#if you think he’d kill me.

[justaz]

merlin (immortal) giving arthur (pendragon) the only blade that could kill him

[suja-janee]

(Mostly) Harumi centric doodle page for a friend

[stewykablooey]

i hate this fucking show why does it looks like he’s being yelled at. he looks like he’s being yelled at when actually his best friend is begging him to talk to him. mr kendall roy. its both the shame of the grip logan has on him right now the shame of the humiliation logan is putting him through right now and also the. its the love. the love is violence. mr kendall roy thinks the love is violence!!

[adastra121]

You know what. I’m gonna ramble about the Touchstarved LIs favourite places to kiss (based on the polls from @cacaobean760) — the most popular results — because I have thoughts!

Leander’s is the hands, because. He likes to be the special person, the only one who can actually touch MC’s hands without being affected, kissing them on the hand is a possessive thing. But also, even without the curse, he strikes me as someone who likes to kiss people on the hand in that classic romantic, gentlemanly fashion. He’s a performer, of course he’d go for that classic romantic gesture, raising your hand to his lips and kissing the knuckles. Kissing the inside of your wrist, your pulse point, he likes the amount of trust you place in him. And apparently he’s ticklish, so. Tickling under his jaw, he laughs and then he holds your hand there, and kisses your palm.

Ais likes the forehead or anywhere on the head, because he likes your mind the most, having lived in the Groupmind for so long, I don’t think he wants you to lose it and everything that makes you you. He strikes me as someone who really likes people’s minds, judging from the way he likes to listen to Kuras ramble about alchemy, judging from the questions he asks MC in the demo. He just seems the type to be genuinely curious and interested in what’s going on in your head. Kissing you on the forehead or temple whenever you’re lost in thought in those comfortable, quiet moments with him just to bring you back like: “Where’d you fly off to just now, sparrow?” Also he’s tall, so he can reach your forehead more easily.

Vere likes the intimacy, sensuality and power behind neck kisses. He likes the warmth, how your scent is stronger there. He likes how he can hear and feel your pulse under his lips. Gently tracing his sharp teeth along your pulse point, your carotid artery. With just enough pressure to make you hyper aware of his every movement. It would just take one bite. One quick slice of his fang, a spray of red and you’d bleed out in his arms. He thinks you’d taste heavenly. It doesn’t mean that he wants to kill you, he just likes that he can, he likes the amount of power he has over you — and maybe that you trusted him enough to give that to him.

[ninyard]

hey do we think that just after Kevin’s hand was destroyed, and Jean and Kevin were finally alone, and Kevin asked him to keep Riko away - do we think that Jean would’ve left him alone without making him return his promise? Do you think Jean took one look at Kevin’s disfigured and mangled prized possession and said this is going to be the thing that kills him and I can’t let that happen? Do you think that there was a little while where Jean couldn’t find Kevin afterwards, and wondered where he had taken himself to do it anyway? Until he realised Kevin’s car was missing, or some other thing that told him: he wasn’t dead but gone, and maybe that’s worse, because Jean knows he can’t come back, he won’t come back. He’s alive, and he promised to stay alive, but he promised to stay alive. He did not promise to stay.

[yuridovewing]

i really hate how the fandom’s excuse for jayfeather’s shitty behavior (and outright medical malpractice in certain cases. looking at the time he refused to help squilf in labour bc he couldnt be bothered and later blamed her for how bad it was) is “well the clan was ableist to him growing up, so fuck them!” ok how does that excuse him screaming at and berating the cats that didnt do any of that. or the babies.

[kingofanemptyworld]

the other thing I really love about grimmichi as a ship is that you cannot separate Grimmjow from Ichigo no matter who you actually like him with romantically (if anyone). it’d be one thing if he came back in TYBW and either snubbed Ichigo or had moved on but no he is very much still gunning for a rematch. it’s been like 2 years. maybe not a lot of time for a hollow but I mean. c’mon. I’ll never be over Grimmjow trying to butt into the call with Urahara because he heard Ichigo’s voice on the other end. man was desperate for attention you can’t convince me otherwise

[dreadeves]

there’s something that makes me go so feral about a character going through something horrific, surviving, and then seeing someone else going through something very similar and deciding, hey, i want to help you now. like, ‘neither of us deserved this. i’ve been in your shoes before. it can get better. i’m going to help.’

so basically what im saying is post canon au mithrun consciously deciding to help take care of thistle.

[luobingmeis]

my jgy thoughts have been expanding and adapting and roiling and toiling etc etc etc and all of it is coming down to me affectionately marveling at this character. he’s cut-throat. he’s cunning. his kindness leaves lasting impressions. his mercy is what predates his demise. he’s one of the few cultivators who helps those in need. he will sacrifice them if it benefits him. he loved. it didn’t last. it killed him. it orchestrated his downfall. he’s a genius. he’s paranoid. he compartmentalizes. he splits the world into who he would sacrifice and who he would not. people he loves and people he would sacrifice are not mutually exclusive. he’s filial to a fault. it was all for his mother. he is a study in assimilating to survive. the results vary. he manipulates the herd mentality to his benefit. it is turned against him. he is killed for the one thing he didn’t do by the one person he wouldn’t sacrifice. it is still somehow better than what the hive-mind cultivation world would have done. i love this tragic kaleidoscope of a character.

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[zellink]

god it truly doesn’t even matter if link actually truly remembers his life before he died or not because he followed her voice even before he knew of his name, she is his true north and he has loved her in every lifetime, has loved her even from his mother’s womb. he’d bloody his sword and march into any battle so long as it’s done in her name. even if the mind doesn’t remember, the body does. and his body will always follow her.

[merakiui]

ALIEN SCARAMOUCHE WITH OVIPOSITION MERA ARE YOU TRYING TO KILL ME 😭 I need more, what would he look like, what are his motivations... Omg... Maybe some kidnapping going on...some experiments on humans...him studying how humans reproduce and if his race can use them... Aaaa my mind is going crazy with ideas, please do share yours too! <3

What if he doesn’t have a form of his own (something that sort of ties into canon Scaramouche’s obsession with wanting a heart and a purpose)? And maybe he’s more like a shadowy mass that can take the form of anything so long as he’s encountered said thing (i.e. made contact with it? Or maybe he has to kill the original in order to take its form? Or it’s something like a reflection where if you happen to look at him long enough he’ll have a good enough idea of how to replicate your form from staring and analyzing it.) and since he’s so dedicated to having a form that really fits, that truly feels like him, he’s continued to adapt and evolve as the years pass throughout every planet in the solar system.

Perhaps he does have a few features of his own, but maybe they’re sort of scattered?? Or they aren’t really features his species is known to have? He’s like a mixture of various things he’s observed over the time he’s spent on your planet in an effort to shape himself into something beyond the formless shadow he’s lived as for so long. Like a patchwork copycat composed of so many different parts because he’s desperately trying to understand all of these things. It’s like his version of trying on clothes and new fashion styles. So maybe he has horns or maybe cat ears because he’s seen so many stray cats and they’ve always fascinated him for some unexplainable reason (maybe in order to have these features he’s had to ingest part of the living thing he wants to replicate??? Just something a little extra horrifying for our beloved alien mouchey. <3) And maybe the only thing he has from the one who created him (Ei) is the same piercing stare in a pair of brilliantly colored eyes she graciously bestowed upon him.

Maybe Scaramouche can’t understand human emotion in the usual sense that other humans might, so he assigns flavors to these unusual feelings. When he hurts the things he likes or is interested in (cats, the human he stole his current appearance from (i.e. Kabukimono; let’s pretend they’re two separate individuals hehe), and even other gentle things or creatures who are completely innocent), the taste in his mouth is sour or bitter or so very intolerable. I think over time he hardens himself and learns to live with the foul flavors he often encounters when he attempts to blend in with humans and utterly fails because he can never replicate their emotions as well as he can copy behaviors or appearances. He starts his journey so curious and sweetly innocent, albeit murderous and eerie, and he tries so hard to learn and be good and explore the world with the eyes his mother gifted him and yet he always finds himself hurting. He hates it. It tastes terrible. It feels terrible, and he has never truly felt before. This is new.

When Scaramouche is captured by Dottore, a human scientist who is a little too dedicated to the pursuit of forbidden knowledge, he finally tastes the cruelty of humankind—learns of the lengths they’ll go to in the name of scientific breakthroughs. The researchers run dozens of tests on him. He can’t feel external or internal pain from wounds or injuries; he’s sturdy, birthed from a substance foreign to humans, intended to survive the harshest conditions. But Scaramouche feels pain—the emotional kind. He’s never felt fear; he’s what humans would call an apex predator. He’s strong. He’s never needed to feel fear, and so he doesn’t fear the unknown. He isn’t scared of the sharp tools, of the peculiar creatures he’s shown in hopes that he might replicate them and their features, nor does he fear the trajectory of this new life. The concept of ethical practices means nothing to him even though he’s aware he’s a lab rat, a grotesque curiosity that doctors poke and prod at. He reacts to everything in unique, defensive ways. He impaled a doctor through the throat with a strange shadowy spike. It moved as though it were liquid, yet it struck very solidly, sharply, deadly efficient. Dottore likens its movements and behaviors to that of an octopus’s tentacle; Scaramouche is unsure of this comparison. This is merely a shadow of something he has observed—a reflection. A cheap copy. He has never been original.

You’re the first human he meets who isn’t adorned in sterile white. No lab coat, no gloves, no goggles, no protective gear. Just clothes. Normal clothes. The both of you are separated by indestructible glass, placed in two very white rooms, and you can see one another so clearly. Scaramouche hates the purity of white because he knows that when he’s forced into a white backdrop he’s meant to stain it red. And lately he doesn’t want to break things that are undeserving of it. Perhaps he’s feeling too much. Perhaps he ought to tear these human feelings out and go back to the blank, shadowy slate he once was. How he intends to accomplish that, he has no idea.

He’s uninterested in you at first. You’re a human. He’s seen humans. He interacts with them daily. He’s killed plenty. But you spend nights in that white room and he watches you sleep. He tries to sleep in the same way you do; he has no need for sleep. He regulates his energy differently. He tries to breathe like you. He blinks at the same times you blink—or he comes awfully close. He tries to copy your movements and mannerisms. One night he presses himself to the glass and takes your form and watches you, counting every rise and fall of your chest as you lie so comfortably on the very uncomfortable cot. With hands that mirror yours, he pokes at these human features. He fits one hand in the other and pretends he’s holding your actual hand. There is no warmth, though. Humans are warm; Scaramouche is not. He’s frigid. His home planet is gloomy and cold and desolate. He thinks humans are lucky for cyclical days—for being in close proximity to the sun. There is no sunshine where he hails from. He likes the way the sun feels on him. It used to burn terribly when he first arrived on this planet. Now it’s like a hug—a hug that still singes, but a hug nonetheless. He’s never known what a hug is, but he thinks this is what it must feel like—like the burning warmth of a sun.

Scaramouche feels true, raw, animalistic, paralyzing fear when you’re taken out of the room after two weeks and replaced with a new human. You’re gone. Replaced. Are you dead? Did he kill you? Did he stare too long? He’s distraught, overcome with a horrifying emotion that has him curled and trembling in the corner of his white room (a cage if he’s ever known one). Why aren’t you here? And why is he so…restless? He can’t call it fear because he doesn’t know that word. But oh he’s scared. He’s so scared. You were the first human to smile at him, to put your hand on the glass where his rested, to sit close to the glass and eat meals alongside him. You were like the stray cats he’s interacted with: kind, soft, gentle, sweet. He’s so scared he loses the ability to remain in his human skin, and he practically melts into a shadow, clinging to the corner like glue or slime. He’s empty and alone. It tastes terrible. It feels terrible.

The humans that follow are terrified of him. Either that or they’re disgusted, baffled, cautious. He hates every one of them, so much so that he’s tried to break through the glass numerous times to dispose of them. Weeks pass; he’s forgetting your features. There are no mirrors here, so he must rely on the reflections shown in the glass. Some days he thinks he looks just like you; other days he’s certain he’s a monstrosity—a sloppily stitched version of you. The you he saw did not have pointed fangs or curling horns. He hates his reflection because it isn’t you. Most importantly, he hates that the humans he’s forced to look at are protected by this thick layer of glass. If it wasn’t so indestructible, he’d tear through every human nuisance until he reaches you.

Scaramouche is not sure how many months pass, but you return. And when you do the fear ebbs away. He feels…happy? Is that the right term? He’s pleased to see you, and for the first time in a while he returns to his human appearance—to the one he took from a young man many centuries ago. You’re back. You’re here. He’s so happy. He detaches himself from his corner and he tries to smile in the way you do. And, though it’s awkward and strange and sharp-toothed, you smile right back.

Dottore decides then that you are to be the next subject in this experiment. He’s observed Scaramouche’s reactions to you and compared them to reactions to the other humans and found that you are the best suited to this role. If anything, the alien couldn’t have picked a better specimen to adore. You’re helpless and so naïve. You need the money; it’s why you allowed yourself to live in that room for a few weeks. You were paid handsomely for it. He’ll pay you beyond handsomely if you agree to what’s next. And, really, when you’re in between a predator’s jaws do you really have much of a choice?

Scaramouche needs a human match, and the scientists need to study more than just the social biology of an alien. They promise you he won’t hurt you, and if he does it’s all right. They’re kind enough to respect the wishes of the dead. You must let Dottore know if you’d prefer a burial or a cremation. There’s nothing special in this distinction; it’s just a precautionary measure. You’ll agree to participate in this experiment whether or not you want to.

Your new home is the white room that faces Scaramouche, and after some more time and observations to ensure you won’t be killed the moment you step foot in his space the glass barrier will be lifted. Dottore wonders how Scaramouche’s kind mates and reproduces.

There’s only one way to find out.

[finalflashplayer]

I understand that there’s a lot of room to be like “this is, or Was at the time, probably his least favorite individual nanosecond out of of his entire life. Imagine finally being killed by the guy who brutally destroyed your planet and tortured you extremely personally for decades. but you are resurrected last minute in the fight against him. you fuckin. make it over to him. you MOCK HIM. you IMMEDIATELY get sent really, really far away with no way to return to where you were and then this OTHER guy. whom you also hate. for different reasons. goes through quite a lot of trouble to let the bastard live”

but this moment itself is just so funny to me. Porunga used /kick. Back to lobby junior this isn’t your fight. You are not the guy. Go pick some grass

[blluespirit]

I sort of like the thought that Zuko and Aang take the Sun Warriors' warning not to tell anyone about the dragons a little more seriously… and they keep it between them. Of course, they trust Sokka, Toph and Katara. Of course they know they wouldn’t tell anyone, but now three people (including Iroh) know the truth about Ran and Shaw. And that’s three too many when you’re trying to keep a secret.

(and there are other people at the temple as well - like Haru, Teo and The Duke - who, while trustworthy, aren’t as close to them as the others, and when it comes to secrets with as much consequence as this one, you can’t afford to take any chances.)

Furthermore, the culture within the Fire Nation since Sozin’s rein has been warped. The culture is not to respect the dragons as the original firebenders, it’s to conquer and kill them. It’s the ultimate proof of your strength as a firebender. All it takes is one mistake before rumour spreads, and people go looking for the ultimate hunt. It’s not something Zuko or Aang can risk.

Whether Katara, Toph and Sokka (and Suki) ever find out the truth is up to you. But post-war, after Zuko returns from a strange, poorly explained trip with a dragon, and eventually develops the ability to use rainbow fire, either the others have some questions about Aang’s knowing look, or they are finally let in on a monumental secret.

[dykevanny]

Can i talk abt cassie’s dad protag or would y’all crucify me,

[donnatroyyyy]

I don’t thinkk you guys really get it so I’m gonna say it because it’s important to me that everybody understands: Damian Wayne does not like murder or killing or any kind of death. He hates it actually. And I’m speaking canonically. That little boy was someone who was forced to kill and hurt people but never really wanted to. He never wanted to kill he had to.