#i'm glad i wrote it

[a-rabbit-obsessed-queer]

Aspec men deserve much more respect and recognition in the aspec community than they receive. They often face a different form of aphobia specific to them ("men are naturally sexual they can't be ace" "all men are unromantic that's not unique") this rhetoric is spouted by many, even members of our own community and I hope for a day where that is no longer the case. As an ace and demiro woman (demigirl but that's beside the point) I want to encourage folks to take the time to give the aspec men in their lives support and to the aspec men reading, you are who you say you are no matter what people say and you deserve the world. I'm sorry for the ways in which toxic masculinity has harmed you. You are a valued member of the aspec community and the queer community as a whole. No ace or aro person is broken and neither are you. I'm sorry if anyone has ever told you otherwise.

[hedgehog-moss]

I was talking with a friend the other day about how I was fascinated with American school life when I was a teen because it seemed so different from how things are in my country (I knew about US high schools thanks to Hollywood, an accurate and trustworthy source) and we talked about which aspects of US schools felt foreign or strange to us and one thing I brought up was, how American teens only seemed to have like 15min for lunch (I had 1h30 here in France), as evidenced by the cafeteria scenes (no one seemed to eat a proper four-course meal? I definitely never saw a separate cheese course), and I was like, I envied a lot of stuff about US schools but not this

... and I went looking in my old diaries to see if I ever wrote about this, and you know what? I was wrong. I did envy their school lunches which, like almost everything about US schools, felt intriguing and different and cool. The reason middle school-me thought American school lunches were superior to French ones is because, since American teens in TV shows only seemed to get like 4 chicken nuggets and a milk carton for lunch, their lunch tray was very light and they could hold it with one hand under it, the other hand in their pocket or holding their bag strap on their shoulder all casual-like. Sometimes there was no tray, even!

I envied these American teenagers for their lunchtime nonchalance. I would have liked to handle lunch in this cool-cat way but my French lunch tray being loaded with 4 different heavy and breakable plates, I had to hold it carefully with both hands. In my view this was unfair as the hindrance of governmental nutrition guidelines made French students look like uptight nerds, unable to strut around the cafeteria with one hand in our pocket like we didn’t care. Same for the absence of lockers in our schools, we had to carry all our books on our back all day like studious turtles whilst the beautiful 25 year old American teens on my television casually leant against their lockers chatting with friends then strolled around school with just a couple of books tucked under their arm like they were in Dead Poets Society. Thank god there was an ocean between us, imagine a French kid entering a US school cafeteria carrying 3 binders and 5 textbooks in their big rucksack and holding their tray with two hands like a complete loser

Note that these comparisons are quite worthless since I don't know what US school life / food is like in the real world (I imagine it varies a lot!)—I just find it funny to re-read old diaries and discover what was important to kid-me. Discussing these little cultural differences gleaned from US TV series, adult!me is like "yeah I remember being intrigued & envious about a lot of things! Not their school lunches though, they didn't look balanced and nutritious"—meanwhile middle school-me, focused on what mattered, was like, imagine what we could be... imagine being able to hold your lunch tray with 1 hand instead of 2 thus accessing a realm of coolness unfathomable to us in our backward country

[flickering-nightfall]

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[clovariia]

we can FINALLY post our pieces for the @tohgrimoire zine!!! i wrote a fic about luz and her family visiting her father's grave. it's a tragic but healing time for all of them.

thank you so much to @astrolavas for drawing the devastating spot art and the zine's writing mod @taruchinator for helping with beta reading!!! all the zine contributors and mods were so sweet and encouraging. i'm so grateful that i got to be a part of this project! thank you to everyone for all the support!!!!!! 🦉💕

🔗 https://archiveofourown.org/works/58919038

[akajustmerry]

its truly moving how much grace in this episode was given to the reality of losing a parent who was abusive and how none of the Roys reactions is cut and dry. A huge part of their grief is not just for Logan, but that there is never going to be reconciliation. the possibility of their father apologising, being the dad they needed, has died with him. ken's"i can't forgive you, but i love you" encapsulates so much of that conflict, the cognitive dissonance of loving your parent and being their victim who is never going to get closure. roman tells Logan he's "a monster" so, of course, he'll be okay wherein his frame of reference for his father's strength is his own fear of it. shiv's childish insistence that she can't allow this, as if asserting herself hoping her father will admonish her for it as he always has. it's one thing to know your parent harmed you irrevocably and wish them suffering for that - but it's another thing, "a material event", to lose them and lose the chance, the hope once and for all, that the one person who hurt you more than anyone will make it okay. obviously, it's okay if you lose your abusive parent and feel nothing or feel glad, but i felt so relieved to see this episode give space to the tedious, complicated and painful reality that, even if you don't want to, you can feel grief your abusive parent and the loss of hope that leaves with them.

[deoidesign]

"what do hands mean about a character?"

Their hands mean they love eachother

(webcomic)

[solarmorrigan]

Open Doors, Part 1

Ao3

Everyone was so kind about the first fic I wrote about Steve and Eddie's neighbor adopting them that I had a few more thoughts about it! I owe you all thanks for the inspiration and I hope this is also an enjoyable read <3 Part two will be up later this week

Tags: POV Outsider, Steve Harrington Has Migraines, Protective Eddie Munson, past minor character death, car accident mention, the looming specter of period-typical homophobia

-

Gladys isn’t a churchgoing woman. She’s never even been particularly religious, beyond a performative sort of faith for the sake of her God-fearing mother (God rest her soul, Gladys supposes), but Sundays are sacred, all the same.

Sundays are for Murder She Wrote. And, more recently, they’re for dinner with her boys.

Neither Eddie nor Steve are the religious sort, either (she’d brought it up once, just to see, and they’d laughed a little in an uncomfortable sort of way that had told Gladys all she’d really needed to know), but Steve is a fellow fan of Jessica Fletcher, and Eddie is happy enough to join them on the couch after a good meal and watch them compete to see who can guess the solution first.

It’s something they all look forward to, so Gladys isn’t sure why she’s been left standing in front of the boys’ front door a full minute after she’s knocked. They ought to be expecting her, after all; they take turns hosting, and Gladys is sure it had been her turn last week. She knocks again, a little louder this time.

After another few moments, she hears the thud of hurried footsteps coming towards the door, and then Eddie’s voice is hissing out at her before he’s even finished opening it.

“I’m here already, now will you keep it–” he falters when he sees her standing before him on the doormat, “–down?”

“Well, if I’d known that was the kind of welcome I’d receive, I would have stayed home,” Gladys says dryly.

Eddie’s face morphs quickly from irritation to confusion and, finally, to a kind of horrified understanding.

“Oh, shit, it’s Sunday,” he realizes, voice still pitched low.

Taking in the state of him, it seems as though Gladys has interrupted some kind of lazy day; his hair is a mess (more so than usual), and he’s in pajamas and bare feet.

It smarts a little to think their evening has been so easily forgotten.

“It is Sunday,” Gladys confirms, maybe a little sharply. “But I can see you’ve had other things to do, so maybe we’ll just try again for next week.”

“I’m sorry, Gladys,” Eddie sighs, rubbing a hand over his eyes. “Today’s been… stressful. I swear I meant to call, I just got distracted.”

Gladys softens. She doubts if she could stay mad terribly long even if they had forgotten, but it’s nice to know they hadn’t, exactly. “It’s fine, Eddie,” she says, reaching out to pat his hand.

“It’s not, I seriously meant to let you know,” Eddie insists. “We can make it up to you next week? Or maybe, like, Tuesday? Tomorrow’s not gonna work, but–”

Whatever else Eddie has to say is lost when the door at the end of the hall, the one Gladys knows from the layout of her own apartment leads to the larger of two bedrooms, swings open with a creak. It’s dark beyond the threshold, but Steve is standing in the doorway, holding onto the edge of it and looking far more disheveled than Eddie.

With a faint flush of embarrassment, Gladys wonders if she’s walked in on some sort of… private time between them, but then Steve takes a few unsteady steps into the hallway and has to brace himself against the wall, and she realizes that something else altogether must be going on.

“Hey, hey,” Eddie says softly, leaving Gladys at the front door to rush down the hall and support Steve. “What’re you doing up?”

Steve, also clad in pajamas, his face almost shock-pale and his hair flatter than Gladys has ever seen it, makes a little noise of discomfort as Eddie pulls him away from the wall. It’s jarring to see when Gladys is so used to Steve moving with the confidence and easy grace of the athlete he’d told her he once was. His eyes are scrunched shut, but he moves from leaning heavily on the wall to leaning heavily on Eddie without hesitation.

“You were gone,” Steve mumbles, his head falling to rest on Eddie’s shoulder.

Eddie glances down the hall to where Gladys stands at the still-open front door, something almost like nervous, but he doesn’t make Steve move away. Instead, he moves his hands to Steve’s shoulders, kneading gently. “I had to get the door. Gladys is here.”

“Gladys?” Steve mutters, and then, after another moment of silence, groans, “Oh, shit, it’s Sunday.”

Gladys almost laughs at the way he unwittingly echoes Eddie. Eddie does laugh; just a little breath of a thing, something helplessly fond crossing his face.

“It’s fine, Steve. We’ll take a raincheck,” Gladys says, just loud enough that she’ll still be heard from the other end of the short hall.

Steve makes a protesting noise, straightening a little so he can face the front door. He opens his eyes just enough to squint at her, and it really only serves to make him look more pained and tired. “’m sorry,” he mutters, his words stumbling worryingly into each other. “Wasn’xpecting this today.”

“It’s fine,” Gladys says again. “You just feel better.”

He’s still frowning, and Gladys gets the feeling it’s as much out of displeasure with the situation as it is out of discomfort, but then Eddie tugs gently at his shoulders, turning him back towards the bedroom.

“C’mon, ba– Steve. Let’s get you back to bed.” Eddie glances down the hall at Gladys one more time before leading Steve away.

Silence falls over the apartment, and Gladys takes the opportunity to invite herself in, shutting the door behind her. She won’t stay long, of course, she just wants to be certain that Steve—and Eddie, who had looked awfully stressed—will be alright. The low tone of Eddie’s voice drifts out of the bedroom, quiet and indecipherable, followed by a grumbling that must be Steve, and then Eddie is slipping back out into the hall, shutting the bedroom door as he goes.

“Everything alright?” Gladys asks, keeping her voice low.

Eddie sighs. “He, uh – he gets migraines, sometimes.” He raises a fist and raps his knuckles against his temple. “Took a couple’a knocks to the head when we were younger and– yeah. Today’s a bad one.”

Gladys itches to ask, to press for more information, but she does actually possess a filter; she knows when to hold her tongue, even if she usually chooses not to. Instead, she says, “But he’ll be alright,” not really sure if she’s asking or reassuring.

“No, yeah, he’ll be fine, he just needs to rest.” Eddie nods, as much to himself as to Gladys.

“And you’ll be alright?” Gladys goes on.

Eddie shoots her a funny little look. “Yeah?” His voice quirks up at the end, like he isn’t sure why she’s asking. “I mean, I’m not the one whose brain is staging a full-scale revolt.”

“But you’re here with him,” Gladys says. “It’s hard to watch someone you care about be in pain.”

It had been a car accident that had taken Avery from her, not illness, but the few days she’d spent in the hospital with him, keeping vigil until his damaged body had given up, had been some of the worst of her life.

“I guess.” Eddie sighs, rubbing roughly at his chin. “It’s– They make medication for this shit, but it’s expensive, so we can’t– Sleep is really the only thing that helps, and it just sucks to sit around knowing I can’t do a damn thing for him while he’s– he’s suffering.”

“You’re here with him,” Gladys says again. “It seems like he appreciates that enough that he came looking for you when you’d gone.”

The ghost of a smile crosses over Eddie’s face. “Yeah…”

“I think you’re doing just fine.” Gladys reaches out and gives Eddie’s arm a little squeeze, and his smile grows.

He reaches up and twists his fingers into the ends of his hair, half-ducking behind it, as if he’s trying to hide the smile from her, but she can hear it in his voice when he tosses out a quick, “Well– thanks.”

“You just keep taking care of your boy, and I’ll see you two later in the week,” Gladys says, and Eddie nods.

“Yeah, I’ll–” he stops, blinking at Gladys as the full sentence hits him. “Uh–”

Gladys offers him a smile, seeing herself out the door. “Let me know if you need anything,” she tosses back over her shoulder quietly as she can, and shuts the door on his confounded expression.

She doesn’t know much about migraines, but she supposes she could learn. In the meantime, she decides that no matter what the ailment is, chicken soup is always an appropriate answer.

[sandushengshou]

Pushing Daisies | 2x04 “Frescorts”

[mrsoharaa]

𝑩𝒊𝒓𝒕𝒉𝒅𝒂𝒚 𝑮𝒊𝒓𝒍 🎀🍰

characters; SatoSugu (Gojo Satoru + Geto Suguru) x Reader

cw; none! pure FLUFF! the two dummies being completely lovesick and mopey over their pretty spoiled angel! birthday trope, completely SELF INDULGENT (since it's my bday todayyy <3)

Your lumbering eyes blink heavily to the flaunting streaks of the peeking sun seeping through your bedroom shades. A heavy distinctive weight of multiple objects weighs all over and around your sleeping form, a low grumble tittering off from your supple lips.

Gradually stirring awake from your deep slumber, you glance down at your chest to a note with a beautifully fully blossomed peony taped to the feeble paper. Blinking, you sit upright and take the note into your hands, carefully holding the gorgeous, flourishing flower and reading over the neatly familiar font written in perfect alignment.

Good morning and happy birthday beautiful :)

Sorry that me and Satoru are not there to hold you in our arms and spoil you with endless kisses and affections, but we had to do some...shopping for your surprise for tonight. (I really didn't want to spoil anything about it but I guess I kind of did...)

As you can tell, Satoru had bombarded you with boundless hoards of gifts on you. He was dead set on drowning you in a heap of stuffed animals, jewelry and your favorite type of throw blankets. He's utterly ridiculous, but he loves you incessantly so I suppose that makes up for it haha.

A tender smile seeps onto your cheeks, glancing up and around the bundled stock of adorable stuffed animals, fluffy throw blankets and fancy expensive boxes that you'd presumed to be the priceless jewelry Satoru had hauled for you. Your heart flutters warmly, frantically at the adoring thought.

A bit much don't you think, Toru?

"Oh 'Toru..." you giggle softly under your breath, your softened eyes scrolling back onto the heart felt letter in your free hand.

We should be back home in a few hours or so, so please enjoy your comfortable day lounging about my love. We'll bring home some snacks on our way back.

Oh, and my gift for you (minus the flower of course, because I think I remembered you saying that Peonies were your favorite some time ago) is in in the living room. I hope you like it angel :)

Again, happy birthday princess.

Much love from your goofballs - Suguru + Satoru.

Your heart continues to patter wildly against your chest, smiling ever so giddily to yourself as you glimpse over the mount of gifts hoarding over you. Gently placing the adoring letter on your nightstand, you gently caress the soften petals of the elegant flower, gingerly bringing it to your lips and tending a ghost like kiss to the sweet scented flora. Inhaling the candid natural scent of it's aroma.

"Oh my silly thoughtful boys" you murmur lightly, feeling your eyes swell with happy tears, your heart fluttering happily to the thought of the two idiots you grew to know and love over the years, spoiling you.

Feeling the enthralling excitement swarm in the depths of your stomach, you carefully rise from your gift-cluttered bed and stand onto your toes. Stretching out your limbs, you felt the soft silk of your blush pink night gown grace over the upper plain of your exposed thighs. A tingling, lulling sensation peppering all over your awakening skin.

Still holding onto the flower in your hand, you gleefully make your way into the living room. Stopping immediately at the frame of your bedroom door as your pupils dilate with vast enchantment and wonder.

With your ceiling littered with heart shaped balloons of soft pink, rose gold and white, the dining room table neatly decorated with two tall standing candles, silverware and dishes adroitly placed and pink rose petals lightly scattered along the sleek table cloth and your dishes - you couldn't help the overwhelming warmth resonating deep within your heavy chest.

Those thick, kindred tears welling back at the corners of your blurry irises.

"Suguru..." you hardly whispered out with a soft gasp, blown out watery irises carefully skimming along the beautifully decorated room from their courteous hard work.

Light footing of your delicate steps drew you close to the breath taking scenery displayed out before you. Daintily, you brush the pad of your fingers along the silken table cloth and rose petals that swarmed over your dining room table. Thoroughly, admiring every detail and care they took to prep this, just for you.

Your eyes spot another note in the middle of the table, folded in half and nestled against one of the standing candles.

You carefully take it and open the smaller note.

I hope everything is to your liking angel, I wanted to make everything as perfect as I could for you :) I hope it's not too much.

(Satoru says he helped pitched in, doesn't want to seem like he didn't put in any effort or whatever haha)

Happy birthday sweet girl, dress up nice tonight, we're cooking and tending to you thoroughly tonight. Tonight will be all about you sweetheart.

- Suguru G.

Oh, so he wants you to collapse from a cardiac arrest from all the cuteness and what not?

Grasping onto the small, gracious note and hugging it close to your chest (where your heart rests), you couldn't help the familiar overwhelming feeling of sheer bliss and joyous enlightenment embellish all over your body. Filling your heart and soul with boundless love and adoration.

Tears swiftly cascading down the soften plush of your blossoming cheeks. Breaths catching tightly at the perch of your lungs, heart still restlessly plummeting to the endearing thought of your boyfriends going out of their way to woo you with such enchanting gifts and basking wonderment.

You couldn't help the over joyous feeling coursing through you, titillating excitement pouring through your veins as you rush to your bathroom to get ready for the enticing night!

[milk-sharks]

smitten ☁️

[paranorahjones]

Love and Attraction in My Adventures with Superman

As someone who has never been particularly drawn by superhero media, I wasn't really sure what to expect when I first started watching My Adventures with Superman about a week ago. I had seen a few posts here on Tumblr that had piqued my interest, but all I really knew about it was that it was well-loved and had an art style that I knew I liked.

I absolutely did not expect to fall head over heels for the show entirely, or to be moved to tears multiple times by the wildly sweet, revolutionary relationship between this adaptation's Clark Kent and Lois Lane.

I say "revolutionary" because this romance touches on a lot of things that I feel are lacking in most modern portrayals of romance, and it handles them masterfully.

Most of what I reference/talk about in this post will focus on the first four episodes of season one (with a particular focus on the fourth episode, Let's Go to Ivo Tower, You Say) , because they are my favorite episodes and I think I can communicate what I want to by pulling mainly from those episodes. But I will be pulling bits and pieces from the whole series so consider yourself spoiler-warned.

The main point is this: I absolutely adore the way that physical attraction and emotional attraction are balanced between Clark and Lois.

The fact that this is possible comes from how well-crafted the dynamic is between the two of them; Lois' raw passion and energy inspires confidence and a mutual passion in Clark, and Clark's gentleness and kind heart inspire a tenderness in Lois that she was never given an outlet to show or receive. From this dynamic, a wealth of physical and emotional intimacy is naturally born. But never in the series do the two aspects of attraction feel out of balance; rather, they play off each other effortlessly. When one is brought into focus, the other quickly follows.

From the first episode and onward, it's obvious that Clark and Lois are awed by each other's physical appearance. Lois outright describes Clark as "beautiful" (which, if you saw one of my earlier posts from not too long ago, is something that makes me so incredibly happy to see in mainstream media).

To be fair, she doesn't say that to his face and says it in a moment of extreme frustration. But I still count it.

Anyways.

Upon seeing Lois for the first time, Clark is practically frozen in wonder for a good few seconds.

Lois, too, experiences this initial moment of attraction and almost immediately makes contact, with a playful punch to Clark's chest as he holds the door open for her.

This is a detail I really love, because first of all wow, I aspire to have her level of confidence. But also, it becomes clear early on in the series that Lois expresses herself very physically. She has no qualms regarding physical affection. Clark, on the other hand, is much more reserved and, at first, generally only initiates contact after an invitation from Lois, or after enough time has passed in their friendship for him to know that Lois is very physical and wouldn't have a problem with it.

There is also an immediate emphasis on Clark's concern for Lois' physical well-being. Take a sip of water every time Clark asks Lois if she's okay just in the first episode alone and you will be well hydrated.

Later on in this first episode, while trying to infiltrate a warehouse, Lois confidently asks Clark to boost her up to a window so she can get inside the building. Clark is immediately flustered, showing how much he feels out of his depth even with physical contact that, on the surface, would have no romantic connotations. (But to be fair, Lois is asking him to put his hands around her waist and lift her up when they literally just met like maybe six hours ago. I would be flustered too.)

And when Lois loses her balance and Clark effortlessly catches her, his first response (after blushing, of course) is to ask her:

Even in moments where the romantic tension is thick enough to cut with a knife and Clark clearly knows it, his first priority is to make sure she's okay.

And thus begins one of the strongest underlying themes throughout the whole building-up of their relationship, which is trust.

I'm gonna jump ahead now to the scene that inspired this whole post: the stairwell scene in episode four.

A basic rundown: Clark, Lois, and Jimmy are given an assignment to attend a tech unveiling for the city's top investors at Amazotech headquarters. Lois, naturally, ignores the parameters of the assignment and tries to use it as an opportunity to expose corruption in the city and get her stop-the-presses story. Clark very reluctantly follows her lead, believing that she will get herself into trouble . . . until Dr. Ivo, head of Amazotech, makes a few rude comments about Lois' appearance (Lois doesn't hear these, only Clark). This deeply irritates Clark and prompts him into revealing how much he knows about Dr. Ivo's corrupt business dealings, in an attempt to intimidate the truth out of Dr. Ivo, who responds by having Clark thrown out of the building and into a pile of garbage in an adjacent alleyway. Lois comes to find Clark (who is unhurt) and teases him about whether or not she should let him back in the building, since he didn't follow the assignment. Clark jokes that he doesn't even meet the dress code anymore, revealing that his suit jacket was torn as he was tossed out of the building.

Lois then reveals that she came prepared for this, and tells Clark to "take it off."

Clark immediately becomes flustered again and begins stammering as Lois pulls him back into the building by his jacket, continuing to tease him.

It's in these moments, as you can see, that the lighting of the scene changes. As soon as Lois says "take it off", everything is bathed in a rosy light. This happens frequently between these two; often, when we the audience are seeing one of these characters through the perspective of the other, the lighting takes on a very dreamy quality. This will come up again momentarily.

As Lois and Clark ascend the stairs, Lois removes her jacket and pulls a sewing kit from her pocket, admitting that she carries one on her because she herself has torn a lot of her clothing on her escapades.

The two then sit down on the stairs, and Clark removes his jacket. The lighting changes again, and we see Clark from Lois' eyes. It's clear by the dreamy lighting and the way that Lois blushes and involuntarily chokes out a "Wow . . ." that she is once again awed by him and deeply attracted to him on a physical level.

And this scene represents so much about their growing dynamic. It honestly has me floored.

But before I explain fully, I have to go on a tangent about my beloved Clark.

Throughout the beginning of the series, I believe Clark shows several signs that indicate that he is insecure about his physical appearance. Which you wouldn't expect, right? I mean, look at him. He's objectively a dreamboat. He was designed to be that way.

But at this stage of knowing so little about where he really came from or who he is, I think Clark struggles with not having a way to explain his physique. He admits that he wasn't an athlete in school; he was in the chess club. He doesn't work out as an adult. And yet he has the muscles of a bodybuilder. But, like so many other aspects of himself, he doesn't have a way to explain it. This causes a disconnect in how he sees himself physically; he likely feels as though he doesn't deserve his naturally impressive physique. And you could argue that he even does his best to hide it. As a civilian, he generally wears bulky, layered clothing like sweatshirts and sweaters. He slouches and carries himself in a very inward direction; his shoulders are often forward and his arms close to his sides, as if he is habitually attempting to make himself smaller.

This is one thing that brought me to tears when I saw it. The idea that a person can feel insecure about having physical attributes that would normally be seen as positive (and that they can't explain and/or feel that they don't deserve) is not very well-explored in media, but it is experienced by quite a few people, myself being one of them. But often in the real world when someone attempts to express this kind of insecurity, they are shut down and mocked and told to "be grateful" for what they have because others would envy them. Which I can say from personal experience is unbelievably damaging to a person's self image. So seeing this possibly be represented in Clark Kent himself was incredibly moving to me.

But back to the scene itself.

In the most recent gif above, this is the most vulnerable Lois has seen Clark thus far. What I think is so beautiful is the way that she invites him into this vulnerability by making herself vulnerable first.

Rewind a bit. Outside the building, Lois tells Clark to take his jacket off. Not a big deal, right? It's not like he's not wearing an undershirt. But Clark becomes flustered, not outright expressing that he's uncomfortable with this, but certainly indicating that he's not exactly at ease with it either.

Next we see them climbing up the stairs, and as they do so, Lois removes her own jacket and reveals her bare back to Clark in the process.

I believe this was incredibly intentional. This scene would have carried a very different tone if Lois' outfit was revealing in any other way. But the fact that her back is exposed symbolizes that she trusts him, in a physical and emotional sense. It's like when my cat Penny rolls on her back and exposes her fluffy tummy. Lois revealing this part of herself was her saying "I trust you, I feel safe with you, and I'll be vulnerable with you if you'll be vulnerable with me."

And only after that does Clark remove his jacket.

Because there is the factor of attraction at play, there is a lot of blushing and stammering going on in the beginning of this scene. These are two incredibly attractive people who are incredibly attracted to each other, after all. But immediately after the initial romantic tension, there is emotional vulnerability as well. Lois confides in Clark about her relationship with her dad, and the crippling self-doubt that she has kept very close to her chest. Clark jumps to reassure her in earnest, telling her that she has "changed his life for the better, in every possible way."

And that is what I meant at the beginning of the post when I mentioned balance.

Every moment of physical attraction in this series is followed by or harmonized with a moment of emotional vulnerability. Clark and Lois both invite each other deeper into each aspect of connection, and thus their relationship builds in an incredibly natural and beautiful way.

At this point, I think this post is about five miles long as the crow scrolls and I should probably stop now before all my thoughts run away with me. I could go on forever about the impact that this series and these characters have had on me, though. I will forever be grateful to the creators for giving us such an incredible series, and such a beautiful romance.

[loupy-mongoose]

Aneira's comin' early! :D

No, joking, joking! No Aneira yet. XD

I hope this isn't too much mushy-gushy for one day. I had the other thing set for weeks, and then got the idea for this last night because of this post and was like... "Pearls, yes, for anniversary would be perfect but aaaaaaa is it too much?? ;w;" And also the ring thing I've wanted to do for a while now, so I scrunched it in there. XD

Anyways, I've really come to love these dorks, so it makes my heart fuzzy to be giving them all this love. <3

...Hope you all enjoy your diabetes. X3

[befuddled-calico-whump]

Augusnippets Day 15: Starvation

cw: drugging, substance dependency, starvation, emeto, sorta dehumanization, dissociation, nonsexual nudity, vague deathwish

previous // next

for the @augusnippets challenge // word count: 537

=~=~=

He can no longer sit up on his own.

Too weak. In the sparse moments where he's coherent enough to think, the spy knows they're tapering off his rations. Hunger crawls up from his stomach like a swarm of ants, leeching what little strength remains.

He It is always trapped in a haze, but the haze is no longer big enough. It aches all day, unable to even sleep until someone brings another water bottle. Pain consumes its leg, hunger shivers in its bones. When guards pass by, it begs them for water, not food, wanting only to numb it all.

Sometimes they comply, but it's rarely enough. Are they taking away its relief too? Or has it built a tolerance to the drug?

(the thought terrifies the spy when he can comprehend it; the thought of never returning to himself)

It can hardly move. It doesn't want to move. When the stubborn thing inside tries to lift its head, there is only dizziness, more pain, a fleeting fear that this may be the end.

The creature wants none of that. No thoughts, no senses, only the drug that allows it to sleep.

They bring it water and it drinks and nothing happens. No fog, no sudden emptiness. It whimpers into the concrete for hours or days.

The bring it water and it drinks.

(no food)

It can't stop shivering, nausea twisting its empty stomach.

(why can't you do something why can't you move why couldn't you have held fast)

They don't bring it water.

Two guards, it can see them through hazy vision. Its eyes hurt, its head aches.

(this is different)

They grab its arms, dragging it out of the cell, bad leg howling, utter agony, creature howling with it, voice weak

(pathetic, could've ran, could've done something)

the movement and pain and nausea and dizziness are all too much after it's been allowed to feel nothing for so long and it heaves up nothing, bile on its tongue, tears in its eyes. They drag it somewhere and it hurts it hurts it hurts.

(could've turned it down)

would've died

(would've been better)

They have to hold it up, hands around and under its arms. Someone else is talking at it, but it doesn't matter. It hurts and it's cold, colder than the cell was.

(when did they take his clothes?)

It tries to vomit again, left with a sour string of spit clinging to its chin. Over, it just wants it to be over, just wants it to—

Its head jerks up so quickly it sees spots when it hears the snap of a bottle opening. The new person is holding it out

(smirking)

It tries to reach for the bottle, can't shake itself free of the hands, trapped. It can't make sense of the stream of words pouring from its mouth, but it can't stop them either.

pleasepleasepleaesithurtspleaseithurts

(you were supposed to be better than this you were supposed to endure–)

The man laughs.

“Damn. Guess you really can do a number on a guy without lifting a finger.” He screws the cap back on, ignoring the creature's despairing whine.

“Put him back for now. I think he's almost ready for some questions.”

[sunflower-eddiediaz]

Bedmates

The third and final part of the series! Just in time for the first week of Summer of Buddie! Each fic is readable (and hopefully enjoyable) as a standalone, but consider giving the whole story a try :D They're all mixed media/text fics.

Part1: Octopus? (678 words)

Part2: i'm holding onto you (1.5k words)

Part3: i'm never letting go

1.9k words | Rated T | Buck/Eddie, First Kiss

Eddie stands in his kitchen, waiting for his coffee - their coffee - to brew, because Buck is here, still asleep in his bed. Buck came to him. Because they bring comfort to one another. Because they want each other, they love each other. Eddie basks in his memories of last night. The thrill of welcoming Buck in his bed. The taste of a love confession from his lips and the sound of it from Buck's. The delicate touch of Buck's nose grazing his own. The warmth of Buck's breath when he yawned in his face. Eddie laughed to his face in return. Or, Buck and Eddie skip their morning coffee, and Hen receives an enigmatic text.

[Read on AO3]

Special thanks to: @prettysophist for sending the make me write ask that pushed me to think about what I wanted to put in this fic, thanks for the inspiration! and @summerofbuddie for implicitly giving me a deadline to actually write it, thanks for the incentive!

[bruwudershaft]

...Poor children...