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ghost-proofbaby · 3 months

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IT WILL COME BACK (E.M.)

"honey, don't feed me - i will come back."

summary: when eddie came back from the upside down, he was different. and you finally come to realize just how different the man you saved truly is one night, when push comes to shove.

pairings: kas!eddie munson x reader

warnings: mentions of BLOOD (in sexual manner), mentions of BITING (in sexual manner), allusions to possible coercion (consent is still explicitly stated - trust me), mentions of death and trauma, mentions of eddie's canon death, taking a lot of creative liberty with expansive vampire lore across all media, mentions of murderous dreams? (eddie dreamt about killing reader idk), oral (f receiving), smut. MINORS DO NOT INTERACT - 18+ ONLY.

wc: 7.7k+

a/n: i told y'all i'd write a serious biting/blood kink fic one day - today is the day. very lazily edited so beware.

When Eddie came back from the Upside Down, he was different.

There were subtle changes at first. Small, minute details that were easy to ignore. Everyone could turn a blind eye to them — everyone figured they would fade once the boy healed. His healing was first priority, and whatever lingered after could be dealt with.

Get Eddie better. Then question all that lingers.

A simple plan. A genius plan. A torturous plan.

The two of you had been friends, if you could even call it that, prior to it all. Teasing in the hallways, working on school projects here and there when in shared classes, he was your favorite (and only) dealer when you craved something to make sleep come just a little bit easier. He had been familiar — an old ghost you'd grown comfortable with, long before you’d seen those large and wet eyes looking back up at you in the boathouse.

Long before he’d pieced together the puzzle pieces as to why you’d needed the weed to cancel out the nightmares. Long before he’d processed exactly what those nightmares entailed.

But then, you’d fought for him. You’d fought with him. And most importantly, you’d bled with him.

God, you had bled for him.

Something admirable had blossomed in that short time. Eddie’s entire life had fallen apart, thread by frayed thread, and that new planted emotion had been the only solid thing to emerge for him to absolutely cling to. You were more than a fellow classmate to pass by in the hallways. You were more than his favorite customer, always weaponizing fluttering lashes and puckered lips for a discount he’d have given you regardless.

You were a force to be reckoned with, and had ignited a hunger in him like no other.

That’s all he had thought it was when he’d awoken in his living room — not the distorted version but the real one — to you screaming for the others to help you as you’d sealed his wounds. That’s all he had thought it was when you’d come to visit him as wounds turned to scars, and stabbing pains turned to hungering pangs. So he had tried to bury it, listen to Harrington and Wheeler and Buckley when they told him to take time to readjust. He’d locked away that hunger and focused on his healing, just as everyone else had, and told himself it was just residual feelings.

Residual feelings had been bound to happen after seeing someone bloody their hands, with your own blood, for your survival.

And in his burial, he’d never considered a similar hunger igniting somewhere deep within you.

You visited far more often than you should have. Returning time and time again to change his bandages, taking on one too many shifts at the hospital during his unconscious spells and baring your teeth for anyone who got too close. The sweet blood on your hands hadn’t washed away in that first shower; you swore, if you looked closer, you could still see the stain of nearly losing him across your knuckles.

Physical wounds were easier to heal than the internal ones. It was easier to lather on antibiotic lotion than it was to sleep soundly at night. Both of you came to realize that quickly in the weeks that followed Eddie’s return from the dead.

His nights were plagued with bad dreams, with thirst and cravings he couldn’t quite name. He’d wake up, burning up from the inside out with a fever that never existed. Tearing skin. Puncture wounds. Blood spilling across floors and his lips alike. He could never tell if the shivers that traced his spine had been from the cruel visions that had become his nightly visitors or if it was due to his perpetual drop in temperature that had worried Nancy since the very first night home from the hospital, that had concerned the nurses who piled blankets atop him during his week long sleep of recovery.

Your nights were even less kind. Horrific memories were the demons that haunted you — remembering the way you had watched Eddie cut that sheet rope, remembering finding him bloodied on the ground, remembering the warmth of his blood seeping across your palms and how when your ear had turned just as heated with it as you pressed it to his chest. Only to hear nothing. Emptiness.

His heart had stopped for minutes. Plural.

It had been your steady rhythm, your desperate hands and your gasping breaths breathing into his lungs. You’d sunk your claws into him, caught them right between his ribs and had decided he couldn’t leave you.

Some nights, when you wake up screaming, you can still taste his blood on your lips. You sometimes still swore that when you’d checked for a pulse after that, you hadn’t heard anything. Still worried that Eddie Munson’s heart never really restarted and resumed beating.

The worst was when you’d stare through the faded grey of mornings plastering across your room’s walls, and could still remember that initial look in his blown out pupils, once honey brown swallowed in pure black as he’d taken his first breath on his own.

Hunger.

You’d felt it, too. Shame riddled you on the nights you’d come down from the nightmares and remember it; it was as though the Universe had snapped back into place the moment you’d watched his chest first rise. A need so ardent to remain at his side. A chain clicking into place, binding both yourself and Eddie to one another, unaware of just what price had been paid to keep the boy that had laid under you in this world. Unaware of the hunger you had struck the match too that would become both your downfalls.

And so it had been buried. Something alive, even with your doubts of Eddie’s liveliness, and choking on dirt while six feet under. You and Eddie, two sides of the same coin, had decided to not speak of it. He never told you how he had come to be able to pinpoint your heartbeat in every shared room he entered, throat burning as his gaze always settled on you, and you never told him of the matching aches that had shamefully sparked within your chest and between your hips for him.

A hunger to be near one another. A hunger to devour. Neither of you really understood the heaviness.

“How are you feeling today, Eddie?” Steve asks as he sits on the edge of the new bed in the new apartment in the new part of town the Munson men now occupy.

Government money could go a Hell of a long way. Especially after your home had been devastated by the aftermath of alternate dimensions and unheard of evil being defeated.

“Fine,” is the only response Eddie can muster.

In reality, every time anyone came near him now, he burned. His throat tightened till it was surely raw, he swore his teeth sharpened until a mere slip of his tongue against his canines could bring the taste of metallic blood to his mouth. His entire body would tense with every person that walked through his door.

Control. Whatever was happening to him, Eddie needed to exercise control.

“Just fine?” Steve continues on, not catching the drift as he puts down the bag of things he’d bought at Eddie’s request. Basic things — painkillers, packs of cigarettes, a 6-pack. Some habits die harder and can’t be controlled, “You look like shit, Munson.”

“Gee, thanks, Stevie.”

Everyone had assumed the dark shadows beneath Eddie’s eyes would fade. They assumed his cheeks would eventually fill back out. They assumed he could wash away the ashen shade his hair now flatly flowed in. It was as if the life had been drained from Eddie since that day, and they had all assumed it would eventually flow back into him.

It never did. Just as his new hunger lingered, so did the look of Death.

“Sorry, man,” Steve throws his hands up, shrugging a bit before he stands, “Just being honest. It’s the best policy.”

“Is it? Is it really?”

If honesty was the best policy, Eddie could have filled the room with it. He could admit about the nightmarish wants, needs, he’d been keeping at bay. He could admit the way his irritation had been growing this last week every time another body, another friend, walked through his doorway and it wasn’t you. You, who had begun to plague the night terrors. You, who Eddie was beginning to crave far more than he had before he’d stared the afterlife down the barrel of the gun.

Steve just looks at Hawkins’ newest zombie boy, sighing, “Look, I don’t know what’s got you pissed off-“

“The whole dying thing, for starters.”

“-or why you’ve insisted on being an asshole to all of us these last few weeks-“

“Again, I died.”

“-but you’ve got everyone but me scared to visit you. We’re all scared of you biting our heads off, dude,” Steve finally finishes with a scowl.

Everyone. It’s unspoken that you’re included in the generalization.

It occurs to Eddie that maybe, just maybe, he should be kinder if he ever wants the ache of yearning to see you again to fade. If that’s what he could call this ache.

By the time Steve has left, Eddie’s still thinking about his warning. About the way he had been unusually cruel since coming back to life, since waking up handcuffed to a hospital bed. It made sense initially. But he wasn’t handcuffed to a hospital bed anymore — he was home, or as close to home as he could get, and he was technically safe.

The issue was that he’d accepted his safety. Everyone who had wanted Eddie Munson dead was now six feet under themselves. No, the bigger issue at hand was everyone else’s safety.

Your safety.

Once he’d realized you were the staring lead in his violent fantasies, he had stopped calling. Half of your absence last week had been his fault.

No one really bothered to look deeper into it. Steve didn’t press as to why Eddie’s fridge had remained empty, Nancy didn’t take second glances at the odd books on vampire tales that were now littering all the free real estate of Eddie’s room, and you hadn’t questioned the coldness of his tone whenever he spoke to you. The chill of his words had grown icier than his own palms, desperate to keep you at arm’s length until he figured out what had changed in him that day he came back to life.

He wanted you near. He wanted to rip your throat out. He wanted your blood to stain his mouth and neck just as his had stained your hands. That was an issue. That wasn’t normal.

Something had changed in Eddie Munson, and it had terrified him to his twisted core, and no one had cared enough to notice. Not yet.

–

It took you two weeks to be fed up with the radio silence.

Eddie stopped calling even Jonathan (the only one of the group he found he didn’t want to devour whole, as it turns out). When everyone had mentioned it in passing, it had only reminded you of the sleepless nights you’d be enduring. That small voice in the back of your head that had called out to you in the dead of night, the whisper of come to me that echoed all the way across a broken town.

Come to me.

Sometimes you swore it was Eddie’s voice calling to you. Sometimes, you nearly left your own new apartment in the dead of night, and let your legs guide you to the undead boy you had single-handedly revived.

Tonight was one of those nights. Your stomach was twisting, your head was pounding, your bones were aching. Every single inch of you hurt as it listened to that soft calling, and at some point, you gave in.

Hunger. You were insatiable with the need and drive to be at Eddie’s side. Warnings from the others be damned.

One thing leads to another. You find your coat, you find your car keys. You find yourself driving the deserted streets of Hawkins in the middle of the night. You find yourself on the Munson doorstep, knuckles shaking and aching with the knowledge that just beyond the wood of the door, he was there. You don’t have to see him to feel him; his thrumming presence, his anchoring existence.

Come to me.

The door swings open before you get the chance to knock. This string tying your two souls together is not a one-way channel, it seems.

“Why are you here?”

You watch him wince as the harsh words leave him. Immediately, you know that the abrasiveness is on instinct. Just as something claws inside of you to be near him, there is something within him howling to keep you far from him.

The polarity of two magnets. Some nights, surely, his twists in a way that would draw him to you, just as yours will twirl with the sensibility that whatever has changed within him should give you cause to run as far away from him as possible.

But tonight, your magnetism only yanks you closer to him. He doesn’t even invite you in, and yet, you find yourself stepping over the threshold of the new apartment.

“You’ve gone quiet,” you whisper as an answer. It’s not what he wants to hear, grimace deepening, nearly a scowl now, “I just… It’s been weeks. I…”

I missed you. I needed you. I heard you in my dreams and I’ve never had much self-control when it comes to you.

Magnets are a useless metaphor for whatever is happening here between you. A better comparison would be the cliche image of a moth to a flame; he’s dangerous, threatening to burn you alive, and you still find your heart fluttering after him hopelessly. You’re going to get scorned, and you’ll still never learn. You’ve fallen victim to a tired narrative that you’d rolled your eyes at in a plethora of books. How many times had you sworn that wouldn’t be you? Just how many eye rolls had you exhausted at the mere idea?

And now, here you were, on his doorstep. Grasping for something you’re not sure either of you can give.

“I’ve been dealing with a few things,” he mutters as he shuts the door behind you, shielding you both from the chill of the night. The room is still cold, especially in his radius, “Didn’t think it would make much of a difference.”

“You didn’t think I’d care if you just stopped calling?” you turn slowly, taking in the state of the living room. Wayne was clearly gone for the night, work most probably, and several books littered the coffee table. Eddie had been the one reading them, lounging on the couch.

The last time you had seen him, he couldn’t even sit up in bed on his own.

He’s keeping an unusual distance, nearly leaning back out of your vicinity, “Figured you were busy.”

He’s never been this short with you. His words are choked up, his body tense with pain. You assume it’s just his injuries bothering him.

You couldn’t be more wrong, but you’re completely unaware.

“I brought you back from the dead, and you think I’d still be too busy for you,” you laugh humorlessly, fully in disbelief at his pitiful excuse, “Eddie, we could find out Vecna didn’t really die, those damn cracks in the Earth could open right back up, and the first person I’d care about finding is you.”

The animal inside that had been yearning for his presence is satiated for now, but you can still feel it lurking in the darkest depths of your mind, ready to call out a new request at any moment. It’s the distraction that has you spilling pathetic truths.

The only response he offers you is a dead stare. With eyes wide, pupils nearly swallowed up by darkness.

“You could have called,” your voice cracks, body shaking with the effort not to take a step closer to him, “You could have just let me know you were still alive.”

“I-”

He cuts himself off when he’s the one taking a step closer. His entire face twists with pain, and you give up keeping your distance. In an instant, you’re at his side as your hand reaches out for his bicep.

He flinches away. Something inside of you burns.

Your hand is hovering in the air between the two of you, and in this lighting, you swear the skin is still stained with the blood that won’t wash away.

“Please don’t,” he begs, “I’m fine, but… please.”

You don’t know what he’s begging for. Distance, for you to pull your hand away, time – you don’t know what he needs.

“We should sit down,” you insist, finally pulling your hand as far from him as possible but making no move to put the space back between you two, “Has anyone helped you with your bandages? If your wounds got infected-”

“They didn’t.”

“If you didn’t change the bandages, they definitely could have-”

“They’re not infected,” he grits out, but he’s still walking over to the couch regardless, “They’re healed.”

Healed.

Mere weeks ago, those wounds were still deep enough to keep you from ever achieving a full night's rest. Deep enough to worry you to the core that you would wake up to them finally having consumed him. Deep enough that you all assumed it would take him months, not weeks, to recover.

“What do you mean they healed, Eddie?” you whisper, almost reaching out for him as he sits down.

Your hand twitches, but the echoes of his begging and his flinching keep it at bay as you stand before him.

“I mean, they healed,” he huffs, nostrils flaring as he takes deep breaths. He’s looking anywhere in the room but at you, his gaze subverting you with purpose. As though the mere sight of you, the mere proximity, is painful to him, “Don’t know how, don’t know why – they just did.”

“So why are you still in pain?”

A sharper intake of breath. A hush of silence falling over the apartment. Even the buzz of the building’s AC unit has faded from all your senses. It’s just you and him, and a heavy quietude like no other.

Until he finally breaks the surface tension, breathing out, “You.”

Your heart drops. That tug inside your chest, the one taut as you look at him right within your reach yet still so far away, almost snaps.

“Me?”

He nods with a harsh swallow, “I- Look, I can’t explain it, but when I came back, I came back…”

“Different?”

He doesn’t have to explain it. You’d felt it.

The moment his eyes had opened, just moments after what should have been blissful victory. The taste of his blood heavy on your tongue, a terrible sweetness that had choked you rather than its initial metallic twang. The whispers of his voice in your mind.

He wasn’t the only one changed from whatever had occurred that night.

“Different is a good way of putting it,” he nods, looking up with apologetic eyes, “It’s not you. It’s cliche as fuck, but it really isn’t – it’s me. I died, and you brought me back, but I don’t think either of us knew the cost.”

The yearning. The nightmares. The unmanageable needs. The hunger.

“What was the cost?”

He almost doesn’t hear you. Your voice is a whisper, tone weighed down with the curse of knowing.

You might not have known the cost when you were pressing your palms into his chest through your wretched sobs, functioning as his heart and lungs for nearly a minute, but you think you might have a clue now.

All that had been tethering you to him since he’d come back to you, all those webs and strings that had formed their knots around both of your necks. He’d changed, and you had plummeted right into the chasm of the unknown with him.

His blood on your tongue, sweet as honey.

Blood shouldn’t be sweet.

He grabs one of the books off the coffee table, motioning for you to join him on the couch. Under the weight of your realization, you’re nearly under a trance. All he has to do is wave a hand, and you follow.

You’re at his beck and call. Just like you had been when he’d been calling out for you, yearning for you.

“Don’t make me say it,” he mutters under his breath, tossing the book into your lap the moment you’ve sat down. This time, you’re mindful to keep your distance.

This time, you’re painfully aware of the compromising situation the two of you have found yourselves in.

The book is older, leather-bound and worn from years of readers’ careless hands breaking the spine. The corners of every page are weather, close to disintegration. The entire thing could easily pass for a Halloween decoration.

It’s not. You flip open to the title page, and if Eddie didn’t appear so deathly serious at your side, you would have scoffed.

“Dracula?” you question carefully, running a finger over the delicate script of the title, “Eddie, I don’t-”

“I’m not insane,” he interrupts you, “I’m not fucking- I swear to you. I’ve gathered up every goddamn book about it that I can. Fictional, nonfictional. Just- there’s obviously a Hell of a lot more fictional material to work with, okay?”

A vampire. He’s convinced he’s a vampire.

And even worse – you’re convinced right along with him.

You turn your head to look at him, trying to find the right words, but all you find is Eddie burying his face in his hands, head nearly hung between his knees.

“I can’t eat normal food anymore,” his voice is muffled, “That was the first sign. Couldn’t stomach it, made me throw up for hours when I tried. And then all those nurses kept talking about how I was healing faster than they expected. Most of my smaller cuts – those healed in under a day,” he finally lifts his face just enough to turn and peer at you through all the stray curls that fall into his vision, “My vision and hearing were the next things I noticed. Remember how I had a nonstop migraine those first few days?”

He doesn’t need to convince you, but the argument is compelling, “It… wasn’t a migraine.”

He shakes his head. “Not even close. Just turns out that it’s a killer to get used to fucking superhuman night vision and impeccable hearing. I still can’t handle being out in the sun very long. I don’t… burn up or any of that shit, but… it just…” he trails off, shoulders falling in defeat before he throws himself back against the couch. When he continues, his tone is flat, devoid of all emotion, “I keep having these dreams about you, too. Bad dreams. Terrible dreams.”

You shut the book, toss it back onto the coffee table, and decide to Hell with keeping your distance.

You need it. Even if he’ll only allow you to get an inch closer to him, you need it.

“What do you mean by terrible dreams?” you ask, breath catching at the end of your question as you scoot yourself closer on the couch. Even with such a small movement, Eddie is quick to notice, eyes flicking to you quickly with a sense of urgency flashing behind them.

“Don’t,” he lowly warns.

“What’s happening in your dreams, Eddie?”

Another inch closer. His jaw clenches.

“Sweetheart, do not-”

He doesn’t finish his sentence. Your knee bumps into his thigh, and you watch him go rigid. Hands turning to fists, eyes pinching shut and face twisting with the same pain he’d worn the ghost of when you first arrived at the apartment.

The moment you touch him, you see it. The flashes of his nightmares, all those terrible actions haunting him every time he closed his eyes. You. Your blood. That hunger.

Like a blackhole in the center of your stomach, it burns viciously as it sucks the air out of your lungs. It threatens to cave your entire being into itself until there’s nothing left. Not even a crumb of who you once were.

But it's not yours. It’s Eddie’s.

That pain on his face is only exhibiting a fraction of what he was feeling. That dizzying craving that he’d miraculously been keeping at bay since you’d simply entered the building, not even yet knocking on his door. You hadn’t even been in the same room as him yet, and he had still known. Had smelt you, had felt you.

He could almost taste you.

“You…” you have to shift your knee away from him, break the touch, break the connection, “You haven’t fed since you woke up.”

“I haven’t fed, period.”

With the connection severed, he somehow finds it in himself to open his eyes once more. You don’t know how – if he’s feeling what you’d just been privy to, you’d be an incoherent mess on the floor. Something feral and unrecognizable.

Although, maybe he was nearly there. You couldn’t see his pupils. That same look when he’d first woken up – a man swallowed whole by hunger.

“You’ve been dreaming about ripping my throat out,” you say it as a matter of fact, not a lick of judgment in your tone.

It wasn’t you scrutinizing him. It was what you had seen, with one simple touch.

His voice is hoarse as he echoes in confirmation, “I’ve been dreaming about ripping your throat out.”

You should probably be afraid. All your survival instincts should be kicking in, your feet should be carrying you towards the door, you shouldn’t be leaning in closer.

“You know what really sealed the whole vampire ordeal though, sweetheart?” he breathes out, your eyes fluttering shut at the lull in his hushed tone.

Just as you’ve been leaning in, he’s been slowly turning his body to face yours, hands twitching at his sides. He’s no longer retreating from your presence, sucking down breaths in harsh gulps the closer you grow to him.

He’s losing control. You’re losing control.

That thread, vibrant red as it draws you near him, is clear as day now. A noose around your neck. A road to your damnation.

A road to your hunger.

You hardly hum in response, completely entranced now. Had he ever been capable of this before? Of holding you beneath such an inescapable spell with such ease?

Probably.

He doesn’t use his words to answer. Instead, he finally takes the plunge.

His head ducks down towards your neck just as his hands lose the war, grabbing onto your hips, dragging you dangerously close to him until his lips hovered just over your pulse point. And by some strength that you certainly don’t possess, he stops there. Letting his lips barely brush against your soft skin, breath coming out in pants for you to feel, to relish, to get lost in. And just as soon as those pants, those waves, become a comfortable pattern to succumb to, you feel them.

His fangs.

Grazing over your sensitive skin. Sharp tips nipping at a surface they could so easily break, pierce with one wrong move. Your pulse is thrumming beneath the surface, heart racing painfully as Eddie’s grip turns bruising.

Come to me.

“Please.”

You’re the one begging now. It goes against every rule you’ve ever seen applied in fiction. If a vampire is baring their fangs against your neck, you should be reaching for a stake. The only noise escaping you should be a scream for help, not the pathetic whimpers beginning to slip out.

“I can’t,” you feel his gasp more than you can hear it. Your blood is too loud, roaring in your ears as you feel the fangs slip with his words, “I can’t.”

That hunger you felt, the one that had called out to you through the night and led you right to his doorstep, is unavoidable now. You need him closer, you need him to do this. For the first time since you had saved his life and tasted his blood after the Upside Down, everything seems to click into place. All he needs to do is let them sink into you, take that final leap of faith and reprieve that ache you’ve battled for weeks now.

You’re so close. So close.

“Eddie, please,” you’re nearly sobbing, hands gripping onto his shoulders, trying to pull him in closer.

But you’re no match for his strength. You don’t know if it’s a new addition with his vampire business or if there was always more to him than met the eye, but he easily stays stoic against your attempts, not moving a centimeter. Still hovering, still just barely making contact with your heartbeat.

“I-” his head drops slightly, tip of his nose beginning to trail down the side of your neck, mouth no longer dangerously close, “You saw my dreams-”

“I trust you.”

You do. You trust him even more now than you had when you first stumbled upon him in the boathouse. More than when he had pleaded his case, promised he hadn’t been the one to kill Chrissy Cunningham. The trust comes easier than breathing as his nose nuzzles into the junction of your neck and shoulder.

“You shouldn’t,” he mutters, fangs now brushing your collar bone, “You really, really shouldn’t.”

He doesn’t stop you when you move to straddle his hips. Your weight settles onto his lap, and he only fights to keep his face burrowed there in your shoulder, arms now moving around your waist to hold you tightly to him.

His self-control is impeccable. You’d admire him and all this impressiveness another time, when something inside of you wasn’t lamenting his resistance.

All at once, it occurs to you how to give him the final push.

“Did I ever tell you how sweet your blood was on my tongue after I brought you back?” you start, sighing, rolling your shoulders to expose more of your neck, grip on his shoulders tightening, “All that blood, all those tears, and I still can’t forget how welcome that warmth of you was in my mouth. How I needed more. How I pictured it every night, after every nightmare-”

He breaks.

One moment, his nose is buried in your skin. And the next, his fangs are.

You weren’t sure what to expect, but relief would have been low on your list. You gasp out in initial shock, but as you feel his teeth dig in, it’s as though something has snapped. The ache has been satiated, preening as you feel the warmth of your blood contrast the chill of his chin pressing into you.

If there’s any pain, you don’t feel it through the haze of pleasure.

Ice shards spread through your bloodstream, but the point in which Eddie’s mouth is connected to you radiates heat. He’s pulling you into him, letting go completely and relinquishing all that control as he nearly purrs against your skin in satisfaction. That connection is back, two minds linking with a heavy click, and you can feel all his pleasure mingling with your own. Satiation, desperation, adoration – the plethora of emotions all swarm your head and block out any better judgment.

You’d let him drain you dry, if that’s what he needed. If nothing more than to hear those soft moans as his fangs sink even deeper.

He pulls back too soon, though, suddenly and unexpectedly. Just as quickly as he had given in to both your desires, he’s putting an end to them. He hadn’t taken much blood, but your head is swimming from the loss all the same. Your grip has gone slack on him, hands slipping down to just barely cradle his biceps while his own touch stays unyielding around you.

You can hear his thoughts. Or rather, maybe more aptly put, you can feel them.

He wants to devour you. Wholly, ruthlessly.

He looks up at you with pupils still blown wide, chest heaving and a small scarlet drip trailing from the corner of his mouth. For the first time since he’d come back to you, he looks alive. Hair fluffed in a halo around his head, skin tinted with a healthy glow and unmistakable blush, bags beneath his eyes faded for the time being.

You were never quite sure if Eddie Munson’s heart had ever restarted, knew for certain that it hadn’t now, but you swear you can feel its pulse finally thrumming for you.

I need more.

It’s his voice in your head, echoing in the empty space as you look down with wild eyes to match his.

But it’s your voice in his head when you respond instantaneously.

Then take it.

Something unspoken lies there in the need. He doesn’t move back to your neck, doesn’t bite down and drink his fill of your blood. He only stares for a few seconds, watching the welt of blood that pools from each puncture wound of his making. His eyes follow when it runs down your skin, as though he might lose it should he so much as blink. Down, down, down. Following the trail that his nose had followed minutes before, across your collarbone until it stains the neck of your loose shirt.

My pleasure.

His hold proves helpful when he quickly changes positions, roughly throwing you down onto the couch before he’s settled between your thighs, crawling his way up your body. He pays close attention to the maroon trail on your throat, his tongue cleaning up after his mess, savoring the taste of you on his tongue.

Sweet as honey.

His tongue only pauses for a moment over the bite wound, pressing into it, making your back arch as you press yourself fully into him. Your head digs painfully into the cushion behind you as you expose your neck, wanting and begging and pleading all without words.

“I think we should take this off,” he plucks at the hem of your shirt, tugging hard before he begins to carefully lift. His freezing knuckles brush against your burning skin, eliciting a whimper from you, “Before we make an ever bigger mess. Don’t you agree, sweetheart?”

A sultry tone you’ve never heard from him before. Honeyed words, familiar to how he once spoke, but entirely new in the way they curl around you. There’s a confidence there, a baiting that he’s luring you with.

“Yes, please.”

He could ask anything of you in this moment, and you’d be eager to comply. Fueled by your desire for him before the events of spring break, worsened by his new condition. A bright, red, vibrating thread. You couldn’t severe the tie if you wanted to.

And you most certainly did not want to.

Your shirt is removed, his hands careful despite the way they shake. His words may be smooth, but each move is jagged, the only sign you had that he’s still exercising control.

“And these?” he whispers, lowering his lips to your sternum as he toys with the band of your pants. His fangs scratch down the center of your stomach as it quivers with each breath, careful to not break skin as they make their presence known. You nearly lose all capability to speak until he says, “Use your words, baby. Tell me I can take them off.”

Yes.

His eyes flare, looking up to you, “Use your words. Not your mind. I want to hear how badly you need me – I want everyone to hear you beg.”

The words strike straight to your core. Lashing out in your lower stomach, burning deliciously.

It’s more than putting on a show. He needs to know you want this.

“Take them off,” you gasp out, hands wandering to tangle in his hair, “Take- Take it all off. I’m yours, Eddie.”

Shaking hands perform a dance you had long since fantasized about. In easier days, when Eddie had been uninvolved in the episode down, heart still beating along as he would bounce his knees in front of you and his fingers would idly fiddle with his pencils and pens. A yearning, a wanting, you’d always held for the boy.

He used to be an escape from it all. A pretty thing to daydream about when you weren’t worried about monsters. And now – he was one of the monsters.

Your monster. Tied to you inexplicably, brought back by your hands and your stubborn efforts.

His lips and fangs are one in the same, trailing along your body as he finds a home at the apex between your thighs. Even in undeath, he’s the most beautiful thing your mind could conjure.

You’d forgotten how he was privy to your every thought until he reacts.

“You’re too sweet,” he murmurs, smirking salaciously as he mouths innocently at that sensitive skin of your inner thigh, tongue darting out to lick a cool stride before he breathes out against it. It has you writhing beneath his hold, “You’ve wanted this all this time, sweetheart? Wanted to see me, between these pretty thighs, making you scream my name?” His mouth falls open a bit wider, the sharp canines pressing but not sinking against where he had just licked. He holds there, eyes locking with yours, until he pulls back to cockily say, “Could’ve just said something, y’know. Didn’t have to bring me back from the dead to have me devoted to you.”

Finally, finally, he lets his fangs sink back into you. The soft meat of your thigh is more pliant in his mouth, and he doesn’t linger as long as he had on your neck. One nick, just enough to start the blood flow, before he’s pulling back and licking hungrily at the scarlet liquid. Less for feeding, more for marking.

Marking you as his, just as you have with him. His methods just appeared a bit more physical.

He’s quick to avert his focus on your cunt, no warning before the tongue still covered in your blood is taking long strides over your entrance and clit. Devotion. That was the only word to describe the way he was unraveling you, alternating between indulging in your sweet cunt and returning back to that bite, going as far to even sink his teeth in a second time to take a proper drink of you. His chin and lips grow slick with it all – with the blood, with your wetness, with his own saliva. A starved man with a feast before him.

The way he’s rutting his hips into the couch as he slings your legs over his shoulders doesn’t go unnoticed.

It’s a mess. A wonderful, satisfying, enchanting mess.

Beautiful. So beautiful, all mine.

His voice has you teetering on an edge of new carnal pleasure. Completely consumed by him, your hands tugging viciously at his curls. His face is round once more, eyes and cheeks no longer sunken in, vitality being breathed into him with each taste of your blood.

Let me touch you. Please.

You beg over that connection, trying your best to not buck your hips mercilessly against his tongue. You feel his wicked grin.

“You’re already touching me, sweetheart,” he reaches up, untangling your fingers from his hair for emphasis before he’s pinning them to your sides, “And what did I say about using our words? Hm?”

“Need more,” your voice is wrecked as you tilt your head back, wrists straining against his hold, “I need more.”

You’re fully light-headed now, the blood loss finally catching up. Maybe you were about to let him drain you dry.

And what a beautiful way to die. At the hand, at the fangs, of the one you had fought so urgently to bring back to you.

One last timid lick to the wound on your thigh, and he’s crawling his way back up to you. The mess doesn't phase you as he kisses you hungrily – the blood remains sweet rather than metallic, the remnants of your juices still on his tongue – and you meet him with an unbridled fervent. Nipping at his lips with your own dull canines as if you were the one looking for a bite of vivacity.

You don’t know when he lets go of your wrists, or when your hands find their way up beneath his shirt. The specifics don’t matter once he’s naked before you, clothes discarded messily to the ground with your own. The only thing that matters is the weight of him, the reminder that he was still here as his hips roll into yours and the head of him catches on your entrance.

He had been dead. For minutes. And you had brought him back to you.

The process had taken longer than the mere CPR administered, had taken weeks of whatever waiting game you two had tortured yourselves with, but you had him now. He was yours. You were his. There wasn’t a deity, a monster, an omniscient being in this world that could take that away from you. Not even Death herself.

“Last chance, baby,” he whispers against your lips, holding himself up so that not a single inch of his skin pressed to yours. You nearly cried out, missing that connection, missing him. Your hunger, the hunger for him entirely, rattles your bones once more, “Say the word, and I’ll-”

“No,” your hands pause their exploration of skin jagged with scars. Reminders of those few dreadful moments in which the world existed without Eddie Munson in it, that would fade in time but never fully disappear. Always there, just like the stain of his blood on your palms. Always there, just like your desperation to have him at your side. “I meant it when I said I’m yours. I’m not changing my mind. I want this.”

His skin is back on yours, body laid fully along your own road map, and it all comes flooding back. The pain of seeing his lifeless body, the nights spent in an eerie hospital room, baring your own teeth at any one who came too close to the man you had pulled back from the ledge of Death. The anxiety, the fear, the relief, the yearning – it all accumulates as he’s pressing into you, brimming you so full that there’s no room for memories of nightmares.

He’s here. He’s yours. You’re his.

His heart didn’t need to beat for you to accept that truth.

You can’t decipher which chants of your name fall from his lips for others to hear, and which ones whisper in the depths of your mind for only you to bear witness to. Each curse, each grunt, each moan – there for you and only you anyways. You’re entirely unsure if your lips even separate once as he thrusts, cock brushing somewhere deep in you that has you clenching around him.

And if his fangs wander, it only adds to the pleasure.

Blood, sweat, and tears all mingle between your bodies. He’s holding you tighter than water, as though you’re at risk of disappearing from him at any given moment. But that link between your two minds, your two souls, is unwavering. It’s the only thing grounding you to the moment as your half curls around his waist and your heel digs into his lower back. Urging him, pressing him, taking him.

“Fuck, sweetheart,” he says it out loud, this time. You feel his lips brushing against your ear as he does, “Gripping me so tightly. This pussy was fucking made for me.”

Every movement only unlocks something more feral inside the two of you. Your nails rake down his back, leaving angry red lines to trace over once it’s all said and done. There’s enough shallow bite marks across your neck that you’ll be wearing scarves for weeks, months. The others might question it, strangers might stare, but the pride you feel as he marks you is unmatched for any anxiety about it.

That black hole of hunger is no longer swallowing either of you whole. That debilitating pain, that animal inside, has been tamed.

When his hips begin to stutter, mouth no longer capable of the strength to properly bite you as his lips only smear the soft spattering of blood pooling at the base of your throat, you’re already there. Squeezing him tightly, sucking him in, voice raw as you let everyone know who’s ravishing you.

Eddie.

Hawkins’ newest zombie boy – Hawkins’ newest vampire.

The climax is just as pleasurable as the lead up. The haze lingers long after his spent has dripped out of you, long after he’s collapsed into your body with exhaustion and contentment. The blood dries, the wounds clot – but that haze doesn’t falter.

As long as his skin presses to yours, you feel that caress of his mind against yours.

“Did…” you’re breathless as his face nuzzles into your nude chest, a few mindless hums of gratification still slipping from him as you bring a hand to toy with the curls at the crown of his head, “Did any of your vampire books say anything about… that?”

The connection. The bloodlust. The spell you swear he still has you under, even as it’s all said and done.

He snorts against your skin, “Not that I, uh, recall.”

“What? You mean to tell me in all your research, you never dived into any vampire smut?” you tsk jokingly, a calm smile tugging at the corners of your mouth. He lifts his head, and you swear, those honey-brown irises have threads of a deep maroon now, “You’re slacking, Munson.”

“Why read about it when I can just experience it?” he coos, letting his nose and lips drag across your still hot skin before he rests his chin on your sternum, “Besides, I mean – we’ll need to do this again, won’t we, baby? For research.”

Your head still spins. Your body aches in a welcome manner. There will be a need for explanations to others, for actually researching his condition, later on. But for now, it’s enough.

The pounding behind your ribcage, the one you know Eddie feels for the both of you when his ear presses to your chest, is enough.

Of course, lover.

That thought stays between the two of you. The world doesn’t need to know what can’t hurt them.

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vidavalor · 9 months

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The *Original* Original Sin Theory or... why Aziraphale's "I forgive you"s really mean "forgive me" and just why he wants Crowley's absolution...

Will this break your heart in a good way and make the end of S2 hurt less? more? both? idk let's find out...

I want to talk about what the Before the Beginning scene does to the Eden scene and what all that suggests about Aziraphale and Crowley's relationship... because it might be enough to upend what we think this relationship is quite a bit, at least from Aziraphale's POV, if it goes in the direction that I think they are hinting at in S3, which I'm basing off of where they took it in S2 in these scenes.

This also contains an analysis of That Scene from 2.06 that ties into lots of other scenes and some other meta related to the show and it's a bit long-- like, the mother of all metas-- but there are pretty gifs and I brought snacks? Just letting you know it's a long post but tuck in with some tea if you're in the mood and thanks for reading. :)

Under the big cutty thing...

Before we get started, a couple of quick warnings: I curse a bit in here. It's in the show itself but just letting you know it's here a bit, too. I also mention *very* briefly suicide ideation in the characters and also very briefly (one sentence) Satan's mind-control of Crowley in S1 in a way that might be sensitive for a sexual assault survivor. There is general mention of religious trauma and abusive relationships (not Crowley & Aziraphale's relationship) all over this. If you are okay with the show, you should be more than fine reading this but just wanted to let you know up front. If you're okay with that, read on...

So, the Before the Beginning scene contains a twist, in that we learn that pre-Fall Crowley is naive to Heaven while Aziraphale is the one who is wary of it. This is especially interesting because, best we can tell, no angel has Fallen yet. There aren't *explicit* consequences for asking questions yet, as Crowley doesn't think it could get him into trouble to do so... but *Aziraphale* does. Heaven in S1 and S2 is shown to be basically a fascist state full of bullies jockeying for power where the ones on top dole out all sorts of abuses to maintain a sense of order among the rank and file. We see the emotional and even physical abuse they dole out to Aziraphale and how little they tolerate any sort of dissent, even from an archangel, based on what they ultimately do when Gabriel doesn't want to do arma-bloody-geddon anymore. Heaven is basically The Kremlin. Toe out of line and they'll toss you off a high-rise while telling everyone how sad it is that you recently had a spell of depression and heart troubles as a way of scaring everyone else into submission, right? What's surprising to us is that Aziraphale knows this *absolutely* Before the Beginning and he's terrified on Crowley's behalf, since this place functions as a kind of mafia state.

This implies something really kind of dark which is that Aziraphale knows enough to know how to toe a party line and keep quiet about any doubts he has. He knows how to survive in a way that then-innocent Crowley did not. He tries to tell Crowley that questioning things is going to get him angel-killed but Crowley has a faith in God that's different than Aziraphale's was even before the Earth was fully created. Crowley believed in Her more than Aziraphale does. He doesn't think anything will happen to him. Aziraphale knows what will and this implies knowledge of the abuse of the system and it completely changes our perspective of Aziraphale throughout the rest of the series. We often think of him as either willfully naive or just desperately optimistic regarding Heaven's goodness but, in reality, he's neither of those things. He's something else, entirely. His actions are not expressing naivete or desperate optimism or anything else.

They are expressions of guilt.

And the Eden scene tells us why he has that guilt.

The Eden scene introduces us to Crowley and Aziraphale and the series itself and it has Crowley posit the central question of the show regarding the nature of angels and demons:

Objectively, when you watch this scene, you think this is about the tempting of Eve and the flaming sword. It is... but it's also not *just* about that. Because Crowley and Aziraphale are watching Adam & Eve venture off beyond the Garden of Eden in this scene. They're still within view so the flaming sword situation happened a matter of minutes earlier. Yet, when Crowley posits that central question of which one of them actually did the good thing and which did the bad thing, Aziraphale reveals that it wouldn't be funny at all if what Crowley is saying (that Aziraphale actually did the bad thing) is true. He's distressed about it and so Crowley, somewhat dryly, reassures him that he's an angel so he couldn't have done the wrong thing. (Crowley, of course, being a literal former angel punished for doing the wrong thing lol and that being the joke but also in there is also the layer of Crowley genuinely liking Aziraphale and trying to tell him that it's all okay and meaning it.) Aziraphale is relieved and this is the key bit here-- he says oh good "because it's been bothering me."

The tone of this is that this central question of whether or not he did wrong or right by Crowley and whether or not Crowley was wrong or right in his actions *has been bothering* Aziraphale and he phrases it in a way that implies he's been losing angelic sleep (so to speak) about it for a little while now. If this was *just about Adam and Eve* then Aziraphale's reaction here makes absolutely no sense because the camera also then cuts in their conversation to in front of Crowley and Aziraphale *to show us Adam and Eve still visible in the near-distance* fighting off the lion with the flaming sword. They literally *just left* so how could Aziraphale be all in knots for awhile now over whether or not he made the wrong call? He's not. You can argue that his decision here in Eden to help Adam and Eve by giving them his flaming sword-- by standing up and doing something in the face of God to help out other beings he secretly thinks might have been treated unfairly-- *is a direct response to what he failed to do back in Before the Beginning*...

... which was to stand up for Crowley.

Meaning: Aziraphale doesn't need to see Heaven's files to find out what happened to Crowley when Crowley fell because he was there. S3 is going to be about preventing the Second Coming and so plot allusions to the crucification (which had its own Crowley & Aziraphale scene in S1) will likely abound. Aziraphale was there when Lucifer and The Gang were tossed out of Heaven. To be fair to Aziraphale, there is basically nothing he could have done to prevent this and the best possible situation is that he didn't even have the chance to. The worst possible situation is that he's literally Judas and sold Crowley out, out of fear of being tossed out of Heaven himself. I tend to think it's more that he just didn't stand up and say anything in support of Crowley to prevent himself from being seen as on the side of the eventual demons. Still, just as Crowley thinks the punishment for Adam and Eve was harsh, Aziraphale thought that asking questions and being curious wasn't enough to send Lucifer and everyone around him to Hell to be damned for all of eternity but it caused an obvious existential crisis in him that he still struggles to totally resolve.

If he disagreed with the decision to cast out the suggestion box-happy angels, he was as "bad" as they were. If he agreed with the decision, he was condemning them and that didn't seem angelic, either. How to be a good angel, which is the only thing he had ever tried to be or knew how to be? He did what he thought must be right-- to follow what the other, more powerful angels said the word of God was-- and if it was Her will, then it must be what was right, even if it was *extremely difficult* to see how this lovebug here was really an evil, demonic creature of Hell...

Not to mention that Aziraphale was in love with WhateverHeWasCalledPre-Crawly!Crowley. (We will just call him "Crowley" for this whole meta, because that is the name he chose for himself.) And maybe Angel!Crowley went after the more glamorous, daring guys. Heaven honestly seems like both a fascist state and high school at once (is there really a difference? lol). Crowley describes how he wound up falling in S1 as that he "hung out with the wrong crowd" and Aziraphale in Before the Beginning honestly seems like he's been flying around watching Crowley make stars for ages, trying to work up the nerve to or find an opportunity to introduce himself to the beautiful hot cool arty science-y guy who barely looks at him when his other option for a view are nebulas... or Benedict Cumberbatch's Lucifer/Satan, whose "stroke of demonic genius, dahling" bit in S1 and dark assault on his fave Crowley while Crowley was driving had a real "Angel!Crowley went for the bad boy who were so bad pre-Fall that they wound up fucking Satan afterwards and friend-zoned angels like Aziraphale" vibes. Alternatively, maybe he didn't totally? Before the Beginning seems to be the first time they met and maybe after that, Crowley and Aziraphale became close. It's just that Crowley canonically also wound up sitting at the cool kids' table because they were the only ones questioning things and he wound up damned for eternity for it and Aziraphale?

Aziraphale blames himself for it.

He has blamed himself for Crowley's Fall for six thousand years.

When they speak in Eden, Aziraphale is being confronted for the first time with what has come of his nebula-joyous, freshly baked blueberry muffin of an angel. He calls himself "Crawly" now-- or that's the name he's been given-- because who he was is dead. His eyes are yellow. He's now a snake. He's maybe a bit sarcastic, a bit dry, and a lot more guarded and aloof but Aziraphale sees flickers of Angel!Crowley in there. He's *kind* to Aziraphale. He's still inquisitive, in spite of it being what damned him to Hell. Aziraphale, God help him, is still wildly into him and, ugh, maybe even *more* so, in spite of everything.

And 'everything', for Aziraphale, includes Crowley being a demon being Aziraphale's fault.

They don't talk about it. Ever.

They don't talk about it because Aziraphale thinks that Crowley doesn't remember. Crowley's memory loss of a lot of his time pre-Fall is canon in S2-- something we, the audience, will need to understand the whole picture when/if we end up getting this revelation in S3 of Crowley's Fall and that Aziraphale feels he's at least partially responsible. What's even harder for Aziraphale is that because Crowley doesn't remember his time as an angel, he doesn't remember their full history together. He doesn't remember how they met and protecting Aziraphale from the first celestial shower and all the times they chatted after that and if they were in love back then, Crowley doesn't remember it. Eden then becomes, to Crowley, the first time they meet... but then look at how while Aziraphale seems to think that Crowley doesn't know him while Aziraphale knows Crowley-- the moment that he pauses so Crowley can introduce himself-- *Crowley* seems a little bemused. Why?

Because what Aziraphale has failed to consider is that the one memory that the demons are allowed to keep, most likely, is their Fall, which means that if Aziraphale was there when Crowley fell, Crowley actually *does* remember him. At minimum, he remembers Aziraphale being there and looking stricken by what was happening so even if he can't remember more than that, he knows he's safe with Aziraphale and that Aziraphale cared about him, which would explain why he risked going to talk to with him on the wall in Eden. He knows they were friends and that Aziraphale is good and he can trust him. It's also theoretically possible that if Crowley remembers his Fall and if Aziraphale was there, it's a trigger to him being able to remember all of his and Aziraphale's time before Crowley fell. Aziraphale might not know this and because these two idiots do not know how to talk-- and especially don't talk about this-- Crowley hasn't told him. In part because Crowley can't go back and he doesn't want them to dwell on Angel!Crowley when Crowley is who he is and if that's a demon, it's a demon, and the whole system can go fuck itself anyway, as far as Crowley's concerned.

Aziraphale, though, is still back on "it's my fault". He thinks he literally took goodness from the world; that he participated in the murder of his friend and the love of his life. He has never. In six. thousand. years. lol. told Crowley that he feels like this because he still thinks that Crowley doesn't remember Aziraphale betraying him and he is terrified that if he told Crowley he did-- if he told him that he was responsible, in part, for his Fall-- that Crowley would hate him and Crowley is Aziraphale's only friend in the universe and Aziraphale is madly in love with him. He couldn't bear the loss of him. He can handle their occasional spats and disagreements, knowing that Crowley always comes back, but this? If Crowley knew that his Fall was Aziraphale's fault? Aziraphale thinks Crowley wouldn't come back from that and he'd never see him again.

In reality? Crowley either already knows this and has the whole time or suspects it or if he found it out, would forgive Aziraphale for it. If he knows, he already has. His counter-argument is, like, what were you supposed to do to save me, exactly, angel? You alone versus all the hierarchy of Heaven and God Herself? I'm *glad* you didn't do something stupid and get yourself tossed into a pit of boiling sulphur. You don't deserve that.

Thing is, though, because they've never had this conversation because they DO NOT TALK lol, Aziraphale thinks he *does* deserve that. But look at what's happened since he made the decision not to save Crowley from falling...

...nothing.

Nothing has happened to Aziraphale. He didn't fall for it himself. He didn't fall for betraying the angel he loved and he wonders every. single. day. why he didn't and the only thing he can come up with is that he must have done the right thing. *It must be* that Crowley did the bad thing and Aziraphale did the good one because Crowley was damned to Hell for all of eternity and Aziraphale is still an angel of Heaven, six thousand years later. It's not for Aziraphale to question God. Her will is ineffable. It's ineffable because he cannot begin to understand how any of this can possibly be just and that just keeps happening over and over and over and over throughout the years to come in every situation he and Crowley find themselves in, from Job to The Flood to Wee Morag and Elspeth to Arma-bloody-geddon, right?

Aziraphale begins to lose count of how many times he's gone up against God at this point. Gives away his flaming sword to Adam and Eve. Saves as many as he could during The Flood-- *with* Crowley. (You know they did.) Lies to Gabriel's face in the eyes of God to save Job and Sitis' children... and learning that Falling was political, really, in the process. Nothing happened to Aziraphale for Job's kids. He suffered no consequence for lying to Heaven and God because Crowley was willing to lie for him-- to protect him from Falling, where Aziraphale couldn't protect Crowley himself ages before-- and nothing happened. Falling, suddenly, didn't seem totally God-ordained it it could be tossed aside by something as simple as having a demon just choose not to toss you to Satan. Crowley didn't take him to Hell because he didn't feel like Aziraphale belonged there. It wound up all entirely within Crowley's control, which then made Aziraphale begin to question if God was even really behind the Fall of Lucifer and the Gang or if it wasn't just the thugs in charge of Heaven who decided to toss them out... thoughts he was terrified to think and didn't dare voice aloud, at least not then.

In another era, Aziraphale and Crowley stood there together to witness the torture and murder of Jesus Christ in the name of God, in a parallel to the Fall. What happened to Jesus? He was betrayed by his closest friend, then tortured and murdered by those in the government who thought he posed a threat to social order. Heaven as Pontius Pilate. Aziraphale as a kind of Judas, in Aziraphale's mind, anyway.

Jesus as Crowley.

Time goes on and he and The Demon Crowley form friendship in their own right, regardless of what Crowley might remember from before his Fall. They form their Arrangement off of that and Aziraphale learns even more that, often, no one is really paying attention to what they do. That no one seems to notice if Crowley performs an angelic miracle or if Aziraphale performs what has become termed a 'demonic miracle'... because, really, *they're the same*, though that's not something Aziraphale can fully admit. He cannot allow himself to believe that demons *are angels* because if there's nothing different between demons and angels than Aziraphale doesn't know anything at all.

Anything at all... He doesn't know what being an angel *is* and it's what he supposedly is so it means he doesn't know who or what he is, really.

He doesn't know what God wants or if he truly believes in Her.

He doesn't know what the purpose of all of this is-- why Crowley had to suffer, why demons in general have to, why the *humans* do. Why it all has to be destroyed eventually. To what end?

Aziraphale has the same questions Crowley does and sometimes, late at night, often a little drunk, he'll dare to ask them with Crowley, and every morning that he still wakes up and sobers up and finds himself still an angel when Crowley Fell for so much less than Aziraphale has ever thought or done, he wonders just *why?*

Why is he still an angel when he, really, is no different from Crowley? Why Crowley is damned? Punished for all of eternity for curiosity and innovation and imagination, while Aziraphale is still an angel, doomed to only have until the clock runs out on Armageddon before losing him for the rest of fucking *eternity* but, until then, stuck suffering watching him suffer while remaining an angel? Is being an angel at this point, really, his punishment for failing the apparently foul fiend he adores?

Does Aziraphale ever have any answers to these questions? Good God, no lol. He's six thousand years into this and he's in the same spot as Amnesiac!ArchangelFuckingGabriel in 2.01:

...would be okay if you could just be one near particular person?

Of course Aziraphale knows what this feels like. Of course. We know he does. And that's why he hasn't been able to make a real move in six thousand years-- because it's his fault, as far as he's concerned.

Crowley's damnation is his fault. Crowley cannot really love him, or couldn't if he knew. Not because he's a demon, though Aziraphale might have thought that at one point but he definitely was cured of it by events in 1941. The more time that goes by, the more Aziraphale knows that Crowley loves him-- that he's *in* love with him-- and the worse it all gets for Aziraphale because every day that he hasn't told Crowley that he didn't prevent him from Falling is another day within the last *six thousand years* of them falling in love and the betrayal seems to get worse and worse to Aziraphale. The time to have this conversation was on the wall in Eden and it still hasn't happened. Still, over time, he starts to realize that Crowley, if ever knew, would forgive him.

Because his Crowley has the kindest of hearts. He really does, and that wasn't taken from him when he Fell and Aziraphale finds every opportunity he can to delight in seeing that and making Crowley reveal it.

It goes against everything Aziraphale is supposed to believe.

Demons are not supposed to be good-- if they were, they wouldn't have Fallen. Yet, Aziraphale knows Crowley is. He never has truly believed that Crowley isn't-- even when he could have, at least at the start. He worried, maybe, that he had helped create a monster out of the most lovely being he'd ever known but Crowley just kept proving him wrong about that, time and time again. *Crowley* doesn't believe it about himself, really, because that's his own trauma from his Fall but Aziraphale believes it about him and that's often good enough for Crowley.

But, really, this is why they still haven't gotten together in six thousand years. This is why Aziraphale seems like he can never get beyond "I'm an angel and you're a demon", no matter what Crowley does or how he proves that there are shades of gray and also, that the entire system is bullshit. It is not that Aziraphale doesn't *know* that it's bullshit-- it's that if he admits that it is, if he stops believing in Heaven (even if he doesn't stop believing in God), then he's left with nothing but the crushing weight of guilt that he has for all the pain that Crowley has been through.

If he tells himself that Crowley Fell *for a reason* and that he (Aziraphale) was *right* to not interfere, to not try to thwart God, even if it would have likely failed, just on principle, to stand up for his friend... then Aziraphale doesn't have to deal with the fact that he made what he really considers to be a colossal mistake and that it has caused the continued pain and torture and eternal damnation of the being he considers his soulmate...

...which is why everytime that pain comes to the surface in something Crowley says or does, Aziraphale *cannot handle it at all whatsoever* and reverts to You'reADemonI'mAnAngel!Mode.

Example: Crowley's religious trauma on display in their bandstand argument:

Crowley owns this, even if he's still traumatized by it. He's saying it sarcastically, making a joke on a song Aziraphale probably barely knows, if he knows at all ("Unforgettable"-- Nat King Cole). Aziraphale *aches* at Crowley saying this-- because it reminds him that it's partially his own fault. And he can't. Do. Anything. About. It.

He's an all-powerful *angel* here but he can't change this for Crowley. He can't stop his suffering some six thousand years after his Fall. He's looking at sexy goth Crowley here and he's thinking about curly-haired, beaming, ball of light! Crowley and that they are *the same person* and Aziraphale *does* know that. He knows it and he loves him passionately and desperately and he is one of the most powerful beings ever in existence and he's standing there looking at the man-shaped-being he adores talking about how he still aches from the betrayal of his fellow angels and his mother God and *there is no way for Aziraphale to fix it* when he can mend broken bones and heal the sick and let their be light! all over the place. He can do proper magic and still, he cannot take away Crowley's pain.

This is Aziraphale's Hell. He didn't Fall but he's been in Hell anyway.

So when Crowley's religious trauma and pain comes out, usually in an argument like in the bandstand scene, Aziraphale does the only thing he thinks he *can* do, right? He's an angel. Still. Somehow. He's an angel and there must be some reason for that and an angel is not a demon-- an angel is a purer being, a healer-- and so he says "I forgive you". He doesn't mean it to be patronizing, even if it is. ("I am a *great deal* holier than thou," as he told Crowley at one point and that was the point, right?) He is trying to say "I am still of Heaven and if it's absolution you need, I can give it to you."

He is trying to say: You are not unforgivable to me.

The real lyric of the song Crowley parodies in the bandstand is what Aziraphale means, whether he knows that song or not...

Unforgettable/That's what you are...

*Crowley*, though, doesn't know about Aziraphale's inner turmoil because *heavy sigh* FFS TALK, YOU IDIOTS *breathes* lol, so *he* hears:

I still think I am better than you and you are Fallen, so you're not worthy of me. I can't love you, not the way you want. I love all beings because I'm an angel and I you know I'm in love with you but I can't *allow* myself to be because it goes against the nature of an angel and I've only done eleven thousand things that should have made me Fall over the years but letting myself be in love with you is the rubicon I won't cross, apparently...

Crowley knows by the time they're having the bandstand argument enough about Aziraphale's general religious trauma (not necessarily about how it pertains to Crowley's Fall but about it in general) to know that he spits out hateful garbage when he feels cornered and how to just call it bullshit and move on. ("I don't even like you."/"You doooo.") But he understandably walks away when Aziraphale pushes him away past a point he can handle-- and Aziraphale knows how to do that. He does it *intentionally.* The "I forgive you" is sadness because it's all he has to offer Crowley but he also knows it'll piss Crowley off enough to end the argument, so he says it intentionally to get Crowley to go away. In this scene (which parallels the end of S2 quite a bit, as many have noticed), Aziraphale is trying to deal with it all on his own, right?

He knows where the antichrist is. He's just not telling Crowley yet. He's trying to deal with it to keep him safe. He's doing it because he thinks he should-- that maybe, when it's something of this level of importance, that his job should be as an angel first, above his side with Crowley. (It's also worth mentioning here that Aziraphale is straight up terrified of Falling, not even just for being damned to Hell but because then, if he's no longer in Heaven, he has exactly zero power to even *try* to protect Crowley.) At the end of S2? With The Metatron?

Aziraphale does the same thing as with the antichrist for a time in S1, really.

The beginning of S2 shows us that Aziraphale has known that Heaven is North Korea since Before the Beginning so now marry that with its last scenes and see the arc that connects them-- Aziraphale does what he does out of guilt over what happened to Crowley to *protect* Crowley. He didn't want to do any of it without Crowley and when The Metatron finally offers that carrot, Aziraphale is suspicious as all hell (pardon the pun) and here we have this moment where part of him *wants* this to all be real, right?

Times change and sometimes, your parents who traumatized the living fuck out of you and didn't approve of your boyfriend, grow the hell up a bit and try to repent and mend fences. Maybe the trust is broken but maybe it can be healed and *as an angel*, Aziraphale is a being of goodness and hope and optimism. He's pure of heart, as Crowley put it to Nina. He *wants* that to be the case... but he also knows it likely is not.

Still... they can't run. There's nowhere that Heaven won't find them. It's no life for them-- no life for Crowley, in Aziraphale's mind, no matter how many times Crowley tries to get him to run away with him. "We can go off together!" begs Crowley, over and over, and Aziraphale's only really ever found that Crowley will only slither off if he's ticked off enough and only "I forgive you" ever really does that enough to work lol. He *means* I love you endlessly but you know this is impossible, you bloody maddening, gorgeous serpent! Will you stop reminding me of what we could have when it can never happen?! but that's not exactly how Crowley's taking it.

In the end, to Aziraphale, Aziraphale is an angel and Crowley is a demon and they are doomed to spend eternity apart and Aziraphale thinks he has no one to blame, really, but himself. If he had somehow saved Crowley six thousand years ago-- or had somehow been brave enough to stand up for him and Fallen alongside him-- they could have been together forever.

But he wasn't then and now The Metatron is here and it's time for Aziraphale to go back to Heaven and he knows, as he sits there drinking coffee with the being whose posse sent Crowley in a free fall into a pit of boiling sulphur, that Crowley will never, ever, ever, EVER go back to Heaven.

But he also knows that Heaven is here to collect Aziraphale and they are making it clear that there is no escape. There's nowhere to run. Everyday, it's been getting closer for six thousand years and going faster than a roller coaster for the last handful but a love like Beez and Gabe's will surely never come his and Crowley's way now.

It was always going to end like this. Nothing lasts forever. He told Crowley that, Before the Beginning. Six thousand years. That was all the time they had before the end of Earth, the place they'd come to call home. They found a way to borrow a few more years at the end of it since S1 and he got to dance with Crowley, their fingers brushing, and that is going to have to be enough because they're out of time.

The Metatron never needed say it directly but it was evident: they wanted Aziraphale to go to Heaven and they would say or do anything to get him up there and Aziraphale may have bought it for a moment but he's definitely figured out by the end of S2 that they need him up there not to become the Supreme Archangel but because his time as an angel is now over. The threat to Crowley is unspoken but omnipresent.

The Metatron makes it sound like he doesn't care if Crowley comes back up to Heaven with Aziraphale or not and he really doesn't and why would that be? Why would he be eager to have the two most troublesome beings in all of Heaven and Hell teaming up and getting in the way of his Second Coming plans, which he absolutely *knows* they won't support? Because they won't have jobs waiting for them up there. Crowley will not be restored to full angelic status.

They're going to kill them. Aziraphale knows it. He's known what Heaven is since Before the Beginning, even if he's been in denial about it for almost as long to try to assuage his own guilt over participating in it.

And it's a lot easier a goal for Heaven to accomplish if they separate them and just Aziraphale goes up to Heaven. If Aziraphale goes alone-- if he keeps Crowley from following-- then Crowley is not a threat to them if Aziraphale is gone.

They aren't as powerful apart.

Aziraphale knows that if Crowley comes to Heaven with him that they will kill him and Aziraphale thinks okay, this is it... this is my moment of redemption.

Six thousand years since Crowley Fell and I can finally make up for not saving him by saving him now.

I can go with The Metatron and let Heaven kill me and know that they will not threaten Crowley if they do because what they are threatened by is both of us together. One of us, alone, is less of a threat and the only problem here is that if I go... Crowley will follow me.

If I just go without telling him what The Metatron said and I don't come back right away, he'll go to Heaven, worried that something happened to me, and they'll kill him when he comes looking for me. He'll find out they've Book of Life'd me and do something stupid and my sacrifice to keep him safe will all be for nothing.

So what's our tortured angel to do?

Bandstand 2.0, right?

He's got to piss Crowley off enough that Crowley won't follow him.

He's got to piss Crowley off so much that Crowley *will never come back* and the worst part is that Aziraphale knows *exactly* how to do it.

He makes his own plans and if things get drastic enough, he'll blow up that damn halo, metaphorically-speaking this time. To save Crowley, he will break Crowley.

It's darkly romantic, really. He'll sacrifice himself for Crowley but to be sure that Crowley will be safe and not follow, he'll have to break his heart a bit first-- to further their misunderstandings in a season based on "I don't think your exactly is my exactly exactly"-level miscommunications.

So Aziraphale accepts The Metatron's offer and lets The Metatron think he completely believes that the offer is legit and maybe a part of him is still hoping that it is but he knows it's really not and that this is a suicide run. This is Aziraphale's Holy Water arc...

...and speaking of Holy Water... that arc from the perspective of this being Aziraphale's mentality... Crowley, tortured by Hell for what he did while with Aziraphale in 1827, then refusing to talk about it, showing up with a cane, sullen and depressed, asking Aziraphale for the one thing that would kill him and Aziraphale's unwillingness to understand that it wasn't completely suicide ideation on Crowley's part but as a way to *protect Aziraphale* and keep him safe. Crowley wanted what could kill a demon not to kill himself but to kill one that might come after Aziraphale. All Aziraphale could see, though, was Crowley's physical and emotional pain, that he could barely keep hidden in that era, and how Aziraphale couldn't make it better. All he could see was how he failed him and led him to this suffering. All he could see in a note begging for "holy water" was Crowley wanting a suicide pill, wanting to destroy himself, unable to take any more, in so much pain that he'd leave Aziraphale forever to make it stop. Aziraphale is blinded entirely by guilt and fails to see what Crowley is really saying, which was, ironically, the last time Crowley began to try to tell Aziraphale how he felt, which was:

I've been thinking-- what if it all goes wrong? (What if I lose you? I'm terrified of losing you. I love you. I wake up from nightmares of you being destroyed by the demons who just spent a couple of decades after 1827 not that long ago torturing me. I didn't know for sure if you were still alive during any of it.) We have a lot in common, you and me. (We're a team. A... group of the two of us.) What if it all goes pear-shaped? I need you to get me the magical demon-killing stuff so I have a weapon against *my own fellow fallen angels* that I can use in case they come after us. I would kill another demon and send every legion of Hell after me to protect you.

Aziraphale: I like pears.

(My God, they are so stupid. Please. I can't take any more lol.)

So, yeah... it's Aziraphale's turn for the holy water suicide run here only with an actual suicide run...

It takes the books in The Blitz for Aziraphale to really understand what Crowley was asking for and what he meant by asking for holy water and by 1967, he gives Crowley the holy water, in the one moment when *they actually talk*, as much as they can, about how much they love one another, that exists prior to the end of its parallel-- the end of S2.

So, yeah, Aziraphale "goes to tell his friend the good news" with a look on his face like he's marching to his death *because he is* and he knows it. His last moments with Crowley, in some of his last moments in existence, he already knows will be spent upsetting the man-shaped being he loves. He's got it all planned out. Not exactly the picnic of his dreams but it'll redeem him and save Crowley and that's all that matters to Aziraphale in this moment.

He will sound naive to the threat of Heaven and because Crowley doesn't remember pre-Fall, he won't remember how Aziraphale warned him against taking on the brass in Heaven so Crowley won't be suspicious, he'll be *frustrated*, like he was in the bandstand. He'll get angry. Aziraphale's goal is to get him to storm out-- but it has to be a really, really, bad relationship-ending storming out.

He can't come back after he drives The Bentley around the block like he did back in 2.01 and say "okay, fine, I'll help you" and Aziraphale knows that if he plays this right, he can make it so Crowley won't because helping Gabriel was one thing but asking Crowley to become an angel with him and pretending like they can go fix the broken system of Heaven is going to be Crowley's bridge too far. It's *the only thing* that Aziraphale believes is Crowley's bridge too far where Aziraphale is concerned and isn't that heartbreaking as hell? That Crowley loves him this much? And they never got to be together the way they wanted? That they were just beginning to get close to trying to figure that out?

That, hours ago, Aziraphale was asking him to dance and trying to ignore the signs of trouble around the corner, desperately wanting more time with him? That they are semi-immortal beings that always somehow seem to be out of time?

Truer words have never been spoken, Crowley. Little did you know, poor demon...

So Aziraphale goes into the bookshop and Crowley looks all worked up and wants to say something and some part of Aziraphale begins to hear warning alarms going off in his head because Crowley *never* looks like this-- is never this flustered, never this uncomfortable, never this nervous, never in a rush to say something-- and Aziraphale thinks no, can't be, we don't talk about this... even if, ironically, all of S2 shows that Aziraphale has been trying *for just that*. It was just a few hours ago that he was trying to Jane Austen a ball for them to use as a pretense to discuss their feelings because, in the height of ironies here, right?

Aziraphale was ready.

They'd had some time without Heaven and Hell breathing so much down their necks, even if the threat still loomed, and spent every day together and it was perfect and it was lovely and he knew Crowley would forgive him and Aziraphale was almost there, right, he was *almost* ready to tell him. He was almost ready to tell him he loved him and that it was him, all those millennia ago, who could have done something and didn't and he's so, so, so sorry and can Crowley ever forgive him? Is there any way that Crowley could ever forgive him after what he didn't say and didn't do when he should have? For all the times since that he's said things in anger when, really, he was madly in love and just full of his own issues to sort out? (Damn, Aziraphale, we're beginning to see your affinity for Austen heroes here...)

But he's out of time so there will be none of that now. Now is his karmic payback. Six thousand beautiful years with the being he loves and feels he doesn't deserve have led to Aziraphale's redemption being that he can sacrifice himself to save him. He can leave the world they love with Crowley and Crowley's *goodness* in it, as it should be. So when Crowley says he needs to say something, Aziraphale cannot-- CANNOT-- let him speak because he cannot bear it.

He suddenly fears that of course-- OF COURSE-- the one moment in all of these trillions of moments they've lived through where Crowley is about to directly say he loves him for the first time is the also the same fucking moment when Aziraphale has to destroy their relationship to save Crowley's life and Aziraphale will be dead after this and he cannot bear hearing what his life could have been. He can't hear Crowley say this right now or else he worries he might lose his nerve. He *wants* to hear it but if Crowley speaks first, Aziraphale might cave, he might be weak again like he was when Crowley Fell, he might fail him again, and he can't. Not after all this time. Not when he loves Crowley so much.

"What's that lovely human expression?! 'Hold that thought!'" he blurts out, in a callback to, of course, the moment Crowley saved him in 1941-- to that night where Aziraphale really realized for the first time that Crowley wasn't just capable of good or capable of being friendly towards him but that Crowley *loved* him and that he loved the Demon Crowley, whether or not he should. ("But somewhere in my wicked, miserable past," sings Frances McDormand as the Voice of God, from her apparent favorite film lol, "I must have done something good.")

Ah, yes. Played for suckers. Here is where it's important to note that in 1941, Aziraphale had no idea that Rose was really Greta and that he, in fact, was the one being played for a sucker. By the end of S2, though, it could be argued that he very much knows that The Metatron is Fraulein Greta Klauschmidt-- someone who presented herself as Captain Rose Montgomery, an agent of anti-fascist good, who approached Aziraphale in his bookshop and told him that he could be an agent of change, too. He could help save the world and stop the global rising tide of fascism represented by the Third Reich. He could even do so using his books. They plotted a sting together, in which he'd bring his books to a church and seem to give them to Nazis to give to the Fuhrer, only for agents to surround them and arrest the Nazis. Aziraphale, desperate to *do* good and to *be* good, falls for this-- he fails to see that Rose is really Greta, a Nazi agent who fools him into working for the enemy and getting him to help destroy the world in the process. Pretty obvious to see here that Greta is The Metatron in S2... but it's likely that Aziraphale knows it and is playing along because it's his turn to save Crowley, unlike what happened in 1941, when Crowley saves him and his books.

Crowley, in the bookshop back at the end of S2 in our present time, stops speaking at the "hold that thought", looking like he's about to be ill, and has to also be thinking of 1941 and the church now that Aziraphale has referenced it. Maybe, in some way, it's an unconscious effort on Aziraphale's part to convey to Crowley that this is a charade-- that he doesn't mean this, that it's an act-- but he really doesn't want Crowley to figure that out. It would defeat his goal. But he also doesn't want to hurt him because he loves him but this is the only way that Aziraphale can see to save him. So he starts gushing about his coffee with The Metatron, right? We all remember this pain lol.

Maybe I've misjudged him. (Aziraphale, we suspect you know that he tossed Crowley into hellfire and stole Gabriel's memories so honestly, the worst part of all of this is that you're so traumatized that Crowley is *buying* what you're saying here...) And guess what?! He wants me to be the new Supreme Archangel! And he said you can come! And you can be an angel again! It will be so fun! We can have a slumber party, Crowley, after days of doing good, and braid each other's hair!

Crowley is like jfc fml are you even serious right now? Which, of course, is what Aziraphale *was going for.* It's the "I don't even like you" and the "we're hereditary enemies" and the "I'm an angel, you're a demon" way of trying to intentionally push Crowley away but the new version of it because none of that flies with S2 Crowley-- most of it barely flew with him in S1-- because Crowley *knows.*

He knows that Aziraphale loves him. And he knows that Aziraphale knows him, which is to say he knows how to hurt him, and that's what this is but also Crowley just sees it as how much Heaven has hurt them both. How much they've hurt Aziraphale. Because just as Aziraphale looks at Crowley in the throes of his religious trauma-- "Unforgivable. It's what I am", etc.-- and wants to help and save and protect him, Crowley feels the same way in return when Aziraphale is like this. Frustrated, sure, but in just as much pain at how much pain Aziraphale is in and feels powerless to stop it but will do whatever he can to try to, yeah?

For Aziraphale, this is all going fairly well (it's miserable but in terms of goal, it's working) through "tell me you said no" but the problem is that Crowley is still pleading. He's still trying to work through it because they're an *us* now and also ironically of course this is when Crowley's been trying to do better with storming out lol so he's trying to couple-solve this. He's not just *leaving* like how Aziraphale had hoped. He had been trying to sell to Crowley that he could pick Heaven over Crowley and Crowley is just kinda... not believing it so much at first and, instead, is trying to approach it like a problem for the two of them to solve together, instead of as a decision that Aziraphale has made for his life that he's stating that Crowley can take or leave.

Which calls back to this scene in 2.01 at the start of this arc, when Crowley calls their life *his* life and Aziraphale counters with that he thought *they* had carved out a life for themselves *together* and Crowley answers: "so did I!" Because they haven't had a discussion about what they are, exactly, at that point, Crowley still cautiously calls *their* life *his* life, retaining a sense of autonomy, as if he's only making decisions for himself when, in reality, they are a couple who are trying to make a life together and have been doing so consciously since S1. Crowley calls that life "precious" and "peaceful" to Aziraphale-- beautiful, lovely things that they both treasure and want and find with one another-- but also "fragile". The threats to them still loom large in the background and they are still so afraid to go much further in their relationship because, in part, of those threats and how terrified they are of losing one another... which just makes the end of S2 even more brutal, really.

(*mantras* cottage in the south downs cottage in the south downs...)

So back in That Scene later in S2, Aziraphale is then just kind of stuck trying to figure out how to get Crowley to be so angry with him that he storms out and never comes back in the face of Crowley trying to very much not do that and then Crowley starts saying that he needs to say what he was going to say or he never will and Aziraphale *knows*, ok? He knows what Crowley needs to say. He just literally cannot believe this is going to happen right now. He honestly can't believe it's happening at all but right now?!

He knows before Crowley begins speaking. He probably knew when he told him to "hold that thought" a few moments before but he *really* knows now. Crowley has no idea that Aziraphale has planned for this to be the last time they ever see one another and to go sacrifice himself to Heaven for whatever they want to do with him to keep them away from Crowley. Crowley looks like he's about to pass out from nerves and can barely speak and just...

...six. thousand. years...

...I know we have all looked at the heartbreak of this scene from Crowley's POV here every which way to Sunday, okay, but just imagine you are Aziraphale, who has loved this being since before the literal beginning of time, and you blame yourself for his pain and suffering, and he's standing here, braver than you've ever been with him, looking into your eyes and telling you that he knows that you love him and that he loves you and he knows you both have known this for basically the entirety of your existence together and he can't pretend anymore. He doesn't want to pretend anymore. He knows things have changed over the last few years between you and he wants more of that. He wants to be with you.

The two of you are not even human, just human-adjacent beings who have gone native from the stars and clouds here, who live and love like humans, who know that maybe the angels and demons have it backwards and God's great creatures are the humans-- that it should be the good in them that you should be trying to emulate-- and Crowley had never been more beautifully, impossibly human than while he's standing there looking ready to pass out while asking you if, after six millennia, it might be alright for him to not hide how much he loves you.

How many times has Aziraphale imagined this by this point? A million? How many different ways? There's at least half of them when he imagines that he's the one who gets up the courage first but there are so. many. Crowley. fantasies. Ones in every time period. But always *a fantasy*, at least up until maybe very recently. Why?

Not even just Heaven and Hell and the threat of being caught but the fact that Aziraphale believes that Crowley doesn't know Aziraphale didn't save him during The Fall and how could he ever really love him if he knew? How could Aziraphale ever go to him like this and give Crowley everything he knows Crowley has desired for so long without telling him the truth about Aziraphale's role in Crowley's Fall-- but then, Aziraphale assumes, he'd lose Crowley forever? So this has always been a pipe dream for Aziraphale-- fantasies from a world where they ever stood a chance of being together-- never really something that could be reality and here it is, starting, happening *now*...

...after six. thousand. years. of living with this guilt and in the last moments in which he will ever see Crowley before he heads to his likely death, with no time to tell him the truth and beg for his forgiveness, no time to ever know what their lives might be like if they could be together.

As Crowley, unbeknownst to Aziraphale, mused dramatically, if not inaccurately, earlier in the season... it's always too late.

It's punishment, in Aziraphale's mind. That's what Crowley's proposal, his confession, is now. It's his Fall, whether he falls or not when he leaves the bookshop for Heaven. It's karmic retribution-- it's God, finally saying something, and what she's saying is:

Look at what you've done, Aziraphale...

Look at how he loves you.

He was never unforgivable.

You are.

Aziraphale might be erased from existence once he gets to Heaven and he knows that's a possibility but he basically is dying here. Crowley is killing him. Crowley has pointed that silver bullet gun straight at his head and fired but he's missed and the bullet isn't in Aziraphale's teeth, it's gone through him.

Crowley, here, tears in his eyes, asking for whatever time they have. An eternity? Impossible, unlikely. Angel and demon. One day, the war will begin again-- another war to end all wars, like all the ones they've fell more and more in love during throughout history-- but it might be the one where Heaven or Hell wins and they're doomed to spend eternity apart. Crowley has said before he thinks the real war is humanity versus Heaven and Hell and that sounds like he thinks there's a chance they could survive it but who knows? They don't know. They're immortal beings who live like humans and that's, of late, included a sense of mortality. They don't know how much time they have left and Crowley is asking for all of it. He is asking for whatever time they have left to be spent together, openly loving one another, and what he doesn't know is what Aziraphale knows:

That they're already out of time.

Crowley is proposing marriage unaware that Aziraphale is dying. It's always too late, Crowley had stated earlier but had hope that maybe it wasn't but it is. And Aziraphale?

Gah. Aziraphale...

He's never loved him more. He's never wanted him more. He wants to tell him that he wants that, too, that they can have it, that Crowley can have anything he wants, but it's not true. It's not true because they could run out the back door of the bookshop now and hop in the Bentley and end-of-Grease it up to Alpha Centauri and Heaven will still find them. Heaven and Hell will still be after them. Running away solves nothing and Crowley always, ultimately, anyway, comes back and this time-- this time-- for Crowley's own good, to save his life, Aziraphale needs him to leave the bookshop and never come back.

And the moment that Crowley confesses that he loves him and that he knows Aziraphale loves him in return and that they've both known this, forever, and asks him if he can be allowed to just love him, Aziraphale loves him so much in return that he'll break his heart to save him from dying.

Dying is... not on, as High!Crowley put it in 1827 lol, but suicide-ish attempts are, if it's Aziraphale's turn this time.

So he twists the knife. He hides the goats as pigeons and he looks at Crowley and does a bit of this:

...only with the exact opposite intent. In the Job minisode, Crowley cannot speak aloud his true intentions. (Something he can finally do in the S2 finale, when he declares his love for Aziraphale.) He cannot tell Aziraphale outrightly that he had zero desire whatosever to kill Job's kids and animals and doesn't plan on actually doing it and, in fact, is actively engaged in a bit of bait-and-switch to make it look like he's doing what he's supposed to be doing as mandated by Heaven! this time as well as Hell (a nice little extra bit of paralleling to the end of S2 and Aziraphale, there.) He wants Aziraphale to believe him enough to allow him to pull it off because saving the kids and the pets (and protecting Aziraphale from any harm that might come to him if he gets in the way of what Crowley's been asked to do) matters more to Crowley than Aziraphale believing him...

...and believing him here means believing *in* him. Believing that they are on the same side and it's their own side and they're in it together. Crowley has to lie to him here *and it works for a moment*. It's really important to note that *it works*. Aziraphale believes that Crowley can do this and that he wants to-- that he not only can but he *longs* (lol) to "kill the blameless kids of Job"-- but it's all in Crowley's wording. He isn't *actually* lying. He *does* long to kill the blameless kids of Job like how he killed the blameless goats of Job-- because he "killed the blameless goats of Job" by turning them into pigeons. So he's really saying to Aziraphale that he longs to *fake the deaths* of the blameless kids of Job and plans to in the same way that he did the goats. In that moment, though? It didn't matter if Crowley was lying or telling the truth. There was only one goal--

--to get Aziraphale to walk away.

To get Aziraphale to leave, for his own safety, and let Crowley handle this. Better that he misunderstand Crowley and be disappointed in him and think him a lost cause than to get himself into trouble. Crowley out here loving Aziraphale that much in the days of Bildad the Shuite. (This poor mfer. Six. Thousand. Years lol.)

So what caused Crowley's plan to save Aziraphale in the Job era to not work?

One of the pigeons bleated, right?

Aziraphale heard it and realized that Crowley hadn't been lying so much as he had been trying to protect Aziraphale from his plan of subterfuge against the Almighty and Satan. The difference is that there are no bleating pigeons in the S2 finale... there's just *a whole certain famous other kind of damn bird instead* and its *absence* from the scene is the big emotional gut punch moment. And we all know it but I'll gif it anyway since this is already a depressing meta (cottage in the south downs cottage in the south downs...)...

...and that *is* the point. Because unlike back in the Bildad the Shuite days, there is no bleating pigeon (at least, not yet) to make Crowley realize that all is not what it seems and that Aziraphale is trying to lie to him and get him to leave to protect him from Heaven.

As Aziraphale is like mortally wounded here by Crowley's confession of love and is so not going to recover from this, he's now got to not only get Crowley to leave feeling like Aziraphale rejected being their own team for Heaven, he has to now do it with all of it out in the open-- with Crowley having openly confessed love for him, with him having asked for them to be together. He's not just going to have to frustrate Crowley more than he ever has before and get him to leave more angry than he was before, he has to, instead, smash into little tiny bits the very beautiful, very passionate, beating heart of the being he has loved since he met him *making the stars* in the bloody sky here...

The only way to get Crowley to go now is to make Crowley think he's rejecting the idea of loving him. Aziraphale honestly can't even sell the idea that he *doesn't* love Crowley because Crowley won't believe it-- he knows Aziraphale does and he's said as much in his whole marriage proposal here. So it has to be that Crowley thinks Aziraphale chose Heaven over loving him. Chose being an angel. That he really meant all of those 'hereditary enemies' and 'you're a demon' moments and to sell that, he sells it.

(You're a dark horse, Mr. Fell, Nina said of him in 2.01... the same turn of phrase Crowley uses when surprised by the secret skills and narrative power of Jane Austen later on in the pub.)

Aziraphale does love himself a bit of theatre. A bit of a disappearing act. The West End, The West End...

...our Nefertiti-fooling fellow...

He sells it with:

Well, of course you said no, *you're* the bad guys...

Come with me... I'll run, it you can be *my second-in-command*...

We can be together. *Angels*. Doing *good*...

...oh, Crowley... nothing lasts forever...

For his final act, The Marvelous Mr. Fell will saw his ineffable husband's heart in half by spewing a litany of everything he can think of to say that will piss him off enough to make him leave the bookshop broken-hearted enough to never come back.

Only someone put a miracle blocker on here because, try as he might and good heavens (pardon the pun), Aziraphale is *trying* here...

...this turnip is not turning into a damn inkwell.

Crowley finally starts to go-- it's looking promising. Finally, Aziraphale thinks, this misery might end. Six thousand years of wanting to speak of all of this between them and hoping for some happiness when-- if-- it could maybe someday arrive, if it even could-- and it's the worst moment of Aziraphale's existence and he knows it is the same for Crowley.

Crowley stops and the "do you hear that?" And no, Aziraphale doesn't hear anything, he just has never been more upset and Crowley needs to just go because Aziraphale can't handle another moment of this, how could it possibly get worse?

Nightingales. Of course.

A call back to S1's "no more world-class composers/little restaurants where they know you/gravalax and dill sauce/old bookshops" but this time, it's "no nightingales". There's Armageddon coming that neither of them know about in this moment. It's still a 'someday, they'll try again' concept to them in this scene, not an extremely immediate threat, as Aziraphale doesn't learn about The Second Coming until after this. So the end of the world that Crowley references here is the end of *their* world and that means no nightingales. No romance. No *them*, together. Worth remembering that Crowley thought, up until maybe what? Five minutes ago? That they were headed to breakfast at the Ritz together. They should have been sitting there together *in this moment*, is what he's saying. Miracling the pianist to play "A Nightingale Sang in Berkeley Square" and gazing at one another over teapots and mimosas and croissants.

That's gone, since you chose Heaven instead, is what Crowley states and Aziraphale knows it because, God help him (no, literally, GOD HELP HIM! WHERE THE HELL DID YOU GO OFF TO THIS SEASON, FRANCES?!), it's what he's *trying* to make happen.

You idiot, says the once-Bildad the Shuite, who thought he was taking his beloved to the ox rib special this morning and not getting dumped for an old floating head and the cinematic world's most contentious to-go cup of coffee, we could have been... us.

Not really a part of the theory here, just the observation that Crowley's confession/proposal begins with him unable to say "a couple", in case this all goes pear-shaped and he needs to have never said something that romantic, so he says instead "a team", "a group-- of the two of us". He says it without saying it. But, by the end? He just says "us." He *present*-tenses it. He's like forget everything else, angel, we could have just kept on being us because we both know what we are. We don't need to find the right turn of phrase or even the most specific human word for it. We are just *us* and we could have kept on with that but you chose the mentality of your abusive family and asked me to be what I'm not and I still love you because I *know* you but I can't be with you like that and *you* know that.

And he kisses him. Because Franny McD says you ain't suffered enough yet, Aziraphale lol. Should I just gif it while we're miserable? If you've read this far, a month has passed and hopefully, you've taken breaks and I do apologize but I'm gonna gif it because yeah. Here we go, folks...

God, make it stop, pleads Aziraphale to literal God and here comes Crowley with the S1 wall slam parallel, all dammit, angel, I know you've wanted us to snog for centuries and this is our last chance.

I know people have opinions about this kiss and I know we're all posting them here, obviously myself included, but while I've seen a lot of like... 'Crowley knows it's the only time they ever will be able to because Aziraphale is leaving him for Heaven' and 'Crowley wants to remind Aziraphale what he's giving up and could have had' and 'Crowley tries the kiss to see if it'll change Aziraphale's mind' takes-- and I agree with all of those things and think they're all right-- I've not seen a lot of 'Crowley kisses Aziraphale *for Aziraphale*' and I think that's a big part of it, too.

Crowley really isn't stupid. Not when it comes to Aziraphale wanting him. It would be honestly hard to spend a zillion lifetimes on Earth and not get it after like...

And Crowley understands Aziraphale's particular brand of religious trauma more than most, since he has a variant version of it himself. He understands that where his whole thing is that he's very much *not* an angel anymore, that Aziraphale's identity is wrapped up in being one and the conflicts he has with Heaven and while Crowley is not yet quite hearing what Nina said-- that she just got out of an abusive relationship and that she's not yet ready to be with Maggie and needs time-- and marrying that to Aziraphale and Heaven (especially because Aziraphale is showing exactly zero signs of trying to get out of his relationship with Heaven lol), Crowley wants Aziraphale to have had what he (Aziraphale) wanted, even if it was for only a moment. He can't go with him. This is the *one* scenario where Crowley cannot follow where Aziraphale goes, where he can't come to him and rescue him, because Aziraphale has said he doesn't want him to. Aziraphale wants to go and do this and the only way he'll take Crowley is if Crowley wants to become an angel again, which Crowley will not do.

And damned if there isn't a part of Aziraphale that thinks that if The Metatron can really be trusted, wouldn't that be something? That if he gets up there to Heaven and he really is made Supreme Archangel and if Crowley changes his mind, if he comes back, like he always does... if he storms out and leaves but then misses him too much and takes the elevator up... then maybe Aziraphale could make him an angel again and while Crowley hears in Aziraphale offering that you aren't good enough as a demon-- you're not good, period and even if he doesn't totally believe that Aziraphale really thinks that but knows Aziraphale has enough religious conflict that it's a problem for their relationship, what Aziraphale *really* means is... I could fix it.

I could go back and un-Fall you. I could take away your pain. I could stop your suffering. I'd have the *power* to do it when I don't right now and it kills me, every day. I could right the wrong I did, the sin I committed-- the real Original Sin-- six thousand years ago when I betrayed you, when Heaven betrayed you.

I could do right by you, the way She never did.

I am going to Heaven to either have the power to do that or to be obliterated into non-existence and I don't totally know which, though surviving is not looking promising, but all I know is that it's too dangerous for you to follow me right now until I do know so I'd rather hurt you than see you dead.

You want to be with me and I am afraid it will lead to your destruction so I need to say anything to put the breaks on your attempt and make you back off. To a lesser extent, I've done it before. Can do again.

Only this time, no hope of the possible, future picnic, I'm afraid...

It really is the worst possible Aziraphale nightmare here like... everything he's ever wanted. Six millennia of wanting to pull Crowley close and he has to reject him or Crowley could die. Fanfic season here said Coffee Shop AU and also a reverse-Fuck or Die for the ages. People complaining that it's awkward? YES. It's supposed to be. Crowley has no idea that Aziraphale is facing a round of sudden death here and was just hoping for his one fabulous kiss and vavoom. Even if it didn't change anything-- he wanted *Aziraphale* to feel that. To know how much he's wanted this for so long and to have it, even if they can't again. The intent is terribly romantic, as is Aziraphale flailing in the middle of it and giving in because he is made of strong, halo-exploding stuff here but he's wanted this forever. He goes up on his toes, he leans in, his hands flail around and he touches Crowley's back. He *shouldn't* do any of this if he's trying to meet his goal of getting Crowley to leave because it gave Crowley hope. It might have even been what motivated Crowley to stay outside and not go right away, or at least a part of it. But Aziraphale had to because he loves him and he couldn't help it.

Then, *sob*, The Michael Sheen eviscerating all of us here...

For anyone who might still be saying that is an "I didn't want his kiss" face... hard, HARD, VERY HARD disagree. That is "I didn't want *this* kiss, like this, right now." That is a man-shaped being who was just kissed by the love of his life for what may have been the first time but, at minimum, is for what he believes will be the *last* time. (I'm still out here holding out some hope for Blitz, Part 3-- a nice first kiss after they kill some Zombie Nazis with Chekhov's derringer in the bookshop but I digress...somehow, even if this entire long meta is one long digression, I digress lol...)

It's the face of a man gutted by the fact that this, in his wildest dreams, was not supposed to happen like this and he's been alive for damn ever at this point so he's had *all* the wildest dreams. And a lot of them, let's be real, have centered around Crowley doing just this. Exactly this. Crowley ain't wrong with the 'grabbing him by the collar and kissing him senseless in the middle of the bookshop' thing. He's wanted to do it for centuries. And the middle of the bookshop bit? That's important, too. This is their home. It's *their* home, even if Crowley is technically homeless. It's safe for him in here and Aziraphale has made it so. It's where they've spent thousands of hours together, happy and safe in each other's company, and here they are, bouille-bouile-bouile-baby-ing finally and it's a complete and utter, unmitigated trash truck dumpster fire.

Honestly, this was a better kiss than in S2 lol. S1 laying down though how long they've been dreaming about it (and having Crowley start listing animals that are in Aziraphale's nonsense magic spell, like he flashes back to 1941 when thinking about the end of the world and kissing Aziraphale in the bookshop... so you can see why I'm moderately hopeful that maybe they did kiss then, once, before then trying to never again until Crowley kisses Aziraphale in 2.06.)

I'm going to bring this back around now to the comparison I made above with Crowley and Jesus and talk about how 2.06's end scenes are also like the last temptation of Christ. Good Omens makes it pretty clear that Aziraphale is the tempter, really, of the two of them, in their relationship. Crowley can't say no to him and Aziraphale has learned it and loves to puppy eyes Crowley into anything he wants.

Crowley knows it and is fine with it. He's smitten and happy to be wrapped around Aziraphale's finger. Crowley has tempted Aziraphale and we see that in S2 with the ox rib. He is, himself, just by existing, tempting to Aziraphale. But in terms of temptation carrying with it a bit of manipulation and *that* kind of tempting being what's demonic in nature? Then Aziraphale is, and always has been, the demon of the two of them. This is true into the end of S2, as while there is almost nothing that Crowley would deny Aziraphale, there is really only one thing and that's to change who he is for him. To become an angel again, to work for Heaven again, after what they've done to him and Aziraphale. So the end of S2 is then Aziraphale's temptation-- it's a test, of sorts, for Crowley, even if Aziraphale doesn't intend for it to be. Crowley resists the temptation. Even for Aziraphale, he won't follow the path of darkness for himself and become something he's not. Crowley-Jesus. (Aziraphale-Satan S3 incoming lol.)

And if you've been reading all of this right then you know what happens next and what it means from the POV of this guilt-ridden Aziraphale...

I honestly don't think Aziraphale is really that angry *with Crowley* at this point-- I think he's just angry. He's reached his limit and then some. He has a lot of simmering, under the surface rage on a good day that only bubbles over when he's stressed by a situation he can't control and here is the ultimate one, really. He's a little mad at Crowley because they've waited countless years for that and in an argument, while ironically probably kind of perfect for them, is not really how *either* of them wanted it to be... but, mostly, Aziraphale is just angry that he can't have any of those moments at all. That they're out of time. That they had all this time and they never really could be safely together and that he's been haunted for six thousand years of the image of his fluffy cloud of redheaded sunshine, bloodied and stricken, and then tossed to Hell while Aziraphale was powerless to stop it. He's never seen those eyes since and he loves the snake ones. He loves all of Crowley with all he has but he's never been allowed to *have* him and never felt safe enough to try and now it's all over. And he still has to make Crowley fucking leave this bookshop for his plan of self-sacrifice to fucking work here so...

...I forgive you. It's the worst thing he can think of. The thing Crowley always hates. The thing that he knows makes Crowley feel lesser and demonic, even if Aziraphale has always, always meant it as an I love you. He even spits it out to Crowley with an almost self-deprecating, referential tone to it-- like "here we go again-- you say you love me and I say 'I forgive you' because I can't say anything else, can I?" The anger is laced underneath it and all the pain but he's intentionally referencing how this this the thing he says whenever Crowley says they can be their own side. He's trying to claim that nothing has changed in all of these years, when they both know that everything has changed since S1 and the bandstand. That's what makes it hurt both of them even more. Aziraphale chooses to say "I forgive you" because he knows that Crowley has never heard it for how Aziraphale means it and Aziraphale is a little bitter about it and lets it show in the moment, since Aziraphale's I forgive you always really means...

I can't stand to see you in pain and if there's any power in me as an angel to stop it, then I will do that so I forgive you and may that make it easier, may that make it all okay, even though I know it won't.

And just before saying I forgive you, Aziraphale's mouth works and he almost-- almost-- says I love you instead... what Crowley would really give anything to hear.

You can see the 'l' forming there, the beginning of "love", what he *really* wanted to say... what Crowley himself didn't even actually explicitly say. Crowley said it without saying it. He called them a couple without saying that word, asked for eternity without fully asking for it, said he loved him by acknowledging that they had both been pretending, but Crowley was terrified and so he said the things in a way that made it obvious what he was saying and asking for but, so unused to not speaking in code are they, that Crowley didn't say he loved Aziraphale, not directly. He did say it. He just didn't say it in those words.

And for a second, Aziraphale almost does.

He can't stand that he's breaking Crowley's heart. He can't stand that Crowley has kissed him and Aziraphale only briefly kissed him back, only barely touched him, when he really wanted to go at him like an ox rib and never let him go, and he starts to say the truth because no part of him really *wants* to be lying like this to Crowley. But he stops. And not even just because he needs Crowley to leave the shop to save his life but because, in the last four minutes, Crowley has confessed love and proposed and they've kissed and Aziraphale, pretty sure he actually died somewhere in the middle there and he's now stuck somewhere in one of Dante's worst circles of Hell lol, just cannot *also* have this be the moment where he says "I love you" to Crowley.

It's not even false hope that maybe they'll somehow have more time. With Heaven breathing down his neck in the form of The Metatron, Aziraphale has no real hope of that. He just always dreamed of telling him and not like this. He doesn't want Crowley to hear it like this, either, not as a part of a rejection. The anger, instead, surfaces, because why can't he and Crowley just *have* this?! How the hell did Gabriel and Beezlebub get to fuck off to Alpha Centauri after dating for ten minutes when he and Crowley have spent bloody eons in queer pining hell over here? What did they ever do that was so wrong to deserve this? Why was Crowley asking questions so terrible? Why have they had to spend thousands of years pretending not to love each other as if love-- the epitome of the angelic-- was unholy? Why, Aziraphale is wondering, now that they are out of time, did he ever spend so many years terrified when, in the end, it all ended tragically anyway?

How many of those years could Aziraphale have spent loving Crowley the way they ought to have been able to have and denied themselves of for so long?

And then Crowley finally does it. Tells him "don't bother" about the forgiveness-- about the love, as Aziraphale has always meant it-- and he leaves. It worked. The anger and pain and saying "I forgive you" after that kiss... it worked. And Crowley leaves and Aziraphale, alone, is a complete mess of broken and furious and broken some more.

Crowley, as we know, doesn't get to see this moment. Muriel does! Great for fic! Hilarious by show standards that the new angel who is literally being ordered to take over Aziraphale's home against his will is who witnesses the aftermath of the intimate moment our angel has been craving, oh, just since before the dawn of humanity over here.

He touches his lips, his hand trembles... have you all noticed that Aziraphale is literally fucking *tasting and eating* what of himself Crowley left in his mouth here? He's pulling every bit of Crowley to his tongue from his teeth and *swallowing*, like he knows it's all of him he'll ever again be able to consume, like he's committing how he tastes to memory for the last like, who knows, ten? fifteen? twenty minutes? of his own existence that he knows he probably has left...

Jesus fucking Christ, Michael Sheen...

This is all without yet mentioning the single most under-analyzed line in S2 that calls into question a ton of stuff, which is this beauty from Shax, right off the top of 2.01:

"Beezlebub's put some of the lesser demons on half-rations."

What does this have to do with Aziraphale consuming Crowley's kiss like it's the most scrumptious thing he's ever tasted (because it is) and being furious that it'll be their last?

Because that Shax line casually confirms that demons eat. Do they eat human food or some sort of demon food or both? Who knows, really, but they're *supposed* to eat. Ok, but is it just a demon thing? No, because it ties to Crowley's comments in S1 about how he complained that the food wasn't really that good lately when hanging out with Lucifer and The Gang, which then implies that, at least back then, *angels* ate, too. Eating was a normal thing. Over time, though, we know that the higher angels have come to see eating as human and pedestrian and not something befitting of an angel. Some demons eat-- even Crowley eats, if less than and differently than Aziraphale-- but the angels think it's beneath them and if we have confirmation via Shax in S2 that they are supposed to be eating and basically only don't die because they're immortal beings and not human, even if they have human corporations, then the show is saying that all of these angels are fucking starving themselves.

They're doing what they're told and denying their own nature and their own needs in the process.

S2 also shows that with the ox rib, right?

Aziraphale went *at* that thing. He'd never eaten at all in a couple thousand years after being told it was un-angelic and so when he tasted food for the first time, he went so overboard that he's been Mr. Prim and Proper with his napkins and table etiquette ever since out of embarrassment over Crowley watching him food orgasm once-- and that's the metaphor there, as we've all figured out. Our show that has a sex worker named Mrs. Sandwich is all about its ongoing food-as-sex metaphor. S2 even opens with the hilarious turnabout from S1 as a "thank you for my pornography", "why do you consume *that*?" Gabriel shows up at the bookshop-- naked-- and has a food orgasm trying hot chocolate for the first time.

Gabe, babe, Aziraphale does not need the play-by-play here....

Mah point is... mah point is that Tumblr is maxing me at 30 images per post and so you'll just have to picture Crowley slurring "dolphins" while I get to my actual point here...

Mah point is while this is a whole separate analysis almost and one that many of you have already done in different ways re: food & sex on the show, my point here is that starving yourself of food in Good Omens is analogous to being touch-starved or love-deprived and before someone yells at me about how angelic beings don't necessarily need sex or are by nature not into sex unless they make an Effort, I agree with you and Neil Gaiman. I'm just also saying the show is suggesting that they all have human corporations and that many of those human corporations are not sex-averse so for those of them that are not, they're literally out here touch-starved and/or sex-starved here in different ways. But, you say, maybe Crowley is hungry (goodness knows, Crowley *is hungry* lol) but Aziraphale eats all the time!

Yeah. Aziraphale eats *food*, all the time. But he isn't touched all the time. He doesn't have sex all the time. He isn't kissed all the time. The 2.06 scene shows him *physically* making that metaphor of food and sex real for us-- we watch him *consume* what remains of Crowley's kiss--showing that he's desperate for it and deprived of it. He's starved for it, to a point of trembling hands and rolling every bit of Crowley's lingering taste around his mouth like he's taking on every last bite of the best crepe he could ever imagine in all his days...

...and then being, understandably, full of rage that this is the only time he's going to ever have Crowley-- and all he's ever going to have of him, when Crowley just offered all of himself-- forever.

And then The Metatron comes back and is Aziraphale ready to go to his death now? And, Friends, Aziraphale...

...is absolutely not.

He's turned away from the door, barely containing tears. When the door opened and he turned, he half-hoped it'd be Crowley but it was grr That Bastard instead. He looks out the window and Crowley is still out there...

...he left but he didn't really *leave*... and it somehow then still isn't over and will someone please just take Aziraphale out back and angel-shoot him? He can't take any more of this.

What about the shop? he asks, in a moment of desperation and terror over what's to come and some blind, stupid hope that he can somehow get out of all of this with him and Crowley still alive and The Metatron, who anticipated this, tells him Muriel lives here now. Aziraphale looks around the home he's made for him and Crowley for the last 223 years and his favorite books and possessions. Crowley's hat from 1941 is on the hat stand, the horse statue is where Crowley put his glasses back when he trusted him, back when he let Aziraphale see his pretty yellow eyes whenever Aziraphale wanted in recent years... before he just put his glasses back on now and closed himself off again.

Aziraphale is never going to see those eyes he loves again. He didn't even get to kiss Crowley without the sunglasses on before it was all over.

Even Gabriel had something to take up to Heaven with him to remind him of the demon he loved but Aziraphale goes to Heaven and to his death empty-handed because he pushed Crowley away to save him from all of this and, in the final push, he looks at Crowley standing there by The Bentley, all that secretly optimistic, beautiful, romantic hope about him still in him from the angel Aziraphale first met, all the awareness there of Aziraphale-- the only being who really knows him-- and so he's still waiting, still hoping. It goes back a few hours to the ball.

I'll be back. I won't leave you on your own.

But it's Aziraphale's call now and he gets into the elevator. The Metatron wins because Aziraphale's love for Crowley wins. He'll die before he lets anything happen to him, even if he wants to run to that car and to him but where would they run *to*? There's no place to go. Crowley has always been wrong about that. They can't go off together. There's no place safe from Heaven for them.

So Aziraphale gets into the elevator at The Dirty Donkey, leaving Crowley alone in the street once again, just with less hope this time than in 1967.

So Aziraphale leaves the bookshop this time, instead of going into it like he did in S1, when he left Crowley in the street, standing beside The Bentley, while clutching a different book this time-- Agnes Nutter's prophecies in his hand versus The Book of Life and its threatened erasure hanging over Aziraphale like the specter that it is. What was predicted about the future versus erasure from the past and all time. Nothing to see here, Crowley! Everything is as it's seems.

Everything is tickety-boo!

Tickety-boo?

Yes, which is also what Aziraphale-as-Crowley said... when he was kidnapped by Heaven and Hell in S1, remember? When he was taken from Earth to be sentenced to death... along *with* Crowley.

This time, Aziraphale is shutting Crowley out again. Telling him 'mind how you go' again, this time a bit more, uh, emphatically lol. And on their heels, again, the end of the world. Arma-bloody-geddon 2.0: The Second Coming.

Aziraphale heard The Metatron saying that was the plan-- as, of course, our villain walked away and meant for it not to be totally heard, further implying that they have no plans to really make Aziraphale the Supreme Archangel and that this is all a remix of Fraulein Greta Klauschmidt. That then makes this all somehow *even worse*... because now Aziraphale gets in the elevator to ride up to his death to save Crowley but now he knows that it was all for nothing.

War is coming. The planet they love will be destroyed. Crowley, if he knows him well enough, will likely die trying to save it. When he does, he'll still be damned to Hell for all of eternity while Aziraphale thinks he likely won't exist at all once he makes it upstairs and Michael finally gets to Book of Life him. Let the other angels think he's been played for a sucker. Better they think him a fool than that they come for Crowley.

He doesn't want to Fall and doesn't wish for it. If they take his memories as punishment, and they almost certainly will, he won't remember any of the moments he spent with Crowley and even if they could have eternity together in Hell if the world is destroyed, he wouldn't wish Crowley the pain of being around him when he didn't remember anything.

Aziraphale only finding out about The Second Coming in the moment before he gets on the elevator-- *after* everything happens with Crowley-- is a million times worse because now Aziraphale is riding to his death knowing that everything they've done in six thousand years doesn't matter and that the events of S1 didn't matter because all it did was delay the inevitable end of the world and everything Aziraphale loves is about to be destroyed.

That, apparently, was God's ineffable, Great Plan.

All of that is what is on Aziraphale's face on the ride up to Heaven in the final splitscreen.

In that splitscreen, Crowley, for what it's worth, is visually echoing the driving back from Tadfield bit that leads to the "tickety-boo" moment of Aziraphale lying to him by omission. He looks close to a parallel to the S1 moment where he suddenly yelled:

"DUCKS!"

They're what water slides off of. In this context? They were also the thing itching at the back of Crowley's mind-- the not quite right thing, the puzzle he couldn't quite figure out, the question he coudln't yet quite answer... until he could. That's positive, actually. It means there might be something for him to realize, even if that realization might come too late in the short term. (They will solve everything and be fine, memory-intact, immortal beings in love who go off together by the end of it. This is all just until then.)

Ducks are also, sort of, the be all and end all of Good Omens. Crowley knows how to take care of them, after all, when others do not. You feed them frozen peas-- they are good for them and they love them, too. (Don't feed him coffee, you Metatron idiot! He only ever drank one mug of it in S1 and it led to the *points above* see: tickety-boo Aziraphale lying to Crowley paralleling sequence of scenes.) [The "do you have one, single, better idea?" scene is Aziraphale drinking coffee, for reference.]

So, yeah, by comparison here... Aziraphale, you are a duck lol. You have been fed bread by idiots for far too long when, really, you need to be eating frozen peas. Crowley knows this and he knows how to take care of you. With any luck, he's about to have his duck-moment-paralleling epiphany any moment now, though I fear you're already going to be memory-wiped and fallen to Hell when he does. That's okay, though, because this is the main scene that still needs a go-around in paralleling and we know Crowley knows where the dungeons are down there from unfortunate, personal experience.

Cottage in the south downs, cottage in the south downs, cottage in the south downs, cottage....

Notes: Hi! If you have made it all the way here, thank you for reading. I hope it was worth the read for you. You all write such great stuff that I felt inspired to put my lit and film studies and psych background to use and jump in a bit. Thanks for indulging me. I also wish to note that there is a gif above that is by @fuckyeahgoodomens but for some reason, the credit was not working properly so I just wanted to make sure you knew who was providing us the visual joy.

#ineffable husbands #good omens #crowley x aziraphale #good omens meta #long post #good omens theory #i am not kidding you this is kinda long but there are gifs and jokes and i brought snacks?#aziraphale #crowley #good omens 2 #good omens 2 spoilers #gabriel

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