#instead you come here

[jerswayman]

WHAT THE FUCK IS HAPPENING WHY ARE THE SENS CHOOSING NOW TO BE GOOD GUYS PLS

[i-ate-the-rats]

hehehehe oh shit indefinite sad dark shadow (⊙ˍ⊙).

[hazel2468]

"UWU op defends Israel UWU"-

Have I not made it clear enough what I think of the Israeli government? Have I not made it clear enough that what infuriates me the MOST about all of this shit going on is that neither government gives a damn and civilians will CONTINUE to die because Hamas and Netanyahu are cranking that war machine for their own benefit? Have I not made it clear that I think what the Israeli government is doing is fucking horrific, a war crime, murder, a violation of human rights?

Why do I even need to MAKE that clear? Why is it that you can talk about LITERALLY anything else, any other country, and people don't rush to fucking accuse you of personally supporting the government when you discuss the wrongs committed against a people, but the SECOND you're a Jew you have to justify your stance about Israel?

Why is it that I cannot even be angry about the slaughter of MY FUCKING PEOPLE. Innocents. Civilians. Fucking CHILDREN. The slaughter of the Palestinian people. Innocents. Civilians. FUCKING CHILDREN.

Without one of you absolute fucking monsters deciding to slap some shit on an unrelated post about how "uwu op defends an apartheid state just ignore that"? Do you have to make it part of EVERYTHING I do? Do you consider everything I put out there tainted somehow because I don't support your joy, your cheering, your unrestrained GLEE at the murder of Jews? Do I need to publish a fucking thesis on my stance on Israel, Palestine, and their respective governments like a fucking disclaimer any time I want to talk about myself, my oppression, my experience as a Jew, or a disabled person, or a queer person, because you fuckers cannot for five seconds be NORMAL about Jews?

To decide to slap something about Israel and Palestine on a post I made about MY oppression, about how people will oppress you no matter who you actually are- it all depends who they think you are. It's a bit ironic, isn't it? Doesn't QUITE fit, but it's funny that someone would read that post, agree with it, and then think "Ah yes, THIS is the place to put some tags about how OP, a Jew who has been reeling for the last couple of weeks about the violence, who has been checking on their Israeli friends every day to make sure they aren't fucking dead, who is dealing with vicious antisemitism from people who they thought were friends, who watched as the people claiming to be progressive supporters of human rights on this hellsite and others OVERWHELMINGLY reply to the murder of their people with good they deserved it fuck you, is CLEARLY a defender of an apartheid state and that makes them a bad person because something something I don't know what nuance tastes like and I am a bigoted ass."

I am TIRED.

[laufire]

jason's lazarus pit was golden jason's lazarus pit was golden jasonslazaruspitwasgolden jason's lazarus pit was golden JASON'S LAZARUS PIT WAS GOLDEN

AND PIT MADNESS IS *NOTHING*

[edsbacktattoo]

I bet there’s some insane foliage.

[gallusgalluss]

nonsense scribbles

[realbeefman]

stacy is sooo interesting because she's in love with house but knows that they will never ever be able to have a healthy, stable, sane relationship because they're too similar so. she finds house-lite instead and marries him and. essentially moves on with her life! and is successful in this because she's a moderately well-adjusted person!

wilson, in contrast, never manages to escape the inevitable, in spite of his best efforts to find a house-lite of his very own, because he's an absolute fucking freak and ends up glued to house to the bitter. bitter end

[da-birb-writes-sometimes]

hi dove!!! i love your new event, the vibe is so fun and relaxing (⁠つ⁠≧⁠▽⁠≦⁠)⁠つ could i request floyd with no.8? for backups maybe leona with no.9 or jamil with no.2? thanks!! as always don't overwork yourself ꒰⁠⑅⁠ᵕ⁠༚⁠ᵕ⁠꒱⁠˖⁠♡

side note: pls no angst the pain from last time is still here(⁠ ⁠；⁠∀⁠；⁠)

Fairytale Scene; Leona Kingscholar

Content; Fluff, gender-neutral reader, some really soft Leona

Word Count; 650+

Author's Note; Had to use your first backup, as Floyd got snatched up, but I hope you enjoy this fluffy scene and soft lion! [Damn, those eels go fast]

As a reminder, do not put my work — or others for that matter — into AI as it steals. Link to Masterlist

An old vinyl was playing slowly on the record player, a slow jazz ensemble letting out low notes. It was pleasant, the calm music mixing with the gentle crashing of the waves coming onto shore, and the filtered sunlight coming through the linen curtains and warming up your skin. There was no rushing, no tasks that needed to be urgently done, and no one to boss you around. You could definitely get used to this. 

“You’re looking right at home there,” a soft chuckle broke you from your relaxed spell. Leona was standing in front of you, giving you a curious look. “Like a house cat sunbathing.”

You rolled your eyes, “Fitting coming from you.” You stretched out, and rolled off of the chaise you were lounging on. 

Leona sighed in mock annoyance, but he could get used to seeing you without the weight of all your responsibilities resting on your shoulders. You looked — and by all the lounging you had been doing since you had both arrived — and felt lighter as well. And in the golden sunlight? Leona swore that you were glowing.

You lazily walked over to him, placing your arms around his neck. “Is something bothering you?”

Bothering me? “No, nothing at the moment,” he said quietly. What was there to be bothered by? The two of you were together, and there was no one around to annoy the both of you. “And you?”

You hummed along to the song playing, “Nope!~” You let out a breathy chuckle and started to gently sway back and forth to the music. “Would you care to join me for this dance… your majesty?~” 

Leona groaned at the nickname; you only brought it out when you were feeling teasing. He didn’t mind though, since it didn’t hold the weight it did at the palace, or the mocking tone that others sometimes used. You just were being a teasing menace and a cute one at that.

Letting out a showy sigh he adjusted your hands so that he was holding one and the other was placed on his waist. “I suppose I can spare one for you,” he said lowly, voice barely above a grumble. 

The two of you swayed gently together to the soft music, gentle swaying, and long, slow, looping circles around the room. You were still humming the non-existent lyrics to the song, and Leona hummed softly from time to time as well, adding to the melody. Never did he think that he would end up in such a scene; dancing with someone he loved so dearly in something that he could only explain as a fairytale scene. It was soft, domestic, tender, and filled with such innocent love. All things that Leona had convinced himself that he didn’t want. But then you came into his life. You threw a wrench into his life, but what a lovely wrench it turned out to be.

The song came to an end far too soon, and the two of you came to a slow standstill, still in each other’s loose embrace. Neither of you made a move to let go, instead you both just stood there, hand in hand, your hand on his waist, and his on yours.

“You make for a good dance partner,” you chuckle.

Leona raised a brow, “And are you surprised by that?”

You bring his hand to your lips, placing a kiss on the inside of his wrist while looking at him through your lashes. “No, it’s just endearing is all.”

Leona had received kisses from you before, both soft and passionate, but this one actually made his heart flutter. He didn’t know how to feel about it, but he did know that the way you looked at him just then… he wanted you to look at him with such adoration again and again and again. It was addictive.

He brought your hand to his lips, and returned the kiss, letting it linger so he could feel your steady pulse. Perhaps the two of you should come out here more often if this was what happened… Leona could spend the rest of his life with you in this picturesque moment.

~~~~~~~

Tags: @eynnwwyjth, @inkybloom-luv, @leonistic, @savanaclaw1996, @twistwonderlanddevotee, @xxoomiii

[zu-is-here]

Contest | Inktobertale

[sophsicle]

every time someone complains about jily in choices a puppy dies actually.

[frostbitebakery]

“General?”

“Yes, Co— 24?”

CC-2224 let the slip of whatever the General had started to say slide.

(Co— what is Co— so familiar, out of grasp, Co— please you need to leave, I need you safe plea— shh, go back to sleep. -dy)

It wasn’t his place to correct him. “We are still establishing control over the airspace. Please keep inside until safety protocols are instituted, Sir.”

(it’s not safe, go, I need you safe please— sleep or we will make you)

The General sighed. “Of course, 24. I’ll be along in just a moment.”

CC-2224 saluted, caught the General looking at him over his shoulder. Yellow burning eyes.

(Shouldn’t they be… sleep blue reboot)

His head is jerked. He jerks his head.

“Stay with me for a minute, Co— 24.”

(Co—? What is Co— so familiar, out of grasp)

He had duties to fulfill, he didn’t have time nor the inclination to watch, what was it, the planet’s sun rise over the distant mountain range. “Yes, Sir.” Fell into parade rest and pretended to not notice the General’s hands shaking. It wasn’t his place. Good soldiers follow orders.

for @elwenyere

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.

[is-the-owl-video-cute]

So anyway you repeatedly say we only feel corn husks and similar inedible parts to cattle but Never add a source to back it up. Having worked on farms I’m afraid for the most part the feeds I’ve seen have been parts entirely edible to humans. And like fuck man 5% of all grown soy is fed to humans or however the stat goes, do you really think the remaining 95% is inedible? really?

Anyway yeah I’m asking for a source here cause I don’t want to add this on to months old post

Ingredients such as “grain by-products” are referring to the husks, stalks, and other “green” parts of the plant that we humans don’t actually have the digestive capabilities to eat. The breakdown of most livestock feeds looks like the above when you actually take a look at it.

Different cattle feed, similar ingredients. Still primarily things that, and I have to stress this, you cannot eat. This one is slightly higher in quality and does indeed have actual grain products included. Some of those are edible to humans. Some are not. Generally cattle are fed cattle cubes with supplemental mineral licks and hay. Some also supplement with whole corn, but I can gladly assure you that corn is not in short supply and even if all the corn sold to animal feed was donated to the poor, you can’t actually live off of corn because there’s very little nutrition in it. Hence why in both human and animal food it’s typically seen as a filler ingredient. Keeps the mouth busy with a meal without making your stomach feel full and you end up eating more without feeling satisfied.

Soybeans are really only often used in feed for pigs because they’re a great source of protein for these animals. I would state that soy is also a terrible option to use as an emergency food for humans in need because while, yes, it is indeed a healthy bean, it’s also one of the top eight foods that humans are frequently allergic or intolerant towards. I’d also ask you for whether your 5% of all grown soy statistic is referring to the beans or the entire plant because yeah the beans are the edible part. The rest of the plant isn't especially healthy for humans to eat. I would say the beans are around 5% of a mature soy plant sure.

[secretagentsagainstwhatever]

do you know what was the biggest fumble in sitcom history….

not establishing this fucking chaos duo as a pairing

[vimbry]

jumping off the back of the post about genres of song lyrics, another thing about tmbg's lyrics in particular is that even when they write about pleasant themes, they still manage to frequently do so through a sinister lens:

the experience of having children and looking after them:

a nice little nightlight protecting a child muses on the shortcomings it would have outside its assigned responsibility:

fantasising about getting high in the park with your crush:

[skeletoninthemelonland]

“You shine, and I don’t mean it like ‘a shining star’. You shine like you belong here, with your feet on the ground, if that makes any sense. Your face brights up and it's the most beautiful thing anyone could ever see.”