you can find this on ao3 or on tumblr 1 2 :)
#dp x dc#dpxdc#dp x dc crossover#danny fenton is not the ghost king#dpxdc crossover#childhood friends au#cw swearing#cw smoking#im calling them short stories bc if i call them chapters i might intimidate myself#fun fact every single chapter will have a crane wives lyric on it i am DETERMINED#i hope yall are subscribed to this on ao3 bc i almost didnt post this on tumblr#the fentons being good parents were a surprise to me too but also i never really planned on them being BAD parents#okay so they appear as negligent in the first post but we'll just call that a plothole#i had the idea that danny was the angrier one out of the duo earlier today and it felt like an epiphany#there's no guarantee of a next part but yk immm kinda hoping there is#on the docs the ending bullet point for this chapter was#'make it feel like a tv show where the seemingly inconspicuous and friendly character has something sinister up their sleeve'#WE know that danny's not inconspicuous in the least he's been thinking of this murder for the last five years. but nobody but red hood know#i had to come up with a in-story reason why danny doesnt kill the joker NOW but my out-of-story excuse is: there'd be no tension otherwise#its about the BUILD UP. Its about the RISING TENSION. Its about KNOWING that danny is planning to kill the Joker but you dont know WHEN#its about knowing that something is going to explode but never knowing when#i made the doc yesterday and spent my entire pluralism for educators class going thru the crane wives albums and looking up the lyrics and#matching them to the *checks doc* 18 short story prompts i have prepared#i am still missing one :((#its the tim and danny story and i have NOTHING PLANNED FOR THEM. i cant think of a thing for them to bond over :(( so i cant match a CW son#even DICK has a story and that was also a surprise#my favorite lines: He was always the one with glass in his mouth cutting his teeth and tongue so that he could spit blood at the world#aND danny slapping his door like a used car salesman and going 'now people wont ask why i have a creepy fucking door in my studio aptm :)'
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yellowocaballero · 1 year
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Reading 'Solo Leveling' (a webtoon/webnovel about a guy who uses a game-like interface to level up and fight monsters and become ridiculously OP and the coolest and hottest guy in the whole wide world) really proves something to me that I've thought about.
The goal of a story is to achieve what it wants to achieve. Different genres have different certain marks the story should achieve. If it doesn't hit those marks, it's not a good example of the genre. In a lot of was it's not even a good story - it doesn't entertain the audience in the way that they want to be entertained. A romance novel isn't a bad story because it doesn't feature great action scenes, but neither is it a bad story because it doesn't delve deep into the sociopolitical implications of neocolonialism. Does it make the reader feel happy? Is it cathartic? Is there a happy ending? Then it's a good romance story - even if you think stories shouldn't need happy endings.
The 'satisfaction' of stories like Solo Leveling is the fact that is very entertaining to watch a guy be super powerful and mow down bad guys and have everybody around him go "WHOAH that's a cool guy". Maybe it's cool because you're projecting, or maybe you like great action scenes, or because you like 'underdog gets powerful' stories. It's a power fantasy. That is the goal of Solo Leveling, and so long as I'm going "WHOAH COOL", then it's a good story. And Solo Leveling is the example of the power fantasy video game dungeon OP protag. It does those elements, it executes them competently, it's a good story.
This is the third of these types of stories I've read more than 5 chapters of. The first was Omniscent Reader's Viewpoint. And baby. This is no ORV.
ORV a big reaction to Solo Levelling in a lot of ways, since Solo Levelling was very genre defining and influential, and it's hard to write these OP stories without having a relationship to Solo Leveling. It's like the most popular webtoon out there. The OP hero, the gaming interface and rules, the gods fucking you up, power fantasy - they're all checked off by ORV. It doesn't subvert them much. You watch kdj pull one over on a shmuck and you're like HEY YA BABY and you watch him utterly decimate some schmuck and you're like WHOAH COOL. You like ORV, basically, for the same reasons you like Solo Leveling. They're the same genre and in a lot of ways the same story.
But ORV has driven me nuts and after a while Solo Leveling has gotten boring. Because ORV has a fantastic supporting cast that puts the MC's OPness in relative perspective. Because there's cool action scenes with different teams, of different dynamics, giving freshness to each chapter. Because you get to see kdj slowly implement some nuts gambit of the course of the entire arc and when we finally hit the end point where it all comes together it's FUCK YEAH. I'm leaving out the actual depth here. But ORV and Solo Leveling do the same thing, except ORV has a great deal of other story elements that build into the main 'point' and escalate the satisfaction, joy, and intensity of those points. You don't read these OP hero novels for the supporting cast. You read it to watch a dude be cool. But ORV's supporting cast - and, like, the fact that they're actual characters, even the women - gives us a lot of other smaller 'hey yeah!' moments, gives it buildup, makes the OP moments meaningful, and gives a grand climax and huge satisfaction when kdj does what the SL guy did by himself. And the supporting cast is only one example of this. A story is a good story if it accomplishes its point, but a story like SL will never really deliver its promises nearly as well as ORV could. Not because ORV is deep and has """themes""" or fucked up shit like that. The 'WHOAH COOL's are just better. Because ORV knows why stories are good and what makes a good story.
Anyway I'm fucking begging you I have tears in my eyes this is why your fic needs more than the hot ship of the day I promise it won't detract from the ship it will make the ship BETTER but you have to get WHY you like these homosexuals so much and it's NOT just because they're CUTE sometimes there's OTHER REASONS THAT ARE IMPORTANT LIKE THE WOMAN YOU'VE BOOTED AND -
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mishy-mashy · 5 months
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I said this in a whole reblog, but just copy-pasting to a separate post because I think it'll give some reading comprehension and reblogs don't show up in the search feature.. again, I'm reiterating what I said in another post.
Go check out @demidokuriya 's post for this; OP's post made me put this all down in like. 20 minutes. Mind went vroom vroom cuz HEY THEY'RE ONTO SOMETHING.
(They also reblogged the post with some hint to some behind the scenes of what led to the ideas if you wanna check that out)
Look below at how, when Mineta told AFO to spare Tokoyami, AFO specifically went "..."
He remembers Jirou and thinks, The braying howls of the weak...
He was going to take Tokoyami's Quirk. He took Hawks'. But after Mineta pleaded with him, AFO just straight-up left and didn't take anyone else's Quirk.
AFO saw Yoichi in Mineta.
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These scenes are near-identical to each other.
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Mineta and Yoichi (at that time) are both much smaller than the normal person at their age
They're both hurt, yet dragged themselves up from the ground to throw something at AFO, to get his attention and make their voice
Both are considered weak, even if they have a Quirk (Mineta's Pop-Off and Yoichi's undeveloped Factor)
The fact that Yoichi got AFO's attention here by throwing a can at him, while Mineta got his attention by throwing a Pop-Off ball; and it stuck.
Mineta's call for his attention landed and actually stuck to AFO. This is unlike when Yoichi and his can bounced off, and AFO kicked him, not listening to him; AFO listened to Mineta and left Tokoyami alone, technically doing what Mineta wanted—to not hurt this person.
AFO just went on to hurt more people away from Mineta's [Yoichi's] eyes so the small weakling wouldn't see.
Yoichi and Mineta both cried to AFO to not hurt in his ways, when AFO was intent on stealing people's Quirks
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AFO even stole Hawks' Quirk during this time.
He had time to steal Hawks' Quirk, and though he could've tossed him to the side, he let Hawks stand in his way.
He had the energy. Right after this event, he flew off and left the scene. But he didn't go for Tokoyami immediately.
And this let Mineta play his part, and remind AFO of Yoichi.
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"A putrid, festering Quirk Factor."
That sounds like Yoichi, AFO.
".. such garbage."
Hey hey hey, what did Yoichi throw at him when they were kids?
A discarded can. Garbage.
This chapter (385) where AFO listens to Mineta is literally called [A Youthful Urge].
Mineta told AFO to take his Pop-Off (hurt him) instead. But last time, AFO hurt Yoichi by kicking him; this time, AFO not only listened to Mineta to not hurt Tokoyami, but didn't touch Mineta at all.
Even though this time, Mineta [Yoichi] offered to take that place of suffering.
Yoichi didn't do that back then. AFO just turned on little Yoichi anyway.
Yoichi through his whole existence is literally [the braying howls of the weak]. AFO acknowledges he's weak and idealistic, yet he still loves him.
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Side note about this panel, I think it's interesting that in this vision, this was the first time we saw Yoichi's eyes: when he was being defiant, despite being pushed down by someone much stronger than him.
Really characteristic of him, honestly. Yoichi's soft-spoken and frail, but it's always reiterated that Yoichi had a powerful will against his stronger big brother.
Mineta at this moment reminded him too much of Yoichi, because the two scenes are near-identical to each other. Parallels, really.
Reiterating something from OP's post that I reblogged this from;
"The reminder of his brother made him uncomfortable, so he hurried away."
AFO didn't want to hurt Yoichi again.
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serasfanfiction · 6 months
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Part 1 | Part 2 | Part 3| Part 4 | Part 5| Part 6 | Part 7 | Part 8 | Part 9 | Part 10
The magnitude of the deal felt more earth shaking this time around. The beams holding up the tower shrieked in protest, shuddering as their bolts fought to keep from detaching from the side of the hotel. The hotel itself was marginally less effected, only the top two floors rumbling as the shockwave moved through them. By the time the wave of their magic reached the bottom floors and the ground itself, it was hardly noticeable, save the fact one would have to be blind not to have seen the magic itself.
The radio tower's occupants blinked at each other, both simultaneously realizing they probably should have sealed the deal somewhere other than a structure held up by a handful of beams.
Alastor drew his hand away, staring around at the mess they had made of his studio. Anything not bolted down or with a sturdy base had toppled over. The coat rack lay on its side, the blanket that had been thrown over it sprawled out beside it. The lamp and table had both been upended. One of the lamp's eyes was cracked, its light dimmed. The remaining eyes skittered around the room in alarm. Alastor's notes had been scattered across the floor, one of the halves on his staff amongst them. The icing on the cake was two of the windows were severely cracked, with a third having a handful of spider web fractures running through it.
Lucifer took it all in, wincing at the damage. He raised his cane, intent on restoring the room and repairing the integrity of the structure. Only to pause when Alastor placed a hand over his hands to stop him.
"None of that, your Majesty." He released the fallen angel in favor of retrieving the half of the microphone that had fallen to the floor and setting it with its other half. "I'm more than capable of taking care of my things if you would be so kind as to carry out my first favor."
Lucifer suspected Alastor simply didn't want anyone messing with his things any more than they'd already been messed with. He gave him a side eye in response to the possessiveness, shoo'ing the redhead back as he stepped up to the desk.
Alastor took a step back up, but only a single one. He wasn't hovering, per se, but it was apparent he was anxious to see his microphone repaired and returned to him.
Lucifer put him out of his mind, concentrating on the task in front of him. He reached out, fingers coming to lightly rest upon both halves of the staff. This would have been easier had it been an inanimate object, although it was likely Alastor wouldn't have needed to waste a favor if it had been. All angels had an innate ability to heal, some undoubtedly better than others. Lucifer's talents lay more with creation and rebuilding. Healing was similar, sure, but it involved forcing organic cells to divide and multiply far faster than they would have on their own until the wound had knit itself back together.
Then again, if it had been a wholly alive being, like Alastor himself, he would have just given it some of his blood and called it a day. With the new knowledge he'd gained, he was suspicious the deer demon had benefited in more ways than he'd known from those two previous feedings. The staff must have taken the brunt of the damage, if Alastor was still alive, let alone up and moving about. A direct hit would have killed him, for sure.
Lucifer closed his eyes, opening his senses to the very elements that made up the staff. The issue with damage caused by angelic weapons lay with the fact that they were blessed. God himself had created the steal that made up their spears, imbuing it with special powers so that his soldiers could carry out his will with little opposition. Weapons made from angelic grace weren't quite as powerful, as the angels made the weapons, rather than God, but they still weren't anything to sniff at. Weapon's made of angelic grace weren't a certain death threat to other angels, divine beings that they were, but it was certainly a very effective tool against sinners. To take divine will of any kind to something already damned was to ask for things to get very catastrophic very quickly.
Alastor really had no clue how lucky he was to be alive.
What gave them any chance of this working was that the staff knew how it was supposed to fit together. The two broken ends called to each other. Lucifer just had to bridge the gap so they could comb back together and they would be in business. Falling into autopilot as he allowed the process to guide him, he picked up each half. The break hadn't been easy or clean. The two edges no longer fit perfectly together. He had to pull from the blueprint within the staff's genetic makeup to coach the pole into being a smooth column again. From there, he had the equally hard job of convincing the two edges that they could reform again, but once they were certain it was possible, the two edges became magnetized, snapping and mending together until they were a single, solid structure again.
Lucifer snapped his eyes open. Sitting in his hands was the microphone of the infamous Radio Demon, whole and restored to its full glory with not a hint that it had ever been damaged.
Between one blink to the next, the staff vanished. Out of the corner of his eye, Lucifer saw it reappear in Alastor's hand. The sinner gave it a twirl, before tapping it to the ground to test its durability. Assured that it was indeed fully restored and could withstand some rough handling, Alastor brought the end to the ground with a hard, sharp crack.
Voodoo symbols lit the air around them with their sinister green glow. Shadows spilled out across the floor like ink, spreading up the walls until the entire room (and likely the entire structure) was engulfed in them. The only light remaining came from the soft glow of Alastor's eyes and teeth.
Lucifer, who needed no light to see, tracked the way Alastor's magic not just coaxed the various misplaced items back into their proper positions, but it also restored them back into their pre-damaged state. By the time the shadows dispersed like smoke and the symbols vanished out with a wink, everything was back to how it had been when they entered with not a single item or sheet of paper out of place. It was as if time itself had reversed itself before his eyes.
Grinning from ear to ear, Alastor tapped the microphone end of his staff. The sound echoed around them as it connected with the equipment, signifying that it was indeed functional again. Outside, the ON AIR sign flicked on for the first time since the extermination. Meeting Lucifer's gaze, expression predatory, Alastor greeted any listener with a radio nearby with: "Greetings and salutations, sinners. Did you miss me?"
He walked the scant distance between where he stood and his work station, deliberately walking around and behind Lucifer. As he passed, he ran a single finger along the fallen angel's back from shoulder to shoulder, merely because he could. "Of course you have," Alastor continued jovially. "Well, never fear, my wicked listeners, as your regularly scheduled broadcasts will begin again soon." Leaning over the controls, he pressed down on a more prominently visible button. What was visible of the ON AIR sign's light winked out as his short broadcast ended as fast as it began.
Seeing him in his element, Lucifer was certain this was the first time he'd ever seen Alastor sincerely happy to any degree. The very air around him seemed to have changed, becoming charged with possibility. It was a stark testament to how diminished he'd been up until that point. Alastor gave the staff a toss from hand to hand, as if refamiliarizing himself with its weight. Satisfied at last, he set it down in front of him, resting his hands upon it. Everything about his body language sang of his satisfaction. "Yes," he purred. "This will do quite nicely."
Lucifer opened his mouth, likely to come up with a witty retort, but never got the chance. It died on his lips as he was cut off by a sharp banging on the window to his left. As one, both turned to see what had made the noise.
Hovering outside, livid with her spear out was Vaggie. And she looked more than ready to break Alastor's windows all over again. She wouldn't have been able to, being on the other side of Lucifer's barrier, but she looked more than happy to try. They could just barely hear her as she shouted, "What the fuck did you do, Alastor?!"
Out of his peripheral view, Lucifer saw Alastor waggle his fingers at her in a wave, completely unconcerned as usual. If he didn't hope that the asshole really would get stabbed one day, Lucifer would have had a little chat about Alastor egging on people who could and would do just that.
Wincing, Lucifer imagined that if Vaggie was here, it was likely Charlie wasn't far behind. It was just as likely the only reason she wasn't outside the window herself was because she couldn't fly. With a wave of his hand, he dropped the barrier around Alastor's domain.
The moment it was dropped, Alastor darted forward. Lulled into a false sense of security by the redhead's previous helplessness, Lucifer didn't react in time to stop Alastor from wrapping a hand around his waist and pulling him in.
Prize acquired, Alastor pulled them both into his shadow.
Lucifer had not paid too much attention to Alastor's shadows, beyond acknowledging they existed and they could be lethal. He had noted how the redhead's personal shadow seemed to have a life of it's own, both working in tangent and separately of Alastor. Lucifer had only seen it twice, but he'd found it to be cheeky and only tolerable because it didn't speak. Unlike the demon who cast it.
Whatever Alastor had plunged them into - whether it be another realm or something else - felt wrong. It felt like being plunged into an ice cold bath, but on a metaphysical level. Darkness to a degree that the simple absence of light couldn't explain surrounded them on all sides. Out of the void came the feeling that they were being watched as they passed through.
Hands he couldn't feel, but still knew were there, curled into Alastor's coat until the fabric threatened to tear. The place screamed unholy. Every instinct in his body reared it's head, telling him that he - a child of God, disowned or not - shouldn't be there. He wanted to light a flame to chase away the darkness, if only he could figure out if he needed to use divine or demonic magic. Above all, he needed to get out. It was only because he wasn't entirely certain he couldn't escape on his own that he didn't actually just portal himself away.
Later, when he was able to think about that place without his mind shying away from it, he'd realize that something about the feeling of it was familiar.
But that would be then, and for now, the whole experience ranked as sheer nightmare fuel. How could Alastor stand it? Was it because he was human and/or a sinner? This place could drive a being insane.
When they reappeared in Alastor's hotel room, it felt like an eternity had passed as opposed to a mere minute or two. Lucifer took a shallow breathe, his whole body shaking like a bird trying to resettle it's feathers.
Oh, that was deeply unpleasant. He never wanted to do that again, ever.
Nonchalant, Alastor took hold of the hand clutching his jacket in a death grip. His smile oozed of false politeness. "Are you alright, your Majesty? You look a little pale."
As if he didn't know that place was messed up. Lucifer was distracted from wiping that smug grin off of the redhead's face by a loud bang against the other side of Alastor's door, the wood around the lock shattering as it finally gave up the ghost of keeping anyone out. The door slammed open, hitting the wall with such force that it ricocheted off of it.
Cherri stood with her foot still poised in the air, giving herself away as the person who had literally kicked the door open. Charlie hovered just behind her, hands in the air as if she had been trying to stop her. Angel stood to her other side, his main arms crossed, while his secondary hands were resting on his hips. "See," he was in the process of saying to Charlie, triumph both audible in his voice and visible on his face. "I told ya we could get the door open without the bombs."
"Yes, well, it would have been better if we didn't damage the door!" Charlie admonished, voice high pitched with stress. She turned her attention to the room itself, tensing as took in the scene in front of them. Lucifer watched her tense, fear twisting her features in a way he hadn't seen since her teenage years. "Dad! Are you alright?" She burst into the room making a beeline for her father.
Lucifer stepped away from Alastor to meet her, putting on an only marginally strained smile. "Of course, sweetie. Everything is fine."
Despite his reassurances, she checked him over for herself. When she was assured he was okay, she turned on Alastor. Her fingers twitched like she wanted to give him a similar inspection, but was holding back. "What did you do?" Her expression was a mixture of concern, anger, and guilt.
Alastor ran his hand down his coat, smoothing the creases out until it was as impeccable as ever. "How suspicious! What makes you think this is my doing?"
"Because it usually is." This was from Vaggie, who had appeared in the doorway while no one was looking. She pushed past Cherri and Angel, who were lingering for the promise of drama and maybe a little bit of curiosity over why the hotel was nearly knocked down for a second time in as many months. She marched straight up to Alastor, and then jabbed a finger into his chest when she was near enough to do so. "First Charlie and now Lucifer?! I knew we should have never let you stay here!"
Lucifer had been content to stand back and let Alastor take the heat. Maybe soil his own image a bit in Charlie's eyes. After all, Lucifer had been willing pay for his help. To make promises he was more than willing to keep, if it was within his power to keep. Alastor was the one who turned it into a binding deal, however predictable the move had been.
Then the implications of what Vaggie said sank in.
He could feel his control over his form slipping as he felt the anger rising. He reached out, almost not wanting to believe that it was true.
But there it was. The green chain of one of Alastor's deals hung from Charlie's wrist, damning evidence of the truth.
Lucifer saw red. His voice was cold despite the fire he could feel burning his tongue. "You made a deal with my daughter?!" The chain creaked as his fist tightened around it. He was going to shatter this little deal, take the remaining shards and shove them down Alastor throat. Then he was going to wrap his hand around his neck and--
"Dad, wait!"
The sight of Charlie suddenly filling his vision felt like being doused in cold water, enough to allow sanity to creep back in and take root again. "Charlie, I told you! You can't take shit from sinners like him." He glanced behind her, still able to see Alastor, posture tense and ears pinned back. His shadow was curled uneasily at his feet, ready to spirit him away at a moment's notice. Lucifer hissed. "They're nothing but parasites feeding off the rest of humanity."
For a brief moment, and only because Charlie had her back to him, Alastor bared his teeth, neither ashamed nor cowed.
Charlie raised her hands to calm him. She paused when one hand didn't raise as far as the other, catching on the chain around her wrist. Wincing at the fact that he was now physically restraining her, Lucifer released it. The chain vanished back into the ether. Freed of the restriction, Charlie lightly placed her hands on his arms, saying, "Dad, it's okay." She smiled to show she really believed it to be so. "He gave us information on how to protect the hotel. I'm happy to do something to help him in return."
Her smile, her trust, had the opposite effect, angering him further. "Charlie..." Lucifer wasn't certain who he was more angry with in that moment: himself for believing that Alastor might actually care about Charlie, in his own way, or Alastor for being none other than Alastor. All the signs were there: the redhead might like to play his games with Lucifer, but his interactions with the Charlie held a hint of genuine attachment to them.
Yet it would always be about power with him, wouldn't it? Could he even help himself anymore, when presented with an opportunity he seemingly couldn't pass up?
Lucifer's expression saddened as he focused on his daughter. His hands rose up to gently take hold of the wrist the chain was wrapped around, even if it were no longer visible. As a parent, he wanted to protect her from situations like these: where she was bound to get hurt. He knew he needed to give her space to learn from her mistakes, but how could he just leave his baby girl in the hands of a known sadist? "If he really had your best interests at heart, he wouldn't have needed to make a deal with you."
Charlie's eyes searched his, brows furrowed. "Dad, I can take of myself, remember?"
Because he never knew when to stop when he was ahead, Alastor interrupted them with, "There's no need for fighting, my dear. Your father is right." A red clawed hand appeared on her shoulder. Both of the Morningstars looked to see Alastor standing at Charlie's side. Alastor was giving her the same look he'd given her during his and Lucifer's swing dance show down over who was the better father figure for her. It made Lucifer's teeth itch with how false it was.
Charlie, on the other hand, merely watched him with confusion. "Alastor? What do you mean?"
As if butter wouldn't melt in his mouth, Alastor said, "Only that bonds built on mistrust make for unstable foundations." With a flick of his free hand, a glowing document appeared out of thin air, unfurrowing to reveal Charlie's signature plain as day at the bottom.
It was Charlie's contract.
"I think we can both agree," he carried on, knowing he had everyone in the room hanging on his every word, "That you and I have built such a bond of trust that this silly little thing isn't necessary."
Before anyone could react to that clearly manipulative statement, Alastor took the document, one claw on each of the top corners and ripped it in half. Without missing a beat, he tossed the two halves to either side of himself, the supernatural paper catching fire and burning away as if fell. A wisp of ash touched the floor before disappearing. "Charlie, I release you from our deal."
Lucifer stared, his emotions a storm of confusion and doubt. He couldn't believe what he had just seen. There was no way. Alastor would never have just released anyone from their deal with him unless he was getting something out of it. Alastor didn't do things for the good of other people. This had to be a game somehow. But what did he gain from it? Unease began to creep in as Lucifer tried to make sense of what he'd just witnessed.
The answer came when Charlie inhaled sharply, all but literal stars in her eyes. "Alastor! I'm so proud of you!" She threw herself at the redhead, wrapping her arms around him in a bone crushing hug. "Of course you can trust me!"
Lucifer realized with dawning horror that this, this was what Alastor gained from that little display of pretending to show faith and trust. Charlie had bought it hook, line, and sinker. His whole body locked up, the instinct to protect his child at war with the fear of excommunicating her by killing Alastor for the sheer audacity.
Worse, Lucifer had been right there and he had still failed to protect her from this sinner.
Alastor's expression softened with fondness as he tolerantly patted her head, enduring the forced contact with grace. After letting her have her hug, he gently pried her hands off of him, to which Charlie winced, saying, "Sorry! Sorry, I know. Boundaries."
The redhead gave her a light bop on the nose, to show he forgave her her trespasses. "It's perfectly alright. No harm done." He sent his microphone away to clear his hands, freeing them to clap together, as if he didn't already have everyone's attention. "Now, if everyone would kindly vacate my room, I have a very long To Do List to accomplish and there are only so many hours in the day to do it."
Angel and Cherri didn't need to be told twice, ready to make themselves scarce now that the drama had passed. Charlie moved over to grip Vaggie's arm as they walked together out the door, the taller woman saying with excitement, "Vaggie, did you see! I told you!"
It was a relief to see that Vaggie still looked doubtful, for all that it did nothing to slow down how quickly Alastor was entrapping Charlie little by little.
When it was just the two of them, Alastor turned to Lucifer, his smile maliciously pleasant. "Come now, your Majesty, out you go. One of those tasks is one you appointed me yourself."
It took every ounce of Lucifer's no small amount of self control not to lose his shit all over again now that they were alone. "You may have Charlie fooled, but don't think for a second I don't see through you."
Alastor leaned forward, his hand wrapping itself around their mutual deal. The physical reminder of how entangled they already were casting a golden, green glow upon his face. Bold to his core and with the fearlessness born of someone who knew he held Lucifer's number one weakness in his claws, he said, sweetly, "And yet, I've already got exactly what I wanted."
Lucifer slapped the hand away, as if allowing the chain to disappear would somehow make what he said any less true. "Thin ice, Alastor. Don't forget it."
He pivoted on his heel, refusing to see what the response would have been. If he wanted any hope of being able to work with Alastor, Lucifer needed to leave now before any remaining good will was burned away.
He ignored the way that Alastor's gaze burned into his back, the sensation lingering long after he'd left.
tbc
Part 11
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anayzdraw · 6 months
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Perseverance Ink you live in my head rent FREE.
click for better quality grrr
AU by @pastelaspirations guys
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itsscottiesstark · 19 days
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Me: Ughhhhh I have no motivation to write, I can't do it, I don't want to heeeeelp
Me: *finally sits my ass down to write*
Me, 6 hours and 9k words later: well. Um. How.
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kimetsu-chan · 2 months
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The new chapter has put me through a range of emotions.
😰😭😄😟🤯😭😭😭😭😭
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nightmarerose1 · 2 months
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LOOK IM NOT SAYING HE DOSENT DESERVE ONE BUT😊🗿
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HOW HE GETS ONE BEFORE THEM WHEN THEY LITERALLY ALMOST/ DID DIE😭💔
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Now I gotta manifest that Tokoyami,Bakugou,Todoroki and Deku gets at least a tribute for their hard work this final chapter🕯️😌
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