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#if their ending isn't as good as this what the fuck was the point????
veltana · 2 days
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Breaking point
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✦ Pairing: Roommate!Bucky Barnes/Fem!Reader
✦ Word count: ~2,5k
✦ Rating: Explicit
✦ Warnings/tags: Dub-con (proceed with caution if this might trigger you), pwp, smut and a bit of fluff at the end, possessive/protective!bucky, degredation (slut, fuck doll, cum-bucket), grinding, choking, spitting, pussy slapping, fingering, unprotected sex, breeding kink, creampie, pet name (sweetheart).
✦ Summary: Bucky is done with you going out with losers.
✦ Note: This used to be called I will kill them if they touch you but I never liked that title so I renamed it! Also, you guys didn't know what you were voting for, but it was the banner for this story! Please reblog and comment! Asks are always welcome 💚
Masterlist | AO3
"Please don't scare this one away as you did last time," you beg and look at Bucky's reflection in the bathroom mirror. He makes a face where he's leaning against the door frame behind you and then sighs when you give him a look. "He wasn't worth shit if he didn't wanna fight for you," he points out.
Now it's your turn to sigh and you cross your arms, glaring at him. "He isn't supposed to fight for me on a first date. We're supposed to have a good time and hopefully fuck." Bucky's mouth hardens, and he looks away. He doesn’t like that, at all.
Ever since you became roommates he's been very protective of you, helping you with the smallest things, driving you everywhere you need to go, even if you can drive yourself. Sometimes it's overbearing but most of the time it's nice to have someone care for you like that.
Unfortunately, recently he's picked up a habit of intimidating the people you go on dates with. He stands behind you when they come to pick you up, and his large frame and cold stare make many of them cower. A few have turned around right away, others have asked if that's your boyfriend or something, thinking it was some type of open relationship/cuckold situation.
"Don't say shit like that," Bucky says through gritted teeth. "I don't wanna think about you fucking other people." You can't help the teasing smile that cracks your face. "Makes you jealous?" With a huff, Bucky pushes off and leaves you to continue.
Two hours later your makeup is done and your hair fixed to perfection. You sit on the couch in shorts and a t-shirt, with a glass of wine, waiting until the last minute to put on the skin-tight dress. While scrolling on your phone, Bucky sits beside you with a beer. "So where's the loser taking you?" "Don't care,” you shrug. “Honestly, my priority tonight is to get laid. The previous ones were a little too… bland. But he seems promising." "What do you mean, bland?"
Putting your phone down you look at him, "You don't wanna hear this anyway, you'll just get mad," you point out. "I don't get mad," he defends. "Pfff, you're such a liar, I can see it in your eyes whenever I mention another guy." "Because you deserve the best and all I've seen is trash."
Irritated, you put your glass down too. "Why don't you pick for me then? Who would James Bucky Barnes deem worthy of fucking me?"
The grip on his beer is so hard his knuckles whiten and his lips are a thin line. When he doesn't answer you lean back and start to count people off.
"Well, Steve seems a bit too sweet for my taste but I mean I would not mind trying a slice of that all-American beefcake," you muse. "Sam is so charming and funny! That quick tongue would probably work wonders, if you know what I mean," you wink and watch as Bucky's eye twitch, his jaw clenched hard.
"Tony," you continue. "Well, he seems a little self-absorbed but maybe he's a really selfless lover. Won't hurt to check!" "Loki is so handsome," you bite your lip. "I would surrender my body to him in a heartbeat! But I've heard that he leaves people high and dry and that would be awful."
Tilting your head, you say, "Do you think Thor and Jane would be up for a threesome? I can just imagine eating her out while he fucks me from behind and then we could-"
With a slam he puts the bottle on the table and grabs your face with his hand forcefully, silencing your tirade of words and squeezing your cheeks so that your lips pucker.
The grip is close to bruising and it's an instant pull in your lower stomach. His eyes are black with anger, something you've never seen directed at you before. "No one," he hisses. "Not one of them is fucking you, I will kill them if they touch you."
His hand releases you and grabs your neck instead. You're shocked, and instantly so horny it hurts. Opening your mouth to speak he squeezes harder, making a wheezing sound come out.
"I'll give you a chance to stop this. Tell me right now you don't want this and we'll act as if nothing happened. Otherwise, I'm fucking you into this couch until you can't remember your goddamn name." When he finishes his grip lightens. The rush of blood makes you euphoric and boneless. You want to give yourself to him, let him do whatever he wants. "Fuck me," you whisper.
The kiss is more teeth than lips and the hold around your throat hardens again. You try to keep up with him but it's impossible as he pushes his tongue into your mouth, claiming every inch, making you lightheaded with the lack of oxygen. You gasp for air as he pulls away, releasing you. His gaze is brimming with lust and want now, all signs of anger gone. Then he pushes you down onto the couch.
"You're a kinky little slut, aren't you sweetheart?" he mocks and leans in over you, spreading your legs with his. All you can do is nod and try to wiggle close so you can press your center against his clothed cock. It's clearly outlined in his sweatpants and you hope it's as big as it seems. "If I put my hand down your pants, are you gonna be wet for me?" "Yes Bucky," you whine.
The throbbing is almost unbearable and his smirk is downright sinful. "Come on, rub yourself on me, show me how much you want it." With another whine, you brace yourself against the couch and lift your hips. He doesn't move a muscle to help as you struggle to find the right position.
"That's disappointing," Bucky smacks his lips and frowns. "Thought you wanted this." "I do Bucky, I do, please I'm trying," you tell him desperately. With effort, you get into a good enough position to grind your cunt on his cock through the layers of clothing. It's not nearly enough to curb the ache.
"Useless," Bucky sighs and grabs your legs. "Do I have to do everything?" He pushes your knees up towards your chest, folding you in half and pushing his cock right into your core.
"Sorry," you moan. His mean words have only made you needier and you move yourself against him with abandon. Bucky is motionless above you, not making a sound or saying a word, just staring at you chasing your high. Your movements turn unsteady when you start to come close.
If you were of sound mind you would notice the glint in his eyes but instead, you’re barreling towards your climax. Until he suddenly moves away.
Gawking you stare at him and he just smiles wickedly in return. "Take off your clothes, spread your legs" he instructs and you quickly pull your pants off and discard your t-shirt and underwear, spreading your legs as best you can on the couch. Bucky takes in your bare body, moving his hands slowly down your thighs until his palms frame your pussy.
"Fucking shaved for him too,” he notes with a snarl. You're not sure why that upset him. "Sorry!" you say, just to be safe.
"I don't need your hair curled, your make-up done or your whole body shaved. I will fuck you anyway, sweetheart, no matter what you look like because you belong to me," he growls before he spits on your cunt, sending a rush through you, making you moan and spread your legs even more.
For the first time, he touches you properly, letting his fingers spread the spit all over your pussy before shoving two of them into your soaked core. He pistons them in and out, putting his thumb against your clit and making colors burst before you.
"You want to come on my fingers, you fucking slut?" When you nod frantically he instructs, "Open your mouth, stick out your tongue." A second after you do spit lands on your tongue and droplets on your face. It nearly tips you over.
"Swallow it," he orders and watches you as you do, some form of approval shining in his eyes for the first time. "Who do you belong to?"
The question is too complicated to understand, you can't focus on what he wants. "I don't…" is all that comes out.
"Wrong answer," he says and removes his fingers, making you shout in disappointment. Sharp slaps land on your wet cunt and you instinctively try to move away from it, but he grabs your legs, pulling you back. "Don't you fucking run from me."
"I'm sorry," you cry, looking pleadingly at him. "I'm- I'm yours James, yours to do what you want with. Please, please, please let me come!"
With a huff he pushes his fingers back in, pressing the tips into your g-spot and getting his thumb back on your clit. His unbothered state makes you feel so small and insignificant, heightening the pleasure coursing through you.
As it climbs, your body shakes, your legs trembling from being held open. "I'm- I'm- don't stop!" you beg. Closing your eyes you focus on the feeling of him, his other hand still gripping your thigh hard. You hope it bruises.
"I can feel you, slut!" Bucky's voice is the cherry on top of everything. "Come on my fingers, do it, come for me!" he commands and of course, you do as he wants. With a scream you convulse, almost pushing him out with the sensation flooding you. Bucky is talking above you but you're not sure what he's saying because all you can hear is the blood rushing in your ears.
A hard tap against your cheek makes you open your eyes. "Don't pass out on me, I'm not done with you yet." "Wouldn't dream of it," you smile dumbly, and it earns you a smile in return. But it quickly passes as he pulls off his tank top and pushes down his pants. The cock is just as big as you hoped.
He rubs the head against your soaked center, sending overwhelming sparks through you, making you twitch. When he notches the head of his dick at your opening your blood freezes. "C-condom?" you stutter.
Cocking his head he asks. "Do you really want that? Doesn't a slut like you want to be filled up with cum?" "Y-yes, but, Bucky…" you gnaw your lip.
"I want to fuck my little cum-bucket raw, make sure you feel me running out of you for days," he gives a light thrust, almost pushing inside, giving you a taste of heaven. For a second you look at each other and Bucky presses in just a little bit more. It decides it for you. "Please fill me with your cum Bucky, I need it so bad!" you whine and he chuckles before shoving his fat cock into you without mercy.
Quickly you wrap your legs around his hips, meeting his hard thrusts that are sending your body into overdrive. "Feel so fucking good sweetheart, your cunt was made for me, wasn't it?" he groans. "Yes it was," you answer breathlessly.
He grabs your face. "Those other losers are never going to satisfy you." "No, Bucky, only you!" "That's right, you're my fuckdoll now, sweetheart," he says before he leans down to kiss you. It's much sweeter this time and you grab his head, carding your fingers through his hair, feeling your chest fill with another type of warmth.
When he pulls back he says, "Beg me not to come in you." Your cunt clenches and your second orgasm is suddenly a lot closer. "Bucky, please don't… I can't get pregnant," you make your voice small and frail.
In response his laugh is cruel. "Yes you will, your purpose in life is to be bred. I'm going to cum in you every day til it sticks and then everyone will know who you belong to." "Please, pull out," you beg and reach down to rub your clit, feeling the climax shimmering underneath your skin.
"Such a bad liar, sweetheart," he chuckles. "Are you going to come on my cock? Are you gonna claim me just as I claim you?" "Yes! I just need- harder!" you pant. "Fucking hell," Bucky grunts and does as you demand.
The climax rips through you with little regard for your sanity. The sound leaving your throat makes it raw and a second later Bucky moans your name loud enough for the neighbors to hear. It's almost good enough to feel him finish inside you that you come again, but you’re too spent to do more than shudder.
Then he kisses you again, sweetly, caringly, and pushes his arms in under your body to hug you close to him. "So perfect," he whispers against your mouth. The cums start to trickle out onto the couch but neither of you care, too caught up in each other's lips.
"How are you doing sweetheart?" he asks when he comes up for a breath. "I feel a little high," you confess. "Haven't been fucked that good in a long time."
There is something in his gaze that shifts and he leans his forehead against yours. "I'm sorry. I just… I couldn't take it anymore… I like you so much." "Lucky for you I get off on that stuff," you smile. "And if I had said stop I trust you would have."
He hugs you so hard you can hardly breathe. "Of course, I fucking would." "You can make it up to me by going tender the next time," you smile. "Next time?" "As many times as you’ll have me." He laughs into your skin. "I don't think you're ready for that!"
Suddenly the sound of the doorbell jerks the two of you apart. You stare at Bucky with wide eyes. "My date," you whisper, horrified.
With a smirk, he raises himself on his arms. "I should make you go on that date with my cum running out of you, maybe even let him get as far as spreading your legs just to see that you’re already claimed."
With a groan, you cover your face with your hands. "Don't tempt me," you tell him before wiggling out from under him, finding your clothes, and hastily pulling them on.
Opening the door just a crack, you understand you look a mess by the way your date eyes you. "Sorry," your voice is small. "I wasn't feeling great and then I fell asleep on the couch." "Yeah, you look terrible," the guy notes before handing you one of the ugliest bouquets you've ever seen. Quickly stepping away he says, "I'll call you." but you know he won't. "Great, I'll see you around," you respond before closing the door.
Bucky takes the flowers from you and shoves them in the trash before grabbing you around the waist and kissing you again. "Didn't you say he was promising?" "I have no clue what you're talking about," you answer with a completely straight face but then start to giggle as he swoops you up and carries you to his bedroom.
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watcherintheweyr · 8 hours
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I can't believe I'm writing this
To open up with: IT IS ABSOLUTELY OKAY AND VALID TO BE DISAPPOINTED BY THE LACK OF WORLDSTATE CUSTOMIZATION IN DRAGON AGE THE VEILGUARD. I have my own disappointments about it!
Ok? We have that covered? We good?
Cool, moving on.
To people who are genuinely, hatefully angry, saying we will now be 'forced into Bioware's worldstate' (when this year alone they've stated there is no 'canon' worldstate more than once), or saying that none of our prior dragon age choices matter, I need you to take a step back and walk with me for a second, okay?
For starters: John Epler stated that one of the reasons they narrowed the choices is because they DO NOT want to invalidate the worldstates of their longtime players. However they also don't want to alienate newer players who don't have the history and lore of the past choices. It's a narrow line to walk.
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Secondly, I want you to really look at the choices made by your Hero, Champion, and Inquisitor. Which of those choices genuinely affected NORTHERN Thedas, not Southern Thedas, to the point it would linger for years afterwards? Which of those choices weren't things that specifically affected or altered the sociopolitical Southern Thedas climate and landscape in lasting ways?
The Well? Kieran?
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That only leaves that if your Inquisitor drank, they now have knowledge from ages long past... that Rook doesn't need. Rook has a direct line into Solas' history and a possible Veiljumper background, unlocking those very secrets on their own.
It's entirely likely and probable that the Well's fears and threats were a red herring. Think about it. We as a gandom have spent TEN YEARS worrying about the Well, about Solas, about Mythal.
Come June 2024, we're slapped in the face by the big bads of Ghilan'nain and Elgar'nan.
Morrigan likely isn't going to be close and friendly with Rook- so there's likely not much reason for her to tell us about her child or husband if she has them.
The rulers of Southern Thedas aren't going to affect us. We aren't tackling the current world ending crisis from the position of a leader of armies like the Warden and Inquisitor, but as leader of a small task force. The Southern Divine doesn't much affect us either- nor do Southern mage politics or templar politics.
Because Rook is an entirely new perspective.
Because Rook is in an ENTIRELY different sociopolitical climate/landscape.
I DO think there should've been ways implemented to specify your Inquisitor's bonds and personality. I'm HOPING maybe there still are that we haven't seen. But otherwise?
My Warden is free. I can say she's cured her Calling and is wandering the world with Zevran.
My Champion can retire into total obscurity with his husband or be quietly helping said husband destroy the slave trade. Either way.
Your history and choices in Thedas still matter. Your heroes still matter.
They just aren't Rook's focus.
Take a breath please. And stop sending death threats to the devs bc what the **fuck.**
EDIT:
further context from the devs on Bluesky
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maxwell-grant · 3 days
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The Penguin: Episode 1 Breakdown
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Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.
Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:
Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.
So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.
I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.
Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.
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God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.
Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.
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Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.
I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.
Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.
"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.
If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.
This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.
It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..
Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.
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Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.
She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.
Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.
I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,
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I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.
She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.
Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.
He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.
Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?
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Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.
There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.
It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.
God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.
Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.
I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.
Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.
In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.
I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.
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paper-mario-wiki · 2 days
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I feel like I've ended up in the same spot as so transmasc before me: I have a lovely cis boyfriend who loves my tits which I love for him, but I am getting dysphoric to the point I wanna lift my lips and show a lil teeth when I see his hands coming towards them. Feels bad because they are his favorite and we haven't been fucking as much because as soon as he starts touching me I am out of it™ and get all in my head and freeze up. Any advice?
good god, brother. i am utterly baffled at why you have elected me as the strategist for this problem, and i'm even more confused as to why you have chosen to go into as much detail as you have.
but.
if i were to give you some advice on this
i'd say that you should consider a conversation with your partner about the long-term plan for the relationship. a "relationship" is two lives that are connected, right? and your life is not one where you're gonna have boobs for the rest of it (or at least based on what you've told me i would assume, should you have your way, those bad boys are gettin lopped off at some point), therefore it's pertinent that it be brought up, because it concerns your life, therefore it concerns the relationship, therefore it concerns him, yes?
now, the first and most obvious thing to start with out the gate is the boundary, made clear and concise: the hills are now closed, off limits to tourists. all discussions regarding this come next. make it clear that it's about something quite core to your identity, and something that does in fact cause physical pain (a panic response from the nervous system is pain homie).
this brings some followup questions (and remember, this isn't an interrogation, it's a dialogue to share): how does he feel about this? if he's against, why? for that matter, how much does it bother him? is there something he doesn't understand about your discomfort? is there some concern he has about your financial or bodily well-being with regards to the procedure? is it because it's vital to his attraction to you as a partner? if that's the case, would their removal be a deal-breaker?
now keep in mind, these question can be brought up whether or not you've got immediate plans to engage in the aforementioned lopping-off of your aforementioned Bad Boys, because the actual point of this dialectical exercise is to create a simple, easy to navigate, easy to understand conversation, which will set a foundation for further negotiations-- should you learn something new about each other, or yourselves, or the relationship as a whole.
either way, i do not think that letting it keep happening and keeping it to yourself is a good idea. i can understand feeling guilty about withholding some physical and emotional gratification you could give "easily" to this person you care dearly for, but trust me when i say that it's not the way to let it be. not just because it's unfair to your partner to secretly grow to resent them for a reason you don't want to vocalize, but to yourself as well.
you may not know it, but by keeping it to yourself you're slowly building up a resentment. that frustration actually shows up pretty clearly in your message. and even if what you're frustrated about is only that particular activity, that activity is irrevocably tied to another person. specifically, a person that you consider to be a pretty central pillar in your life. if that resentment grows, it can evolve into anger, hatred, fear, paranoia, and all sorts of nasty things. and even aside from the emotional and psychological damage that can do, it can grow into a physiological issue, where your brain wears out more and more due to the growing emotional distress ripping through your neurons with all sorts of "emergency" chemicals. like i said, the panic response is a physical pain, even if your body doesn't feel like it "hurts".
so. to summarize.
ABSOLUTELY bring it up. if you don't, it could become damaging to your relationship, and also your actual real life physical brain.
when you do bring it up, remember that the goals are to set a boundary, and to reach an understanding through mutual conversation. it's a dialogue, not a lecture.
when you reach an understanding, figure out if the relationship needs to be renegotiated in some way. that usually means new boundaries, or expectations. or maybe nothing! though surely your boyfriend can find more things to love about you.
that's as best as i can muster. you don't have to follow it, but hopefully it'll at least give you some ideas you can use.
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audliminal · 15 hours
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It's just a game, right? Pt 2
pt 1
"It's like. Crazy, y'know?" Bernard's voice echoes in Tim's ears as he fiddles with his mask. "Like, when they started posting, I was kinda meh about it? I mean the first few videos they posted were just like. Basic shitty, scrambled audio, and the first clues were just like, real simple. Basic word replacement stuff; mostly vigenères, right? But now it's- they're using everything! The current drop is. It's layers, man. And I think it's intentional."
"Isn't it supposed to be intentional? I thought that was like, the whole point of an ARG."
"No I mean, like yeah obviously the clues are intentional, but like. The way the difficulty curve is just increasing. When this started it was so easy, but I don't think it was because they like, didn't know what they were doing or anything. Which, cool yeah that makes sense, you want people to buy in before it gets super hard or whatever, but there are, like all these threads that never went anywhere. And everybody kind of wrote them off as red herrings because they didn't seem to fit into the narrative that we had so far, but I can't stop thinking about them, you know?"
"I mean, they could still be red herrings, couldn't they?"
"Well, technically, yeah, but like. Why? It's one thing to have a dead end that maybe calls back to a previous clue or, like, reaffirms some detail from before but having something completely unconnected seems like a weird choice. Especially when the creator keeps telling us to dig deeper."
"What the fuck does that mean?" Tim asks with a laugh.
"No that's the thing!" Bernard's voice goes intense, and Tim momentarily stops putting his mask back together. "Literally every fucking drop those exact words are hidden somewhere in the mess of encryptions, and as things get more complicated, it's showing up more not less. And that together with all the fucking loose details that don't seem to fit in anywhere? I'm literally on the verge of going back to the beginning of the whole thing and solving it from scratch, bc I think we're missing a lot." Tim kind of forgets, sometimes, how similar he and Bernard are, but the in his boyfriend's voice is one he's intimately familiar with. That combination of obsession and frustration - and obviously it's not really serious because like, it's an internet game, but it doesn't matter what the stakes are, being stuck on a puzzle fucking sucks, and he can't exactly patrol what with his broken ankle, so maybe a fun, no-stakes challenge would be good for him.
"We were planning on hanging out on Friday, so what if you walked me through it from the start, and maybe together we can come up with some answers?"
"Seriously? Dude that would be so awesome! I will teach you everything I know about code breaking!"
"I mean, I do know some things, you know. You think I didn't have a spy phase as a teenager?" Tim smiles at Bernard's responding laughter. It'll be nice, he thinks, to mess with a puzzle where nobody's life is at stake.
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Hey, I really liked your Dick Grayson sfw and nsfw alphabets! When you have the time, can I request either of those for Jason Todd? Thanks 😊
Jason Todd SFW Alphabet
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Author's note: Of course! I planned on doing his anyway after finishing some of my drafts. But that's taking a little longer than I thought it would. CW:
Alphabet Under the cut!
Affection: How affectionate are they? How do they show it?
Jason isn't really affectionate, at least in open places. He's got way too many people wanting his head on a pike. Family and friends know you two are dating; however, if someone on the outside saw you two, they would have no idea. However, when you two are alone, his true colors bleed through. His personality is similar to that of a huge dog that hasn't figured out they can't be a lap dog anymore. Laying his head on your lap while you do your own things. He is reading a book, and you do one of your hobbies. Just decompressing from the day Comfortably in science and enjoying the other's presence. Will 100% fall asleep if you start playing with his hair.
Best Friend: What are they like as best friends? How would you become best friends?
Unless he needed to ask you for something, you would probably have had to make the first move toward friendship. Jason gets very lonely, but trying to meet new people on his own accord is not part of his personality. If he approached you, it would be one of two things; 1. You did something that impressed him, or 2. Dick was pestering him about meeting new people too much, and he caved to make Dick leave him alone.
Cuddles: Do they like to cuddle? How would they?
Jason hesitates to cuddle at first; it's not that he hates it, but more so, he fears it. For the most part, positive physical interaction is a foreign concept in his body. For the first few times he cuddles, he will flinch, and it doesn't matter which one of you enacted it. But once he gets to the point of cuddling, where you two can cuddle, he is relaxed? Your fate is sealed. You've created a monster! Anytime you're not busy in the apartment, it's cuddle time, and no protests are allowed. Will get pouty if you have to get up.
Domestic: Do they want to settle down? How good are they at cooking and cleaning?
Jason is one of the Batfam members who would settle down in a heartbeat, even if it's just for a year or two. He craves at least some normality. But if he does, no one can protect the ones he loves, at least not well, in his opinion. Unlike his brothers, Jason is an excellent cook and even a chef with his skills. One of his favorite early memories is helping and learning to cook with Alfred. He's also very good at cleaning, partly cause his spaces are the bare-bone things to live in. However, he likes to clean his apartment or space once weekly as a coping mechanism. It's something he feels he is in complete control over. However, if you find him randomly deep-cleaning a room or his apartment. BE AFRAID; he's not okay, no matter how often he tries to tell you he is alright. For him, that is grippy sock stay levels that are not okay.
Ending: If they had to break up? How would they?
Like Dick, if you two broke up and he was the one that broke it off, it was due to him having an episode. But unlike Dick, it would be out of paranoia. Jason would make himself believe that your life will be destroyed. or you'll die because you are dating him. He would most likely ghost you and not actually break up with you. Because the words would pain him too much to say out loud. Only coming to his senses after the episode has passed, realizing his actions, and imminently finding you in person, terrified he fucked up everything between you both.
Fiance: How do they feel about commitment? How long before they pop “the question”?
Jason didn't want marriage for a long while, too terrified that it would make something go wrong. However, the longer the relationship goes on, nothing terrible happens like he expected. The more the thought of marriage would come into his mind. Asking what your thoughts on marriage are one night while cuddling.
Gentle: How gentle are they? Both physically and Emotionally? 
Jason is incredibly gentle with his partners, partly due to his personality and partly because he fears accidentally hurting you. He's a little rough around the edges emotionally, though, mostly because he's not used to being a completely open book to people.
Hugs: Do they like hugs? What are their hugs like?
Jason hugs like a dad coming home after a long trip. He'll hug your waist and lift you, keeping you in his arms with the biggest smile. He'll kiss your forehead while you feel the warmth of his body around you.
I love you: How fast do they say the L-word?
Jason would be extremely slow to say the actual' I love you' wording, but he would make up for it in physical affection and words of affirmation. Holding you as close as he can while telling you how much you mean to him and how great of a partner you are to him. So, people may mistake it for love bombing, which added to his other behavior. But it's because it's so hard for him to verbally tell you he loves you. He feels he needs to say it to you in other words, so you know how much his heart bleeds for you.
Jealousy: Do they get jealous? What would they do?
Jason gets super jealous; he won't control who you talk to or anything like that. He knows you have a life outside your guy's relationship, and it's not his place to manage. But he's protective of you and gets jealous when others flirt with you because, in the back of his mind, it's hard for him to believe someone would date him. So he's worried that you'll find someone more accessible to love, and you'll give up on him. Does it sound balls off the wall crazy? Yes, but mental illness is rarely something that likes to make sense.
Kissing: What are their kisses like? Where do they like to be kissed/ kiss you? 
Jason loves it when you kiss places on him that are generally done on the submissive partner, such as his knuckles, neck, forehead, etc. He finds them so comforting and feels very loved.
Little ones: How are they around kids?
Jason is great around kids unless it's his brothers. Generally speaking, though, he's very good with kids. Sometimes, he understands what's okay for a kid or not. He'll let a toddler he's watching fidget with an unloaded gun if they are very interested in it. But he'll explain to the kid in terms they understand gun safety and how you know a gun is loaded or not. Telling the kid you never treat a gun like it's a toy. It is a 100% safe choice for a kid to go to if they can't find their parent.
Morning: How are they during the mornings?
He's a morning person but a lazy morning person. He'll wake up at 5-6 and do dishes, eat, and do morning stretches, but he will not do any actual work until around noon. God forbid the poor man has a morning shift, no matter what his day job is. He'll be the grumpiest man in the world, but he hides it well from clients/ customers. Some of his coworkers get very confused of this very quick change of mood, but others just see that, and think 'Same brick wall dude, Same'.
Nights: How are they spent with them?
He is a huge Night Owl, wither that be doing the bulk of his work at Night, or having a nice cuddle session with you while having a smoke on the fire escape of the apartment. He is a very light sleeper, or deep sleep with every hour or so waking back up. He also has a lot of night terrors, so he tends to avoid sleep, ESPECIALLY if you are staying over at his place. He has a lot of 'what if i hurt you..' paranoia.
Open: When would they start revealing things about themselves?
Try to get Jason to open up, is like trying to open a can with no can opener. You may have be in a relationship with him for 5 years, and still not know everything about him. Not because he doesn't trust you not to use that against him. But because he struggles with knowing WHEN to open up about things in a relationship. He wants to make sure your twos relationship is a healthy as it can be, which every now and then dose end up causing problems. Especially when he's having a ptsd episode and you feel helpless within how to help him through it.
Patience: How easily angered are they?
He tries to be a laid back person, tries to be, is the wording there, he doesn't have a hair thin trigger, but sometimes his trauma just gets triggers by something he doesn't even see the connection to, so he's in a pissed off fight response for a bit. He does, however go to anger management therapy to try and help these behavior issues. But somethings slip through the cracks before they can be brought up in therapy. This does not stop him from bragging to his siblings, that he's the only one taking care of his mental health.
Quizzes: They remember everything or nothing about you?
It's like a scale, sometimes he remembers everything, other times he can't remember your favorite hoodie, (it's the one that's been used as a pillowcase for 3 months, because he missed holding you). He can dissociate for a long awhile, but him also bottling up his emotions plays a bigger role in this.
Remember: What is their favorite memory in the relationship?
The first time you fell asleep while cuddling with him. You both were watching cheesy 90s slashers for Halloween night, snuggled in almost a cocoon of blankets and snacks. When he turned to check on why you had been so quiet, you had falling asleep while being snuggled so far into him, that he half expected for you to fuse into his side. The amount of trust you had for him, the emotions he felt was too much and he ended up crying for the first time in years. the tears feeling like they were burning his eyes, but it's still a memory he holds closest to his heart.
Security: How protective are they? How would you protect each other?
No matter what your appearance is, wither that be tall and lanky or short n stout. Jason tends not to need a lot of physical protection, but you are most defiantly the protector of his emotional peace and social battery. Think of it like a Pitbull done with his guarding of the house for the day, so runs to their favorite human to become the biggest cuddle bug on earth. That's Jason Todd, (He's very Resurce dog coded, don't blame me, blame DC). He very much, however, is scary looking guard dog for you. He could kill someone with his death glare sometimes.
Try: How much effort would they put into dates, gifts, anniversaries, etc?
Jason puts an extreme amount of effort into your anniversaries, gifts and dates! He's not a social able person, so don't expect fancy Lucious dinner dates at a 5 star restaurant. They make him very uncomfortable, thinking everyone's eyes are on him. But he will make you the most romantic and gushy homemade dinners, your favorite flowers or candy. Cooking Red type pastas with red wine or cooking a Hispanic dish that learned while growing up around crime ally.
Ugly: What are some bad habits of theirs?
He has a bad habit of pushing you away, instead of telling you what's up. For better, or for worse. Sometimes it's because his crime lord days caught up to close to him, and for your safety he pushed you away. Or on the worse side of things, he's terrified you'll look at him as a monster or not understand where he's coming from with his trauma and his poor mental health, so he tries to keep them from you as long as possible, until he has no choice to tell you, or lose the relationship he has built with you.
Vanity: How concerned are they with their looks?
Honestly, Yes and no, like he cares about his looks more than a person would think, but like.. slightly more. He's not gonna shower every single day on the dot and shave his pubic hair into a sharp clean design. But he absolutely cares about keeping up good hygiene. Though he does have issues with cleaning his teeth, nothings rotting in there, but he is brushing his teeth waaay less than he really should be.
Whole: Would they feel incomplete without you?
No, unless you two date each other until your 4 years into retirement and you die of old age. He will be able to feel the same before you to started dating, because he feels incomplete on a regular basis. Like he isn't able to do enough, BE a enough for anyone to see him how he is as a person now.
Xtra: Random headcanon for them?
Jason use to smoke weed, especially in his teen years, regularly. But now he smokes cigs, problary Marlboro's or Lucky Strikes maybe Camels , and eats edibles every now and then to help with muscle pain and mood swings. (he still hasn't figure out if meds are worth not being able to have a beer whenever he wants.)
He knows he has PTSD, maybe C-PTSD, however he's not quite sure or not that he has BPD or a similar disorder, he's mainly just not internally ready to know the answer to that part of himself just yet. He's barely processed his feelings towards his Mother, so he's not there yet in his healing journey.
Yuck: What are some things they don’t like, in general, or in a partner?
if you have bad few of poor people or think poor people are only poor because they chose to be. Than I'm sorry, but Jason is more likely to pop a bullet in your head than he is to see you in a good light, let alone a romantic one.
Zzz: What is their sleeping habit?
Either waking up every 1 to 2 hours, or only sleeping 30mins to 3 hours and then staying up for the rest of the night or start cleaning or smoking a cig outside.
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daydreamerwoah · 11 hours
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Love Through It All (Alternate Ending - Different Character Death)
tw: mentions of cheating, mentions of divorce; hurt; angst; anger; sadness; arguing; crying; mentions of therapy/counseling; violence; guns; injury; main character death; a violent Ghost
Please read Part 1 for my author notes for the beginning of this story if this is your first time here.
Had someone ask for a different alternate ending where another character dies so here it is :)
*This picks up from part 13 in italics*
The moment the video stopped, you locked eyes with Simon. Your puffy eyes made him internally broken, but his facial expression hadn't changed, and you didn't know if he was upset that you had gotten revenge for cheating on you... or if it was something else. You wanted to say that it meant nothing. That you were drunk and fucking mad at him... but you couldn't say shit with the tape still over your mouth.
"I have to say, she sounds.. so damn good. Doesn't she?" Jax teased as he asked everyone in the room. Even with Andrei not responding, since he was the one who had his tongue on you, Jax smiled at Simon like he had won or something, "How does it feel?" He walked and stood behind Simon as he leaned down so his face was almost next to his, looking at you, "Tell her." He demanded.
Simon's eyes never strayed away from yours as you continued to cry. The look on his face hadn't really changed, but his eyes told you exactly how he felt. The regret that ran through his soul.... he wished he could been a better man; a better husband. You didn't deserve any of this.. yet you stayed. You had wanted to work on your marriage even after the ugly truth came out. It was his fault, and he would forever kill himself over it. He would be grateful if you ever forgave him, promising to give you the entire world and more after he so much tore yours apart by cheating.
"I love you," he lowly said, making you cry even more. "I'm so sorry, sweetheart... for everythin'."
"Satisfying, isn't it?.. Finally realizing your mistakes?"
Simon finally tore his eyes away from you and looked at Jax, "Let her go."
He paused, acting as if he was thinking about something, "I thought about it," he teased, "but see... I can't do that. She's knows far too much... much more than our girl Williams," he joked - a terrible one that made both you and Simon shoot him the deadliest glare.
Jax stood up straight and walked over to you, cutting the ropes that freed you from the chair and snatching off the duct tape on your mouth. For a slight second, you almost thought he was going to let you go before he yanked you up by your hair to stand. A whimper left your mouth as the pain ran through you.
"Let her go," Simon told him again.
He chuckled deeply, "We're just getting started."
Suddenly, loud popping noises sounded from the other side of the door, making you jump. Jax - in a panic - swiftly snaked his arm around your neck in a headlock position, pulling you close to him as Andrei and the other guards rushed out of the door to go see what had happened. More gunshots rang out, almost deafening your ears. Simon continued to look at you, the chaos not even phasing him. At least on the outside... on the inside, he was worried. Half secretly thanking whatever god there was that Johnny saw the damn text, but half nervous about whose shots were going off.
Then there was an eerie silence that loomed over the room before heavy footsteps walked closer to the open door. There was more than one set, and you almost began to panic at who was going to walk in there until you saw Simon's friends.
"Let her go," Price commanded, his weapon pointed to Jax.
A menacing chuckle left Jax's mouth, "I will shoot her," he said, pushing the barrel of the gun against your temple, making you whimper.
"Let my wife go Jax," Simon said, making the man narrow his eyes at him.
"No," he growled, "You're going to suffer just like we did! All of you! I will kill every single one of you!"
"Then let's talk 'bout it," Johnny chimed in.
Jax threw his head back a little as he laughed, "Talk about it?.. we're done talking. Your nation should have talked about it four years ago! But now..... now you will pay," he quickly glanced at you, holding that evil smirk as always. He then pointed the gun at his own temple, throwing off the team.
It was hard for any of them to take a shot at him as he swayed you and his body in sporadic moments. Now, 141 were excellent soldiers; the best of the best, but they weren't going to risk taking a shot only for it to hit you instead of the target.
"Don't have a shot Cap," Kyle whispered.
"If you shoot me, she will die," Jax said as he leaned his head to be side by side with yours, "Your choice.... Cap'n."
Another beat went by as he continued to sway you so a shot couldn't be made. Simon and you looked at each other the entire time as he tried to free himself over and over again. But it was no use. He wanted to hold you; to take you away from there. Instead he felt his eyes water slightly and nervousness.
They all continued to try and get the man to lower his weapon, but the more they talked, the more aggravated he got. And the more he spoke, the more they realized who was behind all of it.
Makarov.
That alone made them even more worried.
You even begged him to let you go, but he shouted for you to shut the fuck up, making the men tighten their grips on their guns. He was getting tired of talking.
"Say goodbye to your wife..... Lieutenant" he teased as his arm wrapped harder around your neck.
Time slowed down. It was like you could feel Jax’s energy as his finger started to pull the trigger, and you suddenly felt……… free.
"I love you," you said to your husband before closing your eyes.
"No no no-" Simon barked before a single shot rang out in the room.
It was the last thing you heard. The last thing Simon said before all you saw was darkness. Jax had pulled the trigger, making the gun go off, piercing his temple. Because his head was aligned beside yours, the bullet wasted no time going straight through your head as well, instantly killing you both.
"NO!" Simon shouted as Price and Johnny rushed over to the fallen bodies of you and Jax while Kyle cut away at the ropes that freed Simon from the restraints.
The second he was able to stand up, he leaped out of the chair and all but pushed the other two men out of the way to kneel on the ground, hovering over your limp body.
"Wake up, sweetheart. Wake up. Wake up," he said as he checked for a pulse. Even though Johnny had already done that, he did it again. When he didn't find one, he should have stopped there; should have let you go. But no, he began pressing on your chest with his hands in an attempt to do CPR as if it was going to revive you somehow.
"Ghost," Johnny tried stopping him, but he wouldn't listen.
John tried pulling him away, "Simon-"
"No! She's not dead," he continued to do CPR on you. The lone tears that began to fall as he looked down at your lifeless body caused the men to look at each other in true sadness. They wanted to stop him, but even they felt the pain flow through their hearts at seeing you lay there on the cold floor.
“Please, god no. No,” Simon whispered when he finally gave up, pulling your body into his chest as he hugged you tightly, “I’m sorry. I’m so fuckin sorry, love.” He continued to hug you, thinking for some reason that hugging you would keep your body warm and safe, even in death.
Eventually, when the medics and police came, it was a whirlwind of chaos that engulfed everything from the prostitution ring upstairs to the crime scene in the basement. As your body was placed in the black bag and wheeled outside, Simon followed the coroners all the way until they loaded it into the back of the van. It was then that Simon felt like he could take a long and painful deep breath that still struggled to come out. It was like he had been punched in the lung with an iron fist.
"L.T.," Johnny said as he walked up to him, making him finally tear his eyes away from the van, "M'sorry."
He didn't say anything back as he looked at his comrade. He didn't even know if he could talk at that point. The only thing he could do was stare at the sergeant for a moment before giving a quick nod and walking off, leaving his friend behind looking at him with sorrowful eyes.
******************************************************
"How's your week going, Lieutenant?" the chaplain asked Simon.
He softly nodded as he rubbed his hands on his jeans, "Fine."
Fine.
It was the same word he used in almost every session he attended since your death. He knew it was going to be a requirement that he had to attend before he could go on any mission... especially one that involved finding Andrei - who escaped during the incident -, Makarov, or whoever else was involved. But it still didn't make it any easier. He was nothing of fine.
The night after the incident, he went home... home to the apartment, and he drank half a bottle of bourbon before he couldn't take it anymore; he trashed the entire fucking place. He was lucky the neighbors hadn't called the police on him. He was so amped up yet so exhausted that he passed out on the couch, only to wake up and see the damn mess he had made the next morning.
When Kyle came over to check on him that evening, he was beyond embarrassed at the state the place was in, but Kyle - just like the rest of 141 - knew he needed time to heal. So he helped him clean up everything before deciding he'd stay the night just to keep his friend company. The same cycle continued as Price, Johnny, and even Ava and her husband checked on him during the next month or so.
But when he eventually got cleared to head back to work after a few more months, Simon was out for pure blood. Blood that was meant for Andrei.
"Ready?" Price yelled, asking the team as they geared up to land in the drop zone of their next mission.
While Kyle and Johnny responded, Simon only nodded, focused on everything around him. They had been tracking intel for a couple of weeks before Laswell informed them they had a location on Andrei. And it was finally time to capture him.
The skilled soldiers descended onto the ground, their guns drawn as they made their way carefully into the building. One by one, guards were taken down silently, a few getting stabbed in their throats as Simon used his knives for more intimate kills.
But when they busted through the door, finding Andrei shocked and off guard, Simon couldn't help but feel a rush flow through him. His fingers tingled slightly, his heartbeat somewhat calmed down but sped up at the same time, and his feet moved faster than his mind could comprehend before he yanked Andrei up to his feet.
An evil smirk settled on his lips behind his hard-shell skull mask as his eyes narrowed at the shaken man, "Remember me?"
The look on Andrei's face was the complete opposite of what he had just half a year prior. That nonchalant look, the confidence like he won a prize cause he had been with you sexually, was all replaced with fear. Simon couldn't help but remember the video - that was now destroyed because he didn't want anyone to see his wife that way - and he felt a deep chuckle escape his throat.
"Tell me again.. how good did my wife sound?" he said in the most menacing tone that even 141 had never heard him sound like.
Andrei gulped, his eyes widening before Simon sent a forceful punch to his face, instantly knocking him out. The loud crunch of his jaw snapping was heard in the quiet room as his body went limp and fell to the ground.
************************************************************************
"Where's Makarov?" Price asked Andrei for the second time.
141 had taken Andrei to an unknown location - a building that was used to keep prisoners before they were taken by the CIA or other agencies. Andrei had been tied up the same way Simon was the night you died, and fuck was he enjoying it more than he should. The amount of punches that landed on Andrei's face from his fists would have had anyone else squirming at the sight. But none of the guys flinched when another cracking sound echoed in the room.
Simon sometimes wished he didn't have to be this way; violent. No doubt he had killed many men in his career, but it was always work. A quick shot from his sniper, a knife to the chest of an enemy. But this?.... this was different. Every time he punched him, he would see your dead body, the night he asked you to marry him, the tearful eyes from when you told him you wanted a divorce, the moment you told him you loved him before Jax pulled the trigger... all of it.
"He asked you a question," his deep voice grumbled as he leaned over to be face-to-face with Andrei.
His face was bloodied and bruised to the point that his eyes barely could open, and his lips were beyond swollen. But even then, he tried to smirk up at the men, "You might as well kill me. Nothing I say will get you closer to Makarov," he coughed, a little blood spilling from his mouth. Simon growled before hitting him once again in the nose. It had broken after the first punch, but he didn't give a shit.
After they all knew Andrei probably wouldn't say anything else, Simon left out of the room, pulling his bloodied skeleton gloves off his hands as he walked outside. He pulled out a box of cigarettes, taking one of them out, along with the lighter. He swore he would stop smoking a long time ago, and for a while, he did. For five years of your marriage, he hadn't smoked once. But he couldn't help but pick the habit back up after your death.
As he smoked, he glanced at the wedding ring on his finger. He refused to ever take it off. It was one of the many things that he kept to remind himself of you; of your love. He knew he would never love anyone again the way he did with you, and in that moment the only thing he cared about was avenging your death.
I thought I teared up on Simon's death in that other alternate ending but I think this one hurt a little bit more. Let me know what you all think about this ending :)
Taglist: @kalypsoox @fruitymoonbeams-blogz @kylies-love-letter @xrosegoldwolfx @linaaaaa654 @jessicab1991 @darkravenqueen98 @yazyazali @thychuvaluswife @chloeforde @cownini @ssc7514
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ficks-of-fancy2 · 1 day
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MHA is a nightmare and my personal punching bag
A lot of people like to say that MHA is bad. But a large sum of the fandom has largely ignored the actually problems with the story and characters as a whole. The problems that have been applauded despite the gaping flaws. So let's discus.
Where do I start? My Hero Academia is the single most horrible show I have watched for some time. It's good points are far and few between the shit show of it's story and characters. So it's small problems first. It's over sexualizaton of it the teens in it's cast is just abhorrent and I hold similar sentiments for the fandom in some cases. The villains frankly get too much attention, with one crazy man's ideology pulling all the weight of their missguided motive. Or everything being a direct result of one delusional man's puppeteering. Not to mention the overall demonization of mental illness and inherently flawed take of forgiving your abusers.
Midoriya and All Might is a toxic relationship. Sorry about the whiplash, allow me to explain. From the start we get to see Midoriya as a victim of Bakugo's almost constant abuse, but also his love of All Might. The idyllic and 'perfect' hero he aspires to be and is convenient to. Izuku Midoriya is All Might's convenient child because Midoriya is too blinded by his idol worship to see that All Might is using him to continue his battles, slowly grooming Midoriya into the next him. All Might is the last oasis in the desert of his life and Midoriya has none of the tools necessary to leave, All Might wont let him leave. And he goes unchallenged by the story for lifting up Midoriya's suicidal tendencies by preying on his need for validation through action. All Might is using Midoriya to desperately cling to his golden years and that is actively detrimental to Midoriya's growth as a character.
If I may compare Izuku to another similar character, and I shall. Mahiru Shirota is one of the protagonists of Servamp, a character driven manga about servant vampires or Servamps and their masters or Eves. Mahiru is the eve of sloth, his Servamp, Kuro or Sleepy Ash. Mahiru at the start of the story is almost identical to Midoriya through out mha, Mahiru is a convenient child for everyone in the story. He doesn't voice his objection or opinions beyond what you would expect from a kid like him. He aims to please and is almost suicidal in his pursuit of validation. But were Midoriya stagnates, Mahiru blooms, he grows to be more selfish and loving thanks to the logical end point of that stagnant arc, Kuro. Kuro was killed by sloth, his willingness to take the blame for a crime he didn't commit for the sake of his village. His selflessness and the inherent selfish need of external validation was no different than suicide. But were Kuro and Mahiru grow, Midoriya just doesn't, he rots on the vine and fails to become anything. His lack of growth makes him come off as winey and pathetic or just boring because he doesn't change for the better. His stint of vigilantism is just every adult in his life telling him that sacrificing himself is how he will atone for his inherited burden. For the sin of All Might's sloth for what Yagi and the other holders allowed to fester in the dark.
Bakugo Katsuki is... a good premise with bad execution. Bakugo's entire arc is learning to not be a fucking asshole, simple in premise and absolute horse shit in execution. From the word go, Bakugo is shown to be an abuser. Midoriya's abuser to be precise. Going so far as to actively tell Midoriya to kill himself. Now, Bakugo's abuse is born from a place of projection, Bakugo is a narcissist, not in the traditional sense, but more in a way that makes him unable to empathize with positive emotion in relation to himself and others. He is the center of the world, but at the same time he thinks of himself as worthless without his strength, unable to exist with the knowledge that he isn't the best of the best. Bakugo's arc ends far too late. Bakugo's arc should had started after the sports festival at his interaction with Best Jeanist leading to an apology tour and ended during the culture festival, his payoff during the fight against AFO Shigaraki and the vigilante Deku arc. Bonus points if Midoriya doesn't forgive him at first, leading to Bakugo working to regain that trust in more tangible ways. Have Bakugo seek towards empathy.
Ochako Uraraka isn't a character, not a well made one at least. To be fair this is something most of the cast suffers from. If it isn't the main protagonists or antagonists, the writer doesn't care. Uraraka is just the love interest without any depth of character beyond that. People like to pretend there is more going on, but I just don't see it. All of her 'growth' is motivated by her obsessive and honestly one sided love for Midoriya, a love that is only returned when Midoriya and she are looking for something to fill the void. It's toxic and terribly familiar to his and All Might's relationship. Midoriya is constantly put into the role of savior to all of these characters that don't in turn assist in his growth.
Speaking of Midoriya's role of savior, we have finally arrived at the L.O.V. The League of Villains is a good premise for an exploration of the inner politics of a world where 20% of the world lacks a unique superpower (that's still a lot BTW). Or to dive into the segregation of those with detrimental, uncontrollable, or 'villainous' quirks. The bigotry towards mutagenic quirks. Or an actual exploration of the inherent flaws of a society that has put a price tag on altruism, something more than senseless slaughter spearheaded by manchilds and mass murderers. The L.O.V deserved to be something more than the flawed argument of some fanatical lack of worthiness and some vague notion that rebellion against a already broken system is a problem. It's stupid, The League of Villains had potential to be actually interesting, but it was made into anarchy for the sake of it never even attempting to offer a solution to a system broken for those already in power.
Yet somehow we have missed the biggest point of what a hero is. A hero is a person who does what they can to save people who are hurt, broken, or lost. Even when they are the 'villains' or more plainly the mentally ill and those rejected by society. Somehow we have forgotten or ignored all of the Wake the Deads, the For the Man Who Has Everythings, the Flash And Substances, and the Epilogues. All the stories that told us that sometimes the best thing to do is be there for people. Being a hero isn't about fighting. It's just about being there. For the people, all of the people. But also understanding that some people can't be helped. People like Baby Doll and Shigaraki, Dabi and All For One, people too far gone or too hurt to help. Toga and Twice just needed help they weren't given. It is what was born of the legacy of All Might, peace and complacency, a smile hiding everyone else's tears. Every single crime committed by Shigaraki and the L.O.V is the direct fault of All Might. Because he refused to see the people he was fighting as what they were. Evil is often relative because to an ant a boot is evil. Rarely in the world does true evil exist and often it is taught or held in those who believe themselves without betters or equals.
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ghostorbz · 1 day
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Let's talk about the flipside
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Something I actually,,, really don't wanna do!! But I will anyway. This game turned out so fucking bad its actually ridiculous. First off,, what went wrong?
For me, it was:
-The stories
-The endings
-The characterizations
-All the feet?????
Spoilers for basically the whole game, by the way. Not that you should subject yourself to this. Trigger warning for like,, everything???
Let's start off with the stories and endings
OD ending:
Jecka has a major panic attack because of her,,, "job" and Nicole and ends up over dosing. Voluntarily.
Human trafficking ending
Jecka gets put into human trafficking by the police when all she wanted was her paycheck, her manager and somewhat friend Kelly dies.
Jeffery murder ending
Nicole murders Jeffery and she forces Jecka to not call the police by threatening her.
Ari dies ending
While drunk driving Jecka crashes into Ari while she's delivering food and she dies. Ari does, not Jecka.
Nicole's suicide ending
A tie in with the first game. Nicole gets stuck in hostage friendships while Jecka is forced to date her teacher for a good grade. She goes to in school therapy for it. Her heavily abusive dad finds out and Jecka runs to Nicole's house to find her dead.
First off, what does EVERY ending have? Jecka suffering. Suffering horribly. Rather from someone/herself dying, being abused, or just straight up depression.
Let's compare these endings with some of Nicole's endings
Nicole dies, Nicole sabotages a relationship, Nicole gets people to die, Nicole causes a girl's house to get burnt down, Nicole wins a court case, Nicole gets her house back, Nicole gets valedictorian. Of course this is only a small portion out of the two games. But notice how good things happen to Nicole in some endings? In some cases the bad endings feel justified because of how Nicole treats people, but not all of them are bad. Sure, some of them aren't deserved. My point is Nicole has good things happen to her along with the bad things.
Flipside has none of that. Jecka suffers nonstop despite doing nothing in every single ending. She isn't happy in any ending. Nothing turns out for her!!! We see time and time again how Nicole gets things to work for her whether she manipulates it or not. Nicole can have happiness. But Jecka can only suffer. A teenage punching bag. This girl has done nothing wrong to deserve anything she gets put through.
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Why is this??? Literally, what was the reason for this
All of the endings fucking suck. I hate all of them. But enough about that, let's move on to the characters
Characterization
Jeckas dad
On the surface he's a kind guy who donates to charity. But he consistently verbally (possibly physically?) abuses Jecka for no reason. Literally nothing can set him off. A flip of the switch type of abuser. We haven't seen Jeckas dad prior to this game, but it's evident he sucks. I'd say he's way worse than Nicole's mom, at least she is sometimes nice and tries to help out. Jeckas dad blows all his money on Emily (a teenager who went to Jeckas school), forces Jecka to get a job and verbally belittles her if she ever says anything to him. Everytime he speaks to Jecka her first response is "don't hit me." Is this supposed to be fnnuy? We see Jecka have full blown sob sessions and panic attacks because of him. If it is supposed to be fnnuy it isn't. It's just sad and scary. There is nothing comedic about the abuse Jecka goes though in these scenes.
Nicole
They did Nicole's character horribly in this. We see Nicole share compassion for Jecka, she doesn't have that at all in this. Her betrayal was the worst for me. It just,,, seemed so out of character for her to do something like that. Nicole literally sacrificed her free school hours by getting in trouble with the predatory school councilor just for Jecka to be able to smoke in peace again. Nicole cares for her, calls her cool and pretty multiple times. She spends all her time with her, and even when she dies in the first game she says "I didn't know Jecka that well, but tell her she's cool for me." The betrayal ruined her character, hell it isn't even her character!! I don't like how she threatened Jecka when Nicole was the one who killed Jeffery. Speaking of, the way she acted with him seemed weird to. She can barely stand sitting near him in the first two games, and she did,, all,,,, THAT with him??? Bullshit. I see so many people say "but Nicole is a sociopath, she doesn't care about Jecka!" Um,,, yes she does? I mean it's pretty clear she does. Jecka is the only person Nicole really cares about. They wouldn't meet in every single route if Jecka wasn't important to Nicole in some way.
Jeffery
Jeffery is weirdly obsessed with Jecka in this game. Yes, we've seen him like and do weird things but not to this extent. He has never acted like this before?? Its like they reduced his good qualities and doubled up his weird ones. Which isn't a bad problem, but it makes his behavior visibly different in flipside.
Mr. Katz
Introduced in the Re up, this game turns him into the worse person ever. Last time all he did was drugs, now he's sexually harassing Jecka and verbally abusing her if she doesn't comply. Then threatening her with her grades. Since he was a minor character at best this could just be a different side of him we haven't seen but knowing how many pedos there already are in this game I don't get why they wouldn't introduce this or foreshadow it in the first two games.
Everyone else,,,
Everyone else seems to be fine, Emily, Ari, Kelly, Kylar, and Crispin to name a few. Thing is these are all side characters, sure they can be important in a few endings but for the most part they don't play a massive role in here besides Kelly and Emily.
This game was advertised as "same comedy, different girl." But there's no comedy in this game, only torture. Maybe Nicole was right when she said life was a sick hopeless game.
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Okay, lets talk about the feet.
So,,, what the fuck? What was all that about? This literally took up half of the game, not a fucking exaggeration. Was it really necessary? The devs couldn't think of anything else? They were all really dragged out, it felt like it would never end no matter how badly I wanted them to. I guess you could say this line in the first game was some sort of foreshadowing
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This feels like a very poorly disguised fetish. Like blanket ghost costume type poorly disguised. In fact, all of the endings feel unnecessary. Most of these have even more twisted endings than the first two games. What's up with that? It feels like they're trying to filter their audience to people who would actually enjoy doing that type of shit to people.
No, fuck I don't wanna talk about feet.
Here's some random things I want to critic but couldn't fit anywhere.
-The jeckari scene felt weirdly out of place. I could've been cut out and nothing would've changed. It wasn't necessary. Sorry jeckari fans
-What was up with the councilor? I don't mean his voice acting (it was definitely different though, right?) But he was kind of out of character. Like, he had a whole "I'm so important and mysterious (but not actually)" vibe going on. The fuck was up with the riddle? And having a whole fucking warehouse of illegal videos? Yes he's a predatory creep but I don't think he would go that far. Also pulling out a gun and shooting Kelly and almost Jecka felt so,,, what??? He wouldn't
I swear fandoms understand characters more than the creators
-Jeffery is just randomly rich? Out of nowhere? Okay. Whatevers convenient for the plot, I get it
-Why is EVERY single man attracted to kids in this game, it's overkill. Sure people like that exist but they aren't every single person you meet
-Super short, only 3 hours of gameplay. Not worth the $15. The first two games are way better, just get those. Not like this game is worth anyones time. The first game is only $10 for an hour or 2 of gameplay. The re up is $15 for 4 hours
-Nothing felt quotable. Maybe I just haven't seen it enough to memorize half the script but there weren't any lines where I was like "oh haha that's silly to say as a reference." The first two games were filled with quotable lines. Most of flipside is either something about feet or Jecka being abused
-The "thank you" note at the end of the game was kind of immature, I don't really want a thank you for this? Ummmm,, okaaayyyyy??
-You barely even get to play, it's mainly you just watching. The first two games have you actively choosing what to do. Flipside only makes you choose maybe twice
-The whole "They're 18 now!! Look at all the fucked up things we can do to them now!!" is really showing. Stop it. It's still weird
-This game is supposed to be post-graduation, but we still see Nicole and Jecka at school, multiple times. Jecka even says they aren't even in school anymore and yet you can still go back to high school? Yea, who gives a fuck about a timeline anyway,,,
Okay, but was there anything good?
Ehh,, I don't really know. I only laughed at one scene and that's saying a whole fucking lot for a comedy game. The first two games had me dying from laughter, but every single scene in the flipside just felt upsetting. Nothing was fnnuy.
I did enjoy very few things.
-The art has heavily improved. The visuals were nice when they weren't about feet or Jecka being abused
-The hatman scene was the only thing I laughed at, I liked it
-I got pretty excited when I saw that Jecka had an MSI poster in her room. I like MSI so it was a nice little surprise to see
-I liked the tie in with the first game ending. I wish we got to see more of Jeckas reaction after Nicoles death though
-I thought the whole "if god isn't watching, who is?" thing was kinda interesting. But having me listen to a whole monologue kinda killed it for me
-Class of 09 always had super good voice acting, and this doesn't change. All of Jeckas panic attacks sound super real
Overall, would I recommend this game? Absolutely not. I wouldn't even recommend this to an already fan of the series, much less tell someone to start out with flipside. Flipside isn't worth your time or money, it isn't even worth this whole post! That's why it's over
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stabbyfoxandrew · 1 day
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Ahh!!! I'm finally on time again for wip Wednesday! I'm so excited! I would love some Angel Neil.
(I loved the long snippet from last week but obviously I will love anything of any length you post)
WIP Wednesday (9/18) | Guardian Angel Neil AU (Part 235)
So he's going to once again get Bee's thoughts on the angel. He's going to make her tell the truth and admit one way or another if she thinks he's got a serious problem. (If she calls Neil an imaginary friend again, Andrew might bite her. No, no. He wouldn't bite Betsy. But he might light a fire in her office.)
See, Andrew ruled out Neil being a side effect after Monday morning. He'd come charging up here first thing during his nightmare-induced rampage, without taking his meds, and Neil was here waiting for him like always. Andrew's quite sure he's not actually psychotic, no matter what his teammates like to say. But he wants to check his notes against Bee's one more time.
This way, if he ever starts to doubt Neil again he can remind himself that Betsy thinks he's fine and that Kevin knows the Butcher's son. That's what he would need, reassurance from the two people he trusts most. God, how did Kevin Day end up on this list? Andrew digresses. The biggest problem with grilling Bee about this is Neil himself. Because Neil said he would stay as long as Andrew believed in him. If he were to overhear anything... Would he leave for good? Is he actually able to? Andrew does not want to find out.
Andrew realizes with a start that his cigarette is nothing but a tiny burned up nub between his fingers. He looks at it, annoyed, then flicks it into the bushes below. When he turns, Neil is staring from where he's propped on an elbow. Has he been staring this entire time? (Andrew thinks he could stare at Neil for days. That's beside the point.) He cocks a brow.
"You know, I'm right here." Neil says, looking amused. "That means you can actually talk to me instead of just thinking about me real hard."
Andrew flusters and bristles simultaneously. "Who said I want to talk to you?"
Neil laughs like Andrew's being stupid. "Your head is going to explode, Andrew. Or maybe mine is. I can't tell. But it's getting annoying, so just say something."
"I hate you."
"There you go." Neil smiles. "Let it out and stop pounding on the insane of my skull."
"Is that what it feels like when I think about you?"
Neil sighs, "Not always. Sometimes it's a little pinch. Maybe a tap on the forehead, a flick to the ear. But sometimes you get real... Thunderous."
"Thunderous."
"Yeah. Like I can't think because you're too busy thinking about me." Neil says, sounding only slightly accusatory. "You're doing it now. Want to tell me why?"
"You told me you don't come into Bee's office. Is that still true?"
"Of course."
"Isn't it the angel's right to know what's going on with me?"
Neil looks almost offended that Andrew thinks he'd eavesdrop. "No. I've told you before. Whatever you have to say to her is none of my business and I certainty don't care to hear what she thinks about me."
"Right. I know."
"Then why are you asking this again?" Neil asks suspiciously. "Should I be listening in on you for some reason?"
Oh fuck, time to backtrack.
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jonathanbyersphd · 1 year
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when nancy came into the room and wrapped her arms around jonathan's waist from behind... yeah...
PLS I CAN'T
She's just like a little bird perched next to his shoulder and she drops her little kiss and says she's not letting go like she's so in love with that boy. And he perks up ever so slightly and tells his little jokey jokes and promises it'll be ok even though they're both CRYING and just
WE'VE GOT SHARED TRAUMA
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Like When I listen to Sweet Nothing by Taylor Swift this is the scene that plays in my head
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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.
When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?
Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?
I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.
I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.
An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.
So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.
Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡
#bungou stray dogs#seriously call me a clown and point and laugh at me if I'm proven wrong all you want#but I really feel like there's solid evidence for this#either s5 isn't gonna reach 109 at all (but I seriously cannot fathom where you would want to stop before then) or they'll go beyond it#if they really do end it with 109....... well i'll give Bones kudos for having the balls to do that ig lol#maybe i'm underestimating (overestimating???) them idk#also just to clarify I don't wanna make it sound like I think Asagiri let the anime/Bones dictate the manga's pacing#like I'm sure these were his/their (him and Harukawa's) own decisions first and foremost#not that (if this theory is true) the anime had a major impact on how the chapters were split and that it-#-would have been extremely different otherwise#i'm pretty confident in that Asagiri does not do anything with BSD he isn't comfortable with#and he doesn't let anyone tell him how to write his story#I just feel like he worked with Bones to make this near-simultaneous release happen#BUT if this is the case I don't feel like it had any major effect on the writing/final product that is the manga#like the last handful of chapters have been so incredible#so I at least am still perfectly happy lol#(i mean i'm devastated and a nervous wreck but u know 🫡 in a good way lmao)#anyway 110 in two days please let this theory be true because I need some fucking hope already#please let Oda show up as Dazai's guardian angel to help (see what I did there-)#it would be the perfect way to end the collective season that is 4/5 with s4 beginning with Oda and now ending with Oda#Asagiri are you reading me are you picking up what I'm putting down please please a ghost Oda is long overdue please-#Oda Verlaine Adam just GIVE ME SOMEONE ALREADY 😭😭😭#MAYBE EVEN A TASTE OF THE FYODOR BACKSTORY TO TIE INTO HIM BEING IN ANIME UNTOLD ORIGINS. THE POSSIBILITIES ARE ENDLESS
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bonefall · 8 months
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...Something's kinda hitting me, guys. I think something just clicked.
So we all know that BB!DOTC is the arc I'm not staying faithful to, right? A lot of characters are getting total overhauls? I'd actually been dancing pretty heavily around the pro-colonialism themes in the original text, simply because I don't really feel comfortable handling them (same with certain sexual themes, it's not great for my mental health to force myself to engage with certain elements that are triggering)
So I'd made it so there was Park Cats (Wind Coalition and River Kingdom) who arrived relatively recently, and Tribe Cats (Sky's Clan, Shadow's Clan) who nestle into an unclaimed spot in the forest. All groups roughly equal in power until Thunder's Clan which was existing in defiance.
But Clanmew isn't JUST comprised of Parkmew and Tribemew-- there's a third contributor. Old Townmew, which mixes with Parkmew and forms Middle Townmew, mixing again with Clanmew to create Modern Townmew.
Since I'm now really thinking about the colonialism themes, especially in my re-read where it starts reaching its narrative conclusion in Books 5 and 6... I think I need to add that 3rd cultural group. I need to make them a player. I think I'm doing a serious disservice by only having the Park Cats, Tribe Cats, and then saying all others mostly lived in the town.
I'm gonna do a BB!Brokenstar with Slash. Previously I'd just cut him completely-- but I think I should, instead, walk him back from being "Pure Evil" like he is in-canon and make him into a real character.
One Eye's a god drawn to the festering stink and rot of the First Battle; Slash is a mortal, leading a group like any other in the Forest Territories.
I think I'm also going to significantly bump up the time the Park Cats have been in this territory. Slash and his cats have been fighting them for years, and until the Mountain Cat influx, were basically spread through most of the Forest.
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okay so, having now seen furiosa: a mad max saga opening night and having Ruminated on my thoughts, I am going to give my two-pence on the movie even though nobody asked or wanted it - you're getting it anyway!
but before going into the full thing, I actually re-watched fury road today, bc I just wanted to contrast it now that we know furiosa's full story that lead her to her trek in fury road, and I just had mad max on the brain (and also I love that movie).
spoilers under the cut below!!
first, I already knew before seeing the prequel, that that scene in fury road where furiosa breaks down after learning about what happened to 'the green place,' was going to now hit 2x as hard once we learn what really happened the moment she was ripped away, and...yeah, it's super painful to watch. it was already a very emotional scene, but now having known how much pain and struggle it costed her, how many times furiosa desperately made her bet to get back home and fell short - you can really feel her grief
funnily enough though, I was shocked to find myself tearing up not during that scene, but when furiosa was reunited with the last of the many mothers. having just watched her ripped away so unfairly as a defenseless child, her whole world destroyed and clinging onto this dream of one day, getting to embrace her family - you can't help it!! I started tearing up when the other woman rushed to furiosa, embracing her with the gentle touch of their foreheads, 'this is our furiosa' 😭 like..she did it!! she made it home!!! - also, I learned in the credits - that woman was actually the same little girl, valkyrie, in furiosa who was her friend!!! that girl saw her friend get snatched and pulled away from their home, and then finally, both grown, they reuinite! I just thought that was sweet
what max says to her about hope in the scene after they find the mothers, 'if you can't fix what's broken..you'll go insane.' - my mind immediately jumped to dementus. we get this glimpse that he once had a wife and child(ren) he loved, that were either taken from him or killed, and he tells furiosa in their stand-off more or less how that destroyed him mentally, further plunging him into this hateful madman who acts so cruelly to others. he couldn't 'fix' it by getting them back ('I want them back!!' 'I can't!!'), the one thing he loved that kept him sane, and so he lost his humanity.
I saw a post of someone saying how ricktus's death (immortan joe's son) is 10x more satisfying after having seen what he (nearly) did to child furiosa...abso-fucking-lutely (though, I think with that in mind, furiosa should've gotten a part in it..)
also, max & and furiosa's dynamic after knowing about her & jack...the parallels! the parallels!! their gradual bond of trust, how fluidly they work together to kill/fight the enemies of the citadel akin to her and jack vs. dementus and gang, etc.
this saga, of course, is about hope and redemption, alluded to in both fury road and the prequel. in fury road, max says (I think in his opening monologue) how he was once strived to be a 'righteous warrior', who could do good and help others. later, when one of the wives finds the warboy nux, he's distraught bc he thinks his chances for greatness are gone, but then she tells him that maybe, he's destined for something greater - and that would be, of course, later sacrificing himself to save her and the rest by crashing the rig into the war party. in furiosa, jack says how his parents were valiant warriors, and how he hopes one day, he could be the same - also, later, fulfilling that by sacrificing himself so that furiosa might escape dementus and the destroyed gastown. it's just such an amazing string of parallels - all three men, looking to do something great, and then, through furiosa, they're given that chance and achieve something good even amongst the destruction!! but it's only bc of furiosa, this harbinger of hope, that they do so - she's the tie between them all, the embodiment of that goodness!!! it's! just! so! good!!!
honestly there's probably way more parallels out there I'm sure ppl will bring up, but those were the things that struck me. now, onto my actual thoughts on the prequel.
--I'll start by saying I was unbelievably excited to see this movie. I'm annoyed though, bc despite knowing about it and wanting to see it once it was released, I literally only learned it was coming out a week before the release date. straight up, the press for it was so poor, not once did I hear about it before the trailer randomly crossed my feed one day - and considering how popular fury road is, I find that bizarre (but, I'll bet you a good couple bucks, that the press/hype was deliberately poor bc of the movie company execs, due to this being a female lead film 😠) - but it did mean I didn't have to wait too long, and that I did watch the trailer about 13 times on my own accord until then..
--having read the reviews, I do agree, it is a bit slower then fury road - but, that's really only bc it's a character story instead. fury road takes places in the current time of the film and the actions that follow, whereas the prequel is specifically about furiosa, so it's honed less to the action and more about a certain character, in my opinion. but it's just as good for a character story! it does an excellent job of unfolding furiosa's journey, and really, if you're gunna compare everything in the franchise to fury road, it's never gunna live up. that said, there's still excellent action and real nail-biting moments.
--I will say though, that I found it almost...darker, then fury road? fury road is definitely intense and there's of course violence, but it never openly tips into anything past pg-13; the darkness that is there, is more or less touched upon by the narrative (like, we can get a sense of what must've happened to the wives (ie assault) and why they escaped once we see how immortan joe regards them as property, the suffering furiosa must've went through by the pure vitriol look she gives him when their cars are side-by-side and later, 'remember me?' before killing him (my favourite scene)). but it's never explicit - furiosa is. from the torture of her mother, to that scene right after the max cameo when he drops furiosa off at the citedel's underground where I literally had to cover my eyes and ask my friend to say when it was done..there's an overtone of darkness that gives to the tragedy of furiosa, this child molded from pain (not to mention, again, that scene of ricktus and her as a child which to me, was the most nerve-wracking moment). fury road gives you a glimpse, but furiosa doesn't hold back.
--chris hemsworth, meanwhile, made an excellent villain. not just as an actor, but dementus as a character was fantastic. he's got lots of great lines and brings in a lot of humor - he's both deranged and erratic, while also clever and simultaneously childish, and mostly, cruel. he's wonderfully dynamic. bringing in a backstory of losing his wife/child was a great added piece to his story (I love a good backstory), and the way he takes the loss of his kid and tried to mold it around furiosa, tries to fill that empty piece inside, was a great choice in terms of their dynamic. it made him more then just a mad-man who stole a child for yuks - he had a deeper desire to tote furiosa around, almost as a security blanket in the same way the teddy bear also acts as one. his final monologue was great - the ramblings of a hateful man, but it was, in the end, what got furiosa to see past vengeance, and become better - to choose hope, and not destruction.
--anya taylor-joy did a great job I thought - while I wish furiosa had more lines, she made up for it in just the facial expressions and how full they were, really giving us a glimpse of what furiosa was feeling. even still, it would've been nice to have known what was going on in her head, or even hear her talk about her past - the green place, and then dementus, are the pure driving force of her character, yet she doesn't ever mention or grapple with her grief around these things, simply stays silent (except for the final confrontation with dementus). I would've loved maybe, if she had confided in jack, or maybe even one of the wives, to give more depth to her feelings.
--I also wish furiosa could've bonded with someone else besides jack, or at least before him. it would've been nice for to have had at least one ally, or, I dunno, a friend? like that war boy who had dwarfism - she seemed almost sad, when realizing after the battle that he was dead. instead, she's alone, but a fellow misfit friend could've been nice.
--speaking of jack, loved him! thought he was great! it's unfortunate his part was so short, would've loved delve into his background (also, I'm as gay as they come, but he's like..an objectively Good Looking Man, so well done all around).
--I was really nervous, for how they were gunna do the romance. I was against it initially, bc the great thing about fury road, was that romance was not at all forced into the narrative - you can read that between max & furiosa if you want, but for one of the very, very few times when a woman and man team up, romance wasn't forcefully wedged in, and instead they could be respected allies. so I was skeptical - and then I totally fell for them. they were so sweet! the two actors had great chemistry - their bond was just so soft. the way, after they crash and are caught by dementus, furiosa, who can barely stand, gently leans herself into jack's shoulder, sweetly muttering to each other as he leans his forehead back against hers, like 😩😩 it was so lovely, and so tragic. you could really feel the respect and care they had for each other; it was so organic, bc jack genuinely wanted to help furiosa. he respected her and asked nothing of her - he was a purely good man, and through that, furiosa was able to open up to him and trust him. it's the great curse of the mad max universe though - no romance can escape it's claws, same with how nux and one of the wives were torn apart. in my heart of hearts though, there lives a little AU fic where dementus doesn't catch them, and they make their way back to the green place and live happily ever after with a kid perhaps, and maybe, furiosa and him go back to later rescue the wives (they say, like they're not thinking of already writing that very fic...).
--one more thing about furiosa I wanted to mention, if I can call back to earlier saying how she becomes a beacon of hope for the various men that enter her life (and the women too, when you think of the wives..) - that, despite all this horror handed to her, at the very end of the rope, she gives into her hero's heart. time over, we see, even as the destruction of the wasteland chips away at her, furiosa can never quite betray her heart. she runs back to her mother even after being pushed to leave, she goes back for jack despite having the perfect escape to finally make it back home, and in the end, takes all her hurt and anger wrapped up in dementus, and turns it and him into something that can bring good into the world. it's about choosing good, above all!! a hero's heart, even in the darkest of worlds!!!
--the trailer really emphases the green place, but we only see it for like...a couple minutes? I was looking forward to more lore about it, maybe seeing some of it's inhabitants like the mothers. but furiosa is taken immediately and then her mother starts her hunt after her, and that's it. kinda a bummer.
--there's a couple inconsistencies here and there - like, when furiosa is first brought to where the wives are kept, there's gotta be about 20 women in there, roughly. but then, as she becomes a young adult, we see at the very end her approach the 5 wives from fury road (I was expecting a call-back, so loved that) and it looks like there's only them there - what happened to the rest of the women??? did they all die in childbirth?? also, when furiosa runs away and hides herself as a warboy/mechanic, how did no one know she was gone?? it seems odd, since immortan joe specifically picked her out and probably has a mental line-up of all his 'treasures', you'd think he'd notice. or how, later on, the new 'imperior' with jack looks oddly similar to that young girl ¯\_(ツ)_/¯
--also, I wanna know how furiosa got away with being the only female imperior - you'd think immortan joe might snag her away instead to be a wife bc she's young and viable, or that she'd be either dismissed or preyed upon by his sons/the other men. maybe because she was partnered with jack it was easier, but that was kinda confusing.
--final thing, bc this post is already too long - my last gripe is mainly about furiosa's dynamic with immortan joe. in furiosa, her revenge is purely motivated towards dementus, but then, switching to fury road, she now holds contempt and anger towards the warlord. part of what I wanted to see in the film, was her past with immortan joe; we didn't know initially how furiosa got to the citadel, but my interpretation, was always that possibly (because she was branded with the logo on her neck) she was brought on as a wife, inevitably abused by him, and then something happened where she was no longer useful as a wife (maybe an accident that cost her her arm) but was still useful as a tool. but, immortan joe isn't really looked at in the prequel; he's here and there, but doesn't show any particular cruelty or act towards furiosa that I was expecting. that vitriol she shows in fury road, and of course, 'remember me?', makes you think there was something there to fuel furiosa's revenge. instead, nothing really occurs between them - of course, furiosa is brought on to breed him children and then is expected to do his every bidding in getting supplies, so, I think we're supposte to assume that she has seen how cruel he is up close, and so acts against him. still, I was expecting something deeper there.
all in all, I loved it and had a great time. fury road will always be one of my favourites, but this is a great addition. fury road is great on all fronts; a fascinating world, great characters, amazing action, a well-made and clearly cared for story, but the thing I love most - is that it's about hope. it's about choosing, every day, despite the horrors around you, to get up and hope for something better. to do something better, even at your own cost. it's about hope and what we mean to each other when we extend it. and I just love that so much
go see furiosa! support it! it's a great time!
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guinevereslancelot · 2 years
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babe would you still love me if we were superheroes and you were in danger and i went absolutely bonkers and crossed every moral boundary imaginable to protect you at literally any cost?
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detectiveneve · 11 months
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pondering on a meta diving into Gale's abstract brand of selflessness (willingness to go away to a corner of the world to die so that none of the faceless masses will be harmed by his mistake) vs his personal selfishness (willingness to stick by tav despite being repulsed by tiefling camp murder + general vocal approval or interest in accumulating more power) and Gale's status as someone who is good aligned but generally ineffectual at enforcing actual good (the way that wyll or karlach will actually leave the party) which is fascinating for a fairly good-aligned person. just love when the Good Guy is actually kind of fucking weird. edit: tumblr cut off my tags Okay. and how all of this ties back in an interesting way to his relationship and power imbalance with mystra. he was wronged, deeply, but he also desires still that ... status / closeness to divinity in some way, by her influence. Gale thinks that he would be a better god simply by virtue of his mortality but he cannot escape the appeal of holding himself apart from others and being more than, greater than, something closer to godliness and thus inherently removed from mortal values and standards of right and wrong, which the gods themselves don't adhere to in the same way.
#it's just one of those things that's really compelling about his character to me in terms of ...#Gale hesitates with the shadow lantern not really because he's put off by the magic#in fact if a sorcerer Tav condemns dark magic he rebukes it and argues that all magic is inherently neutral; some simply more#frowned upon than others#He appreciates good acts. he'll say We Should Do The Good Act. but he's not going to really fight FOR doing the right thing the way#others might; and when you get beyond the act itself he can very quickly rationalize#necessity. or mistake. or the value of power + strength behind it.#the dichotomy between his fearful willingness to die at Mystra's behest while not really tamping down his interest in power and survival#that peers out and I think (?) feels almost obfuscated behind his eloquence and his manners and charm and general clockability as a#guy who approves of good things.#and there are things he says & does that are further beyond the expectations of what you might expect from someone who is 'good'#the initial interest in a deal with Raphael; the approval of taking tadpoles despite the uncertainty and possible cost; the acknowledgment#that powerful forms (slayer form or ascending astarion) will be useful onward#His Fucking Speech to Tav after the grove slaughter where he's outraged and disgusted but can be swayed to stay#he's so... sunk cost fallacy too I think. at some point the ends must surely justify the means right#and his God of Ambition thing is sooo compelling because it really drives to the max the part of gale's personality that is always there#but obfuscated by his immediate insistence that he's a moral person right. you know him to be of sound judgement. trust him.#He likes seeing good happen and he's happy to go along with doing good things and he'll#state his opinion when he thinks something EVIL is happening. but he's not necessarily#going out of his way here either if tav isn't -- and to be fair game mechanics technically mean#no one is - but we can read from Wyll/Karlach removing themselves from the situation#(need to double check but can't Wyll also leave a slayer dark urge?)#that they CAN go out of their way#Wizard Apathy Baby! you feel benevolent toward others but you crave what is beyond humanity and#deeply rooted in the arcane; which you see as beyond too basic concepts of 'good' vs 'bad' magic; neutrality that sways with intent#you trust good actions but you didn't ACTUALLY use your power at the time For Others either; you probably could have but#you craved MORE. something BETTER.#and there's a lot there in how that interacts with his relationship to mystra too#his desire to achieve something closer to godliness and both thinking that he can do better because he's mortal but at the same time#has proven that he can separate himself or his technical moralities from a situation if it means exploration of power/knowledge Beyond
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