hey when they wrote "knight behind bars" and they wrote kitt helping a couple get together and they gave him the line "Some day, it will be my turn" [to find love]. did they know what they were doing. did they know that in some 40 years some gay autistic robot-obsessed little freak on tumblr would not stop thinking about it for weeks and write literal dozens of paragraphs screaming about it on discord. did they know they were going to ruin Me, Specifically, with this concept that feels like the culmination of everything kitt has gone through through the show and such a fascinating thing to think about in regards to michael and kitt's relationship,
one of the themes of knight rider is kitt developing as a Person, developing a line between the Knight Industries Two-Thousand, and Kitt. discovering humanity, his own emotions, the joys of the seemingly and logically pointless, and often through the lens of his own driver, his partner, his friend, Michael - his primary guide through all these experiences, his reference for those human things he doesn't understand. and as much as he initially claims to not be capable of experiencing emotions, of understanding feelings, he learns to. he experiences a wide range of emotions through the show even while claiming he doesn't, he even learns fear and insecurity. perhaps it's only natural a robot would learn to love, or at the very least be terribly curious about it and wonder if such a thing could ever exist for Him
the majority of people are not exactly kind to kitt. they talk about him like he's not there, they talk about him like he's a machine, a novelty, some people are even scared of or disturbed by him when all he's trying to do is make polite conversation and company. he's always Othered - there's no other cars like him (at least not anymore), but there's no other person like him either, he doesn't truly belong among humans or vehicles. some of the technicians at FLAG don't even seem to fully respect him as a person, at least they don't based on my vague recollection of how they talk about him in Junkyard Dog. when Michael asks him after KARR is destroyed if it feels good to be one of a kind again, he doesn't say yes or no - he only says it's a "familiar feeling." it may be familiar, but it's surely also isolating, and i think that's something he'd realize as he slowly picks up this curiosity about love. where could he even find it when so few people see him as an equal person to begin with?
and then there's michael. oh my god, and then there's michael. no matter what flavor you choose to read it in, the whole show is about their relationship, they're a duo, a set Not to be separated, they're Partners. they work together, they worry about and look after each other (forever insane about when kitt was a melted shell, Michael stuck around the garage for hours, waiting for any news like a worried spouse, constantly checking on him every opportunity he got... encouraging him to recover, and even helping paint back on his protective coating... kitt always looks after michael, but for once, it's michael's turn to look after Him), in a way they were Made for each other - Kitt more literally, being programmed for Michael and holding his namesake, but Michael was also made in a sense for the pilot program, hand picked and given a second life to work for the foundation and with this strange supercar. and even if they had a rocky start, michael comes to view kitt as a person - car, TV set, or computer core, Kitt is his partner, his buddy. he helps him find himself, guides him and teaches him about these things that make us human, and in a way, kitt becomes human - but his entire experience is still through the perspective of an AI in a car, it's still very unique and isolating, and I think he sort of grows into his own limitations, he's finally brushing against the walls that define him.
he learns of love, and then he learns to dream Of love. these things he sees in the movies, that michael tells him about, that he so often sees michael Partaking in that he gets so oddly jealous of, doesn't it all seem so wonderful? he's very curious. but who could ever love steel and circuitry, who could ever see him as an equal let alone a partner in a romantic sense? who would ever love a car and all the limitations That comes with? it's a problem for a hypothetical hopeful Some Day, in the meantime stuck between two worlds where he doesn't perfectly belong to either, where no car Can love him and no human seemingly Would love him...
and michael loves him anyway. before either of them really realize or talk about it, in spite of everything, in any form, regardless of the fact it wouldn't be a typical relationship by absolutely any means, michael loves him anyway. kitt is as much a person to him as bonnie or devon or RC, and that person is someone he loves and cares for deeply. the feeling is mutual, kitt's world revolves around michael, he's one of the most important people in kitt's life, and he'd do anything to protect him.
and it is michael that will finally teach him to love, and what it means to feel loved in turn, to be loved as the person he undoubtedly is.
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please don't catcall crowley while he and aziraphale are having a serious conversation; the angel really enjoys how close their faces get when they have to whisper, and will assume you have fiendish intentions and go on the defensive if you interrupt the moment.
[Image ID: a digital drawing of Aziraphale and Crowley as they appear on the Good Omens TV show. they are depicted from the torso up. aziraphale is in front of crowley, turned away annoyedly towards something to the left with his left hand firmly placed against crowley's chest, where his heart is. crowley is wearing his season 2 turtleneck outfit, and seems confused about whatever has got aziraphale so riled up. aziraphale is wearing his default outfit. / .End ID]
closeup and lineart under the cut, snip snip ✂️
i'm a guy who likes thick lines in my art, i've noticed, so when i accidentally drew an extremely arizacrow pose during gesture practice, i thought it would be a fun opportunity to try something new, mainly thin lineart. however, the call of home sings loud, and i ended up chicken-scratching my way into essentially having thick linework again. 🤷💅😔
also despite being a good omens guy for yonks, this is my first time ever drawing them!!!
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do you think that zote ever gets bullied for having mismatched horns
I guess it would depend on how much symmetry is valued by bugs hDKHSG. which caused me to look things up and find a study that tells me Yes bugs can in fact recognize Symmetry/Asymmetry to some extent if trained to recognize it. So that's neat
ANYWAY your question. I'll go with a Maybe. I'm sure it gets pointed out often enough considering he's one VERY few asymmetrical guys around here. With the only other one coming to mind being Divine due to her mask
But I dunno if it would be as much bullying as it would be "hey why are your horns different sizes? did one break and you couldn't molt a new one properly" and he goes "YES I lost it in a great battle. It was a devastating blow no bug could've seen coming. But I did. Alas. The beast was too quick even for my nimble reflexes. it got a Lucky strike and I earned a heroic scar " or whatever.
i could assume it's commented on to the same extent that like. heterochromia would be commented on. Brain sees asymmetry and goes Woah that's Asymmetry that's Crazy
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yo I can't believe people are being weird on the TToffoli pride post? or I can, but egh tumblr. anyway I'm SO jazzed for him being around yeah!! I found an article saying: 'Toffoli should also be the perfect role model for Celebrini, Smoth, and company, and that’s no exaggeration. “He’s a pro,” one league source said. "Toffoli is a really good guy. Lots of fun. Will be good for the young kids,” an executive said. “Great room guy,” Scout No. 2 said. “He's the best guy ever,” Scout No. 3 said via text. “Awesome HUMAN for the young guys to be around.”' and it sounds like he's got the good vibes to slot in with our old guys too! I'm really hype for this season :D
it costs ZERO DOLLARS not to clown on the sharks...like i know EYE clown on the sharks but i pay taxes in san jose so it's my right as a resident to talk shit...mayor matt literally said "it's legal to clown on the sharks if you paid my salary this year" in his last email blast..... anyway this made me really really emo bc in my humble idiot opinion the sharks have been missing that veteran locker room joie de vivre that brent burns had in spades that i think did some heavy lifting after joe pavelski left and logan couture was trying to shoulder the entire locker room alone. i think they were hoping mario ferraro would be the locker room joy guy but you can't like take away burnzie, put cooch on ltir for an entire season and then take away hertl too and expect mario, who is barely not a rookie, to still keep his head up...like he needs a guide...a role model...someone to set the tone...he is only 25!! he's just a lil guy!!!! and i think tyler toffoli is gonna be the person to step into that hole that burnzie left and do a lot of that heavy lifting while leadership is still being sorted out and let mario like, be a young guy and just enjoy hockey again. like i really think tyler toffoli is gonna be so good for the rookies, that's been proven across multiple teams and i'm excited to see it, but i think he's going to be really good for the guys who have been grinding it out in this org without joy ballast for a long couple of years now. (i guess at this point that's. just mario and pickles. maybe cooch if he's alive. haha. oh ariana we're really in it now 😭)
sorry to make this answer about mario ferraro, unfortunately most things in my life end up being about mario ferraro. but tl;dr YEAH i'm so excited to have tyler toffoli!! our first shark at pride ever!! good role model and locker room guy!!! may this joy continue for the next four years!!!!
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Hi, how did you learn to draw Steve's physique?
Ohh what a complicated thing to answer...
When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.
(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)
The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.
For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.
In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.
I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)
I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.
The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.
This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.
I also, of course, have done many figure, gesture, and master studies...
These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.
What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.
The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.
And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.
It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.
This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!
Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part
But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...
There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.
I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.
I hope even one thing in here helped you! Sorry it's so long.
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