Station: Nightingale
Nightcord at 25:00 Adjacent Music Circle
A group of online users that uses the app Nightcord to communicate in order to create songs that can hopefully save someone and maybe even themselves
Kanade Yoisaki (K) - Composer. Blames herself for what happened to her dad, and so has cursed herself to create songs that will save people.
Tenma Saki (Nozomi) - Lyricist. Spent her Middle School years in hospital where she found K’s music and started writing lyrics to the songs. She hopes that her lyrics will speak and reach out to people.
Kamishiro Rui (Chrono) - MV Creator. Ostracized due to his eccentrics, Rui started attending night school to avoid his old classmates and spends all his free time creating Music Videos from his heart to try to get his feelings out.
Aoyagi Toya (Yato) - Arrangements. Wanted to escape Classical Music by any means and try to find his own sound and so one night came across K’s music as was mesmerized by it and the feeling it gave him so attempted to chase it by making his own arrangement of the song
SEKAI: Train Station SEKAI
Consists of a train station platform and a steam train with as many carriages as the eye can see.
The station itself seems to be located in the middles of an expansive field and is perpetually dark, only lit up by the stars in the sky and the stations lights.
Each carriage layout is identical to the next and despite how far down they go down the train, if they wish to exit, the door will immediately take them back to the platform.
Luggage and bags seem to dot around the platform and in the carriages.
First Virtual Singers
Hatsune Miku - Train Conductor. Isn’t necessarily very talkative but can be found humming or singing songs quietly. She offers a quiet and calm presence that makes the others feel welcoming. She assures that they are all safe on this train.
MEIKO - Passenger. Can almost always be found sitting on of the the benches on the platform with a bag. Similar to Miku, she offers a welcoming presence and is always willing to listen and give advice to the others, though she tends to act a bit aloof. She assures them that is fine to be themselves here and that there is no rush, the train will still be here for them when they are ready to depart.
Virtual Singers
Order of Appearance (StC)
Kagamine Len - Runaway. Is always caught hiding behind pillars of the station, or slouched deep into a chair in the carriages. He arrived on the train without a ticket and is scared of the ticket inspector (KAITO) finding him, so whenever he sees KAITO, he bolts the other way or quickly hides. He explains that he is on this train because he wants to get away and chase his own dreams which really resonates with Toya and slightly with Rui.
Kagamine Rin - Train Employee. Rin is always bursting with ideas on how to improve the station and the train itself. She is always covered in paint and dirt and is always carrying around tools and paint brushes with her. Some carriages of the train seem to be victims of her creative outbursts. The other virtual singers seem used to her eccentrics but don’t seem bothered by it and in fact actually encourage it.
Megurine Luka - Passenger? Luka isn’t seen very often in the SEKAI and mainly only appears when the group is ready to release a new song. She always warns of rejection and failure, saying “that this song also might not save anyone, or it won’t reach those it needs to reach. Are you prepared for that?” The group is normally hesitant after she says that but push on with their determination because even if this one fails, they’ll learn from it and the next one surely will and if not, one day a song will. Luka tends to specifically pick on Kanade, testing her determination.
KAITO - Ticket Inspector. Seems scary and strict but is actually exceptionally kind and is always ready to bring a bright atmosphere to the station. He jokes with the group and cares for them in a type of father figure way. He tells the group that whilst it’s always important to be kind, it is okay to have your own morals, if something upsets them or rubs them the wrong way, they don’t need to just smile and brush it off, it’s okay to say “I’m not okay with that.” In the same way he handles his job, he understands that some people can’t afford a ticket but he can’t just let anyone on board.
Subject to Change as I go on figuring out this AU more.
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I love that Isabeau is the one to bring up the "what do we do if you die" conversation cause its a very good insight to his character at the very start of the game. Isabeau is practical, smart, and loves everyone dearly and wants to know how to help them when shit goes sideways. He's the one to ask about Bonnie too, which is a delightful read on how he thinks because everyone else shuts that down instantly as a "That wont happen and cant happen" but we see later in the game it can happen which is such a startling thing for a game to do but justifies the foreshadowing of Bonnie can die what do we do if that happens? Isabeau, despite everything, is also the one who gets to the heart of the matter even if its not something must people are willing to talk about. All without it being part of his friendquest, thats just him naturally. Which! Says so much about him and how he is! His character when its not about his relationship with Siffrin is a very intriguing thing because it feels like a very classic hard intellectual stance that's been softened after many years of learning to better communicate healthily with others. A reflection, if you will, of Odile but in a very drastic direction. I find him fascinating and I also want to scoop his brains out and study them under a microscope to see all his little brain thoughts.
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i need the murder time trio to drink eachother's blood after causing an injury. that's so romantic in both my eyes and theirs. i need them to bite eachother and claw at eachother and injure eachother and hurt. and then when they try to patch eachother up make the injury hurt more before finally wrapping it up with a bandaid and a kiss or a lingering glance or DARE I SAY a hug (because imo a hug is much more vulnerable than a kiss). peak of romantism i dare say
i need them to use violence against eachother as a way to keep them grounded or to just let out anger towards eachother i need dust to gouge out horror's eye and then give horror his own to replace it. i need horror to squeeze killer's soul until he can feel the pain but in exchange killer gets to use a knife inside his head i want killer and dust to fight everyday and soon their bones will be littered with scars of the other's attacks I NEED THEM TO HURT EACHOTHER!!!!!!
they share pain and release anger and frustration and all that stuff onto eachother but dw dw this is how they love. but they do genuinely dislike eachother (because no matter how much they love one another they STILL can never manage to get over their differences and that's what makes them PEAK) but they also care for the other two and in their fucked up minds this is a good relationship. not because its not toxic because it definitely fucking is but because everyone is satisfied
i love murder time trio poly
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It's always so intriguing to watch Foolish from another perspective during lore, because it usually really is just guesswork to his thoughts and motives. Even during the moments he's being entirely honest, he can be hard to pin down.
Watching Foolish there's no question as to how much he knows, or how much he cares. It's always more than you think. You get to watch him choose to play a happy go lucky idiot, and then join in the act in chat. Watching him break down that act today was fun.
First with Fit, his joyful positive attitude starting to crack after looking through Leo's photos. His moment to gather himself before talking, his trailing off and voice cracks when asked if he's okay, only to change the subject immediately.
Then with Bad, talking about their months on the island and just what trust means. Considering how to weed out a federation puppet, going over theories with each other after just having told one another that the best way to find the rat is to give theories out one at a time to find the leak.
I’ll have to watch Fit's perspective of today later, but I know with Bad, the mood change was obvious - and yet somehow, he managed to get away with much more than he let on.
Still, it’s obvious he’s starting to crack, with Leo being gone, with Bad clearly deteriorating - you can’t pretend to be happy and carefree for forever, when the stress is this high.
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sometimes people who struggle like to make jokes or find positives about their condition that causes them to struggle so they can escape the constant negative and struggle. sometimes autistic people will say things like "the 'tism" or use the "autism creature" or say their autism helped them have a *positive trait* to feel better about their struggles. because living your life only focusing on the struggles and negatives is depressing and makes it hard to want to live, even if those struggle take up 100% of your life and you can't actually escape them. sometimes any little seemingly positive thing can help a lot.
but there's so many other autistic people that hate when we do that and call it "reducing autism to a cute trendy thing" and say it takes away from *their* struggles and is bad and shouldn't be used. maybe *you* want to only focus on your struggles, but some people can't live in constant negative and need some positive or to find ways to make their condition more positive so they can feel better about living with their struggles. life is hard. I take anything I can get.
I cant get jobs. I can't make and keep friends. I can't get help and support for doing "normal" things so sometimes I go weeks without being able to shower and without eating more than a bowl of cereal a day. most times can't even do things I like. struggle to communicate. have meltdowns. i'll never be able to live independently. I struggle a lot. but instead of sitting here always depressed and having no motivation to live, i'd rather try to joke about "my 'tism is acting up again" when i'm struggling (just an example. don't think I ever actually used the 'tism thing but i saw others use it) or say "i'm just being a creature" when I need to stay in my dark room because everything is too much and I personally find it cute to be a little creature meant in a positive way. i'm not actually downplaying mine or anyone else's struggles. I still acknowledge them and that silly jokes dont make them go away. i'm not trying to be trendy. i'm not doing any of the things people say we do by making silly little jokes. i'm using the silly little jokes to convince myself life can be a little more than pointless, painful garbage all the time.
(continue in tags)
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