#in universe cultural appropriation

[strixludica]

Spanish Sunzi (Spanzi) meme dump (the middle one isn't mine)

[scummrevisited]

isn’t it a bit weird how a lot of fantasy/classic trope things that are considered “gender” are like. catered to western things. knights and modern vampires and high fantasy and victorian suits and whatevs. i don’t know but like. they’re often seen as a classic universal epitome of transgender desires even though they’re mostly eurocentric

[magicianing]

Since bread metaphors are in, I'd like to express a controversial opinion on correspondences.

As the metaphor goes, if you want to learn how to bake bread extremely well, you may study multiple types of bread from various different cultures, because many of these breads will have something to teach you which you can apply to your own bread.

Additionally, in examining the recipes of a multitude of cultures, you may begin to notice a few common threads.

"Bread," you might then say "Is made with flour." And you would not be incorrect.

"But," someone else might point out, "Flour is for making papier-mâché!" And they would not be incorrect either.

So then, does flour have bread-making capabilities, or papier-mâché-making capabilities? It has both.

And what if someone were to add, "Bread is made with almond flour, which is completely different from wheat flour. In fact, you shouldn't use wheat flour, because some people can't use that bread." ("Well I'm allergic to almonds, so really--")

So, if bread can be made without flour, and flour can make things that are not bread, is there any connection between bread and flour at all?

Obviously, there is.

It's just complicated. If you study the practices of many different cultures, and you find similarities, then you might feel inspired to create your own recipe using some of these common traits-- the ones that you find you like the most.

The correspondences of different things are not fixed-- new ones can be constantly invented. Likewise, your spell can be ruined by a bad combination-- or a bad combination for you.

If something is not working for you, find alternatives.

[cree-n-jewish-thoughts]

(The bear) Me as someone who is hard of hearing and has a auditory processing disorder, and speech issues.

I have to depend on reading lips to understand because no one can actually communicate with me! Even in a hospital. My new therapist for example doesn't know ANY sign language so many times we cannot actually talk.

Thanks for not being "offensive" though, I love not being able to communicate.

And people always think the (asl) "sorry" is some weird love thing, it's not, so don't look at me that way because you don't know what I'm saying to you...

Learning sign language isnt "cultural appropriation" or "offensive" its called learning another f*cking language...

*credit for the image isn't mine, I found it on another post*

[hahahax30]

Zoroastrians have become my roman empire

[navree]

at the risk of sounding facetious but if you’re categorizing the targaryens as colonizers then i think you also need to categorize nymeria and the rhoynar as colonizers too or just realize that the dragon incest show and all its varied source material written by a white guy who thought these ideas up forty years ago is not in fact that deep

[meistoshi]

WAVE GUIDANCE, Aura in Pokémon and Humans. Dissertation by Professor Corinth Tilia.

ABSTRACT.

Wave, also known as aura, is the life essence that all living beings emit to some degree. Wave guidance is the ability to control and sense this wave, and it is most commonly found in Pokémon such as Lucario, Gardevoir, Mienfoo and Mienshao. Some humans also possess this ability, and there exist organized temples which specialize in teaching and training these aura adepts to master their abilities. People who complete their training in this field are called Wave Guardians and are typically seen partnered with a Pokémon adept in wave guidance, though there are documented exceptions.

[parvuls]

completely hypothetically thinking about an omgcp x cardcaptor sakura au. not hypothetically wondering if that's highkey problematic.

[1ditl]

#1ditl Part 3 of an ongoing series documenting 1 day in the lives of people.

During a quiet day set aside for laundry, walks and a visit to the museum, Isa, a screenwriting student just recently moved to London from the Netherlands talks about assimilating into her new environment. She discusses her love for the diversity of such a metropolitan city as London and its buzzing creative scene especially in the areas of film and historical art as well as the initial challenges of building a social network.

If you'd like to document a day in your life on 1ditl, send a message to contact@1ditl.com.

[myinterestsvary-writes]

Currently rewatching Everything, Everywhere, All At Once and the parents’ relationship reminded me of a brother and sister when I first watched. I was so confused.

[dowsingfordivinity]

Steve Dee reviews Changing Paths

A wonderful review by Steve Dee of Changing Paths is up at The Blog of Baphomet. (more…) “”

[hoshifighting]

Producer!Woozi x Celebrity!Reader

— Synopsis: You and Woozi have admired each other's work for a long time. Now, he has the opportunity to produce an album with you. Working on an album for a worldwide artist like you brings him immense joy... and turn-ons. — WC: 4.8k — WARNINGS: Smut, studio sex (Universe Factory), oral (f.receiving), penetrative sex, unprotected sex, fingering, clit stimulation, g'spot stimulation, aftercare, reader fangirling over Woozi shirtless in Ruby's M/V mentioned.

Your name is splashed across big screens from Times Square to the Grammy Awards. Music didn't just enter your life; it crashed in, loud and powerful, sweeping you off your feet. It became your everything. 

You went from singing in front of millions of people to strumming your guitar alone in a poorly illuminated room, lost in your own world. Music was your passion, your escape, and your purpose all rolled into one.

With that passion came endless opportunities. You were constantly on the move, traveling from one country to another, meeting people you once only dreamed of being in the same room with. You found yourself breathing the same air as your idols, sharing stages with legends. 

Friendships blossomed, some fast and fleeting, others deep and lasting. The world knew your name. Your songs played in every state, on every continent, bridging gaps between different cultures and bringing people together.

Those cultures left a mark on you too. 

You soaked in the richness of each place, each new experience shaping your music and your perspective. You remembered your early days, the hunger for inspiration, the late-night searches for new artists. 

One night, you stumbled upon a webcam live stream with a bunch of boys in a neon green melona room. You laughed and loved watching them, their energy infectious even through a screen. You became a fan, following their journey as you built your own.

But here's the thing about being a superstar: time is never on your side. Your schedule was always packed, and despite being in contact with some of the Seventeen members through DMs and mentioning your admiration for them in interviews, meeting them in person was a challenge. You were in Seoul for a tour once, and they appeared on your show, but there was never enough time to truly connect.

Now, after years of hectic schedules and fleeting encounters, you finally had a moment to breathe. You were working on a new album, and for the first time in a long time, you had the opportunity to switch things up. Your usual producers were fantastic, but this time, something different was calling you. An opportunity was waiting in South Korea, and it had your heart racing with excitement.

You, your manager, and the company representing the group had been in talks for months, working out the details. The goal was clear: to collaborate with Woozi, the musical genius from Seventeen, on your new album. 

When your team informed Woozi that you had just arrived at HYBE, his palms began to sweat. He never imagined he’d get to work with someone of your caliber. The fact that you specifically wanted to work with him made it all the more surreal.

As you walked through the HYBE building, your assistant and one of the staff members gave you a tour. You were almost giddy with excitement. The walls were lined with photos and awards, the air buzzing with creativity. When you finally approached the recreation area and spotted Woozi, his cheeks turned a shade of red. He was nervous, but seeing you smile so brightly at the sight of him sent a sense of relief through his system. 

You were genuinely happy to see him.

As you step into the recreation area and see Woozi standing there, your cheeks flush a deep red. You can’t contain your excitement. "Woozi, I'm so happy to see you," you say, extending a hand, unsure if a hug would be appropriate.

He senses your shyness, and, in a moment of genuine openness, he breaks through his own reserve and gives you an awkward hug. It's brief and a bit clumsy, but it’s sincere. As you pull away, you swear this is the happiest moment of your life.

"I’ve admired your work for so long," you say, your eyes sparkling with genuine admiration. "Your music is incredible."

Woozi shakes his hands in front of him, a shy smile spreading across his face. His long hair swings slightly as he responds, "Oh, no, really, it’s nothing compared to what you’ve done. I'm honestly just honored to be here with you."

You laugh softly, feeling a bit more at ease. "Are you kidding? I still remember hearing your solo for the first time and just being blown away."

Woozi's cheeks tint pink as he looks down, scratching the back of his head. "Thank you, that means a lot coming from you. I remember when we all watched your first big performance. We were in our green room, and we were all just in awe."

You grin, recalling that exact moment you first saw them. "I remember that! I was so inspired by you guys. It’s amazing how things come full circle, isn’t it?"

He nods, his eyes meeting yours with shyness "It really is. I never thought I’d get the chance to work with someone I looked up to so much." Woozi chuckles softly, breaking the silence. "By the way, I saw your post on Twitter about wanting to visit the Universe Factory—my studio."

Your eyes widen in surprise, and you cover your face with your hands. "Oh my God, you guys see my tweets? Oh nooo!"

He laughs, a sound that's both comforting and infectious. "Yeah, they're hard to miss," he admits. "And I may have received a few screenshots of your reaction from 'Ruby'." 

You gasp, mortified as memories of your tweets flood back. You remember typing frantically about needing a defibrillator when Woozi appeared shirtless in the music video. "Oh no, those tweets. I can't believe you saw those."

He’s grinning. "It's okay, really. It was kind of sweet to be honest. We all had a good laugh about it."

Peeking through your fingers, you sigh. "Well, now that my embarrassment is out in the open, I guess it’s only up from here, right?"

Woozi grins, a twinkle in his eye. "Absolutely. Besides, it’s nice to know we have mutual fans of each other’s work. It makes this collaboration even more special."

You nod, recalling how your fanbase and Seventeen’s had always gotten along so well. “Our fans really hit it off, didn’t they? It’s like they’ve been rooting for this collaboration all along.”

Woozi smiles and gestures for you to follow him. “Come on, let me show you the Universe Factory.”

Walking into his studio, you’re immediately struck by how incredible it looks. Purple lights cast a calming glow over the space, and the view from the windows is breathtaking. Everything, from the colors to the high-tech equipment, is perfectly arranged. You can tell he put a lot of effort into making this place special.

“Wow, Woozi, this is amazing,” you say, your eyes wide with admiration. “I always saw photos of your studio, but in person, it’s even better.”

“Thanks, but it’s just a studio.” Woozi’s shy smile returns, but there’s a sparkle in his eyes. “I wanted it to be just right for when you got here. I spent the whole week cleaning and moving things around. Even used some scented sprays.”

You laugh, feeling a snugness in your chest. “You didn’t have to go through all that trouble for me, but I appreciate it.”

He shrugs, his smile widening. “I wanted everything to be perfect.”

Woozi shows you some of the instrumentals he’s been working on, and they’re incredible. The beats blend seamlessly with the lyrics you sent him, and you can already hear the potential for something amazing. He’s practically buzzing with enthusiasm to hear how your voice will mesh with his music.

“Let’s get you in the recording room,” Woozi says, leading you to the booth.

You put on the headphones and glance through the glass at Woozi in the control room. As you start warming up your voice, he watches with a small smile. You can see him scoffing lightly, clearly amused by your funny warm-up techniques.

He presses the intercom button. “I’m definitely going to use that later.”

You sulk playfully, giving him a pout. “Come on, don’t make fun of me.”

He laughs, the sound filling the control room. “Sorry, sorry. It’s just cute the way you warm up.”

Rolling your eyes but smiling, you turn your focus to the paper in front of you. Woozi cues up the beat, and you start with a rough draft, feeling your way through the melody. Even in this initial take, Woozi can’t help but feel impressed. Your voice is powerful, yet it fits perfectly with the track.

You glance up occasionally, catching Woozi’s eyes. He gives you a thumbs-up, his appreciation evident even through the glass. As you continue, you find yourself getting lost in the music, and Woozi’s focus never wavers. When you finish, you look up to see him grinning widely.

“That was just the warm-up?” he says, pressing the button again. “I’m really excited to hear the final version.”

You laugh, feeling a rush of confidence. “Yeah, just the warm-up. Wait till you hear the real thing.”

Woozi nods, eyes gleaming with joy. “I can’t wait. Let’s do this.”

You start to sing for real now, fully immersed in the music. The lyrics flow smoothly, and your voice dances effortlessly over the instrumentals. When it comes to a tricky melisma, you frown slightly, pausing to ask Woozi through the intercom;

"Which tone should I use for this part?"

Woozi, equally focused, listens intently as you demonstrate two different versions. Both sound amazing to him, and he takes a moment to think. He taps his chin thoughtfully before pressing the button. "Try the second one, but start a half-step higher and then slide down smoothly."

You nod, absorbing his suggestion. You take a deep breath and try it his way. The moment you hit that melisma, sliding down effortlessly, the note hangs in the air. Woozi’s eyes light up, and he gives you an enthusiastic thumbs-up from the control room.

As you're in the middle of recording, Soonyoung suddenly appears in the studio, his presence bringing an unexpected burst of energy. You catch sight of him through the glass and wave enthusiastically, a big smile spreading across your face. Soonyoung returns the gesture, his excitement palpable even from a distance. He settles on the couch behind Woozi, watching the two of you work with keen interest.

Woozi presses the intercom button and gives you a nod. "Try going a bit higher for the adlibs."

You nod and sing the section, hitting the high notes while looking at Woozi for confirmation. He listens intently, his gaze dark in focus. “You did so good. That was perfect.”

You can hear Soonyoung’s voice from the back. “He never praises us like that.”

Woozi turns in his chair, giving Soonyoung a deadly glare. 

Soonyoung, unphased, grins and stretches as he stands up. “Alright, alright. I know when I’m not wanted,” he says dramatically, walking toward the door. Just as he’s about to leave, he pauses and turns back. “But after you’re done recording, we’re taking you to dinner Y/N. No excuses.”

You give him thumbs up. Feeling the warmth of their camaraderie. Woozi shakes his head but smiles, turning back to you. 

“Ignore him. Let’s finish this up. You’re doing great.”

After skipping through some tracks, you find yourself sitting in Woozi's incredibly comfortable chair, fiddling with his equipment. The buttons, dials, and sliders are all so intriguing, and you can’t help but feel like a kid in a candy store, discovering new settings and features.

Woozi watches you from a few feet away, arms crossed, a smile playing on his lipsㄧHe knows you’re no stranger to studios and equalizers, but he loves seeing the joy in your eyes as you explore his setup like it’s the coolest thing in the worldㄧHe wonders if your producers ever let you have this much hands-on control.

“Hey, Woozi, how do you tweak the master mix settings here?” you ask, looking up from the console.

He steps forward, moving behind you. His arms come to rest on either side of the chair, effectively caging you in as he leans over to type on the keyboard. 

“You just need to go into this menu,” he says, his voice low and calm. He types swiftly, his fingers dancing over the keys. “Then, adjust the settings here. See?”

You nod, trying to focus on his explanation, but the closeness is overwhelming. You can feel the warmth of his body, his head so close to yours. 

It’s hard to concentrate when you’re not even breathing.

His voice is soft and steady, his breath warm on your skin. You watch his hands move expertly, typing commands and making adjustments with practiced ease. Your heart is pounding so loudly, you’re sure he can hear it.

“And here, you can add some reverb” he continues, “See how that changes the sound?”

No, not when he’s this near.

You nod, feeling a bit dazed. He tells you to try it yourself, and you reach for the adjustment, your hand hovering uncertainly over the controls. Woozi lets go of the mouse and places his hand over yours, guiding it to lower and raise the equalizer. His skin is soft and warm against yours, and the contact almost makes you melt on his chair.

“Like this,” he murmurs, gently moving your hand with his. “Just a little adjustment here and there.”

You can hardly concentrate on the settings, your mind fixated on the sensation of his hand over yours. 

You turn your face slightly toward his, and he looks at you, the proximity between you almost intolerable.

Your eyes lock, and for a moment, the world outside the studio fades away. His gaze is intense, filled with something that makes your breath catch in your throat. Woozi’s hand squeezes yours lightly.

You can feel your pulse quicken. His eyes flicker to your lips for a brief second before meeting your gaze again. The moment stretches, neither of you moves, both caught in the electric current that seems to have taken over the room.

Finally, Woozi clears his throat, breaking the spell but not the connection. "There," he says softly, his voice barely more than a whisper. "You’ve got it."

As you try to focus on adjusting the settings, Woozi leaves your hand on the side of yours, allowing you to make the changes yourself. You manage to make the adjustments, and as the sound fills the room, Woozi's voice breaks through the silence. "That's it. You're doing great." he praises.

You swear if he praises you again like that, you’re going to fucking wet his chair. You don’t even notice that you’re biting your bottom lip, too lost in the horniness.

Woozi’s words echo in your mind as you try to focus on the task at hand, but it's hard to concentrate with the way his body looks in the black shirt he's wearing. The fabric clings to him in all the right places, emphasizing his toned physique.

Every movement he makes with his hands, seems deliberate and calculated, and you can’t tear your eyes away.

You force yourself to push the distracting thoughts aside, but it's a losing battle.

Your gaze remains fixated on his hands as he places them on the border of the desk, supporting his body. His shoulders brush against the back of your head, and you can feel his presence looming over you. It’s as if he knows exactly what’s passing through your mind.

He brushes a hand over your shoulder, the sensation lingering even after he presses it between his hands in a gentle massage. You feel his lips tentatively brush against the corner of yours.

Caught off guard, you melt into his touch, your fingers intertwining with his as you lean into the kiss. His lips are soft against yours, a perfect match to the warmth of his touch. But when he catches you melting against his hand, he doesn't pull away. Instead, he turns the chair to face him, his hand sliding behind your neck to pull you closer.

His kiss deepens, and you respond eagerly, your hands sliding to each side of his face before tangling in his hair at the back of his neck. The kiss is desperate, as if you’ve both been holding back.

But when you finally break apart, gasping for breath, you realize that you can’t resist any longer. You get up from the chair, his hands desperately grab your waist, pulling your bodies together 

The way he holds your waist makes your tank top bunch up between his fingers, his palms feeling your belly's bare skin. You whimper against his lips, "Hmm, Woozi..."

He pulls back slightly, "Jihoon," he corrects gently, "Call me Jihoon."

Your stomach flutters at the intimacy of calling him by his real name. "Jihoon," you repeat softly, savoring the sound.

He smiles, a soft, almost shy smile that makes your heart skip a beat. Then he leans in again, kissing your cheek, your jaw, and your neck. Each touch of his lips sends you on cloud nine, making you arch against his chest, your hands gripping his bicep for support.

"Jihoon," you murmur again, the name feeling more natural on your lips each time.

His hands move up your sides, sliding under your tank top, his fingers warm against your skin. He pulls the fabric up, and you lift your arms, allowing him to remove it completely. The cool air of the studio contrasts with the heat of his touch, making your nipples harden.

He takes a moment to admire you, his eyes roaming over your body "You're beautiful," he whispers.

You blush, feeling a little shy under his gaze. "You too," you reply, reaching up to touch his face, your fingers tracing the lines of his jaw.

He smiles and pulls you closer, his lips finding yours once more. This kiss is deeper, more urgent, as if he's trying to pour all his feelings into it. You respond with equal fervor, your hands exploring the planes of his chest, and the muscles of his back.

Jihoon’s hands move to your waist again, his fingers brushing the waistband of your jeans. He pauses, looking at you for permission. You nod, your breath hitching in the process.

He unbuttons your jeans, sliding them down your hips and letting them pool at your feet. You step out of them, standing before him in just your underwear. He takes a moment to admire you again, his eyes dark with desire, a little hidden under his long bangs.

You reach for the hem of his shirt, lifting it up and over his head. He helps you, tossing it aside. Your hands explore his bare chest, feeling the warmth of his milky skin, the steady beat of his heart.

This time, his hands roam more freely, exploring every inch of your body. His touch is gentle, yet possessive, as if he's trying to memorize every curve, every contour. After all, he doesn't know when he'll be able to touch you like that again. That is, if there is a next time.

You respond in kind, your hands moving over his body, savoring the feel of his muscles flexing under your fingertips.

He guides you toward the couch, his lips never leaving yours. You lie down, pulling him with you, your bodies molding together perfectly. He kisses his way down your neck, your chest, his lips leaving a trail of saliva in their wake.

"Jihoon," you moan, your hands tangling in his hair as he takes one of your nipples into his mouth, sucking gently. The sensation numbs your mind, making you arch against him.

Jihoon makes you relax on his couch, but you suddenly become very aware when his fingers slide your panties to the side, moistening his fingers with your lubrication. He opens his eyes to watch you squirm as your pussy sucks his finger inside without effort. His cold finger fits perfectly inside you, and you can feel him teasing to put another one. You clap a hand over your mouth to stifle your moans.

He laughs softly, taking your hand off your mouth. "The studio is soundproof. You can moan as loud as you want."

You mentally thank him because with his fingers now perfectly entering and leaving you, a loud moan escapes your mouth, and the sound of your wet pussy isn't discreet. You're loving the intense gaze he has on you, like you're about to be devoured. He tries to kiss you, but you can only moan as he fingers you.

Jihoon curls his fingers on your g'spot, repeating the motion again and again. You let out a strangled moan, squirming under his touch. "Don't do that, or I'll mess up your sofa," you warn, your voice shaky with pleasure.

He looks at you from under his bangs, a mischievous glint in his eyes. "I don't care about the sofa," he murmurs, pressing a hand on your lower belly to intensify the curl of his fingers.

The added pressure makes you scream, "Please, please!"

Jihoon smirks, his fingers moving faster inside you. "Please what? Tell me what you need," he demands, his voice commanding.

"Please, Jihoon, I need more," you gasp, your body arching against his hand.

He leans in closer, his breath hot against your ear. "More of what? My fingers? My mouth?" he asks, his tone teasing.

"Both," you whimper, feeling desperate for more of his touch.

Jihoon chuckles, his lips brushing against your ear. "Greedy, aren't you? But I'll give you what you want," he promises, his fingers curling and pressing against your g'spot with relentless precision.

You cry out, your body trembling. "Jihoon, I'm going to—"

"Do it," he whispers, his calm raspy voice making you bite your bottom lip. "Come for me."

Your hands clutch at the couch as Jihoon's head moves from above you to between your legs. The moment his tongue touches your clit, you can't hold back, and you come almost immediately. 

He stops for a moment, just to admire the sight of you arching your back on his couch, his fingers deep inside you, all wet as you roll your hips on them, moaning in his studio, naked. He never thought it would happen, but he isn't complaining.

You discover he's stronger than you thought when he holds your hips down to keep you in place before he devours your pussy. You roll your eyes at the sensitivity and the sight of his fangs tickling your skin, making you giggle between moans. 

The scene is completely sinful. You prop yourself up on one elbow and hold his hair up to see his face, flushed but with closed eyes, all concentrated on giving you pleasure. You find it incredibly cute, and you can't help but praise him.

"Jihoon, you're doing so good," you murmur, your voice trembling. "You're so focused, it's amazing."

In response, he sucks your clit inside his mouth, making you pull his hair a little. He hisses softly, and you quickly apologize. "Sorry, I didn't mean to—"

He looks up at you, a playful glint in his eyes. "It's okay," he says, his voice slightly rough. "I like it."

You can't help but moan louder as he resumes his attention to your clit. His fingers continue their relentless rhythm inside you, and you feel the pressure building again.

"Jihoon, please," you gasp, your hips bucking against his hold.

You gasp, and Jihoon stops, making your head fall back as you whine, your orgasm interrupted. He kneels on the couch, lowering his sweatpants and underwear to his thighs. You shake your head, saying, "I want you to take it all off."

He smiles, obliged, then comes completely naked over you. You spread your legs for him, wide, and he slides his cock between your folds, eliciting a whine from you. Still supporting yourself on your elbow, you grab his hair, pulling it slightly, earning a moan from him.

As your tongues wrap around each other, his cock slides inside you, and you open your mouth in a silent moan, your back plopping on the couch. He moans at the sensation of your gummy walls wrapping his cock, sucking him in welcomely. He also smiles, finding your reaction endearing.

Jihoon rolls his hips slowly, letting you adjust to the fullness of his cock. The slow stimulation draws moans from your lips, and you gasp, "Not only do you make amazing music, but you fuck so damn good too."

Jihoon lets out a genuine laugh, his breath warm against your skin. He hides his face in the crook of your neck, so shy, and you pull him back, wanting to see his eyes. He glances at you, amusement shining in his gaze.

"You really know how to flatter a guy," he chuckles, his eyes crinkling at the corners.

You laugh with him, the sound mingling with the intimate atmosphere around you. "It's true," you say, your voice lighter. 

Jihoon shakes his head, still smiling, but the moment of levity shifts as he feels your walls tighten around him. His smile fades into a look of intense pleasure, his face contorts, and he starts to moan, the sound vibrating through you.

"Oh, God," he groans, his hips picking up a rhythm that makes your breath hitch. "You feel so good."

The sounds of skin slapping, your moans, and the low hum from the computer rendering the music become the backdrop to your intense session with Jihoon. Your breasts bounce with every thrust, and your hair spreads wildly across the couch. He can feel your wetness around his cock, spreading to his thighs and the couch. You brace yourself with one hand on the couch's arm, your lips plump and sensitive from the kisses and bites.

Jihoon closes his eyes, focusing solely on the sensation of your pussy. If he keeps looking at how much pleasure you're experiencing, he might come too soon. But you can already sense his cock throbbing inside you.

"Open your eyes," you urge him, catching on.

He opens them, sulking a bit, and you give him a devilish smile. You lick your fingers, sliding them down your body to circle your clit, doubling your pleasure and his. His mouth falls open at the sight.

"Fuck, nooo..." he mumbles, watching your every move.

You revel in the sight of his abs flexing, showing that his orgasm is near. Sensing his impending climax, Jihoon pulls out, giving himself a moment to regain control. When he's ready, he slides back in, making you arch your back and curl your toes, triggering your orgasm instead.

You smile at his audacity, and he grins, seeing that his tactic worked. "F-fuck you… I'm cumming, Jihoon," you warn, closing your eyes as the pleasure builds.

He speeds up his hips, making you stop breathing for a second before a deep moan escapes from your chest. You feel yourself clenching and unclenching around him, your body shuddering as you reach your peak. Panting hard, Jihoon pulls out just in time, spilling his cum on your belly as he strokes his cock. His body trembles, and his eyes lock with yours, his bangs falling over his forehead.

Jihoon takes a long look at your spent body, a satisfied smile spreading across his face. "How about a nap before dinner?" he suggests softly.

You close your eyes and nod, feeling the exhaustion settling in. "Right..." he murmurs, getting up from the couch.

You miss the warmth of his body immediately and let out a small whine. He chuckles, "I'm coming back," he assures you as he grabs a box of Kleenex and brings some tissues to clean you up. Gently, he wipes your belly and between your legs, his touch tender.

"I'm glad we finished some songs," he teases, his eyes twinkling. "You don't look like you could continue... at least not today."

You scoff, too tired to come up with a witty response. Jihoon starts dressing you, carefully slipping your top back on, your panties, and leaving your jeans off so you can nap comfortably. Once you're settled, he dresses himself quickly.

From the corner of the studio, he fetches a thin blanket draped over a poltrone. He covers you with it and then lays down beside you, pulling you close.

"You really wore me out," you murmur, a hint of amusement in your voice.

He grins, pressing a soft kiss to your forehead. "Likewise," he says. "But it was worth it."

You let out a contented sigh, feeling more relaxed than you had in a long time. "I can't wait to hear how the songs turn out," you confessed, your voice growing dreamier with each passing moment.

Jihoon hummed in agreement, his fingers resuming their soothing motions on your back. "Me too," he murmured. "But for now, let's just enjoy this."

And so you did. Wrapped in each other's arms, you drifted off into a peaceful sleep, you snuggle into him, the steady rhythm of his breathing lulling you towards sleep. 

[redgoldsparks]

I wrote a 12 page epilogue to my 2019 comic "Harry Potter and The Problematic Author" because I found, in 2023, that I had more to say. You can also find this comic on my website, and I have PDF copies available on etsy. I may sell print copies at some point in the future.

instagram / patreon / portfolio / etsy / my book / redbubble

Full transcript below the cut.

PAGE 1

Part one: Ruddy Owls!

I was in fourth grade when the first Harry Potter Book was released in the US.

Panel 1: Sometimes our teacher would read it aloud in class. “Mr and Mrs Dursley of number 4 Privat Drive were proud to say they were perfectly normal, thank you very much…”

Panel 2: I was 11 years old when Harry Potter finally broke through my dyslexia and turned me into a reader.

Panel 3: Every night in the summer before sixth grade I waited for the owl carrying my Hogwarts Letter. I cried when it didn’t come. “I have to go to Muggle school!”

PAGE 2

Part Two: Hats

I dedicated myself to being a fan.

Panel 1: I began collecting Harry Potter News article.

Panel 2: I asked my relatives to mail me ones from their local papers. I filled a thick binder with clippings.

Panel 3: I wrote my own trivia quiz

Panel 4: and participated in the one held annually at the county fair. “Next contestant!”

Panel 5: I usually got into one of. the top five spots. I won boxes of candy, posters, stationary, and once a baseball cap. (Hat reads: I survived the battle of Hogwarts).

Panel 6: In high school I sewed a black velvet cape and knitted many stripped scarves.

PAGE 3

Part Three: Double Trouble

Watching the last film in 2011 felt like the final note of my childhood. 

Panel 1: I remember driving home from the midnight showing thinking about the end of 13 years of waiting; wondering what would define the next chapter of my life. 

Panel 2: That same month I heard of something called Pottermore. “Okay, so there’s a sorting quiz… I already know my house! Patronus assignment? Mine’s a barn owl. Duh!" 

Panel 3: You can read the books again but with GIFs? Why? 

Panel 4: I lived in a place with very slow and limited internet at the time. Pottermore sounded inaccessible, but also boring. I never joined. 

Panel 5: "I’ll just read the actual books again, thanks." 

PAGE 4

Part Four: Sweets

In 2016, a series of short stories titled "History of Magic in North America” were released on Pottermore to pave the way for the first Fantastic Beasts Film. These stories display an extreme ignorance of American history, culture, and geography, but the worst parts are the casual misuse of indigenous beliefs and stories. Fans and critics immediately spoke up against this appropriation. Some of the most quoted voices included Nambe Pueblo scholar Dr. Debbie Reese who runs the site “American Indians In Children’s Literature”; Navajo writer Brian Young; Johnnie Jae (Otoe-Missouria and Choctaw), founder of A Tribe Called Geek; Dr Adrienne Keene (Cherokee Nation), a Professor at Brown University who runs the blog “Native Appropriations”, and writers N.K. Jemison and Paula Young Lee.

PAGE 5

Rowling is famous for responding to fans directly on twitter, yet she did not respond to anyone calling out the damaging aspects of “Magic in North America.” Her representatives refused to comment for March 9 2016 article in the Guardian. She has never apologized. All of this, plus the casting of Johnny Depp and the specific declarations of support by JKR, Warner Brothers, and director David Yates left a sour taste in my mouth.

For further thoughts on the new films read The Crimes of Grindelwald is a Mess by Alanna Bennett for Buzzfeed News, November 16, 2018.

PAGE 6

Excerpt from Colonialism in Wizarding American: JK Rowling’s History of Magic in North America Through an Indigenous Lens by Allison Mills, MFA, MAS/MLIS (Cree and Settler French Canadian)

Although Rowling is certainly not the first white author to misstep in her treatment of Indigenous cultures, she has an unprecedented level of visibility and fame, […] One of the most glaring problems with Rowling’s story is her treatment of the many Indigenous nations in North America as one monolithic group. […It] flattens out the diversity of languages, belief systems, and cultures that exist in Indigenous communities, allowing stereotyping to persist. […] It continues a long history of colonial texts which ignore that Indigenous peoples still exist. […] In the Wizarding world, as in the real world, Indigenous histories have been over-written and our cultures erased.

from The Looking Glass: New Perspectives in Children’s Literature Volumn 19, Issue 1

PAGE 7

Part 5: Music

Panel 1: Also in 2016 I discovered two podcasts which radically altered my experience of being an HP fan. The first was Witch Please created by two Canadian feminist literary scholars Hannah McGregor and Marcelle Kosman.

Panel 2: “If it’s not in the text it doesn’t count!” “Close reading ONLY!”

Panel 3: They talk about Harry Potter at the level you’d expect in a college class with particular focus on gender, race, class, and the troubling fatphobia, fear of othered and queer coded bodies, violence against women, white feminism, gaslighting and failed pedagogy in the books. They bring up these issues not because they hate the series, but because they LOVE it.

PAGE 8

These passionate, joyful conversations went off like fireworks in my mind. I had never taken a feminist class before. I gained a whole new vocabulary to talk about the books- and the world.

PAGE 9

Panel 1: The second podcast I started that year was Harry Potter and the Sacred Text, created by two graduates of the Harvard Divinity School, Vanessa Zoltan and Casper Ter Kuile.

Panel 2: They read one chapter per episode through a theme such as love, control, curiosity, shame, responsibility, hospitality, destruction, or mystery. Like Witch Please, they are interested only in the information on the page, not thoughts from the author. The delights and failures of the text are examined in the context of the present day, and new meanings constantly arise.

PAGE 10

What does it mean to treat a text as sacred?

Trusting that the more time we give to it, the more blessings it has to give us.

Reading the text repeatedly with concentrated attention. Our effort is part of what makes it sacred. The text is not in and of itself sacred, but is made so by rigorously engaging in the ritual of reading.

Experiencing it in community.

“To me, the goal of treating the text as sacred is that we learn to treat each other as sacred.” -Vanessa Zoltan

PAGE 11

Part 6: Tooth and Claw

In October 2017, Rowling liked a tweet linking to an article arguing that trans women should be kept out of women’s bathrooms because of cisgender women’s fears. In March 2018, she liked a tweet about the problem of misogyny in the UK Labour Party which included the line “Men in dresses get brosocialist solidarity I never had.” The author of the tweet had previously posted many blatantly anti-trans statements.

Rowlings publicist claimed she had liked the posted by accident in a “clumsy and middle-aged moment.” Yet, in September 2018 she liked a link posted by Janice Turner to her column in the Times UK titled “Trans Rapists Are A Danger In Women’s Jails.”

Screencaps of these tweets can be found in the article “The Mysterious Case of JK Rowling and her Transphobic Twitter History”, January 10 2019 by Gwendolyn Smith (a trans journalist), LGBTQNation.com

PAGE 12

Excerpt from: Is JK Rowling Transphobic? A Trans Woman Investigates by Katelyn Burns

Ultimately, the answer is yes, she is transphobic […] I think it’s fair that she receives criticism from trans people, especially given her advocacy on behalf of queer people in general, but also because she has a huge platform. Many people look up to her for creating a singular piece of popular culture that holds deep meaning for fans from different walks of life, and she has a responsibility to handle that platform wisely. (Published on them.us March 28, 2018)

PAGE 13

Part 7: Home

At age 30, I’m still not over Harry Potter.

Panel 1: I’ve recently found a local bar that does HP trivia nights. “Poppy or Pomona?” “Poppy!”

Panel 2: I currently own an annual pass to Universal Studios so I can visit Hogsmeade.

Panel 3: I love talking to kids who are reading the books for the first time. “Who’s your favorite character?” “Ginny!”

Panel 4: And I’m planning a relisten to the audio books to next year to help me get through the election cycle. “Jim Dale, I’m going to need you more than ever…”

Spoiler from 2023: I did not do this. By mid-2020 JKR had posted her transphobic essay; we were in covid; I never visited Universal Studios again.

PAGE 14

But I do want to learn from her mistakes. I never want to repeat “Magic in North America.” As I write, I will do my research. I will consult experts and compensate them. If a reader from a different culture/background than me speaks up about my work, I will listen and apologize. I KNOW I WILL MAKE MISTAKES. But I will own up to them and I will do better.

PAGE 15

Excerpt from Diversity Is Not Enough: Race, Power and Publishing by Daniel José Older

We can love a thing and still critique it. In fact, that’s the only way to really love a thing. Let’s be critical lovers and loving critics and open ourselves to the truth about where we are and where we’ve been. Instead of holding tight to the same old, failed patriarchies, let’s walk a new road, speak new languages. Today, let’s imagine a literature, a literary world, that carries this struggle for equity in its very essence, so that tomorrow it can cease to be necessary, and disappear. (Buzzfeed, April 14, 2017) 

PAGE 16

Harry Potter is flawed, & JK Rowling is problematic. But the books helped me learn a lot: 

*One of the greatest dangers facing the modern world is the rise of fascism 

*The government cannot be trusted 

*Read and think critically

*Question the news: who paid the journalist? Who owns the paper? 

*Trust and support your friends through good times and bad

*Organize for resistance

*Educate and share resources with peers

*The revolution must be diverse and intersectional

* We are only as strong as we are united

*The weapon we have is love 

MK 2019

PAGE 17

PART 8: EPILOGUE

In 2021 I removed a Harry Potter patch I sewed to my book bag over a decade ago. I took 15 pieces of Harry Potter fanart off my walls. I got rid of my paperback book set, 2 board games, and 8 t-shirt. [images: a Hogwarts a patch with loose threads, a pair of scissors and a seam ripper]

Panel 1: Maia holding up a shirt with the Deathly Hallows logo on it. Maia thinks: “Damn, this really used to be my entire personality.”

Panel 2: The t-shirt gets thrown into the Goodwill box.

PAGE 18

I wrote my zine wrestling with JKR’s legacy in 2019, after her dismissive and racist reaction to indigenous fans and critics of “Magic in North America” and after she had liked a couple transphobic tweets. Since then, she has gotten so much worse.

A Brief Timeline (mostly from this Vox article)

June 2020- JKR posts a 3600 word essay making her anti-trans position clear

August 2020- The Robert F Kennedy Human Rights Org issues a statement about her transphobia, JKR doubles down on her position and returns an award they gave her

December 2020- JKR claims 90% of HP fans secretly agree with her anti-trans views

December 2021- JKR mocks Scottish Police for recognizing transgender identities

March 2022- JKR criticizes gender-inclusive language and legislation

December 2022- JKR retweets trans youtuber Jessie Earl’s critical review of Hogwarts Legacy, starting an onslaught of transphobic harassment towards Earl

December 2022- JKR removes her support from an Edinburgh center for survivors of sexual violence with a trans-inclusive policy and funds her own center which explicitly excludes trans sexual assault survivors

January 2023- JKR tweets “Deeply amused by those telling me I’ve lost their admiration due to disrespect I show violent, duplicitous rapists.” It got nearly 300K likes

March 2023- One the podcast “The Witch Trials of JK Rowling”, hosted by a former Westboro Baptist Church Member, JKR compares the trans rights movement to Death Eaters.

PAGE 19

What are The Witch Trials of JK Rowling?

Panel 1: Maia speaking. “It’s a 7 episode documentary style podcast hosted by Megan Phelps-Roper. Nearly every episode contains interviews with JKR as well as critics, journalists, historians, protestors and fans.

Panel 2: Maia speaking. “In episode 1, JKR speaks more candidly than she has previously about being in an abusive marriage. Her ex-husband hit her, stalked her, broke into her house overlapping with the time she was writing the first three HP books.”

Panel 3: Maia speaking. “What she went through genuinely sounds horrific. I have a lot of sympathy for the kind of life-long traumas those experiences leave.”

PAGE 20

HOWEVER.

It is clear from reading the June 2020 essay on her blog and listening to the podcast, that JKR still to this day feels unsafe. Despite her wealth and privilege she moves through the world with the mindset of a victim. And the group of people she finds most threatening are trans women.

Or rather, she is afraid that allowing trans women in women’s spaces invites the possibility of male predators entering those spaces.

Here’s a direct quote: The problem is male violence. All a predator wants is access and to open the doors of changing rooms, rape centers, domestic violence centers [...] to any male who says “I’m a woman and I have a right to be here” will constitute a risk to women and girls. - from The Witch Trials episode 4 as transcribed by therowlinglibrary.com, March 2023

Image: A stem of Belladonna with flowers and berries.

PAGE 21

Let me introduce here the term: TRANSMISOGYNY. The intersection of transphobia and misogyny, this term was coined by Julia Serano in 2007. Scout Tran, on tiktok as Queersneverdie said: “Transmisogyny occurs in people who have been previously hurt by traditional misogyny. Who have been driven to hate men or at the very least to be scared of men. They will sometimes take out that rage on trans women. (March 2023)

JKR claims to care for trans women and understand they are extremely vulnerable to assault and violence. In her 2020 Essay she wrote: “I want trans women to be safe. At the same time, I do not want to make natal girls and women less safe.”

So she cares about trans women… just less than cis women, and she’s willing to throw all trans women under the bus because of her unfounded, prejudice fears.

PAGE 22

Panel 1: Maia speaking. “JKR claims to have seen data that proves trans women have presented physical threats to other women in intimate spaces, but never cites sources. She also uses “producer of the large gametes” as a definition of “woman”.

What about transmen and nonbinary folks?

Panel 2: Maia leaning on a stack of all seven HP books, the first four Cormorant Strike books and The Casual Vacancy, gesturing to a series of quotes with a tired and disgusted expression.

I’m concerned about the huge explosion of young women wishing to transition and also about the increasing numbers who seem to be detransitioning. * [...] If I’d been born 30 years later, I too might have tried to transition. The allure of escaping womanhood would have been huge. -June 10 2020 essay

I don’t believe a 14 year old can truly understand what the loss of their fertility is.

-Witch Trials episode 4

I haven’t yet found a study that hasn’t found that the majority of young people experiencing gender dysphoria grow out of it*. -Witch Trials episode 7

*No sources cited

PAGE 23

It’s hard to over emphasize how fixated JKR has become on these topics. As of the date I’m writing this, 14 out of her 20 most recent tweets (70%) are in some way anti-trans. She tweets against Mermaids (a UK based trans youth charity), against trans athletes, against gender neutral bathrooms, and in support of LBG Alliance- a UK org that denies trans rights while upholding gay rights. Here are some gems from her archive:

“People who menstruate.” I’m sure there used to be a word for those people. Someone help me out. Wumben? Wimpund? Woomud? -June 2020

War is Peace. Freedom is Slavery. Ignorance is Strength. The Penised Individual Who Raped You Is a Woman. - December 2021

And in response to someone asking “How do you sleep at night knowing you lost a whole audience?”

I read my most recent royalty cheques and find the pain goes away pretty quickly. -October 2022

PAGE 24

Hashtag Ruthless Productions a queer nerd podcast company created a great guide on ethical engagement with HP. Image: the two hosts of Hashtag Ruthless productions, Jessie (They/she) and Lark (he/him).

Stop buying all official HP Products: books, movies, games, toys, etc, Universal Studios tickets, food, merch.* Boycott any new TV series or movies. Instead: buy the books and DVDs used. If you still want to wear HP merch, buy fan-made. Engage only with fan content: fic, podcasts, fanart, wizard rock, etc. Show transphobia is bad for business. None of this will change JKR’s mind. But the Fantastic Beast series was canceled and after record Pottermore sales in 2020, they fell in 2022 by 40%.

*She gets a portion of ALL tickets. In 2019, this was her largest income source. Read the full guide: hashtagruthless.com/resourceguide

PAGE 25

As late as 2019, I was still reading JKR’s murder mystery series. But by the fourth book my experience began to sour.

Panel 1: Maia holding a copy of Lethal White. “The only gay character in this book is a government official who gropes his staff?”

Panel 2: “The only genderqueer character is misgendered and portrayed as a whiny faker?”

Panel 3: “The only Muslim character is disowned by his family over gay rumors?”

Panel 4: “Even the women aren’t portrayed very well…”

Panel 5: “Why is the main female character defined by the rape in her past?”

Panel 6: “Wait, what happens in the rest of this series…?” Maia scrolls on eir phone.

Panel 7: “Is the series heading towards an employee/boss relationship?”

Panel 8: “And has a man wearing women’s clothes to commit assault?”

Panel 9: “Yeah, I’m done. I’m never reading a new JKR book ever again.”

PAGE 26

And as for JKR herself?

As tempting as it might be to tweet your frustrations at her, I don’t recommend it. In 2021, she tweeted, “Hundreds of trans activists have threatened to beat, rape, assassinate and bomb me.” Getting hate online feeds her sense of victimhood and she waves it as proof of her moral high ground. Instead I suggest you block her on twitter, then delete twitter, go to the library and try to find a new book that feels magical.

Stack of books: In Other Lands by Sarah Rees Brennan, The Scorpio Races by Maggie Stiefvater, Gifts by Ursula K Le Guin, Deep Wizardry by Diane Duane, A Deadly Education by Naomi Novik and Gideon the Ninth by Tamsin Muir.

PAGE 27

In “Emergent Strategy” adrienne maree brown writes: You do not have the right to traumatize abusive people, to attack them, personally or publicly, or to sabotage anyone else’s health. The behaviors of abuse are also survival-based, learned behaviors rooted in pain. If you can look through the lens of compassion, you will find hurt and trauma there. If you are the abused party, healing that hurt is not your responsibility and exacerbating that pain is not your justified right.

PAGE 28

Seeing anyone over age 12 wearing HP merch now makes me uncomfortable. Are they ignorant or actively a TERF? I hate wondering how much money JKR has probably poured into anti-trans legislation… This zine is a culmination of my slow breakup with a story that once brought me joy. Now it just makes me angry, tired and sad.

Image: Candle in a fancy holder burned down to less than an inch.

Maia Kobabe, 2023

[lornrocks]

My deep, dirty secret, is I think a certain solo artist who used to be in a group has made good work but is also…just fine. All the people insisting they are the greatest artist of all time and no one can compete are allowed to have their opinions but damn dude, they’re complaining this artist (who has like 32 Grammy wins?) didn’t win a certain award today and I’m like. Okay, they have 32 Grammys. Who gives a shit.

[algae-tm]

PEOPLE, PLACES, THINGS

Max Verstappen x anthropologist! Reader

Author’s note : this smau has a special place in my heart, if you haven’t noticed I’m not Caucasian, but was born and raised in Nigeria and a lot of my university life has been centred around studies of the black diaspora. My masters research is on homosexuality and Afro-syncretic religions, so have been trying to figure out how to incorporate it so thought I’d go full send and thus this was borne.

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peopleplacesthings just posted

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peopleplacesthings: I spent three years (give or take) with the people of the Bahia state in Brasil, researching the afro-syncretic religion of Candomblé. My research paper on the gender roles within Candomblé (how men express masculinity, and the role of women as spiritual leaders) will be published online where everyone will be able to access it. Can’t wait to see where the world takes me next!! 🌎🇧🇷

view all comments

yourbsfuser: y/n baby I love you and your big brain, but please take a sabbatical 😭. stay in the UK for a while.

— peopleplacesthings: what’s in it for me? 🤨

— yourbsfuser: seeing your family and friends???

— peopleplacesthings: sorry gotta blast, the world is waiting 🏃🏿‍♀️

user10: your masters research on the linguistic appropriation of AAVE was vital for me completing my dissertation! Thank you so much

— peopleplacesthings: passing down knowledge is the key to preserving culture! I love when I get comments like this, well done my love.

lewishamilton: so you’re free now?

— peopleplacesthings: until my next adventure

— lewishamilton: good to know

— user10: not SIR LEWIS HAMILTON in my old TA’s comment section

— user7: IK 😭 she was a guest lecturer at my uni like one month ago! Really my two worlds colliding 😭😭

— user8: how do they know eachother???

— user9: I’m guessing they must have met one of the times Lewis was in Brazil??

— peopleplacesthings: he is my cousin! he’s much older and way less attractive than me so that’s probs why you couldn’t see the family resemblance🙂🙂

yoursisteruser: 2 back to back research papers… you could use a break from work

— peopleplacesthings: it’s not work if you love what you do 🤗🤗

— user17: 2 research papers??? How old is she?

— user19: she’s actually done 3! One for her masters which was only 15,000 words and then 2 more, her 2nd was for her PhD and she’s published her last two as books. She’s 28 if I’m not mistaken. I’m not a stalker just obsessed with her work!

— user17: oh so she’s SMART smart

— user19: bro she’s DOCTORATE OF ANTHROPOLOGY smart

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peopleplacesthings just posted

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peopleplacesthings: I can check getting papped reading in the park off my bucket list… maybe I should start a book club! Anyways everything is a learning opportunity so I am currently reading Nervous Conditions by Tsitsi Dangarembga. Don’t be so surprised that I read fiction! Nervous Conditions is a valuable case study in cultural anthropology due to its rich exploration of themes related to post-colonial identity, gender, and cultural conflict. If you take my post-colonial anthropology module in September, this will definitely be on the further reading list. Come read with me! 📚 📚

view all comments

user1: are we sure this is the woman max is dating…

— user3: I was just wondering that, so out of left field 😭 😭

— user4: I mean what do they even have to talk about? She just lectures him all day?

lewishamilton: how can I take your class if I’m not enrolled in the university?? 🤨🤨

— peopleplacesthings: you can’t! Hope this helps

— user5: jeez she’s so rude…

— user9: who does she think she is????

— peopleplacesthings: Dr. Y/n Y/ln that’s who I know I am

user11: so is anthropology all she talks about, or does she have hobbies…

— peopleplacesthings: I happen to think my field of anthropology; the study of societies, people and culture, is quite interesting. But no I am a person I contain multitudes anthropology is not all I talk about.

user6: not y’all invalidating a woman with a literal doctorate just because she MIGHT be dating your fav… pls touch grass

— user13: that’s what I’m saying! If anything she’s WAY out of Max’s league, hasn’t he only ever read like 2 books?? (liked by danielricciardo)

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peopleplacesthings just posted

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peopleplacesthings: We DTR’ed!!

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lewishamilton: DTR?

— peopleplacesthings: Define the Relationship apparently

— lewishamilton: my how the tables have turned, miss I don’t date drivers.

— peopleplacesthings: DR* I don’t date drivers. And what can I say my commitment issues are no match for Max Verstappen

danielricciardo: you’re welcome!

— user4: what could you possible have done

— danielricciardo: I told max to grow some balls that’s what! I’m the architect of this relationship

— peopleplacesthings: you and Lewis can fight over that title

maxverstappen1: WE DTR’ED!!!!

— peopleplacesthings: hell yeah we did!

maxverstappen1: I love you schat ❤️💙

— peopleplacesthings: 🥹 I love you too

you doofus

maxverstappen1 just posted

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maxverstappen1: Did it hurt when you fell from your culture’s dogmatic view of an afterlife?

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peopleplacesthings: I think that’s the sexiest thing anyone has ever said to me

— maxverstappen1: there’s more where that came from

— peopleplacesthings: oh shucks not in public maxie

— danielricciardo: this is the weirdest foreplay I’ve ever witnessed

user14: how did a man that drives in circles manage to bag my anthro professor??

— user16: shouldn’t that be the other way round???

— user14: if you ever attended one of her lectures and saw her in action you would know the answer to that question is absolutely not (liked by maxverstappen1)

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[etz-ashashiyot]

For those of you out there who have rejected Christianity as a religion and want to fully break with it, you have to understand that it's not just a religion, no matter how much it tries to say it is - there's a whole culture to it, too. Or, perhaps another way of understanding it is this: religion and culture used to be entirely inseparable and "faith" or "religion" were not coherent identities by themselves. Christianity changed that on a widespread level by pushing the idea of universal religion and evangelism.

Essentially, Christianity styled itself as the one singular truth that must be known and adopted by all peoples everywhere. By doing so, it necessarily severed any ties to one specific people, culture, land, or language, so that it could be practiced by all groups. Not only did this make it easier to sell to people because they didn't have to give up their whole identity, culture, language, and even certain belief systems, but it served the practical purpose of making it portable to every land and adaptable to become palatable to [almost] any demographic. [Jews are a little unique in this particular situation, because since Christianity appropriates from us so heavily, we already know how much of it doesn't work within its original framework.]

The problem is that this separation is, even in the case of Christianity, untrue. Having been raised in a Christian culture (especially if you were raised religiously Christian, but even if your connection to the religious tenets was minimal or non-existent) it creates a whole world view and value system that must be addressed in addition to faith in the religious tenets recognized internally by Christians.

If you view faith in the religious tenets of your assigned religion as being the only or even primary aspect of divorcing yourself from a particular religious outlook, then you are still using a Christian framework that is very obvious to those of us outside of it. There are a lot of things that cultural Christians might call "religious" that we view as simply being "cultural," and vice versa, because the separation is neither as sharp nor particularly important to us in the same way.

If you are truly looking to leave Christianity behind, you need to stop telling us your truth about faith is the only truth and start looking at the broader ways in which Christianity has filtered into your world view in order to root it out, if that is truly your goal.

(And if it's not? That's fine! You can be a cultural Christian who doesn't believe in the faith elements even if you take your culture and values from a Christian-based culture. But don't deny that's what you're doing because at that point you may have stopped evangelizing religious Christianity but you are still actively proselytizing for cultural Christianity by doing so.)