#idk what i'm talking about lmao

[sga-owns-my-soul]

Pls don’t take this the wrong way i actually love multishipping but I’m genuinely wondering if there’s anyone you don’t ship?

rodney and jennifer 😂 although i think if jennifer's character was written to be an actual character instead of The Hot Trophy For Rodney i probably would've liked the ship way more, but as it is they don't even seem to like each other???? also unless it's in the context of ot4 i can't do john/teyla idk why i don't know what it is (especially since john is such a slut and so easy to ship with anyone????) but it just feels very Wrong to me idk

all that being said tho all it takes is the right headcanon or fic/idea to get me obsessed with a ship so who knows maybe one day i'll ship mckeller and john/teyla!

[nyaheum]

kyubin strikes me as the type of person to go "oh man there's not that much space in this car, looks like two people will have to sit close to each other...i'll do it if i have to" and as soon as someone else says that it's fine they can sit there he'd go "no no i really have to do it i'll sacrifice myself" and then they end up like this

[rainofthetwilight]

strength

[wikiangela]

tease tidbit tuesday

tagged by @bidisasterevankinard @tizniz 💖

more bucktommy the will talk (they're getting there, the conversation went a bit off track lol) - it might be done this week, and then I can focus on the smut, and the buddie fics, and I have a new bucktommy idea inspired by that video of lou barbecuing with his shirt off that I sooo wanna write🙈

prev snippet

___

“Well, yeah, of course.” Buck answers easily, his heartbeat speeding up. He’s a little anxious about putting too much pressure, too many expectations out there, but he also knows that even if he did, they’d get back on track, they’d be fine. And besides, Tommy’s smiling, he doesn’t seem freaked out at all. And that’s after Buck brought up children. But if they’re moving forward with their relationship, they need to know what they want out of life. It seems reasonable to have this conversation this early on.

“Good.” he responds, grinning widely. “Now I won't have to stress about your answer when I ask.” he adds, and Buck feels himself blush, butterflies in his stomach going wild. Oh. Oh. This is- this is real. They’re talking about it, and maybe someday soon- he might marry this man. He will marry this man. Tommy wants him forever. Tommy wants him. Tommy wants to marry him and have children with him, and just be with him. Sometimes it’s still so shocking to Buck that someone as great and amazing as Tommy wants him, but he does. Buck’s not sure he remembers the last time he felt this wanted.

“How- how do you know I won’t ask first?” Buck asks, moving his head slightly closer to Tommy, just enough to look into his beautiful blue eyes. It feels surreal, talking about this, when they only dated for a few months, but it also feels… right. It feels like they’re on the right track to get there one day.

___

no pressure tags: @elvensorceress @thebravebitch @shortsighted-owl @eddiebabygirldiaz @watchyourbuck @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @nmcggg @rogerzsteven @hippolotamus @giddyupbuck @sunshinediaz @honestlydarkprincess @underwaterninja13 @exhuastedpigeon @911-on-abc @jesuisici33 @steadfastsaturnsrings @buddieswhvre @fortheloveofbuddie @your-catfish-friend @theotherbuckley @daffi-990 @dangerpronebuddie @hoodie-buck @aroeddiediaz @diazsdimples

[stupid-elf]

Growing up with strict, neurodivergent parents while neurodivergent yourself will have you as an adult acting like you've recently escaped the feywild. What are the tricky rules? Is everything accounted for? How do I ensure I don't accidentally step over the line into Impoliteness. You know the consequences aren't death and dismemberment but you might look down one day and find you've lost your shadow and all of your friends if you're not careful

[ketterdamskaelishprince]

ada's spectre, and why i'll likely always feel sad about it

here is the promised analysis/talk about ada's spectre. going to preface this by saying i obviously don't know the true intent behind everything and her design, i just like to look, giggle and then make sad little observations which just help me love this silly webcomic even more. so if you disagree with me on something– totally ok! i love to learn and i love to see different interpretations.

there's also a few bits i missed out because i wrote this all last night in a bit of a haze, and i cannot be bothered to expand on some of my ideas, especially when it's just stuff like "BROS SO PARANOID AND RAW RIGHT NOW".

anyways, here we go :) @mugcereal this one's for u pookie <3

so i think with ada's spectre, we first need to look at the instance as to how she gets it, because that always makes things way more sad!

to specify, she turns into her spectre at episode 69, and i think it's really sad how she does it. she basically gets a string of roasts from prospero that go along the lines of calling her "conceited" "twadry" and "... and stupid!" – effectively throwing back in ada's face what she believes everyone thinks of her.

(obviously, as a very big and glaring sidenote, i believe prospero is aro/ace or just aromantic so OBVIOUSLY i am not bashing him for this. bros told her so many times that he doesn't want to be with her, let alone to be touched. that is a flaw in ada's character and is a reminder to us on the importance of boundaries!!!!)

so, ada is basically there, collapsed on the floor in a robe– effectively showing the most intimate and private part of herself as an insecure and lonely girl. and that's when she transforms.

i think it's interesting to understand how this most likely links to her life and how she died. so we know she was killed with an axe, most likely by the man she fell in love with and worked for, and how prospero's words in this situation, hurt her just the same as the words before her death. why?

because they remind ada of what she knows and fears she is: just a stupid, fake and cheap person who will never have the same status and respect as the people she pretends to be and surrounds herself by.

i think it's also interesting that she's clutching her stomach/torso here, and correct me if i'm wrong but that could be a potential signal to the part of her that was axed to death (?). no idea if that's a good shout or not but it's what i first thought!

anyways! now we move onto her spectre design!

first of all, her spectre design eats. like just a personal side note, i love it. it's just so gorgeous and i don't care if she's terrifying to some because to ME? to me, she's my gorgeous little pookie who can scream and show people their worst fears and she looks amazing whilst she does it <3

ok anyways, actual design.

to first understand her design, i thought i'd show you what banshee's traditionally in folklore look like!

typically, they are described in two ways. the first way is a youthful women with long black hair, blue eyes and just super pale. this description could also lose the blue eyes and just keep the black hair– either way the first depiction of a banshee is a super young woman.

this is not the one we're focussing on today folks!

we're going to focus on the second depiction. a hag/ old woman, with red cheeks, a grey cloak and a green dress, often seen to be combing her hair. banshee's throughout folklore are known to wail, scream and cry when a family member had died. to most, the banshee was a sign that death was coming to your household and they are known in myths and folklore as a predictor of death.

now, hold onto the green dress and look at ada's design real quick for me.

here we see a lot of green, which yay! definitely shows signs it comes from the second depiction. i think, on top of it being a nod to the second depiction, i think it could also be an allusion to something else: jealousy.

green symbolism in media can often vary, from meaning new life, luck and also jealousy. and i think if we take in the things ada screams whilst in her spectre form, such as this from episode 82:

you see there definitely is some sort of jealousy there, but this isn't something i necessarily want to focus on, it's just an observation i made that may or may not be true!

anyways, to continue, i want to look at ada's outfit when she's a banshee. i'm going to basically be making my notes i took last night look nicer.

(keep in mind that when i wrote these, my ideas were literally bouncing off my brain and sometimes they're a bit contradictory, but i think that's the beauty of my crack theory analysis!)

i think the act of almost showing her bones to the outside, there's a level of rawness to ada we don't usually see. her spectre form essentially gives her the power to scream out her anger, and by seeing her bones it's almost as if to say this is the ada she doesn't show people. this is the ada that she keeps to herself because god forbid anybody love her (because in life and death it's become abundantly apparent to her that nobody does seem to love that ada).

but then, what i thought was also a super cool thing as how the bones almost act like a corset!

then i got sad because i looked at the bows, and because something dawned on me and it made me start to frown. there was a sad realization to me as i looked at ada's spectre design that even in this all powerful form, she hasn't lost her insecurities, they just become more prevellant. because for all of the traditional wrinkles, hag-like appearance a banshee is meant to have, ada barely has any.

obviously this could be in part to character design and stuff, and yeah probably– but let me be sad!

because ada carries her frills and bows from life here because she doesn't want to be ugly, she doesn't want to be this creeping monster who rips apart people. because if she's not got her intelligence or status or anything going for her, she has her appearance and by god she's not going to let that go to waste. so here her spectre form is, a banshee.

so what must ada do? she must takes her frills and keep her insecurities, her fears and her crippling need to be loved.

another aspect which is super interesting is the stitching on her body. one one hand, it could be an allusion to her violent death, suggesting the man she fell in love with didn't just stop at axing her once, but just kept on fucking going (which, you know: fuck you, whoever you are).

but on the other hand, it could be a metaphor for ada's thinly veiled facade she puts on of being a prim and proper lady (which we actually, interestingly enough, see she looses a lot the more time she spends with montresor– opting to take parts of his language like "ain't" and "beggin'". this sort of leads on from previous ideas people have made of ada willing to change herself to be loved. she swaps civility for the wild wild west all for a bit of love).

ada offers up parts of herself in this metaphor. that's what she always does. she offers herself to the rich man she fell in love with, she offers herself up to prospero (again, look at the. side note. bro wasn't wrong for rejecting her he literally can't like her) and she offers herself up to the acolytes and she fucking barks for them (because i'm not over that).

piece by piece, she strips away everything she is until she literally is just skin and bone. and once she's torn herself apart, she needs to stitch herself back together– because it's against the facade she's put on to look so broken and messy. and so she repeats the cycle again, giving more and more until she is literally hanging on by a thread.

her powers are also super cool. traditionally, as i said, banshees wail when a family member is soon to die/has died, and is often like an omen/predictor of death. so yeah, ada having a banshee scream makes sense. but the whole 'fear itself' is also super cool. i kind of like that she has this– because its sort of satisfying for her, the girl who's been pushed over but still comes running back, to watch as people become paralysed with fear. idk, retribution or whatever.

i'm going to leave you with this not very profound thing i wrote last night (and then just some other mumblings):

i think that although spectres are super powerful and also just a very fantastic concept, they're also fragile. spectres are quite literally the monster inside of you. yet here ada's monster is, and with all her bows and revamped dress of a banshee (or potentially an allusion to her life as a maid) she tries desperately to be anything but that. because to here it's ugly and it's too much of her on display. and with some much of you on display comes the very fear that if you are hated, disliked or something repulsive, you no longer have anything to blame on anybody else. you just have yourself to blame.

(as morella says here in episode 88).

i'm not saying ada isn't deeply flawed, because she is. she has so much fucking baggage and insecurities that they literally forbid her from doing the right thing sometimes. i don't think she's a good person, but i also think that she has the opportunity to be a good person/ do a semi-good/ non-bad thing, and all she has to do is take it. but i also think it's nice how that's shown in her spectre design.

and, you know, if none of this makes sense, that's also fine!

anyways, yeah. somebody tell me never to make a random analysis at night again because it's a bit of a bitch to translate in the morning.

[psymachine]

ok sorry but imagine dennis stalking mac online and seeing that he wants to try freeuse parties. this sends dennis into a jealous tailspin which he rationalizes by "worrying" about how dumb and easy to manipulate (read: murder) mac is. so he creates a fake party invite to lure mac somewhere, plays music and ambient party sounds off youtube, and blindfolds mac when he arrives.

then -- through the use of different voices, special effects, and sex toys -- he pretends to be like 7 different dudes running a train on mac.

[sparky-is-spiders]

Jonelias Week Day 1 (Which is definitely today I swear), for the prompt "No Powers AU"

This one... maybe got away from me. This is actually only the first half of what I've written so far, and probably the first third overall! I do plan to post this to Ao3 at some point (although I suspect I'll need to do a lengthy round of editing first lmao). It's some very self-indulgent nonsense, which is a lot of what I write, but now it's getting put in the main tags of a ship during said ship's event week. So. It may also be a little bit "aromantic dude tries to figure out what having a crush is supposed to be like." Also a lot of "dude who took Principals of Accounting once pretending it knows what office work is like." Anyway, quick warning before we begin, and the rest will be under the read-more:

Stalking (played for laughs) for most of the fic.

Just. A weird amount of obsession.

Ok that should be it I think. Fic under the cut.

Jon's new boss was, quite possibly, the most boring man in the world. He wore the same outfit every day (pale dress shirt with dark unpatterned tie and gray slacks and matching suit jacket). The only personal effect in his entire office was a potted plant on the windowsill (some sort of succulent, and definitely fake). He always arrived to work exactly half an hour early and left exactly half an hour late. The only hobby he appeared to show any interest in was scheduling, which he seemed to find both deeply engaging and remarkably irritating. In fact, he was apparently so opposed to the idea of mixing his work with his personal life that he might as well not have existed beyond the walls of their office. Jon had never been more fascinated by anyone else in his entire life.

It stared with the transfer to the accounting department. Elias had met with him personally to get him acclimated to his new role. He had been blandly polite, and blandly handsome, and Jon had stopped listening to him about five minutes into their conversation. It was probably bad form, really. The software Elias was droning on and on about sounded like it was about to become a central feature of his days. He really should've been paying attention to it. Instead, he pretended to make eye contact while zeroing in on the top of Bouchard's forehead (a very useful trick, really) and became inordinately focused on the small lock of hair that had fallen across it. It was terribly distracting, and Jon had wondered how he hadn't noticed it. And then he wondered how it had come to be there. And then he had built up an entire story involving a murder, an illicit affair with the assistant director of marketing, and the potted succulent. And then he had noticed Bouchard eying him with what could've been suspicion or amusement or irritation or nothing whatsoever, and had been forced to rapidly pretend to care about their company's bad debt expense policy. Bouchard had indulged him, and had spoken with the calm authority of someone who knew what they were talking about, and had even managed to avoid being overtly condescending (a feat forever out of Jon's reach). At the end he had shaken Jon's hand (with a nice, firm grip), and had told him "I'm looking forward to working with you, I'm sure you'll make a wonderful member of our team." Jon had left that meeting with a mind shrouded in a fog of boredom and a faint sensation of warmth which he decided was best attributed to curiosity and left otherwise unexamined. Over the next few weeks, Jon had tried to subtly inquire into Bouchard's life. At the time, he had been naively under the impression that surely he must have let slip something about his life; some odd quirk or funny story or harmless bit of information which could justify Jon's blooming curiosity. Unfortunately; "He lives in Chelsea, I'm pretty sure?" (Sasha) "He's currently in a meeting. Honestly Jon, you'll be better off just sending an email. Now can I please get back to work?" (Rosie, probably lying about the meeting) "He actually lives here in the office. Set up a cozy little home away from home in one of the storage closets and sneaks out at night to raid the canteen. And he's having an affair with the assistant director of marketing." (Tim, definitely lying (but maybe a mind reader? Also, full of brilliant ideas for places Jon could maybe set up a cot whenever he needs to stay overnight)) Clearly, Jon would have to take matters into his own hands if he wanted answers. That was fine. It could be his own private little research project.

Jon liked to think that the entire thing had actually been quite reasonable, and that he had acted within the bounds of their pre-established relationship as employee and supervisor. Surely any rational person had to realize that nobody could possibly be that uninteresting. Anyone would be curious as to what dark secrets Bouchard his behind his well-tailored suits and polite, professional demeanor. … perhaps most rational persons would not meticulously record the movements, behavior, and daily appearance of their colleague in a discreet notebook (with annotations, color-coding, and graphs where appropriate), but Jon had always prided himself on his dedication to research and understanding. So far Jon had collected frustratingly little data. If Bouchard was hiding anything, it wasn't apparent from his schedule (see pages 8-13, figure 2.b), his eating habits (see page 22), or his lone plant (see page five, figure 1.c). His breaks did seem specially timed to avoid other people (and he appeared not to engage in many social behaviors generally), but he never acted irritated or otherwise unhappy to encounter one of his subordinates, so Jon wasn't entirely sure if it was deliberate avoidance or simple coincidence. Really, the only truly odd thing about him was his inexplicable interest in Jon. That very morning, for example, Bouchard had stopped by his cubicle for a fifteen minute discussion on the upcoming Annual Team Luncheon, an event Jon had never attended before (due to an annual migraine which coincidentally always happened to occur on the exact date of the luncheon), which Jon did not plan to attend, and which honestly sounded like some sort of violation of the Geneva Convention. The topic itself was not especially odd (small talk was an archaic tradition which had stubbornly clung on in every workplace Jon had ever set foot in), but Bouchard's low propensity for inter-office socialization combined with the fact that he had both chosen Jon specifically as his conversational partner was… highly suspicious. Most people who encountered Jon inevitably concluded that he was more effort than he was worth (an attitude Jon mostly appreciated).

And of course, there had also been their interaction two days ago, when Elias had paused briefly to inquire as to whether Jon would be staying late, and what he was working on, and if he might perhaps consider heading home soon because there was only so much overtime they could pay him. Or on Friday, when he had managed to hold two separate conversations with Jon where very little was said. Honestly, Jon somewhat suspected that Elias had spoken to him more in the past few weeks than he had spoken to any of their colleagues for the entire time Jon had been there to observe him. Most of Jon's notes were now dedicated to their interactions. From his cot in the unused storage room (which was indeed a good place to stay overnight, thank you Tim), he could jot down everything he recalled about their interaction; it had begun at 8:32 and had concluded at 8:47; the weather was warm and slightly humid, although the office interior remained at a comfortable 21 °C. Bouchard's shirt had been a nice, cool gray, which complemented the silver of his eyes. Jon (who had been busy digging for his favorite pen (the ink was a lovely deep green color, and it was usually kept on the left side of the top desk drawer, and Jon had no idea where else it could have possibly gone)) had settled on "irritation" as his tone, which Bouchard either had not noticed or had not cared enough to acknowledge. He had easily dominated the conversation, and Jon could admit in the sanctity of his research journal that his voice had been soothing enough to cool away some of Jon's annoyance. He wrote his conclusion: Subject behaved near-identically in tone, posture, body language, and apparent mood as he has in all previous communications. Subject displayed no strong thoughts or opinions on subject of discussion nor conversational partner. Interaction was pleasant but slightly dull, no new information discovered. It was almost exactly the same as every previous conclusion. Jon had to admit, so many months with so little progress was… discouraging. He shifted on the narrow mattress and winced when his movements aggravated his backache (which was surely unrelated to his frequent occupancy of the cot). It was becoming more and more apparent that the only possible solution was to do some actual, direct investigation. His first idea (break into Bouchard's office) seemed a tad far (also, he didn't know how to pick locks). His second idea (follow him home) seemed a stretch further than the previous one, and was perhaps best saved as a last resort. His third idea (something something computers? (perhaps "idea" was a bit generous)) would almost certainly require Sasha, who would have questions Jon couldn't answer. He flipped idly through his notes, half-skimming, half-thinking. It was only when his gaze landed on figure 2.b, Weekly Schedule of E. Bouchard, that he actually came up with something reasonable. Something actionable.

[antiyourwokehomophobia2]

I wonder what it is about breaking up with someone and starting new that I find so upsetting. I realize that people also find break ups heartbreaking, but I know I take it to an extreme. I've never liked the idea of having different partners throughout my life. The idea of having an ex has always been something I hated. The type of breakup didn't matter to me. That is to say whether we ended on good or bad terms didn't make the idea of ending a relationship better to me. I'm not trying to be pretentious about it, I'm just being fr about a sentiment I've held for as long as I can remember. I've never been the type of person who enjoyed the idea of hook ups or casual dating. For better or worse, I've always held the belief that romantic relationships should be all in and serious from the beginning.

I think this feeling is definitely exacerbated by the fact that I've been passed up for another person before so I know what it's like to have someone "move on" from you, and it genuinely sucks like all fucking hell lmao. So the idea of "moving on" and being with someone else has been incredibly tarnished for me.

[abyssalhuntersnerd]

It's that time of the year again where I put the fish and Amiya in the washing machine...

[emin-folly]

Another commission for my pal, @ftl-faster-than-life, who wanted alternate universe Barry smooching main continuity Barry~ I'm so happy you reached out to me again, this was very cute and fun to work on! It's always a pleasure drawing for you <3 The lovely designs are based on this btw

[chaos0pikachu]

I was gonna write a big essay on why the film making for a lot of gmmtv shows I've watched don't do it for me as a larger reflection on why I don't bother with the studio at large and how I think they do their fans/audiences dirty

but I'm really fucking lazy and also idk if I want that heat

[sentientsky]

i love when characters are desperate—when the sheer breadth of their want shifts the very universe, when it bends space-time around them. give me characters with tunnel vision, who can't see beyond the hollow in their chest—the gaping, ragged wound of absence that begs to be knitted back together. let me see how they exist as a gravitational force all their own, a neutron star pulsing with the colossal, aching weight of want.

[zebratimw]

Spirit animal SQH

[alastair-1205]

Look alright ok listen Listen-

My new running Paladin Strait theory is that Clancy is gonna win. He'll beat whoever he ends up finding at the top of the tower and Dema will burn and he'll probably get to shank a bitch with the antler things. In some form of the word, Clancy will win, even if he goes down with Dema, whatever happens, he'll consider it a win.

And then he'll wake up back in a fully functional Dema, or back at the HDS car or something similar (basically something towards the beginning of the story), because for as triumphant as this story may end up being, it's still always gonna be a metaphor for something that you can never fully get rid of you know? It's cyclical and eventually he'll be dragged back to the start of the same fight all over again.

And part of my theory is that that won't be a wholly sad and hopeless thing. Becasue we see that the PS music video is considered classified information meaning 1 Dema continues to exist in enough of a capacity to continue censoring stuff and 2 that this is something they don't want the public knowing because it's one more piece of evidence that can bring them down all over again.

Becasue every time Clancy/Tyler/whoever escapes, it becomes an easier process to repeat. That's what the music video is and why it was so hard to find. It's evidence that Clancy escaped once and that he'll do it again because he's done it before. And every time he wins, there's even more proof to add to that pile even if he ends up somewhere that seems hopeless all over again.

So yea. I'm going insane :D

[vibingforjudaism]

I need a therapist who I can argue with and who will give me jewish advice ....a rabbi. I need a rabbi