#i'd honestly do the exact same thing

[isekyaaa]

k*veh's habit of self-sabotage when it comes to money and time is actually very relatable haha

[d4rk-x-w0lf-17]

honestly anya is very relatable cuz if i was like 5 years old with the ability to read minds, my parents are the best spy and assassin in their business and the dog could see the future; i'd also cause so much mischief and chaos on purpose just for the thrill

[lonelyvomit]

.

[medicinemane]

Jesus fucking christ I get tired of sitting here and hearing my dad loudly ripping ass from the other room

Like listen, I get it, I get that you can't control your guts. Like fuck, for a while... as in like months, I was having trouble even leaving the house... still no clue what was even up which makes me feel like my theory about not eating enough is in the lead given... haven't found any allergies I can identify

So I get it and have sympathy (and fear inheriting my dad's guts), but... it's just so fucking gross man

And it's also like... maybe I'm eating, maybe I'm watching a show... whatever it is the mood's kinda ruined by this just... it almost literally couldn't be louder or grosser

I get you can't control your guts but... do something... anything... see a doctor or... anything

It's just nasty. He's not a bad person, but my dad's just a nasty dude

[a-b-riddle]

Part 9 (unrevised version). Since I've gotten 6 messages and a good bit of asks requesting to view it. Here it is, not in its final form.

You had hoped Monday would have treated you better than the past two days, but walking up to your shop in the pouring rain to already see a body standing outside waiting wasn't a good sign.

Customers who waited outside your shop always made you feel uncomfortable. But when you finally got close enough, you took in the person before you.

"We don't open for another hour." Your voice flat as you fished for your keys.

"I'll wait." Was Kyle's reply.

"Then you'll have to do it outside." You said, the key sliding into the lock. He didn't argue as you shut the door behind you. Didn't even bother knocking when, after thirty minutes, you looked in the window to see that the wind was causing the rain to blow sideways.

You relented. Letting him in thirty minutes earlier. It was a small mercy, even if he was soaked to the bone. You almost felt bad when his chattering teeth were the only thing you could hear.

Almost.

"I take it John told you about our little talk yesterday." You said, going about your business. Engaging in the conversation as if you were talking about the shitty weather that had tried to drown him.

"He did." He gave a sniffle. Running a hand over his beautiful, wet face. Droplets still staking their claim on his skin. "H-he alssso t-t-told us we were on our own in begging for our own f-forgiveness. Ra-ra- rightly s-s-s-so."

You huffed. Guilt beginning to eat at you before you turned, disappearing to the back of the store and coming back with a shirt and a blanket. "You left the shirt here."

He had no shame and wasted no time in taking off his jacket and soaked shirt. His chiseled body exposed to you. It was almost instinct to reach out and touch the soft skin. You luckily possessed some form of self restraint.

"So are you here to promise to make amends as well?" You crossed your arms. You meant it as a sign that you were wanting to create distance, but honestly you didn't trust yourself. It was second nature. Kyle and Johnny were tied when it came to having to always touch you.

Probably why his ghosting sucked so bad.

"I'd like to take you out." You couldn't help the laugh that escaped you. It wasn't until Kyle's face fell that you realized, "Oh, you're actually serious."

He opened his mouth, ready to no doubt give you the same exact promises of doing better that John had given you the day before. Fortunately for Kyle, you didn't have the time to entertain a conversation.

"Fine." You immediately relented. No argument. "That Indian place where I asked you to go four months ago. Seven. If you manage to figure out which place, then I'll be meeting you there. Otherwise you'll be eating alone."

Kyle stood still. Unprepared for the fact that you had... agreed. You actually agreed to let him take you out.

"I can pick you up."

"Not sure what time I'll be getting off today. Might go home first. Might just go straight there." You started opening tasks again. "I have to finish setting up. Seven sharp.

"Seven sharp." He repeated, his smile lighting up the room.

It made you feel sick.

It was 6:45 when your phone started ringing. It was Kyle. Confirming that he was at the restaurant you were supposed to go.

7:00. He had gotten the two of you a table. He'll go ahead and order you a drink. They had mango lassi, but wasn't sure if you wanted to stick to just water.

7:15 He tries calling you. When it goes to voicemail, a follow up text is sent asking if you're okay.

At 7:20, while sitting on the couch you text back. Sorry. Something came up. We'll reschedule, I promise.

If you knew giving them a taste of their own medicine felt so good, you would have done it ages ago. You felt no since of shame in sending it. You hated being petty, but you wanted them to know what it felt like.

John had a lot more of verbal outbursts coming his way and if Johnny was hoping for a chance, he would be lucky if you had sex with him again before marriage.

Ten minutes later, on the dot, there was a knocking on your door. Your food had arrived. Blindly, you opened the door. Only instead of the take out you had delivered, Kyle stood there. Yet again soaked to the bone and this time out of breath.

"How did you know I was here?" Was the first thing that had come into your mind. If anything, he would have went by the shop first, but no. He came here. You weren't the type to deviate from a schedule, but christ. Simon at your date and then the club. John at the shop on your day off. Now this. "I swear to fucking god this fucking stalking-"

"Easy now, Love. No one's stalking you." Bullshit.

Absolute bullshit. They were military. Really important and special connections type of military, but this was bullshit. They were keeping tabs on you somehow.

"I know for a fucking fact that place is only ten minutes away. So you didn't have time to check out my store-- where I should be-- before coming here. So I'm going to ask you again, how did you know I was here?"

"Okay," he shrugged. "Stalking. We're stalking you." Kyle was lying. We he nodded like a bobblehead, you knew whatever was coming out of his mouth was bullshit. The first time you confirmed it was after Johnny had volunteered to make haggis. Kyle told him it was good, no doubt hoping to spare his feelings.

"Kyle." You warned, eyes narrowed and teeth clenched. He paused as if trying to form another lie, but coming up short. Sighing in defeat, he confessed.

"Blocking us didn't stop you from sharing your location." In that moment, you could have strangled him. They had been still using your location. Something you had given them as a way to find you if you ever needed help. Now those assholes were using it for their own benefit.

"Son of a-" you shut your mouth. "I can't do this with you right now, okay?" You didn't confess that your publisher had asked for a last minute zoom call in the middle of your busiest work hour to see how you felt about doing a few meet and greets, all expenses paid.

Good news, but still... overwhelming. You still felt like an imposter. That you didn't deserve the hype you were getting. Your story wasn't that good. Your characters didn't hold much depth.

"Everything okay?" You didn't want to tell him. Didn't want to give him the chance to offer the reassurance you desperately needed for something he had no idea about.

"Why?" You asked, changing the subject. "I just want to know why? With John I get that the job gets stressful and needing someone to take-"

"No," he finished. "That's not an excuse. It's a reason. Not an excuse." His jaw clenched. "There is no excuse for how any of us treated you."

"Then what was your reason?" you asked. "I'm finding it very hard that someone who quite actively avoided me suddenly wants to get back together."

"I slacked off?" He shrugged. "I figured there were four of us and if I wasn't able to be there, it wouldn't make a difference."

"If you're just going to lie, Kyle, there is no point in continuing this conversation." You go to close the door only for his hand to stop you.

He stands there, looking at the ground. Even from the this angle you can see him take his bottom lip between his teeth.

He's nervous.

You step back. Giving him the option of coming in and saying it is whatever it is he needs to stay. He may be an ass like the rest of them, but this isn't exactly a conversation you want to have in the hallway for your nosey neighbors to hear.

He takes the silent invitation. Walking in and not speaking until you click the door shut. "You want the truth?" His voice is soft, but there is something else behind it. Anger?

"No," you say sardonically. "Please. Lie to me." He sighed, but didn't say anything. You were exhausted. The past few days had been a back-to-back rollercoaster of emotions. You were drained. You didn't have it in you for this right now. "Kyle-"

"I thought you only kept asking because you felt bad for me." He said the words so quickly, it took you a moment to process them. He thought.... you felt bad for him? "Like you were still trying to include me even if you didn't want to."

"Why?" Was the only thing you could come up with. You didn't have the energy to try to come up with your own reasoning for his admission.

"Don't think I don't know how I am compared to the them." He scoffed. You always knew the hierarchy of their work, even if you didn't know all the details. John was at the top. Captain and head bitch in charge. Simon was the lieutenant with Johnny and Kyle as Sergeants. Kyle was the youngest of the group by two years, but still. What was there to compare?

"So you're not a Captain or Lieutenant?" you shrug. "Johnny is the same rank as you. And you are the youngest and I'm sure with time you'll get to a position-"

"Black!" He said. "I'm black. I am the only fucking black guy not only in this relationship. I'm the only black guy in the 141, in the unit."

When it came to Kyle, black was the last thing you thought of. You thought of his soft brown eyes or house his hands felt so smooth against your body. How his smile could light up the room and how beautiful, how head-turning gorgeous he was. "I'm just an after thought in everything else regarding the 141, why would you be any different?"

"Ky," you were going to be sick. Was this how he really felt? With you? With the others? With work? "You know I don't feel that way, right?"

"Do you remember that time we went out? That french place?" How could you forget. The maître d' had asked Kyle to put a card on a tab before the two of you were even seated. At first you thought it was preposterous. Why would you make patrons at a fine dining restaurant do that? This wasn't a pub for Christ sakes. Kyle told you not to worry about it and handed over a card.

The two of you never went back.

"Oh my god." It dawned on you. "When they asked for your card..."

"I..." he sucked in a breath. Trying to keep his composure. "It was fucking humiliating. I was a man dressed to the fucking nines with a gorgeous girl on my arm and before I even got the chance to blow my money, I was treated like I couldn't afford it. It wasn't because of what I was wearing or who I was with. It was because of me. Of who I was. Who I am."

"Kyle," words escaped you. Nothing in that moment to reassure him that it never dawned on you. That it stupidly never dawned on you how there were times that people did look at him different. You wanted to tell him that it didn't matter. That you were just as important and lovable and respectable as the others. That you loved him just as much. Words failed you. All you could say say was, "I'm so sorry."

He swallowed, before taking in harsh breath through his nose. "It's not an excuse. I got wrapped up in my own stupid fucking head about how other people looked at me, I forgot it only mattered how you did."

"And you did." You said, aching to reach out. To touch him. Offer some comfort. Hating that he ever felt like he wasn't enough. Knowing the feeling all too well. Even if he was the one to make you feel it. "You did matter to me."

"I know." He said. You were thankful he said it clearly. Not shrugging his shoulders or nodding his head as he spoke. "I'll do anything to matter to you again." He took your hands in his, even though they had ached to hold you closer. But he knew not to test his luck. "If you want to press restart and let's take it back to the very beginning, I'll do that. I will court you and woo you and make you fall in love with me all over again because I will never fall out with you. I can't."

You weren't prepared for this. You had prepared to leave Kyle waiting in a restaurant alone. Now your heart ached in your chest at the idea of letting him ever think he wasn't enough because of the color of his skin.

"It doesn't have to be now or tomorrow or next week or next fucking month." He squeezed your hands the same way had John had. With the exact same intensity and promise. "Just let me try again. I won't let you down this time. I'll put in the work."

"I don't want you to feel like you have to work to make this relationship work, Kyle." You protest, wanting to pull your hands away. Free from the spell his touch had seem to be putting you under.

He smiled. Not enough to show off his teeth, but enough where have of his face lifted up. "It's not the type of work with long hours and a shit commute. Loving you is the same kind of work an artist puts into making a masterpiece. Pouring everything into it and getting something beautiful in return."

Before you could comprehend it, your face was wet. "Kyle." Your lips quivered, a sob threatening to come out. "I never felt like I needed to spend time with you, Ky." You sniffled. "I fucking wanted to. I missed you." You were so close. You needed to reel it in. Get it together.

"I just didn't understand how you could." His confession broke any restraint you had. Your hand flew to your mouth, trying to subdue your cries. When Kyle pulled you to his chest, his arms wrapping around you, you allowed yourself to crumble.

Not even for yourself, but for him.

For the kind heart you now knew broke with every sideways glance from passer-byes. For the hateful and prejudice world you lived in and for how they could overlook such a wonderful man just because of something as basic as the color of his skin.

You weren't sure how long you stood crying. You weren't certain if the knock on the door behind him actually happened or something your mind had conjured to try and pull you from your fit.

Eventually you did pull away from him. Your face covered in snot and tears. Seeing that you still were in need of it, Kyle pulled you back to him, only this time your face wasn't buried into his shirt.

You stood there. His arms wrapped around your back while yours found their home around his waist.

"I used to love when you would come back to my place directly from base as soon as you got back from a deployment." You said, breaking the silence. "I would be waiting like a kid on Christmas waiting to see what trinket made you think of me. You made me feel like even though we were so far away, you still thought about me."

"Always." He said, before his lips pressed against the top of your head. "Not a day I didn't miss being here with you."

The two of you eventually settled down on the couch. Both on opposite ends with a hot cup of tea in your hands and the array of take out containers half empty. You had planned for a night of eating your feelings so there was luckily enough food for two.

"I don't want to say no." You admitted. "But I need time. Before I even think about saying yes to all of this again."

"Not all of this," he reminded. "Just me. I'm doing my part in groveling, let the others figure it out. Or at least that's just what Price told us. Although you would be doing all of us a favor if you talked to Johnny?" Your ears perked up. You hadn't seen or heard from Johnny since Friday.

"What's wrong with Johnny?" You asked.

"Lad didn't cope well with you going on your date." Not that you had fucked him and said it was a mistake.... or maybe he kept that tidbit to himsle.f

"It wasn't a-" you started.

"I know," he said. "Simon happened to be nearby." You shot him a look, letting him know you weren't buying that lie, before he continued. "But he didn't. Fuck you're lucky we were able to drag him out of your apartment before you got back and he made an even bigger fool of himself."

"What are you talking about?" You asked. "What do you mean by drag?"

"Johnny called Simon. Told him you were on a date and to bring your ass back. Although you had made it a point to fuck him and leave-- absolutely no judgement, by the way-- he was going to make it a point to never leave your bed."

"My top sheet..." You had come home to your comforters and pillows on the floor. When making up your bed, the top sheet was missing. You had just assumed you didn't put it on or maybe it was in the wash.

"Refused to put his clothes back on. Me and John couldn't risk carrying a naked, screaming Scot through the streets without making a spectical. So we rolled him up and carried him of like a rug. A very heavy, squirmy rug."

"Oh," your hand flew to your chest. "Johnny." He was the bleeding heart of the group so you weren't exactly surprised. He was also the one who blew up shit, so he was definitely one for dramatics. "So that's how Simon figured out about dinner. But the drinks-"

"Whenever Simon is home, he's your shadow. The only time we don't worry about you is when we know he's with you." That made you roll your eyes.

"You act like he's my guard dog."

"He is."

"Is not." You defended, your conversation from Saturday night coming back to you.

"You're not my body guard, Simon." You snapped.

"Not trying to be," he said. "I was never trying to be."

"He's not." you said again.

"You're right." Kyle relented, shrugging his fucking shoulders.

"You're saying that like you're just not trying to argue with me." He took a sip of your tea. "Kyle!" He sighed before looking at you as if the last thing he wanted to do was continue on the subject.

"He is." He said. "Your guard dog."

"I mean he protects me, but all of you do." He shakes his head, a huff of air going out of his nose, almost amused.

"Not like Simon." He admits it almost as if he were ashamed. "I want to say something." He said it as if he were preparing you for the next words to come out of his mouth would change the course of the night. "I need to say it because it would make me less of a man and even less of a friend if I didn't. But I don't want you to hate me or yourself for it."

Why would you hate yourself for it?

"Fine." you agreed, giving him permission to continue. "I won't hold it against you."

"You were always the one to coordinate things to do. One-on-one dates. Helping John with paperwork when shit got to crazy and you were the only one the uptight asshole would let touch his files." You gave a small smile remembering how John had barked at a recruit to get the fuck out of his office before peppering you with kisses at your arrival. Giving small pecks of appreciation as he explained what he needed you to do and how to do it.

"Helping me after my shoulder injury and staying on my ass about the physical therapy."

"Well someone had to." You countered.

"This past Christmas when Johnny needed to get his sisters gifts so you made a whole day out of it going to see lights and ice skating." Johnny was the proud owner of a freshly bruised tailbone after landing flat on his ass and swearing off skating for the rest of his life. Feckin' ice.

"Okay?" You asked, not really sure where Kyle was headed for this. He had pointed out what a good girlfriend you were, had been. How you had always tried to be helpful and do whatever needed to help your boys out.

He stopped. He looked at you as if he were debating to tell you what he had warned you about. He looked down at the floor before taking his bottom lip in between his teeth.

"Fuck." He muttered.

"Spit it out, Kyle!" You whined, now clueless to what point he was trying to make by all the examples of what a good girlfriend you had been.

He looked at you with the same solemness that a friend looked at another friend before having to call them out on their shit, knowing that the pill they were about to be given would be a hard one to swallow.

"You never did that with Simon."

[gottagobuycheese]

well okay fine the first few months of this year MIGHT be shaping up to be uniquely hellish in a way I have never had the ability to experience before, but, once they’re done, regardless of how they actually go, I can look forward to utterly losing myself in breath of the wild 2 because as long as I am alive I can look forward to that. so it’s whatever it’s fine come at me emails I’m not afraid of you

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[krisp-xyz]

Was experimenting with halftone effects after watching this video and it almost has spiderverse vibes honestly. I actually learned some neat things about why printers use CMYK instead of just CMY so I thought I'd share !!

So in our optimal little computer space, Cyan (0,255,255), Magenta (255,0,255) and Yellow (255,255,0) all multiplied together gives us a perfect black (0,0,0) Awesome! The issue is that ink colors irl arent exactly perfect like this, and color is a bit more complicated irl compared to how computers represent it, so they aren't the greatest at combining into black if they aren't those perfect CMY values:

Left: CMY

Right: CMYK

(thats not even black, its a dark blue in the original image but dark colors just look so much richer)

An important step to make sure you arent doubling up on the black values though is to divide the image by it's own "value" (the max of all 3 color channels) that way the value is equal to 1 everywhere, and you're letting the black ink take care of the value on its own.

Left: CMY (normalized value)

Middle: K (black)

Right: Combined

Now obviously the grids of dots cant be aligned perfectly with each other because you'd just get a bunch of black dots in unwanted areas, but if the grids are misaligned, then some dots become more prominent than others which tints the whole image. This was an issue because older printing methods didn't have great accuracy and these grids were often misaligned.

The solution was to rotate these grids such that they can move around freely while getting rid of that tint effect if they aren't perfectly aligned :D

(I have no idea how they came up with these angles but that might be something to look into in the future who knows)

SPEAKING OF MISALIGNMENT

I wanted to implement that in my own filter to get some cool effects, and I discovered another reason CMYK is better than CMY for lots of stuff !!

With CMY, you're relying on the combination of 3 color channels to make the color black. This means if you have thin lines or just details in general, misalignment can make those details very fuzzy. Since CMYK uses a single color of ink to handle value, it reduces color fringing and improves clarity a lot even if you have the exact same misalignment as CMY!

Left: CMY

Right: You guessed it! CMYK

(yes these comparisons have the exact same color misalignment, the only difference is using a fourth ink color for black)

ANYWAY I just thought there was a lot of cool information in this tiny little day project, I also just think it looks really neat and wanted to share what I learned :3c

EDITING BECAUSE THERE'S ONE MORE THING I WANTED TO ADD

So, I talked about how to get K in addition to CMY instead of just CMY, but how exactly do you separate CMY from an image in the first place?

Well, CMY is a subtractive color space, meaning the "absence of color" is white, compared to RGB where it's black. This makes sense because ofc ink is printed on white paper. You can use dot product to get the "similarity" between two vectors, and this can be used to separate RGB actually! Using the dot product of a color and red (255,0,0) will give you just the red values of the image. This is cool though because if we get the dot product of our image and the color cyan (0,255,255), we can get the cyan values from our image too! If we first divide our colors by their value to separate the value from them, then separate CMY using those dot product values, and using K for our final black color value, our individual color passes end up looking like this:

While it's called a "subtractive" color space, I find it more intuitive to treat white as the absence of color here, and then multiply all these passes together. It makes it much easier to understand how the colors are combined imo. Notice how cyan is the opposite of red: (255,0,0) vs (0,255,255) and magenta and yellow are the opposites of green and blue respectively! This means you can actually kinda get away with separating the RGB values and just inverting some stuff to optimize this, but this example is much more intuitive and readable so I won't go too deep into that. THANKS FOR READING I know it's a very long post but I hope people find it interesting! I try my best to explain things in a clear and concise way :3

oh thank you I realized I should probably add an eyestrain tag

[razzledazzlebeach]

Daryl Dixon took awhile to age mentally

As I read more and more analysis about Daryl and rewatch some of the earlier seasons, I wonder if it was intended for his character to have some kind of age regression issue. (I didn't do, like, extensive research, I just looked into some CPTSD and age regression signs on a few different sites, so this is just an idea I'm tossing out in hopes of hearing some other perspectives!)

The first situation that really catches my attention is his reaction to Merle being left in Atlanta. Now, obviously, this would be an incredibly emotional time for anyone and it's not entirely out of place to just say he was very distraught over the news and anyone could have reacted the same way he did. I just think that the specific way he did might have some signs. If you think about a grown man, especially one who was raised in a very macho household, you would assume that their reaction might be to storm out or yell at someone. Although Daryl did yell, he also started crying and pacing. It seemed almost as if he was having a full-on meltdown. Some signs of age regression are meltdowns (Ranting, shouting, insulting others, threatening others, whining, angry tears, or getting physically violent) that ring any bells?

I couldn't find a gifs of that exact moment :(

It probably didn't help that the entirety of the camp was staring at him as all of this happened. Temper tantrums can happen because someone is scared/ashamed and can't regulate themselves. (Like sensory overload.)

Another thing that I want to kind of address is the way Rick responds to Daryl when he's having these sorts of meltdowns. Throughout the series, and in the third episode, we see Rick bending down almost horizontally just so he can make eye contact with Daryl. He speaks to him like he's a child, and instead of feeling insulted, Daryl actually takes comfort in it and calms down!

"I'd like to have a calm discussion on this topic, do you think we can manage that?"

What is age regression?

We all know that Daryl was abused as a child, and trauma like that can sort of freeze the brain. This is a quote I really like that explains it: “It doesn’t necessarily make you stuck at a certain age, but instead, [you are] acting out the emotional wounding that happened at that age,” Lapides adds." People may start to regress because they are triggered or feel threatened, and an apocalypse seems like it would cause a constant trigger. Daryl might be reverting back to childlike behaviors as a trauma response. (honorable mention being the nail biting, but that's a bit of a reach) Shane being the way that he was could have also been a trigger for him.

One of the symptoms of age regression is overly clingy behavior. And you are probably thinking, "well, if there's anything Daryl has, it's not clingy behavior. He's a loner." I disregarded this too for awhile before I really thought about it. He is highly independent when he's doing things he's comfortable in, like being in the woods or going for runs. But when it comes to making decisions or being social, Daryl immediately clings to someone who he knows will do it for him. Most of his life he had Mere to hide behind. The most outgoing and shameless person alive. I don't think Merle ever asked Daryl his opinion on anything. He would decide, and Daryl would follow, and I think Daryl took a lot of comfort in that. So when Merle was gone, he latched onto Rick because he was the best choice. He knew Rick was a very righteous man who had plenty of leadership qualities. He knew Rick would make decisions for him, and give him directions.

Carol and Rick's mothering

Circling back to the way Rick would react to Daryl's outbursts, carol sometimes did the same thing. I know some people ship them, but honestly, at least in the earlier seaons, I got major mother/son vibes from the two of them. Especially when Beth died and she was trying to teach him how to grieve. The forehead kisses, the pookie nickname, all of it seemed to point in that direction. There was also another time Rick pulled the "Can we manage that?" move, and it was during Aiden and Glenn's fight in S5. He made sure to get low enough to make eye contact, and block his pacing. He kept telling Daryl that "We can't do this now." It all just looks a lot like he and carol are parenting Daryl, if only in moments where he is feeling intense stress and that trauma triggers.

Anyways, this was just a few ideas I was tossing around, and very clearly this in my first analysis lol, any thoughts?

[lime-bloods]

I honestly didn't ever expect that I'd be in the position where I'd be using this blog not just to analyse what has come before in Homestuck, but to look toward the comic's future and do some real old-fashioned theorycrafting. but the time has come. so here goes; lime-bloods' Beyond Canon theories as of the July 6th 2024 update:

Vriska's Going to Hell

were all gonna help you! / whether you like it or not

a select few eagle-eyed readers already noticed that the sound used in last month's (Vriska: Figure shit out yourself.) is called "hell_tierwav". while it was easy to dismiss this as irrelevant composer shenanigans at the time, it's now become clear exactly what this was foreshadowing. whether it would be more apt to call this "Hell" or "Purrgatory" is probably up for debate - but whatever you call it, Vriska's been placed in a dimension seemingly tailored specifically for her personal torment.

while Vriska characteristically interprets the recreation of her childhood home as a symbol of how badass she was, the ghosts of her past - both literal, as the shades of the trolls she killed as Mindfang, and figurative, in the form of sprites wearing the faces of her dead friends - show us in no uncertain terms that Vriska's childhood home is the stage where traumas play out.

Erisolsprite puts it succinctly with his welcome to hell, but pay close attention to what exactly we're being welcomed to: this update ends on page 665. so as of this next update, we'll be starting on page 666.

Does Homestuck Have Hell?

the exact bubble of reality Vriska's currently found herself in seems to be an entirely new construction of the likes we've not yet seen in Homestuck - but that doesn't mean this kind of cosmic torment is without precedent. because while 666 is a number with Satanic connotations in the broader cultural context, it also has a very particular meaning of its own within the world of Homestuck. indeed, the latter half of the comic almost revolves around it, culminating in a climax in Act 6 Act 6 Act 6.

specifically, this repetition of a single digit is emblematic of recursive storytelling. to summarise what you can already read about in detail in my essay The World / The Wheel: when Caliborn is 'gifted' the Act 6 Act 6 supercartridge, which he is told is an "expansion" of Homestuck, it's a trick. there is no "expansion"; he's going to be trapped in a story that never ends because it keeps dividing into smaller and smaller versions of itself forever. the only way to truly beat the devil who trapped the heroes within a story is to trap him in his own story.

that's what Caliborn's "Hell" is, and that's also exactly what the Alternate Calliope achieved in Act 7 by creating the black hole which Vriska knocked Lord English into, ending Homestuck's story - something that Calliope even hints at in this very update, when she refers to the black hole as "containment"; not an accident, but a deliberately crafted prison. black holes are a symbol of recursion and regression; being sucked into one means being forced to live out your whole life over and over again, forever. so really, this is all we ever could have expected to happen when Vriska stepped into a black hole within a black hole! the presentation of the narrative even subtly hints at this; events in Beyond Canon that take place in the black hole are enclosed (in brackets), and now events that take place in a black hole-within-a-black-hole are contained within {curly brackets}, because you should always use a different kind of brackets to differentiate nested parenthesis from each other!

it is absolutely no coincidence that when Caliborn closes the curtains on his appearances in Homestuck, thinking he's won when really he's been condemned to a hell of his own making forever more, it's with a tribute to this exact same Sweet Bro and Hella Jeff strip.

IF YOU REMEMBER JUST ONE THING I SAY, OF SO MANY GREAT THINGS SAID BY ME, THEN PLEASE REMEMBER THIS. I WANTED TO PLAY A GAME.

So What Does That Mean?

one of Beyond Canon's central missions is expanding upon Homestuck's exploration of the relationships between author, text, and audience. as discussed above, a large part of Homestuck's thesis is the evil of forcing characters to live the same lives and the same stories over and over without the chance to grow or move on, and Beyond Canon picks up on this by placing Dirk in the position of trying to keep Homestuck going forever purely to appease its fans, while the Alternate Calliope continues to oppose this ideology. and while the alpha Calliope outwardly seems not to have taken a hard position on where she stands in this cosmic battle, the question posed by her device seems to be an entirely new one: can it actually be a good thing to regress, to return to ground that the story has already covered? can this path lead to something new, rather than merely stagnation?

it's so relevant that Vriska is being confronted with the crimes of her past, not only in the form of all the trolls she was personally responsible for killing but also in the form of the exact same punishment she condemned Lord English to with her heroism - complete with the herd of horses that are always present at Caliborn's demise! but where being condemned to an eternal cycle was fitting punishment for Caliborn, someone who refuses to break free of cycles of abuse and instead chooses to enact that same abuse on the world around him... if Vriska is someone who can break free of these cycles, who can change and become a better person despite what happened to her, will this punishment have the same effect? or, as Davepeta seems to believe, is forcing Vriska to reckon with her own past and traumas exactly what will allow her to break free of that cycle?

DAVE: [...] ill just be over here in the hyper gravity chamber training to beat lord english KARKAT: WE HAVE A HYPER GRAVITY CHAMBER???

it's hard not to be struck by the parallels in design and purpose between the Plot Point and Dragon Ball's Hyperbolic Time Chamber, and not just because of the Dragon Ball enthusiasts present on Beyond Canon's writing and art teams: albeit in typically Strider-bastardised form, the Time Chamber got a shoutout in Andrew Hussie's own Homestuck (see quote above), in a reference that was even picked up on by prolific theorist bladekindeyewear at the time. for the uninitiated: the Hyperbolic Time Chamber allowed its users to train for extended stretches of time, sometimes even spanning years, while a significantly smaller time period passed in the world outside - something that is actually true of real-life black holes! and with the Plot Point's own emphasis on time, represented by the hourglass included among its mechanisms, it seems to me that an essential part of making the 16-year-old Vriska ready for the trials ahead will be giving her the time to undergo the same growth her adult friends have experienced.

considering that Beyond Canon is already playing in the Ultimate Self space, where there are levels of power beyond merely the "god tiers", it also doesn't seem too farfetched to speculate that Vriska, forced to reckon with the fact that becoming a powerful Thief of Light isn't the be-all and end-all of personal growth, will take another leaf out of Dragon Ball's book here and ascend "beyond Super Saiyan". perhaps this is even the "hell tier" so cheekily alluded to in the Plot Point flash? certainly this kind of evolution would be the perfect way to challenge Dirk's belief that the Ultimate Self is the only logical final step for a character's development.

whatever the case, I believe we can take Davepeta at their word here. I don't think it's just a joke that by the end of this ordeal Vriska Serket is going to be fucking RIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIPPPPPPPPPED!

[noyzinerd]

Derek teaching unknown werewolf societal/cultural facts to Stiles is cute, and I love that for them, truly, but I want to see the reverse.

We're always hearing about when someone (usually Stiles) asks a naive question about werewolves and Derek going "No, you idiot! It doesn't work like that!" As if it's common knowledge that everyone should know, when in reality there's no possible way Stiles (or any average person, for that matter) could know that.

And I'm sure in Derek's world, stuff like silver not actually being effective against werewolves is a no-brainer or spotting a Kitsune is laughably easy, but not to the common bystander.

So, instead, I'd love to see the random, human customs and social norms Stiles would find himself needing to explain to Derek when they start living together. Stuff that the human family members of his pack never displayed because they had been raised surrounded by werewolves their entire lives.

From all the small things like how, when you get a canker sore or lose a filling, you always gotta stick your tongue in it. ("No, we don't want to do it. It hurts like hell, actually. It's just something we do. Don't ask me why. I honestly couldn't tell you. It's the same with picking scabs or pressing down on bruises.")

Or like how you're not supposed to eat the weird, little black nub at the bottom of the banana. ("I don't care if it's composed of the exact same stuff as the rest of the banana, that's so fucking gross 🤢")

Or like how you have to walk around ladders instead of under them ("Because otherwise you'll get bad luck, Derek!")

Or how, for a short time in history, a man wearing a singular earring on his left ear meant that he was gay for some reason. Or was it the right ear? ("Hey, listen, man, I didn't make these dumb rules!")

Or how you can't pick up a penny off the ground unless the face side is heads up ("Yes, it's another 'good luck, bad luck' thing. We actually have a lot of those, now that I think about it.")

Or how if someone far away sees you coming and holds the door open for you, you very specifically have to do a customary tiny wave or acknowledging nod before doing a small little half trot-half jog that isn't too slow or too fast all the way to the door. ("Because you don't want to take up their time, but also you don't want them to think they've inconvenienced you. Yeah, no, I get that they already have, but you don't want THEM to know that.")

All the way up to things like the weird history of Coke Zero, even though Diet Coke is essentially the same thing. ("Oh, now see, that's actually pretty interesting. And by interesting, I mean dumb and terrible. See, in the 80's, Coke only ever marketed Diet Coke as a 'woman's drink', so when they finally decided to expand their demographic, they had to spend millions of dollars to undo their own conditioning because their women's only Diet Coke campaign had been so successful, it took decades for men to stop associating drinking diet soda with being gay or effeminate.")

Just so Derek can finally know what it feels like to be on the other end of "common sense."

[queerfables]

Why all the crowd scenes look the same, aka: Something is WRONG in Soho

I'm not even gonna tease and draw this out because it's so cool it doesn't need the fanfare. Ready?

Season 2 takes place over the course of 5 days. During that time, most of the passersby in Soho - maybe even all of them - stay exactly the same. It's the same people every day, wearing the exact same clothes, and they wander through the neighbourhood in paths that don't make any sense. You won't be able to unsee it. I can't believe it's taken us this long to realise.

Don't believe me? Rewatch the scene from 2x03, I Know Where I'm Going where Shax confronts Crowley outside the bookshop, appearing in a series of different guises. Pay attention to the people going past.

I've marked out five people you see on screen when Crowley first exits the bookshop at 39:37:

Numbers 1, 2 and 3 are following the path right. Number 4 follows the path left. Number 5 crosses the road.

Here the five people are again, at 40:19, when Crowley goes to return to the bookshop:

Number 5 is still visible in the distance, in the direction she walked in. This makes sense! But numbers 1, 2, 3 and 4 are rounding the same corner they just passed. It's as though 1, 2 and 3 all decided to turn and head back the way they came just 40 seconds ago, and number 4 has circled the block to join them.

This on its own would be super weird, but they're not the only people to do that in this scene. The man in the purple sweater from the first picture crosses the road, then appears back next to the bookshop, then starts walking back the way he came again.

Here's the part that made me absolutely certain, though. At 40:05, a man wearing an orange hoodie with blue sleeves walks past Crowley, who is heading towards the bookshop entrance.

The camera cuts to a view from behind Crowley, and a moment later, at 40:08...

He reappears in front of Crowley and walks past him again.

It's such a distinctive outfit, there's no mistaking it. They are absolutely fucking with the background characters and they are absolutely doing it on purpose.

Your turn. There are at least three other characters in this scene who pass by multiple times. Watch it again and try to spot them.

This scene is really chaotic and obvious, but the phenomena I'm talking about is much bigger than just one scene. Let's go back to the first thing I said: the background characters don't change. All our leads do. Maggie and Nina wear distinctive outfits, clearly demarcating each new day. Even Crowley and Aziraphale, who in season 1 were like cartoon characters with wardrobes full of identical clothing, vary their looks. Crowley changes his (very subtly) each day; Aziraphale is less rigid on timing, but he has a few different coats that he switches between. The background characters, on the other hand, wear the same outfits every single day. They walk by on the street but they never actually seem to have a destination. They sit in the coffee shop or pub and don't eat or drink anything, and nearly everyone leaves together exactly on closing time. It's eerie.

For reference's sake, here's a rough timeline of season 2, with pictures of Maggie and Nina's outfits to show the passing of time. I had to outsource this section because my post was too image heavy, lol. The main point I wanted to make is that five days go by.

Five days, and all the same faces keep showing up in the background, and almost none of them change their clothes. I'm not entirely sure what it means, but there's no way it's an accident. It might, in fact, be a game changer. To me this is proof positive that something is not as it seems. I've been a massive Clue skeptic, adamant that I'd only be convinced by the most unambiguous evidence, and honestly? This is enough to move the dials. It's too big for me to ignore. Whatever grand explanation of Good Omens we come up with has to account for this. I don't have it yet, but my current working theories are that Crowley and Aziraphale are under some seriously heavy surveillance, that time warping is involved, or that reality itself is not what it seems.

It would take a really long time for me to go through all of the background characters who turn up over and over but I do want to show you what I'm talking about. To wrap up, then, I'm going to pick out some memorable characters and walk you through a few of their appearances through the week. I highly recommend looking out for this yourself on your next rewatch and seeing how many other characters you can recognise.

Yellow Skirt

The first person I kept coming back to as being not quite right. You probably remember her from the first episode - she's the one who waves and walks past Maggie and Nina the night they're locked in together. Incidentally, she's also Person Number 3 in the scene with Shax.

Day 1 (2x01 - 36:20):

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 06:36)

Day 5 (2x06 - 30:00)

Coolest Leather Jacket In The World

It's not so easy to recognise people wearing lots of nondescript dark colours, but I love his hair and his jacket, so he stood out to me. I think there might be a lot more people who are wearing fairly nondescript clothes who I just can't recognise from episode to episode.

Day 2 (2x02 - 16:44)

Day 4 (2x04 - 41:20)

Day 5 (2x06 - 29:20)

Dressed In Mustard

Ms Mustard shows up everywhere. If you want to see what I mean about their paths not making sense, pay attention when she comes on screen, because she'll often show up a few times in succession and walk very purposefully to nowhere in particular. The thing that she is doing, essentially, is behaving like an extra in a tv show. Which of course she is, but you're supposed to make that invisible by not having the same person go back and forth in the same scene, or changing up their outfit each in-universe day to give the sense time is passing. Not doing that is a really deliberate choice.

Day 1 (2x01 - 22:37)

Day 2 (2x02 - 42:03)

Day 3 (2x03 - 01:49)

Day 3 (2x03 - 37:07)

Day 5 (2x06 - 29:59)

Swishy Dress

This character shows up a lot in the first episode. I've struggled to find her in later episodes, though. None of the characters seem to follow the same patterns or show up to equal extents each day, which makes me think this isn't a straightforward time loop. I haven't actually cross referenced character appearances to in world times, though. Possibly this is a project for someone who's more across the time-related shenanigans than me.

Day 1 (2x01 - 22:43)

Day 3 (2x03 - 07:01)

Yellow Vest

I've only seen this guy a handful of times, always around the French restaurant. I wonder if there's significance to that.

Day 2 (2x02 - 41:06)

Day 4 (2x05 - 12:49)

Fuzzy Blue Coat

Another background character who shows up frequently. The blue doesn't stand out quite as much as the yellows and reds some characters wear, but it's very distinctive.

While we're getting a lot of shots of the street, it's worth noting that I'm pretty sure the vehicles we see are also just the same few cars repeating each day. A lot of them are in neutral silvers and monochrome, but there's a couple of blue cars, one red, and one black and white that I'm fairly sure I've seen over and over through the season.

Day 1 (2x01 - 22:45)

Day 2 (2x02 - 42:04)

Day 3 (2x03 - 02:00)

Day 5 (2x06 - 40:10)

Day 5 (2x06 - 48:56)

Day 5 (2x06 - 50:06)

One final note: Whatever this is, Nina's employee who you see in the background at the coffeeshop sometimes isn't affected by it. He's wearing different outfits each day. On the other hand, some of the other shopkeepers do seem affected. I'm fairly sure Mr Brown and Mrs Sandwich wear the same outfits a few different days, only changing because of Aziraphale at the ball.

And that's it! Thanks for reading and I hope your mind is blown as much as mine is.

EDIT:

Hey I don't mind anyone pointing out production reasons that this might be the case or disagreeing with my analysis (over-analysis, some might say 😉). Please be kind about it, though. I'm not ignorant of the practical limitations involved in film making, but some of these costumes were really distinctive in a way I thought might be intended to draw attention.

For those of you who do find this theory convincing, I feel I should mention that I was working under the assumption that this stuff would have taken a few days to film, even filming it all together. That would strongly suggest that the actors were deliberately costumed the exact same way over multiple days of shooting, which made me think it had to be purposeful. @coranax was kind enough to point out, though, that behind the scenes videos said the extras were filmed separately to the main actors because of Covid protocols. In that case, they could have done it in just one day and that weakens my confidence in its intentionality.

Finally, all of my points about the scene with Shax in 2x03 stand. That was not a case of accidental continuity errors, it was really elegantly choreographed to enhance the tension in the scene. I say that with confidence because the extras are doing exactly what Shax is doing: circling Crowley, appearing where he doesn't expect them, creating a whirlwind sense of being off balance and out of control. I think it's really cool and effective, whether there's a deeper meaning to it or not.

[am-i-the-asshole-official]

WIBTA for breaking up with my boyfriend because he likes my body?

TW for ED but please hear me out:

My bf (30m) and I (28f) have been together for a little over 5 years. When we got together I had an extremely stressful and physically demanding job. Shortly after our relationship started I relapsed with an eating disorder that had been a problem since prepubescence; I started restricting heavily at age 11 and had struggled with it on/off since then.

After quitting that terrible job and regaining some agency in my life, I spent a couple of years really focused on recovery. Without giving specific numbers (cause triggering) I'll say that I was extremely underweight to an unhealthy level for at least a year and experienced severe health complications because of it. I nearly died from heart problems and had a big wakeup call that caused me to change my whole life. I've done the work of recovery without medical help (history of omission with doctors) but have had support from my bf, and am currently at the highest weight of my life.

at a recent checkup my Dr talked a lot about "healthy lifestyle" and mentioned my weight gain over the past couple of years. I'm still within the "normal" range for my height and build, but the after visit summary/chart notes denoted risk of becoming overweight. Idk if my Dr would have brought it up if my history of ED was in my chart, (and I did switch primary care practices a few years ago, so they weren't treating me at my thinnest) but it still shook me a bit and I will admit to feeling very triggered.

The job I moved to is quite sedentary compared to the previous terrible one - I wfh, and very rarely have to be on my feet or do strenuous activity. In addition, I have chronic pain issues that make exercise difficult, and so historically have just restricted to maintain/lose weight because it's easier for me physically to just be hungry than to work out. I didn't want to go down that road again though because of how intense and scary it got last time.

My bf is a personal trainer and specializes in working with low ability clients and people recovering from long illness/injury. When I told him that I wanted to start exercising more often and get a good cardio routine going, he was really excited and started immediately putting together an "action plan" (what he calls it w his clients idk) for me. Then he mentioned how I'd need to add on a bunch of meal supplements and snacks to avoid losing weight and I got upset.

We're a plant-based (vegan) household and live with a roommate (bf's friend) so mostly eat/cook communal dinners and have various breakfast & lunch plans on hand, so we already eat pretty healthy and make sure to have a good balance of macro/micro in the meal plan. My intent was to eat the same but increase my activity level to get out of the danger zone without restricting. I don't generally snack and rarely eat dessert, just the 3 squares.

I told my bf that I needed to lose weight and be more active according to my doctor, and that I wasn't comfortable with having protein supplements, smoothies, and snacks in addition to regular meals because that would defeat the purpose. He got really sad and said that he likes the way my body is now, and while he supports being more active, he doesn't want the size of me to change. His exact words at some point were "you look so good now, I love the amount of you that there is and I like the way you jiggle." It kind of made me feel sick and wonder if he has like a secret size fetish or something?

So I've been thinking of breaking things off with him and moving in with a friend or back in with my parents, but idk if this is actually a red flag or just the disorder talking? He did help me a lot with recovery but if he's going to keep me from being healthy or wants me to gain even more weight then maybe it's better to leave - would this be an asshole move? I honestly don't know.

[nervocat]

hii a request for you :

receiving a ‘strange’ gift (like the chopsticks/ladle) from zhongli + neuvi ? the gift itself is up to you :) (btw i love that neuvi ladle so damn much ,, )

no pressure ofc just want to see what you’ll write ^^

“A ‘Strange’ Gift to be Received.” (no cws - wc: 386, romantic/platonic (tho it's romantic leaning)/fluff, gn reader)

Zhongli, he wasn't exactly the wealthiest or well known man, but you loved him all the same. Especially the little gifts he gives you from time to time with the money he does have.

He likes to give you things he buys he thinks you'll like, but Zhongli likes to give you food above all. He likes to cook, so why not give you some?

You come home to a warm plate of food on the counter — your favorite, nonetheless — and see Zhongli cleaning up some stuff.

“Zhongli? You made food for me again??” you inquire, slipping off your shoes. The former Archon looks up to you and smiles, a gentle look in his gold eyes.

“I did. Come — I'd hate for the food to become cold,” he invites, to which you accept with a nod as you hop up on the chair and start eating. The foods taste washes over your taste buds as you eat, the food being as good as ever.

“I’m assuming you like it, [name]?” Zhongli asks. You swallow and beam at him.

“I do, Zhongli. Your food will always be a gift to eat.”

Despite Neuvillette not exactly knowing how to show his appreciation for the ones he holds dear, he wasn't so clueless to how he could express himself (kind of). He liked to give you gifts — and you loved receiving them. Said gifts were seashells, to be exact.

You've decided to have this little jar of the seashells he gives you. You can tell that some of them are bought while some he found himself, which is what most of them are from.

Maybe you could go seashell searching with him once? You think it'd be a fun idea.

You wake up, rubbing your eyes and stretching. You turn over to look at your bedside table and see a seashell — a very pretty one at that.

It was simple. A pretty, slightly dirty white color with some sand still on it. You smiled tiredly at the shell. You grabbed the shell to look at it, the shell glimmering in the orange rays of sun coming through your window and curtains.

You get up to put it in a safe spot, making sure you're gentle with it. Maybe you should return the favor and give him a shell as well?

[ ★ - notes . It was a bit bittersweet to write this and look at the final result honestly bc I feel so bad writing this after Dumbi deactivated (even tho this was changed to anon), but it's done! It's just been sitting in my drafts probably for abt half a year but I think it turned out pretty good ^^ it's also been a bit since I've written for genshin so if anything is ooc, that's totally on me 😭😭 and I might've written this more romantic leaning but I tried not to 😞😞 ]

[heartfullofleeches]

Some Yan Final Girl (aka Daina) being a simp text post while I wrap up my fic with her and Slasher Reader

-

Creep Reader: Wanna see my toys?...

Yan Final Girl: Sure! I love dolls!

Creep Reader: Here's a hunting knife I got for Christmas. A steak knife set I got for my birthday. A handgun I stole off a drunk guy. No bullets in it, unfortunately, but I point it at people outside my window when I'm bored.

Yan Final Girl: God, they're fucking crazy..... I think I'd rip my clothes off if they pointed it at me right now.

-

[Creep Reader walks by, looking around suspiciously and clutching their stained backpack to their chest]

Yan Final Girl: ...Just so we're on the same page, we all agree -

Her friends: They killed Noah-

Yan Final Girl: They're the hottest person on campus-.... Honestly, there's no difference he was a huge asshole anyway.

-

Yan Final Girl, tied up in Reader's basement: Let's go over what we think are red flags. I am extremely clingy, hate the color yellow, and my ideal type is bloody, masked serial killers specifically with your exact body type and voice. Your turn!

Slasher Reader: I killed all of your friends and locked you in my basement.

Yan Final Girl: Baaabe - I said red flags.

-

Yan Final Girl: Hey there, cutie. You mad cause we trespassed on your territory?

[Sad monster/zombie darling noises]

Yan Final Girl: Don't worry, sweetie. I'll clear out all these nasty people and get you the peace you deserve. Sound good?

[Happy Monster/Zombie darling noises]

Friend: Daina.... It ripped someone's arm off and beat them to death with it!

Yan Final Girl: Well obviously it's because they were scaring the poor thing. Geez, people are so insensitive these days.

-

"Hey, Daina! You coming with us to that old haunted mansion tonight?"

Yan Final Girl: You guys are so stupid....

"Apparently, the ghost that lives there died the eve of their wedding and forever haunts the home looking for their bride."

Yan Final Girl: So... do you guys know any dress rentals open at this hour?

[thepenultimateword]

Your stuff is so good!! You should write a villain x weapon designer civilian snippet :0

Thank you, thank you, friend! Also, I’m loving the idea of that dynamic, so here you go!

CW: Weapons, unconsciousness, knockout gas

...

“Move and I’ll blow your head off.”

The ridges on the gun's metal barrel dug sharply into Civilian's hand, but they managed to keep their aim and voice steady as they pointed both at the villain in front of them. The criminal was currently backed up against the train doors, hands in the air, gas mask dangling nonchalantly off two fingers.

The villain raised their brow. "What are you some sort of hero?"

"No talking."

"I've never seen you before. I thought I'd met all of the agency's sentinals in white. Though you're not exactly dressed for the position. Maybe you're not--"

"I said no talking!" Civilian barked, taking a step forward and jerking the gun forward menacingly.

"Ok! Ok!" Villain said. They raised their hands higher. “Touch-y.”

On any other day, Civilian would have been like the other passengers, huddled up together in the far corners of the train or pressed back tight in their seats, as if they could disappear by mere force of will. But today, Civilian had been tasked with transporting their newest prototype to the agency for a demonstration. An electro-pulse gun that they’d tested on no less than five watermelons the night before. They were well acquainted with the damage it could do. They’d ripped the thing from its protective case without even thinking.

“I’ve already alerted the heroes to your location,” Civilian said. “So there’s no point in fighting anymore. Stay still until the next station and you’ll be arrested in one piece.”

“You alerted the heroes?” The villain raised both brows high. “How? I jammed the cell signals over the next twenty miles. Unless…” They grinned. “You have some other form of contact. You do work for the agency, don’t you?”

“Have you listened to a thing I've said? No more questions!"

“You’re the one who keeps chatting, darling. What? Nervous?”

Yes. And no. Their body was alight with adrenaline, every nerve a buzzing, quivering charge, and yet at the same time, they were surreally confident, gut numb and mind blank.

Villain pushed lightly off the doors with their elbows, taking a small, probing step forward. “Would you even really shoot?”

“You really want to try me?"

“You heroes make a lot of talk but not much action. What, don’t you have a code? 'Do no harm' or something like that? Besides, you're so cute." Another step forward. "I don't think you've ever been in a fight, let alone killed someone, so why don't you just--"

Civilian aimed the gun at the ceiling and squeezed the trigger. The energy projectile punched through the metal with ear-splitting BANG! The passengers shrieked. Villain knocked back against the doors with a thud.

The wind whistled loudly overhead as the air whooshed over the new gap in the roof, and after that shot, their ears might as well have been stuffed full of cotton, but even if they couldn't quite measure their own volume, they fixed the gun back on Villain's head and drove their point home.

“I’m really trying not to traumatize all these lovely people with the visual of your head exploding, and honestly, I’d really rather not kill you. But if you press me…if you doubt me, you’ll be dead faster than you can question me again.”

Villain gripped their mask abit tighter but their expression remained smooth and their posture loose. They whistled a long low note. “You’re something else, gunslinger. When this is all over, feel free to look me up anytime.”

“Fortunately, I don’t frequent prisons.”

“Me neither." Villain flashed a broader grin, full of white teeth and pocked with a dimple on one side. "Looks like we have something in common.”

The train screeched, the deceleration sending everyone lurching a bit to the right. In that exact moment, when Civilian's gun swayed a few centimeters off target, the villain's free hand shot to their belt.

"Hey!" Civilian shouted, stumbling a little as the train came to a complete stop. Villain tossed something small and round to the floor. Ping! Ping! It bounced twice, rolled a little into the aisle, and exploded in a cloud of cool fog. No not fog. Gas.

Civilian immediately turned their face into their shoulder, tipping the gun even further off target. The whole train car shrieked while Villain calmly pulled the gas mask over their head, obscuring the beginnings of an infuriating grin. Civilian opened their mouth to launch another threat but immediately choked on the sickly sweet gas. It raised around them so rapidly, they could barely see the nose of the weapon let alone, Villain. Not to mention...everything was getting sorta...slanty...

"S-sleepin'gas?" they slurred.

"I was never here to harm any of you." Villain's muffled voice seemed to come from all directions, echoey and distorted.

Civilian fell to one knee. Was it normal to feel like their head was buzzing?

"You made a really cute gunslinger, though. Like a western sheriff. Or an outlaw. Bet you'd be good in a holdup."

The train doors hissed as they opened. As some of the gas slipped free, they caught a glimpse of the Villain's shoulder as they darted out onto the platform.

The gun suddenly felt so heavy in their arms but they forced it up anyway. The barrel tipped to and fro, and their finger trembled on the trigger. They wanted to risk a blind shot, but there could be dozens of people standing outside on that platform. If they hit anyone else...

Their vision blurred, then blackened. They barely managed to set the gun down on the metal floor before passing out over top of it.

When they awoke, they were in the agency medical wing. They recognized it immediately by its obnoxious orange bedsheets and, well, Keith. Sort of hard to miss a giant, shining man in hero-white scrubs.

Civilian slowly pushed themselves upright. Their head throbbed with the movement, and they let out a rogue groan.

Keith turned away from the figure two beds down, covered from head to toe in bruises and now enveloped in their own cocoon of white luminescence.

"Civilian!" Keith beamed, light glimmering off his teeth. "You've regained consciousness! Any pain?"

Civilian rubbed the bridge of their nose. "Just my head... Was I hurt?"

"Not necessarily." Keith pressed both large hands to the sides of Civilian's skull. Civilian closed their eyes as they healer's glow wrapped around their head. Warmth trickled over their face and under their skin, ebbing the pain away little by little. "Just a very large dose of some sort of gaseous anesthesia. Luckily, there have been no long-term consequences so far. The ventilation created by the hole in the roof probably lessened some of the potency. Your handiwork?"

The events on the train rushed back all at once. They pulled out of Keith's grasp.

"Did we get them?" They looked rapidly around their bedside. "Where's my pulse gun?"

Keith stepped back and leaned against the empty bed beside Civilian's. "The gun is in weapons testing, I think."

"And the villain?"

"No. They escaped. We arrived just moments too late before they must have blended with the crowd.

Civlian threw themself back against their pillows with a heavy sigh. "Great."

"You still helped. You stopped Villain from completing whatever they originally planned and provided many citizens with immediate medical treatment by calling us in."

"Oh yeeeeah, I'm sure the whole team was just dazzled by my competence and quick-thinking. Especially when I couldn't hold Villain in place on anything but a moving train."

Keith frowned. "You don't need the title to be a hero."

"Thanks, Keith, that's really nice and heartfelt, and I'm sure you believe it, but seeing how you do have the title, and no one in power here thinks the same, it doesn't really mean that much to me."

Keith frowned but luckily didn't argue any further. Civilian knew they were being rude, but they really didn't need anyone else telling them that they were special the way they were. That they could do good their own way. That being a hero didn't even matter that much. It mattered a whole lot to them. And now they'd practically proven the entire agency right.

"What were they even doing on that train?"

"Robbery?" Keith shrugged. "Knock out the passengers and loot all their valuables."

"Alone?" Civilian traced the lines of the ceiling panels with their eyes. "They didn't even have a bag. How much could they have gathered if they planned on knocking out an entire train?"

"We don't know they were alone. They could have easily had accomplices posing as civilians throughout the train."

"True... Does the agency have a file on them? Tall, skinny, long black coat, annoyingly perfect eyebrows. Didn't show a power."

"I could look...but I'm not supposed to share that sort of info outside of other heroes..."

"Come on! What was that whole, 'you don't need a title' nonsense?"

"It wasn't nonsense! You are a hero! Just...not a legally sanctioned one."

Civilian sat back up and lowered their voice. "Come on, Keith. I'm not going to do anything; I'm just curious. You don't even have to give me the whole file. Just take a couple pictures of anything you think might also be on the news."

Keith grimaced.

"Please? I was so close today. So close to being what I always planned to be... Just let me chase that high a little longer. Then I'll go back to the weapons lab and never mention it again. Promise."

Keith inhaled a long breath, letting it out in a loud, irritated sigh. "Ok, fine. But don't bring it up to anyone. Ever. And I'm only giving you the first page."

Civilian's insides sank a little; they weren't sure what a first page of a villain file looked like, but they could assume it wasn't much. But they couldn't really be picky, so... "That's fine. Just the first page is perfect."

Keith looked like they had hoped that detail would deter them, but he continued on. "It might take awhile. I'm a hero, but I'm a healer, so no one is expecting me to march into the files room and request info on villains."

"That's ok, I can be patient. I work in weapons, remember? That's like the ultimate test in being patient."

Keith slid a hand over his face. "Ok. I'm also going to need more detail than 'annoyingly perfect eyebrows.'"