#i think it just means i liked his relationships with other characters best. does that make sense LOL

[urdreamydoodles]

Hi! I saw you were taking requests and wanted to see your take on everyone dealing with a reader who's a smart ass? Thought it be a funny concept about something you'll enjoy 🤍

X-Men x Reader (Part.1)

You're a smart ass (Part.1)

You have a playful and sarcastic personality that adds humor and lightness to your relationship with your partner. Your sarcasm creates both moments of laughter and occasional tension, but ultimately strengthens your relationships.

Characters: Logan Howlett, Remy LeBeau, Kurt Wagner, Scott Summers, Erik Lehnsherr, Bobby Drake, Wade Wilson, Jean Grey, Wanda Maximoff & Pietro Maximoff

I confirm it's a funny concept! Thank you for that one ♡ Hope you enjoy. — Love, Marie, your friendly marvel fangirl

Logan Howlett (Wolverine)

- Logan has always admired your wit, but when your sharp tongue turns into you being a bit of a smart-ass, it both amuses and irritates him. He raises a brow every time you make a snarky remark, half-impressed but also battling the urge to roll his eyes. “You think you’re funny, huh, darlin’?” he’d growl under his breath, though his lips twitch into a grin despite himself.

- While he’d try to keep things serious when the situation called for it, your teasing often gets the best of him. Like that time in the Danger Room when you outmaneuvered him with a smirk and a cocky quip, Logan pretended to be pissed, but you could see the pride in his eyes. “Better watch it, or I might not go easy on you next time,” he’d say with a low rumble, knowing full well that he’s too soft on you.

- There are moments when your sass pushes his patience, and he’ll let out a deep sigh, rubbing his temples in that way he does when he’s had just about enough. But instead of snapping, he pulls you close, growling something like, “You’re gonna be the death of me,” before kissing you fiercely, reminding you who’s in charge — at least until the next time you decide to test him.

- Despite all the banter, Logan wouldn’t trade your fiery spirit for anything. Deep down, he loves how sharp and quick-witted you are, even if it means dealing with your sarcasm on a daily basis. You keep him on his toes, and after everything he’s been through, your energy and humor are a breath of fresh air. Sometimes, when the two of you are alone, he’ll lean in and say, “You might be a pain in my ass, but you’re my pain in the ass,” with that gruff, affectionate tone that never fails to make your heart skip a beat.

Remy LeBeau (Gambit)

- Remy is no stranger to charm and wit, so when you sass him, he’s ready to dish it right back. He loves the playful banter between you two, and half the time, he’s probably encouraging it just to see what you’ll come up with next. “Ah, ma chérie, you t’ink you can outsmart Remy, eh?” he’d say, a devilish grin lighting up his face as he leans in closer, daring you to keep going.

- When you make a smart-ass remark, especially in front of the other X-Men, Remy can’t help but smirk proudly. He’ll throw an arm around your shoulder, pulling you close and whispering, “You gon’ get us in trouble, but I like it.” He’s never one to shy away from mischief, and with you by his side, the two of you are unstoppable when it comes to pulling off clever pranks or getting the upper hand in any situation.

- Every now and then, Remy will try to one-up you with his own smart comments, leading to playful verbal sparring matches that only deepen your connection. But even when he’s trying to get the last word in, he never minds when you come out on top. “Damn, chérie, you too good at this,” he’d laugh, eyes sparkling with admiration as he wraps you in his arms.

- On the rare occasions when your sass catches him off guard, you might notice a flicker of surprise before he recovers with that signature grin. “Ah, you keep me on my toes, mon amour,” he’d murmur, pressing a kiss to your temple. Remy loves every part of you — the wit, the sass, and the undeniable chemistry between you two. No matter what, he’s always ready for the next round of banter, knowing it only brings you closer together.

Kurt Wagner (Nightcrawler)

- Kurt is gentle and kind, so when you hit him with a sarcastic or smart-ass comment, he’s more likely to chuckle than to take offense. He’ll tilt his head, a curious smile playing on his lips as he tries to figure out if you’re serious or just teasing him. “Are you making fun of me, mein Schatz?” he’d ask, his voice full of playful curiosity.

- Despite his more serious nature at times, Kurt is never one to shy away from your banter. If anything, he enjoys your quick wit because it keeps things light between you two, especially during difficult missions or stressful situations. Whenever you throw a clever remark his way, he’d respond with a thoughtful hum, pretending to be deep in thought before adding, “You know, I think I love you even more for that.”

- Kurt has an incredibly patient demeanor, and while your sass might fluster him at first, he always handles it with grace. He might try to counter with a more philosophical or heartfelt response, which often makes you laugh even harder. “Ah, mein Liebe, you are too clever for me,” he’d say with a soft chuckle, before pulling you into a warm embrace. Even when you push his buttons, he can’t help but love you more for it.

- When the teasing gets a little too much, Kurt will lean into his affectionate side, making it impossible for you to keep up the act. He’ll teleport behind you, wrapping his arms around your waist, and whisper, “No matter how much you tease, I know your heart.” His sweet words, paired with his playful nature, always bring a sense of comfort to the banter, reminding you that, above all, you’re deeply loved.

Scott Summers (Cyclops)

- Scott is a bit more serious than the others, and your smart-ass comments tend to catch him off guard. He’s used to people following orders and being straightforward, so when you hit him with a sarcastic quip, he’s not always sure how to react at first. He’ll frown slightly, not out of anger, but out of pure confusion. “You’re kidding, right?” he’d ask, trying to gauge your tone.

- Despite his initial bewilderment, Scott can’t help but admire your sharp mind. He may act exasperated, but deep down, he appreciates that you’re not afraid to challenge him, even if it’s through sarcasm. You keep him grounded, reminding him that not everything has to be so serious all the time. “You know, you’ve got a smart mouth,” he’d say with a smirk, shaking his head in mock disapproval.

- When you sass him in front of the team, Scott tries to maintain his composure, but there’s always a hint of a smile tugging at the corner of his lips. He’ll shoot you a quick look that says, “We’ll talk about this later,” but you know he secretly loves the way you keep him on his toes. It’s a side of you that only he gets to see, and despite his stoic nature, it brings out the softer side of him.

- After a long day of leading the X-Men, Scott finds your sass refreshing. He’ll sit next to you, finally letting his guard down as you tease him about being “Mr. Perfect” all the time. “Alright, I get it,” he’d say, his voice filled with warmth and amusement. “You’re right — maybe I do need to lighten up.” And in those moments, he’d pull you close, appreciating every part of your smart-ass self.

Erik Lehnsherr (Magneto)

- Erik, always the strategist and thinker, isn’t used to someone challenging him with quick wit and sharp humor, especially not someone as close to him as you. The first time you throw a smart-ass comment his way, he pauses, his cold eyes narrowing, but there’s a glint of amusement behind the stern expression. “Careful, little one,” he’d murmur, his voice low and commanding, “you’re playing a dangerous game.”

- Despite his typically serious demeanor, Erik finds your sharp tongue intriguing. He’s surrounded by people who either fear or revere him, so your sass brings something refreshing into his life. Occasionally, when you get a bit too clever for your own good, Erik will raise an eyebrow and smirk, “You really think you’re clever, don’t you?” His tone is dangerous, but you both know there’s a playful undertone hiding beneath the menace.

- Erik’s response to your snarky comments often depends on his mood. In darker moments, he might grow irritated, his patience tested by your quips, especially if you question his decisions. “I’m not in the mood for jokes,” he’d snap, though there’s a deep affection behind his frustration. But when he’s feeling more relaxed, Erik has been known to surprise you with his own dry, sarcastic retorts. “Perhaps I should just let you lead the revolution next time,” he’d quip with a smirk, his voice thick with sarcasm, but his eyes soft with affection.

- At the end of the day, Erik admires your courage and intelligence, even if you use them to give him a hard time. There’s a sense of respect in how he handles your smart-ass attitude — after all, he’s seen too much of the world to be fazed by a little sass. In quiet moments, he’ll pull you close, whispering in your ear, “You may be impossible sometimes, but I wouldn’t have it any other way.”

Bobby Drake (Iceman)

- Bobby loves a good joke, so when you start tossing smart-ass remarks his way, he’s all in for the banter. “Oh, is that how it’s gonna be?” he’d ask, grinning from ear to ear as he prepares to throw a sarcastic comment right back at you. With Bobby, the sass only escalates into playful teasing that often ends with the two of you laughing uncontrollably.

- He’s the kind of guy who thrives on humor, so your quick wit only strengthens your relationship. Whether it’s during training or just hanging out at the mansion, Bobby always finds a way to keep the mood light, and he loves that you can match his energy. “Wow, look at you, Miss Smart-Ass,” he’ll say after you roast him with a particularly sharp comment. “Guess I’m not the only funny one around here.”

- There are times when Bobby’s insecurities come through, especially when your teasing touches on sensitive topics like his struggles with his powers or his place in the team. In those moments, he might brush off your comment with a forced laugh, but you can tell it’s bothered him. Later, he’ll admit, “Hey, about earlier… I know you didn’t mean anything by it. I just… you know, I’ve got my stuff to deal with.”

- Despite the occasional hiccup, Bobby loves that you keep him on his toes. Your sarcasm brings a balance to his humor, creating a dynamic that keeps things fun and light-hearted even during the toughest times. After all, he’s always been the class clown, but with you by his side, he feels like he’s met his match. “You know what?” he’d say, pulling you into a playful hug. “I think we might be the funniest couple in the mansion. No one else stands a chance.”

Wade Wilson (Deadpool)

- Being with Wade means endless chaos, and your quick wit fits right in. Wade absolutely adores your sass, and from the moment you drop your first sarcastic comment, he’s all over it. “Oh, look who’s got a smart mouth! I like it, babe!” He’s practically bouncing with excitement, eyes gleaming behind his mask. Your banter becomes a regular part of your relationship, with Wade taking every opportunity to match your smart-ass remarks with ridiculous quips of his own.

- Wade’s response to your sarcasm is often over-the-top, always aiming for laughs. You’d roll your eyes at something absurd he does, and Wade, without missing a beat, would respond with, “Oh, did you roll your eyes at me? That’s it, we’re getting a divorce.” It never fails to make you chuckle, and you know that he appreciates how you can keep up with his crazy antics. He loves that you never back down, even when he’s being the most outrageous version of himself.

- However, there are moments when Wade’s insecurity creeps through, particularly when it comes to his appearance or his mental health. If your sarcasm hits a little too close to home, Wade might joke it off, but you can sense the shift in his tone. “Yeah, I mean, who wouldn’t want to be with a guy whose face looks like a melted pizza?” he’d say with a forced grin. You always reassure him, showing him that your wit comes from a place of love, and Wade, with his usual dramatics, would throw himself into your arms, “Aww, babe, you really do love me, scars and all!”

- Despite his unpredictability, Wade loves how your humor keeps him grounded. Your ability to match his energy and throw in some sarcasm helps him feel normal in the whirlwind that is his life. “You know, I think we make a pretty kick-ass duo,” Wade would say, wrapping his arms around you. “You with your snark and me with my endless charm — we’re unstoppable!” And though the world may be chaotic, your relationship with Wade is filled with love, laughter, and plenty of smart-ass remarks.

Jean Grey (Phoenix)

- Jean is known for her calm demeanor, so your sarcasm catches her off guard at first. She’s used to people being more respectful around her, especially considering her immense power, but your playful attitude draws out a side of her that she doesn’t often get to express. The first time you make a smart-ass comment, Jean raises an eyebrow, her lips twitching into a small smile. “Oh, so we’re doing this now, huh?” she’d say, her voice light with amusement.

- As your relationship develops, Jean grows to love your quick wit. It brings a sense of normalcy to her life, something she desperately needs amidst the chaos of being an X-Man. She enjoys the way your banter makes her feel human, reminding her that she’s more than just a telepathic, omega-level mutant. “You’re lucky I don’t read your mind more often,” she’d tease after you make a sarcastic remark, though you both know she’d never actually do that without your permission.

- There are moments, however, when Jean’s powers make her feel overwhelmed and vulnerable. If your sarcasm comes at the wrong time, she might take it to heart, her telepathic abilities amplifying the impact of your words. “I’m not in the mood for jokes,” she’d say softly, her eyes downcast. You’d quickly realize that she’s struggling, and after a gentle apology, Jean would nod, grateful for your understanding. “Thank you,” she’d whisper, her voice filled with affection.

- Despite the occasional tension, Jean appreciates how your sharp mind challenges her. Your smart-ass attitude keeps her grounded, helping her navigate the pressures of her powers and responsibilities. “You always know how to keep me on my toes,” she’d say with a smile, leaning into your embrace. “I don’t know what I’d do without you.” And while Jean may be one of the most powerful beings in the world, your sarcasm reminds her that she’s also just a woman, capable of love and laughter.

Wanda Maximoff (Scarlet Witch)

- Wanda, initially reserved and quiet, is surprised by your quick wit and sarcasm. She’s not used to people being so casual with her, especially given the weight of her powers and her past. The first time you make a smart-ass remark, Wanda’s eyes widen in surprise before a small smile pulls at her lips. “Oh, so that’s how it’s going to be,” she’d say, amusement dancing in her eyes as she begins to warm up to your teasing nature.

- As your relationship deepens, Wanda grows to appreciate how your humor helps lighten the heavy burdens she carries. Your sarcastic comments often draw her out of her thoughts, bringing her back to the present. “You think you’re funny, don’t you?” she’d tease back, a smirk on her lips, her Sokovian accent slipping through as she gives you a playful nudge. She loves how you can make her laugh, even when she’s feeling down.

- However, there are moments when Wanda’s emotions become overwhelming, and your sarcasm might accidentally cut too deep. If she’s in a particularly vulnerable state, she might take your comment the wrong way, her powers flickering dangerously as her mood shifts. “I’m not in the mood for jokes,” she’d say, her tone sharp. You’d quickly reassure her, explaining that you didn’t mean it, and Wanda, ever self-aware, would soften. “I know,” she’d sigh, taking your hand, “I just… I need some time.”

- Despite the occasional misstep, Wanda loves how your quick wit keeps her grounded. Your playful banter reminds her that not everything needs to be serious, and it helps her find moments of joy in an otherwise heavy world. “You always know how to make me smile,” she’d say softly, leaning into your embrace. “Even when I try to be serious, you just… bring out the light in me.” Your smart-ass attitude becomes a source of comfort for her, a reminder that she’s not alone in the darkness.

Pietro Maximoff (Quicksilver)

- Pietro is quick in every sense of the word, so your sharp tongue and sarcastic remarks don’t catch him off guard — in fact, he thrives on it. The first time you throw a snarky comment his way, Pietro’s already grinning before you’ve even finished. “You’re fast, but I’m faster,” he’d quip, zipping around you in a blur before coming to a stop with a smug look on his face. “Think you can keep up, smart-ass?”

- Your sarcasm and quick wit become a game to him, a challenge he’s always ready to meet head-on. Pietro loves the verbal sparring, and his playful nature means that he’s constantly teasing you back. “Oh, you’re really asking for it, aren’t you?” he’d say with a grin after you make a particularly clever remark, speeding off before you can respond. It’s a back-and-forth that keeps your relationship exciting, always filled with laughter and light-hearted banter.

- However, there are times when your sarcasm touches on his insecurities — like his tendency to rush through life, or his complicated relationship with Wanda. In those rare moments, Pietro might bristle, his smile fading as he crosses his arms. “Yeah, well, not everything can be a joke,” he’d mutter, clearly hurt. You always know how to handle him though, and after a bit of reassurance, Pietro’s back to his usual self, cracking jokes and challenging you to keep up with him.

- Pietro loves how your smart-ass attitude matches his fast-paced lifestyle. Your quick comebacks keep him on his toes, and he adores how you never let him get away with being too cocky. “You might be the only person who can keep up with me,” he’d say, pulling you into a tight hug after a particularly playful argument. And while life with Pietro is always fast and chaotic, your sarcasm adds a layer of fun and connection that makes your relationship all the more special.

[coca-lastic]

5 Green flags 🟩 VS 5 Red Flags 🟥

I'M BACK 👹

Well well, My last post about Keigo have lots of support from you all, and like I said, I'm willing to do a part 2 about Bakugo Katsuki sooo, here I am.

Tell me if you want a part 3 and which character you would like.

Let's start with his red flags. Let's be clear that Katsuki does have a few, it's true that it's nice to imagine him as an attentive boyfriend who takes the initiative, and I firmly believe that he would be like that, but that shouldn't hide the little things he has that can get on your nerves at the time of a fight.

Now, let's start listing his bad things:

1. He acts like you're a burden: I don't think he would do this on purpose, but he would. Comments like "What the fuck do you want now?", "Stop bothering me", "You're too intense", "Will you shut up?" can come up at the beginning of the relationship. Even to the point that you feel bad about his independent actions, as if you were just another thing on his list. Of course, deep down he doesn't consider you a burden, but he expresses himself as if you were one.

2. He doesn't open up to you: Katsuki has this constant thought that he can't be inferior, that he has to be the best and his feelings can be a difficult thing, and I think that in a relationship he feels a lot more pressure about all this to be strong and show you how tough he is. So I think that for a long time he won't tell you if something is wrong with him even if it's clear that something is wrong with him. This could just be something normal, but I add it as a red flag since a large part of Katsuki's life is clouded by those insecurities, so he doesn't tell you how he feels every time he sees Deku, or how he was in training, or how he felt when he won something, because if he does, his facade will fall apart. This ends up being something that can affect the communication between you two.

3. He doesn't understand you: He tries, he really does, but he just has a hard time understanding when you feel bad. He's so used to minimizing what's happening to him that he doesn't understand why it affects you so much. So you might be crying in his arms, and he might be hugging you, but deep down he doesn't understand, and that's terrible in arguments, because he doesn't understand why you're angry or why you're sad or why you're disappointed, he tries to fix it but he doesn't understand the roots of the problem.

4. He's jealous: Like, not jealous to get insecure when he sees you with a friend, jealous to get furious when he sees you with another man. And that, OBVIOUSLY, brings problems. He trusts you, he doesn't trust them, he knows you're hot and he also knows that the other jerks know it. So don't doubt that he's going to complain to you repeatedly that a certain person shouldn't be so close to you, or that he doesn't get along very well with a certain friend.

5. His anger: In the anime we can already see that he is a little bit... impatient. He tries to control himself with you, he truly loves you and treats you with his best version, but there are times when you simply act in a bad way, I mean, you also have your red flags, and that makes him angry, and you too, then you fight. A lot. For a long time. A lot of yelling. And probably a lot of painful words that he doesn't really feel, but says them, because his fury is faster to speak than to think, analyze and meditate.

Now, like every person, he has his flaws and his virtues. He has things to improve and things that you should love, because they are incredible.

So let's see what those good sides are and let's see which side of his personality ends up winning, let's see the second side of his furious personality.

1. He doesn't talk, he acts: Maybe he doesn't open up to you as much as he should, but he decides to make you feel comfortable by letting you know that he loves you through more practical methods. Are you hungry? He cooks, are you sick? He takes care of you, do you want a snack? He buys it. Because actions are worth more than words, so he decides to act, he decides to give you what you want, and consider yourself lucky because you are the only one who sees his helpful side.

2. He puts you first: If his friends invited him out to eat something, he won't care if you sent him a text telling him to go with you to buy something. If his mother told him she was going to celebrate a birthday with the family, he'll run away because you asked him to bring you some chocolates. Because he knows that if you love someone, you're not going to replace them with the smallest things, so if he has to make a decision that involves you, you'll always be the right answer.

3. He is not ashamed to show you off, he loves to do it: You are also part of his achievements, and being the show-off that he is, he will show you off. God, he has a sexy, smart, strong, kind and hot girlfriend, he has to show you and show them that you two are together, that he is a lucky and happy man.

4. He knows you: I think this is important, but not all men do it, in fact those who do are very few. Because not all of them observe you, remember, learn and please you, but Katsuki does. He is observant and knows how to listen, maybe he doesn't understand perfectly why you feel so much, why you get excited and sad about small things, but he knows that you do it, he knows how you feel, he knows how you reacts, he knows what you like and how he knows you, he knows how to please you, he knows how to make you happy with a gift, he knows how to excite you, he knows how to make you laugh and he knows how to make you feel loved.

5. You're part of his future: If he sees himself as a great hero, he sees you by his side, making and fulfilling your dream. Holding your hand. Kissing you. Hugging you. Caressing you. That's what he sees. Maybe two house, or a single one, whatever you want, maybe 2 children, or maybe none, just a pet, maybe a red car, or maybe a black car, but within all those variables there is one constant: you.

Sorry, this doesn't match your way of seeing Katsuki. Remember that he is still a character that each one sees and imagines in their own way, but I try to do it in a way that everyone feels comfortable.

Now, did the 🟩 flags or the 🟥 flags win?

[colduncrustable]

the martin antis working so hard to make waves is so funny. like, you are very much allowed to like/dislike any character you please! but making it your whole personality or acting like you’re cooler for it is a little bit silly. you are not morally or intellectually superior for hating on a fiction character.

not to mention all of the characters in tma are very nuanced and complicated, just like real people (!), and erasing all of that to serve a certain narrative is a complete disservice to the entire body of work. jon and martin’s relationship was never meant to be easy, they first and foremost worked closely together as boss/employee, and in a workplace that was actively putting them in dangerous and horrible situations. the whole point is that they’re both super fucked up but they have each other anyway. they both have flaws, they both have gone through a great deal both with and without each other, but they found love anyway. the idea that the dynamic change in s5 is due to martin just being this villain is so wild? like he’s not a doormat anymore but he also loves jon so fiercely and stands by him over and over again?

jon hated him, jon ignored him, was verbally horrible to him again and again, literally sent him on a dangerous investigation and said if anyone had to die might as well be him, jon accused him of murder, screamed at him, jon was on the run, jon died. martin was his number one defender through everything, even when honestly? he didn’t do a lot to prove he deserved it. but martin was strong in his loyalty and did his best to be a supporter anyway. he picked up extra work, he thought of him kindly when no one else did, he mourned him, and he put himself directly in the line of fire for jon. for everyone, yes, but especially for jon, he says that. because after everything, protecting jon is still his number one priority.

it’s so important to his character that he isn’t s1 martin anymore—that he learns to be a real person who has thoughts and feelings and a backbone. jon wanted that, and does it not say something that they don’t work out until martin learns to have a little bite? there’s a difference between being a real complicated traumatized human person, and just straight up being evil, or an asshole. jon had to learn how to be a lot of softer things but martin had to learn how to square his shoulders and stick out his chin. they had different arcs, and that doesn’t make either of them inherently evil or bad. it makes them real and not perfect and very multilayered, yeah.

martin didn’t handle every choice or action perfectly, he made a lot of mistakes, and he never claims to be the best person ever. but jon also fucked up, a lot. it isn’t a competition or a comparison, that’s really not how that works. but they work because of their flaws. that’s a big part of them fitting together. martin represented the humanity they were saving, with all his good and bad. jon was well beyond that, and while that doesn’t inherently compromise his character, it does mean he’s viewed in a much different light.

(meaning i think jon’s sins are seen very very different to martin’s.) (to be clear i think both deserve to be looked at critically, but hating either of them devoutly seems sort of silly.)

i’m not sure how you can listen to tma and all the ways it dissects and reflects on humanity and turn around and run blogs or make posts in the fandom about how you hate one of the main characters for being all of that.

jon never would’ve made it through without martin, even if martin wasn’t the key to everything, he was the reason to push through and not give up. martin is why jon didn’t go full monster mode, why he held onto who he was and his humanity, even with the whole ‘kill bill’ thing. martin gave him a reason to keep going, to try, to care so deeply. obviously there were other factors but jon says it himself, martin you are my reason.

if you can’t handle the fact that martin isn’t a grade a soft boy by the end of the show that’s a lot more about you than it is about him. he grew and maybe not always for the better but he could be a real person for jon instead of some kind of mirror or blank slate to be reflected on. i genuinely don’t understand how he can be misunderstood so deeply.

they’re both fucked up ! and if they are alive Somewhere Else you bet your ass they’re having long talks and going to therapy and fighting and making up and pacing the floors and figuring it all out together. it isn’t clean or easy or necessarily enjoyable all the time, but humanity isn’t either, love isn’t either. they went through unimaginable trauma, and expecting either of them to be holding it together any better than they already are is wild. context, it’s important. but let’s not turn multi-dimensional characters into flat one word answers.

it’s very human to like and dislike, love and hate based off of bias and experiences and perspective. but also opinion does not make fact. everything is relative, everything is subjective, everything everything everything. it’s an open discussion yada yada idk i’m just screaming into the wall about all the nonsense.

and beyond all of that, discourse is so useless. criticism and constructive conversations are really really important but discourse is pointless! oh you ship these people? well that inherently threatens my ship! oh you like this character that i hate? well that makes me feel invalid for hating them. like what you like, hate what you hate, have your feelings. but if you post shit on the internet you will get people who disagree, sorry, that’s how it is. partaking in little arguments over who is right or wrong when it doesn’t actually have to do with anything harmful or unhealthy makes no sense though. posting on the internet about all the hate you have in your heart when the world is already so full of it doesn’t actually do anything but add more bad to an already very large pile of bad.

things can be discussions not arguments sometimes, i promise. it’s not always tooth and nail, and let’s not forget, most of it is over things that never need to be fought over.

[the-way-astray]

okay wait if you don’t mind me asking why don’t you like incorrect quotes?

anon, i swear this was not meant to be this long

my reasons are 100% subjective. over the years, i've dabbled in several different fandoms. and i find that the same incorrect quote format is used to describe relationships between characters in different series that i find to not be alike at all. for example, i've seen multiple of the same incorrect quote formats used for both percabeth and sokeefe, when i don't find the relationships to be that similar to one another at all. it's just that people see one dimension of sophie and annabeth (let's say smart) and one dimension of percy and keefe (let's say funny) and then the entire incorrect quote becomes about that. i find sokeefe and percabeth to be two entirely different relationships with few things in common (which i've talked about), but the incorrect quotes flatten them to those qualities only and i don't like that.

the sokeefe-percabeth thing is just an example, by the way, one i picked because i feel most people i'm talking to would understand it, but i've also seen the same incorrect quote formats used to describe relationships like jurdan or kanej . . . and if you've read tfota or soc you know how drastically dissimilar jurdan or kanej are to either sokeefe or percabeth (and each other). and i find that these indirect comparisons drawn between relationships like this flattens certain characters quite a bit. this is how we get stuff like "sokeefe is basically kotlc percabeth" and stuff like that.

then, once a character has been given a "role" (i use the term loosely) they have to occupy all the aspects that come with that "role". so then they're only allowed to be that "role" in the incorrect quote, even if the quote requires them to say/do things they would never say/do, because they've been slated into that role based on that one aspect. take this quote for example:

keefe has been slated into the role of "one that has a crush on sophie" for the purposes of this particular quote. but keefe doesn't ramble like this. he doesn't like his dad and would never discuss a crush on sophie with him (but this one i'm not that mad about since you could as easily change cassius to ro or something). he doesn't use exaggerated metaphors to describe things and he doesn't speak in purple prose. he does a pretty good job hiding his crush and would never inadvertently reveal it like this. do you see what i mean? because of the fact that the format requires him to be "one with a crush on sophie", he now has to fulfill all the other aspects the format requires, even though they don't apply to him. and it no longer feels like keefe. it flattens him down to this one aspect.

i feel like this flattening aspect of incorrect quotes does have a (very small, sort of indirect) effect on the way characters are perceived in fanon. and i don't like it? it's very weird to me. so i prefer to stay away from it. (best examples i can think of are cardan and kaz, who are both morally gray, but lots of incorrect quotes portray them as hopelessly in love with their love interests or malewives, and while that's true, them being slated into that role for the purpose of the incorrect quote often makes them out to be the kind that would doodle hearts around names in notebooks or blush or be in that sort of cutesy-teenager-with-a-crush kind of romance. and . . . uh . . . yeah, they love jude and inej, but that's like. not at all what either relationship is like. it's just not.)

also some incorrect quotes are so desperate to slate characters into certain "roles", as i call them, that they forsake crucial aspects of the character in the process, or actively make them do/say things that go against something that is a core aspect of that character. and i don't like the way the quote is willing to misinterpret something so crucial to the character for the sake of the incorrect quote exemplifying something much less important like "the funny one" or "the one with a crush on ___".

incorrect quotes also have a tendency to portray what a character actually wants to do, rather than how they would realistically behave, given the circumstances. take this quote (and ignore the weird anti-sophitz-ness for the moment, i'm trying to make a point):

in canon, it's kind of a point that sophie "isn't aware" of her crush on keefe, so to speak. she knows she has a crush on fitz. she may subconsciously want to kiss keefe, but remember, she thinks she likes fitz. so this incorrect quote just frustrates me because that's not what sophie would do!!!!!!! she would kiss fitz. actually, she would get all nervous and blushy and try to worm her way out of it. and if this is a post-stellarlune quote, and she knows she likes keefe, she wouldn't address fitz directly like that??? she would trying so hard not to look at fitz because omg omg omg i have to kiss my new boyfriend in front of my old boyfriend who appears to still not be over me. like the quote requires you to change fundamental aspects of sophie's personality/behavior to buy it. my analysis brain can't handle that. my problem is that i can't enjoy the quote for the quote, because my brain is always instead picking apart how un-character the incorrect quote feels.

having said all of that, i fully understand that anyone who likes incorrect quotes or engages with them frequently knows all this. i don't think you all are stupid. obviously keefe would never say something like that first example i showed in canon. that's understood! the point is to make fun of his crush on sophie. i get it. it's all in good fun. i just prefer not to engage with incorrect quotes because the flattening aspect makes me personally want to scream that the character would never do or say that, because at this point the character doesn't even feel like the character, so what even is the point of the quote anymore??? and then i get stuck in a loop.

and like i said in my original tags, i would never want to completely get rid of incorrect quotes. they're easy to make, fun, easily digestable, and in general sort of a safe way to get started in fandoms. they're the safety net of fandoms, and i think they really are crucial for smaller/more obscure fandoms where nobody wants to do hardcore analysis stuff but people still want to talk about their favorite media. so i think, for the purposes they fulfill, they're alright.

[bicheetopuff]

By the end of the story, I stopped being a bkdk shipper because Hori made it seem so one-sided on Bakugo's side. Does Izuku even care about him or think about him by the end of the story? He seemed to care more for Ochako and even Iida. Meanwhile Bakugo and Izuku didn't even have an actual resolution on anything, never had a decent reciprocated convo and Izuku doesn't even acknowledge anything Bakugo did. In the last chapter, he becomes a very passive character. He doesnt even try to be a hero until the class hands him the suit. He doesnt even have on screen convos with anyone besides AM. Hori's writing was so weak for his character and relationships with others at the end.

I’m sorry you felt that way, I guess? They had a resolution, and I honestly think it was the best one in the series because Hori didn’t have to outright explain it in text for it to have the emotional impact it had.

Their whole thing was fixing their relationship and learning to become heroes who save and win simultaneously, instead of one or the other. Which they did, in narrative terms.

Also things don’t have to be said out loud to just be understood/implied. Deku watching Katsuki cry with tears in his eyes is a sign of care. The way he reacted to seeing Katsuki’s body is a sign of care. Shigaraki calling Katsuki the closest person to him, is proof that people in the story can see their relationship through implication just fine. Also, does the cover to volume 37 just mean nothing?

All of those implications, plus the other implication that Izuku doesn’t like thinking about how he feels when it comes to Katsuki, nor does he like acknowledging it unless he absolutely he has to. It’s not a writing flaw on horikoshis part, it’s an intentional character flaw that never showed signs of having development, because its development wouldn’t have been important to the overall story. It’s just something we’re supposed to notice and it’s made decently obvious that this is the case considering DvK2 and his vigilante arc, the latter especially.

When Katsuki being stabbed actually happened, you can tell it affected Izuku way more than Aizawa and Torinos injuries and he literally almost died cuz of his reaction to it, yet he pushes it to the back of his mind when he leaves UA after writing a letter to Katsuki that was different than everyone else’s. Or after Katsuki apologized, we get no internal thoughts about him like we did for the rest of the class when the retrieval arc happened, yet Izuku ends up stumbling and falling into Katsuki’s arms as opposed to literally anyone else’s. Not to mentions the fourth episode of the memories recap in the anime, solidifying this theory by giving him PTSD about Katsuki being stabbed. Also:

It’s said in text… “…somewhere deep inside…” meaning it’s intentionally not on the forefront of his mind. Also I think the 1:1 translation to this scene, he described his feelings as “gross,” meaning he’s somewhat ashamed of them.

Also is Izuku supposed to just not care about his other friends? Iida and Ochako were literally his first real friends, of course Hori is gonna highlight them in the end.

Izuku is passive in the end, because he’s always been a passive character. It’s just apart of his personality. And he doesn’t try to be a hero for several years, because wtf is he supposed to do? In the society they live in, you really can’t fight criminals without a quirk unless you fight hand to hand, which won’t work against people with quirks who don’t care about fighting fair. It’s not like he could’ve gotten his own suit on a teachers salary. He doesn’t try because he just accepts and appreciates that it was a short lived dream that he got the chance to actually live.

There’s less focus on Izuku’s development and his relationships with the people around him, because Izuku’s the only character that didn’t “need” development because he’s already a “perfect hero” by Japanese standards. He’s kind, driven, respectful, and sacrificial. The only development he has and needed for the sake of the story was trying to be more confident in himself, and letting himself accept help from others. Everything other flaw, is purely personal to him. Other characters bring up his flaws to him in the story, but no one can make him consider changing those flaws except for him, because those flaws only affect him, and his biggest flaw is that he literally does not take himself into account for anything. He doesn’t care about making himself happy. It is literally purposeful.

Now, I think the epilogue in general was just rushed and I do wish he was able to having meaningful conversations with more characters, like todoroki and his mother, but I don’t think those open doors lessened the integrity of the entire frame. I do wish he had a conversation with Katsuki, but I also understand that it wasn’t really needed either. It’s not a slice of life, after all. The only thing I think we didn’t get the best conclusion on, is bkdks handhold.

Also saying Izuku doesn’t care about Katsuki is such a weird take ajdnejdn

THAT. IS. SO. FUNNY!!

[newbiespud]

I'm sure it's been said before but I'll say it myself because why not

The game In Stars and Time makes for a revealing contrast to the movie Groundhog Day in how they treat their final time loop and how that reflects on the main character. (Even though, if I remember right, the dev largely wasn't aware of Groundhog Day when they came up with ISAT.)

Spoilers for both after the break, I guess.

In Groundhog Day, Phil starts out narcissistic and self-centered, has the realization that he can live life without consequences, gets depressed after having tried and done everything that he's got everyone and everything memorized so that nothing can delight and surprise him anymore, and finally escapes when he performs a loop that proves that a better, happier world is within his grasp to make, not something owed to him, and that he is happy with the life he has today, not always pining for his ambitions for the future.

In... In Stars and Time, Siffrin starts out deflecting and aloof, has the realization that they can do this perfectly - 'this' being not only the impossible challenge of defeating the King but navigating their relationships with their party - gets depressed after hitting wall after wall and repeatedly fumbling into faux pas after faux pas with their party, and finally escapes when they perform a loop where their true feelings come out, no matter how ugly, and they're honest about their own desires and wishes rather than trying to keep up an ideal façade.

Plenty of people have pointed out that In Stars and Time subverts the 'escaping on the perfect loop' time-loop trope that Groundhog Day largely codifies. Not only does the 'perfect' loop completely fail, Siffrin escapes on arguably the 'worst' loop, the one where they rightfully worry that they've hurt and alienated their loves ones forever and cannot escape those consequences anymore.

But I don't think this contrast is as direct as it seems, even though one could say that Phil got away scot-free compared to Siffrin and that In Stars and Time is the superior story for portraying a harsher outcome. (I do think that exploration and advancement of tropes is just inevitable and even healthy over time, and Groundhog Day came out in 1993 so of course it and the tropes it spawned deserve modern critique, but I digress.) I actually think that it reflects how both stories and the mechanics of their time loops are built around their main characters. (There's also something to be said about how genre shapes narrative since GD is an existential comedy and ISAT is an action-adventure focusing on interpersonal drama, but that's another digression.)

ISAT makes an impact on the whole time loop genre with its clever subversion, but like all the best subversive stories, it's couched in strong characters that embody its themes.

And to take a broader perspective, the best time loop stories are allegories for the real-life situation of making the same mistakes over and over again caused by your own deep-seated personality flaws, and being forced to finally confront your inner demons and overcome them and become a better, healthier person. (Relatable, much?)

Phil is a man who's never happy with his lot in life, so he needs to learn to find the eternal richness and beauty of what he has within his grasp, and that a better, happier life is something he can make for himself. Thus, he escapes on the 'best' loop.

Siffrin is a person who refuses to share their true feelings and problems with others to the point of self-destruction (and complete reinvention in one aspect), so they need to learn that no matter how ugly and twisted they think they are, being open and honest doesn't mean their loved ones will care about them any less, even when Siffrin is seen at their lowest point possible. Thus, they escape on the 'worst' loop.

It's not just clever subversion, it's holistic circular story structure!

...Though maybe I'm just drawn to these stories because I, too, would like some extra time to Figure Some Shit Out and have that time come with some superpowers along the way, even if it nearly destroys me in the process.

[sugar-crash]

🍬King Candy (Wreck-It Ralph) x (gn) Reader👑

(Beginning Relationship Pt. I Edition!)

(I thought this song would be fitting considering King Candy’s voice is based on the vocal performance Ed Wynn did for the Mad Hatter… That and its… Nostalgic🔑 [I saw the animation meme culture rise and fall.] lol)

- So, as we all know, the more unpleasant parts of his personality (which could tie him to Turbo) are suppressed, and hidden, though they can still peak out when he’s feeling particularly malicious.

- He’s a slime, a real manipulative rat who’s so sure he can keep everyone in the dark, who takes it slow with you at first to try to maintain his hard work.

- There’s a clear wall between what he displays in front of others and how he is, just the way he likes it, but honestly— If you mean so much to him, you get a weird mix of the two (well, more than usual), a kind of sweet goofiness that’s followed up with a snide remark about being the most skilled in some specific topic.

- Again he’s not the best lover, though from his previous indiscretions he has learned to be more open to others feelings— But only for your sake, mostly cause he can’t stand anyone else besides you…. And Sour Bill sometimes, but he’s mostly the personification of a minimum wage worker.

- Spending time together after hours is a must, though he’s more understanding now than he was before, not demanding every moment of your time but relishing whenever you do.

- I think all that time alone before Sugar Rush got plugged in made him lonely, and less stubborn to admit that he wants that comfort from someone else.

- I don’t think it’s much of a far reach when I say maintaining the King Candy persona is something he is very fluid in, but it’s exhausting at times.

- When he gets that seldom time alone without any of his kingly duties he finds himself yearning for your comforting touch, that stubbornness making way as he makes Sour Bill retrieve you.

- I can see moments between the two of you to be on the tamer side, not as many arguments like Pre-RoadBlasters, little to none really, but there are these tense moments where you ask him something a little too close to home and he becomes stiff in your arms if only for a brief moment.

- As much as he wants to be, not only for himself but maybe even you— He isn’t perfect, he isn’t the person he tries so hard to be, that gleeful and peppy voice going flat the second he isn’t feeling it anymore.

- It becomes apparent the more you know him he’s far more serious than he lets on, puffing his chest up slightly when things don’t go his way and he has to play dirty, which he’s certainly no stranger to...

- In comparison to himself when the arcade first ever opened, he’s certainly grown from that childish hatred, for better and for worse.

- He’s more affectionate for one, providing you with comfort fitting to how you are feeling at that moment, little compliments, and gestures of affection to quell your anger and anxiety in a matter of seconds.

- Quick to learn every little thing about you to make sure he’s able to relate to you, though his intentions with this information go back and forth.

- He wants everything on a silver platter, not only for himself but also for you, making the other subjects of Sugar Rush bend over backward for you, even when you object to all the attention.

- I think one of the ways he dotes on you in a way is date planning, various areas in Sugar Rush vary which can be very nice date spots… He seems like the picnic blanket and tea liker as King Candy, as stereotypical as that is lol.

- Though if that isn’t your style, he can always do dates at the castle, like baking— chatting the night away, it’s the simple things in life <3

- Even with his character growth he is far from a good person, which we all know and love for the most part. He’s fully aware that the things he does to bar you, Venallope, the Sugar Rush inhabitants, and even the arcade entirely is cruel, spiteful even. But what could he have done? Let himself fade into obscurity and be characterized after one of his biggest mistakes?

- No, no, not when he still has so much to provide— He’s a person, just like everyone else, better yet he was programmed to be better. Why should he stand aside and let the world spin without him? Why should he look at you from afar when he has every right to want you?

- That’s part of the reason why he’s so adamant about keeping his spot as the monarch of Sugar Rush, he’s the rightful ruler after all.

(Ria ecfcreaqqhaqq jl ria chraphar cq hjrichg rj qsjll nr winr wcee n oachg wijqa nfocrcjh gpjwq uhtap tupaqq tj wiah ia garq icq 4ri sinhsa?)

[raayllum]

Faith and Relationships in TDP

Relationships in TDP—familial, platonic, romantic, etc.—place a lot of emphasis on belief. Do you believe me? Do you believe in me? Is the way you see me the way I see myself, good or bad? This has always been an undertone of course, but some Rayla-Aaravos parallels and Viren with Kpp'Ar made it ping in my head, so I thought it was time to talk about.

Relationships that will be examined roughly in order:

Harrow + Sarai / Harrow + Viren

Viren and Kpp'Ar

Claudia and Soren

Terry and Claudia

Aaravos and Claudia

Rayla and Callum

Janai and Amaya

Ezran with his council and Zym

Janai and her people

I'm sure there'll be others (Ellis is going to make an appearance at one point, Runaan and Rayla, and possibly Karim / Miyana as a contrast) but this is what came to mind most notably. I'm also going to do my best to stay out of the weeds with TDP talking about how characters view things (or their perspectives of each other / actions magic etc.) as beliefs as otherwise we'd be here quite literally all day, but there will inevitably be some of that. But without further ado let's look into it:

Living Up to How People Think of You: Does Being Believed In Make You Better?

Time and time again we see TDP frame faith (and trust though that could be a separate meta on its own, but we'll touch on it a bit here), specifically someone having faith in you, as something that can make you better. If you have faith in someone, you trust and believe in them to behave a certain way—in ways that likely align with why you love them or believe in them—and so long as those patterns are maintained, the love and faith and trust remains. The belief holds and continues to be a steady foundation.

This is something I noticed being particularly prevalent in S1, specifically between how Viren talks about his dynamic with Harrow, and how it mirrors how Viren talks about Harrow's relationship with Sarai.

Now this comparison is actually one of the reasons Viren/Harrow always felt a bit fruity to me ever since S1 aired, since as Viren explains:

He asked me to stand next to him for the portrait because he knew I would stand by him through anything. I have to stand by him through this too. [...] It means there's one more thing I can do to convince him. (1x02)

Your sister made him better. Harrow told me he was never as strong or brave

but he tried every day to be stronger and braver so he could live up to what she saw in him. (1x05)

For Viren and for Harrow, this "I want to live up to how you see me" was ultimately a good thing. In Harrow's relationship, he did his best to live up to how Sarai saw him, and that meant being a loving compassionate father, and trying to be a champion of "strength and justice". She reminded him of his best principles and understood them, and it's clear that her words got through to him in his final days with his rejection of dark magic and urging their sons to break the cycle. For Viren, Harrow's words likewise got through to him, with Viren becoming a better father for the first time since Soren and Claudia's early childhood and in what he sacrificed to save Katolis: his own refusal of dark magic, and acknowledging that like Harrow, he should've been a not just a king, but "a servant".

But in classic TDP fashion, someone believing that you can be better, or believing that someone makes you better, is not always a good thing:

Aaravos believed in humans when all the other elves and dragons thought we were worthless, stupid, dirty animals.

So he gave us magic.

Aaravos' 'belief' in humanity, and in Claudia by extension ("But no matter: your daughter is far more powerful"), is the foundation of her loyalty to him. Claudia is extremely receptive to how other people view her, which is why she's coarse about judgement and tries to maintain a positive internalized viewpoint ("But I'm not evil. It's me. You know me") of her own self and actions, even while routinely acknowledging that she's doing increasingly "vile, dangerous" things. Likewise, her belief in Aaravos begins with faith that he can save her father, evolves into gratitude for what he's given humanity (because until S6, dark magic is always routinely a positive net force to her), and is bolstered by her own feedback loop with a Viren who's trying his best. His assertion that "you do anything for your child never the other way around" while trying to spare her helps her justify Aaravos' actions, since he's acting on behalf of Leola, and therefore whatever he does is "necessary. Like my dad."

Conversely for elf-human relations, we have Callum and Rayla. Callum is also a burgeoning mage, and Rayla is also important to his magical journey, providing a listening ear and occasionally some sound advice. The S2 novelization goes so far as to say that Rayla is the first person to tell Callum

 “I believe in you.” Callum blushed. No one had ever said those words to him before, or at least not that he remembered.

And we see her routinely express faith in her friends, particularly Callum and Ezran, even when the odds are stacked against them, other people disagree (Runaan, Lujanne, Sol Regem), or they don't have faith in themselves:

She has faith that Katolis and her boys won't be like the Silvergrove when she returns (and they aren't). She does her best to believe in Ezran in 1x09, or at least not be a jerk even if she can't totally take him at his word due to her own skepticism. She's another elf who also believes that humans are capable and strong, and sometimes even more so than elves:

The human kicked dirt at her, and Rayla scraped at her eyes, angry—infuriated, even. Humans were frustrating. Humans were clever. Humans could do anything, they could be anything, they could take their own fates and change them—

Which is, of course, the opposite thread of belief that Aaravos actually holds, which is that his pawns will always make his parts and that Callum playing into his hands and being nothing more than a pawn is inevitable. Callum also returns this in 5x01, citing "If she didn't tell me, she had a good reason," and that knowledge/belief is all that needs to not only set Rayla free, but reassert that she doesn't owe him an explanation until she wants to give one free of obligation and guilt — as she eventually does, changing her fate bit by bit at a time.

So does being believed in make you better? Overall TDP says that it can if you let it and work consistently towards it, but it does depend on what the belief is. We'll also loop back around this idea when we talk more about TDP's thread of having faith another section from now, but moving forwards to:

Belief as a Continuing Thread

The distinction between "this person believing in me" as an act of betterment versus "belief as a continuing thread," is, in my head, a difference of actively working towards living up to person's belief in you versus that belief forming a continual relationship foundation of stability and stagnation rather than change. In other words, belief as a continuing thread probably bleeds in the most into worldviews—I am a good person because I do Y, I stand by your side because of X, and as long as those beliefs built on actions aren't disrupted, they are maintained.

We see this perhaps encapsulated most in Terry and Claudia's relationship. Terry's belief in Claudia isn't about any sense of making her better ("Look at her sleeping, she's just perfect"—4x04) or guiding her down a specific path ("I can't [tell you what to do]"—6x04). He's not trying to change her, but instead, it's the foundation of his support for her. His belief in Claudia is built into their dynamic and why he is so loyal to her, as he explains in 4x09:

I've seen you do a lot of awful things, dark magic things. But I always believed in you because you had a reason.

As touched on here in a meta more about Terry overall, this is also why he doesn't like Aaravos in S6, because Aaravos' reasoning isn't love but revenge, and that's Terry's internal tipping point, even if Claudia can't recognize the distinction yet.

Of course, we can also see these continuing bonds of belief be severed. Unlike how Viren was trying to live up to what Harrow thought of him, or Harrow with Sarai, Viren and Kpp'Ar's relationship was a much more outright, direct mentor-mentee dynamic, Viren even following in Kpp'Ar's footsteps to become high mage:

I turned on him. My mentor, my... my teacher. A man who believed in me when... when I was nothing, and spent years of his life invested years of his life helping me become... what I became.

It's worth noting, I think, therefore, that while Viren does have clear regret over coining Kpp'Ar, he does still describe the act as necessary to Lissa in the past and in recounting the event in the letter. It is only after he takes Lissa's tears by force that we see him directly agree with her assessment of him being a monster. We also see Viren's continuing search for importance ("When I was nothing" / "I thought you were going to be something special, something important!" / "You're a nobody" to Kpp'Ar) parallel Claudia's views on dark magic as well ("We weren't born with magic, we were born with nothing" / "Humans had nothing").

This continuing thread of belief is also what allows Rayla to bring people back from being 'monsters' in a way with Esmeray and Runaan later on in the season through her faith that she can get through to them and help them, and that they're capable of receiving help.

In a similar vein of disillusionment of Viren and Kpp'Ar, though, we also see Soren come to this realization (and then back again, in some ways, in S6) with Viren:

I've known Viren longer than anyone here. I mean, because he's my dad, but it took me a long time to understand who my dad really is. And it was hard to see, because I really... I really looked up to him. He's smart, and the way he talks, you really believe that he's a good person, that everything he does is to protect his family, his home, or all of humanity. He makes you think that as long as you do what he says, you must be doing the right thing. Even when he asks you to do something bad. Something evil. So the truth is, someone who wants you to do horrible things and convinces you that they're good, that's a villain. My dad is a villain. And he's only gonna get more powerful, and the more powerful he gets, the more people will listen to him, and believe him, and follow him.

We see the continuing thread of Soren not trying to change Viren or Viren trying to change for him (in arc 1), but of Soren understandably believing in his father and Viren's judgement precisely because of things Soren perceives as lacking in himself ("I know I'm not the smartest / Dad is so smart, so I figured there must be a good reason") and because as a child / young adult, you're inclined to believe whatever your parent tells you at more or less face value. That said, Soren does talk specifically about how belief in others can intersect with belief in leadership, which is interesting in its own way. So let's move onto:

Belief as Faith / Having Faith In Our Leaders

Having faith in our leaders is something we've touched on already, albeit indirectly. Sarai believed in Harrow to be "a champion of love and justice"; Soren and Claudia believed at different intervals that their father would be a good leader. We see this reflected in Janai and Amaya's relationship predominantly in season 6:

Do you think I can lead my people after everything that's happened, all the mistakes I've made?

We see this similar theme in how Opeli and Corvus interact with Ezran in S3, where they support him as a monarch, specifically, as well as a person:

Ezran and Janai are also characters who tend to have a lot of faith in others, as well, which is part of their leadership. Janai has "patience and faith" that they can rebuild, that the architect can make her amends, etc. Ezran routinely has steadfast faith in his loved ones and their ability likewise to be better (not executing Viren, setting Soren and Claudia free, "She'll know what to do" / "she's alive, and wherever she is, she loves you too" about Rayla, "I think he would want you to, if you wanted to" about Callum and Harrow, etc). Even with Zym in season two:

But we'll get it, no matter how impossible it seems. We believe in ourselves, and we're not giving up, are we?

which is also a sentiment Janai extends to her people:

So we can have faith in others, in ourselves ("I will learn magic. It's who I am"), in our leaders, some prejudiced worldviews ("No, humans are liars" / "Are they really your friends, or are they just taking advantage of you?") and have all those things intermingle. We've talked briefly about disillusionment in threads of continued belief, and failing to live up to the beliefs / views of how others see us, or when belief breaks. I want to close this out by talking about Runaan and Rayla, briefly, namely:

This fits in this section (in my head) precisely because Runaan is Rayla's leader as well as her father, which is a unique dynamic that only Viren-Soren&Claudia get close to replicating, of being believed in by someone who also very explicitly tells you what to do (hi Claudia with Aaravos). Runaan lived in one reality (Rayla can be an assassin) and then immediately went to the other (she never will be) with no in between.

Meanwhile, we have characters like Ellis and Callum, who are able to acknowledge other people's realities even if they can't (for a variety of reasons) fully commit to them and sit somewhere more in the middle, which I think is interesting, particularly when it likewise comes to changing plans or acknowledging other realms/perspectives of reality.

And if I go any further into those weeds I'll start talking about TDP's whole emphasis on trust that is twice as long as this meta already is, I'm sure, so with that I'll wrap things up (sort of).

Conclusion, Kind Of

This doesn't have a real conclusion because this is so sprawling with like, a hopefully but not necessarily coherent common thread, but basically:

When you act in alignment with how others see you, this can help you live up to your 'full potential' — good or bad. And if it's bad, that might be a time to break their continued thread of faith in you, or you towards them, in order to be something truly better and new. All relationships, positive or negative, depend on faith/belief because they depend on reliability and expectation, and when those things are broken, this can either transform a relationship for the better or demolish it completely.

Are you having fun? Was this fun?

Anyway can't wait for S7 to ruin my life with Terry-Claudia, Callum-Ezran, and Callum-Rayla's threads of belief in particular.

—Dragons out

[say-hwaet]

The Dynamic Between Arthur and the Marstons (long post )

I guess I should say there are spoilers, just in case…

After playing the story through several times, I have to say, that Arthur Morgan is one of the best characters ever written. Aside from his development, there is so much depth to him, and regardless of his honor, there is so much to unravel.

I’ve been thinking about the relationship that he has between the Marstons, meaning John, Abigail, and Jack, and it really makes sense as to how Arthur acts the way he does around them in the beginning and all the way to the end.

A lot of his behavior, I think, stems from the loss of Eliza and Isaac. It is my opinion that he himself was torn between living a full life with them and remaining loyal to his gang, and before or by the time he had made a choice, it was too late, as they were killed in a robbery. This had haunted him since and it made him extremely bitter. Later in the game, he tells Rains Fall that he realized that he didn’t get to live a bad life and have good things happen to him. I also think that he was with Eliza after Mary had broken their engagement. I can get into my support for this later, but that isn’t what this post is about.

I think that Arthur was angry with John out of jealousy. He is the “golden boy” and clearly was Dutch’s favorite at one point. Not only that but after Arthur loses his own son and lover, John and Abigail get pregnant and he takes off for a year. He abandons his family, which Arthur takes personally. Arthur had tried to do right by Eliza and Isaac and still failed. So when John has Jack and is within the circle of the gang to help and support him, he takes off. Arthur gives up a potential life with Eliza and Isaac for Loyalty to the gang and John throws it all away. When John comes back, Dutch welcomes him with open arms, and Arthur believes that he would have been held to a different standard if he had come back after being with Eliza and Isaac for a long time. And it doesn’t help that John treats Jack like crap in the beginning of RDR2.

Arthur, imo, was a good father to Isaac when he was present. We can see this in how he treats Jack. In Arthur’s journal, he writes how he should have married Abigail, but due to his feelings for Mary, he didn’t. I’m not sure why after years of not hearing from Mary he would say this, but meh. Perhaps, the hope of starting over, or that she did pop in again at some point (which is how Abigail might have met her?). Anyways. I think he says he should have married her so that she would have someone to rely on and that he could be the father Jack needed. He cares about Abigail, but I don’t think it is anything beyond that. Arthur seemed to me not to be one to be with a woman without some sort of relationship, based upon how he treats women and the prostitutes in Valentine, so I don’t think he was ever with Abigail. Even so, Abigail relies on Arthur, and while he puts up a front, he gives her money for clothing and spends time with Jack. Heck, he even tells John to step up and be a dad. In some of Arthur’s conversations with John, he tells him that he can’t be two people at once. He’s speaking from experience. I think he’s subtly telling John he needs to make a choice as to what life he’s going to live. Hosea and Arthur both tell Abigail and John to leave at parts of the game.

When Jack is kidnapped, and eventually rescued, I think it is one of the most heart-wrenching missions and scenes. I can see it in Arthur’s body language that he longs for the family that he once had. He’s alone in his pain and when everyone is celebrating, Arthur doesn’t sing with the gang; there isn’t even the option to do it like it does other times. Even in my first playthrough, it seemed so sad to me. Everyone was drinking and singing, but Arthur just looked so sad.

So, it is at this point that John starts to step up, and Arthur starts to show symptoms of his illness. When he learns of his diagnosis, Arthur’s eyes open to the reality of the gang’s downfall, and he acknowledges the doubts/reservations he has about Dutch’s plans and schemes. He isn’t blindly loyal anymore. He tries to get John, Abigail, and Jack out, so that they can have the life that he had lost due to loyalty to the gang. He continually tells John to get out and that it would mean a lot to him. In his journal, after rescuing John from prison, he writes in his journal “…We’ve argued over the years, but I’ve grown to care a little for [John]. He’s less of a fool than he was, and maybe he can have the luck that has eluded me. Jack is an innocent little boy. In him, I see what I missed [meaning Isaac]. We did it.” This speaks volumes to me about how he feels about them in the end. He sacrifices himself to let John live. And though it isn’t forever, Arthur dies believing that he made it, and that matters. And hopefully, he could finally be at peace and see Eliza and Isaac again.

I could keep going, but I think I am too long-winded. I guess that helps when writing fleshed-out fanfiction stories, but not for posts. LOL

Would love to hear other thoughts or opinions, I’m always keen for a discussion.

[purplecelestial-buddy]

It's so funny to me that the fandom has come to see Hirano as a Sasamiya promoter of sorts because while he is, it took him some time to get accustomed to the idea of them together. And while he was never a hater Sasaki's actions towards Miyano certainly used to get on his nerves.

At first he was so worried and probably even felt a little guilty because (as mentioned in the following screenshot) because the only reason why Sasaki knows which class Miya is in, is thanks to him.

But like, that's not the face of a friend that's happy to play cupid and get their two acquaintances together. Not at all, that's the face of someone who puts his sempai-kouhai relationship with Miyano over his (pseudo) friendship with Sasaki.

Hirano from the first chapters would have jailed Sasaki if he were allowed to. (And he has his reasons, Sasaki has been something since the first chapters)

Anyway, the progression of events is really interesting.

He started, quite literally, shielding Miyano from Sasaki.

Then, he came to accept their relationship.

And at the end he really was rooting for them, to the point he ended up outright lying just so Miyano could meet Sasaki and they could talk it out and confess.

[scalproie]

Domesticated Post-Tekken 2 Era Kazuya is my favorite to think about because this would be so good for him and everyone else but he would have an absolutely miserable time during it

[killjoy-prince]

Ray's After Ending is so funny because for a good chunk of it, most of the RFA members are knocked out by V's sleeping gas (Saeran is immune, Saeyoung isn't present bc he was kidnapped by his agency under his father's orders and MC wakes up in like an hour) but the game has a call feature where you can call the characters and it would be a waste if you couldn't use it bc the characters were unavailable so instead they have other people pick up the call (Jumin's driver picks up Jumin's phone, Jumin's father picks up Zen's phone, Yoosung's friends and mom pick up Yoosung's phone and Jaehee's coworkers pick up Jaehee's phone) and we do get to learn about the characters from outsider's point of view but it's so funny to me that these people are visiting their loved ones and suddenly the phone rings and they decide to just. answer it. and start talking to this stranger they've never met

[reanimatedgh0ul]

honestly the idea of newton and lance both ending up w gfs is funny to me only bc ik the two of them would have COMPLETELY DIFFERENT reactions the moment they realize they're in love w the girl they're now dating

basically newton's reaction vs lance's reaction

[metalcorebarbie]

x

[gas-stxtion]

//anyway. happy father's day! the only muse i have here who has a good relationship with her father is rosa.

jack's father was horrifically physically abusive to him from a very young age, to an almost comical degree at times. (e.g. breaking jack's leg and then making him take himself to the hospital). also, jack's dad was a white nationalist too. regardless, he's no longer in jack's life, and jack doesn't know where he is now.

spencer's dad was similarly abusive and tried to kill him multiple times, culminating in spencer killing him before leaving home at 18. (and to be fair, his mom also falls under this, even if she didn't contribute directly to the most severe abuse.)

jerry hasn't spoken to either of his parents in well over 10 years and is perfectly happy doing so. if neither of his parents find him again, he'll be fine.

tony and his dad were pretty close, but his dad died when he was very young and tony never fully processed it. to this day, he idolizes his father quite a bit, contributing to his often very negative perception of himself for not *living up* to the man's legacy.

amelia never knew her father, and as far as she's concerned his lack of a presence in her life is a non-issue. he made his choice, and if he ever attempts to connect with her, she isn't going to accept.

and theeen

rosa and her dad have had their ups and downs, but for the most part they're very close and she calls him every weekend to tell him how she's doing. he took some time to adjust to her being trans, but overall he's ecstatic to spoil his daughter.

[protect-namine]

I am re-experiencing the catharsis that comes with reading recovery fics where max either regularly visits nathan in rehab or max finds out she's doing group therapy with him or max meets nathan like five years into the future after they both sorted through their own shit and they get closure and become better people and maybe bond over photography