#in addition to being parallels

[cosmic-walkers]

You know, I do believe there were times during the interrogation where Stephen imagined the relationship he ‘could have had’ with Thomas. Perhaps, there were even points where he “forgot” that this was an interrogation that would ultimately end in Thomas’s death, and let his mind wander to old times.

Like times when they worked with Wolsey. This is probably not the first time he’s seen Thomas hold his own in a hot seat; there had to be times when they were younger, working under Wolsey, when he sat and enjoyed seeing Thomas use his lawyer jargon, and run circles and circles around young men who think they could best him. And I mean even after Wolsey died the books, until Stephen is sent to France, they have a decent on-and-off relationship where they work together and occasionally, would spend time together.

But, I just took notice of the way he was looking at Thomas during the interrogation, the way they caught each other’s eye once or twice and held their gaze for just…a moment, as if Stephen was going to see how Thomas could wiggle his way out of this hole. He was amused because he knew Thomas more than anyone in there, longer than anyone in there. There was a time they were friends, a time where an event like this - Thomas using his wit to outsmart people - was just a common thing between them, and Stephen was impressed. But of course, when Norfolk started talking, reality came crashing down and Stephen had to accept that, this fire he enjoyed so much from Thomas, would be put out in less than what? Forty-eight hours? His friend, his enemy, the man he had hated but respected, the man he had in a way been manipulated into hating, who annoyed him so much but also brought him some forms of amusement and excitement would be dead. And he’d never see him again. Thomas was the only one imo who could both handle Stephen and bring out a more complex side of Stephen.

[mixedvegetabless]

My take on faroeverse except she's an emo teenager🔥🔥

[janetfraisersmassivestrap]

My Fair Lady (1964) // 30 Rock (2006)

[queenlucythevaliant]

harder than you think

i. When the Narnians stole Edmund away from beneath the Witch's blade, they told him he was safe. This wasn't a lie, but it wasn't the whole truth either.

ii. They brought him to the Stone Table. It was night. Edmund doubted very much that he would find safety there, for he still recoiled at the name of Aslan. He slept fitfully and woke the next morning before the sun was up.

iii. A sliver of gold just beyond the tent flap captured his attention, there in the dark. Unaccountably, Edmund felt the urge to rise and go towards it.

iv. And there was Aslan, who was supposed to be fearsome, supposed to be dangerous, supposed to be powerful, and he was he was he was. Dimly, Edmund felt himself hitting the ground.

v. But then Aslan said, “Come, Son of Adam. Let us walk a while, and reason together.”

vi. And as they walked together, in the cool dewy grass of early morning, the Lion told Edmund everything that he had ever done.

vii. They were standing in front of the Table when the conversation turned. Aslan spoke a riddle of a house blasted into rubble which he would piece back together overnight. He spoke of flesh being pierced, blood being shed, and of rejected stones being used for new foundations. He spoke about water welling up forever, washing you clean of everything you ever did wrong, all the blood that you ever thought of shedding, everything you ever tried to steal, and a river that carries you home when you can't walk anymore and spits you out brand new when it reaches the sea.

viii. Edmund's head swam. Silently, he yearned for the wisdom to understand what he was being told; or, failing that, at least to remember it for as long as it took him to puzzle it out.

ix. And then, the Witch. Then, the battle. The thrones. A year passed, and winter came. In its time, it melted back to glorious spring.

x. “Edmund,” said Lucy one day. “There's something we need to tell you.” She and Susan were cloaked in springtime gossamer, like fairy queens in poems he only half remembered. They sat on the window seat in his study, holding hands white-knuckled: his two beloved sisters.

xi. “It's about Aslan,” Susan said. “And the White Witch, and how he made her renounce her claim on your blood. The night before Beruna, he went back to the Stone Table.”

xii. “He let her kill him,” Lucy cut in. “Instead of you. And then, because he hadn't done anything wrong, the Emperor's Deeper Magic brought him back to life.”

xiii. “We've been arguing all year about how much to tell you,” said Susan wryly. Then, a little gentler, “We don't want to hurt you, but we feel you ought to be told what he did for you.”

xiv. And Edmund, who had never forgotten what Aslan told him on that cool, dewy morning before the sun came up, shut his eyes and whispered, “I know.”

xv. I know, he said. I know that he died. I know that he did it for me. I know he lived again because I saw him the next day, and the next, and the next. I think I know what it means - or at least, I know the shape of it.

xvi. “Oh,” said Lucy. “We should have realized that he would have told you himself.”

xvii. “Yes. But please, tell me the story all the same.”

[thewhizzyhead]

if I had a nickel for every musical I've been sucked into that featured a main ensemble of at least 8 women, with two of those girls ending up dead/arrested, and another one being falsely accused of murder but ends up getting acquitted in the end, I'd have two nickels! Which isn't a lot! But it's weird that it happened twice!

[light-wrath-paradise]

Someone stop me from adding yet another fucker to Chatterbird Corporations or so help me god. Come on I thought we had AliveWorld for this kind of fuckery.

[dracula-enthusiast]

really trying not to post too much abt it bc it only came out days ago but man. saw x was such a love letter to the franchise. you can feel the care for the overarching story and for the characters that went into it and it really really pays off and its really healing to see a Good saw movie, especially after the three titles before it. i will def be seeing it a third time before it leaves theaters

[akkivee]

DEAR GOD NO NO NO I didn't mean pre established oridivs come back!!! I mean the idea in general 😭😭😭😭😭 I don't want to see the ogs replaced and I am so so sad that they won't be brought up again but, I am alwags welcome to the idea of new oridivs! the country's full of young rapping guys I wouldn't mind if they showed us some more 🤔

so more world building thru stage oridivis basically!!!! i can dig it lol especially if it’s really meant to be a part of hypmic’s overall world!!!!!!

[beneathashadytree]

CONTINUING THE SHOW WITHOUT YOU - TEXTING THE LOVE AND DEEPSPACE MEN

Warnings : playful fighting & threatening the guys, like one suggestive comment, reader is gender-neutral!

Genre : silly fluff teehee <3

Additional notes : This came to me in a dream—literally😭 Seriously though, my autistic ass loves spending time with people without talking/being too active at times (second best thing after parallel play, imo), so I would probably cry if my partner ever watched our show alone; it’s like they’re cutting down on our quality time☹️

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[suppermariobroth]

Grubba from Paper Mario: The Thousand-Year Door actually has a very close physical resemblance to Tubba Blubba from Paper Mario, which is masked by him wearing a variety of clothes and accessories. This is in addition to the obvious parallel of them being Clubba bosses of their respective games' third chapters.

Left: Grubba as he appears normally.

Middle: Grubba without his accessories, seen by modifying the game to unload specific textures. Note that his glasses are not removable.

Right: Tubba Blubba; note the extremely similar color scheme that is much more noticeable when Grubba is uncovered.

Main Blog | Patreon | Twitter | Bluesky | Small Findings | Source: PM:TTYD (NA, GC)

[angstandhappiness]

LMAO ACCURATE

Trinity thesis

[icanlife]

Very tired of people who continue to argue that Bill destroying Euclydia was completely on purpose and he didn’t care about anyone at all because he’s just trying to garner sympathy in The Book of Bill, despite all the supporting evidence outside of Bill’s words that allude to how deeply traumatic it was, (so many, many things about) how he loved and misses his parents, how much of a sore spot the topic is for him, how much he wants to return home but can’t, etc. in addition to how perfectly Alex and co. crafted a parallel narrative between Bill and Ford, including how they hurt the people they love out of carelessness and blind pursuit of their dreams, justifying to themselves that the people they hurt just couldn’t understand

Yes, Bill is an unreliable narrator, and that includes all the very obvious posturing that he did it all on purpose and it was actually a very good thing, that everyone loved him, that he’s NOT incarcerated or anything and that he’s still a really all-powerful being, etc etc etc. To fully believe that EVERY vulnerability he reveals is an evil manipulation tactic, and not actual character writing, you have to interpret his very prevalent denial of weakness, which continues into the conclusion of the book where he already knows he’s lost the reader and is still denying any emotional needs or trauma, as itself a lie.

There’s a reason why the Pines family cracked open this book and laughed at Bill, calling him a fractured, pathetic mess.

The Book of Bill has a plot, a great plot, and great character writing. It’s a crazy companion to Journal 3, Ford’s story. Parallel stories, but where one ends with someone healing from their trauma, coming to terms with one’s mistakes and accepting the need for human love and relationships, the other ends with one stuck forever in their layers and layers of denial, never acknowledging their own trauma, never acknowledging their need for human companionship, grasping in desperate need at their continued facade of hating to love and loving to hurt.

Bill isn’t an always-in-control sly master of the mind, he’s a delusional and desperate man, fractured by his own trauma, who will continue to hurt others to prove that he’s in control. I’m tired of the false narrative that abusers can’t have trauma, aren’t people, giving them this otherworldly status above all humanity. Aside from not being narratively or societally productive, it undermines the ending and message of the book. Acknowledging Bill’s brokenness gives his victims POWER over him. The fact that Bill needs Ford, but Ford doesn’t need Bill is powerful. Them laughing at his desperation is powerful. Looking at someone who once seemed untouchable to you and realizing they’re just a suffering meat sack like any other human being is powerful.

The ending of The Book of Bill is the demystification of Bill. The book is a real look into his mind, telling a story that’s actually very tragic. It’s a very real story, a cautionary tale. You’re not being manipulated or tricked if you feel bad, it’s a very intentional writing decision that this ending elicits that dark pity, as he desperately fades away (arts and crafts materials confiscated) saying that he’s FINE.

So yeah, The Book of Bill and the website are a masterwork of the character, I love them, they’re incredible, and I don’t want to see such a tight character story discredited as “you can’t believe ANY of it!”

[disco-troy]

I don't feel like people have a nuanced enough view of Kory what she thinks about killing. She's not blindly wanting to murder criminals, nor is she delighted by the actions of murder. She sees murder as a necessity because of her upbringing in the middle of an existential war, and also as a way to regain autonomy on her life. Autonomy is a key theme in many of the people Kory chooses to kill.

The idea of autonomy over the body and her life is extremely important to Kory. This makes sense, Kory spends six years in slavery, her life not her own, and grew up knowing her planet could lose its own autonomy and freedom at any time.

When she was a slave, the few times that she was able to control her life in those times. Her first kill was her kill of what would become her last master, starting the chain of domino that would result in her freedom.

Note her words: "His very touch sickened me". It wasn't just about her imprisonment or her anger, but about her body, her autonomy. She couldn't handle being touched like that anymore, and killed knowing that it would solve nothing, knowing that it would lead to more punishment for her later down the line.

Her next kill allowed her to escape, securing her freedom and her own autonomy.

To escape she must pretend Kory has completely given in to her captors. That she is fine, even happy with the Gordonian touching her. But by doing this she is bringing him close, giving him the illusion of control over herself to secure her own freedom.

She is pretending to be a slave, while affirming to herself that she is still a soldier.

In this way we can see a dichotomy that has ruled Kory's life until now. On one side, you have succumbing to subjugation, which involved a loss of bodily autonomy. On the other side you had her claiming her freedom and her autonomy which comes with the need to kill or be destroyed.

In addition to this, you need to think of the context of Kory's upbringing. Of course Kory is used to killing her enemies. She grew up in a climate of fear in which there was a real possibility of total annihilation. Millions of her people died in the war that eventually lead her to being sold as a slave.

She grew up during a society that could have been destroyed in war, where everyday killing was not a questions but an existential threat. Killing and war was literally the only way for her people to conserve their autonomy.

This disconnect between Dick/Donna and Kory is not because Kory is an alien, but because the Titans are living in a world where they are superheroes and Kory is living in a world where she is a solider. Would a Kory that didn't kill even been able to come out alive from war? From her enslavement? To her its about her autonomy and her independence, she doesn't have the luxury of morals, of thought, of choice.

Later we see Kory not change, but shift. She realizes that killing will never be easier for her again.

This makes sense! her interpretation of killing has changed a lot because she's been exposed to a new environment. On earth she is not facing a literal war, she has real power, she has backup, she doesn't have to fight every second for her freedom and autonomy.

I think this is demonstrated in an incredibly narrative compelling way in Titans (1999) when Kory kills to give another character autonomy over her own body; Adaline Kane. Adaline is about to die, but her blood can still be harvested for Vandal Savage's experiments. She begs for death, instead of living that fate.

Kory gives it to her.

(much like Slade gave Joey in Titans Hunt but this post only has the space for one parallel right now)

When it comes to protecting the greater good, and especially when it comes to bodily autonomy Kory is not only willing to kill, but sees it as her duty.

She's never stopped being a soldier, she's never stopped being the Tamaranian who was forced to kill and see her people die to preserve her home, but more than that, she never stopped being the little girl for whom killing was her only way of reclaiming her autonomy.

[shantechni]

Some of my observations about Link Click: Yingdu Chapter

⚠️Spoilers for S1, S2, & Yingdu Chapter, but mostly the Yingdu Chapter⚠️

Now that the final episode has aired and finished with a bang, I can properly start another observation and theory post without the threat of immediately being proven wrong💀As per usual, feel free to correct me on anything and add your own info should I not include it.

A post-Bridon interview between director Li Haoling and Hui Xiao Hui revealed that Xia Fei held onto the cat ears hat the whole time and returned it to Cheng Xiaoshi and Lu Guang.

That same interview also had the director hinting at the possibility of Liu Xiao having more than one power, along with the fact that Liu Xiao has planned everything early on and that S3 will reveal his motives.

Considering Li Haoling's comment about the three ways someone could inherit powers (1: genetics, 2: passed through death, and 3: killing to steal), this could mean Liu Xiao has either received a power by having it passed to him from someone on their death bed, killed someone for their power, or is genuinely adopted, chat did y'all manifest this—

One major reveal from the interview was the confirmation of Lu Guang having looped through one timeline, not branching off and jumping to new timelines as many (including myself) grew to believe. A.k.a., there are no parallel universes or multiple timelines. I went over this in the notes, but imagine overwriting a cassette tape or hitting the reset button on a device.

Though there are still a number of discrepancies this fact fails to explain or clear up, Shao Yuanyuan telling Cheng Xiaoshi to not concern himself with investigating her and his father lends credence to him not knowing where they are or when they're coming back in S1.

The person Vein speaks to over the phone certainly isn't Liu Xiao, namely because Liu Xiao spends half of the episode playing faux Tetris on his phone, but also because Vein strictly uses English while on the phone with this mystery person. Perhaps he was in contact with someone associated with Yingdu's Chinese Chamber of Commerce (Vein is the leader after all), or simply an unknown figure that he has ties with and was informed by that person that Wang Qing has possession of the notebook.

Late addition: the show speaks for itself, but Vein needed Wang Qing's student ID, along with any other bits of information Lu Guang and Cheng Xiaoshi discovered about her, to track her down with the help of whoever he remained in contact with.

Another late addition: It's been confirmed in the interview that Vein wants Cheng Weimin's book for himself, just like Liu Xiao.

Wang Qing's power involves faking death, something that's been hinted at by her student ID number translating to "fake death ability user."

The information of Wang Qing's classmates has been blurred out, but it's all unique text and some of it can even be made out. The pages for Amy and Blair (the girls that bullied Wang Qing) appear briefly, and though Amy's information is harder to make out, Blair's is somewhat discernable.

The kid that used his power during the test also appears, but the most that can be made out from his page is a middle initial. It should also be noted that Wang Qing had the most absences among the students we saw pages for, and that Cheng Weimin wrote, "Intervention needed," on her page.

We finally know the fates of Cheng Xiaoshi's parents. While Cheng Weimin is certainly dead from the fire at Bahati (confirmed by the ISBN number of the Sonnet Shakespeare book), Shao Yuanyuan is still alive somewhere.

Shao Yuanyuan's use of possession through a photo confirms that Cheng Xiaoshi received his ability through genetics. While we don't know if she is the original holder of the power or if she gained the power from Cheng Weimin after he died, it's clear Cheng Xiaoshi gained his power from either of his parents.

Li Haoling confirmed that death results in the passing of one's power, meaning there's a chance Lu Guang can still possess someone through a photo they took. But while it certainly appears that Lu Guang possessed Wang Qing and used her fake death power on Vein, it doesn't explain how he could've possessed her without having a photo she'd taken in that very moment (Shao Yuanyuan received the photo she took of Cheng Xiaoshi and possesed her that way). Edit two days later: a new video of an interview had Liu Haoling confirming that Lu Guang did not possess Wang Qing

One user on Twitter pointed out a detail on Liu Xiao's phone: the date on his phone is not the current date in Yingdu (June 2019). They also stated, "This is the evening, probably around 5 pm, which would be the same time as 00:05 September 13 in China."

While the above point could be an error, it should be noted that a box of text appeared during Bilibili's and seemingly only Bilibili's version of the episode: "Three years later, after the Li twins case." This whole thread is interesting actually, give it a go.

Speaking of errors, Li Haoling stated that Cheng Xiaoshi's eyes being yellow as he and Lu Guang run from Vivian's situation in EP1 was an animation error. The entire season, particularly the earlier episodes, are riddled with errors like these, most likely due to the schedule changes (this season was originally set to premiere in April of 2025 at the latest but was rushed to Dec of 2024).

On the topic of dates, Lu Guang came to the reset timeline on April 11th and passes the 12 hour mark once the clock hits 5:32AM (meaning he possibly and originally met Cheng Xiaoshi four days prior to the guy's birthday).

Vein interestingly uses darts on Cheng Xiaoshi and Wang Qing rather than real bullets as he's done in the EP1 opener. It's also unknown if he's aware of powers, let alone that Shao Yuanyuan was in control of Wang Qing as they fought.

This is another late additon, but a fan on Twitter compiled a full timeline of S1, S2 and Yingdu, also heavily detailing a lot of the inconsistencies that's been plaguing the fandom in a concise manner.

It's implied that Wang Qing needs a person's real name in order to use her fake death power on them, though it's unclear how she knows Vein's real name.

For once we ended the season without a death, though we have no idea what happened to Xia Fei and his former colleague Jack, who were both reported to have recently gone missing after we cut back to Lu Guang in present day China.

CHENG XIAOSHI GOT THAT DUMPHY

Vein's real name is Xiao Weiying

Back to the book with the eye (the same book Cheng Weimin had in his desk), it's being heavily speculated that the book contains either classified information on the students of Bahati (particularly the ones with powers), or something deeper. Either way, Shao Yuanyuan's statement about the fire being started on purpose supports the idea of someone starting the fire in the hopes of grabbing the book while Cheng Weimin leaves it behind or dies.

The idea of it holding information on the students' powers, or simply being a catalogue of all of the powers Cheng Weimin has crossed paths with, seems likely with Liu Xiao potentially being another seeker of the notebook.

Liu Xiao was the one seen unzipping Vein's body bag in the post credits scene.

Qiao Ling asks why Cheng Xiaoshi changed the studio's name from "Hero Photo Studio" to "Time Photo Studio," and while he gives his indirect answer of being connected through time, we can infer that changing the name is his way of keeping his promise with his mother after leaving Bridon. To make things clearer, a flashback in S1E10 confirms that the name of the studio hadn't changed while Cheng Xiaoshi and Qiao Ling were renovating (which is also when Qiao Ling first meets Lu Guang).

Lu Guang hasn't blushed once in the Yingdu Chapter, but Cheng Xiaoshi has (which makes for a grand total of two blushes from Cheng Xiaoshi and a stagnant five for Lu Guang).

Li Haoling stated in the interview that Cheng Xiaoshi will die in 2022.

When asked if Xia Fei was a survivor of the Bahati fire, Li Haoling dodged the question.

Soon after the fire at Bahati took place, Shao Yuanyuan tasked Wang Qing with allowing her to speak with her son through her someday. Since Wang Qing was still a student and in the hospital at the time, this means she's remained in contact with Shao Yuanyuan for 10 years.

Li Haoling commented during the interview that Lu Guang doesn't know about Vein having come back to life.

He also stated that Shao Yuanyuan would have interactions with Lu Guang in S3.

Actually, here's a full thread of translations for the interview, and a slight summarization of what was said.

The artwork Bilibili released to commemorate the series reaching 700 million followers on their site has this message in the tweet: "The game between "Hunter" and "Mastermind" continues, turning over the cards in the mystery and throwing the final chip." We can infer from past context clues that Liu Xiao is the hunter and Lu Guang is the mastermind.

Cheng Xiaoshi volunteered to play the flower fairy in the third grade despite the role calling for a girl (among other embarrassing stories Shao Yuanyuan told to make Cheng Xiaoshi believe it's her in Wang Qing, she's quite the charcter).

Shao Yuanyuan's speech about saving Cheng Weimin implies she's on a similar journey as Lu Guang (they're both desperately trying to save someone they're close to by resetting the timeline).

Wang Qing goes by the alias "Chris" for her psychiatry business, though it's unknown if her business is still continuing after she disappeared with Cheng Weimin's book.

Considering Shao Yuanyuan's lines when she finds Cheng Weimin in the fire, she was likely not meant to be there at the time, and possibly confused Cheng Weimin. That would explain how blasé he appeared to be about leaving Cheng Xiaoshi in China, if we're to believe that Shao Yuanyuan would usually be in China with their kid while he's in Bridon at the language school.

Cheng Xiaoshi changed the background of his conversation with Xia Fei to a picture he took with him during their modeling gig.

Aight, my well has run dry, and once again I'm certain I'm forgetting something (definitely forgot to go more in depth with the two pieces of artwork that dropped around EP6's premiere), but I hope this is satisfactory in some regards. Again, correct me or add anything I may have missed, time for me to hunker down for the long 2+ year wait until S3 arrives😭

[raconteur-wanpi]

Actually, speaking of the whole Sanji & Usopp Meta again (I won't shut up about it ever) and the common complaint of "why wasn't Usopp in WCI?", the more I think about it, the more I come to the conclusion that it IS because they are foils.

It's kind of a joke I've seen around that "WCI wouldn't have happened if Usopp was there" but I actually genuinely believe that. Do you think Sanji would have the guts to lie out of his teeth (the whole pretending he was a cruel haughty prince this whole time) to drive away his crew during that carriage scene, if the Certified Crew Liar who Lies to Protect Himself and Others was there? To call him out? To immediately recognize that behavior? Do you think Sanji would have it in him to FIGHT LUFFY, if Usopp, who was deeply scarred by his own brawl with Luffy, was there to watch them? When Usopp reminds Sanji of his past self? Would Sanji find the strength or the courage to make Usopp relive Water 7 in that scene? Would Sanji find it that easy to lament about his weakness compared to his powerful siblings during the entirety of the arc if the "guy that survives being the Weak Human in a world of Monsters" was there to remind him it IS possible to survive? Especially when you accept the help of your friends?

Usopp wasn't in WCI cause it would have been over like ten times quicker lmao. Sanji needed to feel isolated and desperate in his solitude for the arc to work, and the best way to do that is to separate him from one of his major foils. And I think it's the same reason his other two parallels, Zoro and Robin, weren't in it either.

(An addition to this to clarify further)

[rowie264]

Season 1: parallels are just nice addition to the story, making it deeper if you notice them

Season 2: parallels explain the plot, characters' actions and motivations

I have huge problem with Jayce being stuck in that chasm in alt_timeline as a parallel to Viktor's life (beside the fact that Viktor just watched him suffer when he could easily help him but not the point). This parallel just doesn't work for me because writers fucked it up.

First, i must say that parallel itself is not entirely correct.

Jayce breaks his leg on accident while Viktor was disabled because of gasses where he grew up. Personal mistake vs something beyond your control.

Jayce crawls his way up to survive in the wild while Viktor was fighting his way up among people. Fight against nature vs fight against society.

These little nuances wouldn't even matter if the show wasn't trying to convince you that Jayce understood Viktor and his motives after this expirience.

Because he didn't.

More precisely, writers didn't.

They wrote "you've always wanted to cure what you thought were weaknesses" speaking about Viktor's leg and desease and this line ruins everything because it's simply not true.

It was never shown that Viktor saw it as weaknesses. He just wanted to save himself from dying.

So the parallel doesn't work for me because in the end it just looks like Jayce judged wrong (even though the show sets it up like he was right)