#if you know anything about greek myth

[witchdomme]

i will die for her

[gingermintpepper]

In my Zeus bag today so I'm just gonna put it out there that exactly none of the great Ancient Greek warrior-heroes stayed loyal and faithful and completely monogamous and yet none of them have their greatness questioned nor do we question why they had the cultural prominence that they did and still do.

Jason, the brilliant leader of the Argo, got cold feet when it came to Medea - already put off by some of her magic and then exiled from his birthland because of her political ploys, he took Creusa to bed and fully intended on marrying her despite not properly dissolving things with Medea.

Theseus was a fierce warrior and an incredibly talented king but he had a horrible temper and was almost fatally weak to women. This is the man who got imprisoned in the Underworld for trying to get a friend laid, the man who started the whole Attic War because he couldn't keep his legs closed.

And we cannot at all forget Heracles for whom a not inconsiderable amount of his joy in life was loving people then losing the people around him that he loved. Wives, children, serving boys, mentors, Heracles had a list of lovers - male and female - long enough to rival some gods and even after completing his labours and coming down to the end of his life, he did not have one wife but three.

And y'know what, just because he's a cultural darling, I'll put Achilles up here too because that man was a Theseus type where he was fantastic at the thing he was born to do (that is, fight whereas Theseus' was to rule) but that was not enough to eclipse his horrid temper and his weakness to young pretty things. This is the man that killed two of Apollo's sons because they wouldn't let him hit - Tenes because he refused to let Achilles have his sister and Troilus who refused Achilles so vehemently that he ran into Apollo's temple to avoid him and still couldn't escape.

All four of these men are still celebrated as great heroes and men. All four of these men are given the dignity of nuance, of having their flaws treated as just that, flaws which enrich their character and can be used to discuss the wider cultural point of what truly makes a hero heroic. All four of these men still have their legacies respected.

Why can that same mindset not be applied to Zeus? Zeus, who was a warrior-king raised in seclusion apart from his family. Zeus who must have learned to embrace the violence of thunder for every time he cried as a babe, the Corybantes would bang their shields to hide the sound. Zeus learned to be great because being good would not see the universe's affairs in its order.

The wonderful thing about sympathy is that we never run out of it. There's no rule stopping us from being sympathetic to multiple plights at once, there's no law that necessitate things always exist on the good-evil binary. Yes, Zeus sentenced Prometheus to sufferation in Tartarus for what (to us) seems like a cruel reason. Prometheus only wanted to help humans! But when you think about Prometheus' actions from a king's perspective, the narrative is completely different: Prometheus stole divine knowledge and gifted it to humans after Zeus explicitly told him not to. And this was after Prometheus cheated all the gods out of a huge portion of wealth by having humans keep the best part of a sacrifice's meat while the gods must delight themselves with bones, fat and skin. Yes, Zeus gave Persephone away to Hades without consulting Demeter but what king consults a woman who is not his wife about the arrangement of his daughter's marriage to another king? Yes, Zeus breaks the marriage vows he set with Hera despite his love of her but what is the Master of Fate if not its staunchest slave?

The nuance is there. Even in his most bizarre actions, the nuance and logic and reason is there. The Ancient Greeks weren't a daft people, they worshipped Zeus as their primary god for a reason and they did not associate him with half the vices modern audiences take issue with. Zeus was a father, a visitor, a protector, a fair judge of character, a guide for the lost, the arbiter of revenge for those that had been wronged, a pillar of strength for those who needed it and a shield to protect those who made their home among the biting snakes. His children were reflections of him, extensions of his will who acted both as his mercy and as his retribution, his brothers and sisters deferred to him because he was wise as well as powerful. Zeus didn't become king by accident and it is a damn shame he does not get more respect.

[genericpuff]

Intresting how its only trivializing and mocking green myths when non-greek white people do it, but not when non-greek poc do it. Its almost if you dont actually care

lmao bro what

i literally have zero clue what you're arguing here, "stop criticizing rachel for writing her greek myth retelling from a predominantly whitewashed westernized and christian-washed point view" ?? yeah okay lol

[p4nishers]

can we actually take a moment and remember swan upon leda? can we actually shut the fuck up and sit the fuck down and think about our lord and savior swan upon leda because i'm tired of doing it alone every single day guys

[drowsemp3]

carmina is my wife but shes not My wife she's cass' wife. cass is my oc and shes not me but im her. you understand.

[byfulcrums]

I hate when I see people hating on the gods because of PJO, it makes me so sad and angry

Also. The amount of people calling the female gods "a bitch" is insufferable. First of all, lazy insult, second of all, these characters are fucking ancient. They have years of history in them. You can't just think of their character as "a bitch". NOT EVEN THE BITCH, JUST A BITCH — AS IN, AN INSULT

[autisticaradiamegido]

KICKS OPEN THE SALOON DOORS OF YOUR ASKBOX

YOU LIKE HADESTOWN TOO ??

IM SOOOOOOOO NORMAL AND CHILLCOOL ABOUT THE MUSIC AND THEIR VOICES AND AND AND

listen. i went into a live performance of it totally blind, and it knocked my ass clean tf off and i will LITERALLY never fucking recover. i am incapable of being normal about hadestown its so. its So.

[littlesparklight]

I'd like to say, people who write books (or movies etc and so on) with a Paris/Helen positive angle, where they then have Helen be variously not into Menelaos or them not clicking or whatever -

this is a coward's way out

you are boring and won't survive the winter

WHAT'S THE POIINNTT if Helen doesn't want BOTH of them! What's the point if she doesn't have a genuinely good relationship with Menelaos???

And like. using "Menelaos is either heavily male-leaning bisexual or gay" and this is why his relationship to Helen suffers is also a coward's way out. BE MORE INTERESTING (why the fuck is he one of the suitors if he doesn't even want her?)

Apparently one author has actually had him be attracted to Paris and like. Yes! More of that! Not that you need to to make things more interesting than just getting Menelaos out of the way, but, man.

[harpieisthecarpie]

one of the reasons i really like catholic imagery and art as a guy raised without religion is that i too feel intense guilt for existing but at least they made interesting rituals about it

the main reason is stained glass looks pretty

[toadtoru]

CLIMB THE MINOTAUR

you’re excited to be chosen as a sacrifice and finally be able to get a proper look at the so-called minotaur. you’re thoroughly disappointed to find out it’s just some tall tattoed guy with four arms.

pairing: trueform sukuna x sacrifice f! reader contents: smut, monsterfucking, sukuna has two dicks, virginity loss (sukuna), cervix-fucking, mentions of cannibalism and killing, greek gods and myths, degradation, name-calling (brat, woman, whore) alba’s note: this came to me in a vision and i was compelled to write it. and then it turned way longer than i anticipated. hee hee. wordcount: 4.8k

MINORS AND AGELESS BLOGS DO NOT INTERACT

You’re known to be peculiar. A little weird.

Growing up in Crete, you’ve always heard the stories of the Minotaur. A giant beast that lives in a labyrinth underneath the palace where King Minos lives.

No one really knows how the beast came to live, but it’s said that one day a big white bull showed up on the beach and nine months later Queen Pasiphae birthed the minotaur.

It’s not something that most dare to say out loud, but when it’s dark out and the bards are drunk enough the real songs come out at the crowded taverns.

Pasiphae, the queen who fucked the bull.

Every year a week-long festival is held where young women and men are sacrificed to the bull. It’s supposed to keep the monster at bay. It has a taste for human flesh. Apparently, the first thing it did when it was cut out of its mother’s womb, was to eat the nurse’s hand.

You know you should be filled with dread that a flesh-eating monster lives just underneath the palace. What’s stopping it from leaving its maze and coming for you?

But you just feel intrigued.

You know that it’s not normal. Other girls your age dream of heroes who slay dragons and save princesses. Yet your dreams are filled with a giant monster with a man’s body and a bull’s head, and you haven’t quite figured out if they’re nightmares or just that; dreams.

When you’re chosen to be sacrificed you can’t tell if the emotions toiling inside you are dread or excitement. Maybe it’s a mix of both?

You’re brought to the palace where you’re put in a dress, much prettier than anything you’ve ever owned. You know everyone expects you to scream and cry. That’s what all the other ones have done.

But you just stay quiet.

It only increases the sneers as you’re paraded around. The sacrificial maiden. Thank her for her humble sacrifice to save us from the hunger of the minotaur.

And when the day comes you’re led down a dark passage in the castle. Further and further and further down until the air turns chilly and the only light is from the torches the soldiers escorting you carry.

The entrance to the maze is surprisingly just a small door. Made of metal, there are several locks on the outside. The guard unlocks them one by one.

“Are you ready?”

It’s the first time any of them have spoken to you. You look at the guard beside you. He smiles and unlocks the chains around your wrist. You’re surprised they even bothered to put them on. You haven’t shown a sign of wanting to escape the entire time.

“I guess,” you reply, watching as the guard in front of you unlocks the last lock. You massage your sore wrists and wince.

“Why are you removing these? Wouldn’t it be easier to let them stay on,” you ask. The guard smiles again. This time it’s more sinister.

“It likes the chase,” he replies. You raise a brow. You wonder how he knows that. No one on the outside of the maze has ever seen the minotaur besides its mother and the handless maid. No one on the inside of the maze has ever lived to tell anyone about their experience.

The guard in front of you scoffs.

“Alright, get in there. I want to go home. Wife’s making chicken stew.” he says. You walk towards the door. The guard opens it. The one behind you swiftly pushes you in.

They go to close the door, but you place yourself between the the small gap before he can. The guards frown.

“Don’t make me push you again,” one of them says.

“At least give me a torch. Can you see how dark it is down here?” you ask. The guards share a look.

“You’re awfully calm for a little girl,”

“I’m not a little girl,” you huff. The guard shrugs. Then he hands you one of their torches.

“Sure. It’ll just make it easier for it to find you,” he says. You move back so they can close the door properly.

It will also make it easier for me to see him.

The door is closed and you look out towards the maze. Apart from the little light your torch provides, it’s pitch black. All you can see is stonewalls. You give the door behind you one last look.

“Well, I guess there’s only one way to go,” you mutter, as you walk further into the maze. You have no idea if you’ve walked for hours or minutes. Everywhere is the same, stone, stone, stone. You take turn after turn, keeping your hand against the wall on your right side.

You listen as closely as you can, after hooves on the floor or grunts coming, but the only thing you can hear is your heartbeat and the slow crackle of the torch on your left.

Annoyed, you sigh. “Some chase,” you huff as you look around. It’s cold and wet by now, and your dress does nothing to shield you from the chilly air.

That’s when you see it; red eyes staring at you in the darkness. He’s too far away for your torch to illuminate him, but you can see enough, that he’s tall and big. Your breath hitches, but you can hardly react before he moves towards you. You prepare yourself for incoming death, yet you’re excited to finally see the great minotaur. You wonder how big his horns are if they curl–

Wait, what?

You furrow your brows. The shadow moving towards you doesn’t have horns. Instead, it’s a giant man with four arms. He’s strong, with big muscles and scars all over his body, along with black tattoos on his chest and arms and he’s only wearing a pair of ragged pants. Four pairs of ruby eyes glare at you as he opens his mouth, revealing a pair of sharp fangs, ready to rip open your throat.

“You’re not a bull,”

The monster, or rather, man halts. He looks confused, as though he’s not entirely sure what to do.

“You’re just some guy!” you continue, crossing your arms over your chest. “Where’s your bull's head!”

The monster blinks. His arms which were previously reaching out for you, ready to grab you, are now awkwardly hanging down his sides.

“What?” His voice is coarse, as though he hasn’t used it for a long time. “You’re supposed to have horns! A bull's head!” you accuse.

“Who told you that?” he asks, lips turning downward in a growl.

“Everyone!”

“Stupid rumours,”

You stand there for a while, staring at each other. The guy awkwardly rubs his neck with his top left arm. He clearly doesn’t know what to do. Maybe he’s not used to his victims blaming him for not being scary enough. Or animal enough? What exactly you were expecting, he isn’t sure. All he knows is that you’re thoroughly disappointed.

You sigh and walk up to him. You examine his arms, before you look up at his face. He glares at you. You raise your brows.

The guy’s hot. You can’t deny that.

He shakes his head, before turning around and walking away. You watch him go for a bit before you decide to follow him.

“Aren’t you going to eat me or something?” you ask.

“Lost my appetite,” he replies, not looking back towards you. You continue to follow him, your eyes trailing the black tattoos on his back.

“Where are we going?” you ask. The man stops, causing you to collide with his back.

“I’m going home. You’re not going anywhere,” he states, looking down at you over his shoulder. You step back, looking around the passage you’re in. Stones and stones are all you see.

You decide you are going with the man whether he likes it or not. You’d rather do that than spend the night alone in the maze.

He doesn't say anything as you walk to the place he calls home. You’re delighted when you enter a relatively small chamber. There’s not much more than a bed, a kitchen, a dining table and several books lying around. The latter surprises you, but then again, it’s probably kept him from going completely insane. You wonder who taught him how to read. It is not something just anyone can do.

On the table, there’s a sort of stew. It’s still hot, it can hardly have been there for long. He grabs himself a bowl, before handing one to you. You tentatively grab it, suspiciously eyeing the meat.

He rolls his eyes. “Relax. It's rabbit,” he replies, handing you a spoon. You sit down, slightly wide-eyed.

“There are rabbits down here?” you ask and the man nods.

“Animals venture down here all the time. You don’t actually think I can survive from a couple of sacrifices once a year, do you?” he asks.

You stare at the stew. In all honesty, you’d never really given it that much thought. In hindsight, it feels a little stupid. Like you’ve been caught right in your very own net of assumptions.

“What’s your name?” you slowly ask. He stops eating, looking at you. It’s like he considers what to say for a while, before coming to a conclusion.

“Sukuna,” he replies. You hum.

“Sukuna,” you repeat, and Sukuna grunts, eating a spoonful of his stew. You give him your name, but he hardly seems to register it as he shrugs.

You sit like that in silence, both just eating the stew. Once you’re done Sukuna stands up, stretching his arms. You watch with fascination.

“I’m going to bed. It’s late,” he grumbles, before shrugging off his pants.

You gape, staring. Sukuna stands before you, completely naked. Your eyes trail his body, watching his tattoos, leading down, down, down.

No way.

The fucker has two cocks. You swallow, watching the gigantic things between his legs. They’re almost pretty. Wait, are you turned on right now?

“Do you always sleep naked?” you ask, voice coming out smaller than you’d like.

Sukuna grunts. You take that as a yes. He walks past you, lying down on his bed and turning his back to you. You huff.

Is he seriously going to bed right now?

Tentatively, you look around the small chamber. Kitchen, table, bed, books. There’s hardly anything else.

The bed is big enough for two.

You’re not entirely sure what comes over you. Maybe it’s the dull throbbing in your core or the warm stew clouding your mind, but you take off your dress and undergarments and lay down on the bed, slipping under the covers.

Unable to look at Sukuna’s broad back any longer, you turn around, laying on your side. You feel him turning around as well, feeling his breathing against your neck.

“What are you doing?”

“Going to sleep,”

“In my bed?” You can’t entirely tell if Sukuna’s angry or just exasperated. Maybe it’s a mix of both.

“Do you see any other beds here?”

Sukuna scoffs, but he doesn’t make a move to push you out. You take that as a victory, settling into the bed. Sukuna’s body radiates with heat behind you, almost like a furnace.

You lay like that for a while, wondering how this has all happened. Why hasn’t Sukuna hurt you yet?

“Do you know what I think?” you say after a little thinking.

“No,”

“I think you’re lonely. I think you want someone to care for you,” you say.

“That’s ridiculous,” Sukuna replies. He doesn’t sound at all convinced.

But there has to be a reason as to why he hasn’t killed you yet, right? Don’t monsters get lonely too?

“Is it really? Or is it just human?” you ask.

“I’m not human,”

“Some part of you must be,” you hum. You lay in silence for a while. You inch closer to Sukuna.

“Have you ever been with a girl, Sukuna?” you ask. You must have lost your mind at this point. You can feel his length against your ass and the mere size of the thing makes you drool. He grunts. You move around under the sheets, pretending to get comfortable, but making sure to rub your ass against his cock, feeling it twitch to life. A giant hand finds your hip.

“Stop that,” Sukuna says. He sounds almost... flustered? You sigh. “I’m just getting comfortable.”

“I’ll throw you on the floor,”

“So mean, big guy,”

It’s too late. His cocks are already awake. You can feel them both coming alive against you, slowly growing.

Sukuna takes a shaky breath. You wiggle some more. The hand on your hip doesn’t stop you.

“You’ve never wanted to try? It must be so lonely down here for you,” you say. His hand digs into your skin. You make circular motions. His breaths grow more laboured.

“All alone, with no one to share these cold nights with,” your tone is teasing. You turn around so you’re facing him. Lidded eyes stare back at you.

“Don’t you wanna know what it’s like?”

Sukuna is no idiot. He knows what you mean. He can feel the heat radiating from your core, every instinct in him telling him to just get on top of you and fuck you till his balls are empty.

You infuriate him. Why aren’t you afraid of him? Why aren’t you screaming or crying for help? Running away? Why is your bare body pressed up against him and why is his groin reacting this way? Why do you smell so good?

Why are you so fucking weird?

The only thing that holds him back is his curiosity. How far will you go to get what you want? How weird are you really?

You want it bad. Or you’re just really weird. A hand comes down to stroke his top cock in languid motions. “Come on, Kuna,” you sigh, free hand snaking up around his neck. Your lips ghost his. The sudden use of a nickname makes Sukuna shudder slightly.

“Fuck me, please,” you whisper. Sukuna closes his eyes. You remove your hand from his cock, to grab one of his, bringing it to your sopping core.

“Feel how wet it is,” you whisper. You lashes fan his face as you kiss the corner of his lips. “It’s all for you,”

Sukuna’s brows furrow as you run his fingers through your folds. You are truly dripping. Almost have been since you saw those two cocks. Your mouth salivates at the thought of being fucked silly on them.

Sukuna closes his eyes. You’re about to give up when you feel his thumb rub your clit. You gasp and Sukuna’s eyes shoot open.

“Are you really that desperate?” he asks, almost angrily, as he quickly shifts to be on top of you. One pair of hands on either side of your face, caging you in as his other is on your hip.

His last hand is still cupping your cunt, as he tsks and shakes his head.

“Can’t believe they sent me a whore,” he mutters. With one hand still beside your face, two others grab the back of your thighs and pull them to your chest. You gasp, now completely exposed to him and Sukuna grins.

“I’m not a whore,” you reply, pouting and Sukuna grins, experimentally rubbing his fingers along your folds. You whine as he sticks a finger inside your cunt, curling his digit. Immediately, his finger stretches you out, and Sukuna hums.

He sticks another in, and another, till you feel stuffed. Your hands roam his chest before the hand beside your head grips your wrists and pulls them above your head. You’re utterly helpless; thighs and hands pinned down.

The sloppy sound of your cunt fills the cave as he continues to stretch you open. You whine and moan, attempting to buck your hips up into his chest.

“That feels good, huh? You like being stuffed like this?” Sukuna asks, and you’re not even sure if it’s rhetorical or not. He explores your body with a weird sort of interest that makes your stomach turn with desire. It’s like you're nothing but a toy to him.

“Answer me,”

“Yes,” you whine, throwing your head around. “Feels good,”

Sukuna’s grin widens. Your walls clench down on him as he curls his fingers into your G-spot. A whine is wretched from your throat and Sukuna halts his actions. You gasp for air before he presses again and you moan loudly.

“Fuck,” you say. The corner of Sukuna’s lips turns upward. His cocks are aching between his legs. Dripping precum all over his sheets and your messy cunt. He doesn’t know why his body reacts this way, but it’s not long before he can’t wait anymore, removing his digits and instead aligning his lower cock with your entrance.

He pushes in and you scrunch your eyes shut, pleasure shooting through your body. It’s like you’re on fire. Inch by inch, Sukuna bullies his thick cock into your tight little cunt. You gasp and writhe, but Sukuna’s got you exactly where he’d like.

“Gods,” Sukuna mumbles. He watches where his thick cock spreads you open, your lips obscenely stretched to accommodate his hefty size. It’s so tight and warm and wet, slick dripping out of you and down your ass.

He looks up at your face. Your eyes are still closed, your mouth slightly agape, your face flushed and sweaty. You’re so full you can hardly think.

“Should’ve gone out much sooner.” Sukuna mumbles. With one pair of hands digging into your thighs, folding you in half, another hand finds your chin, angling your face down to where your bodies are connected. His other cock lies on top of your stomach, reaching all the way to your belly button.

“Look at yourself. Do you like being split open by a monster?” he asks and you whine, opening your eyes and watching him enter you. You gasp when you see he’s not even fully in, yet you feel so stuffed already.

“You’re not a m– monster,” you gasp. Your thighs begin to shake at the stretch of it all, but Sukuna pays it no mind. He replies with a grunt, before slamming his hips into yours, fully seathing himself inside. The whine that leaves you is utterly sinful.

Sukuna frowns, feeling the pressure build in his abdomen. You’re so tight. His cock hardly fits inside, and yet you’re still clamping down on him, causing his cock to throb. He’s unable to resist your inviting heat, causing his hips to stutter against yours a couple of times before he comes deep inside you. His cock throbs as he paints your insides white, filling you to the brim. It’s so much that it spills out of your abused little hole.

His brows furrow together as he delivers a few pitiful thrusts. You gasp at the feeling, your hips bucking uselessly.

“Kuna, did you just–“

Before you can finish your sentence, Sukuna pulls out and flips you around, two hands holding your hips in place, as a third one pushes your head into the sheets underneath you. He uses the fourth hand to position himself, before he slams into you with his other cock, immediately fucking his cum deeper into you.

You moan helplessly, as Sukuna fucks you from behind, his cock kissing your cervix with each thrust, making you jolt in pain and pleasure. You grip the sheets underneath you, hot tears rolling down your cheeks, as you’re reduced to a babbling, pleading mess.

It’s all so much; his grip on you is almost bruising, his balls slap against your clit, his hand keeping your head down as another gropes greedy handfuls of your ass.

“Oh my g– gods!” you cry out, and Sukuna only fucks you faster, meaner. The loud squelching of your dripping cunt fills the room, along with Sukuna’s breathy moans and your whines.

“You say you’re not a whore, but you sure take cock like one, huh, brat?” Sukuna says and you cry out.

“So good, Kuna, you’re so good to me,” you gasp and Sukuna rolls his eyes. His other cock begins to feel lonely, he notes. He eyes your sloppy cunt, wondering if she could swallow a second cock as well as the first one. The stretch would be obscene, but he’s beginning to get the vibe that you want him to destroy you. Which is why he pulls out till just his tip is inside; rewarding you with a slap on the ass as you whine in protest; before slowly pushing inside with both cocks.

A string of curses leave you. You look back at him with tears in your eyes, but Sukuna merely smiles back, as he continues to stretch your walls to the max.

“Don’t look at me like that, woman. I can tell you live for this,” he replies, and you sob, because fuck yes you do. He fucks you in shallow thrusts, hissing at how tight you are.

He bullies both his cocks into you till you can barely think. Body pressed into the sheets below you, your hands reach behind to try to push him away, your body jolting forward. Sukuna grunts, before he leans in, wrapping his lower arms around your waist. Another one wraps around your throat as he gropes your tit with the last one. You can feel his hot breath against your neck, teeth grazing your skin as your bodies are completely flush against each other.

It’s completely instinctual as he makes you take everything he has to give. He fucks you like a starved man, hips rutting against yours as his cocks explore every inch of your insides, molding you, ruining you forever. You whimper, eyes rolling back as pain and pleasure shoot through you.

“I’m g– gonna come,” you gasp and Sukuna hums, feeling your walls flutter around him. It’s not long before ecstasy takes over your body as you reach your high, cunt gushing around Sukuna’s two cocks. The way you grow so tight, walls gripping him like a vice, makes Sukuna come soon after you, both cocks painting your walls white. It’s so much that your stomach feels bloated, cum dripping out of you and onto the sheets beneath you in a puddle. You whine, closing your eyes and melting into the sheets as Sukuna retreats from your exhausted body.

“Thank you,” you murmur and Sukuna huffs, shaking his head at your weakened state. He grabs a cloth and begins to clean you before he hears your small snores.

“There’s no way,” he mutters, giving your ass a smack, but you barely move as your snores grow louder. A small grin tugs on Sukuna’s lips.

“Brat.”

You wake the next morning, every muscle in your body sore. Despite that, you notice that you are clean and that the sheets and furs around you have been changed. You look around the room for Sukuna, but he is nowhere to be seen.

Huffing, you attempt to get up, only to wince as you feel how sore your legs and back are. You explore your skin, to find bruises and nail marks where he ravaged you last night. You poke at one, wincing at the pain.

“You’re awake,”

You look up, to see Sukuna appearing through the door. You blink.

“How long did I sleep?”

Sukuna shrugs.

“A long time,”

You pout. Sukuna’s eyes trail down your body, smiling at the marks littering your thighs and neck.

“Did you fuck a bull last night or something?” he asks. You furrow your brows and grab a pillow to throw at him. Sukuna snickers, dodging the pillow.

“Get up,” he says.

“No,” you whine, burying your face in your other pillow. Sukuna doesn’t say anything, but you hear footsteps. You sink further into the bed, hoping that he’ll go away, but you squeal when you feel four hands grab you. Sukuna puts you over his shoulder, one arm securely wrapped around you. You fight in his grasp, kicking your legs and hitting his back.

“Let me down this instance!”

“So demanding,”

He doesn’t seem to care about your objections as he gives your ass a firm slap before walking out of the little cave he calls home.

He walks for a little while, as you huff and puff on his shoulder before you finally reach your destination.

It’s another small cave, but this one has a lake. The water is crystal clear, and you can see the bottom beneath it. It is shallow, hardly going above your waist. Above it, a small waterfall cascades down and the lake connects to a small river. You gasp.

“This is beautiful,”

Sukuna shrugs, before getting in the water. You squeal at the temperature, writhing in Sukuna’s arms, but he keeps you steady as he sits down in the water.

“Stay still, brat, it will soothe your body,” he replies as he submerges both of you. He isn’t lying. The water is cold, but it relieves your sore body, making you feel much better.

He lets you go, and you sit down in the icy water. Sukuna sits beside you. “What happened to the others?” you ask, curiously.

“Who?” Sukuna asks.

“The other sacrifices,” you inquire. Sukuna raises a brow. You consider you might not want to know the answer, but it’s too late now.

“I ate them,” he replies. You gape. Sukuna grins.

He hasn’t actually eaten any. Well, he has eaten some. But most he just killed. But he likes the look on your face.

“Wait, really?”

“Yes,”

“Why?”

“Well, I couldn’t just let them go,” Sukuna shrugs as if it’s the most sensible thing in the world. You wonder if being alone for so long has made him unable to feel real empathy. If the loneliness has just made him a shell of a person.

“There are exits here?” you ask. Let them go. He makes it sound so simple, but the only entrance to the labyrinth is supposed to be the one you came through.

“Yes, several,” Sukuna says. You think your jaw somehow drops lower than it already was. Sukuna isn’t a captive? Does he enjoy being here? You suppose that explains the rabbit stew, although you were too stunned at the moment to investigate when he served it to you.

“The architect who built this labyrinth was a captive himself. He swore to never subject anyone to that same fate.” Sukuna explains when he sees your puzzled expression. Almost as if you’ve opened a fountain, words spill from Sukuna’s lips. He doesn’t think he’s ever spoken this much before.

“He came to visit me quite often. Taught me everything I know,”

You nod. That would explain the reading, the cooking, the having somewhat manners besides undressing in front of you and threatening to throw you off the bed.

“Then he stopped coming one day,” Sukuna says. “I was always an unwanted child.”

The last comes almost as an afterthought, and you wonder if he’s saying it more to himself than to you. How old was he before he was cast into the labyrinth? You can imagine Queen Pasiphae’s scowl on his face, King Minos' bitter words.

That’s not my son.

“He’s dead,” you say. Sukuna’s brows furrow.

“What?”

Everyone in Crete knows the story of Daedalus. Architect and inventor, he was the pride of King Minos, building beautiful ships, looms and other inventions. He’d tried to escape with his son, by building each of them a pair of wax wings.

If only Icarus hadn’t flown too close to the sun.

"It’s Daedalus, right? After his son died, the grief killed him,”

Sukuna nods. There’s a whirlwind in his eyes, a thousand thoughts rolling over his mind. “I figured,”

You sit in silence for a while. Then you move over to straddle Sukuna. You wrap your arms around his neck, pulling him closer. Your naked bodies cling together, as a pair of arms tentatively wrap around you.

“What are you doing?” he asks and you giggle. Sukuna feels the vibrations run through his body. “I’m hugging you,” you reply. Sukuna blinks. Slowly he pulls you closer, four arms now wrapped around you. It feels nice, safer than you’ve ever been. You know you should feel disgusted by the man hugging you, but for some reason, you can’t bring yourself to it. You just feel warm. And sore.

You feel yourself being lifted, as Sukuna rubs his cock against your entrance. “Kuna,” you gasp, three arms still wrapped around you. You look up at him, and Sukuna swears you have stars in your eyes. Slowly, he sinks you down on his cock, revelling in the feeling of how warm you are.

Fuck. It’s like he’s getting addicted to your soft body. He never wants to go without you again.

“You must be a witch,” he groans, beginning to bounce you up and down like you’re his little fucktoy. The fullness makes you dizzy, and you lean into his chest, hiding your face in the crook of his neck. The squelching water around you fills the cave along with your little whimpers.

“What the fuck have you done to me, woman?”

i could fix him. (with my pussy)☝🏼😤

i know this isn’t even freaky for tumblr but it’s the first time i’ve posted something like this, so be nice to me. 🥹

also i proof read like three times and i don’t want to anymore so here you go, sorry for any mistakes, i love you.

thank you for reading!

masterlist | divider by plutism

[gingermintpepper]

Obsessed with the way Evadne's relationship with Apollo is described. Obsessed with the way Apollo was especially gentle with her because she was sheltered, hidden away and hadn't had any sort of experience with love prior to Apollo (and due to it being described as her 'first learning Aphrodite's joy' through Apollo', it was probably her first time even being attracted to someone). Obsessed with the way when she runs away, she stops in a violet patch to give birth. Y'know, violets, very famously the flower so strongly associated with Aphrodite that they were used in love potions? Those violets. Obsessed with the way that when Apollo realised his lover was going to have to deliver their child alone, he sent BOTH the goddess of childbirth and ALL THREE OF THE FATES to help and support her. Obsessed with the way that Apollo sends snakes to feed his baby honey straight from their fangs because Evadne abandons their son out of straight primal fear when her stepfather finds her and how the description of that honey is 'sweet venom' [ἰός] of the bees and is DEFINITELY a poetic pair/pun with [ἴον] aka violets and that every single thing about this relationship, conception and birth is a complete and utter fairytale down to Evadne's insanely overprotective stepfather having an immediate change of heart when he learned Evadne's child was an actual, legitimate Son of Apollo and the babe, after being cared for by his dad's honey-fanged snake buddies, was found perfectly healthy five days later swaddled in a blanket of violets (y'know the flowers so strongly associated with Aphrodite that they were used for lo-) and they called him Iamus aka Boy of the Violets which is AAAAAARRRR I AM GNAWING AT MY ENCLOSURE

Iamus was made of love. Everything about him was surrounded by deep and profound love and like, let's not even talk about his whole Thing of when he came of age and was like "I need to find out what my purpose is" and he literally had a Disney Protagonist moment where he ran out into the wilds and was like "Father!! Grandfather!! Tell me what I'm supposed to doooo!!" and then APOLLO FUCKING ANSWERED AND LED HIM TO ONE HIS TEMPLES ENTIRELY BY TALKING WITH IAMUS AND LETTING HIM FOLLOW HIS VOICE FOR THE WHOLE JOURNEY LIKE -

What do y'all know about the kind of SSS tier romantic escapades Apollo had fr?

[kastalani123]

Mmmmmmmm, but what if Estelle grows up without knowing about the Greek myths being real?

What if Sally and Paul look at Percy, who's hesitant to hold his baby sister for fear of drowning her with blood-drenched hands, who eventually holds her like she's made of glass because the Destroyer is afraid of breaking her, who shoves his face into his pillow to keep his nightmares from waking her up–

What if Sally and Paul look at Percy, seventeen years old with the world resting on his shoulders since he was twelve, and ask, "Do you want her to know?"

And he wonders. He thought it'd be a given, that she'd grow up surrounded by monsters and magic, that he'd make fish made of water swim around her to make her laugh, that there would be no secrets as to his life's horror.

But he wonders. He thinks that, maybe, she won't have to grow up afraid of her own shadow. She's mortal, after all. There is no ichor in her veins. There is no guarantee she will be Clear Sighted.

There is no reason she can't live a normal life.

There is no reason she has to be woven into the Fates' tapestry beyond the barest of mentions.

He wonders, and he decides no. No, this one person, this little bundle of giggles, this reason that motivates him to learn healthy coping mechanisms, this little sister of his — she will not be forced to grow up so fast. She will not hesitate making plans for her future in fear of never making it that far. She will not suffer scars from things other than risky bike tricks and tumbling down a hill.

This one person that he can protect, for once in his life. This one person that he will protect, from both of his worlds.

Oh, it's not that she doesn't know anything. He makes sure she knows as many myths as possible, as many ways to protect herself as she can learn, as many people and places that can help her if she ever needs it. She grows up with bedtime stories about winged horses and giant dogs and a number of human-animal hybrids. She dreams of a brother with a scarred lip and a girl who loves too much and a sister who usually thinks of her sibling before herself and a boy who can tame dragons, and sometimes it's like her dreams are real, like she actually knows the characters from her brother's stories. She learns to recognize unfairness and abuse, to stand up for those who cannot stand up for themselves, to make things right even if she has to force unwilling hands to do what she wants with trickery.

She knows so much.

But she never climbs a wall flowing with lava. But she never picks up a sword and dons a set of armor. But she never learns her loved ones' scars don't come from unfortunate accidents. But she never flies through the sky on helpful wings. But she never dives into the depths of the ocean in a bubble of air. But she never gets lost in a house that's always changing its layout to suit its occupants' needs. But she never watches her home in ruin. But she never runs from an inferno consuming the world around her. But she never cradles a friend's body as the life drains from their eyes.

But she never stops being an ordinary mortal.

[xninjastarfishx]

What does it take to make people on here acknowledge that the way they talk about greek myth is racist as fuck

[dicenete]

I have only met them couple of minutes ago and I'm convinced that they would be like this. :) Mama and Papa Shroud are so precious. I love them. I did this doodle so fast just so I can ramble abour their helmet designs!!! Rambling begins after the cut! ^^

Okay first I just thought it was funny that we didn't get face reveals or anything like this, easy to do these like this, no need to do expressions and so on... But! Then I started to look a bit closer.... Mama Shroud has flowers in in her helmet. And that got me thinking........... Persephone?? In Greek mythology Persephone is the Queen of the Underworld and the wife of Hades. But she is also the goddess of the dead, the underworld, grain, and NATURE = Flowers. The quick overview of the myth of Persephone is that Hades fell in love with her and kidnapped her to be his bride in his domain, the underworld. Some myths say that Persephone hated the whole deal but some myths say that she fell in love with Hades after everything. (debatable topic and well ancient mythologies rarely were about roses and rainbows) But the point being: Mama Shroud is someone who isn't originally from the Shroud family, the bloodline that was cursed with the bloodcurse and the duty to look over the gate to the Underworld. And since we kinda get the idea that the Island of Woe is very guarded and rarely lets outsiders in (unless they modify their memories and send them off), if Mama Shroud came from somewhere else, she is tied to the Island of Woe now as the wife of Papa Shroud and her kids.

But I think, unless they state otherwise, I'm sure Mama Shroud can visit her relatives. Atleast for the spring to fall and then be winters in the island of woe : DDD Ya know... cause that's how Greek myths explained four seasons. :)

And when you look closer at Papa Shroud's helmet... IT TAKES SHAPES FROM HADES'S DESIGN FROM DISNEY'S HERCULES:

I just thought their helmet designs were very nice and I love the attention to detail :3

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[werecreature-addicted]

I honestly thinks werebears deserve more love, cuddly and big killing machine with a soft spot for their so? Yeah sounds nice.

I've been playing a ton of Baldur's Gate 3 lately so I'm 100% thinking about Halsin when writing this.

He calls you his "Polyohonte" after the greek myth where a woman is cursed to fall in love with a bear.

He's huge, a mountain of a man even when he's not shifted into a bear. He has a tendency to come off as intimidating even when he isn't trying he's just so big.

He hibernates during the winter. He's too sleepy to get anything done, but the basic necessities to stay alive, and you best believe he'll do his best to keep you in bed with him. What do you mean you need to get up and do stuff? It's literally December- stay in and cuddle with him.

He likes using you as a pillow. He's too big to lay on you, but he likes putting his head on your chest or stomach while he sleeps. Loves it when you lay on him too. It's just nice having you close, especially when he's sleeping.

He knows a lot of random herbal remedies for things like headaches or stomach pain. He's also a great cook, although he has no gauge for how much food a normal human eats so he always ends up making too much.

You know about the honey game? You blindfold a partner and then place a drop of honey somewhere on your body and they have to find it and lick it off. Yeah, he's a big fan of that game. Although- his sense of smell is good enough he can basically tell exactly where the honey is even blindfolded, but that's his little secret.