#i've been thinking about what i consider to be like. canon. to her story or whatever

[communistfries]

Why did the writer in me reawaken after years just to write smut in my notes app and be unwell about a woman i named after a diagnostic manual

[itadorey]

𝐀𝐏𝐏𝐋𝐄 𝐎𝐅 𝐌𝐘 𝐄𝐘𝐄

pairing: fushiguro megumi x gn!reader summary: six times megumi gets caught staring at you and the one time you get caught staring at him. genre: fluff, fluff, fluff, friends to lovers. no angst here, originally a 5 +1 but i added another scene so it's a 6 +1. notes: a repost from an old blog, some scenes changed. nobara is a nosy wingwoman. mentions of minor injury, canon-typical violence, follows the season 1 storyline loosely. gojo + shoko being nosy as well. wc: ~6k

one.

Fushiguro Megumi is many things. To begin with, he's a talented jujutsu sorcerer, proven time and time again by the missions he gets sent on. He's also intelligent, observant not only in battle but also when it comes to others, always able to tell when something's wrong. However, his most noticeable trait, according to Itadori and Kugisaki, is that he's extremely secretive.

It's not a bad thing, not to him. There are better things to do with his time than sit and discuss his life story with his classmates, even though he thinks that Gojo might say otherwise just to piss him off.

Besides, keeping details about his life private means that no one can use any of his weaknesses against him. And that's especially handy considering that one of his weaknesses is you.

He's not exactly sure when it started. Maybe it was the day that Gojo sent him to pick you up at the train station alone, claiming that he had important business to attend to and that it was the least that Megumi could do considering the fact that Gojo had been going on so many missions lately.

Or maybe it was the day the two of you had been assigned your first mission together. You had been kind to him even when he remained cold and silent, eventually catching onto the fact that he didn't want to make small talk before switching the conversation to the mission at hand.

He had been mildly surprised when you came up with a foolproof plan to exorcise the curse, and the mission had gone according to plan with the exception of a gash on his upper arm. When you had knelt down to check on him, you had gently brushed him off, smiling widely as you complimented his technique and pet one of his divine dogs.

"Come on, let's get you back so that Shoko can check that out," you had said, gently grabbing his hand and pulling him to his feet. He had stumbled slightly upon standing, prompting you to wrap an arm around his waist to try and steady him. "Are you alright, Fushiguro?"

In that moment, Megumi couldn't stop the light blush that dusted his cheeks as he pulled away slightly, stating that he was fine and ready to go. Neither one of you chose to mention the fact that his hand didn't leave yours on the way back to Jujutsu Tech.

Ever since that day, he seemed to be hyperaware of your presence. If he was busy training with the upperclassmen and you happened to walk by, he knew. And he often ended up getting knocked down on his ass because of it. It bothered him to no end, and yet he couldn't bring himself to say that he hated it. Seeing your smile quickly became the highlight of his day, and he often found himself staring at you whenever you were around him.

Much like he was doing so at the moment.

"Eh? Fushiguro, what are you doing?" Nobara asks, leaning over to catch a glimpse of his face. Megumi scowls as Nobara's face comes into view, tearing his eyes away from where you were standing a few feet away with Maki.

"Nothing," he replies instantly, shoving his hands into his pockets as Nobara keeps talking. She goes quiet when Maki calls out both of their names, being met with a grin from her as she throws an arm around your shoulder.

"Good news!" Maki proclaims, smirking at the approaching first years. "I've just found our last team member for the exchange event. From now on, they'll be training with us."

Nobara cheers loudly as Maki gives you a friendly pat on the back, the two girls walking off towards the field and leaving you alone with Megumi. He meets your eyes as you approach him, a teasing smile on your lips as you elbow him lightly.

"How lucky are you?" you tease as the two of begin to follow after Maki and Nobara. "Now you get to see my pretty face more often!"

"That's the problem," Megumi mutters as he came to a stop, sighing softly at your statement. He could already feel himself getting distracted during training, and he didn't want to think about the punishment that Maki would surely give him is he allowed himself to get distracted at the actual event.

"What was that?"

He straightens when he hears your voice, shooting you a strained smile as he catches up with you. "Hmm? Nothing."

You give him a funny look as you start walking again, the two of you being met with the sight of Panda and Nobara facing off against each other as you approach the field. A giggle escapes your lips as you watch Panda toss Nobara around, and Megumi can't stop the fond smile that spreads across his face as he watches you.

"Well, that fight's over," Maki says with a grin before motioning to you. "You're up."

"Against who?" you ask, shrugging off your jacket and letting it drop to the floor. The grin on Maki's face turns almost evil, and Megumi fights off a shiver as she shifts her gaze towards him.

"Against Megumi. Who else?"

Megumi trudges towards you as Nobara and Panda arrive at Maki's side, and he finds himself growing tense at the thought of fighting against you in front of everyone.

"Excited?" you ask, a grin present on your face as you stretch your arms. Megumi responds with a silent nod, feeling his cheeks grow warm as you study him from head to toe before nodding to yourself.

"Are you two ready?" Maki shouts, arms crossed as she looks at the two of you. The two of you give her a thumbs up, and she nods at the sight before waving a hand. "Begin."

To say that Megumi is shocked when you manage to take him down in less than five minutes would be a lie. Everyone else however, is surprised at the outcome and Megumi can't hide the embarrassment on his face as he walks back to the sidelines. He comes to a stop when Maki grabs his arm gently, pulling him close to whisper in his ear before he can get too far.

"I hope that your personal feelings won't be an issue the actual day of the tournament."

Megumi pauses, scowling at her and ignoring the smirk on her face before pulling away and taking a seat a few feet away. His eyes remain on you for the rest of training, and he does his best to ignore the fact that he can feel Nobara's curious gaze burning into him.

"You're doing it again," Nobara sings, bouncing up to Megumi when the training session ends. "If I didn't know any better, I'd say that you were staring at them the whole time."

"Good thing you know better then," Megumi bites back, hoping that Nobara hasn't noticed the way he flinched at her words. (She has.) Nobara laughs as she pushes past Megumi, walking up to you and proceeding to strike up a conversation. The two of you look over at Megumi before turning back to each other, causing Megumi's heart to speed up the slightest bit. He watches as you walk past him, giving him a soft smile as you made your way to the dorms.

Nobara gives him a simple thumbs up as she trails after you.

two.

Things had been... complicated since Yuuji's death, and neither Megumi, Nobara, or you had found the time to truly sit around and mourn.

Training for the exchange event had taken up more time than you care to admit, and you were slightly disappointed at the fact that you hadn't even gotten the chance to truly say goodbye to your friend.

But luckily, the students from Kyoto were a good distraction.

"What kind of woman is your type? Hurry up and answer, if you prefer men that's fine too."

The silence that follows Todo's words is awkward, and you can't help the way your cheeks heat up when Megumi's eyes drift over to you. Todo follows Megumi's line of sight, eyes taking your features before he nods firmly and turns back to face Megumi.

"I don't have a particular preference," Megumi says before Todo can speak. "As long as they have an unshakeable character, I won't ask for more."

"Not a bad answer!" Nobara chimes, slinging an arm around your shoulders as you contemplate his words. "If you had said something like 'big boobs', I would've killed you."

The snort that leaves your lips brings Megumi's attention back to you, and the way his eyes soften as he watches you giggle at Nobara's words doesn't slip Todo's attention.

"I knew it! You're boring, Fushiguro," Todo proclaims, his chest puffing up as he approaches the shorter boy. Once he's close enough, he lowers his voice, granting him the courtesy of not having you hear his next words. "You spend all your time admiring them from afar, but I doubt you'll ever actually make a move."

Megumi bristles at Todo's words, opening his mouth to speak before getting thrown back by a powerful punch.

"Megumi!" you cry out, trying to rush over to him before being stopped by Nobara's cry. You turn to see her being held tightly by Mai, her pistol aimed at Nobara's side as she pulls her close.

"Move and I shoot," Mai says, smirking as she sees the irritated look on your face. You glance back at Megumi for a split second before lunging at Mai, causing her to release Nobara as she reels back at your sudden action. You manage to grab Mai's waist, pushing her down to the ground and falling on top of her at you try to snatch her weapon.

A knee to the stomach has you grunting, and you find yourself rolling over to avoid another strike from her. By the time the second years show up, Nobara has Mai's hair clutched tightly in her hand, earning an amused smile from Maki as she swiftly breaks up the fight. You check on Nobara first, and once you make sure that the only damage she took was to her ego, you set out to locate Megumi.

You pause slightly when you see him, walking alongside Panda and Inumaki with a slight limp, before you sprint over to his side. You immediately begin to fuss over him, reaching up to wipe away the blood that was dripping towards his eyes with your sleeve.

"Megumi! Oh my god, are you okay?" you ask softly, cupping his face with your hand and turning his head side to side to look for more injuries. Megumi slouches slightly to give you a better look, unwilling to swat you away as you mutter your concerns out loud. "Do you need anything? Water, or maybe some medicine. We should visit Shoko."

Silence ensues as the three of you await Megumi's response, but his eyes remain on you as you give him an expectant look.

"Mustard leaf," Inumaki's voice breaks the silence, and Megumi shakes his head lightly as he pulls away from you to look at his upperclassman. Inumaki's eyes are slightly crinkled, and Megumi can tell that Inumaki is smiling at the scene that had just played out in front of him.

"Oh my god, you're right," You say to Inumaki before turning back to Megumi. "What if you have a concussion?"

"I don't have a—"

"Salmon," Inumaki chimes in, cutting Megumi off as he nods along with you.

"You're right," you sigh, grabbing Megumi's hand in yours before turning around. "That blank stare was a little worrying. C'mon, we need to get you checked out."

Megumi shoots one last look at Inumaki and Panda, a little peeved off with the sudden turn of events. The only thing he's met with are the snickers of both second years, along with a thumbs up from Panda. Inumaki simply gives him a playful wink, sending him a wave as you drag him away.

three.

"You know, if you keep staring at them, they're going to think you're a creep," Nobara says, interrupting Megumi's thoughts as she plops down on the step next to him. He tries his best to ignore her, giving up when she leans over and plucks the book he was holding out of his grasp, tossing it to the side with a small huff.

"I was reading that," Megumi hisses, a scowl making its way onto his face as he leans over to try and grab it.

"No you weren't, you were holding it upside down" Nobara scoffs, ignoring his mildly horrified look as she pushes him back into his seat. "Now spill. Why do you keep staring at them?"

The large grin on Nobara's face lets Megumi know that she already knows why he's acting like this; she just wants to hear him admit it. He refuses to speak, leaning back on the steps they're sitting on and crossing his legs. He looks off to the side, grunting softly when Nobara begins to poke his cheek.

"Fushiguro! I'm talking to you, don't be rude," she whines, gasping when his hand comes up to envelope her face to try and push her away. She struggles against him, failing miserably and only stopping when you approach.

"I'm sorry, I need to pass through," you say, stifling a laugh as they freeze. The two of them scramble up from their seats when they realize they've been blocking the entire pathway, bowing their heads slightly in apology as you pass by. You nod in thanks, your lips twitching as you give them an amused look. You come to a stop when you notice the book lying on the ground, picking up before turning back to face Megumi.

"This is a good book!" you chirp, your eyes lighting up in recognition as you gently dust off the cover. You hold it out to Megumi, waiting for him to take it from your hand. "It's one of my favorites."

He stares at you for a few seconds, and you find yourself shifting your weight from one foot to another as you wait for him to take the book from you. Nobara springs into action when it becomes clear that Megumi isn't going to move, grabbing the book from you as she chuckles softly.

"It is a good book!" she agrees, smiling a little bit too widely as you nod in agreement. You look back at Megumi, opening your mouth to speak before pausing and turning around.

"Well I'll see you two later," you say, waving to the two of them before walking away. As soon as you're out of sight, Nobara smacks Megumi with the book in her hand, effectively breaking him out of his daze. He gives her a glare, huffing lightly when she shoves the book into his chest.

"You're pathetic," she mutters, walking off in the same direction you had. Megumi sighs before taking his seat once more and cracking open his book.

four.

"That's a really nasty bruise."

You're met with silence as you move through the infirmary, grabbing the first aid kit, before turning back to face Megumi. His eyes are still focused on the ground when you step closer to him, causing him to jolt as you let yourself settle in between his legs. He swallows harshly when your hand comes up to cup his cheek, tilting his face up towards you to get a better look at him.

"You need to start being more careful," you chide, using an alcohol pad to wipe at his face. You give him an apologetic look when he winces, and his eyes dart up to your face when you pull your hand away slightly.

"It's fine, you can continue," he says quietly, leaning into your palm when it returns to its previous spot. He watches the way you bite your lip in concern, your eyebrows furrowing as you gently brush his hair out of his face.

"You're injured too," he comments, his eyes tracing over the faint bruising on your jaw.

"I'm fine, I was with Toge," you retort, letting go of his face to grab some ointment.

"Toge?" Megumi asks absentmindedly, wondering when you had gotten on first-name basis with the second year. He tenses when you tilt his head back up again, the focus clear on your face as you do your best to gently apply the cool gel to his face.

"Yeah," you respond, pushing his hair back again to get better access to the gash on the crown of his head. You freeze for a moment when you catch his eye, shaking your head lightly before focusing on the injury. "I wasn't alone during the tournament but you were. You fought Kamo all on your own."

"I did," Megumi mutters, his eyes still on your face even when you pull back slightly. His lips twitch when he sees your mildly irritated look, speaking the first words that come to mind. "Were you worried about me?"

Megumi watches as your eyes widen briefly before you compose yourself, nodding softly as you reach for some band-aids. "You're pretty reckless, y'know? You can't blame me for being worried, especially after what happened with Todo."

You don't miss the way Megumi winces at your words, thinking about his confrontation with the older boy. He starts to turn his head away, only to be stopped when your other hand comes up to his cheeks to keep him in place. He holds his breath as you study him, feeling vulnerable under your intense gaze.

"Promise me," you finally say, breaking the silence. "Promise me you'll at least try to be more careful."

"I promise," Megumi murmurs, releasing the breath he had been holding. You nod in satisfaction before finally separating yourself from him, turning to put the first aid kit back in its place. Neither one of you notice that Shoko has been leaning against the doorframe the entire time, observing the two of you as you tended to his wounds.

She watches you flit around the space, putting things back in their proper places as Megumi watches. There's an awestruck look on his face as you talk about something random, trying to fill the silence as he mindlessly hums in agreement with whatever you're saying. It isn't until Shoko actually takes a step into the room that Megumi finally registers her presence, and she watches with thinly-veiled amusement as his cheeks flood with color.

A smirk pulls at her lips as she takes note his bandaged injuries, and she can't help the playful lilt that tinges her words as she finally speaks.

"I was told that Megumi had been injured and needed my help but I can see that you've been well taken care of."

"Shoko!" you yelp, whirling around and leaning against a table as you give her a flustered wave. "When did you get here?"

"A couple of minutes ago," Shoko confesses, schooling her features as she approaches Megumi. She studies him for a minute before turning back to you. "You did a really good job. He's free to go if he doesn't want me to use my technique on him."

"Well, I'll leave you two to discuss that," you say laughing nervously as you inch towards the door. "Bye Shoko! I'll see you later, Megumi!"

Shoko snorts when she sees the way Megumi tries to hide a smile at your use of his first name, shaking her head before slipping on a pair of gloves and prodding at the bruising on his jaw.

"Are you okay, kiddo?" she asks flatly, watching him closely for any signs of discomfort. He grumbles under his breath before pushing himself to his feet, nodding his head in response to Shoko's question.

"'m fine," he grunts, earning a skeptical look. He sighs after a few seconds, crossing his arms when Shoko doesn't back down. "I promise I'm okay. I don't need you to heal me. Can I go now?"

"Sure," Shoko concedes, stripping off her gloves and throwing them into the trash. "If you feel any pain or discomfort you know where to find me."

Megumi nods once before making his way towards the door, pausing in the doorframe to send Shoko a wary look.

"Don't tell Gojo anything," he warns lowly, shoulders tense as she shoots him a blank look.

"I won't."

Megumi gives her a thankful look before leaving the infirmary, and Shoko merely smiles to herself before whipping out her cell phone.

Gojo was going to have a field day when he heard about everything she had witnessed.

five.

"I still don't understand why we have to be here," Megumi grumbles, exasperation laced in his words as he trails after Gojo. Your so-called teacher had pulled you, Megumi, Yuuji, and Nobara out for a day in the city, claiming that he wanted to see how much all of you had improved. It wasn't until you had all arrived in the city that Gojo had admitted that he was only really testing Yuuji and Nobara, especially since the former had been missing for a while.

"We can go get food while they deal with the curses," you whisper, coming up beside Megumi and nudging him with your shoulder. He merely hums in response, trying to act unbothered as Nobara shoots him an amused look.

"Doubtful. We're probably here to act as backup," he whispers back, earning a muffled laugh from you.

The five of you come to a stop in the middle of an empty street, being met with the sight of a deceivingly cozy house. You shiver as a breeze blows through the street, shooting Yuuji a kind smile as he comes to a stop next to you.

"Oh, are you cold?" he asks, eyes wide with concern as he looks at you. "Here, you can have my jacket!"

You smile gratefully as he begins to unzip his hoodie, flinching when you hear a loud yell.

"Itadori! Get over here!"

"Just a minute!" Yuuji yells back, ignoring Gojo's call as he fiddles with his zipper.

"Now!" Nobara snaps, her foot tapping against the pavement impatiently as she beckons Yuuji over to her side.

"Why are you being so— oh!" Yuuji says, his eyes lighting up with some sort of realization before giving you an apologetic smile. "I'll be right back."

You nod in understanding, watching as Yuuji joins Gojo and Nobara a few meters away. You wrap your arms around yourself in an attempt to shield yourself from the cold, Yuuji's body no longer present to block the air.

"Here, you can have my sweater."

You turn your head at the familiar voice, being met with the sight of Megumi holding out his sweatshirt. You hesitate slightly before taking it from him, quickly slipping it on and giving him a blinding smile.

"Thanks, Fushiguro!" you chirp, unconsciously snuggling into the fabric before taking a seat on the curb. Megumi remains standing for a few minutes, sending one last look towards his classmates before taking a seat next to you. He lets his elbows rest on his knees, his chin sitting comfortably on his palms as he observes the house Yuuji and Nobara are currently approaching. He takes note of the fact that Gojo had chosen not to mention what grade the curses were, and he mentally prepares himself to fight just in case.

He lets his gaze drift back over to you when he realizes you haven't spoken even once since sitting down, the slight concern on his face melting when he sees you staring intensely at the ground in front of you. Feeling the weight of his stare, you glance up to meet his eyes, sticking your tongue out at him and giggling when he huffs in amusement. He watches as your gaze drifts back to the concrete in front of you before your eyes dart back to him, the back-and-forth motion continuing for a bit before he finally speaks.

"What are you looking at?"

You lean forward slightly, reaching for something on the ground before turning to Megumi with a smile.

"This," you say softly, holding out your hand. He looks down to see a flower, his eyebrows furrowing in confusion as he looks back up at you.

"It's... pretty," he says, watching as twirl the flower between your fingers.

"Yeah, it is," you agree, giving him a shy smile. "It's the color of your eyes."

Your words cause Megumi's cheeks to burst with color, and clears his throat before he murmurs a soft thank you. You grin at his reaction before scooting closer to him, your elbow brushing against his and causing him to stiffen when you lean in slightly.

"You're welcome," you say quietly, raising your arm before pausing and giving him an uncertain look. "May I?"

Megumi nods silently, holding his breath as you lean in even closer to tuck the flower behind his ear. His eyes never leave your face as you busy yourself with the task at hand, softening when he notices the way your tongue peeks out from in between your lips in concentration as you do your best to position the flower.

There's a sparkle in your eyes that threaten to make his heart race, and Megumi finds himself wondering if you knew just how much of an effect you had on him. His eyes widen when your fingertips brush against his cheek, and you quickly draw your hand back down to your side as you take in the sight in front of you.

"It looks perfect," you finally say, your eyes never leaving his as you speak. There's a beat of silence before Megumi opens his mouth to respond, the words spilling out from his lips before he can stop them.

"I think you loo—"

"Hey! Lovebird! Get over here," Gojo shouts, his voice causing the two of you to scramble away from each other. Megumi closes his eyes for a second, mentally thanking Gojo for cutting off his statement as he gets to his feet. He turns to see Gojo wearing a big smile, seemingly satisfied with the reaction he had gotten from the two of them. "Hurry up! I think Yuuji and Nobara might need some help."

"Told you so," Megumi says, a smile on your face as you roll your eyes at his statement.

"Good luck, Fushiguro," you say, your quiet words drawing his attention to you. He looks down to see you giving him a thumbs up, and he simply smiles and nods before making his way over to Gojo. The older sorcerer's smile doesn't fade even as he approaches, and it only get wider when he holds out an arm to stop Megumi.

"Nice flower, it matches your eyes!" Gojo says slyly, plucking the bud from behind Megumi's ear and earning a scowl from him. "I'll take care of this for you. After all, you wouldn't want this to get ruined would you? Although I'm surprised it didn't spontaneously combust from how hard you were blushing."

Megumi gives Gojo one last scathing look before heading towards the entrance of the house, doing his best to ignore Gojo's laugh and focus on the mission at hand.

six.

You stop in your tracks when you hear a call of your name, the sound of Yuuji's voice bringing a small smile to your face as you turn around. Your smile only grows wider when you notice Megumi trailing behind him, hands shoved deep into his pockets as he looks down at the ground.

"Are you busy right now?" Yuuji asks, coming to a stop in front of you. You shake your head slowly, sending a glance at Megumi that Yuuji doesn't miss. "Fushiguro and I were about to get some food. Do you want to join us?"

"I'd love to," you utter, earning a wide grin from Yuuji. You snicker under your breath, his excitement reminding you of a puppy.

"Great! Then let's go! I've been wanting to check this place out for ages."

You trail behind Yuuji, throwing the occasional glance back at Megumi until you eventually slow down to walk beside him. The messy-haired boy shoots you a quick glance, looking away when he sees you giving him a curious look.

"What's up?" you ask, stepping closer to him and nudging his shoulder with yours. He shakes his head silently, raising his eyes to look at you as he steps closer to you to avoid crashing into somebody.

"Nothing," he says after a while, wondering if you would keep the conversation going. He's a little disappointed when you don't, but you also don't move away from him, instead choosing to call out your replies to whatever questions Yuuji asks as he walks ahead of the two of you.

"Oh, I almost forgot," you suddenly say, coming to a stop a few shops away from the restaurant Yuuji was heading towards. "I need to buy some stuff for Nobara, but you two go on ahead without me! I'll be there in a few minutes."

"Are you sure?" Megumi asks instantly, receiving a nod from you. He hesitates slightly, causing you to roll your eyes with a smile before waving him away. Yuuji gives you a sound of acknowledgment before tugging Megumi away, laughing quietly when he keeps looking over his shoulder in your direction.

"Come on," Yuuji says, opening the door for Megumi before stepping inside after him. "They'll be fine without your watchful gaze. Do you have any idea of what you're gonna get?"

"No," Megumi replies, taking a seat at an empty table and looking out the window. "I think I'll wait for them to get back before ordering."

Yuuji smiles at Megumi's words, forcing himself to look down at his phone in an attempt to act nonchalant. "So, how long have you had feelings for them?"

Megumi's eyes widen at Yuuji's words, and he finds himself mentally scolding himself for being too obvious with his feelings. He has to be, especially if Yuuji had been able to figure it out. He remains silent, letting his eyes drop down to the table.

"You should tell them," Yuuji says earnestly, all hints of teasing gone from his tone. His words still manage to catch Megumi off guard, and he glances at Yuuji to see him still looking down at his phone, the screen dark.

"No."

"I'm serious," Yuuji whines. "You should tell them. I think the two of you are perfect for each other."

"What exactly am I supposed to say?" Megumi asks, shifting uncomfortably in his seat before attempting to make eye contact with Yuuji and sighing when the pink-haired boy doesn't look up. "I really like you and and I stare at you like a dumbass because I don't know how to tell you how I feel?"

Yuuji snorts at his words, opening his mouth to tease Megumi before being cut off.

"You like me?"

The two boys look up in a panic when they see you standing close to their table, a small bag clutched tightly in one of your hands. Yuuji gives Megumi an apologetic look that he chooses to ignore, knowing that the both of them had been too caught up in their conversation to notice you approaching.

"I'm gonna go order," Yuuji says quietly, sliding out of his seat and heading towards the counter. He turns back to give Megumi a thumbs up behind your back, nodding his head as he mouths the words 'go for it!'. Megumi turns his attention to you when you slide into the seat across from him, giving him a smile before picking up one of the menus on the table. An awkward silence settles upon the two of you, and Megumi can't help but notice the furtive glances you keep sending his way.

"So," you finally say, breaking the silence as you put the menu down. He looks up, his eyes meeting yours as you sigh softly. "You like me?"

Megumi hesitates, watching the way your eyebrows furrow slightly as you wait for his response.

"Yes," he finally says, looking back out the window to avoid your gaze. He stiffens when he hears you let out a relieved sigh, giggling softly before speaking.

"Well that's good," you breathe, causing Megumi to whip his head back around to look at you. He watches as you rummage through the bag you had been holding, pulling out a book before handing it to him. It was the sequel to the book he had been reading a couple of weeks ago, the one you had picked up when Nobara had tossed it aside. "I was hoping to give this to you at some point, and maybe even ask you out when I did so."

Megumi's cheeks warm as he smiles at you, neither one of you noticing the way Yuuji pumps his first into the air a few feet away.

+ one.

You let your eyes drift up from your phone and land on Megumi, who is currently lying next to you as he reads the book you had bought him. The two of you are lounging in your dorm, your back pressed up against the headboard while he lays down on your pillows.

His eyes are focused on the words he's reading, and you take the opportunity to study him quietly. His hair hangs messily like always, but you choose to hold back from running your hands through it in order to keep watching him. Your eyes trace the slope of his nose, trailing down to his lips before following his jawline back up his face and finally settling on his eyes. You sit there admiring him, thinking about how unfair it is for him to have such long lashes.

You bite back a gasp when his gaze suddenly snaps to you, and you quickly look back down at your phone in an attempt to hide your embarrassment. You can still feel Megumi's eyes on you, and you shift uneasily in your spot before shyly looking back up at him.

"What?" you ask, your cheeks burning as you try to play innocent.

"I was just wondering if you were done staring at me," Megumi says casually, a faint smile on his face as he looks back down at his book. You gape at him for a few seconds before responding.

"I was not staring!" you cry out indignantly, scrunching your nose when Megumi gives you a knowing look. "Besides, if my memory is correct, you got caught staring at me by literally everyone else!"

Megumi rolls his as he sits up, sitting shoulder to shoulder with you before shaking his head lightly.

"Besides," you continue, not giving him the chance to speak. "What's so wrong with staring at my boyfriend."

A red tint fills Megumi's cheeks at your words and he merely scoffs before turning the page. You rest your head on his shoulder, glancing down at the book and attempting to read along with him. When he fails to turn the page after a few minutes, you glance up, only to see him staring at you with a soft smile on his face. You smile back at him before leaning up to press a kiss to the corner of his mouth, and you watch as he tosses the book to the foot of your bed before cupping your face with both hands and pressing a kiss a to your lips.

You give him another soft peck before you pull away from him, your eyes fluttering open to see Megumi studying your face. There's a smug smile on his face as he takes in your dazed state, and he opens his mouth to comment on it before you beat him to the punch, your words causing his smile to drop as he groans.

"Now who's staring?"

reblogs are appreciated <3 ty for reading!!

[sexiestpodcastcharacter]

Sexiest Podcast Character — Unscripted Bracket — Round 4

Propaganda

Glenn Close (Dungeons & Daddies):

#Propaganda for Glenn Close: one of the other PCs mentions multiple times how hot he is #Actually several characters point it out but especially Henry #Also the only person in a podcast that has to put a disclaimer about not being a BDSM podcast to have had sex during the course of the show

We didn’t do hot Glenn summer for him to LOSE. Spoilers for his story but MORE PROPAGANDA FOR YOU:

Young hot rocker dilf

Loyal to his dead wife <3

Does in fact smoke weed

BARD!! HES A BARD. HE WAS LEAD GUITAR IN HIS BAND (that he was kicked out of)

His band was a Christmas cover band btw.

Literally the fandom had hot Glenn summer which consisted of drawing him being incredibly hot and sexy

Anti government (ofc)

Kind of cringefail (Disney adult) (was on dilfs of disneyland)

Young and sexy not your style? Then how about HIM AFTER YEARS LOCKED IN A TIME PRISON WITH A DAMN HANNIBAL MASK ??

Lost an eye and wears a fucking eyepatch

One incredibly buff arm

Has a pet rat named after his son <3

Immeasurable amounts of trauma in this man- becomes progressively more unhinged

OH OLD HUMAN BARD ISNT CUTTING IT? FINE

HE BECOMES A FUCKING DEMON

A COOL HOT ONE-EYED DEMON WHO WANTS TO KILL HIS DAD (also sexy)

HE CANONICALLY ENDS CHRISTIAN HELL VIA CHRISTMAS

IS ALSO WAY OVERLEVELED

Becomes a demon hunter for the rest of his existence

Also nonwhite !!! We are done with cringefail whiteboys !!!!!!!!!

I can’t put into words ok just know he is the best plz love him.

Listen, I don't know this other character but I've seem some good arguments for her However Consider Glenn Close winning through no effort of his own in a bullshit way despite being a dick is the most in character thing ever. He leveled up three times and got a crab mech, we GOT to give him this win, it's fitting

I don’t regulate if minors follow me or not bc I’m a pretty chill space but I hope the world is aware that’s the only reason I haven’t been downright nasty about Glenn close. I’m down bad. I’m NOT in the boat of ‘Glenn isn’t sexy but I want him to win bc it’s my fandom’. I would estimate I have 200+ drawings of Glenn on my phone that AREN’T safe for work. Way more that are. Where did they come from? That’s MY business. But I tell you this fact to assure you- Glenn IS sexy. I’m not voting to represent my fandom I’m voting out of TRUTH AND LOVE. IF YOU DON’T GET IT YOU DON’T GET IT!!! I just think my level of feral over this man is more powerful than y’all realize. If you don’t get his sex appeal that’s okay, but don’t doubt that this is my truth.

Okay but Glenn made a minivan cum by talking to her so

HE HAS A BOOK THAT HE MARKS X’S AND CHECKS FOR EVERY DAY TO SEE IF THAT DAY WAS A SUCCESS OR NOT. TO SEE IF HE DID GOOD THAT DAY. ITS ALMOST ENTIRELY X’S. HE WAS CUCKED OUT OF A SON. AND A DEAD WIFE. HE DIDN’T EVEN GET TO KILL HIS DAD IN REVENGE. There’s absolutely nothing going for him except his sex appeal in his life. Nobody he loved remembers him. He lost his eye. All he has is a pet rat and friends who admit they don’t really like him that much. He was kicked out of his own band. The band was named after him. He was kicked out of the Glenn Close trio. All he could do was deez nuts the big bad and be sexy. If nothing else, then pity him. Look in his eyes. Look at his heart and soul. Do you think pickman needs this to feel good about herself? Can she not accept a loss for the sake of a pathetic father? Can she shake hands with the minivan fucker and his human gun and just take the L on this one? He did not do the BDSM episode for this I’ll tell you what. Do this for my his sake. Do it for Nick Jr, who needs the prize money to pay for his rat snacks. Do it for his son. For Morgan. Ganbatte.

Mod Note: While I will still take "bad dads are sexy" propaganda and "bad dads aren't sexy" anti-propaganda, I kindly request no more discussion on whether or not he was a bad father. This is a sexypoll, not a parentingpoll. If you see a post you strongly disagree with, you can just not reblog it.

Mod Note 2: This tournament is about fictional podcast characters. Please do not vote for the real actress Glenn Close.

Lup (The Adventure Zone: Balance):

Is somehow the hot twin between her and Taako

Lup Bluejeans (née... Taaco? Tacco? Taco? Tako? who tf knows this is why I'm going with her husband's last name. doylistly she gets her last name from her brother whose last name is given as "Taako again but spelled differently"): Hot, funny, smart and undead. Is there anything else you could want in a woman?? Well, in case there is: she's also canonically trans

LUP IS THE HOTTEST. VOTE LUP.

[rebo-chan]

Something I was thinking about lately is Tsuna's daddy issues. Specifically this frame.

Like that's such a loaded thing to think about. He's got so much resentment built up. Obviously, there's no direct connection to any of Tsuna's issues made but I think a few fun things can be said from this. In general, Tsuna clearly didn't have a father figure in his life which sorta results in him leaning on Reborn pretty often. Tsuna doesn't have a very stable self-esteem with him going from confident to "Aah, Gokuderas going to become disillusioned with me now that all my flaws have been pointed out." GOKUDERA. His FIRST SUBORDINATE. The guy who literally has been LOYAL FROM DAY ONE. Not that we consider them canon, but this happens also during the filler arcs where Daemon points out that Tsuna's not worth following to Gokudera and it seems to make Tsuna a little antsy. He DOES NOT THINK THE PEOPLE HE LOVES ARE GOING TO STAY WITH HIM, THIS IS LITERALLY RUINING MY LIFE. What Daddy Issues DO TO A MF. But that's a post for another day. But okay, back to Reborn, Reborn proves himself to be immovable from Tsuna's life. The story points out that Tsuna very much has two fathers. The one who won't leave and the one who is always gone. Tsuna really leans on Reborn throughout the series. "Reborn, what do I do?" Is a common thing he says, until Reborn is literally swept away from him against his will in Future arc where he's forced to think that he's half a person in Reborns absence. Meanwhile, we have Iemitsu who Tsuna has resentment built up towards, does not respect, and is forced to acknowledge in order to win his fight. Throughout the rainbow arc battle, they try to point out that Iemitsu is trying to teach Tsuna something here and unless I'm confused (someone feel free to tell me?) it's not really clear WHAT that is. And I've always thought that was neat, because it's obviously coming from Tsuna's inability to respect Iemitsu enough to want to learn anything from him. Yet when Reborn comes in, hell he doesn't even recognize him in his Adult form, but he politely listens and takes his advice seriously. In the grand scheme of the series, Reborn is a good teacher and father figure in his life. When Tsuna is made to feel like that he can't do anything in Reborn's absence during Future, Reborn takes a step back in that arc and lets him learn to survive without his guidance. (Notice how the training almost entirely disappears after Future.) He lets him learn how to be a person without him, only stepping in to help when Tsuna really needs it. When he's unable to light his flame, with Spanner, or when he's freaking out about the Irie reveal, the list really goes on. There's a scene I recall I believe when Yuni asks to join their group, Tsuna still turns to ask Reborn what to do, and Reborn redirects him by asking him what he wants to do. That it was his call as a boss. And Tsuna ends up making the decision to help her off his own accord.

It's with Reborn's guidance that Tsuna ends up learning to be his own person, it's this guidance that allows him to make the decision and gather everyone on his own accord when it was Reborn's turn to be shaky and give up. Where Tsuna tells him that he's got this under control, without his guidance. To just watch him. "you've always knew I could win before." It's this arc where Reborn's pride in Tsuna shines. Multiple times. "Surprise me again, Tsuna." And he does. It's in Reborn's second absence where Tsuna feels himself get shaky again, feels the old feelings of poor self image crop up, that Reborn comes back. Because Reborn is not Iemitsu, and he wasn't someone who left him in that house alone forever. Because he's still young and has much to learn before he's ready to do this on his own. It's at this he feels a little embarrassed about how glad he is that Reborn came back, but then recalls the "mean words" that Reborn said before leaving. It's here that Reborn tells him it's a good thing he hasn't changed much. Another sliver of guidance that Tsuna takes in from the figure in his life that won't leave him alone in that house.

[liulith]

We as a fandom need to open our hearts to the insane comedic potential of Sir Pentious being included as a background character in stories taking place in the "old days" before Vox and Alastor's falling out. AND the comedic potential of one-sided Sir Pentious -> Vox.

Why?

Canon!Sir Pentious is attached to his era's aesthetics but he also wants to be "hip and cool" (see pilot episode; Sir Pentious as the how do you do fellow kids meme) and join the "Almighty Vees". When did he start wanting that? He's not a media demon trying to keep up with his audience and be a likeable public figure. He's a mechanic trying to conquer Hell by force thanks to his machines and obviously relishes in acting like a villain (fear me! I'm so evil! I'm the architect of destruction! etc. etc).

This is very different from the Vees' approach - maintaining a perfect public image, insidious manipulation tactics... Vox threatens Alastor in the show, but the Vees clearly haven't built their power through turf wars, which is and has always been Pentious' one and only strategy. All the machines we've seen him make are war weapons (+ the Egg Boyz who do his bidding, and help him operate those very weapons). Voxtek probably sells weaponry too but that is more Camilla's domain, so it would be more logical for Pentious to try and join her.

Pentious' and the Vees agenda and interests aren't aligned, so why is Pentious so desperate to join the Vees?

there are many reasons why Pentious could want to be part of the Vees besides the one I'm gonna talk about but you know what MY agenda is:

Vox is Pentious' idol. Pentious is an inventor, an innovator. He would have loved waking up in Hell with a mechanical body he can upgrade however he wants and finds the whole concept fascinating.

He's not against new technology, as his creations clearly go beyond what people could have had invented in his time despite their "steampunk" aesthetic (see: the effing death ray). So I think his current "limitations" are more a matter of him having to stick with what he knows best because it's hard to keep up with the constant stream of new tech. This is why he's more than impressed with Vox's extraordinary ability to adapt to change and master new technologies again and again. He's a fellow innovator! That's one reason for Pentious to be obsessed with the guy.

And if you think obsessed isn't the right word, think about this: Sir Pentious repeatedly challenges Alastor to fights even though he's clearly outmatched and it's an incredible risk to take considering what Alastor does. Pentious is OLDER than Alastor, he was there when he broadcast the most powerful Overlords' scream all over Hell. Plus, losing always leaves him in a very vulnerable position (without his best weapons). Is it madness? Hubris? An obsession for Alastor? No!

Sir Pentious to Alastor: Silence! Now Cower! For when I've slain you, the Almighty Vees will finally acknowledge me!

Sir Pentious thinks defeating Alastor is the only way the Vees will finally acknowledge him. No matter how dangerous it is, he has to try, for the Vees (Vox). Just like he took the risk of angering the Princess of Hell to get in Vox's good graces. This says a lot, for someone as paranoid as him, who doesn't trust anyone who is "too nice" to him.

If Hazbin had more episodes there should have been one about Pentious struggling with the fact he disappointed his idol and told to KHS 👀

(btw this is old news but we know that one of the Hazbin episodes that Viv originally pitched was about a science contest organized by Voxtek in which Pentious and Baxter competed against each other! Pentious could have done that after ep2!)

Anyway, back to the comedic potential of it all & Vox's arrival in Hell. Can you imagine his reaction as a newly fallen Sinner, when he's hanging out with Alastor (aka following him like a lost puppy?) and he meets Sir Pentious for the first time? Like sure, Hell is full of insane people but Alastor obviously has a Reputation and no one ever challenges him. And suddenly... Hm... Alastor?? There's an airship with a giant cannon pointed right as us?? Firing a DEATH RAY?!

It's also so funny to imagine Sir Pentious being obsessed with Alastor and considering him his archnemesis back in the day, only to slowly become obsessed with Vox instead and only caring about defeating Alastor because he thinks Vox will like it. It starts with Sir Pentious trying to "gather intel" on Alastor's new "ally", spying on them or sending his Egg Boyz to do so (and we already know great he is at spying so you can guess how that goes lol), and the rest is history.

Alastor loves attention so he probably let Pentious spy on him behind bushes from time to time if only because it's very entertaining to watch him try to be discrete and make his shadow tap on his shoulder. How hilarious would it be if Alastor noticed Sir Pentious' growing crush on Vox but not Vox's crush on him? Also, Vox misunderstanding Pentious and Alastor's relationship and thinking Pentious is a weird obsessive ex... The world is a stage and the stage is a world of entertainment!

[raven-at-the-writing-desk]

OMG RAVEN YOU’RE INTO EVER AFTER HIGH? I love it but can’t talk about it bc none of my friends have seen it 😭 I wish it was talked about more, especially with how deep their lore runs. I love EAH’s dynamics with the complexities of destiny. If twst followed the same logic as eah’s world it would be so interesting. How would you feel if the worlds were to mesh together and how it would work? You can interpret that in any way you want; the characters meeting or twst being bound to the same rules and societal expectations of eah, or whatnot.

Also who’s your favorite eah character compared to your favorite twst character (Leona)?Jade, right?

And have you read the eah books? I haven’t, but I’m going to try to sometime!

Eah alt account when?

I'm still salty that the Monster High x Ever After High crossover movie never saw the light of day-- Part of the reason why I don't like Disney (I mean the faceless corpo, not all Disney products) is because they have such a strong association with fairy tales that it pushes other interpretations out of the market or it leads to people assuming Disney "owns" those fairy tales. Ever After High's lore and themes run so much deeper than most other fairy tale reimaginings I've seen (and I've seen a lot). It's such a shame it doesn't get the respect and recognition it deserves even though EAH is the one out here challenging the status quo whereas modern Disney is content with mediocrity that appeals to the masses.

I think EAH and TWST, at their cores, share similar ideas so combining them would work well. Friendship, self-identity, defining your own future, questioning what "good" and "evil" truly are... It's all there. I'd imagine that if Twisted Wonderland (or at least NRC) followed the same rules as EAH, then everyone would be descendants of their Disney counterparts. (This is actually a common misperception of what TWST was to new fans; people mistakenly believe the TWST characters are children of the classic Disney villains. This has never been canon.) Unfortunately, I'd have to take away the Disney villains being twisted to be "good" guys in Twisted Wonderland's world in order for this to work by EAH rules, so... There's that to consider. This, in turn, can result in the student body splitting into Royals (pro-following one's destiny) and Rebels (anti-following one's destiny). Perhaps RSA and NRC could be one school in this AU...? Just so we have a mix of "good" and "evil" descended children in the same vicinity as one another. A must-have are the constantly bickering Narrators!! It's only really when Yuu shows up that the majority opinion starts to shift. Maybe then Crowley becomes concerned with students rising up and fighting back against the system that relies on them being complacent to keep the cycle of stories going. I've seen some readings of EAH which theorize that Royals guaranteed a happy ending is a stand-in for privilege, and that interpretation leads into very interesting conflicts when we also consider that magic in Twisted Wonderland is a privilege afforded to few.

To cover just the dorm leaders (because covering all the TWST characters would make this post way longer), I definitely see Riddle, Kalim, Idia, and Malleus as Royals and Leona, Azul, and Vil as Rebels. Here's my thought process:

Riddle is pretty self-explanatory. He comes from a background where he's used to being told what to do by his mother and so he also heavily relies on her strict, unyielding teachings to play by the book when he goes out there in the real world. Riddle is inflexible and hesitant to go against the grain--and, more importantly, he fully believes that following the rules will lead to his happiness... that doing as his fairy tale ordains will lead to a happy ending. What happens to the Queen of Hearts is dubious in the end since it's framed as Alice's dream, so I think that vagueness gives Riddle hope that by behaving himself, he'll earn the happiness he desires.

Leona is a Rebel, and not just because that's the aesthetic of his dorm. Being that he is highly intelligent and demonstrates a lot of foresight, he'd be aware of what future is in store for him and aggressively fighting against that. It would make him more desperate than ever to prove his worth, because not only does everyone see his powers as terrifying, but they also see him as a future brother murderer and dictator that will bleed the land dry of resources. It'd make the situation with his family even more strained than it already is, not to mention the extra jealousy he must feel toward Cheka, who is still too young to understand what's going to happen later.

Azul is someone who acts like a Royal but is actually a Rebel. He acts polite and like he plays by the rules, but clearly he doesn't behind the scenes. I see Azul as the kind of Rebel akin to Duchess Swan... as in, he believes he can steal away someone else's destiny for himself. Azul would constantly be looking for loopholes to save himself. He's put way too much stock into becoming a better, stronger person and he'd want to defend this new life he has made for himself. His obsession with protecting his contracts could translate well here.

Kalim is a Royal because he's mega rich and has been sheltered from the concept of bad things that happen to normal people; he has nothing to worry about. It also helps that Kalim is twisted from a character that doesn't meet a bad ending. I think he'd be aware of Jami's doomed destiny, but Kalim is so ignorant that he thinks it'll just be fine and it'll work itself out. Part of his growth could be being forced to reckon with the reality that Jamil is suffering under the legacy assigned to him and accepting the role that he plays in that by not acting.

Idia is a Royal--or at least pre-book 6 Idia is. He's a very pessimistic guy and repeatedly expresses hopelessness about the future, bemoaning the curse he and his family have to bear. Idia doesn't want to try to fight his fate, he's already accepted that it will happen and so closes himself off from others to save himself that heartbreak. Post-book 6 Idia will have swapped over to the Rebel side thanks to Ortho reviving the hope in him.

Vil is a Rebel simply for the fact that he fights social conventions. He's already out here shattering gender roles, but finds it much harder to breach that expectation that villains are just villains and nothing more. Vil keeps getting rejected at every turn, told that it's impossible to rewrite his story, that his frustrations are the natural result of jealousy and an ugly heart that festers in side of him. He steels himself to prove that notion wrong, working himself to the bone to get up on that stage and stay on it, waiting to be lavished with praise that he truly is the fairest one of all. I feel this would be so fascinating for Vil's own arc about self acceptance; maybe he wears himself down emotionally because he HAS to basically be perfect due to his job but also denies himself normal feelings like anger and jealousy because confessing that you have such "ugly" feelings only validates that you're shallow just like the stories say you will be.

Malleus is a tough one, but I settled for Royal in the end. Maleficent is doomed to be slain by a sword, right? So am I saying that THE Malleus Draconia, who is infamously arrogant about his magical abilities, would lie down and take a stab like that? Of course not! However, I do think that Malleus is initially someone who values tradition and living up to noblesse oblige. As the future ruler of a nation, people's stories are relying on him to play his expected role out, which he'd be fully cognizant of. I also think Malleus would be afforded the luxury of not having to face his destiny as soon as his peers are due to his long life span. This is in part because the person destined to slay him doesn't come into his life for literally hundreds of years. Then when book 7 arrives, Malleus has to deal with his loved ones leaving and/or betraying him as well as the realization that this is his destiny: dying alone and unloved. That'd just break him.

ahdbiqwdbqwli I COULD TALK ABOUT THIS AU FOR FOREVER BUT I'LL CUT IT SHORT OR ELSE I'LL NEVER SHUT UP 😭

EAH has so many good characters and interesting storylines, it's hard for me to pick a favorite! I of course love Apple and Raven's dilemmas, but I feel like it's cheating to pick one of them as my favorite. The whole Wonderland gang is also fantastic... I'm a sucker for their aesthetic, but they're so fun and silly in general. Kitty, Lizzie, and especially Madeline are 👌

Mmm, when I think long and hard about it, I think my favorite EAH character has to be Briar Beauty, daughter of Sleeping Beauty. Firstly, I love all the pink, roses, and bramble in her design. Secondly, I love the layers to why she is the way she is. Briar's a party girl not because "lmao, wouldn't that be a funny haha subversion of Sleeping Beauty" but because she wants to live life up before she falls asleep for 100 years and literally loses all her friends and family to the natural passage of time. That's seriously so smart and such an inventive way to think about the trauma a descendant of Sleeping Beauty might have. Seeing Briar transition from one of Apple's besties and biggest supporters to an outright rebel is satisfying as heck. (Gotta take a moment to shout out this classic moment :3)

I don't know if I would compare Briar to Jade since they're entirely different characters. However, looking at the source material, I'm actually surprised I like Briar as much as I do since I have never cared for the story of Sleeping Beauty. A part of me finds this ironic since Malleus harbors a similar fear as Briar (losing loved ones) yet I see Malleus's desire as way more selfish and self-serving than Briar's. I believe that's because Briar doesn't have the same arrogance as Malleus, so I'm more forgiving with her. EAH's actual equivalent to Malleus is Faybelle, daughter of the Dark Fairy, but I don't like her as much as I do Briar (hence why I'm comparing Malleus and Briar, not Malleus and Faybelle).

I haven't read the EAH books but I want to one day! I'd prefer to borrow them since I don't have enough space in my room for more physical books, so as soon as I find copies at a library or something...

This blog has kind of become a place where I occasionally talk about my other interests, generally as it relates to TWST, my main interest. I'd like to keep it like this since managing multiple blogs can be so draining. It already takes quite a bit of time to regularly write responses to asks just on one blog!

[darkcircles4lyfe]

I've given it some thought--

Now, if you've read any of my posts and you've read 430, you know there are a lot of ways it falls short of what I wanted. On the other hand, I can respect an open ending, one where we are allowed and encouraged to dream. All things considered, I'm not satisfied or disappointed, but a secret third thing... bear with me.

For a lot of storylines, I can fill in the blanks how I want.

I'm heartbroken over Himiko's fate, but there's no denying that the lack of camera footage leaves open the possibility of her simply disappearing. Perhaps she is waiting in hiding for the world to change, just like Lady Nagant.

Dr. Yoshida is described as someone who can cure the incurable. That may be referring to Katsuki, but the doctor himself said it's a complete mystery how he survived, all Katsuki's own doing. Maybe he cured someone else in those 8 years... someone like Touya?

Honestly I got nothing on Tenko but who knows. Who knows! Something something OFA connection. Izuku having vestige visions. Idk.

As for the manner in which society is changing, I'm drawn to Shouji's speech: "I'm dedicating the honor to those who joined the uprising eight years ago. All I've done is stand atop the resolve that they demonstrated to the world, nothing more." That at least tells me his earlier judgment of the other heteromorphs "setting them back" was a narrow point of view Shouji was supposed to grow out of, rather than a way of Horikoshi trying to criticize revolutionaries. In general, just because a character says something doesn't mean we're supposed to take it as gospel. That's lit crit 101, people.

Then there's Izuku. Once again I am feeling this pretty close to home. I keep coming back to the fact that the class is 24/25 now and I'm 25, man. On top of that, anyone else who was 14/15 ten years ago when the manga started gets to feel like we've all grown up together. I wanted catharsis for Izuku's trauma so badly. I wanted words. But I can't deny that the way Izuku is shown attempting to make the best of things and be content with a humbler life resonates with me, as painful as it is, as much as I know deep down he's kidding himself. It doesn't surprise me that he kept his walls up all this time and continued to shun his "selfishness."

I almost feel like there's an all-encompassing narrative theme being expressed here, in the fact that Izuku was trying to push past his pain and focus on the next generation, but surprise, his story's not over yet. I think the implied message there is that more can be done in the here and now, and maybe other stories that seem to be over, aren't.

With these things in mind, I can take the ending in stride, even if this is all the more we get from Horikoshi. However. There's one thing that is jolting me out of my peace every time I start to get comfortable here. It's actually related to the storyline that got the most closure.

I've seen a lot of fellow bkdk enjoyers calling their conclusion the best part of the ending, and I agree with that. They got a truly full circle moment, and a way of communicating to the reader that they're together, they have their forever, in a way that is personal to them. It's not "canon" in the way a kiss or a confession is, but I've said it before--this makes sense for them. And Horikoshi also did something legitimately interesting and groundbreaking by not making Ochako confess, not showing her future being tied to the main character as a love interest.

No, the thing that's bugging me is a seemingly small detail: why does Izuku and Katsuki holding hands at the end, of all things, have to be implied? Lots of things about 430 make sense in the context of the interview Horikoshi recently gave where he expressed being content with what he has drawn, and what he has left to the imagination. But not this. You can't convince me he didn't want to draw this. It's a motherfucking story about hands. This is the one thing I was 110% certain would happen. It's been teased for forever. Katsuki clearly wanted it so bad. So many other characters got to hold Izuku's hand in-frame. What the hell. Why.

Idk. I will be thinking about it for the foreseeable future.

[yamujiburo]

Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

[bonefall]

how much of Stormpaw’s demon are Maple’s curse vs just things that happen (cause in canon it’s really vague about whether Maple causes all those tragedies or has the ability to see his future for some reason)

EVERYTHING that happens in Stormpaw's Demon involves her. It's not being so dramatically renamed for nothing, she's a major driver and cause of the plot! Crookedstar's young name is in the title; but really, his demon is driving the misfortune.

That said... It's been a while and I'm heavily considering retooling the narrative.

Since I last REALLY worked on it, BB has changed in the sense that I'm a lot more willing to alter canon than I used to be. While my driving mindset used to be "telling a better version of the original story," and that IS a value I still hold... I've lost patience with the misogyny within the original work.

I've spoken at length about the way Crookedstar's Promise grinds my gears (PLEASE follow this link for a full breakdown of why), but in summary; it desperately tries to keep every male character likeable when they shouldn't be, saying nothing about the fact they are complicit in or even enabling abuse, while giving Crookedstar TWO flatly evil maternal figures. Even Brambleberry, who's heavily praised for being "like a mom instead," has a weird moment where she starts giving Crookedjaw the cold shoulder because she finds out he's chatting with a demon.

So like... I'm not sure if I want to make the "better version" of that story. That was the one that I already had, which had Mapleshade be acting entirely out of just the malice of wanting to hurt a child, while Hailstar and Shellheart are the excellent people canon wanted to see them as.

(not that it's even a BAD super edition, it's actually a really good one, but if it's my kitchen that's not what we cook here. Man I really do always massively overhaul my favorite SEs LMAO)

I think, specifically, I want to make Mapleshade slightly more morally gray and Hailstar more of an enabler. Shellheart is getting significantly retooled to make him more of the heartwarming parental figure I think he should be; someone loving to help balance out a very heavy rework.

And of course Brambleberry, I'm going to tweak her some. Try to make her flaws more consistent, get rid of that odd cold shoulder moment.

Old regulars will remember an old AU which is also still a massive favorite of mine; it was called Better Call Mapleshade, and it was kind of a commentary on how an environment can shape a person. Mapleshade, as a demon in heaven, was essentially their best prosecutor and defense attorney.

You can actually see how a lot of ideas from that AU ended up in Better Bones with the expanded trial system! I'm thinking of taking another page out of it, by making Mapleshade more aware of "the game" of Clan culture's structural unfairness, while also using it like a weapon against people she wants to hurt. A powerful demon of revenge.

Under the cut, what won't be changing, the way it was, and Draft 2 of Stormpaw's Demon.

(MASSIVE CONTENT WARNING FOR MENTAL AND PHYSICAL CHILD ABUSE including ableism. BB!Rainflower is WORSE than canon.)

WHAT WON'T BE CHANGING;

These are major details of Stormpaw's Demon that are different from canon. I'm working with these as givens and won't be changing between drafts.

Mapleshade does have a bone to pick with Appledusk's lineage specifically. One option might make her more discerning when it comes to her targets, but no matter what, she is going to have her eyes on this bloodline. She Haunts Applekin.

Rainflower is Hailstar's deputy. And I will make her downfall spectacular. If you were worried I was going to make her more sympathetic then you have no idea who I am LMAO

Shellheart is not Crookedstar's biofather While I want Hailstar to maybe be worse; I do want to fix Shellheart by making him a good parent. I've decided a good way to do this is to make it that Shellheart adopts Storm AFTER he's been abused by Rainflower. He didn't have authority over him before then. In general, I do want him to have a bigger positive role in this narrative. DEPENDING ON WHICH VERSION: Oakheart might also not be his bio-brother.

Crookedjaw is not a cruel name; it's an Honor Title. I've ALWAYS been frustrated by how canon treats scars and injuries as bad things. It's a BATTLE culture. Surviving brushes with death is their WHOLE THING. There is no "crookedkit" or "crookedpaw," he was Stormpaw until he earned his warrior name, with "Crookedjaw" commending the massive lengths he's gone to in order to survive, adapt, and honor StarClan.

Mentor change: Goodbye Cedarpelt, hello Magpiesky! I decided to repurpose one of the Barn Cats! Magpie from the books is a daughter of Perchshine-- the cat who killed Mapleshade. She joined RiverClan long ago. She's actually the one who points him in the way of the barn, and has to train him "as a punishment for teaching him disobedience" when he comes back. I actually have a couple of minor reasons for making this change but I'll spare them for now. He might start with Cedarpelt, but then run to the barn when Cedarpelt is basically refusing to train him properly.

Some family tree shuffles I need to update this tree to show Crookedstar's new situation with Shellheart (and also reflect some other changes I made like confirming Hallowflight fully being Lizardtail's honor title and Robinpaw being the apprentice who gets eaten by Ripwater), BUT, overall this tree is solid.

The ableism Storm faces is going to have a different flavor I have built BB in a way where him surviving his injury would be very respected, but he'd get badly coddled and pushed into early retirement. Him running to the barn is because he suspects he wouldn't have gotten training otherwise.

He kills a fox there because it's Cool. I might give him the tail to wear as a trophy of the kill because that's also Cool. The fox was very old and feeble at that point, which was why it was attacking chickens, but shhh

The Way It Was (Very Evil Mapleshade)

Darkstar's Commandment creating the Queen's Rights, that no queen would ever have to reveal the other parent of their kittens, wasn't enough to appease Mapleshade.

Nor was the damning of everyone that Mapleshade killed. In a fit of irrational fury at all the death, StarClan sent all her victims into the Dark Forest.

But she can't chase them. In the Dark Forest, you don't see someone unless you WANT to see them, not unless you're hanging out in a "land mar" (a sort of personal hell that all demons get).

on the off-chance she does see them, Frecklewish usually rips her to shreds...

Which is the next problem.

You can't DIE in the Dark Forest if you're a demon. You poof back into existence the next day, no injuries, no scars, nothing.

she's bored.

And vengeful. In spite of the wrong being righted, she still thinks she deserves MORE revenge, because what she wanted was really Appledusk.

She finds it unfair that HER legacy is snuffed out, that it's Darkstar's Commandment and not hers, that her babies were destined for greatness and by extension SHE should have been great.

So she takes up a hobby in tormenting Appledusk's descendants. She wants to eradicate them completely, but is spiteful enough that she'll just settle with hurting them.

The first one she managed to kill was Applefrost, Reedshine's son. Just by accident. She didn't know she had such power over the mortal plane.

After that, she managed to drown Duskwater. The daughter.

But she couldn't wipe out HER daughter in that storm... and she brought two more Applekin children into the world.

Stormkit and Oakkit.

So, naturally, Mapleshade turned her sight on the little fuzzball.

He would be an easy kill, in theory. She smashed Stormkit's jaw on the rock, but Oakkit pulled him out.

From there, it's similar to canon for a bit. His recovery is long and painful.

Rainflower is disgusted, and wants absolutely no part of helping him through this process.

That wasn't an injury gained in battle-- it's because he's careless and didn't listen to her. He's going through all this suffering, and for what?

To never become a warrior?

She's cruel to him, begins to neglect and distance herself from him. Discourages him from suckling.

Mapleshade LOVES this. It's worse than she could have imagined. Rainflower is horrible.

Gleefully, she realizes that Stormkit dying now is what Rainflower wants.

So, she kills two other kits in the nursery.

Fallowtail's only survivor is Willowkit, so she has plenty of milk. She starts suckling Stormkit.

(Graypool is now an older sibling! She's actually an apprentice at this time! Later, she encourages Willowkit to visit their father, who decides to just kidnap them completely)

Eventually, being the deputy, Rainflower had some kind of conversation with Hailstar.

During that conversation, she asked him to do something very cruel to Crookedkit.

And Hailstar LOST IT

He's the successor of Volestar, who was appointed by Darkstar herself to uphold the Queen's Rights and protect children.

How DARE you try to turn RiverClan into a place of disrespect?? To use my power this way?!

So, her power was stripped, and Oakkit and Stormkit were taken from her.

From there, Storm eventually goes to the barn as discussed, and Mapleshade continues to do things to hurt him.

This was my first draft, and now having thought about it a lot, I feel like it's not super cohesive. A demonic Mapleshade who's entirely malicious is neat, but I feel like this makes her flat. Shellheart's not tied in super well either, and Hailstar's stand feels kind of hollow because Rainflower hasn't actually used or leveraged the new authority I've given her.

But most egregiously? Rainflower's abuse being so close to canon tastes kind of bland. I feel like I can make it sooo much more intense, complicated, and painful.

Draft 2 of Stormpaw's Demon (Demon of Revenge Update) Essentially an outline for the first few chapters establishing Mapleshade by dealing with Rainflower and then fragments for the rest.

Mapleshade's still malicious, but this time, there's more to it.

Darkstar's Commandment, and the damning of her victims, DID appease this Mapleshade.

But is she satisfied? No.

She doesn't feel like she was wrong at all, actually. Without her killing those three in revenge for her kittens, StarClan's anger probably would have subsided.

She can't hunt her victims down again though, because, they don't want to see her. She fights Frecklewish every now and then but what's the point?

She WON already. She already GOT the euphoria of dragging them all down with her.

Punishing everyone who had ever wronged her was the highlight of her existence... but now it's done.

She's in Hell and she's bored. Her punishment is never seeing her kits again, but more importantly, her punishment is eternal shuffling through the leaf litter when she's SO GOOD at getting revenge.

Problem with revenge is, when you get it, it's gone.

She probably messed with Duskwater and Applefrost a bit, but if she killed one of them, it was accidental. It made her realize that revenge without a motive is just boring.

The prologue would probably open up with establishing her as a character. Who she is, what she wants.

Because the first chapter would dive RIGHT IN to Stormkit. The only child of Rainflower, the deputy.

Right along with Stormkit, you only learn in hindsight that he was born in a storm that killed his grandmother. It's clear that Rainflower reminds him of this often.

And that she's nasty to him. Giving him unclear instruction and finding things to critique, telling him to jump and then barking at him that he didn't ask how high.

She has great expectations for him, and reminds him of their family lineage often. Of who killed his great-grandfather, of what a fantastic pair of warriors Applefrost and Duskwater were

"I lost everything the night you were born. You'd better be able to make up for it."

Unfortunately, Stormkit is not the sort of child who's good at listening to those sorts of orders. He's stubborn and defiant; angry and oppositional.

When he doesn't understand why you do something, he doesn't want to do it

He "embarrasses" her a lot, and gets hurt for it.

In public, these are swats and whacks. The things you're "allowed" to do to discipline your child. In private these are a lot more severe.

So when Stormkit is given an order or a command, he obeys completely out of fear rather than respect. And sometimes he forgets his fear.

The other cats in RiverClan? Well... Stormkit is a problem child, and Rainflower is a fantastic, organized, respected deputy.

Hailstar especially, unfortunately. He feels bad... for Rainflower.

"It must be so hard for her to have such a little brat as a son. He never seems to learn his lesson. When will he stop wandering off? What's wrong with him? He certainly didn't get that from her."

His best friend, Oakkit, gets in the SAME trouble he does.

He's mischievous, fearless, and outgoing, and... never gets punished for it.

There's times where Oakkit does something and Stormkit physically recoils, just imagining what Rainflower would do if HE did something like that. Especially in how Oakkit talks to his dad, Shellheart.

For example, Shellheart will come to get his son for suckling time and Oakkit will tell him to his face things like, "I don't want to! I'm HAVING FUN!"

and shellheart doesn't flip out. He just. explains why it's important to eat on time.

"I know. But Fallowtail wants to go have fun too! She's waiting for you to come and suckle so she can go play."

"Well why can't she just play now and I suckle later?"

"When a suckler is full of milk, it makes their belly very itchy. She's uncomfortable when you don't come and eat on time."

"nnnh"

"Tough sell? How about I sweeten the pile with a badger ride back?"

"Hm. You drive a hard bargain, Mr. Dad."

Stormkit doesn't know why he hates it. He's all angry inside when he sees them acting friendly. He's polite because Oakkit's his best friend and Mr. Shellheart is really nice, but he just...

He's too young at the time to know he's envious. He wants what Oakkit has so badly it hurts.

Sometime after an exchange like that, Stormkit is visited by Mapleshade for the first time.

And they talk about Stormkit's anger and resentment. Stormkit lets it slip that he HATES his Mi.

Waits for Mapleshade to stop him and tell him, like everyone else does, that "she's still your mother."

...but she doesn't.

Besides Oakkit and Shellheart, she's the first person who doesn't tell him that.

She just lets him talk. Lets him go on. Starts making nasty jabs, which make him laugh.

"She says she lost everything the day I was born!!"

"What?! That's crazy! She got you that day!"

"Right?! It's like she's saying I'm nothing! Maybe she SHOULD lose everything, then she'd know what she's got!"

And then she asks, "Do you want her to die?"

Suddenly, there's a chill in the air. He's really shocked by the suggestion of that. He didn't... he didn't mean it to go THAT far. That's not what he meant... is it?

But she's fading back into the shadows, just her eyes visible in the dark. Tells him that she can see he's unsure. That's ok.

Holds up a budding sprig of sycamore, the maple she's named for. Its buds grow in a "deer hoof," with one large bud in the middle and two "toes" sprouting on its sides.

Teaches him that if he needs someone in his corner, all he has to do is call.

(to summon her, a bud is plucked off the sprig and thrown in the river.)

He wakes up with the sprig in his paw, panics, and shoves it under the nest he shares with his mother.

The experience shakes him. He probably ran to Brambleberry for the first time, who explains very seriously that he was contacted by a demon.

From the description... Mapleshade. The cat who killed his great-grandfather.

He BEGS her not to tell Rainflower. PLEADS with her. He can barely hear her already saying yes under the throbbing sound of his heart in his ears.

When he calms down, he hears her saying yes. On the condition she will need to smoke the nursery with sage and cedar, and that he will be needing a bath as well.

When he's still concerned that Rainflower will question him, she makes a plan to distract her for a day, long enough for him to do his cleanse and the smell to fade.

And, of course, that he will not follow any instructions that Mapleshade left him. He agrees. But does not tell Brambleberry about the sprig.

For a while he's very "well behaved." But it's not about him, never has been.

It really doesn't take long at all for Rainflower to get worse. Kids who are defiant like that are usually exercising a defense mechanism-- if they're not aggressive about their boundaries, their limits are pushed to a breaking point.

And after a big blowout like this, which was probably a public spectacle, Stormkit runs back to his nest and digs out the sprig, runs to the river, and throws a bud in the river.

Having calmed down from his shuddering fury, the dread begins to set in as a dead-smelling wind ruffles his fur. He can't help but feel like he just did something very stupid out of anger.

Looking at his reflection, he sees no cuts or swelling. The blows weren't "bad enough." He doesn't have the kind of injuries that anyone would do anything about. Equal parts guilt and frustration swell in him like a tide at full moon. How could he be sitting here wishing she hurt him worse?

So he tries to soften it, "I don't want her to die, I just, I... I just want her to lose everything like she says. Please..."

The wind whispers in his ear, "it will get worse before it gets better."

"I can handle that," he sobs, "I can do anything. Please. Make it stop."

After that, Oakkit probably runs to come find him. Stormkit doesn't want to be found. He makes up a childish plan, on the spot, to run away and join ThunderClan.

Oak says that's mousebrained, but Storm has DEVOTED himself to this plan he made just now.

And is crossing the stones.

Oak sighs, but if Storm's going to ThunderClan, he should really go with him because then they could totally fight off a small fox (Childish hubris)

Unfortunately, Rainflower found them. asks Exactly What He's Doing.

The kids freeze. Stormkit in particular has that horrible, twisting anxiety that you get when you hear The Tone that means you're in for an absolute wallop when you get home.

He's about to start running, but then the voice tickles his ear-fur again. Mapleshade tells him to go back. It'll be ok. She's on his side. She'll make her pay.

Oakkit is still frozen in place when, as if possessed, Storm's body stiffly returns to his mother.

There's a silence. The river trickling through the stepping stones. Storm looking with fear and anger up at her.

She's waiting for an apology, groveling. He doesn't give her one.

So she raises her paw and gives him an awful, hard blow.

His little body twists, flung off balance, trying to correct himself, and he can swear he felt paws pushing him a second time, whipping him downwards.

The feeling of falling fills his stomach, the water sloshes into his ears before there's a ring of a sound like CLUNK-CRUNCH, and then the river floods his nose and mouth.

It all goes dark.

When he wakes up, it's with a throbbing pain in the side of his jaw so intense that he can feel it all the way down in the tip of his tail. He learns from Brambleberry that Oakkit rescued him-- jumped right into the water to pull him out. And then Rainflower pulled him out. That was when Shellheart came and found them.

There's a LOT of arguing outside, but Storm can't ask what it is because it hurts to move his mouth at all. Brambleberry hushes and soothes him, telling him it's nothing he needs to know about.

(MEDICAL INFODUMPING: i do actually have a medical reason I want his injury to come from someone hitting him which causes him to fall. The injury he'd get in canon would actually be a really simple and common split in the front of the mandible, which wouldn't cause his mouth to have a dramatic twist and would heal very easily. He needs to come down on the rock at an angle to shatter the joint like that.)

From here, the tune about Stormkit starts to change.

Oakkit was distraught when they got back, telling everyone that Rainflower smashed him against a rock.

Rainflower's story is that he was running, and she chased after him. EVERYONE knows that he has a habit of doing this.

Then HE slipped and fell and hit his face on the rocks. His fault.

Oakkit was running away with him, he's lying.

Shellheart is FEROCIOUSLY taking the side of his son, furious that she would imply he raised a liar.

Hailstar is taking the side of Rainflower. It's two troublemaking kits against his deputy.

Yes, Rainflower's disciplined him before, but that's no indication she'd do something like this on purpose.

Brambleberry weighs in that the injury that Stormkit has isn't the sort of injury a kitten gets from hitting his jaw. The bone is shattered.

probably does some kind of visual to go along with it, using a stick and a stone

"The bones of a kitten are like the young shoots of a tree. When they fracture," she takes a young twig and snaps it in her paws. The fibers in the center are bent but unbroken, with the bark splintered around them, "they flay but don't snap."

She places the stick on the ground, "So for the injury that Stormkit has," and violently smashes the rock down onto it. It's shattered and pulped, the fibers flattened, "there would need to be a great force."

Shellheart hisses, saying that THIS is the evidence. Oakkit's story is consistent but Rainflower HAS to have lied.

Several cats are now on his side.

...But more are on Rainflower's.

"She's his mother. She loves him. Oakkit has to be mistaken."

"Why would she chase down her own son just to smash his face on a stone?"

"She wouldn't pull them out of the river if she really wanted to hurt him!"

Hailstar prompts if there's ANYTHING else that could explain this?

It comes up that Brambleberry cleansed the dens the other day.

She says that it's possible there is a demon's influence at work. She can't know for sure which one it is-- but it may have a grudge against Rainflower.

She allows them to reach the conclusion that it's probably Mapleshade on their own. She will be talking to Crookedkit when he's able, but she's not about to tell anyone about his dream yet.

She doesn't want him to have the extra scrutiny when he needs to rest and heal, but if she'd shared that an unnamed cat had a demonic dream, it would set off panic as cats accused each other of dark magic.

Rainflower manages to escape consequences by pointing out that it was likely Mapleshade that injured her son.

Oakkit is still trying to tell everyone SHE did it, he SAW it, Stormkit walked back and she hit him and smashed his jaw on the rock

But he's hushed. It's decided there's not enough evidence. And not enough reason to doubt the noble deputy.

She's never done something like this before, after all. It's more likely it was an accident.

There is a group of cats that are dissatisfied about this, though, and it only grows when Brambleberry explains that Stormkit's prognosis is not good.

There is a very high chance he will die. Even adult warriors can wither slowly from this sort of injury.

Recovery will be slow and it will be painful.

...but after that incident? Rainflower gets bolder. She got away with it in public. She got a taste of the leverage she has, how much they trust her.

Stormkit spends a lot of time floating in between his dreams and his living-world pain. There's at least one interaction where he speaks to Mapleshade, screaming at her that he TRUSTED her, he KNOWS she's the one who hurt him! How could she?!

She can't say much, kept at bay by a hazy smokescreen of sage. "You must live! You must survive!"

Her old words echo in his head; It Will Get Worse Before It Gets Better.

Throughout the recovery, Rainflower grows more cruel and more distant.

In public she likes to talk about how difficult this is for her, but he's strong, he will survive.

In private, she'll do things that hurt him, like repositioning his head in a way that "his jaw will heal better in." When he cries, she's unsympathetic.

"You brought this on yourself. This is for your own good."

Her definition of "private" is also changing. She's getting more comfortable with snapping at him in front of limited groups of people.

Since she's deputy, the other two parents in the nursery, Shellheart and Fallowtail, do their best to care for Stormkit while she's away. He's pulled away from them when she gets back, any ideas or suggestions they have vetoed.

When they try to go to Brambleberry about this, she shakes her head with frustration and tries to make them understand she knows... and she's just as unhappy with it as they are.

She tells them she keeps going to Hailstar, but he's still hesitant. Even though she's trying to tell him that Stormkit's recovery is being undermined.

"Rainflower's son has always needed tough love. She's his Mi and knows him best... she's still taking care of him. Give her a warning before suggesting anything drastic."

In the other draft, I had Mapleshade kill two of Fallowtail's kits to free up milk for Stormkit. I'm not sure I need that anymore honestly, plus, this rework's heavy enough! She can just have Willowkit without any deaths, while Graypaw remains an older sibling.

When Brambleberry informs Rainflower and Stormkit that the jaw isn't healing straight and it will probably be at an angle forever, Rainflower reacts with disdain.

"His first scar and it's nothing he earned?!"

She's reminded he might not even survive. He's lost weight. He's eating less. Stormkit curls up quietly. He hates how they talk about him like he can't hear them.

"Surviving is the bare minimum," she scoffs reflexively. There's a silence so thick you can cut it with a claw. After an uncomfortable heartbeat, she continues, "What kind of a life will he live if he-"

"a life," Brambleberry cuts in, "he'd live a life. And it can be a good one"

Rainflower growls, spitting that the twisted jaw is a disfigurement. He'll never be able to open his mouth all the way. He can't chew and he can't suckle forever. Stormkit will never become a warrior if he can't even dispatch a fish with a killing bite.

"Scars are the sign that StarClan has mended our bodies after fighting a good fight, making any Clanborn cat worthy of being an elder" Brambleberry preaches, "Names are what mark us, calling upon our ancestors to look down at us and witness our actions, Rainflower. Don't say anything you wouldn't want them to see."

Rainflower flicks her ear, seething, a rumble in her throat, "was that some kind of threat? As if I've said something wrong?"

"If you feel threatened, look within."

Stormkit resents all of this talk. He can feel his mother tensing up next to him, hears the low rumble progressing into a growl. When adults play stupid games with his mom, he's always the one who ends up dealing it. Why don't they get that?

It's only Shellheart who seems to have it click, "Hey, this is the nursery. Can you take it outside, please?"

As Brambleberry and Rainflower leave, Stormkit lays curled up in his nest, cold and alone. Oakkit leaves Shellheart's paws to curl up around his best friend.

Shellheart stares at them, shifting, but ultimately stays where he is.

There's a lot of words I could write there, between Storm and Oak. Ones where Storm speaks about how he just wants the pain to be done with. Others where Oak comforts him, tells him how much he means to him. More where they end up running into the wall that they're just two little kids and they've both learned the truth that they have no control over what happens when Rainflower comes back into that den.

But I think it would be good to end there, at the lowest point. Because it gets better.

Pissed off by being gently confronted, after her warning from Brambleberry, this is the moment where Rainflower goes too far.

Hailstar is gradually losing his patience. Every time this issue comes up, he's making some kind of new excuse for her.

She's still a competent deputy who holds the Clan together, but this has taken a toll on her reputation.

Her biggest mistake was becoming more open with her abuse after being emboldened. And I think Hailstar is beginning to feel like he's got "egg on his face."

After standing up for Rainflower several times, getting heat from Brambleberry, and now the Clan also starting to murmur...

It's getting very difficult to justify why he's sticking his neck out.

and maybe, part of him is starting to feel a little self-conscious about the way that his deputy is acting about her injured child.

When she comes storming up on this fateful day, interrupting whatever he was doing to make a proposition, it's the breaking point.

Her suggestion: "I've realized that there's only one way to ensure my son survives his injury. He's being haunted by our demon, which only started threatening him when he disobeyed me for the last time. WE need to teach him a lesson, and make sure StarClan gazes down upon him to acknowledge his mistakes."

"...how do you intend to do that?"

"Stormkit must be given a Dishonor Title."

A Dishonor Title, one of the greatest shames that a leader can put onto one of their warriors. A punishment that ranks just below exile in terms of severity.

"you want to put a dishonor title... on your child? one with a life-threatening injury?"

"One that acknowledges his carelessness. To protect him from the demon."

Protect him from the demon. "I see now what must be done."

Previously, I'd thought of Hailstar as someone who would be loud and merciless when he does this. Now I'm thinking it was something he put a lot of thought into. He stands up, brushes past her, and goes to talk to some of his most trusted cats. Brambleberry, his mate Echomist, an experienced warrior such as Piketooth or Ottersplash, and lastly, Shellheart.

So it's not a surprise to anyone but Rainflower herself. He doesn't want this to be dramatic. He doesn't want it to be another big scene. Stormkit has gone through enough.

When he eventually has this Clan meeting, he calls it quietly. In his address to the gathered cats, a crowd that Shellheart and his family are missing from at his request, he says that his greatest regret is that he didn't do this sooner. He even doubts that Mapleshade is haunting her at all-- now having seen her behavior, he says it's more likely that Rainflower bashed her own child against a rock and simply lied.

First, he announces that Stormkit will be removed from her care. He will no longer be of the Applekin bloodline.

She is banned from the nursery at the request of Fallowtail, and will only see Stormkit when supervised by his new Mi, Shellheart.

Brambleberry has already agreed to this necessity, and is performing a ritual so that StarClan may approve of this choice.

He also strips her of her deputyship, and appoints Ottersplash instead. (I might change this to a different deputy eventually)

Not everyone agrees with Hailstar. There's an uproar from Rainflower's supporters.

She was a VERY popular deputy.

More that are just uneasy, feeling that this was a BRUTAL punishment that she didn't deserve.

Lots are happy and optimistic, though. But the mixed reception is exactly why Hailstar asked Shellheart not to be here.

This isn't something Stormkit has to deal with right now.

When Darkstar herself, who created the Queen's Rights, was on her last life, she appointed Volestar to uphold the law as her legacy knowing that Oakstar might try to break it again.

Volestar appointed Hailstar, in the hopes that he would uphold her legacy in turn, to protect kittens and those who can't protect themselves.

He was late, and can only hope he was not too late. He hopes that Volestar can forgive him for that.

Meanwhile in the nursery, Shellheart, Oakkit, and Stormkit are alone, far in the back, where the padded moss keeps out arguing voices.

Oakkit, bless his little heart, is babbling with excitement because his best friend is his BROTHER now. And it's gonna be THE BEST.

He's talking about how it's fine he can't chew because now they can have soup, and they're going to make the nest bigger, and they can stay up later because they can whisper quieter if they're this close together

But Storm doesn't really hear him. His head's swimming, thinking about the dull ache in his jaw, how MAD his mom's going to be because he can't imagine her not finding a way to hurt him, how this is all his fault because he called Mapleshade.

He can't stop it anymore and starts sniffling, which turns into weeping. Still, he's TRYING not to bawl, knowing, knowing he looks stupid when he does that

Shellheart just pulls him in close, so he can bury his face in his fluffy chest. Tells him it's going to be ok. He's safe now. No one can hurt him there.

Not on his watch.

Unfortunately, it's not the last he sees of Mapleshade. After this...

Mapleshade shows him everything she did for him. Yes, she did smash his jaw-- but it was to get him away from his mother.

And she planted an idea here and there, just little whispers into Rainflower's ear. Nothing she wouldn't do all on her own.

And now... Mapleshade believes she's earned some respect.

Stormkit can't disagree... she did exactly what she told him she'd do.

And now that he's not Applekin anymore, they can be Real Friends. They could even strike up a partnership, of sorts. After all, what did StarClan do to help him?

It wasn't StarClan that answered his prayers.

I'm still figuring out what, exactly, she's going to want from him. I have a scintilla that she wants to give him a life, maybe as some kind of bridge to StarClan to see her kits?

Some strange "attempt" at redemption, perhaps? Which she ultimately doesn't get.

Not that she didn't enjoy doing all that for love of the game, mind you. She's very good at getting revenge and it's fun and exciting to pull it off.

But hey, if you're good at something, never do it for free.

What causes Mapleshade to ultimately turn, and begin haunting the bloodline again + Oakheart, is Crookedstar rejecting her in some way.

She comes to collect on her end of the bargain and he refuses, breaking their partnership. He chooses StarClan.

And then from there, it's ON again. Now she has another EXCUSE to do what she wanted to do, and take out her boredom and malice on his family.

This time, it includes Oakheart as well-- because he was Crookedstar's brother.

It was also her curse that harmed Willowbreeze and eventually Silverstream. She's on the warpath.

Maybe she actually helped make him leader on purpose. Like he explicitly asked so she helped him by making the squirrel omen, instead of just doing it for him unprompted. Still figuring it out.

Shortly after the scene where Stormkit cries, he needs to have a confrontation with Brambleberry about Mapleshade I think. She needs to explain why Dark Forest demons are seen as bad.

She's biased, of course, but it's not like she's TOTALLY wrong either. Cats like Mapleshade ARE vengeful, in ways many other spirits are not.

If you're curious, Crookedstar's dishonor title from Rainflower would have been something comparing him to a parasite and referencing his ""accident"" like Fleaskip or Midgefall.

The point she's trying to make with the Dishonor Title is that her son is an annoying bug who didn't listen, as well as subtly erase she fact she knocked him off that rock.

She wanted his name to say "everything that happened was my fault and my mom did nothing wrong"

Not that Hailstar got as far as even asking lmao

[rosabell14]

An analysis of Bianca di Angelo's role in the narrative and why bad writing can screw over a character.

For someone with such a limited time in the narrative, Bianca is one of the most divisive characters in the fandom. I've been in the fandom long enough to see how much nuance the fandom lacks when discussing certain characters and Bianca is no difference. But it's more than just viewing the characters' actions in a vacuum. It's ignoring the larger narrative problems. At the end of the day Bianca suffers from one simple problem: she's barely a character outside of her role in Nico's narrative. Like it or not, her entire character exists to die and give Nico issues down the road but Riordan's writing decisions didn't do her any favours either.

I feel like this is a huge issue when it comes to the pjo fandom they often try to come up with Watsonian solutions to problems that are Doylist in nature and Bianca is one example of that.

Case in point: Riordan's shit math when it comes to the Di Angelo siblings and how it messes up with bianca's character.

So when we meet them they're 10 and 12. We learn that their memories of their past is kinda hazy and that they don't remember their parents but that they were in a boarding school, then they moved to the lotus hotel, then they were taken out of the hotel and put into Westover's. And at the end we learn that they're Hades's children born before the oath of the big 3.

Said oath happened after WW2 btw. So 1945 probably since Bianca remembers FDR's presidency.

Now in TLO we get an update on this backstory. Hades is speaking to Maria about moving his children to the underworld or the lotus hotel since Maria doesn't like the former option because the war has put Hades in a bad situation with his brothers and also the prophecy is out, the oath has been taken and they're running out of time to hide the kids. So logic says that it's 1945. And then Zeus immediately kills Maria and Hades tells Alecto to erase the children's memories and put them in the lotus hotel, and honestly? I like this version much better? Because why in the world would Hades Put his children in a boarding school for a few years and THEN hide them in the hotel after they were nearly assassinated? Why not immediately put them in the hotel?

And so we get to our main dilemma. Bianca having to raise Nico. This was already strange to me because it's not as if this is a Jason and Thalia situation where Jason was a toddler and Thalia had to take care of him. Nico is not a baby they have a two year age difference. But of course these kinds of things might matter more if you're young. Even then, in what situation would Bianca be Nico's main caretaker? They were put into a magic hotel that mind you, makes time go faster so for them it was a month or two at best and they would have been given whatever they needed by the staff? Same type of issue with Westover's and the boarding school if you want consider that canon. They would have been taken care of by the facility. They probably wouldn't even have shared classes or dorms? Or am I misunderstanding American boarding schools?

And then, Riordan's bad math strikes again and this time with the characters' ages. Because Nico's age in HoO becomes 14 which would have made him 11/almost 12 in TTC but that's not the big problem, no no no. The problem comes from his official birthday which is 1932.

1932... Which would have made him 13 and Bianca 15 by the time Maria dies. Which is hilarious because with the way the kids are written during her death scene as absolute non players with nary a reaction, you would think they were written to be toddlers who didn't understand anything that was going on.

That royally screws over Bianca as a character (and me as someone who's trying to write a story centered around her). Because her main thing. The one time she's allowed to have complexity is the moment where she talks about how she wants to be more than Nico's caretaker, and she's barely Nico's caretaker at all. The best in universe explanation I can come up for this is that this is how Bianca perceives things because that's all that she literally remembers. Those months in the hotel and Westovers.

Another time the plot kinda messes her up is at the beginning of TTC. One complaint that I often see in regards to her Is how quickly she makes her decision. She does not even hesitate. She does not even wait to see the camp. You know the place that would have taken care of her and Nico which would have meant she wasn't going to be his supposed primary caretaker anymore? She doesn't even wait to see if it was an actual good place for her brother? Spoiler alert: it's not camp half-blood at the time was not a good place for either of them really. Nico did not have a cabin at camp and people were not accepting of him. Hell, people not being accepting of hades and his children was something established since the first book.

But once again, this is a Doylist problem at its core. We need to turn Bianca into a hunter but we also need Artemis to leave so that she can be kidnapped for the main conflict, so she leaves before the hunters even reach camp. Half-blood. So Bianca as a character doesn't even get to make a proper choice between the camp and the hunters. To people who only look at characters on an in universe level, it comes off as very rash and not well thought out.

To be fair, on an in universe level, she's a kid so it's okay if she's stupid, but Riordan wasn't trying to make her come off as that way? He treats Bianca's decision as a legit serious choice and not the rash decision of a desperate child.

And once again, Bianca is here for Nico's sake more than anything. She needs to die. So she takes the statue for Nico. Which is so ironic and tragic if you decide to play it that way. That Bianca wanted to be more than Nico's sister, but her literal death revolves around being his sister. Normally I'd enjoy this level of angsty irony but unfortunately that's how the very narrative treats her as well. Even her post mortem decisions are there to maximize Nico's angst more than that they're there to say anything about Bianca herself. We need Bianca to only appear at the end of Botl so that Nico and Percy can have a conflict but it once again comes at the cost of Bianca herself coming off as callous. What's the in universe reason for this behavior? It's so stupid because in universe, Nico doesn't even take that much convincing? One conversation. One conversation and Nico was convinced to stop his efforts in reviving her. Does she just not know her brother enough? Maybe since they technically know each other for a year max. Does she genuinely think she's that easy to give up on? Is she that conflict avoidant? I actually like this interpretation and plan to use it. There's much to be done with a character who's rash and bold but an absolute emotional coward who'd try to avoid an emotionally charged conversation until they absolutely can't.

Hell even after Botl, it's the same song and dance. Hades makes an absolute vile remark at Nico's expense. TSATS makes it into a joke moment and has you believe that Hades simple said that Bianca would have been a better demigod. No ladies and gentlemen. Hades literally tells Nico that he wished Bianca had survived instead.(The fact that I still think that hades is the best godly parent just shows you how low the bar is more than anything.)

I swear to God I spent so much time racking my brain trying to understand what this could mean for Bianca's character.

This is how I basically look like trying to milk every scene where Bianca is there as a character or is mentioned for every drop of characterization.

At the end of the day, I can't blame most of the fandom for being ambivalent towards her at best. The story by design is about Nico. It's designed for you to sympathize with him and yeah if I'm to look at it from Nico's perspective. He DID get abandoned, regardless of Bianca's intentions. From his Perspective , which is the one most people would take, his sister took the very first chance she could to ditch him for people she barely knew hoping people either of them barely knew would take care of him even though they haven't even seen the place yet, and then ignored him for months while he was desperate for a single conversation with her. Honestly had Nico outright resented his sister for leaving, I think the reaction towards her would have even been worse.

(Another sidenote, my very hot tea Is that I like to believe that had Bianca lived her and Nico's relationship would have become worse as time went on and as the camp's anti hades sentiments really started taking their toll on Nico. But I'm just an angst lover)

Worse is that this story is told from Percy's perspective and these two only have like 3 actual conversations together. One of them is her dying, one is about her making her first main decision and that's at the expense of Nico who's probably the fandom favorite behind Percy and Annabeth and the other is her trying to explain her aforementioned decision to Percy and even then, she talks about it in such broad strokes. "I want to be more than X" tells us about who you one day wish to be not about who you are at the current moment. And even when we have Nico as a POV character, Bianca is only there for "dead family member" trope. There's barely any moment where Nico remembers anything important about her to give her any depth. The cards are just stacked against her. Even the people who are at the "Bianca did nothing wrong camp" are barely interested in her. I swear to god whenever an AU comes up where she's alive, the focus is STILL on Nico. Oh Nico would have been such a happy person had she lived! And Bianca? Uhhhhh she would have fucked off with the hunters I guess?

Can we talk about the hunters while we're here?

If we WERE to talk about in universe scapegoats, I'd honestly choose the hunters. Honestly I could make a separate post about how much I hate how Riordan handled them. But oh dear God the way they're presented just comes off as creepy. The way they initially (up until TOA) only go for young girls because apparently older girls aren't useful once they hit puberty and start developing feelings for people and lose themselves(TTC and Percy Jackson's Greek gods oh dear lord are they terrible in Percy Jackson's Greek gods). How they're basically the heroine dumping ground for when Riordan doesn't know what to do with a female character. How ultimately in universe, Zoe more than anyone is to blame to for Bianca's death by taking an untrained girl to a mission where she KNOWS two people would die at the very least. And she doesn't even watch her properly during the mission. Honestly I could barely feel anything about Zoe's death upon rereads as an adult for this very reason. Or how stupid it is to basically put a child in front of a candy store and expect them to make a responsible decision. Who in their right mind would have young girls as young as nine take a celibacy vow? Oh but you'll be safe with us (never mind that we're not just normal hunters here like the actual myths but actual monster hunters) and you'll totally be able to see your brother when you want (actually we barely visit camp half-blood) oh but you'll be a FAMILY with us! Except you know if you catch feelings or get assaulted(holy hell how Riordan depicts the myth of Callisto makes me want to tear my hair out of my scalp)

[thechurchoftheradiodemon]

I've been mulling over something. I read one of Vivzie's interviews lately and I've come to some conclusions about Alastor's character (these are just my own theories, though, so we'll see how everything actually develops in s2).

Unfortunately, I believe, canonically, Alastor is NOT aromantic. Maybe on the aro-spectrum, and deffinitely asexual, but not aro per se. In this interview, Vivzie confirms Alastor's asexuality, and plays with his aro identity saying something like "I don't want to ruin people's fun with him". This could be queerbaiting in a sense (I don't actually think so, when Vivzie is high on queer representation, but aro people are very left behind in the community, sadly).

But she continues to add on that there are plans for Alastor in the future of the series, saying something like "I can't confirm that he is aromantic". To me, this reads like we will see romance in Alastor's life in season 2, wether it's a past lover/romantic interest or a new one I could not say. She would've had no problem in confirming Alastor as aromantic otherwise, and I interpret this as Vivzie not wanting to spoil part of the plot.

I used to think that Alastor's deal would most surely be with Lilith, but, while it could be the case, I'm not so sure anymore (although it could be a fun dinamic). But, nontheless, I think Lilith's and Alastor's 7 year absence and his deal are intertwinded somehow.

My bet, for the future romance plot, is that it could be one of these three: either Lilith, whom the fandom is already considering in a sense; the mysterious Eve, or... Lucifer. HEAR ME OUT. I don't say this as a Radioapple enjoyer. The reasons I think it could be Lucifer are the same that I think it could be Eve (although we know absolutely nothing about her).

Mainly, I draw these conclusions from the early comic Zoophobia, from where we know Alastor's character was taken. In this comic, his character is supposed to have a crush on the character of KayCee, a powerful being with whom he could have made an alliance to reign chaos.

KayCee's descriptions could match either of the three romantic interests I mentioned, but what strikes me more are her defining traits: white and gold colour palette, and the apple. We know not all of Vivzie's characters stem from Zoophobia, and the ones that do have (understandably so) went through important changes through the years, mediums and aesthetics.

BUT these could be some clues into what we might discover in s2 of Hazbin. And, so long, the character we've seen fit this palette and apple motif is none other than Lucifer himself. Eve, on the other hand, is also shown during the intro sporting some sort of apple motif, which could be indicative of her future appearance in the series. But we know so little about her, and, knowing Hazbin Hotel will only have 2 seasons confirmed, I'm not sure we will see more of her.

I personally don't like the idea of losing Alastor as an aromantic character. I'd much rather not see him in a romantic relationship whatsoever in the canon series. But that is not my call to make, and he will always be our ace-king no matter what. Also, that wouldn't mean his story or character will be less interesting or developed. So we'll have to wait and see...

(This is visual representation of me reaching these conclusions, btw)

I would love to hear what other fans think about this, so if you want to leave and opinion in the comments we can discuss!

[glittergoblinzz]

Now, don't get me wrong. I love headcanons about Simon that are extremely dark. What I DON'T like is people twisting his character and trying to say he's canonically a rapist just because of a single line from the comics (Yes, Simon Riley got his own mini line of comics before the OG MW2 released. As far as lore goes, these are still considered canon. They're pretty dark so I heavily advise people who are sensitive to sexual assault and abuse to take care while reading)

It's this line in particular people are using to justify him being an abusive rapist in canon:

"I do terrible things, violent, to people, to women. The scary part is that I like it..."

His mother literally calls him out on that bullshit, knowing that isn't true in the slightest....and yes. That is fucking TOOTHPASTE he's putting on his face. I literally do not think this man is in the right state of mind to be making claims like that when he's up at like 3AM putting toothpaste on his face

Also, what people leave out when bringing this up is what happens before and after this scene. Let's talk about the before first....

Before this scene with him telling his own mother he "enjoys hurting women", he was asleep; having a nightmare. Guess what this nightmare was about? Roba and what he had done to Simon

Basically what happens here is that Simon has a dream and he's a sexist pig wanting to get a look at the bartender's daughter. Roba appears and tells Simon that he had done a good job "teaching" Simon (referring to the brainwashing and torture Roba had put Simon through in Mexico)

It becomes clear with this dream and the conversation with his mother after he wakes up is that Roba did get to Simon....but what happens after these two scenes shows that Roba didn't get to Simon in the way he wanted to.

Roba wanted to brainwash Simon, turn him into a puppet. The following interaction with Sparks proves that Roba's brainwashing may have worked on Sparks and Washington but NOT Simon

Sparks was literally about to rape a woman and Simon was NOT having it. He called the cops, purposely spoke up and asked Sparks about raping the woman so the operator could hear. If Simon genuinely felt that he enjoyed doing violent things to women, then he wouldn't have hesitated to join Sparks in raping her. Instead he called the cops, stalled until the police came and ran off with Sparks.

ALSO, SIMON WAS NOT COMPLIANT IN THIS SCENE. HE LITERALLY CALLS THE COPS AND STOPS THE RAPE FROM HAPPENING

Sparks and Washington have been fully brainwashed by Roba. They're working for him at this point in the story, keeping an eye on Simon for the bastard. Simon, on the other hand, has NOT been brainwashed by Roba. He still has a sense of himself.

As the comic goes on, he does take down Sparks, Washington, Roba and a lot of his men....proving he never fell victim to the brainwashing Roba put him through like Sparks and Washington had.

Again: I don't mind headcanons....I actually enjoy a lot of the darker Simon headcanons....It just bothers me when people try to push their headcanons out as actual canon. I've had to leave discords and group chats because people got pissed that I wouldn't agree with them on Simon being a rapist/abuser (like, beating his spouse abuse) in canon

[tizeline]

I’ve never seen a separated au with Leo being raised by big mama, what do you think that would be like? (Since he’s kinda rebellious)

For the record, there are AUs where Leo's been raised by Big Mama, the ones I know of are Gemini AU by tangledinink and True Colors AU by v-albion. I'm not super familiar with either of them, but they're there if you wanna check them out.

That being said-

LEO being raised by BIG MAMA omg I have THOUGHTS

Listen, I don't see enough people compare Leo to Big Mama, but he's quite similar to her. Splinter and BM never got a kid together, BUT IF THEY DID that kid would literally be Leo he's basically just a fusion of the two of them!!

As I've mentioned several times before because I love bringing it up, Leo is strategic, quick-witted, observant and good at talking. In the show (as well as in my own AU) Leo's strengths aren't really recognized, let alone aknowledged for a big portion of the story. Because of that, for a long time he doesn't really get the chance to develop these skills, as much potential Leo has to become a master planner his impulsiveness and inexperience has a tendency to get him into trouble.

BUT! All of these skills also happen to be skills that Big Mama has and would value in Leo. So if he were to actually have to opportunity to not only be raised by BM but also trained by her for his entire life. If he got to properly learn strategy, planning, manipulation...?

... Holy shit Leo would be terrifying.

Think about it, canon!Leo managed to out-smart BM in Many Unhappy Returns without any real experience, just imagine what he could do with a whole life-time of training.... yikes!

Not sure what exactly Big Mama and Leo's relationship would look like. In my opinion she would view him as her son and love him dearly, especially if she knew that he's Splinter's biological son.... it's just that BM has interesting ways of showing affection. ("The love of my life just proposed to me?? Great! I'm gonna lock him up in my gladiator fighting ring for the rest of eternity!") She'd at the very least be quite controlling, I imagine.

As you pointed out, Leo can be quite rebellious, so that mixed with Big Mama's obsessive need to be in complete control of everyone around her would certainly cause some tension. Actually... considering how clever Leo would be in this AU... uh oh.

All of these qualities that BM initially appreciated and encouraged in Leo, what if, as Leo became more and more capable, Big Mama started to eventually view them in a more negative light? If she feels like she's loosing control over Leo, if she interprets Leo's rebellion as not just a normal teenage need for independence but rather him malicously working against her. What if she starts viewing him not as an asset or as a tool, but rather a threat?

If BM has reason to believe that Leo might try to overthrow her and take control over her criminal empire, she might take preemptive action and get rid of him before he has the chance to get rid of her.... Not like murder-get-rid-of, I don't think she'd just kill him, lol! But like lock him up, maybe throw him into the Battle Nexus, I dunno. Anything that would allow her to remain in control of both him and her business.

As for Leo, maybe he would actually try to overthrow BM. Considering he was raised by a literal mafia boss, his moral compass is gonna be a bit wack. Maybe Leo's desire for control over himself would cause him to try to seize control over his mother's business. Oooooorrrrr maybe Leo just wants some independance but doesn't actually want to compete with BM, so when she interprets his actions and behavior as malicious he's not prepared for that at all and, as a result, is more than a little hurt that his own mother would take such extreme actions against him. Who knows?

Hhhhhhh there's a lot of fun posibilities here but MAN I'm not really in the mood to work on an entirely new AU. Maybe I'll create some art for it I dunno, this concept is really fun, but I'm not gonna turn this into a proper Thing, so if anyone else wanna steal this concept and explore it for themselves, feel more than free to do that!

[bookwormbynight]

Do you think either L or Light being a woman would change the story in anyway?

It definitely would. 100%.

Let's see... Taking away the context of the people writing the story, (Ohba and Obata very obviously fucking HATED women and did not try to hide it 😭) and attacking this only from an in-world perspective...

Let's start with L. What I've always taken is that he doesn't have a particular attachment to the idea of gender, gender roles, gender expression, etc - he doesn't pay any particular attention to his appearance and I'm fairly certain his neutral clothing is the way it is simply because he finds that the easiest and most comfortable. However, I think he's perfectly comfortable with being perceived as a man because he is cisgender, just kind of detached from it. (I would take an argument from others about apathetic nonbinary L tho.) This would probably translate if he'd been born female. I don't think, at her core, she would act any different at all, but she would likely be more aware of her sex thanks to the fact that everyone else would pay more attention to it. The fact that L was male automatically removed barriers that female L would have to face. It would probably take longer to get Watari to listen to her than it did in canon, she would probably allow people to assume she was the wrong gender and not correct them for ease's sake when she contacted people as L through the voice filter, and when she met the Task Force face-to-face, she might spend a hot second fielding weird awkward bullshit, because the Task Force knew and trusted her before, and this doesn't really change who she is, but it would definitely shift their perception at least a little and that dissonance likely wouldn't be handled tactfully. If she acts the exact same as canon L, though, which I imagine she would, whatever 'fears' would be generally dissuaded fairly quickly and she would have their respect due to the relationship they had already built, just like what happened when they saw canon L's appearance, although the Task Force would likely end up assuming she's a lesbian even though she isn't. (This would also probably mean that she's equally as subject to accusations of perversion as canon L.)

Light would be. SO FUCKING AWARE OF HER GENDER. Canon Light is 100% a very cisgender gay man with a good heap of lightly gay-flavored perfectly in-line gender expression, publicly adhering to gender roles as best he perceives them, and a disdain for the opposite gender. Female Light would have a double whammy of suspicion and dislike of the opposite gender (now men), and also internalized misogyny. How nice <3. She would likely go out of her way to be much more publicly sweet and demure, downplay her confidence much more than canon Light bothers to (so as to not be seen as a bitch), and have a good heaping of bitterness about her 'societal restraints' (that she's consenting to be stuck in because she'd be one of those 'play nice and eventually they'll respect you' motherfuckers). She'd probably honestly go for playing Kira even quicker than canon Light does, simply because her future prospects are not as bright as her male counterpart's and she would be very frustrated about that and this would be an outlet, and while canon Light was NOT afraid to murder a rapist on sight, female Light might end up even seeking them out when looking for 'the worst of the worst' (I doubt canon Light did), because she would now be a part of the population that lives under that fear, and those actions might skew her statistics. I think the face-to-face introduction of L into her life would fucking rock her world.

Moving to the topic of sexualities and romantic subtext, I think Light would be a gender-conforming femme closeted lesbian (I like to think she would have a particular weird thing about boobs and that would be the only thing that sticks out about her to her friends, because aversion to sex with men is not considered particularly notable in women in this patriarchal society - which fucking baffles me but whatever). If Misa's still a girl, I can't decide if she would decide that she's in love with this Light, or rationalize her devotion as more of a platonic thing, but since she would be part of the gender Light trusts and relates to more, even though she hates how vapid Misa appears (internalized misogyny + superiority complex!), their relationship might end developing to more closely resemble canon Light's relationship to Mikami. If Misa's a guy, their relationship would stay the exact same, just with the assumed gender roles swapped, and the imminent threat of Misa getting down on one knee and proposing to Light out of the blue at any time (and also maybe being more overtly sexually aggressive because society would have let him feel entitled to that). I personally think canon L is bisexual and as such female L's sexual bullshit would not have changed in the slightest.

The way Light is treated by the Task Force might start derailing the story when they begin to intertwine. Also I would not at all be surprised if male!Misa tries to babytrap Light by poking holes in the condoms and switching out her pills because he thinks she, a female with biological urges, will grow to appreciate what he did. (She will not.)

[saccharineomens]

i've been poking at this too long to care how visually appealing it is anymore. My headcanons for the main characters' sexualities, based on canon information! (has no bearing on ships.) Canon speculation below the cut.

marcille (bi): fascinated by romance and loves romance. we only see her show explicit interest in a male (fictional character (General Halleus from the book series she loves)), but i don't think she's fully straight.

falin (aro? ace? lesbian? genderqueer?): falin's only interest in relationships in canon is 'she considered accepting shuro's proposal because she was afraid nobody else would want her, but felt it'd be unfair to him because she had no feelings for him'. i consider whether she's aroace or a lesbian or maybe bi/pan, and she also seems like she might have some genderqueer feelings, based on some of her discomfort with her body and wearing certain types of femme clothing. (Also the fact that she‘s part male dragon.) Since she ends the story going on a journey for herself, it feels like she'll finally get the chance to figure out what she wants.

laios (pan, demi): he hasn't shown explicit interest in men, but similar to marcille, i don't feel he's fully straight. He’s aesthetically attracted to monsters, at the very least, so gender probably doesn’t factor in for him. romance/sex just don’t seem to be much of a high priority to him in general, but he did think his ex-fiance was cute and didn't seem uncomfortable with the idea of marriage (just seemed unhappy with being trapped in his hometown), so i feel like demisexuality fits him well.

About his succubus: He was very noticeably not stopped in his tracks by it like Chilchuck and Marcille, but that could possibly be because it just….looked exactly like Marcille, not an obvious fantasy. He started blushing and stammering heavily when it turned into a monster, which like….this boy is definitely a furry/monsterfucker, if anything, but that doesn’t speak on his attraction to actual humans.

I think it speaks for something that the succubi are able to literally read minds and craft the perfect fantasy for their specific target. And for Laios, it wasn’t just “his friend Marcille”. It was a version of his friend Marcille that wasn’t grossed out by monsters, didn’t think he was weird for wanting to be one, and was able to turn Laios into one. It was a Marcille who understood him at his deepest level that made him become a blushing, stammering mess to rival Chilchuck. Which is why I think he’s Demi, and needs a strong emotional connection with someone before he finds them attractive.

kabru (pan): his special interest is people, and he's bold enough with his sexuality to kiss rin despite not being in a relationship with her. so being pan/bi feels appropriate.

chilchuck (bi): he has a wife, and they were childhood friends, so he's definitely allo. but his comments and behavior towards senshi makes me suspect he might be bi, and just never considered the possibility due to being in a committed relationship.

senshi (gay, ace): this is 90% off of vibes. he keeps to himself in the dungeon and doesn't seem to have any need for social company, he's a complete hermit. Being ace makes sense to me, but so would him just having a low social drive. His succubus was 'a woman he hadn't seen since he was a child', but his journal implies it wasn't a romantic/sexual attraction.

namari (bi/lesbian): she is at the very least attracted to women, given her behavior with kiki, but she does make a point to say that kaka is also attractive to her, and her friends at the bar tease her about Kaka being her “new” boyfriend (implying previous boyfriends).

shuro: the token straight (in love with falin, asked her to marry him). i love you shuro <3 (but i can also see him being into men. there's no evidence to the contrary)

izutsumi: aroace. literally no question. her succubus is her mother.

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.