digipro-tamblr80

[hostiae]

↪ william birkin familial headcanons

i 100% subscribe to the idea that birkin killing irons (rest in hell) and slicing through the tyrant was birkin fighting through g to save sherry. yes, g targeted sherry for her genetics, but i think there are clear moments where birkin's lucidity breaks through the monster he's morphing into.

that's not to say that he deserves any father of the year awards. william's obsession with g makes him 100% distant, overworked, and reckless with the life of his family. but do i think he loved sherry? absolutely. do i think he was a good parent? no. fuck no.

i think having a family is his attempt at normalcy. i think he married annette because he loved her, but also because "that's what you do." he barely has a life outside of the life umbrella gave him. he's a researcher first, but having a family did make him happy. it is one of few things that he'd give his time to that wasn't related to his work.

most of all, i don't think he would have ever pushed sherry how he was pushed, nor want her to have an abnormal childhood like he did.

my headcanon for birkin is that he cut off all contact with his own parents as a young teenager. while he's been indoctrinated by umbrella and would say he thrived as a young researcher (he has a huge ego when it comes to being a child prodigy), he also feels like they happily would have sold him to the company. his parents knew the kind of genius they had on their hands and were willing to sacrifice raising a well-rounded, human child, for money, prestige, etc. he wouldn't do that to his own kid.

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

[last-words-ofashootingstar]

Allure

Part One:Sunshine

❥MATZ x fem reader

Kim Hongjoong and Park Seonghwa. The most known and feared alphas of the new generation. It took two dozen elder alphas to subdue them and stick them in the world's most secluded prison- hidden away in the mountains. The prison that sweet little omega (Y/n)'s works at.

Knuckle Velvet (Part Two)

Smoke (Part Three)

➯a/n: i've always wanted to write a story i would like to see as a movie or show, and i very much enjoy supernatural and dark romance, so i made this ! it does get very dark so please read the warnings and take care of yourself first and foremost. i am very proud of this, i hope you enjoy 💕

✃ "Because you're... alluring."

✫彡wordcount: 9.3k

♫"Hey, you should leave that young thing alone, ain't no sunshine when she's gone, only darkness everyday." - Flower Face (original by Bill Withers) ♫ Allure Sountrack

(>ᴗ•)♡´･ᴗ･`♡genre: smut, YANDERE, a/b/o au

ಠ_ಠWARNING/content: DEAD DOVE I MURDERED THAT BIH

chapter specific: literally what have i done, not beta read(ironically), criminal MATZ, alpha MATZ/omega reader, forget everything you know about werewolves, so much world building, extremely yandere behavior, talk of attempted child murder, class division of werewolves, panic attacks, vulgar language, mind control, lots of scent stuff, unhealthy relationships, ptsd, flashbacks and nightmares, physical violence, manipulation of others dreams, supporting character death, forced soul bonding, forced marking, reader implied to have mental health issues, murder, gore, violence- all that good stuff. THIS IS NOT A NON CON FIC ALL EVENTUAL SMUT WILL BE CONSENSUAL.

⁂perm taglist: @stvrfir3 @tunaasan @marievllr-abg

⁂fic taglist: @potatomountain @spooo00oky

MATURE UNDER CUT MDNI

˚➶ ｡˚ PART ONE ˚➶ ｡˚

You hate weekdays. That much is true for a lot of people. You like to think your reasoning is especially valid.

Every Monday through Friday like clockwork, 6:30AM you walk into the prison. That on its own wasn't so bad. You lived only ten minutes away; the gothic building looked over your village in tandem with the mountains. You could see it when the weather was clear, even from your bedroom on the edge of town. You were no longer afraid of it like when you were a child.

You are, however, afraid of the newest prisoners.

New arrivals didn't usually rock you. This is the only prison in the country fit to hold lycans, after all. They all got transferred here eventually. From beta's who were just stealing to eat, to alphas who used their powers on humans, to those who believed in the old ways and fed on humans.

You had to interact with them all face to face.

You weren't excited for that particular aspect of your job this week.

You made your way through the double doors and greeted the security guard, your friend Hyolyn, as you went through the metal detector. It went off on account of the scent blocker that was embedded in your neck. She chuckled and switched it off so it stopped its incessant beeping.

"Don't laugh at me!" You threw a smile her way as you got your small purse from the plastic bucket she slid towards you. She doesn't bother to check your bag. She knows you well enough to know you wouldn't bring in any "fuck shit", as she would say. "You alpha's don't have to worry about accidentally spewing scent everywhere."

"Thank goodness for that, this place would stink to high heaven." Her unintentional reference to the new arrivals makes the air turn stiff. She could tell you were on edge immediately. "They aren't all that scary," she lays a comforting hand to your shoulder as you fiddle with the long strap on your crossbody bag.

"I heard one of them killed Alpha Greene... you think that's true? That guy was huge, I saw him at The Thing last year, I almost peed myself cause he looked at me-" You stop your own rambling, taking a deep breath and letting it out as a shaking sigh. "I don't want to go in there. Honestly, why can't we install a laundry chute or something, fuck."

"I'll follow you up, I c-"

"No, no, it's visiting day. You need to be down here. You know Chungha? Her daughter is visiting today. Don't want you to miss her." You offer a sad, tight lipped smile, but that doesn't trick her instincts to protect her weaker pack member. She knows you too well to be tricked.

"You just scream and I'll be there. Either of those cocky fucks lift a pinky in your direction and I'll gut them. They don't deserve to see a trial anyway."

A small exhale in the form of a chuckle lightens her protective instincts, she can tell you feel more at ease with her promise to be right there at the slightest hint of trouble.

"See you, Hyolyn."

"Later, babes."

You wave your fingers with a smile as the elevator doors slides shut. As soon as they clunk together, you let it fall and crouch with your head in your hands, taking in deep and slow breaths as you try and force all of the rumors you've heard about the two newest inmates away from your head.

The older alpha of the duo was the first born in this generation. They're always powerful. But he was born to two bloodthirsty rouges. Born in sin and blood lust.

The younger alpha was born just some months after, to an arranged marriage that was purposefully formed to make powerful children. They surely regret that now. Some say the man has the strongest, sharpest claws since the first lycan in Talbot Castle.

When the elevator dings, you're already upright and have that strong facade on that you put on when you're clocked in.

˚➶ ｡˚

You start with the familiar. "Hey, Chungha," you tap on the silver bars of her cell, "hand 'em over." She smiles as she stands, stripping the sheets from her cot and holding them through the bars for you. "Thank you," you draw on with a tug on your lips that matches hers.

"Yunnie in town?"

"Mhm," you hum as you fold the blanket before dropping it in the large basket on wheels, "she came over for stew, I made sure to feed her good and well, don't worry."

You know it was probably problematic, but you couldn't help it. Chungha came here three years ago on a charge for battery, and over those three years you became sort of friends with her.

The battered in her case was her grandfather. When her five year old daughter, Jiyun, started to show signs of being an omega- he left her in the snow to wither away. She managed to survive until her mother came home, and said mother was furious.

She was lucky she didn't charged with attempted manslaughter.

"She said she'll be here first thing."

"Thank you," she had a heavy pull on her voice. You don't have the emotional connection to other wolves like an alpha or beta did. But it was clear to anyone she was being sincere. "You're a good woman."

"Don't mention it, Yunnie is good company. Oh," you start to wheel the basket away when you remember something. You reach into the purse that you had set on the handles. "She made this at art class, asked me to give it to you so it didn't have to wait in processing."

It was a small, cruelly made ceramic bowl in the vague shape of a heart. It was clearly made by an eight year old, but made with love.

"I owe you."

"Just keep working on that parol work." You said lightly and blew a kiss as you moved to the next cell.

    The rest of your work nearly cleared your mind as you went from cell to cell, floor to floor. Omega's were on the second floor. Beta's on the third. Alphas on the fourth. High security on the fifth.

     It's on the fourth level that you begin to feel those nerves that you had just worked away. The scent was becoming stronger. They didn't put them on blockers? Maybe they didn't think it would be worth it. Everyone knew that they were the worst of the worst, they didn't even try to hide it. They would undoubtedly be put to death. Why waste two perfectly good, expensive, blockers?

     The basket of used sheets is nearly full, accumulating into a weight that makes you put your back into it as you push it into the elevator.

    Your index finger reaches out, and before you can stop yourself you've pressed the button to the fifth floor.

       You blank out until the door opens again. Your teeth are eternally grateful for the gum between them so they don't grind themselves into dust. The mint flavor does little to calm your nerves.

     The only thing that makes you come back to your own head is Changbin. He's a big, buff beta with a gun full of silver bullets on his work belt. He won't let them hurt you. His smile washes away a lot of the nerves.

    But the growl that rumbles against the walls makes them return ten, one hundred, one thousand fold. You don't dare say a word. A deer in headlights until Changbin places his hand on the small of your back. "Go on, don't give them the satisfaction of scaring you. They aren't going nowhere no time soon. Take a look."

     He motions you deeper into the hall, florescent lights buzzing above you, matching the jittering feeling in the deepest pit of your stomach. It smells too strong. Too much. You're about to fall to your knees from the weight and you haven't even come face to face with the near feral criminals.

    Changbin opens the doors at the end of the hall.

     They've definitely gone all out to keep them in place. Two large cages placed next to each other in the middle of the enormous room. Made of pure silver and wrapped in wolfsbane. The unpleasant smell of the plant makes your nose twitch. A ring of blood ash surrounds it. Only omegas can pass through blood ash, and now you start to realize why they sent you.

    You want to curse the warden, but the second you open your mouth, a loud cackle sounds out from one of the cages.

     Changbin's hand twitches at the gun attached to his side.

    "Oh wow," the smaller alpha chuckles, eyes closed, head tilted back, as he sniffs the air. "I didn't expect that." More manic giggles slip past his lips.

    You haven't even looked up to see them and you want to cave in on yourself.

    "What are you rambling about, huh?" The guard next to you shouts, making you flinch instinctively.

     "That sweet... sweet, smell," he moans. You can hear him shuffling. "From a peppy little spit fuck omega."

   You gasp abashedly, and now two laughs ring out. You want to wonder how they can smell you. Your insurance provides the best scent blocker in the country. But you're too scared to breathe, let alone think.

      "Shut up," Changbin groans, he can feel you tense next to him, "don't piss me off, Kim."

    "Awe," a new, rumbling voice makes you cower the second it reaches your ears, "this your mate? Hm, no... you wouldn't bring your mate here. You're not an idiot. Then, say... omega." You don't make a move to look when he addresses you, you stay looking at Changbins grip on his gun, silently.

     "Omega, come!" Your feet move for you, and that manic laugh almost makes you wet yourself as you realize that your wolf is making you move toward them without your consent. You stop just outside of the blood ash, where you know you're safe.

     "Changb-"

     "No. I'm the one you're speaking to."

   Changbin seems to be weighing his options, eyeing the men as they eye you.

    "Why are you here? You a shrink?"

    You shake your head.

   "You a lawyer?"

    Again.

   "She works here, dumbass, look at her scrubs," the younger speaks, and you nod subconsciously, to which he giggles, "what can we do for a pretty little thing like you?"

    When you refuse to speak, the guard does it for you. "She's here for your sheets today. Get used to her."

     You hated that this was your job, but it was easy and accessible, and available for omegas. Werewolves are clean freaks. Every day you had a different cleaning task, but you didn't complain. Not until right now- you wanted to rip out the throat of whoever's idea it was to not shoot these criminals on sight.

     "Ah," he hums, and you can feel his eyes raking your body. You can feel both of their eyes. "Not too bad of a sight to get used to. Huh, Hwa?"

     "Mh, that's right... can't wait to get my hands on her."

Your head snaps back to Changbin.

"Awn, she thinks he's gonna help her!" The high pitched giggles bounce around in your head. "Oh, little omega~"

The saccharine coo finally pulls your eyes to the men in the cages.

If you thought you knew what fear was before this moment, you were wrong.

The two strongest criminals in the country, staring you down like a piece of meat. It doesn't matter that they are the ones in cages of silver and wolfsbane. You are the one who feels cornered.

You can immediately feel out their dynamics. The taller one is the older one, quiet and still in his cage as he sits in the center. Shaggy, shining hair framing his face and neck like an elegant piece of lace over a brides face. He has a sleeve of tattoos on one forearm, a thick tattoo on his neck. Eyes glowing a deep, blood red, as he tries to read your entire story with only a look in your direction.

The giggling one is less intimidating, only by a hair. Chemically lightened locks pushed back messily, letting his entrancing features shine in the light from the narrow windows high on the walls. He has tattoos as well, but they seem few and far between. His eyes are human for a moment before they meet yours. Instantaneously, they flick black.

The knot drops from your throat and you let out a small, pathetic, squeak.

Changbin breaks your staring contest with the alpha, shouting orders at them. "Take the sheets off your cot and set them outside of your cage. Do not attempt to touch her, I will shoot you."

    Neither criminal makes a move to follow his orders, both simply staring at you.

A low growl is emitted when the older alpha finally snaps up, tearing the sheet off the sorry excuse for a bed in one fell swoop. The younger follows his lead, shoving their sheets through the bars that are wrapped in the poisonous flower.

You look to the guard, and he nods, "go." With his finger twitching at the gun ready to pull it, you jump over the dark red ashes and into the wolves den, snatching the sheets up as quick as possible and dashing away, out the door before they even get a chance to lock in your scent up close.

The giggles follow you all the way to the elevator and ring in your head even as the thick metal thunks shut.

As you take a deep breath, you notice the sheets are gripped to your chest, your claws drawn subconsciously in your panic and ripping them up. "Shit!" You let out a curse and shove them into the bottom of the basket so you don't have to smell it as closely on the long ride to the basement.

˚➶ ｡˚

The lingering wafts of your fresh scent are long gone, nothing to distract the alpha's from their caged boredom and bubbling rage over being caught. "I'll have that runts heart in my hands by the end of the month." Hongjoong groaned, to no one in particular- he knew Seonghwa was too deep in thought from their recent revelations. "Fucking back stabbers. They're more pathetic than a bitch in heat trying to get off with a dildo."

The thought hit his mind as soon as the words left his lips.

The thought of you, legs spread with your hand dipped low, trying to satisfy your primal urges and-

"Stop that." Seonghwa growls, kicking the bars of their shared 'wall'.

"Settle down!"

"Oh, like you weren't thinking it!" Hongjoong rolls his eyes, a scowl on his face as he crosses his arms. "Your ruts coming and you don't want your-"

"I said stop," he nearly roars, grabbing Hongjoong's state issued orange top and ripping it with his claws as he pulls him forward.

"I know you want her because I want her too." He whispers, smirking at the telltale signs of desire and bloodlust in his mates eyes. Red swirling around the brown of his human eyes. "Imagine how good she'll smell when we take out that stupid blocker. We'll be drowning in her scent." He moans, grabbing his wrist, "I get the honors, my claws are sharper, anyways," he draws them quickly, digging them into his skin as if to prove a point.

"I can use my teeth, mark h-"

"Oh, will you two stop? Love of God..." The guard in the large room slaps his book down on the rickety table. "What is there possibly for you to be fighting about? You're about to be executed, you know that right? No jury in the world will let you walk, especially the human half."

Their frustrations turn to the man, letting each other go. "Ah, you think so?" The older croons, dragging his index over his bleeding wrist and bringing it to his lips, sucking it clean before he continues. "We won't be around these parts long enough to meet the jury."

"What do you mean by that?"

Hongjoong covers his mouth when a laugh slips past. Seonghwa simply smirks as he sits cross legged, eyes locked with the guard as he licks his wound.

"What do you mean by that?!"

The blonde man breaks out in a fit of laughter. The brunette simply flashes his bloody canines in a twisted smile.

˚➶ ｡˚

You spent the whole time doing your daily tasks trying to hype yourself up to go back up to the fifth floor.

You usually went top down, four to one. Nobody has ever been on five before.

You go bottom up today, starting at Chungha with a full basket of freshly washed sheets. She prattles on about her visit with Jiyun, and how she's so thankful for you.

You choose that as your focus point for the rest of the work day, even as you press the button to the fifth floor.

You think back to the first time you spoke to Chungha, she was a crying mess, unable to sense that you were an omega like herself. She cried and cried and cried as you held her hand through the bars of temporary holding. She cried for her daughter, for cursing her with the shame of being the weakest link of any pack. When she looked up and saw your eyes, barely glowing, she cried more.

She apologized profusely, but you reassured her that her words were true, and you hadn't been offended. You told her that, in fact, she was the first to ever share your feelings of what being an omega really meant. It meant loneliness beside anyone but other omegas. Fake relationships born with people who only stuck around because of their primal instincts to either prey on you or protect you. It meant facing the fact that you were outcasts from both of the world's dominant societies. Outcasted from humans for being a werewolf. Outcasted from werewolves for being weak. So weak, in fact, that blood ash didn't even think of you as a wolf.

That night, you drove four hours to the next village over and looked after her daughter until her aunt had room. You remember the first thing the girl said to you. She didn't speak that whole day, surely in shock from the past few days events. But when you tucked her into the motel bed, she spoke as soft as a ghost, "sing me a song?"

You hum it to yourself now, the soft sound reverberating through the metal around you until the door opened.

You wheel the basket with you this time, like it will protect you as you approach the open doors, already feeling the unwavering gaze of the criminals.

"Hey, dolly~" Hongjoong, you had learned when you took a peek into their files, purred your way.

You didn't give him the satisfaction of responding verbally, but he saw the goosebumps on your arm as you reached into the basket, stretching on your tip toes to get the last two sheets.

"You never shut up do you, Kim?" The guard sighed with an exhausted tone, making you smile as you slowly made your way to the ring of red dust.

The throaty rumble from Seonghwa, the older, taller wolf, makes that smile drop to the depths of Hell.

The new guard seems to notice your anxiety, eyeing you up- in a much less predatory manner than the caged men. "Go on, 'mega. I'm watching them."

A bang on the metal bars makes you glue your foot right back where it came from. It's the blonde one, "you shut the fuck up!"

"No, you shut the fuck up! I'm the one with the silver bullets!"

All of the yelling is making you tremble, Hongjoong and the guard going back and forth. "She isn't your omega!"

"She ain't yours!"

Seonghwa watches with a sinister smile as you back away from the ash and the guard, calling to you quietly, "hey."

The soft tone of his voice makes you raise your eyes, but not your head. His eyes don't hold that threatening and dominating red from before. They're a soft brown color that reminds you of a beautiful dark oak in the morning sunshine. "What's your name?"

"(Y/n)..." your tongue moves without your consent, fresh blankets held to your work scrubs.

You desperately want the guard to notice this trance you're in, and grab you out of it. You want to do it yourself, but you can't do anything but admire the beauty of the criminal who has you hypnotized.

"You're a pretty omega, y'know? What color is your wolf?"

"Black..." It's a slur off your lips, barely registering in his sharply tuned ears over the yelling that continues to fill the room.

"Mine too. What's her name? His is Akma."

"Solis."

"Very pretty. Is she fast?"

"Yes."

"Does she want an alpha? A mate?"

"Yes."

The guard finally notices your raised gaze, affixed to the infamous, unlawful, man. He puts his gun back in the holster quickly before gripping your shoulder and forcing you to turn around. "You idiot, didn't anyone ever tell you not to look a first born in the eyes?"

"Sorry. I'm sorry." No one had ever told you that, actually.

Both of the criminals share a smirk as the man from your pack attempts to calm you. It wasn't hard for them to figure out you were an alpha-less village. They could smell every single wolf in five miles, and not a single stench from a wolf even nearly as strong as them.

There was, however, you. A honeyed smell that filled their guts with the primal need to rip out the eyes of anyone who dared look at you.

The guard couldn't be more wrong. You are their omega. You just don't know yet.

"Go and give these fucks their sheets, then get the hell out of here." The man shoved you, making you jump clumsily over the ash so you didn't break the seal.

He yells at them to back up, and they do so without a fight.

You shove them both in at the same time before running back out quickly, grabbing the empty basket and dragging it with you, the sound of the wheels scraping with the force of your panic echoing in the near empty room.

"You guys get off on scaring defenseless girls?" The guard scoffs, not expecting an answer as he drags the chair out of the room and slams the doors behind him.

Seonghwa lets his facade fall the second the door shuts, falling to his knees and grappling at the sheet like he's a starving man with the last piece of food on Earth. Hongjoong watches for a moment in confusion until the scent catches up with his weaker nose. Then he's quickly falling in the same position.

"It worked, the guard was so easy to distract," Hongjoong chuckles, face buried into the sheet that smells vaguely like you from your time spent holding it. "What did you learn?"

"(Y/n), a black wolf named Solis," he pauses, eyes rolled back as he takes a deep breath. They're red when they re-open. "No mate. It's really her."

"You think we should have told her?" Hongjoong inquires, looking through the bars.

He's never seen Seonghwa on his knees for anyone but him or the moon.

"No," he shakes his head, turning to lock eyes with him. "She'll figure it out when I mark her."

"When I mark her."

He rolls his eyes at his defiant nature, knowing full well he won't disobey his orders no matter how badly he wants to do something.

In a dog eat dog world, the strongest was the most powerful. Unlike their human neighbors, werewolves don't decide political or social standing by money or family name. They decide based on who comes out on top in a battle of the body and of the wits.

It had been determined years ago, when they were just young rebellious pups, that Seonghwa was the alpha. A fight in the woods under the moon had set it in stone between the two.

He could have ripped Hongjoongs throat out right then and there, but now, 13 years later in the present; they're bonded for life.

Sometimes he still sees Hongjoong as that 12 year old boy under his teeth, still snapping and growling even as he bled out with tears in his dark eyes, fighting to survive purely out of spite.

"You can mark her first," Seonghwa speaks quickly, turning his back as he puts the sweet smelling sheet on his cot.

He smiles at the man, a quiet thanks spoken through their bonded souls.

˚➶ ｡˚

Tuesday, they don't see you until much later in the day, but they bask in the sight of you opening the door with a broom and tray in hand, smiling at Changbin. You'll be here for a while, it's a big room.

"Hey, Binnie," you whisper to the beta, and Seonghwa has to bite his tongue.

Binnie? Ugh.

Hongjoong isn't so polite, "hey, Dolly! We don't get a hello?" You barely peek at him, eyes flicked from him right back to the floor in a millisecond. He knows you noticed his pout when he hears the smallest 'hello' tremble by your lips.

You start in the corner, headphones attached to your walkman with your favorite song on repeat to try and soothe yourself. Bill Withers calming voice blocks out every word of the teasing alphas, but you can still feel them mocking you and picking at you.

You don't dare sweep anywhere near the blood ash on the floor. One less precaution in place was one more thing to worry about.

"Bye, Binnie."

He does growl that time, eyes narrowed on your back until the door shuts.

˚➶ ｡˚

Wednesday, you have a frown on your face. "Three days in a row?" The guard Hongjoong got in a yelling match with, Merle, greets you as you come into the cavernous room, "bad schedule huh?"

"No kidding," you sigh, feet slightly hesitant to pass the dust border, "I'm here to fix your shirt. It's state property." You don't look at them, but they know who you're referring to.

They act like they don't, though. Just to hear more of your voice. To make you wriggle under their attention. "Sorry? What do you mean?"

You look and point to Hongjoong, his collar ripped from Seonghwas grasp. "State property."

"Ah, of course." He grins like a jackal, pulling it over his head and sticking his hand out of the bars just in the slightest. "On one condition."

You pout, eyes on the shirt which is just far enough away that you'd have to step closer. And it's the cutest fucking thing they've ever seen.

You look back up at him, silently asking. "Sit and talk with us. The guards here are no fun!" His laugh makes you jump back further, he sounds like a mad pirate.

You look over to Merle, who just shrugs, "just get it over with so these guys will shut up. They're only talkative around you, they need an audience for their antics."

"We won't bite," Seonghwa chuckles with his teeth exposed, making you shiver.

"Fine, give it here." You take a single step forward, palm out infront of the blonde.

When you grab it and go to race away like always, his claws wrapping all the way around your wrist stops you, sharp edges threatening to slice your skin down to the bone. You scream your head off, silenced when Seonghwa coos softly, "sit with us, and talk."

"Let me go..." you plead, eyes frantically flicking to Merle, whose gun is drawn to Hongjoongs head from the border of the ash, waiting for him to take one more wrong move so he can rid the world of one of its greatest criminals.

"Sit, omega." You do so, slowly lowering to the floor with your wrist and life still in Hongjoongs hand. "You have your sewing kit with you, I can hear the buttons hitting the needle. So sit, stay, and talk while you fix it."

Once again, they're the ones caged in. But you're the one who's stuck.

     One look to Merle tells you he probably wouldn't help you even if he could get to you. He lowers his gun as your tailbone hits the concrete floor.

     Your thin work scrubs do little to fight the cold of the old flooring, one reason of many that you shake as you reach into your purse and get the small tin box.

     Hongjoong releases your wrist and sits mirrored to you, hands perched on the bars in the gaps of the purple vine flower wrapped on them. Seonghwa comes to the corner of his side of the split cage and breathes in deeply through his nose, eyes locked in on your every movement. "So you're essentially the errand lady? Maid?"

      "Yes..." You murmur under your breath as your fingers work to thread the needle, slowly backing away until you're out of reach, but still stuck in the blood ash with no one to rescue should the men infront of you decide to rip their cages open. You only stop backing away when you hear a warning growl.

     You don't care to see which it came from, you just want to do this as quickly as possible and get far, far, away. They could have chose anyone to focus their annoying efforts on. Changbin, Merle, the warden. But no, just your luck.

      "You live in the village, right? Were you born here?" Seonghwa continues to do the talking as you carefully fix the shirt.

      "Yes. And no."

     A small hum from the one in front of you is a sign they want you to continue. "I was born to an overpopulated pack. They kicked me out when I turned eighteen. Our old alpha took me in." The hitch in your voice is a clear sign that it's a sore topic. And Hongjoong continues to poke the wound.

      "How did they find you?"

       "Woods."

       "Woods?"

     You can't help the small growl of frustration, lip curling as you look up. "Woods."

     The reaction is one you wouldn't have expected from a normal person, but then- they aren't normal.

     They laugh, cooing over your gesture of anger. Compared to them, you seem like a teacup puppy. "My, my," the brunette chuckles breathily, "is that Solis coming to play?"

     "At least she can," you snap, sent to the back of your own head as your wolf tries to defend you, "she isn't a caged mutt."

    Hongjoong breaks out into a manic fit of laughter, while his paramour is the opposite: his eyes flick red before your own, sharp teeth on display in a show of dominance over your smaller ones that are subconsciously bared at him. "Watch it, omega." He spits his words with venom, "I won't be so nice when I get out of here."

     You rip the extra thread with your claw, kicking the shirt across the floor so it sits at the bottom bar of Hongjoongs cage. His chest still wracks with laughter, watching as you sit up in a low squat so you're still level with the alpha.

      It's clear that you aren't currently you. Your wolf has control of your mouth and body, crouched in a position akin to that of a dog ready to pounce as you hiss your words, "I'm going to laugh in your face as you hang."

     "Aw, is that how dear old alpha died?"

     "Cut it out!" Merle screams disinterested, eyes glued to his flimsy magazine.

      "I heard he got gutted~" Hongjoong giggles, watching the color flicking in your eyes.

     "I'll gut you!" Your threat only makes him laugh more.

      "(Y/n)!" The voice of Hylyon breaks your wolf away from you immediately, falling to your bottom and crawling to the sound unwittingly. "You fucking idiot, Merle!" 

     She reaches over the blood ash and pulls you over the ring, letting you collapse into her as she drags you away, still throwing profanities at the incompetent guard. Hongjoong is laughing loudly. Seonghwa yelling at you to come back. The elevator cuts of his roar, the last thing you see through your blurry vision is his fist making a dent in the silver cage.

You fall onto the floor of the metal box. Thoughts flood your head too quickly for you to swim though them, making you drown and try to escape by releasing the pain with tears. You don't even notice when your friend turns her key in the elevator to make it stop in its tracks, you only see her when she sits right infront of you.

"Babes, calm down, I've got you," she reaches out slowly and places a hand on your leg, slowly rubbing her thumb over your knee.

"I can't go back up there... they're too strong, they make me feel like I'm suffocating," you splutter through gasps, "I'm too weak!"

"Hey, hey, you're spiraling!" She opens her arms and pulls you into her, letting you sob into her uniform. "In and out, girl," she holds the back of your neck securely, almost instantaneously making you calm. "I got you... I got you..."

You sit there for a good while, crying into her shoulder as you sort through your wracked brains.

Your alpha was gutted. Right in front of you. Because of you.

Unbeknownst to you, their tuned ears are still listening in, the elevator stuck within their ear shot as you begin mumbling your favorite song to yourself through tears.

˚➶ ｡˚

The sound of claws slicing through the skin on your back rings in your ears. Though, you can't feel it. Your eyes are locked in on your own claws, dug into the hardwood floor of your humble home to keep yourself from being dragged.

     You've been here a million times before.

     Blood pooling off of your body and onto the frigid surface below you. Teeth sharp and bared to the moon though the open window, begging that she might let you survive. Eyes aglow with your instincts as your wolf tries with every fiber of her being to turn, but she knows it's no use.

     The distorted voice above you drips with mocking venom, a chuckle as its owner realizes you can't even fight back like other wolves might: by letting your wolf fully transform.

     The wind blows through your curtains, washes your body in the artic breeze. The snowflakes on your windowsill are so delicate, all of their features fade into a blurry mush as they make contact. They melt, dripping down your wall.

     This time it's different.

      You're turned over, gaping wounds slammed into the floor as always, but when you look up to your aggressor it's different.

      His eyes aren't the yellow of a rouge, but the red of an alpha. His hair isn't that unruly blonde curl that you pulled at frantically, that you can still feel on your finger tips when your hands are unoccupied. It's long, shining, soft looking dark locks.

       You fall through the floor into another time, another place.

     Face first into the snow: your hands, shaking with adrenaline, do little to catch you.

       You don't remember this.

       This isn't right.

       This isn't your nightmare.

       You find yourself in a clearing in a forrest, the densely packed trees creating a bubble of nature around you. "(Y/n)?"

      You whip around, coming face to face with an unfamiliar man. Almost face to face. If he weren't floating a few feet in the air.

     His legs are crossed under him, hands facing palms up on his knees.

      "Don't worry. You're only dreaming." He speaks calmly as he floats around you in a circle, like a shark examining its potential prey.

     You follow him with your feral gaze, that familiar feeling of an adrenaline crash quickly approaching.

You know you're only dreaming. You've had that last dream more times than you can count in the past three years. It always plays the same. But not this time. You're only slightly thankful that you don't have to witness your alphas death again, but the gratefulness is overshadowed by confusion.

"Are you an angel?" You whisper, watching the man's soft and rounded features as he comes to a stop in the air in front of you and gracefully lowers to his feet.

"I can be, if that's what you want me to be. I'm only here to watch your dreams, fight off the nightmares."

"Why?" You feel distant from your body, watching powerlessly as your hand takes his, letting him lead you out of the clearing and into the darkness of the woods.

It disappears around you, warping into a spring day on a familiar path.

"A favor for a friend."

With the snow gone, you're in your spot, your old towel on the dewy grass with a book laid atop of it and the soil beneath your feet as you approach.

"Enjoy."

The hand vanishes from your own, leaving you alone on the side of the path. You look for him. But he's just an eidolon, watching you from the sky where you can't see him.

You warily take a seat and pick up the book.

˚➶ ｡˚

They don't see you again through the week. And when the next Monday comes by, their sheets are removed while they're in the showers.

Hongjoong sighs from his place on the floor, for the tenth time in the past half hour.

"Hong-"

"I miss our omega!" He whines, cutting him off.

Seonghwa stands from his cot, slowly lowering to the floor next to their shared bars. He lays flat on his back, mirroring Hongjoong as he tilts his head to look at him. "Soon." Is the only word he utters.

He reaches through the silver bars, ignoring the sting as the fresh wolfsbane brushes his wrist, and takes his hand.

The both of them look up at the ceiling through the bars of their enclosure.

Your scent is long gone from the room, and their noses can barely pick up on it through the rest of the village and prison.

"I want out of here," Hongjoong whispers, so lowly that the guard can't hear him from outside of the door, "when are they coming? Your bond with them is stronger, I can barely feel them..."

"Soon." He repeats, "very soon, Joong."

˚➶ ｡˚

Tuesday you manage to talk your coworker into sweeping the top floor, and you rejoice in the freedom of not being under the alpha's gazes. You've worked out a good schedule to completely avoid seeing them, and it's made your job feel like it's back to normal.

You can still smell their power wafting through the AC, but it's bearable. You distract yourself in your free time by making excuses to be on the second floor with Chungha and the other omegas.

Today, that excuse is 'omegas need physical outlets too', and the warden let you bring up buckets and brushes so you could all scrub the base boards.

"Oh, I've got one!" The omega to your left speaks, lifting his brush in the air in a eureka moment, "Texas Chainsaw Massacre or... Halloween?"

Chungha scoffs with a smile as she scrubs away to your right, "are we including sequels? There's like a billion!"

"No, stand alone original," Beomhan goes back to scrubbing as he continues, "both of them are classics but which one is a better classic?"

"Halloween is the classic slasher, Texas Chainsaw is like psychological horror," you chime in as you dip your brush into the bucket, sitting on your calves as you take a breather. "I think it's not fair to compare them... but Texas Chainsaw, definitely."

They laugh along with you, and Chungha shakes her head, "Halloween has more rewatchablity. You don't want to see Sally go through that more than once, but Laurie Strode fights harder and it's more like, yeah I'll watch her kick ass again."

"Cinematography in both is so beaut-"

The lights above you flicker before they shut down completely. People start muttering their concerns, quite a few of them looking your way. "Don't worry!" You hop up and get your keys from your pocket as you make your way to the locked stairwell. "I'll go and see what's going on, keep scrub-"

A loud siren echoes in the brick walls, shocking you all to cover your ears.

Everyone looks to you for answers, and you don't have any as your brain starts throwing theory after theory at you.

"It's okay, go back to your cells! Shut them behind you!"

They listened, however grumpy about it. The cell doors locked automatically when they were closed.

"Hey, what's going on?" Chungha asked over the clanging of the cell doors. The two of you, along with Beomhan, were the only ones left after a moment.

"Go back to your cell, Beomhan, hurry."

"No, what's happening?"

     The sirens cut off and leave you in a pregnant pause for a moment as you simply try to calm yourself.

A deafening scream ricochets through the air vent next to you, scaring you into their arms as you all stare at it.

Usually, the air flow covered the echoes throughout the floors. But with no power, you could hear everything- albeit muffled.

Yells and shouts. Gunshots. Growls. Unidentifiable chaos. And above all, your ears tuned in on a rumbling, calm voice through it all.

"Ain't no sunshine when she's gone... It's not warm when she's away..."

Your eyes widen as theres a bang at the stairwell door. "Go, go!" You grab each of their wrists, dragging them into Chungha's cell. You slam it behind you and let down the sheet she has over it, backing away and staring at it as you hear the door hit the wall behind it with the force it's slammed open.

"(Y/n), what the hells happening?!"

     You slap your hand over his mouth and bring a finger to your lips. The other omegas on the floor are all making a ruckus, and you can only hope that it will confuse that unfortunately familiar voice so he can't find you.

˚➶ ｡˚

The beta in the large room ignores Hongjoong as he continuously asks after 'the pretty omega'.

He just sweeps and sweeps, finally understanding why you hate coming up here. He has his back turned to the cage, and consequently, to the windows.

High on the tall walls, the narrow glass is opened from the outside. Seonghwa smirks, and gestures his head to it. Hongjoongs gaze follows, and he has to slap a hand over his mouth so he doesn't laugh.

A skinny figure is sliding its way in through the window sideways.

He drops to the floor as silent as a mouse, landing on his knees and grinning wildly up at his alphas.

Hongjoong throws his head back in preemptive relief, while Seonghwa is watching with a similarly wide smile as the man walks straight through the blood ash, breaking the circle with the tip of his shoe.

The worker still has his back turned as the lock on Seonghwas cage is picked with a long claw. He doesn't even know what's happening as the next thing he knows, he's thrown across the floor.

      Blood ash knocks up around him, coughs wracking his body as he looks up to his assailant.

      Park Seonghwa, newly freed from his cage, looks down at the worker with his eyes glowing red.

     "Now usually..." He begins, crouching to be face to face with him, "I'd go through this whole place just for the fuck of it and cause some beautiful chaos. But I'm looking for someone."

     "(Y/n)?" He stutters out, backing away only to knock into Hongjoongs legs. Stuck between the two criminals, he chooses his own head over yours. "The second floor! Sh-she's on the second floor!"

     "Let's go get our omega, Joong."

      Nonchalantly, Hongjoong draws his claws and slices the neck of the worker. He hops over the gurgling body and follows his mate with an ecstatic giggle.

      He wraps his arm around the skinny man's shoulder, "Wooyoung! Our savior~" He ruffles his hair and laughs as he groans.

     "You guys know I've got your back. Seonghwa told me about your new omega, you seem excited," he mimics the alphas smile as the eldest of the trio opens the doors.

     The guard on duty, who happens to be Merle, looks back with wide eyes.

"Yes, oh yes!" His eyes roll to the back of his head, touching the stitches you made on his shirt. "Oh, you'll love her, she's a feisty omega just like you."

He makes a run for the fire alarm at the end of the hall, but Seonghwa is faster. The beta is tackled to the floor.

"I'm glad you both will have a buffer, tired of you always at each other's throats during ruts," Wooyoung laughs, looking down at the guard as they pass.

Seonghwa had simply torn out his throat with his bare hand and made his way to the elevator, holding it open with an impatient glare.

The door closes behind them and the only sound is Seonghwa's heavy breathing.

"You're real eager, huh?" The omega breaks the silence, "San should be coming in any second to block the main door. No one will get past him. The rest are in the village, just as we planned."

"Good, she'll need somewhere to rest before we take off....Fucking idiots, thinking they can cage us." He groans, eyes flicking to the number above the doors as it dings.

       3? "Fuck."

     The door opens and the woman on the other side takes a moment, nearly walking in before she notices the crimson liquid dripping from Segonhwa's hand.

      She makes it halfway through the hall before Hongjoong pounces on her, fighting her effortlessly as if she's a rag doll. The guards run to try and save her, but it's too late for the unfortunate woman, and they just signed their own death certificate as well.

       Seonghwa and Wooyoung make quick work of them, but their plan is already foiled as the lights flicker to a halt and leave them bathed in dim light of the setting sun in the few windows.

      The alphas fall to their knees as their sensitive ears are bombarded with a loud, incessant siren.

      "Wooyoung!" Hongjoong screams over it, "go turn that shit off!"

      He nods, taking the keys off a mauled guard and dashing to the stair well, leaving it unlocked behind him.

     Hongjoong crawls to Seonghwa, collapsing into his chest with his teeth clenched and palms over his ears. His ears were always more sensitive.

     His partner places his hands over his, thumb running over his own. He looks down with his eyes glowing red, meeting pure black.

He leans and kisses him deeply, all teeth and bloodlust, trying to merge their souls until the sirens cuts off.

Their foreheads rest together, ignoring the chaos of the beta's around them yelling to be released.

"Are you ready?" Seonghwa whispers, gathering another set of keys from the fallen workers. He throws it to one of the locked in prisoners, a smirk on his face. So much for not creating chaos.

"Let's go," Hongjoong holds the door to the staircase open and lets him go first with a dramatic bow.

It takes one scream to start the havoc. The entire prison is filled with the sickly sweet sounds of caged animals with a taste of freedom. Gunfire and howls bring a smile to Seonghwa's lips as he sings out,

"Ain't no sunshine when she's gone... it's not warm when she's away..."

He hums the song with a wide grin as Hongjoong kicks the door. It takes only one more kick before it slams open and bangs against the cement wall.

The omegas in their cells are all yelling at them, at one another, in general.

Hongjoong kicks one of the many buckets on the floor over and groans, "here I was thinking she'd make it easy. I guess we'll have to go cell to cell!" A small spike of a heartbeat in his ears makes him smirk, following the sound that he memorized the first time he'd heard it.

Seonghwa follows him, immediately zeroing in on the same cell. He comes to stand infront of it, his breath making the blanket behind the bars sway slightly.

You see both pairs of orange slip on shoes and you feel your heart stop in your chest.

You cower further into the corner with Beomhan as Chungha stands in front of you. The sheet is grabbed from the outside and ripped away, making you all shriek.

"Were you playing hide and seek?" Hongjoong giggles, throwing the blanket to the side with his eyes never leaving you, a scowl growing on his features as he notices the way you're curling into another wolf. "You should know better than to hide from your alphas. Come on out."

You shake your head, gaze lowered as you hold onto the back of Chungha's uniform.

"(Y/n)," the saturnine man speaks, "come here."

"No, leave us alone! Leave me alone," your voice cracks despite how strong you want to appear.

"If I have to drag you out of here I will be very angry. Just come on, do us all a solid."

"No-"

"Open the fucking door!"

"No!"

The cells were built to hold lycans, which means lycans shouldn't be able to get in... right?

"Fucking-" Seonghwa hits the bars, leaving a dent and making the three of you jump.

Hongjoong leans on his tiptoes and whispers into his ear, and whatever he says makes his eyes begin glowing a murderous red.

He slowly wraps his clawed fingers around the bars, and the way Hongjoong backs up makes your stomach churn in anxiety of what's about to come.

And it was warranted anxiety.

With a loud growl and a single tug, he rips the silver bars from their cemented place in the wall, causing a large crack to form.

"Holy shit!" Beomhan screams, arms wrapping around you tightly.

Chungha is ripped from the small room and tossed all the way across the room, back colliding with the wall and leaving her unconscious.

You yelp as Beomhan meets a similar fate, torn from your grasp and out into the rec room like he's a mere bag of trash. You see Hongjoong approaching him with his long black claws out and proud, but your vision is blocked by the large alpha infront of you.

     Your hips back into Chungha's small desk, and your hands clamber around, landing on something small and solid.

     You swing it at his head and he ducks, grabbing your wrist and dragging you out of the small cell. You manage to swing again, making contact with his head. The small ceramic bowl shatters into pieces and leaves him only temporarily stunned, glaring down at you.

      "Fucking stop," he growls quietly, shoving you to the floor.

       He lets you shuffle away, only because Hongjoong is right behind you.

     The blonde chuckles, pulling you back up by your collar and crashing you face first into one of the round steel tables bolted into the floor. "Ow!" You yell out as your head makes contact, fighting against him with all your might, but it's fruitless.

     He kicks your feet apart and stands between them, leaning his chest over your back. You can feel his nose against your neck, over the healed skin above your scent blocker. You snap your eyes shut and do the only thing you can thing of.

     You can't fight. Begging to these men would be useless. You can't disappear into the floor like you wish you could.

     "Please, Selene," you pray to the moon, tears slipping past your shut eyes as you feel the claws of the mad man on your neck.

       You cry out as the other worldly sharp nails slice into your neck, slowly and almost surgically. His other hand is cupped on the back of your head, keeping your head pushed into the cold metal. "Shhhh," he gushes above you, "it's okay."

      Seonghwa sits at one of the bolted stools and rests his head to mimic yours, cheek on the table. "We'd've been more gentle if you listened, omega."

       Between the tips of his claws, Hongjoong holds your small alloy scent blocker. Almost instantaneously, your natural scent floods their senses.

     Their deep rumbles of pleasure make you snap your eyes back shut, missing the way Hongjoong stomps on the device.

     "Fuck," the wolf behind you curses, body pressed close to yours like he wants to fuse together, he places his hands in yours and tells you, "you might want to squeeze."

    "Wh- ah!" Your scream echoes over all of the other chaos as his teeth sink into your left shoulder, and you do just that. Your clawed hands squeeze around his, sharp nails knocking together as you hold on like his hands are the only thing keeping you from slipping to the underworld.

       It feels like a million pins and needles washing over you, leaving you paralyzed in place as he purrs into the wound, making your bones vibrate.

     A warm, comforting hand on your cheek makes you force your eyes open. Seonghwa smiles sweetly, like he isn't witnessing one of the biggest crimes in the lycan community.

      Forcing someone to be your mate for the rest of your mortal lives.

     "Breathe, omega," his words make you realize you're holding your breath, and you let it out as a sob. "That's it," he hums, rubbing his hand down your head with all the gentleness he's capable of.

        Hongjoong pulls away with a moan, resting his head between your shoulder blades as he catches his breath.

     Your wolf is already calling for her mate, howling in the back of your mind as you cry.

       "Don't worry, we'll take good care of you." Seonghwas words have little time to register in your adrenaline filled head as he turns your head the other way and climbs up on the table.

     It hits you when he moves your ruffled shirt away from your right shoulder. "No! No!" You find yourself with two million pins and needles in your body now, squeezing Hongjoongs hands all over again as Seonghwa sinks his teeth into you at an excruciatingly slow pace.

They're bigger, or maybe they only feel that way because your body is on fire. You sob freely, feet stomping pathetically to cope with the pain.

What little comfort you find in Hongjoong squeezing your hands back is washed away by the simple fact that it's him. That blood from his claws drips onto your skin.

It feels like a century later that the older alpha finally pulls away, a bellow of pleasure as he runs his thumb over the wound: making you jump.

"Your turn, omega."

The weight of their bodies is gone, but you can't bring yourself to move. Out of fear, maybe. Pain, perhaps.

"You know what happens to wolves who don't finish the bond." Hongjoong purrs teasingly, knowing full well that you will have to mark them back least you want to suffer at the hands of the moon herself.

A life with them was better than being turned inside out and left to the elements. Just barely.

You lift yourself on shaking arms and nearly fall as you turn. You would have if not for Hongjoong catching you. He lifts you back to the table much gentler, letting your legs dangle as you sit on the table top.

"Why... why me?"

"... Have you heard of Harry Talbot?"

"Harry Talbots a myth... what's he got to do with your fuck shit?"

"Harry Talbot was the first wolf that could smell his mate. He could tell just by her smell, they were meant to be." Hongjoong slots his way between your legs, smiling down at you with his bloody teeth, "her smell called to him. It wasn't just good. It wasn't a normal scent. It was...alluring."

You were growing dizzy, head spinning.

"Strong alphas can sniff out their true mate. And, baby, we're the strongest that there is."

You have to force yourself to swallow. Have to remember to breathe.

"Why? Because you're... alluring."

That's the last thing you can register before your world turns dark.

˚➶ ��˚ PART ONE END ˚➶ ｡˚

[hamliet]

Derry Girls: A Masterclass in Detailed, Thematic Writing

Several years after the end, I finally watched Derry Girls, and it's become one of my favorite shows. Not only for the way it captures the absolutely unhinged aspects of Irish families (askmehowiknow) but for the sheer writing skill.

The vast majority of the episodes are laugh-out-loud hilarious, while also offering insightful commentary on the Troubles and on humanity's foibles as a whole. The characters are allowed to be human and act in unlikable, unsanitized ways, and to still be human and come back from that. (Almost like a metaphor for the Troubles or something.)

The story is also incredibly detailed; for example, when the girls are accused of killing a nun and Erin points out the nun was like, 98 years old and askes "might that shed some light on the situation?" there's an hourglass behind Sister Michael--emphasizing the idea that her time was up. Even more than that... the window is behind the hourglass, literally shining a light on it.

But that's a micro level. On a macro level, I also appreciated the way the story discusses the political backdrop that is part of its premise. Even as Erin, Michelle, James, Clare, and Orla grow up in a place that's been in a state of low-level warfare for decades, they live full lives. In fact, that's kinda the point.

Case in point: episode 4 of the first season, wherein Erin gets an exchange student from Chernobyl. The way the Northern Irish in general treat the Ukrainians is hilariously awful and patronizing, believing that they are giving them a respite from the troubles "over there" while Northern Ireland isn't in a much better state. But, as Sister Michael assures the Ukrainian students, the Irish troubles don't matter because "we're the goodies."

This line gets to the heart of what the episode is saying about political divisions and the way people view an "other." Everyone sees themselves as the "goodies." Because of that, they don't self-examine and wind up hurting the people they see themselves as wanting to help/save with their ignorance. It's a paradoxical egotistical (and frankly teenage) worldview that is also unwilling to look critically at oneself. The focus on their own perceptions over focusing on the actual humanity of the other results in ruining gifts that could come with cross-culture interaction, as seen in how Erin's misunderstandings and petty jealousy of Katya leads to her literally ruining a surprise gift Katya had prepared.

And the end of the episode also comments thematically on the story. One of the Ukrainian boys turns out not to be Ukrainian after all--he's actually Irish and from just down the road. He just didn't know how to say that. The ironic message is clear: despite differences in culture and views, they are actually all human beings, and assumptions make it hard for people to speak. If they could actually talk openly and without presumptions about who is "good" and who is "bad," they could prevent and solve a lot of problems.

This kind of background, symbolic commentary on the Troubles continues in just about every episode of the series. For example, even after the ceasefire, season 3 has an episode where it's discussed how negotiations are stalling, and the entirely of the rest of the episode takes place on a train that stalls between two separate places.

The Troubles are always something affecting their lives, but the only time the Troubles ever become the main story is in the finale episode. Which is also an episode that makes everyone cry. Michelle's brother is finally mentioned for the first time the entire series, yet it doesn't feel like a retcon so much as a recontextualization, and again mirrors how a lot of society (and Michelle's own family) have treated those who murdered others during the conflict.

Erin and James' relationship also works as a metaphor for the Troubles--an Irish Catholic girl and an English boy. Earlier in season 3, after they finally kiss, they're told they can't be together, that it's wrong, and that it'll create problems for everyone around them. Michelle doesn't want things to change. And Erin agrees that it's not good to pursue something.

But, in the final scenes, as Erin prepares to vote in the Good Friday Agreement and talks to James, she directly states she thinks things can't stay the same forever--thereby countering what she said to reject James earlier:

There's a part of me that wishes everything could just stay the same. That we could all just stay like this forever. There's a part of me that doesn't really want to grow up. I'm not sure I'm ready for it. I'm not sure I'm ready for the world. But things can't stay the same, and they shouldn't. No matter how scary it is, we have to move on, and we have to grow up, because things... well, they might just change for the better. So we have to be brave. And if our dreams get broken along the way... we have to make new ones from the pieces.

Symbolically, also, given that we know the outcome of the Good Friday Agreement, I think it's pretty clear Erin and James end up together even if we're not directly shown it.

That the last shot of the episode (besides the funny epilogue) is Grandda Joe, one of the eldest characters, helping his youngest toddler granddaughter Anna leap over a threshold as they leave the voting station, is also incredibly clear in its symbolism.

Erin: People died. Innocent people died, Grandda. They were someone's mother, father, daughter, son. Nothing can ever make that okay. And the people who took those lives, they're just gonna walk free? What if we do it, and it's all for nothing? What if we vote yes and it doesn't even work? Grandda Joe: And what if it does? What if no one else has to die? What if this all becomes a--a ghost story you'll tell your wee-un's some day? A ghost story they'll hardly believe?

I dunno, I think this is a sentiment we need more of in the world. A peaceful future means taking risks and accepting that punitive justice will not be perfectly doled out; however, if you allow more people to be hurt, is that not also injustice? It's a paradox that the story leaves us without a dogmatic answer to (for example, we never find out if Michelle's brother gets released), but it's also hopeful--because we know that the Good Friday Agreement largely worked.

(For further analysis of the final scene, I recommend PillarofGarbage's analysis on YouTube!)

[nicholasmoorethetwittermigrant]

Something I really appreciate about My Adventures With Superman is that I think it’s the best approach I’ve seen in a recent adaptation regarding Clark’s nature as a journalist.

Not only is the job afforded more plot utility in an adaptation where Clark doesn’t have all his powers cracked yet (so he can’t just hear/see everything to the point of literal omniscience), but it’s also a really smart choice to have reporting be something that Clark wants to do independent from any Superman-related stuff.

Clark never planned on becoming a superhero, but he did plan on being a reporter because journalism is a field that interests him. That immediately humanizes him and gives the viewer an emotional stake in the Daily Planet as a setting and aspect of Clark’s life that we should care about. It also immediately gives he and Lois as massive thing in common that their chemistry can then build out from naturally.

A lot of recent Superman adaptations seem to not know what to do with the Planet besides just having Clark BE there as a matter of obligation to source material, but this show has a clear, pointed purpose that lets it be the base for the whole series, and it’s a boon for Clark’s character across the board.

[allykabbet]

Sneezing dynamics I like

Apologetic sneezes. I don’t need to say much more. Maybe when they’re really tired, they forget to apologize after sneezing, making the other person worry.

Someone who usually stifles their sneezes but doesn’t when they’re REALLY comfortable with someone. They’re not very loud either.

False starts. Both the sneezer and the observer can feel the same type of frustration and desperation.

A person who appears outgoing, charismatic, confident, and naturally elegant but becomes shy and embarrassed when they lose control. They might stifle sneezes whenever possible, trying to avoid drawing attention, which ironically ends up drawing more attention, and then apologizes out of habit.

Someone politely steps aside from another person to sneeze into their elbow, turning to the side. "Sorry, what were you saying..." They compose themselves, but then, just a few seconds later, they turn away to sneeze again in the middle of the other person’s sentence.

Continuing the interrupted sentence after a sneeze, causing the words to come out breathless, tired, or congested.

"I didn’t know you sneezed so much when you were sick." Rediscovering new aspects of someone when they’re sick.

Becoming more affectionate or clingy when not feeling well?

Raising a finger to pause the other person before sneezing. A classic.

Sneezing into the elbow, wrist, or forearm.

Sneezing into a handkerchief, muffled, and then blowing their nose almost immediately.

Sneezing twice in such quick succession that the other person struggles to tell if it was one or two sneezes.

"Sorry, I can’t stop" or "Sorry, it got me..."

The other person grabs a roll of paper towels, asks a third person for tissues, or hands over napkins without the sneezy one asking, just because they see them sniffling or tearing up more than usual.

“Bless you. And bless you” before they sneeze a second time, just because of their pre-sneeze face.

"ATChsshu! [Insert generic sneeze sound] "Achu. Bless you!" The other person imitates the sneeze, not mockingly, just because they find it cute, before blessing them.

Fanning themselves before sneezing without realizing it, or subtly rubbing one side of their nose with a curved finger to hold back the sneeze.

SOFT sneezes. Not stifled, just intrinsically soft, as if they didn’t have the strength to sneeze more forcefully.

Clenching their teeth to stifle a sneeze and exhaling through their teeth afterward.

Two people sleeping next to each other, one spooning the other from behind. The big spoon can’t avoid sneezing but holds it back to avoid spraying the little spoon, making their whole body shake. The effort leaves them dizzy.

Sneeze followed by a congested, heavy exhalation. Pressing the bridge of the nose and shaking their head. Blinking several times and trying to concentrate on the pile of work in front of them.

Someone at public events who don’t want to sneeze, making subtle gestures like rubbing their nose with a finger, clearing their throat, swallowing, or squinting. They’re more distracted than usual, sniffling very discreetly, pressing the bridge of their nose.

A stoic character in a position of power losing control. Their subordinates seeing them as human for the first time and growing fond of their condition.

They usually sneeze in a certain way until suddenly they let out a different sneeze (maybe because they’re tired of stifling it or because it’s stronger than usual), and the other person exclaims, “Bless you!” instead of blessing them softly, and makes a comment about it. “That was strong, are you okay?”

Small comforting gestures, almost unconsciously. Lightly rubbing their back, a small touch on the forearm or leg, or gently brushing their hair.

A very polite, elegant person cursing after their fifth or sixth sneeze in a fit. “...fuck. So sorry, I can’t stop…”

“Ok-eh-aysSHTCHu!” A sneeze mixing with the last word they were saying.

A character with a mystical, almost distant aura. Probably powerful, mysterious, doing something as mundane as sneezing and “coming down” to earth. “Don’t look at me like that. It’s normal.”

Sneezing during an interview. So many situations could happen with this 🤭

“I’m going to die” A little bit of drama, exhausted, after a very strong sneezing fit.

Workaholic sick.

Sneezing and/or while smoking.

[doitforbangchan]

All Bark and No Bite : Meet the pack

Helloooooo! Welcome to my new series titled All Bark and No Bite. Before the series officially begins I want to give a quick overview of the SKZ pack members and their roles within the pack! This is how I view the pack dynamics working and my own personal thoughts. I have sorted them based on where I think they would fall. I have also included what tendencies I think some of them would have. I am also including a small background for the story. Please let me know your thoughts as well! I’d love to discuss :)

Disclaimer: The names and faces used here are just that, names and faces, and in no way reflect the real people the characters were designed after. The views and actions of these characters do not reflect the real Stray Kids in any way shape or form. This is all for fun let’s keep it that way please. 

My content is always for 18+ ONLY. If you are not 18+ please see yourselves out thanks

Background info: This story takes place in an alternate universe where people eventually present as one of three presentations: Alpha, beta and omega. Omegas are incredibly rare and many people have never even seen an omega in their lives. The new tradition is if an alpha does get an omega then that Omega does become the packs, though they will mainly ‘belong’ to the main alpha of the pack. Due to the submissive nature of the omegas this has turned many alphas and betas very misogynistic. 

Next Series masterlist Masterlist

Bang Chan aka Chris -Pack Main Alpha 

Chris is the head alpha of the SKZ pack. He is strong willed and carries the weight of the world on his shoulders. Head of the pack and also unofficial head of the neighboring town has taken its toll on Chan mentally and emotionally. He is known as a strong leader who would and has done anything to protect his people. Other packs have heard of him and know better than to challenge him… Mostly anyways. The stupid few usually don’t make it home after coming for Chan. He is used to obedience and expects it in all aspects.

Lee Minho -Beta 

Minho can be hard to read sometimes, he gives off such a serious vibe but once you get to know him and how he interacts with the pack it’s clear he really cares for them. Minho is very blunt and will tell you exactly how he sees it. Even though he’s a beta he is still Chan's second in command in the pack. Minho is often there to remind Chan that he’s allowed to be a human and not a machine. Main cook for the pack. 

Seo Changbin -Alpha 

The main muscle (other than chan) of the pack. He takes pride in his strength and his ability to protect the pack as well as offer a shoulder to cry on. Changbin is often the one the pack goes too when they are down and just need a hug. According to them he gives the best hugs. Also really good for a laugh as he never stops joking around. 

Hwang Hyunjin -Beta 

Hyunjin is a true romantic through and through. When he’s not helping out at home with the pack you could usually find him painting out in a field somewhere or in town helping the townsfolk. He can often be found running errands for the elderly in town. He is a true artist and loves to do portraits of his fellow pack mates. 

Han Jisung -Beta with Omega tendencies

Precious Hannie, always so helpful and supportive. It was a surprise to his family he didn’t present as an omega growing up given how submissive he can be. He just wants to please the people he cares about! He can be a little introverted and shy around new people but once he warms up to you he never stops talking or joking around. Sunshine boy :) 

Lee Felix -Beta Omega tendencies 

Felix is another ray of sunshine for the pack. He is very dainty like a fairy and dances around like one too, despite his deep voice! His bubbly personality is contagious and anyone he meets is enamored by him. He can often be found in the kitchen baking during the day and singing along to whatever song is stuck in his head. Sometimes the pack wonders how he didn’t end up an omega. 

Kim Seungmin -Beta with Alpha tendencies 

This boy is very smart and is one of Chan's right hand men in the pack. He pays attention better than anyone else to small details and is good with strategy. He can come off as aloof and rude when you don’t know him yet, but once his shell is broken through he is actually a very caring person. He always tries to do right by his pack and would stop at nothing to protect them. 

Yang Jeongin -Alpha 

The youngest member of the pack and newest to present as an Alpha. He is very easy going and doesn’t have many responsibilities yet as he’s still trying to find himself as an alpha. He really looks up to the other members, especially Chan as he is a prime example of who Jeongin wants to become. The least experienced of the pack. One thing about him is he is very quick on his feet and even though he is young he knows he would die for the pack’s safety. 

If you got this far thank you :') I am not the best writer but I do enjoy it and hope you do too!

©doitforbangchan

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Taglist

@ihrtlix

[magicspeedwagon7]

a lot of analysis of "Saltburn" that i see on the internet focus on the text/subtext and maybe the symbolism but i'd like to focus on how messages can be conveyed by the visual elements of the film.

after your first viewing of the film, you've probably asked yourself a lot of questions, including: did Ollie genuinely like Felix (and all his plans derailed dramatically) ? or was Felix a mean to an end from the beginning (and Ollie's mistaken his obsession with Felix, more precisely what he represents (i.e. coolness, wealth, injustice etc) for genuine affection) ?

first and foremost, let's talk about the ratio used all throughout the film which is 1.33:1. so not a perfect square - that would be 1:1 - but here's a screenshot of my computer while i was playing the film on my media player so you can see the biiiig black stripes to the left and right.

such a square-ish ratio - especially compared to larger ratios, the hollywood standard being 1.85:1 - allows paying attention to the characters instead of the background in wide shots or floor shots and offers 'intimate' close-ups because little to no background is to be see as you get closer to the characters. the main drawback and that we cannot capture imposing backgrounds with it. it just doesn't fit.

the scene where Felix shows Ollie around the house illustrates perfectly the paradoxes of the film. Saltburn is central to the film and yet just a background.

the camera never moves away from Felix, not even when Ollie looks left and right. to add insult to injury, the narrow frame prevents us from looking at anything else even if we wanted to.

"some fucking hideous Rubens" said Felix. Rubens that...we will never see. same for the maze Felix will die in: we'll see it later.

of course, the previous scene depicted Ollie as insignificant compared to the castle but i think this scene is here to establish Duncan as the gatekeeper of the castle in a very literal sense. as if the gates of the castle had taken on a human form in the form of Duncan.

but the moment Felix comes in, all eyes on him.

for me, the message is clear: before the death of Felix, we don't care about the castle . there's not even a single room of that castle that you could describe extensively. do you know what Ollie's and Felix's rooms look like? and the dressing room? etc. Ollie was genuinely obsessed with Felix and he had to improvise when he died that aspect of him is not part of any scheme. in contrary i think the moments when Ollie's sexually excited by Felix (cf bathtub scene, grave scene) are Ollie's rare moments of vulnerability when his real personality slips through. he cold-bloodedly killed all the members of the Catton family except Felix he genuinely cried for.

that's why i do not subscribe to the view that every single thing Ollie does is part of a scheme from the get-go. sometimes, Ollie improvises and his obsession for Felix is not a mean to an end.

[fahye]

book recs: feb 2024

(disclaimer: I have spent nearly three months languishing and sullen with post-COVID symptoms and have read, over dec-feb, eighty-one books. this is a ruthlessly streamlined list of recs that does not include, uh, all the rereading of sarah maclean and charlie adhara and georgette heyer books.)

AT FIRST SPITE by olivia dade - what if I moved in next to the man who ruined my engagement to his younger brother, and tried to ruin his life by playing monsterfucking audiobooks really loudly?? a heartfelt and lovely romance that also expertly sets up a great small-town setting for an ongoing series.

THE REFORMATORY by tananarive due - historical horror based on the existence of a real school for boys, clear-eyed and brutal in showing the the effect of racist systems in the 1950s american south. compelling as hell. even if you're not usually into horror, I'd recommend this: the ghost aspect is light-handed and really not as important as the horror of what humans do to other humans.

SOMETHING WILD & WONDERFUL by anita kelly - this is a m/m romance about walking the pacific crest trail which made me see the appeal of very long walks. a miracle! it's gentle and emotional and well put together; the characters really grabbed me.

THE BELL IN THE FOG by lev a.c. rosen - the followup to 'lavender house', and somehow even better?? a historical mystery series featuring a queer private eye in 1950s san francisco who looks into crimes against other queer people. amazing queer history! ACAB! I hope there are fifty more books in this series.

FEAST WHILE YOU CAN* by mikaella clements & onjuli datta - beautiful, greedy, terrifying small-town horror that is also a fucking fantastic, gorgeously written sapphic love story. this one IS for the horror fans. it gave me the absolute creeps but I couldn't put it down.

LADY EVE'S LAST CON* by rebecca fraimow - I described this on bsky as 'if you like Leverage, space opera, old screwball comedies, and dashing sapphics who are at all times spiritually wearing a leather jacket: this one is for you' and I stand by that. huge amounts of fun.

LONG LIVE EVIL* by sarah rees brennan - I will be screaming from here until forever about SRB's first adult fantasy book. if you like the isekai'd-into-a-villain-character setup and want it to be hilarious, genre-savvy and wildly angry and clever, you will roll around in this like a blood-stained mud puddle and then beg for more.

THE LAST HOUR BETWEEN WORLDS* by melissa caruso - really clever and original fantasy about a woman on maternity leave who gets dragged into saving a cocktail party which is falling through increasingly murderous and bizarre dimensions. LISTEN, JUST GO WITH IT. it's a seriously cool adventure.

YOU SHOULD BE SO LUCKY* by cat sebastian - yes, it's another m/m romance about queer history in the mid 20th century, this one between a baseball player and the journalist assigned to write a story about his slump. made me care about baseball. cat is a genius.

*I read these as ARCs, they're not available yet but consider preordering or keep your eye out for them!

[sirfrogsworth]

Photo Restoration Project - Part 1

A long time ago, Katrina sent me some old photos of her family I could restore. Her parents have been helping me from afar for years and I really wanted to do something nice for them. Unfortunately my dad got much worse and I pretty much forgot about this project for quite some time.

But then I decided to visit Katrina in Orlando and we discussed having dinner with her parents and I remembered these photos. So I thought I would fix them up so I could present them as a gift in person.

The first and most important photo was from her parents wedding.

Old photo prints can fade over time due to UV light exposure. From what I understand, different colors fade at different rates and red/orange tones tend to be the least susceptible to this fading. Thankfully all of the color information is still there, it's just that the darks are not as dark and the lights are not as light. The dynamic range got squeezed like an accordion. However, if you do a levels adjustment on the red, blue, and green channels individually, you can unsqueeze the accordion and balance everything back to the way it was.

But you can't always save everything and there may be other damage that needs fixing. If something becomes pure white, there is no way to restore that detail. Thankfully I was able to use the new generative fill feature to bring back detail in the dress, the flowers, and the tuxedo shirt.

And because I hate front facing flash and how it makes colors look ugly and sterile, I may have also added a marble floor and pillars.

Next up was a photo of Anastasia, Katrina's mom, protesting Henry Kissinger on behalf of her home country of Greece. This suffered from the same color fading issues.

What made this one a little more tricky was an uneven fading. The left side had to be adjusted independently and the top was even more faded. I had to isolate the trees to bring back their color. And the protest signs were difficult to read, so I enhanced those as well.

Next we have this lovely photo of Anastasia tending to some house plants.

This photo was actually in decent shape. It lost a little contrast, had a little bit of fading, and her top retained almost no detail I could recover. Recovering accurate skin tones is probably one of the most important skills I learned when restoring these photos. I wanted to keep that filmic look of the era while avoiding making people look jaundiced or pale. Lightroom's new masking feature that let's you isolate every aspect of the people it detects in a photo. This made fixing skin tones much easier. I could isolate just her face or her lips or her hair or her eyes and make precise individual adjustments. This process could have taken a great deal longer without this feature. But, I brought back proper contrast and color, added a little bit of detail to her top with gen fill, and hopefully got fairly accurate skin tones as well.

Next up, forward facing flash strikes again in a photo of Mike and Anastasia during Christmas.

Film did not do well in low light. If it was indoors and nighttime, you pretty much had no choice but to use flash. But a flash is a very small, bright light source and this causes a very unflattering result on humans. Today we have much more powerful flashes with rotating heads. We can bounce the light into the ceiling or off a wall and increase the size of the light source to get a more flattering result.

In this photo I wasn't able to do much, so I just balanced the skin tones and brought out some hidden detail and called it a day. It's still a lovely memory and thankfully film has such character that it negates a lot of the unflattering aspects of direct flash.

Next up is some cuteness...

A big priority when editing photos is to make sure the subjects are the star of the photo. And in this one their faces were a bit obscured in shadow. There was also a lot of haze in the background hiding the beautiful vista. Not to mention when I cleared that haze, there was this super faint hint of something in the sky. I can't tell if it was a rainbow, but I decided to believe it was a rainbow. The only thing that I am still struggling with, and this seems to be common with a lot of old photos, is green. Getting a good, saturated, natural green to look right has been very difficult. Everything I try ends up looking toxic or fake. The only thing that ends up looking right with the rest of the photo is more of a yellow-y brown. It's something I'll have to work on as I learn, but as long as the overall photo looks balanced and natural, I'm okay with not perfectly nailing the greens.

Up next we have a lovely scene on a Greek dock...

As far as editing goes, this was pretty basic. I just undid the fading, adjusted the skin tones, replaced the blown-out sky, and made the colors pop. But I think this is actually one of my favorite before and after shots. I just love how such a simple fix brought this scene to life.

A new car is a big deal and Anastasia looks so proud here...

This image has another common issue in addition to the typical fading of colors. It has a yellowish orange color cast. This could have been an issue with the film used or the development process or a chemical reaction on the print. A color cast is a lot like looking through colored glasses. It's like a translucent color material was put on top of the image. This can be a little trickier to deal with, but if you know your color theory, you might already know the solution. Blue is the opposite of yellow/orange on the color wheel, so if you introduce blue to the image it should balance out. Also, add a sky if it was missing.

Next up we have a landscaping project...

This one wasn't too tricky, but there was one interesting issue I had to address. All light has a color temperature. Daylight has a temperature of around 5500K. But the inside of the garage was being lit by reflected light and so that light took on the color temperature of the things it was bouncing off of. So I had to mask out the people and the car and address the color temperature inside the garage to make everything look balanced. Also, the green fought me hard on this one. And with the theme of this picture being plants, I felt I really needed to find a tone that worked. I think I finally got there, but I spent way too much time in the color picker doing trial and error of green tones. Also, new sky.

With this next one I actually did a pretty thorough explanation of how I edited it. But this was probably my favorite puzzle to solve from this collection of photos.

I'll do the abridged explanation...

The physical photograph was printed on a paper with a very heavy texture. And when it was scanned, the light from the scanner bounced off that texture and created a pattern of unwanted highlights.

I was worried this was impossible to fix and I almost gave up on this photo. But after one final Google search I discovered something called "Fast Fourier Transform." It's a mathematical formula that can be used to detect patterns. And the image editing software Affinity Photo, just so happens to have a filter called FFT denoise that helps you remove unwanted patterns from scanned photos.

And thanks to that filter, I was able to remove a substantial amount of that pattern...

Then I did my standard clean up techniques...

Oh, and I decided to try learning how to colorize.

Photoshop has a new set of experimental filters and a colorization tool is one of them. It is not great yet, but it is a great starting place. Instead of having to hand paint every single thing in the photo, Photoshop gave me a base to work with and I could take it from there with traditional techniques.

That's all I have the energy for today, but there are a bunch of cool restorations to talk about. Hopefully you all find this interesting. It was such a great gift to give to Katrina's parents. And spending that time with them and making them happy felt like I was with my own parents again. So we all got a gift in that wonderful evening.

Part 2 coming as soon as I have the energy!

[literatureloverx]

Just use this blog! I would love to get your thoughts in Chuuya since you do such an amazing job with Fyodor. Would be awesome to know your ideal types for the other bsd guys (..well chuuya mainly)

Such a cutie patootie request 🥹 I love it, and I’ve been wanting to write about this for a while now!

I’m a bit nervous about writing a character who isn’t Fyodor, but I really hope I can meet your expectations. ❤️ I would hate to disappoint. 🥺

Just a heads-up: I’m also planning to write about Dazai’s, Nikolai’s, and maybe even Akutagawa’s ideal types at some point. ❤️

Chuuya x fem!reader, Chuuya x ideal type!reader.🧡

Chuuya’s ideal type

In my character analysis post for Fyodor, I mentioned that Fyodor is not a "darling-neutral" character, which suggests that he has a very clear and non-negotiable ideal type.

However, this is certainly not the case with our beloved Chuuya.

Chuuya is genuinely "darling-neutral," but I’d like to depict an ideal type nonetheless, as I believe he has some aspects he would greatly admire in a woman.

Although I can’t recall where I read it, it was mentioned somewhere that Chuuya appreciates elegant people with a good sense of fashion.

When I think of such a person, I immediately picture an elegant woman who knows how to carry herself effectively and gracefully.

A good sense of fashion often indicates high self-esteem and self-worth.

This leads me to believe that Chuuya’s ideal type would definitely be someone confident.

It’s important to clarify that confidence doesn’t mean being loud or mean.

Imagine someone who is elegant, feminine (but not hyper-feminine), and confident.

This person would not be gracefully meek or silent but would act, look, behave, and move with class and confidence.

Given Chuuya’s own pride in his male strength, his keen sense of fashion, and his confidence brimming with pride, I believe he would fall for such a person almost immediately.

However, his ideal partner should not challenge him in a way that disrupts his sense of harmony.

This is precisely why he says he hates Dazai; it’s not that he hates Dazai himself, but rather the constant challenges Dazai presents that unsettle him.

Chuuya is a proud man in every possible way, and he wouldn’t easily tolerate disrespect or undue challenge.

In terms of physical appearance, I don’t think that attributes like hair or skin color, height (even though he is 5'3"/160 cm), or weight would be of significant importance to him.

However, I don’t believe he would be attracted to someone who is obese. Don’t get me wrong—he is strong enough to carry someone regardless of their weight, but it’s simply not his vibe.

“If a person’s body is prominent, it should be due to athleticism.”—Chuuya, probably.

Still, I don’t see him caring much about your fitness level either.

When I said he is "darling-neutral," I genuinely meant it.

I believe that Chuuya could easily fall in love with a shy, more masculine, sincere, or careful partner.

He has a beautiful and deeply humane heart, which allows him to see the best in his partner, no matter their characteristics.

However, this is not in a naive way—he would guide his partner to the right path if he sensed something might be off.

On the emotional side, Chuuya loves challenges, but his life is already filled with them. He might seek rest in his partner’s arms rather than being constantly challenged.

He would likely get bored with someone who is only loving but not truly engaging, as he is not a passive person himself.

Chuuya is active in whatever he does.

Chuuya is active in everything he does, so he needs a partner who can at least keep up with his lifestyle.

As a feared man and a valuable part of the Port Mafia—an executive, no less—his position should not intimidate his partner.

This is why I believe he wouldn’t keep his situation a secret.

He wants a true partner, someone loyal to him who also has a life of her own with meaningful activities, so she doesn’t feel alone or isolated when he’s not around.

His ideal partner should be independent and capable of taking care of herself, but also willing to let him take care of her—not because she needs it, but because she wants it.

This is how Chuuya expresses his love, through grand gestures and physical affection.

His partner should accept this wholeheartedly.

Loyalty is one of the most important aspects of Chuuya's relationship with his partner. He is loyal until the end of time, and he expects the same in return.

Then there’s his expensive wine collection—he’s not a heavy drinker, but he enjoys a good glass of wine now and then, especially when celebrating or unwinding after a long day.

He would expect his partner to share these peaceful moments with him. His vulnerable state when he drinks and relaxes gives him a sense of domestic warmth.

I’m not sure if this is a common interpretation of Chuuya’s character, but I see him as a somewhat possessive lover—perhaps not possessive in the typical sense, but definitely territorial.

Sexually, he may be very possessive, but in other aspects, he’s more about asserting his territory.

Because he won’t take it lightly if someone flirts with you or eyes you, you’ll need to be someone who can maintain a certain distance from others when necessary.

This is why I envisioned an ideal type for Chuuya who is classy, carrying herself with elegance and confidence, rather than someone who is chatty or bubbly.

Chuuya is territorial, and while you’re free to do as you please—go shopping with friends (he would even give you his black card), meet them anywhere, or engage in any activities you like—he barely has time for himself.

So, when he does have time for the two of you, he would expect you to set everything else aside to spend that time together.

That is why he needs someone who is ready to make sacrifices when needed.

Edit: I practically forgot to mention any real sexual content about his potential darling, so here they are:

I don’t think he would care whether his partner is a virgin or not, but if you are, he’d be very proud to be your first and would strive to make your first experience as beautiful and sensually unforgettable as possible.

However, I can’t see him being attracted to someone who is "too open" with sexual encounters, like someone who sleeps around.

This simply doesn’t align with the image of a woman who carries herself with confidence and grace.

[ellalalala]

A semi-long rant about Dottore's implied self-hatred, loneliness and inner struggles

I am, like many others, endlessly fascinated by Dottore, which means that I've been sucking the game dry for any Dottore content I can find; I've watched the dialogue between him and Nahida numerous times, read the "Zandik's Legacy" notes over and over and even the description of the "Wise Doctor's Pinion" from the Pale Flame artifact set. So much has already been said about him, but I'd like to offer my own two cents about an aspect of his character that is often ignored in favor of his villainy: Dottore's inner struggles.

I'll recount everything that I've gathered and tell you of my interpretation of Dottore's character.

To start, one thing that I never see people mention is a line from Nahida's retelling of the Tatarasuna incident. In the very beginning of the cutscene, we see a monster covered in light blue fur (obviously Dottore) who Nahida describes in a very interesting way. She says:

"Once in a while, the monster would take off its fox fur at night, and lament to itself as it gazed at its reflection in the water: "I am a monstrosity, yet they are too foolish to see it. I pity them."

Of course, it's easy to say that this is just a fairy tale Nahida created to preserve Scaramouche's memories and that this could've been made up - which is only half true! We must remember that Nahida has seen Dottore's consciousness. She already knew of the arguments between his Segments when Dottore confronted her to take the Electro and Dendro gnoses. Why do I bring this specific line up, though?

Because this line outright tells us that: 1) Dottore spent sleepless nights in Tatarasuna reflecting on himself; 2) That he, perhaps sincerely, pitied the people of Tatarasuna for not seeing past his facade.

I also think that the use of the word 'lament' is very interesting. To lament means to express sorrow and regret for something. I would think that this implies Dottore feeling remorseful for not just who he was, but what he would do to Tatarasuna. To provide further proof, I think it is important to look at the expression on the furry monster's face (as Nahida portrays it) when it laments to itself:

(What a cute little thing.)

It looks a bit... upset, doesn't it? Like it is mad at itself as it gazes into the water. This expression, combined with his thoughts and the use of the word 'lament' gives us a clear sign that many ignored: Dottore isn't as shallow of a villain as we thought.

Later in the cutscene, Nahida says:

"But the monster soon found solace when another came to live among the foxes who was not their kin: a kitten, carved from the wood of a white tree, who had been abandoned by the humans."

And in that moment, we see a wide-eyed little monster gazing at the kitten:

(Feels really silly to use this as an example but you've gotta trust the process)

Here, Dottore found someone like himself. An outcast, a creature that did not quite fit in with the ordinary humans - someone who could understand Dottore's loneliness and ostracization. After getting chased out of his hometown for his blasphemous ideas, after getting expelled from the Akademiya and possibly exiled to Aaru Village for his heretical views - Dottore had finally found someone to whom he could say: "See? They will never accept us. It is you and I against them, for they will never understand us."

What person wouldn't seek companionship, after all?

But things didn't turn out the way Dottore expected them to. Unlike Dottore, Scaramouche didn't need to hide his true identity in order to be accepted by the people of Tatarasuna. Thus, the following happened:

"Furious at this happy resolution, the monster lit a fire on the mountain. The terrified animals panicked as the fire spread..."

... and we know the rest. What matters is this: Dottore was angry and jealous of Scaramouche. Exiled from his hometown, rejected by his peers, insulted and looked down upon just for wanting to destroy the imbalance between Man and God - and along comes a puppet, a creation of the Raiden Shogun, who receives acceptance and guidance from the people of Tatarasuna. Not just that, but the only creature who could share Dottore's loneliness is whisked away from him, proving once again that Dottore will never know what it means to have a true companion.

Thus he tricked Scaramouche into believing that Niwa had betrayed them, had him join the Fatui and later used him as the blueprint for the creation of his Segments. Dottore basically ruined Scaramouche's life out of bitter jealousy.

That should be it about Tatarasuna for now. What I'd like to focus on next is the conversation between Dottore and Nahida in the 3.2 Archon Quest.

There are a few lines that interest me, so I'll go over them one by one.

Dottore uses a lot of big words to sound like he's saying something profound when in reality he's saying nothing at all (a nice callback to his Commedia Dell'arte counterpart), but there is one thing that both he and Nahida place great emphasis on: the fact that Dottore, smart as he is, cannot make peace with himself.

First to say it is Dottore. After asking Nahida for her opinion on his Segments, he says:

"Indeed. It's difficult for humans... to make peace with themselves, not to mention oneself from a different period."

The line still feels out of place. It sounds as if he is musing to himself.

Again, we get a line about his Segments, after Nahida asked him to erase them:

"You were observing me, and that's how you know I've long grown tired of their doubts and endless arguments."

I think it's safe to assume that the arguing is a metaphor for his struggle of self-acceptance. It seems every Segment has something to say to the others, but more on that later.

Nahida uses Dottore's own words against him:

"Like you said, it's difficult to make peace with yourself. Being as smart as you are, have you managed to do that?"

It's important to note that Dottore doesn't answer that question, but even without that, it's obvious to us, the players - of course Dottore hasn't managed to do that.

Whenever Nahida questions the relationship between his Segments, Dottore easily changes the subject. For example:

"Is the relationship between all the versions of you really that bad?"

"I don't think there's any need to dwell on that. The surplus versions of me can be exchanged for a Gnosis. Do you think anyone can offer themselves at a higher price?"

His Segments all argue constantly. When considered that they are replicas of Dottore at different stages of his life, this takes on an entirely new meaning - beyond his facade, Dottore is a man who can barely make out who he is.

Consider this also: in "A Winter Night's Lazzo", Columbina tells him, "You're looking very young today, Doctor."

To which Dottore replies, "You know very well that I do not take that as a compliment."

A piece of dialogue that had been brushed off by many, myself included - until I realized what this might imply. Dottore finds Columbina's comment insulting because he hates who he is. He hates the younger versions of himself because they represent a Dottore who didn't have the knowledge he has at this current stage of his life. They weren't as smart, as knowledgeable. But that's not really the full extent of it, of course.

Dottore was never fully accepted by anyone, this we have established. In the Akademiya, the students called him a 'madman', a 'monster' (as said in the Wise Doctor's Pinion). When we meet him in the 3.1 Archon Quest, he is referred to as 'The Outcast'. He is always being alienated, but could we assume that he just accepted this rejection and decided to embrace the titles people had thrown at him? This is just... very bold speculation, of course. It is impossible to deny that Dottore didn't always naturally stand out due to his heretical views, but I think it's worth considering that he could have just chosen to be the monster people thought of him as. After all, in the confrontation between him and Niwa, Dottore tells Niwa to think of him as a monster and a demon (for a reason that was... meant to be comforting? Not very important right now).

Consider also how different all the Segments sounded when they found out that they were being erased. All of the voices, along with their manner of speech, varied greatly; I interpreted this as proof of the many masks Dottore has worn over the course of his life. Dottore abandoned whatever humanity he had and decided to embrace the mask of a monster, constantly reinventing himself because he isn't secure in his identity - perhaps he doesn't have one at all. He is a scholar, a Harbinger, a researcher - but without those titles, what is left? What is he left with when he sheds those facades? The constant dodging of Nahida's questions about his Segments, the arguments and the worries of said Segments, the introspection in the cutscene about the Tatarasuna incident - indeed, Dottore is a man filled with self-hatred. A lonely outcast who has never known the comfort of kinship. A monster who swallowed his loneliness and dedicated his life to research.

That should be it, I suppose. My brain is fried and if I remember anything that I might have missed, I'll add that info later.

I want to mention one thing: this doesn't mean Dottore is a misunderstood good guy - doesn't take a genius to know that that is not true. Dottore has no regard for human life (which is ironic, considering how he believes humans have great potential and he wants them to be equal with the Gods). He has hurt so many and I'm sure he will continue to do so. He is evil, but it should be noted that he was once just an ordinary human, too. There must be an explanation for why he is the way he is. It's easy to paint him as just a monster because damn he's good at what he does; but I like to think that there is a layer to him that we just haven't fully seen yet. I'm excited to find out more about him when Snezhnaya gets released in like 2 years... ha. If you've read this far, thank you a lot! Curious to know what you guys think. I love Dottore

[littybeech]

Ten things the Twilight animated series can do better than the original movies (if they care enough to, please add all your own points to this as I will, too.) :

1. Include ALL of the book scenes, without having to change them to make them easier to film (for obvious reasons, since it’ll be animated they shouldn’t have much issue there.)

2. Their daughter, Remoulade can actually look like the book described her (or better or worse) and not the CGI monstrosity we got twelve years ago.

3. Make all the characters fit their book looks to complete accuracy. Alice was 4’10 and the movies made her 5’5. They let Edward have brown hair when he’s a ginger. Jacob and the wolf pack had better be above 6’5! I want 23 year old Carlisle and 26 year old Esme playing parents to like three legal adults and two 17 year olds.

4. The parentification of Bella Swan, by both of her parents, mustn’t be ignored. Bella was making sure the bills were getting paid by the time she was 10 cause her mom was ‘too flighty and distracted’ to do things like that consistently, she also learned to cook and clean early on too because her mom’s cooking was inedible and she’d improperly mix cleaning solutions dangerously. She got a job at 14 and took care of the groceries and any other issue necessary on top of being in AP classes in school. By the time she moved in with Charlie, she was basically more of a parent than he was. He did the bare minimum to ensure her car’s safety by installing snow chains on her tires without telling her and she cried because she wasn’t used to being taken care of.

5. How she cries when she’s angry is peak girlhood and I hate that they got rid of that in the movies. She stomped her feet bro, like c’mon she was so angry and anxious and annoyed all the time and they only focused on her angst.

6. Integrate aspects of Midnight Sun too, maybe incorporate them both so we can get a more full story. Twilight on its own was a bit of a snooze fest compared to Midnight Sun. We’re gonna pretend that Edward hunting and eating Esme’s abusive ex-husband isn’t hot af?

7. Add in more character’s back stories. Alice’s abusive father and stepmother, Emmett’s gambling and womanizing as a human in Tennessee, etc.

8. Unfortunately we need to make it clear that Charlie’s not winning any father of the year awards here either. He congratulated Jacob after forcing a kiss on her and joked about Jacob pressing assault charges on her after she breaks her hand punching him away.

9. Maybe ask why the Cullens…’need’ so desperately to come back to Forks every couple of years? Like they’re multi-billionaires, they’re immortal and there are plenty of gloomy, cloudy places they could live in semi-permanently. Why Forks when they know the Quileutte tribe knows what they are and they know it makes them so uncomfortable? It just seems unnecessary.

10. More of Edward reading Mike Newton’s inner-monologue. I know it would depend on whose perspective we get but I think the idea is hilarious.

[cy-cyborg]

It will never not be frustrating to me that amputees appear in fiction ALL. THE. TIME. and yet they're almost never acknowledged as such. The Cyberpunk genre is especially guilty of this: amputees and prosthetics becoming a normalised part of life are a defining part of the genre/aesthetic and yet no one even consults with any amputees about how we get represented there. Most writers in those genres don't even consider that giving your characters cybernetic arms and legs means they're an amputee.

CW: Ableism, dehumanisation

This makes it REALLY uncomfortable to engage with stories in the genre because another common aspect of cyberpunk is the idea of losing yourself and becoming something distinctly not-human anymore because you have too many cybernetic augmentations/implants. Shadowrun even has mechanics for this, which state if you get too many prosthetics, which is what cybernetics are 9 times out of 10, your character becomes a monster. These mechanics and discussions surrounding "how many robot bits make you not human anymore" are really, really uncomfortable when you remember this isn't something that's unique to a far-off future setting. Those people you're discussing the humanity of already exist. They're called amputees. If you reframe the question as "how many amputations can you have before you stop being a person" I hope you can see why an amputee like myself is not going to feel safe around you or in your fandoms.

And it's a shame, because I REALLY want to like Cyberpunk. I really, honestly do. I love the aesthetics, I love the idea of big corporations being the villains and the anti-capitalism at the heart of the genre, and I love the idea of prosthetics being not only destigmatised, but desirable. When written from a disability-inclusive lense, it honestly has the potential to be an incredibly uplifting and empowering genre. but as the genre stands right now, it's actively hostile to the very folks who are usually the stars of its stories: amputees, all because people just refuse to acknowledge us.

Cyberpunk isn't the only genre guilty of this, it's common all throughout sci-fi as a whole, but Cyberpunk is the only one where it starts becoming a serious issue due to its rampant dehumanisation of a real group of people. In other sci-fi settings, it's just kind of annoying and while it can be a form of erasure, it's not usually harmful, just...frustrating. Fantasy does it on occasion too, think pirates with a hook and a peg leg, but nowhere near as much.

If you, as an author or creator, use any of these words to describe a character or their tech in a sci-fi setting:

cybernetics/cybernetic enhancements

bionics

robot limbs

cyborgs

augmentations

You are probably writing an amputee. Please, at the very least, acknowledge it, and be mindful that those are real people who actually exist, not just a fantasy group you can speculate about.

edit:

I originally posted this article on my old Tumblr account and lot of people commented/reblogged to tell me that originally in cyberpunk, the "less human the more robot bits you have" only applied to people who opted for their limbs to be replaced by cybernetics, because it was seen as "renting out your body to corporations for money" but people who had to get cybernetics out of necessity weren't impacted. The thing is though, I really don't think that makes it better, for a few reasons. For one, where do you draw the line at "opting" to get a cybernetic prosthetic? This isn't a black and white thing, even in real life. Most amputations are done out of necessity, but there are situations where it's not the only option, just the best one. Talking from personal experience, I lost both my legs below the knee as a baby, that was a pretty clear cut case, I had a blood infection and gangrene and they had to act fast. But the infection caused lasting side effects and impacted my physical body's development and growth. By the time I got to my early 20's it was causing a lot of pain in my right leg, in my knee specifically, and when I got a bone infection in the end of that stump, I chose to have the whole thing amputated up to the knee. They only needed to take a few inches off the end of my stump, but I asked them to go higher, because of the ongoing issues in that knee, issues that would have been made worse by the shortening of the leg. I choose to remove the whole thing, knowing the joint was degrading and I probably would have lost it later in life anyway. Even if it was salvageable, it would mean much more surgery, and I've had enough of those. A boy I played wheelchair basketball with was born with a partially formed leg, it was half the size of his other leg and he wasn't able to use it al all, it was just dead weight, so he opted to get it amputated too for convenience and so he could use a prosthetic on that side. I worked with a girl who's hand didn't form properly in the womb, resulting in a normal palm, but tiny "finger nubs" (her words) with no bones inside. They weren't actively harming her usually, but she opted to get them and the top of her palm amputated after an incident at work where we were tying balloons and one of her nubs got stuck in the knot. She decided to get them amputated because it meant accidents like that would be less likely, and she could use a prosthetic more comfortably. All 3 of these are considered "optional" amputations, so would people like us be penalised in your setting? does it make sense that the technology in your setting can tell the difference, or that corporations would care about the how and why? Even stepping away from medical grey areas, if your character opts for a cybernetic arm because the corporations will financially reward her, and she's struggling to put food on the table without that help, is that really optional?

Don't get me wrong, I do think that idea could work but it would take a lot of work to do well, and most works I've seen don't do the work. Even if they did though, it doesn't change the fact that most modern uses of this trope don't mention that bit or actively ignore it. It doesn't matter in most cyberpunk works I've seen if the amputation was optional or out of necessity, they still are more prone to being seen as "less human" and in most of the sci-fi writing communities I've been part of, the authors are genuinely shocked when I ask them to remember "people with cybernetics are real people already, they're not some far-off-distant future fantasy group, they're just called amputees". Like it didn't even cross their minds. These are the people creating the works in this genre. Even if it wasn't the original intention of the genre, it's still an issue in the modern version of it. Edit 2: Elaborated a little more on why I don't think the "only people who choose it" argument works in the edit. Also, please stop telling me that old cyberpunk doesn't have this issue, I literally address that in the post lol.

[discoursecatharsis]

I've noticed this pattern with antis in fandom where, in their attempt to distance themselves from anything and everything "problematic" in their fandoms, they refuse to acknowledge when they DO enjoy something problematic. Therefore, they don't recognize the problematic elements of the ship, character, media, etc. They'll also heavily downplay or deny any problematic. aspects of their favorite fandom thing.

I just saw an example of this and it is blowing my mind right now and I need to share this with y'all.

It involves the comments on this video.

Some context for Princess and the Frog: the blonde girl is Charlotte, also called Lottie. She's the main character Tiana's best friend. Charlotte's goal was always to marry a prince, and she almost marries (who she believes to be) Prince Naveen, but once she sees that Naveen and Tiana are in love, she tries to help them turn back human so they can be together.

At the end of the movie, Tiana and Naveen get married, and this scene plays after. Charlotte dances with Naveen's kid brother, and says "I've waited this long" in response to him saying that he's 6 and a half years old.

Now Charlotte's line here, if you look at the context clues of her story line, implies that she's saying "I've waited this long for a prince to marry, so I can wait longer for Naveen's younger brother to grow up." It's just a joke. Albeit, a joke that many will find to be very uncomfortable and inappropriate, but a joke nonetheless. I highly doubt Charlotte is actually going to "wait for" this child to grow up to marry him. She's making a joke at her expense, about her desperation of her dream to marry a prince.

BUT FOR SOME REASON.... many of the comments are like "she means that she's been waiting to DANCE with a prince."

I'm completely and utterly serious y'all. Here are some of the comments along those lines, with thousands of thumbs up each.

If you've seen this movie, you'll realize that these comments make absolutely no sense for more than one reason.

1) Charlotte danced with Prince Naveen (or at least with the villain disguised as him) earlier in the movie. She danced with a prince already. Why would that still be her dream if she already accomplished that?

2) Lottie speaks multiple times (during her childhood and in present day as a young adult) about her dream of "marrying a prince." Not dancing with a prince. Not meeting one. No, she wants to MARRY A PRINCE AND BE A PRINCESS.

This video has some clips of her saying this, at the time stamps 0:20, 2:52, 4:08, and 5:21.

Charlotte does give up her dream of marrying Naveen specifically for Tiana, because she see that he makes Tiana happy. But with how she jumps in like a wide receiver to catch the bouquet at Naveen and Tiana's wedding, it's clear she still has her dream of marrying *A* prince, just not Naveen.

But back to the comments on that video.

The comments seem to be downplaying the actual implication of her line. It's almost like they're desperately trying to ignore what she actually meant and make it more wholesome because they don't want to admit that their favorite movie has an uncomfy and inappropriate joke.

It's disturbing that this is yet another example where people in fandom (who are fantis or have been influenced by that fanti mindset) are downplaying a scene (or a ship, trope, etc) that is ACTUALLY problematic because they personally like the movie or the character and they don't want to admit that it has some issues. Instead of just admitting "yeah that scene/line was kinda fucked up and gross," they are jumping through HOOPS to make it seem more innocent than it was. And this is completely blowing my mind and is honestly concerning.

If you want to personally interpret it in a different way, in a way to make it more palatable to you, be my guest. That's what fandom and fanon is all about and I do that a lot too. But to see so many people outright deny the actual implications of this line is... bizarre af. It's one thing to be like "hmm yeah I don't like that, so I'm going to personally interpret this ship/trope/scene differently so it's more comfortable to me." It's another thing entirely to be in complete denial and ignore the actual context of the character and their story.

Also, so many of the other comments on the video aren't even commenting on the actual scene or on what Charlotte said. They're just generic comments on how much they love Charlotte as a character or how they miss this 2D animation. It's like they're trying reallyyyyyy hard to ignore the joke that's being made.

On the grander scheme, this is concerning because these people are refusing to acknowledge something that's inappropriate at best and predatory at worse (an adult "waiting" for a child to grow up) because they don't want to be caught enjoying/supporting something "bad."

All their talk about normalizing and normalization, but they're the ones kinda normalizing bad things by downplaying them or being in denial of it when it's in THEIR favorite media. And that is very concerning and a big issue.

[dragonlands]

There's so much negativity around Izzy's death so I wanted to address some of the points I keep seeing thrown around.

"Izzy's death was pointless"

No, he just had his big speech about how basically they can kill him but they cannot kill the movement. That is a clear paraller to a lot of real life protestors of unjustice. He died protecting the community, he died so the community could go on.

"Izzy's death made his healing pointless"

No it didn't. Healing is always good, feeling happiness and belonging are ALWAYS worth it. We never know how long we've got, doesn't mean we gotta stop trying to be better or happier. His healing was still real. It still mattered.

"Izzy's character arc was left unfinished, it's bad writing"

Oh my god. If you open any writing guide about how to write impactful deaths, and the first thing that comes up is to leave some part of their arc unfinished. And his arc did go through quite a beautiful line, sure there could've been more but his story didn't end like, mid arc. As a writer, of course you want to make the audience sad when a character dies. It's good storytelling. Good stories are supposed to make us feel.

"Izzy died on the arms of his abuser"

Where the hell did this idea come from? Ed and Izzy have been in a toxic codependent relationship way before this show started. You could argue that Izzy was Ed's abuser, but that is not the argument I want to make here. Yes, we saw Ed driven to madness shoot Izzy on screen, but we know Izzy's the one that forced him to be Blackbeart when he didn't want it anymore. There's turmoil all around them. But the final moment is them finally meeting as people, not as components of Blackbeard.

"Izzy's death was unnecessarily awful"

His death was sad, yes, but it was quite beautiful as far as deaths go. He was surrounded by family who cared for him. He was loved, and accepted as he is. He knew his legacy will be carried on.

"They killed off the only character that showed us healing is never too late"

Did we watch the same show? That begins with then unhappy 40+ year old Stede deciding it's finally time to reach for his dreams? Where we see Blackbeard slowly gaining back his humanity? Where Black Pete starts off as toxically masculine dude but ends up in a soft gay marriage? Where most of the crew wanted to mutiny but then they realized being soft is good, actually. Jim's whole purpose in life being revenge but them learning to let that go and instead concentrate on love and fun and family. And so on. Izzy's arc is beautiful, but he's not the only person healing who thought it was too late already.

"Izzy's death was bury your gays trope"

No, what, no. In a pirate show where everyobody is queer some queer people will die. Bury your gays is about only having one or few queer characters and killing them off while the straights get their happily ever afters. This is so far from that.

Also, I want people to be aware of the phenomenon, where creators of diverse shows are subjected to more critism than those of non diverse shows. If this intrests you, Sarah Z on Youtube made a great video on it called Double standards and diverse media. Our flag means death has given us so much, queer love story with a happily ever after, finding community, nonbinary character. And the creators have always been so kind to fans, so let's show them tht kindness back. Because critizicing this one aspect can easily turn to seeming like the whole story is just unwanted. That stories like Ed and Stede's aren't worth telling. And I'm so aftraid that will happen, when just now for the first time in years we are finally getting queer stories.

Also, I understand people are sad. I am sad too - Izzy was an amazing character and his death was sad but that's just. Good writing. You can grieve, but trying to turn it into a moral or dramaturgy issue is just not a good look. And attacking the creators of this wonderful show is just horrible.

Remember - this fandom is a safe space ship 🏴‍☠️🏳️‍🌈