#i tell him that every week

[brother-emperors]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[danandfuckingjonlmao]

atp phil’s like “ffs i wish i could hit you with a car then i wouldn’t have to be stuck with your annoying dramatic ass 🙄”

[elyasdoodles]

🫴

[ardate]

Every Boromir hater makes my enormous love for him grow stronger. Sorry you couldn't understand him, I get him tho and we're holding hands and the whole of Gondor is laughing at you

[nhura]

What's up guys I'm going to be a panelist at RATIOCON 2024 giving an improvised presentation on how silly and weird this guy is

[carpe-mamilia]

Ghosts’ Larry Rickard Explains Why They Chose the Captain’s First Name

Photo: Monumental,Guido Mandozzi

It couldn’t be a joke. That was one rule laid down by the Ghosts creators when it came to choosing a first name for Willbond’s character. Until series five, the WWII ghost had been known only as The Captain – a mystery seized upon by fans of the show.

“It was the question we got asked more than anything. His name,” actor and writer Larry Rickard tells Den of Geek. “Once we got to series three, you could see that we were deliberately cutting away and deliberately avoiding it. We were fuelling the fire because we knew at some point we’d tell them.”

In “Carpe Diem”, the episode written by Rickard and Ben Willbond that finally reveals The Captain’s death story, they did tell us. After years of guessing, clue-spotting and debate, Ghosts revealed that The Captain’s first name is James. At the same time, we also learned that James’ colleague Lieutenant Havers’ first name was Anthony.

The ordinariness of those two names, says Rickard, is the point.

“The only thing we were really clear about is that we didn’t want one of those names that only exists in tellyland. It shouldn’t be ‘Cormoran’ or ‘Endeavour’. They should just be some men’s names and they’re important to them. The point was that they were everyday.”

Choosing first names for The Captain and Havers was a long process not unlike naming a baby, Rickard agrees. “It almost comes down to looking at the faces of the characters and saying, what’s right?”

“We talked for ages. For a long time I kept thinking ‘Duncan and James’, and then I was like ah no! That would have turned it into a gag and been awful!” Inescapably in the minds of a certain generation, Duncan James is a member of noughties boyband Blue. “Maybe with Anthony I was thinking of Anthony Costa!” Rickard says in mock horror, referencing another member of the band.

Lieutenant Havers wasn’t just The Captain’s second in command while stationed at Button House; he was also the man James loved. Because homosexuality was criminalised in England during James’ lifetime, he was forced to hide his feelings for Anthony from society, and to some extent even from himself.

In “Carpe Diem”, the ghosts (mistakenly) prepare for the last day of their afterlives, prompting The Captain to finally tell his story. Though not explicit about his sexual identity, the others understand and accept what he tells them – and led by Lady Button, all agree that he’s a brave man.

Getting the balance right of what The Captain does and doesn’t say was key to the episode. “It wasn’t just a personal choice of his to go ‘I’m going to remain in the closet’,” explains Rickard. “There wasn’t an option there to explore the things that either of them felt. That couldn’t be done back then – there are so many stories which have come out since the War about the dangers of doing that.

“We wanted to tell his personal story but also try to ensure that there was a level at which you understood why they couldn’t be open, that even in this moment where he’s finally telling the other ghosts his story, he never comes out and says it overtly because that would be too much for him as a character from that time.

“He says enough for them to know, and enough for him to feel unburdened but it’s in the fact that they’re using their first names which militarily they would never have done, and in the literal passing of the baton”.

The baton is a bonus reveal when fans learned that The Captain’s military stick wasn’t a memento of his career, but of Havers. As James suffers a fatal heart attack during a VE day celebration at Button House, Anthony rushes to his side and the stick passes from one to the other as they share a moment of tragic understanding.

“From really early on, we had the idea that anything you’re holding [when you die] stays with you. So it wasn’t just your clothes you were wearing, we had the stuff with Thomas’ letter reappearing in his pocket and so on. And the assumption being that it was something The Captain couldn’t put down, it felt so nice to be able to say it was something he didn’t want to put down.”

Rickard lists “Carpe Diem”, co-written with Ben Willbond, among his series five highlights. He’s pleased with the end result, praises Willbond’s performance, and loved being on set to see Button House dressed for the 1940s. He’s particularly pleased that a checklist of moments they wanted to land with the audience all managed to be included. “Normally something’s fallen by the wayside just because of the way TV’s made, it’s always imperfect or it’s slightly rushed, but it feels like it’s all there.”

Rickard and Willbond also knew by this point in the show’s lifetime, that they could trust Ghosts fans to pick up on small details. “Nothing is missed,” he says. “Early on, you’re always thinking, is that going to get across? But once we got to series five, there are little tiny things within corners of shots and you know that’s going to be spotted. Particularly in that very short exchange between Havers and the Captain. We worried less about the minutiae of it because you go, that’s going to be rewound and rewatched, nothing will be missed.”

The team were also grateful they’d resisted the temptation to tell The Captain’s story sooner. “We’d talked about it every series since series two, whether or not now was the time, but because he’s such a hard and starchy character in a lot of ways you needed the time to understand his softer side I think before you had that final honest beat from him.”

“What a ridiculously normal name to have so much weight put on it for five years,” laughs Rickard fondly. “Good old James.”

From Den of Geek

[ronanlynchbf]

[overtake]

“a sexual awakening so intense it registered on the richter scale” is the single best and most accurate description I have ever heard.

pov: you're 16 years old and doing the final test for your super license ahead of joining f1 as the youngest ever driver. you expect the doubt and hate, and you know you can prove on track why you deserve to be there once you actually get in a car, but until then, you just have to be the subject of everyone's headlines and criticism for a factor you can't control.

then this guy comes along.

race winner who got himself to a top team and is beating his world champion teammate, a cool older handsome charismatic guy with a giant smile and big brown eyes, beloved and kind while still being fiercely talented, competitive, and hungry? the guy who you met in 2011 and who gave you the time of day before you were old enough to sniff at the f1 grid. he's not even going to be your actual teammate (yet), but he still takes the time to tell you he's looking forward to seeing you on the grid when so much of what you've heard is nonstop criticism.

he tells you good luck for your super license with a big grin meant just for you

and this is how it makes you feel.

this is live footage of daniel ricciardo becoming a permanent fixture in max's spank bank. it's one of those foundational crushes you have at a young age that sticks with you for life and unconsciously affects "your type" forever and never truly goes away.

also, i just think everyone should hear the way max very softly says "he's a really nice guy, yeah" with so much affection packed into every word.

how are you not to psychosexually imprint on him? one look at that video and max was ready to risk it all. he's been metaphorically tucking his hair, kicking his feet, and giggling since day one. he found a guy who he could race hard, who would challenge him on track, but who would still make the miserable pr days better for them, who was always laughing at max's jokes every time he did his little glance over to ensure it landed. max is so fiercely loyal to his people, and daniel has clearly earned that trust.

tldr: max verstappen is number one dirlie and if he were on f1blr, he would be writing long posts with onboards, data, and that ☝️🤓 attitude of his explaining in detail why everyone is wrong about daniel, and i hope it haunts all the max fans who get their rocks off to calling daniel a washed asshole loser that max's porn folder is daniel late braking compilations.

[blackbatcass]

listen I know it’s kind of corny and inaccurate to act like every single person in the dc universe knows each other and is besties but it IS endlessly funny to me to follow the web of connections and see how many degrees removed from each other everyone is.

like look at the arrowfam okay. ollie and dinah are together, ollie is homoerotic best friends with hal, dinah is homoerotic best friends with babs. roy is dating dick, has a kid with jade, and is basically an adoptive father to both grant emerson and rose wilson. connor is dating kyle and is constantly followed around by eddie fyers. mia is friends with a lot of the second gen teen titans kids, had an on-again-off-again thing going on with steph for a while, and is currently dating sienna. emiko is besties with courtney and some of the other recent teen titans. sin has a small army of protective aunts from the birds of prey. the real question is how far does it go before ollie puts a cap on the number of people who are invited to family brunch on sundays

[claudiaeparvier]

Lestat…talking to Louis…via Armand…

[dakooftacos]

that mood when the easiest thing for you to semi-freehand draw is whatever characters are in the show you're working on at the moment

[skeletoninthemelonland]

changing something crucial about Springdad's lore.

When he was, let's say, 10-12 years old, he was hanging around with his friends when they decided to do the usual stupid children activities, like jumping over fences. William climbed a protection fence, lost his balance, and cut his ear on the sharp edges. The cut was so bad they had to cut half of his ear off. That's how he got half a bunny ear.

[justaz]

need post magic reveal/ban repeal where magic is free and everyone grows in their knowledge of just what magic is and how it works etc, etc. merlin (isn't one for bragging about his powers) doesn't really mention much about his magic so people just assume he has enough to get by with like chores but not enough to catch the ire of uther EXCEPT for gauis, lancelot, and arthur bc gaius and lancelot have known about him for years and know what he's capable of and arthur sat merlin down and demanded all the stories so arthur knows he'd be a formidable opponent but he doesn't really get it yk? so he's like "yeah merlin has magic and he's capable of defending himself and camelot so he's probably on the more powerful end of the spectrum like every other sorcerer who is powerful"

and then i need merlin to be Different. like noticeably different. like idk a sorcerer is like trying out to be court sorcerer (bc merlin doesn't want another job dammit arthur give it morgana or someone-) and they perform this elaborate spell that captivates merlin and he starts asking all these questions and the sorcerer is like "yeah it's super difficult, it took me months to get it right and it takes years for some others-" and they cut themselves off bc merlin was just like "i wanna try" and does it perfectly first try. the sorcerer is seething.

camelot is hit with a heatwave and everyone is suffering and arthur is just like "morgana can you make it rain or something? it's too hot to breathe." and morgana is just like "no you idiot i can't just bend nature to my will. it doesn't like that." and merlin finally arrives with waterskins full of nice, cold, refreshing drink that the knights are frothing at the mouth to get. arthur complains again and morgana huffs and merlin is like "has he been like that this whole time?" and morgana nods with a groan and merlin laughs before going "i can try something" and leaves before anyone can say anything and arthur looks at morgana and is like "i thought you said nature doesn't like to be controlled?" and she's like "it doesn't" and then they all chase after merlin but he's chilling in the courtyard with his eyes closed, not even chanting, and then the sky starts to darken as black clouds roll in, the temperature plummets and then...snow begins to fall. in july. they all end up having a snowball fight.

a power hungry sorcerer comes along and is like "emrys....he's perfect....just what i need...teehee" and casts some spell over merlin and begins to siphon his magic and his power and merlin feels waves of his magic flood through the connection and into the sorcerer and like he's a mix of panic and concern bc yeah this mf is taking his magic but they're taking his magic. merlin tries to bargain or talk them down while the knights and arthur try to attack but the sorcerer keeps pushing them back and ignores merlin and is like "i want power, i want your power" blah blah blah monologue time and they swing another wave of magic out at the knights and knock many out while killing some and merlin is just like "ok no that's all folks thanks" and starts to push his own magic through the connection. the sorcerer has this wild gleam in their eyes and they feel more and more power fill them and it's like a high until it gets too much and they frantically try to sever the connection and their telling merlin to stop but merlin is just like "i thought you wanted my power? i'm giving it to you" and continues to flood the sorcerer with his magic until gold begins to trace their skin and they idk explode or smth and then all the magic flies back into merlin and he flexes his hands. unnamed knights 3, 6, 22, 53, and 55 still died so it's a tragedy.

a bunch of sorcerers are entertaining at a feast (kind of like the trickler) and they cast illusions all around the room that look real enough (unless you look too closely or touch it bc they are somewhat see through and your hand would pass right through them) and it's a fun and joyous night. later that week, the knights bring it up during their break while training and merlin is like "sure, what illusion should i cast?" and after some back and forth, he settles on the illusion of a dragon. it's around the size and age of aithusa bc that's all he has to go off of and it's gold since he took inspiration from the pendragon crest all around the area. it jumps around and flaps it's wings to get some air and it's all fine and dandy until elyan goes to poke his hand through it's ribs but meets physical scales and he jumps up into percival's arms. merlin looks closer and is like "oh. its real. whoops." and leon is like "whoops?? you make a real life dragon and all you have to say is whoops?" and merlin shrugs and is like "it was an accident" and leon about keels over from a heart attack "an accident? how do you accidentally-" the dragon is considered a gift from magic to camelot and helps further heal the wounds of uther's purge.

idk just like merlin being casually the most powerful sorcerer to walk the earth and unnerving people just by how little he seems to care about his shows of power but they're all like "well he's just doing all these small things that don't harm anyone and he doesn't even seem to realize just how powerful he is so what can ya do?" and they leave it be and make peace with merlin being Like That. and then camelot/arthur is attacked or smth idk and then everyone gets to see exactly how powerful and dangerous merlin is

[nashvillethotchicken]

I wonder what Louis’s doing now that he's living alone for the first time in 145 years

[purplecatghostposts]

Enemies AU with Chat Noir and Argos except while Ladybug and Chat Noir are having a complicated Enemies-To-Tentative-Allies-To-Friends(?)-To-Genuine-Trust-To-Lovers Arc with Argos suffering just watching the whole charade of dancing around each other, the moment Ryuko comes into play, they speedrun that arc in record time and suddenly the tables have turned with Chat Noir third wheeling Feligami’s (Ryargos’?) flirt-fighting while he and Ladybug are still stuck in between the Friends(?) and Genuine Trust stage.

Ladybug would lecture Ryuko to stop making out with the enemy… If it weren’t surprisingly useful at keeping Argos at bay. (Should she start making out with Chat Noir? For tactical reasons, of course. She definitely doesn’t think about making out with Chat Noir for any other reasons, uh-uh.)

Also the tables have turned further because usually Chat Noir is giving Argos heart attacks with how reckless and self-sacrificial he is but now Chat Noir has to try and shake some sense into him because, “Félix, Félix, she can TAKE your brooch if she’s that close to you— she almost did!” And Argos, having recently made out with Ryuko, is still very dazed and in Loverboy Mode so he’s there like, “It’s… Fine. I can keep it safe.” Very unconvincingly and Chat Noir is like, “Do you think she’ll stop trying to take it??” And Argos smiles softly and says, “No.” and Chat Noir just. Stops trying to convince him not to kiss her and just tells him to be careful.

[citizen-of-the-fandom]

sorry I'm trying really hard not to get all parasocial about neil newbon but like. the inherent community bonding of his game awards speech. squeezing it into one minute and thirty seconds because they didn't give anyone enough time, but then taking the time to shout, louder than the audience cheering, the one quote requested more than any other in his signing streams,

"You're not alone in this; none of us are!"

(Neil Newbon: Best Performance)