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bride-of-dracaenca · 2 years

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First of all: thank you so much to those who made nice comments about the first part of this list (right over here)! I’m glad some people enjoyed my nostalgic rambling, but much more importantly, I loved hearing your thoughts, too! I would see other fans’ own lists, so much.

So without further ado, here is the rest of:

MY TOP TEN BRINKY MOMENTS (FROM THE 1990s): #3-1

(Content warning for one kind of bad word below, and worse, I vaguely mention Cartoon All-Stars to the Rescue which...shudders.)

I remember Tom Ruegger and Peter Hastings, probably the most influential voices in creating Pinky and the Brain, saying something to the effect of, “It goes there sometimes, but we didn’t want to just do the old ‘a jerk and an idiot’ story,” several times. Although I’m actually a big fan of Abbot and Costello, Laurel and Hardy, etc. and the “Vaudeville Comic Duo” thing is indisputably the kernel this franchise grew around, in my opinion, it was deliberately grown into something more.

A while ago, I listened to an Animanicast where one of the PatB Spin-Off writers (Charles M. Howell) mentioned that he thought that Pinky and the Brain were more complex as characters than the old vaudeville duos, and even said he was getting teary-eyed thinking about the characters because they made him emotional. It’s been a while, but I remember hearing another story where one of the spin-off’s writers recounting talking to an executive with a fellow writer about the characters. Supposedly he was saying, “These two mice…they’re REAL,” and he joked that they thought the guy was maybe uuuh losing it, but said actually, he understood what he meant.

I think that’s probably why most of the Brinky moments I hold dear and remembered through the decades came from the spin-off. The og Animaniacs skits were very funny and cute, and my absolute favorite thing about them was their classic Looney Tunes short tone and sensibility. Still, their spin-off is really where the true humanity of the characters and their relationship was able to develop.

…okay, I know what I sound like, here. I don’t actually think that the show was some brilliant work of high art or anything. There are many weaknesses, it was silly and inconsistent (sometimes very much on purpose, sometimes not), it had a famously troubled production with the network not truly valuing it making these things less surprising, blah blah blah, etc. Still, all I’m saying, as I said in part one of this list, is here are the characters being more complex and unique than people might expect or than many people (including me!) usually remember.

More importantly, here’s their relationship being different than people would expect or are likely to remember, and deeper, too.

#3: “The Pink Candidate” and “Inherit the Wheeze” – Pinky Stands Up to Brain

TL;DR below, but a summary: Once the mice get fleshed out as characters, if Pinky has a problem with something that Brain says or does, he just tells him. If he doesn’t want to go along with something, he just doesn’t. Brain doesn’t attempt to “make” him, and he wouldn’t be able to, anyway.

This might seem like a strange choice. Also, full disclosure: this part is much, much more about “The Pink Candidate” just because it was (in my opinion) the much better episode over “Inherit the Wheeze,” and also because American Drug PSAs from this period in general have…real-world related issues imo. Still.

(As far as I’m concerned, above didn’t happen and was just a bad dream.)

I thought back to these when I was trying to figure out why I never really thought of Pinky/Brain as an unequal relationship, at least not in the particular way I think it might been seen as sometimes. Again, they have massive, massive issues; I think these are so obvious there’s not much purpose to my pointing them out, even. But what’s more surprising is that, even though Brain doesn’t seem to either realize or want to acknowledge this, they actually really are PARTNERS, in my opinion. At least, once their characters are properly fleshed out.

This is more depth than they had at first, while their characters were still being worked out; while it’s a great short with amazing animation, “Brain Meets Brawn” is an example of an early story where the dynamic between the two mice is more “just what you’d expect,” and I’ll be honest with you here, there are a few nice moments in the short that are big exceptions but I mostly just don’t like it! “It” being the dynamic between the mice in the short; I very, very much enjoy the short itself – just not the core relationship in it, mostly.

This brings me back to little summary I wrote before rambling. They’re partners. Brain isn’t forcing Pinky to help him take over the world. Brain wouldn’t even be able to!

“The Pink Candidate” is a really great episode for Pinky’s character, and I could go on and on about it. But it actually shows some of the nuance of Brain’s character, too, which is why put together, it shows some of the nuance in the RELATIONSHIP. I just re-watched it and was again really struck: Pinky’s even less of a frivolous doormat than I remembered, and Brain is even less dismissive or pushy. And this depth doesn’t sacrifice the show’s humor; in my opinion it’s a funny ep. – just that fact that Brain ends up on trial partly because he’s in the Splash Zone of Bil Keane’s Campaign of Vengeance against Pinky for saying that The Family Circus isn’t funny, and that that’s a REAL plot point, sends me.

By the way, Pinky’s right: The Family Circus isn’t funny. ANYWAY.

Pinky stands up to Brain (despite actually CRYING during this scene) and gives well-reasoned points for doing so. This is my favorite take on Pinky: both more aware and, yes, “intelligent” than one would think, but also genuinely a good person. One of the reasons he supports Brain’s efforts is because he thinks that Brain’s leadership genuinely would be “what’s best for the world.” If that changes, he doesn’t stop supporting Brain as a PERSON, because he loves him. But he does stop supporting his actions and he stands up to them and says exactly why.

Brain’s actions in this episode get a “condemning with faint praise” framing from me here, but actually, it really does show how different he is here from a shallow archetype. For starters the principles that Pinky gives as reasons to stand up to Brain are ones that Brain just taught him, and Brain seems to genuinely believe in them, even if he’s not practicing them. Brain actually concedes Pinky’s two points to him in their argument scene, and sincerely (if…”wackily” and not very well) tries to address Pinky’s concerns. Obviously, his idea that an absolute authoritarian dictatorship is compatible with democracy is either hilarious or scary depending on the tone of a story, but well, delusional as he is, Brain genuinely seems to think so. Brain’s response, which is basically to have a tantrum and storm off, also isn’t commendable, but by Looney Tunes standards might be downright constrained. He doesn’t belittle, threaten, lie to, or insult Pinky here. He just tells him honestly that he’s going to do it alone and walks away. That’s it.

Of course, Pinky is going to choose Brain’s friendship over the Presidency, just by itself. But again, I like how Pinky’s reasoning here is actually deeper than even just that. Pinky mentions (to the Abe Lincoln statue, lol) that Pinky is only President because of Brain. If Pinky did what they wanted him to, and claimed to not know anything about their “Take Over the World” schemes, it would be an outright lie. Pinky is only President because he knowingly was a part of one of those schemes.

Pinky’s scene in court is also great. “I take full accountability for everything that happens in my administration.” Ironically, Pinky is impeached for doing exactly what a President SHOULD do in this situation.

The little interaction between them in the courtroom scene is nice and telling. When Pinky starts to talk, Brain shouts, “Pinky, NO!” Again, you might expect him to have blamed (or at least implicated) Pinky already or want to be saved here, but he’d rather go down alone. He doesn’t want Pinky to be impacted or take any of the blame. And again I can’t stop thinking about how, though Brain is at fault for Trying to Take Over the World TM, in some ways he’s taking the fall for Pinky here because this happened because Bil Keane wanted revenge against PINKY, and again I’m sorry but The Family Circus really isn’t funny.

Pinky also responds by cutting Brain off with, “Brain, let me handle this,” which shuts Brain right up. I often think of this when people think that Pinky just had no power or say in the relationship. Pinky has lots of issues (including with standing up for himself at times), and they and his strengths are inconsistent in this comedy cartoon. But Pinky CAN advocate for himself and he CAN take charge sometimes. I mean yeah, it’s easier when you’re the President, but this is only one of the times that Pinky puts his foot down or steps up, and Brain listens to him or follows his lead.

(One other thing is Pinky is just…weird /pos. So much that others would find insufferable, he either doesn’t mind or loves, so he wouldn’t want or need to put his foot down about it.)

“Inherit the Wheeze” might be more notable in showing just how much Brain actually does value Pinky’s opinion, despite claiming otherwise: Brain actually calls off the whole plan there, and a big part of it is Pinky’s words. While he doesn’t do that in “The Pink Candidate,” the episode actually ends with Brain thanking Pinky for standing up to him, and reminding him of principles he actually does value, even if he’s incredibly, comically bad at putting them into practice (cue “What are we gonna do tomorrow night?” joke at the end).

Anyway, I could go on and on, but the point here is:

The Family Circus is not funny.

#2: “A Pinky and the Brain Halloween” – Pretty Much the Whole Thing. There.

After rambling on and on too long about the last “moment,” this one is going to be short because it’s just so straightforward. The whole episode almost feels like it’s been written to just say, in big, bold letters:

BRAIN CARES ABOUT PINKY MORE THAN HE CARES ABOUT TAKING OVER THE WORLD.

This episode just makes that incredibly clear-cut. He chooses Pinky outright over, not just losing control of the world (again, he is ACTUALLY ACTIVELY RULING THE WORLD in this episode, and he gives that up), but EVER trying to take over the world again. I think Brain has an “I can do it myself!” attitude towards taking over the world that both seems kind of admirable (see him turning down the Devi-Walt Disney, and ripping up his contract right in front of him!) and also…actually kinda also isn’t, when you think about it (more massive ego stuff at work there), and I could almost see him giving up rulership for that. So he can say he wasn’t just literally handed the world.

But it’s not JUST that that Brain is willing to sacrifice for Pinky, it’s his entire dream, and his supposed goal in life and reason for living.

It's everything.

Brain is also willing to brave He-HADES in the first place. The fact that he briefly is selfish and doesn’t rush to Pinky’s rescue immediately, again, is part of how he’s still extremely flawed in this episode; Pinky made the deal he made, in part, because Brain literally, callously called him worthless. That’s really horrible, but the sheer lengths he goes to for Pinky here show why Brain is a complex (and, imo, pretty great, all things considered) character in the spin-off. It shows how much Brain cares and can demonstrate it through his actions, he just can’t bring himself to say it out loud.

Oh yeah, Pinky also sells his soul to the Devi-Walt Disney here, and that’s NOT because he was tricked. It’s because he thinks it’s a fair trade. ☹

He thinks it’s worth it to give his best friend in the world what he wants. It’s both heartwarming and sad, like so many things about Pinky. But the end is happy: Brain shows through his actions here that Pinky’s reasoning makes no sense.

What Brain really wants is HIM.

;_;

#1: “A Pinky and the Brain Christmas” – “Dear Santa, hello, hah hah, narf...”

I know I know how shocking and original, what a surprise. OK.

So I’ve often thought that if EVERY episode of Pinky and the Brain exploded except for the Christmas special and “Bubba Bo Bob Brain,” I’d be just fine. And if I had to choose between the two, it’d obviously be this one. And honestly, kind of…yeah. If this entire franchise was nothing but a beloved, perennial family Christmas special classic and fond childhood memory that also won a flipping Emmy, I’d still love it. And pretty much, yeah.

It's all about the ending.

I don’t know what I could say about That Scene (plus the coda, where Pinky gives Brain the world ;_; ;_;) that hasn’t already been said. The performances by both Rob Paulsen and Maurice LaMarche here are brilliant, the score is excellent, and of course the rightfully famous Tokyo Movie Shinsha Co., Ltd., animation is AMAZING. Those camera shots, those pans, those tears!

LaMarche’s delivery of “I don’t care about your STUPID LETTER!” is a great moment where the show really clearly and effectively shows the difference between the mice’s for the purposes of comedy vaudeville duo banter and Brain actually being way over the line. He sounds vicious and cruel there, and it’s not funny at all.

Despite that, I always think of what Brain does in this episode. He’s actually ruling the world, albeit for a brief time, here. He has everybody in the world under his control, in part due to the Christmas special rule that for the special’s purposes everybody in the world celebrates Christmas, but anyway.

But all his does with it is to make everybody genuinely happy, while getting nothing back for himself. Not even acknowledgement. People don’t even know that Brain is why they feel like having a Merry Christmas. They just do.

In this one moment, Brain proves that he can be who Pinky believes him to be. Pinky just described him as this in his letter: someone who “only wants what’s best for the world.” In this one moment, he gives the world a very happy holiday, without getting anything for himself. He made the world a better place.

And it’s all because of Pinky.

As for Pinky’s character in this episode, there I really don’t know how to express what hasn’t already been said. This is part of what makes Pinky one of my favorite characters of all time, why I even think of him as one of the “best,” instead of just the amusing but unthinking sidekick he could have been, instead. Pinky’s letter is really quite eloquent and insightful – and well written! It shows again his utter selflessness, but also his awareness of what’s going on.

And Pinky’s not even crying because he’s mad at Brain, it’s because he’s upset with himself for not getting his letter to Santa Claus. ☹

This whole scene could easily have fallen flat. But the fact that Pinky and Brain get fleshed out into “not JUST an idiot, not JUST a jerk” is what makes this, and the other moments on this list, work for me. If they were that simple, Pinky wouldn’t have been able to write such a letter in the first place, and Brain wouldn’t have cared about it except to think it was stupid.

It’s the way that their relationship follows by not just being “jerk leader and idiot sidekick” who don’t care about, or even hate, each other like people generally expect.

Instead, they love each other. In their own way, they are a family. They come to understand each other very well. They are well aware of each other’s flaws; though Brain is absurdly overly critical and condescending about it, while Pinky wears massively thick rose-colored glasses, even Pinky can be brutally honest with Brain about his flaws (from “Hoop Schemes,” basically - Brain says, “I’m sorry I was such a jerk,” and Pinky says casually, “That’s okay, Brain. I’m used to it.”). But both of them see the good in each other, too. ( “Lets just say that your extra jumbo sized heart more than makes up for your little free sample sized mind,” a jerky way to say it? Yes. Brain’s crummy, tsundere, socially incompetent way of saying he knows that Pinky’s pretty great? Also yes.) They care each other, anyway.

That this scene works at all shows how the mice and their relationship have been expanded into something more touching and human – the heart of the show.

#pinky and the brain #Brinky #animaniacs #pinky x brain #pinky #the brain #PatB

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mostlysignssomeportents · 3 years

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Taxes are for the little people

If you wanna do crimes, make them incredibly complicated and technical. Like the hustlers that came into the bookstore I worked at and spun these long-ass stories about why they needed money for a Greyhound ticket home.

Those guys shoulda studied the private equity sector.

Private equity's playbook is to borrow giant sums by putting up other peoples' companies as collateral (yes, really). Then they use that money to buy the company they mortgaged, and pay themselves a huge dividend.

Then they sell off the company's assets and pay themselves even more money. That leaves the company in a state of precarity - assets they once owned, like their buildings, they now rent. If the rent goes up, they have to find the money to cover it.

All of this forms a pretense for mass layoffs, defaulting on pension obligations, lowering product quality, stiffing suppliers and borrowing more money. If the company doesn't go bust, the PE looters can flip it to *another* PE company, that does it again.

Whenever you see something really terrible happening to a business that once offered useful products and services and paid decent wages, it's a safe bet that PE is behind it. Toys R Us, Sears, your local hospital - and that memestock favorite, AMC.

https://pluralistic.net/2020/04/12/mammon-worshippers/#silver-lake-partners

Private equity goons make their money in two ways: the first is by pocketing 20% of these special dividends and other extractive policies that hollow out business.

This is money at PE managers get paid for spending their investors' money. It's a wage, in other words.

But thanks to the "carried interest" loophole (a hangover from 16th-century sea captains that has nothing to do with "interest" on loans), they get to treat these wages as "capital gains" and pay far less tax on them.

The fact that we give preferential tax treatment to capital gains (money derived from gambling), while taxing wages (money derived from doing useful work) at higher rates really tells you everything you need to know about our economic priorities.

https://pluralistic.net/2021/04/29/writers-must-be-paid/#carried-interest

The carried interest loophole lets PE crooks treat their salaries as capital gains, are taxed at a much lower rate than the wages of the workers whose lives they're destroying.

On top of the 20% profit-share that PE bosses get every year, they also pocket a 2% "management fee" for all the "value" they add to the companies they've taken over.

This is *definitely* a wage. The 20% profit-share at least has an element of risk, but that 2% is guaranteed.

But PE bosses have spent more than a decade booking that 2% wage as a capital gain, using a tax-fraud tactic called "fee waivers." The details of how a fee waiver don't matter because it's all bullshit, like the tale of the needful Greyhound ticket.

All that matters is that a legal fiction allows people earning *eight- or nine-figure salaries* to treat *all* of those wages as capital gains and pay lower rates of tax on them than the janitors who clean their toilets or the workers whose jobs they will annihilate.

Now, the IRS knows all about this. Whistleblowers came forward in 2011 to warn them about it. The Treasury even struck a committee to come up with new rules to fix it.

But Obama failed to make those rules stick, and then Trump put a former tax-cheat enabler in charge of redrafting them. The cheater-friendly rules became law on Jan 5, and handed PE bosses hundreds of millions in savings every year.

https://www.nytimes.com/2021/06/12/business/private-equity-taxes.html

The New York Times report on "fee waivers" goes through the rulemaking history, the technical details of the scam, and the gutting of the IRS, which can no longer afford to audit rich people and now makes its quotas by preferentially auditing low earners who can't afford lawyers.

But former securities lawyer Jerri-Lynn Scofield's breakdown of the Times piece on Naked Capitalism really connects the dots:

https://www.nakedcapitalism.com/2021/06/private-inequity-nyt-examines-how-the-private-equity-industry-avoids-taxes.html

As Scofield and Yves Smith point out, if Biden wanted to do one thing for tax justice, he could abolish preferential treatment for capital gains. If we want a society of makers and doers instead of owners and gamblers, we shouldn't penalize wages and reward rents.

There's an especial urgency to this right now. As the PE bosses themselves admit, they went on a buying spree during the pandemic (they call it "saving American businesses"). Larger and larger swathes of the productive economy are going into the PE meat-grinder.

Worse still, the PE industry has revived its most destructive tactic, the "club deal," whereby PE firms collaborate to take out whole economic sectors in one go:

https://pluralistic.net/2021/05/14/billionaire-class-solidarity/#club-deals

We're at an historic crossroads for tax justice. On the one hand, you have the blockbuster Propublica report on leaked IRS files that revealed that the net tax rate paid by America's billionaires is close to zero.

https://pluralistic.net/2021/06/08/leona-helmsley-was-a-pioneer/#eat-the-rich

This has left the Bootlicker-Industrial Complex in the bizarre position of arguing that anyone who suggests someone who amasses billions of dollars should pay more than $0 in tax is a radical socialist (so far, the go-to tactic is to make performative noises about privacy).

At the same time, the G7 has agreed to an historical tax deal that will see businesses taxed at least 15% on the revenue they make in each country, irrespective of the accounting fictions they use to claim that the profits are being earned in the middle of the Irish Sea.

That deal is historical, but the fact that it's being hailed as curbing corporate power reveals just how distorted our discourse about corporate taxes has become.

As Thomas Piketty writes, self-employed people pay 20-50% tax in countries that will tax the world's wealthiest companies a mere 15%: "For SMEs as well as for the working and middle classes, it is impossible to create a subsidiary to relocate its profits to a tax haven."

Piketty, like Gabriel Zucman, says that EU nations should charge multinationals a minimum of 25%, and like Zucman, he reminds us that the G7 deal does nothing to help the poorest countries in the Global South.

https://www.lemonde.fr/blog/piketty/2021/06/15/the-g7-legalizes-the-right-to-defraud/

These countries and the EU have something in common: they aren't "monetarily sovereign" (that is, they don't issue their own currencies *and* borrow in the currencies they issue).

Sovereign currency issuers (US, UK, Japan, Canada, Australia, etc) don't need to tax in order to pay for programs - first they spend new money into the economy and then they tax it back out again.

https://pluralistic.net/2020/06/10/compton-cowboys/#the-deficit-myth

These countries can run out of stuff to buy in their currency, but they can't run out of the currency itself. Monetarily sovereign countries don't tax to fund their operations.

Rather, they tax to fight inflation (if you spend money into the economy every year but don't take some of it out again through taxation, more and more money will chase the same goods and services and prices will go up).

And just as importantly, monetary sovereigns tax to reduce the spending power - and hence the political power - of the wealthy. The fact that PE bosses had billions of tax-free dollars at their disposal let them spend millions to distort tax policy to legalize fee waivers.

Taxing the money - and hence the power - of wage earners at higher rates than gamblers creates politics that value gambling above work, because gamblers get to spend the winnings they retain on political influence, including campaigns to rig the casino in their favor.

This discredits the whole system, shatters social cohesion and makes it hard to even imagine that we can build a better world - or avert the climate-wracked dystopia on the horizon.

But for Eurozone countries (whose monetary supply is controlled by technocrats at the ECB) and countries of the Global South (whom the IMF has forced into massive debts owed in US dollars, which they can only get by selling their national products), tax is even more urgent.

The US could fund its infrastructure needs just by creating money at the central bank.

EU and post-colonial lands can only fund programs with taxes, so for them, billionaires don't just distort their priorities and corrupt their system - they also starve their societies.

But that doesn't mean that monetary sovereigns can tolerate billionaires and their policy distortions. The UK is monetarily sovereign, in the G7, and its finance minister is briefing to have the City of London's banks exempted from the new tax deal.

https://www.bloomberg.com/news/articles/2021-06-08/u-k-pushes-for-city-of-london-exemption-from-global-tax-deal

Now, the City of London is one of the world's great financial crime-scenes, and its banks are responsible for an appreciable portion of the planet-destabilizing frauds of the past 100 years.

During the Great Financial Crisis AIG used its London subsidiary to commit crimes its US branch couldn't get away with. The City of London was the epicenter of the LIBOR fraud, the Greensill collapse - it's the Zelig of finance crime, the heart of every fraud.

UK Chancellor Rishi Sunak claims banks are already paying high global tax and can't afford to be part of the G7 tax deal. If that was true, it wouldn't change the fact that these banks are too big to jail and anything that shrinks them is a net benefit.

But it's not true.

As the tax justice campaigner Richard Murphy points out, the risk to banks like Barclays adds up to 0.8% of global turnover: "The big deal is that the 15% global minimum tax rate is much too low. Suinak has yet again spectacularly missed the point."

https://www.taxresearch.org.uk/Blog/2021/06/09/how-big-is-the-tax-hit-on-banks-from-the-g7-tax-deal-that-sunak-fears-really-going-to-be/

Image: Joshua Doubek (modified) https://commons.wikimedia.org/wiki/File:IRS_Sign.JPG

CC BY-SA: https://creativecommons.org/licenses/by-sa/3.0/deed.en

#pluralistic

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yurimother · 4 years

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LGBTQ Game Review - A Summer’s End – Hong Kong 1986

Before diving into the meat of Oracle and Bone’s A Summer’s End, I want to talk about the women behind this game Tida Kietsungden, and Charissa So. So and Kietsungden have done nothing but impress me since the announcement of A Summer’s End. They have repeatedly demonstrated their immense effort and dedication to creating a beautiful and thoughtful experience. Through conversations with the studio and reading their blog entries, I gained a remarkable understanding of how this game is both a tribute to classic cinema and a love letter to the Yuri and LGBT community. Through careful research and thoughtful expression, the two women navigate and acknowledge complicated issues, including Asian LGBTQ history and Hong Kong’s delicate political situation with grace and maturity. I am in complete awe of both women and their work. However, regardless of my profound respect for these creators, I still endeavor to offer my unfiltered thoughts on the visual novel, giving praise and criticism where appropriate.

A Summer’s End – Hong Kong 1986 is a Yuri visual novel set, as you may have figured out, in Hong Kong in the year 1986. The game follows a young office worker, Michelle (Fong Ha) Cheung, who has a chance encounter with a free-spirited woman named Sam (Ka Yan) Wong. Both women feel drawn to each other, and the game explores this mutual attraction and the budding relationship which emerges from it.

This plot follows the standard girl meets girl story that has permeated the Yuri genre for the past several decades. Like most Yuri stories, the older and more experienced woman, Sam, is rebellious and beautiful, with long dark hair and a dominating persona. Michelle, although far more naive in the ways of love, breaks the trend of this trope by being the more sullen of the two. I would have liked to see the game diverge a bit more from the standard story of the genre. Fortunately, A Summer’s End is a romance story between adults who do not work together, setting it apart from the norms. It even includes a coming out section that creates a more robust LGBT identity than any tale of temporary schoolgirl love.

The story is well put together and well presented. The story is told primarily from Michelle’s perspective. It mostly takes place over a few days, during which Michelle engages in a whirlwind romance with Sam. This story features the struggle between her feelings and passion and her devotion to tradition and her mother. The progression of her affection is unrealistically fast. The story feels a bit rushed, and many of the societal and personal quagmires the game stumbles upon are not sufficiently developed or confronted. Had the game indulged in a more prolonged and tumultuous struggle for Michelle, conclusions would have felt much sweeter, and the story would have gone from good to great.

Even with this massive missed opportunity, there are plenty of exemplary moments and aspects of the narrative. The game pulls no punches addressing Michelle’s slightly overbearing mother and the conflict between the two. It would have been incredibly simple to take the easy route on this one. Still, the developers stuck to their guns and manage to explore a challenging situation satisfyingly, all while keeping the characters realistic and sympathetic. In fact, every scene relating to LGBT rights and history is flawlessly executed.

There are also some fantastic chapters, including a thrilling but refreshing bike ride and a flashback scene that recontextualizes certain events from another perspective. The many references and allusions to classic cinema including some older lesbian films and plenty of Asian works, are particularly noteworthy. However, the best part of A Summer’s End by far is the setting.

The location and time period is intrinsic to Sam and Michelle’s tale, as it is shaped by and reflects contemporary culture and LGBTQ rights. Oracle and Bone create a vibrant and lively world, a jaw-dropping depiction of Hong Kong in the 1980s. Everything helps feed into the creation of this world, including a fantastic and retro UI, small touches such as a Cantonese subway announcement, and objects encountered like a disposable camera help convey a strong sense of the period. However, the soundtrack sells it more than any other element, save perhaps the artwork, transporting the player to the era. While a few tracks are the standard easy listening affairs one expects from visual novels, there are tons of excellent city pop and disco beats, complete with plenty of synths and confidence! Finally, a visual novel soundtrack that contributes more than just background noise!

Sadly, the game’s dialogue choice system and branching paths are far more of a hindrance than a help. I can honestly say that the game would play better and be way more enjoyable as a kinetic novel. Most choices feel inconsequential, changing nothing of the story and resulting in almost the exact same response from other characters yet, they have a hidden points system. If you do not earn enough points, parts of the optional adult content will be unplayable until one goes back to find the right choice. I spent several hours replaying, and eventually skipping through, the game to unlock all the scenes, and finally gave up with one CG left unseen. The only choice with any actual effect is painfully evident in its consequences. One option leads to the bad ending, which is well written, but no reasonable player would go down that path unless they just wanted to see the whole game. The second unveils the true good ending, which no player in their right mind would not pursue, as again, the choice is obvious and adds nothing to the game. There is no reason to put in an alternative ending or tedious dialogue choice.

The characters in A Summer’s End are well constructed. Sam is adventurous without being obnoxious and has a mature though appropriately unrefined demeanor. Michelle is extremely curt and somewhat distant, although she displays a sharp wit and more timid nature on occasion. Both women participate in engaging, deep, and thoughtful discussions, often with each other, although sometimes internally, and thus feel well developed and complex. Unfortunately, their chemistry, while not absent, is not enough to sell the whirlwind romance. There is insufficient expression of their feelings and attractions, both internally or through dialogue and actions, so their inevitable closeness feels unearned.

However, even in the short game, both characters change with each other, especially Michelle, as she becomes more affectionate, confident, and caring. She begins to embody some of Sam’s warmness while never losing herself. Some of my favorite dialogue and interaction came from her towards the end of the game, although I will not spoil it. Additionally, side characters have a strong presence thanks to their firmly established characteristics and a profound effect on the narrative. Each has their own sprite and mannerisms, helping cement them as fixtures in A Summer’s End rather than tacked on assets.

The visual novel contains optional adult content, which is installed in an extra patch and can be toggled on and off. I played through the game with and without it and can happily report that the story is just as fulfilling and complete without it. Although the unlockable nature of these scenes is aggravating, they are very well written and sensual without being exploitative. There were moments I did not care for as much, such as Sam getting carried away at one point, but it felt very realistic and incredibly sensual. The artwork in these sexual encounters is some of the best in the game, embracing darker colors and showcasing intense desire.

Speaking of the artwork, it is stupendous. The game is bright and striking, with amazing backgrounds complete with luminous neon signs, glaring televisions, and life and activity oozing from every corner. The backgrounds are so beautiful and detailed they could effectively serve in place of CG art, although there is plenty of that asides. The character models and designs are similarly excellent, with expressive poses and faces. The various outfits, of which the game has many, embody iconic 80’s fashion. Artist Tida Kietsungden draws both the characters and CGs with a distinctive hand-drawn style, which allows them to play well off each other and add to the beautiful presentation. The detail and care that went into the aesthetics are enormous and elevate the game at every moment.

A Summer’s End – Hong Kong 1986 is a vibrant and intimate experience. The fantastic setting and flawless artwork surround a compelling and thoughtful story about lesbian love and desire, societal expectations, and the bonds between family and lovers. It is rough around the edges, with a slightly rushed story that leaves little time to wallow in complexity and an awful dialogue system. However, it will win players over with its striking presentation and sophisticated subject matter. I look forward to more from this studio and highly recommend you check this game out!

Ratings: Story – 7 Characters – 6 Art – 10 Music – 8 LGBTQ – 8 Sexual Content – 3 (8 with patch) Final – 7

Purchase A Summer’s End on Steam and itch.io, available April 23

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drabbles-of-writing · 4 years

Text

Reverse Au! Dump

Don’t mind my idea dumping here. Brain decided to have fun while I was at work and I have too many wips as it is, so… Thought I’d ask before I dumped, experience. Used morningmark’s comics as a base, so if you want reference. Now this isn’t all that well compiled, but here it goes.

Magic in the Other World is varied as it is crazy. So many styles over the generations and not a lot of organization. There are some that try to categorize it all, but that works as well as you’d expect. Some were lost, some erased, some weren’t passed down/recorded because “the power is all mine! Ahahaha!” It took a lot of time and collaboration, but eventually a sort of system was installed to help out. Still a lot of work to do, but its a step forward. Nowadays the term Wild Magic is generally reserved for those that aren’t all that well documented and understood.

Some Magics are very powerful and desirable, but also tend to be very high risk/high reward, kinda pass/fail, pretty literally Do or Die most times. So not a lot of people can use those or are even willing to. Story says this one guy named Odin hung himself on a massive tree by his own spear for nine days, no food water or rest in constant pain before he could unlock the secret of Runes. But it’s also said he gouged out his own eye to drink from the Well of Wisdom so…

There are lots of different ways to channel magic too: wands, staves, jewelry, certain gems, familiars, potions, enchanted armaments, chants, scripts, etc. Each tool has its own advantages and disadvantages and play into a Witches’ style. Every Witch has at least two methods of spellcasting. Only children have one. Haven’t thought of how Luz gets her Palisman though. Maybe its one of those magic Artifacts like Dr. Strange’s cloak, Elder Wand, Thor’s hammer, or a Green Lantern’s Ring. Something that can’t be recreated because the secret is lost, materials no longer exist, too hard/dangerous to make, accident that can’t be recreated, etc. Happens more often than people like.

Camilla is sometimes called the Blue Witch. She’s a healer by heart and trade, but push her and she will become a one Witch Battleship. Bismark who? Aaaaand she just deleted a whole battalion. And the fortress behind them. Hide me. There are the very rare occasions, like count on one hand rare, when someone near and dear to her heart is in trouble that she takes up her other job. She’s especially terrifying when she decides to torture, those who know how to heal the body know best how to break it. Many shades of Blue, some are very close to Black. She doesn’t necessarily hate Humans exactly, but doesn’t have the highest of regard from past experiences.

Luz has training and is a proficient Witch for her age. Camilla and her father were adamant about having a general knowledge/skillset alongside her specialized skill. Jack of all trades and a master of none, still better than a master of one. She has gone through the system for her magic with varying success. Oracle magic? Zero talent. Bard classes? She can play an instrument, but can’t sing at the same time. When she does sing she tires too hard and messes up. It’s only when she doesn’t try, like absently singing along with a song or playing by her heart, that she’s good at it. Beasts? Can use them, but would rather play with them. Bleeding heart and all that. She does have a good handle on healing magic partly due to Camilla drilling necessary skills into her and partly osmosis. Her father arranged for some CQC lessons from an old friend of his which the girl loved. You get the idea. It wasn’t until she discovered Glyphs that she found her niche and her skills took off. Glyphs are one of those ‘eccentric’ or 'archaic’ styles since they haven’t been used in so long after being lost and are barely understood. She still has a long way to go, but she is on her way.

Luz never really had much in the way of friends, partly cuz of high profile parents which leads to certain pressures and a target on her head, partly because of her magic style and personality, and partly because of the trouble been going on. Luz grew up her whole life with this tension of a group of anarchists trying to burn society that’s just trying to do the right thing. The anarchists started small, but have been a growing problem the past few decades with talk how to 'reshape the world’ in not a good way. Anyone with critical thinking skills can tell this is a bad idea, but they are too brainwashed to notice. They harass anyone who doesn’t follow their rhetoric and attack anyone who even questions them. Luz’s parents put a real kink in a lot of their plans for years, which makes Luz guilty by association.

Luz got caught in one of those sudden larger scuffles and was accidentally chucked/blown through a portal created by an attempted tactical retreat that went off course. Hence why she can’t go home because she hasn’t learned how to do portals yet. Those are high level anyway so how did these guys pull it off so easily? Luz has a hard time blending in obviously. Learning how to use a phone was a fun endeavor. Internet was a trip. Luz is amazed how these people can do all this cool stuff without magic. Keep a low profile sure, she can pass off as a weird out of town kid. Keep the beanie on, underperform in gym and stuff because some things don’t change, like genetics. Someone sharp eyed will see discrepancies. The Beanie has a small Glamor spell built in that covers her witchy traits but she forgot the ears which is why it sits like it does. Luz can erase memories in case she has an accident, but it’s less of a 'remove my face from this picture with a scalpel’, and more of a 'lemme just hack off the past hour or three from your brain with an axe.’ If she tries to take any more then she starts burning into some more dangerous territory and those Wiped are groggy and disoriented for a while after already. Then the magic attacks start happening and her heroic instinct/anti-bystander complex kicks in and there goes that. It runs in the family so Camilla isn’t surprised in the slightest when she finds out.

“Oh titan, why did you curse me with another me?” “I’m right here Mami!”

Eda has a shack very akin to Grunkle Stan. Lots of junk that Lilith can’t believe that people are dumb enough to buy. She’s also involved in some not so legal dealings on the side. Well, Eda isn’t actually hurting anybody and the tax dollars she should be paying would only go towards some politicians’ next yacht or another pointless overseas 'investment’ instead of where it’s supposed to go so. Eda does give some good intel on occasion and a place to vent so Lillith overlooks her. Lil’s more of the secret police for witches and a petty crook isn’t part of her job anyway. Eda understands Luz’s predicament and is willing to help. The cover story is that Camilla work in hospitals and has to work crazy hours while her dad passed away so is living with Eda for a while. King is that kind of critter that grew up weird and acts like ten different animals all the time.

Gus is the nerdy kid who infodumps on everybody, even if they’re not listening. Loves anything fantasy/sci-fi related and plays Minecraft too. A good kid at heart, but needs some social skills. Keep him away from anything more sugary than tea. Luz learned a lot listening to him. Not all of it is entirely useful, but still. Some of his ramblings give her some good ideas for magic and stuff, like putting Glyphs on cards.

The Blights are the cool rich kids obviously, and have some discipline and social issues. Big family name makes them intimidating for normies and a meal ticket for the unsavory. These kids need real friends. They decided to act out to get some attention from the parents who then decided to ignore them. “If you’re going to act like a child tantrum, get treated like one.” Ed is perfect for Drama classes, if he were allowed to partake. Can’t decide what Em is great at, hacking perhaps? Amity’s car is an inheritance from the only family to treat her as such Twins aside, even if she’s too young to remember it. She only remembers that she has feelings surrounding the car. All three of them were pretty impressed with Luz for standing up to them, calling them out on their shit, and not giving a crap about their family name. Being treated like a normal person is pretty weird. Can we get her to do that again?

Amity tried dating Boscha once, didn’t work out very well. Boscha is still hurting over Amity’s comment of “I’d rather go date the new weird kid (Luz) than go back to you.” It’s one of the reasons she goes after Luz. She has that kind of Bud personality from Spider Man, feels lesser and so acts out so much.

“Wow, this new Witch is amazing. Not as cool as the original Witch.”

“What is it with the Witch with you?”

“Oh, she’s a hero. Looks out for the city and the little guy. She inspires me. Makes me want to be a bigger person. *sees Luz* What’s up Luz-er?”

And that’s what I got right now. I know there was more, but it’s lost to the void right now. Might come back later, maybe not. Lemme know what you think.

............

DAMN you weren’t lying when you said you had an info-dump this is *chefs kiss* you got me intrigued now

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laurelnose · 3 years

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Very New to your blog and the posts are probably way old but I saw you do Witcher Biology (??) rants sometimes and Id love to hear your take, if you have one, on what monsters (namely "naturally occurring" ones like draconids and insectoids) contribute to the ecosystem if anything and whether or not they should be hunted into extinction. I was discussing it w/ a friend last night after dealing with Iocaste, the last silver basilisk, and now its smthn I'm Invested in

re monster ecosystems: I just figure theyve probably found a niche in the world by now and can eat anything smaller incl. humans but because theyve got no natural predators aside from eachother and arent hunted by anything but witchers , monsters are just breeding and eating and wldnt that damage the land? or have they made their own like, circle of life or whatever ? Ive little knowledge on the subject as a whole but the whole thing intrigues me

hi & extremely belated welcome, anon! my apologies for the length of time you’ve been waiting for this answer; I had to think carefully about how I wanted to respond to this ask, because: there’s a lot going on here. also, because I am a disaster, I ended up posting it to ao3 first while I was avoiding tumblr for a spell and then completely forgot to come back. oops. i’m sorry!! This one’s about 5000 words long, which is a lot for tumblr, so reading on AO3 may be preferable.

The two main thrusts of your first ask (how do monsters interact with the ecosystem and should they be eradicated from the Continent) are questions of invasion ecology, the study of non-native/invasive species and their effects on the environment. Monsters, having arrived on the Continent about 1200 years ago during the Conjunction of Spheres from entirely alien dimensions, are indeed technically non-native species!

However, invasion ecology is…somewhat controversial, to say the least—there are a lot of invasive species, who have a lot of different & complex impacts, and a lot of different ideas about what we might do about any of this, and it’s basically all arguing all the time, so I wasn’t really sure how I wanted to approach the topic. Not to mention that for reasons I couldn’t initially put my finger on, it seemed wrong to apply theories of invasion ecology to the Witcher monsters. We’ll get into it! There are also a couple of common misconceptions/oversimplifications of how ecology works in your second ask which I want to unpack. Hopefully I pulled this together into something that makes sense, and feel free to ask me for clarification!

Some important background facts:

Species have always been moving to and “invading” new places on their own; humans and globalization have accelerated this process into a Big Problem, as the sheer number of invasive species being introduced all over the globe strains ecosystems already under pressure, but “native ranges” are always shifting, sometimes more dramatically than you might expect. If you go far enough back in time, all species are “non-native”.

Because of this, the very definition of “invasive species” is hotly contested. This is why you’ll hear dozens of terms like introduced species, injurious species, naturalized species, non-native species, etc.; these all have slightly different connotations, but all refer to a species that did not originate in a particular location.

An introduced species is usually classified as “invasive” as opposed to “non-native” or “naturalized” if its presence significantly alters the ecosystem it invades; some people define this more narrowly as a species that causes harm to an ecosystem. “Harm” can take a lot of different forms, as every non-native species interacts differently with the ecosystem they were introduced to.

Aside from various potential impacts to human economic activity, most forms of ecological harm by introduced species involve the decline of native species, by a variety of mechanisms; invaders might eat natives, outcompete them for food, interbreed with them, carry novel pathogens, etc. Invasive species are primarily a threat to biodiversity.

Now, here’s my Hot Take:

The Conjunction of Spheres is analogous to real-life ecological cataclysms such as the Cretaceous-Paleogene extinction event, and thus monsters are not invasive species.

The Cretaceous-Paleogene extinction event saw the extinction of 75% of all species on Earth after the Chicxulub asteroid hit, including the non-avian dinosaurs. The Earth has had several disasters like this, of varying severity—the Great Oxidation Event killed almost literally everything on Earth except for the cyanobacteria who caused it. These cataclysmic extinction events completely upended existing ecosystems, altering habitats beyond recognition and leaving swathes of niches emptied of life that the survivors could evolve to exploit.

The most recent Conjunction of Spheres on the Continent is supposed to have thrown everyone living on the planet at the time into chaos and darkness; it wouldn’t be unreasonable to assume that the interpenetration of multiple spheres caused mass extinction of species living in the pre-Conjunction environment, similar to Chicxulub or the GOE!

But Socks, you might say, evolution works on a massive timescale! It took millions of years to fill the niches left open by Chicxulub, but it’s only been 1200 years since the Conjunction of Spheres! And you are absolutely right*, but the Conjunction of Spheres canonically came pre-loaded with new species. We actually have no proof that any of the animals we see originated on the Continent: if humans are a post-Conjunction phenomenon, why not also dogs? Why not bears? Who’s to say any of those were actually there before-hand? (The elves, I guess, but as they have not, actually, said so, there’s no proof!!)

* FTR, 1200 years is a shockingly short period of time to go from cataclysm that plunged the world into darkness and chaos to functioning medieval-era society considering how long it actually took humanity to build 13 century Europe (horses had been domesticated for at least 3000 years by that time), even if we’re not assuming that most of the ecosystem was destroyed, so, my timeline concerns here are minimal, lmfao. TIMELINE WHAT TIMELINE.

…and actually now that I think about it the three options for the origin of dogs are a) elves or dwarves domesticated them, b) humans brought dogs with them during the Conjunction, or c) dogs have existed for less than 1200 years, and I refuse to accept that dogs are practically a new invention in the witcherverse, wtf.

Anyways: we really have no idea which species are truly “native” to the Continent, or what the physical environment was like prior to the Conjunction. While monsters are not native to the Continent, monsters are also not invasive—there cannot be decline of pre-Conjunction biodiversity or harm to the pre-Conjunction ecosystem because there is no pre-Conjunction ecosystem anymore.

should monsters be hunted to extinction?

So, the thing is, I think we should try to eradicate invasive species from non-native ranges if we can; the biggest problem with that is feasibility, not morality. It’s much more difficult than one might think to eradicate an invasive species once it’s established, and we have to be very careful that the methods we choose don’t have other impacts, but invasive species are a huge threat to the biodiversity of Earth! If monsters are invasive species, then the answer is yes, they should be eradicated from the places they are not native to.

(Notably, on Earth this kind of eradication is not the same thing as extinction; it would be a local extinction, or extirpation, where the species is totally wiped out in the places it invaded but still exists in its native range. This does get way more complicated if the invasive is already extinct in its native range.)

However, I have just outlined a possibility that would make it plausible for monsters not to be invasive species. Let me also outline why I prefer this interpretation. Here is a book conversation between the sorcerer Dorregaray of Vole and Geralt:

“Our world is in equilibrium. The annihilation, the killing, of any creatures that inhabit this world upsets that equilibrium. And a lack of equilibrium brings closer extinction; extinction and the end of the world as we know it. … Every species has its own natural enemies, every one is the natural enemy of other species. That also includes humans. The extermination of the natural enemies of humans, which you dedicate yourself to, and which one can begin to observe, threatens the degeneration of the race.”

“Do you know what, sorcerer?” Geralt said, annoyed. “One day, take yourself to a mother whose child has been devoured by a basilisk, and tell her she ought to be glad, because thanks to that the human race has escaped degeneration. See what she says to you.”

–The Bounds of Reason, ch. 6

This is a, uh, incredibly unsubtle reference to a debate that has been ongoing for decades; Geralt’s stance here is one of the key arguments in opposition to wolf and bear reintroduction. What do we do about large predators that may pose a threat to humans? How do we balance preservation of the ecosystem with the safety of people who have to coexist with these predators?

I can’t fully agree with Geralt, because large predators are integral to the ecosystem, which I value for its own sake and because humans depend on healthy ecosystems. But I can’t fully agree with Dorregaray either, because Geralt is right: human life is valuable and worthy of protecting. This is an issue that India has been running into in the past ten years; as their tiger conservation efforts yield fruit, people become more likely to encounter tigers, and thus more likely to have a bad encounter with a tiger. It’s become a political struggle as rural people who have to actually live with the possibility of a tiger attack come into conflict with urban conservationists who just really want to preserve tigers (& in some incidents, some of those conservationists have been Western, which is a whole additional level of fuckery). The fact is, there isn’t a good answer to this yet! We certainly should not drive tigers, wolves, or any other large predator to extinction, but we also have to figure out a way to keep people safe. It’s something humanity still has to wrestle with.

Under this framing, which CDPR reinforced when they chose to have the Count di Salvaress defend Iocaste as an endangered species while making significant provisions to minimize the damage she could do to human life, there’s far too much baggage attached for me to say yes, monsters should be hunted into extinction. If you’re going to make monsters analogous to wolves, of course I do not think we should get rid of monsters entirely!

And frankly, Geralt doesn’t think so either, despite his hardline stance about monsters that eat humans. Sapkowski isn’t exactly an anti-conservationist; though Dorregaray is shown as out of touch in this passage, at another point the narrative sides with him calling Philippa out on exterminating a species of ermine for her fur collar, and it’s consistently put forth that Geralt’s best quality is that he doesn’t want to perform violence for the sake of it or destroy things without cause, and one of the representations of that is that he refuses to kill endangered species even at cost to himself:

“What should I say about you, who rejects a lucrative proposition every other day? You won’t kill hirikkas, because they’re an endangered species, or mecopterans, because they’re harmless, or night spirits, because they’re sweet, or dragons, because your code forbids it.”

–Eternal Flame, ch. 2

If monsters and other post-Conjunction creatures are invasive species, the nuance in this conversation is flattened, and Geralt’s refusal to kill mecopterans and hirikkas becomes a flaw rather than a virtue. Boring! I also think that one of the strongest themes in the witcherverse is the idea of all monsters being human ills; wraiths are manifestations of hatred, necrophages multiply because of human bloodshed, cursed ones are created out of malice, mages like Alzur and Idarran of Ulivo go out of their way to straight-up create monsters from scratch*, etc. Iocaste attacks humans and takes livestock because the traditional prey of the silver basilisk, roe deer, has been extirpated by human destruction of their habitat. The aeschna in Blood of Elves attacks humans because humans have altered and polluted the flow of the Pontar, hunting the aeschna’s previous food (seals) to extinction. The true monster is the actions of humans. Monsters that appeared unbidden from another dimension into a previously functional ecosystem to invade and cause problems undermines this theme; monsters that are integrated into the ecosystem and subject to the same social and ecological forces as other animals supports it.

* Idarran’s “idr” monsters from Season of Storms absolutely should be eradicated. Did the world not have enough man-eating arthropods, Idarran? Did you really have to mutate horrible new ones and release them in populated areas?? Mages are a scourge, lmfao

Additionally, one of the biggest reasons I felt like I couldn’t actually apply invasion ecology to monsters was that, whether you accept my Conjunction theory as sufficient biological justification for this or not, monsters just don’t really behave like invasive species. It’s hard to explain this because the setting is pretty brief about its ecological details, but aside from the fact that the narrative frames them like just part of the ecosystem of the world, there are never any details like “that type of flower doesn’t exist anymore because giant centipede tunneling destroyed the soil they needed to grow in.” When monsters are the aggressors, their victims are always humans, not the environment or other animals, and again monsters are themselves often treated as victims of human actions.

So I say monsters aren’t invasive species!

Which means that monsters are, regardless of their strange origins, now a part of the Continent’s ecosystem just as much as bears and wolves.

So let’s talk monster ecology.

what do monsters contribute to the ecosystem, if anything?

So, the phrase “contributing to the ecosystem” is actually super loaded, and I want to unpack that before we go anywhere else. Ecosystems are made up of organisms, and organisms interact with and impact ecosystems, but they don’t necessarily contribute to ecosystems! The implication of “contribute” is that it is possible for an organism to not contribute, and it follows from there that some organisms are not useful. This is functionally nonsensical, and also dangerous.

Conservationists talk a lot about “intrinsic value,” which in this context is the idea that we should want to keep species around just because their existence is valuable! Biodiversity is intrinsically valuable. This is important, firstly because I do believe that all species are intrinsically valuable, but also: ecosystems are so enormously complicated that we do not know the full extent of any species or individual organism’s impact, and we can’t predict what the consequences of removing any given species might be. Treating all species as intrinsically valuable is hedging our bets. All organisms affect the ecosystem, because it’s impossible for them not to, and while some species definitely have outsize impact, none of them are “not contributing,” and frankly even if some of them weren’t, it would be the absolute height of human arrogance for us to decide we could tell which ones were useless when we barely even know what most species eat. Mosquitoes are the base of the entire goddamn food chain, and you still get assholes claiming they don’t “contribute anything.” Of course, most people don’t really mean all of these implications when they use the phrase, but I don’t find it useful to talk about what species “contribute,” and avoid using that language if I can!

What I assume you mean by “what do monsters contribute” is a combination of “what roles might monsters play in the ecosystem” and “are monsters actively harmful to the ecosystem, i.e. do they cause loss of biodiversity?”

And this is difficult to answer! As I’ve said, I don’t think monsters are invasive species, and thus don’t harm the ecosystem, though we know that monsters can be harmful to humans. However, when it comes to the role they do play in the ecosystem, there isn’t enough in canon for me to do more than wildly speculate! Also, there are so so many of them, and the role of a hirikka is going to be wildly different from that of a draconid.

Just offhandedly, most of the big predatory monsters can be assumed to fill the same roles as Earth’s big predators, one of the big ones being overpopulation of prey species, which has ramifications throughout the ecosystem. Some of them are canonically ecosystem engineers, or animals that physically alter their environment (think beavers); for instance, shaelmaar and nekker tunneling. Additionally, the big insectoid colonies can’t be relying solely on naturally-occurring caves for their homes; they’ve gotta be constructing some stuff themselves. These tunnels can be repurposed as habitat for other organisms, from giant centipedes to sewant mushrooms. Necrophages, like corpse-eaters in our world, likely limit the spread of diseases from decomposing flesh (and really wouldn’t be as much of an issue if everyone would stop, you know, doing war and mass murder, lmfao). Arachasae use tree trunks and organic plant material to conceal themselves, which is likely contributing to plant reproduction in a few different ways—but the arachasae decorating essay is a different topic that I swear I will finish one day oh my god—

…anyways, feel free to ask about any specific monsters or niches if you’re curious, but if I tried to go into detail with every single potential niche/ecosystem service all of the monsters we know of might fill, we would be here all day!

Let’s talk about a couple specific things you brought up in your second ask.

> theyve probably found a niche in the world by now and can eat anything smaller incl. humans

I mean…maybe! That is, yeah, they’ve definitely settled into niches by now, but feeding is way more complicated and interesting than that.

For instance: orcas can eat basically whatever the fuck they want—orcas are fully capable of bringing down everything from fish to seals to gray whales to great white sharks. But they don’t. In the Pacific Northwest, the resident orca pods almost exclusively eat salmon, while the transient pods largely feed on seals. Orcas are kind of an extreme example, but this is something called resource partitioning and it’s a big part of how animals limit competition with one another and what enables lots of predators to coexist in one place!

We see a big fuck-off dragon thing and we assume that it’ll eat anything it can fit in its mouth, and definitely some predators work like that. But just because an animal is technically capable of eating something and deriving nutrition from it doesn’t mean that it will. Silver basilisks made roe deer the staple of their diet before the destruction of beech forests meant they had to turn to humans—which is a pretty specific dietary restriction when there should be multiple species of deer running around, not to mention everything else a draconid could be killing! And given how many types of draconid there are…I have to assume there’s some kind of resource partitioning going on to prevent them all from conflicting with each other! For instance, if basilisks prefer roe deer, maybe forktails prefer wild goats, while wyverns are mostly kleptoparasitic (stealing other predators’ kills).

And of course, not all monsters eat humans at all; harpies steal from and attack humans, so they’re a dangerous nuisance, but they don’t seem to eat them. And in the books Geralt mentions plenty of monsters which are totally harmless.

So yes, there are lots of things monsters could be eating, but it would strongly depend, and there’s a lot of interesting places one can take monster diets! Netflix decided their strigas only eat specific organs, leaving the rest of the body untouche, & I love that for her. More monsters that need a particular kind of nutrition that leads them to take only specific body parts from some kills!

> because theyve got no natural predators aside from each other and arent hunted by anything but witchers, monsters are just breeding and eating and wldnt that damage the land? or have they made their own like, circle of life or whatever ?

Absolutely—invasive species whose populations rapidly increase once they’re away from their natural predators cause the decline of native species, often by eating natives directly or competing with natives for resources. And in fact, even native species who become overpopulated can seriously damage the ecosystem (see: white-tailed deer in the United States, whose overpopulation has such negative ecological effects that some people argue we should classify them as invasive, even though they have definitely been here this whole time).

However, even if we grant that monsters are invasive, it’s a little more complicated than that for a few reasons!

Despite the apparent preponderance of them in the witcher games, most monsters are supposed to be strongly on the decline, like witchers themselves. Geralt’s profession is falling out of necessity; human development of the Continent is going to be the biggest suppressing factor in monster populations in the future. Monster overpopulation is just canonically not a problem in this universe! But even in the scenario where the Inevitable March Of Civilization isn’t threatening monster populations, there are a lot of factors that could and would limit monster populations.

(TL;DR for this next part: yeah I definitely think they’ve figured out their own little circle of life—the term you’re looking for is ecosystem equilibrium, btw!—& I’m going to take the next 1.2k to talk about how.)

For starters, predation is only one among many limiting factors that affect populations & prevent them from ballooning out of control:

food availability: If there’s not enough food, there’s not enough food! It also matters how adaptable the animal’s diet is—silver basilisks moved from deer to humans, but if the eucalyptus went extinct koalas would not switch to eating cycads.

illness and parasites: Some people argue these are more important than direct predation for limiting populations, and I am often inclined to agree. Basically, if a population becomes very dense, illness and parasites spread more quickly, creating a natural limiter on how many animals can live in any one place. The greater susceptibility of some individuals to illness or parasites also winnows down populations. Non-native species often escape a good portion of their native diseases by moving to a new range—however, given how fast bacteria and viruses evolve, 1,200 years is a pretty decent amount of time for new diseases to arise. Also, just going to drop a link to my treatise on monster parasites here. It’s gross, mind the warning at the start of the post.

mate availability: If only a certain percentage of the population is actually able to reproduce, that’ll eventually bring the total number down. RIP Iocaste’s boyfriend 😔

territory/shelter availability: Animals need a certain amount of space and certain types of spaces to survive, and space isn’t infinite! It again depends on how adaptable an animal is; rats find ways to thrive nearly everywhere, but pandas can only live where there’s bamboo. If there’s not enough space to hide from predators, reproduce safely, store food, and avoid adverse weather, the population again limits itself naturally.

natural disasters: Wildfires, drought, flooding, tsunamis, storms, etc. pick off significant portions of wildlife populations. Disasters are sporadic rather than directly linked to population like most of the other factors but these periodic blows to population and the other impacts of fire or flooding are often integral to the ecosystem (see especially: fire regimes and fire ecology.)

Now let’s talk predation & monsters! (Genuinely, I think predation is one of the most interesting things in ecology; people tend to simplify it down to things eat other things, which—yeah, but there’s so much more going on there!)

First, I wouldn’t underestimate the effects of monsters eating other monsters! Even if it’s rare for a draconid to snatch up a nekker and carry it off, the threat of a draconid doing so can have dramatic impacts; researchers found that just playing the sound of dog barks on a beach stopped raccoons from foraging for crabs for over a month after the barking stopped, leading to an increase in crab populations, even though no raccoons ever encountered a dog. This is called the ecosystem of fear (which as a term is metal as hell) and it theorizes that just the fear of predators can lead to chronic stress for prey animals, decreasing reproduction and making them more susceptible to disease. Maybe draconids in Toussaint eat only a few dozen nekkers a year, but that might cause thousands of nekkers to have fewer offspring or fall to disease. When it comes to ecosystems the direct effect is usually only a small part of the story!

Second, when we talk about a species not having natural predators, we’re usually talking about an animal that would have a predator back in its home range—lionfish, for instance, have plenty of predators in their natural range (the Indo-Pacific), but no natural predators in their invasive range (the Caribbean), so invasive lionfish, suddenly freed of a limiting factor, can run amok. However, a great white shark has, aside from orcas (who do not actually eat white sharks, they’re just assholes sometimes) and occasionally other white sharks, more or less no natural predators anywhere once it reaches maturity, and that’s fine! Lack of predation of great white sharks did not cause their populations to explode and consume the ocean. White sharks are limited by other factors.

So: it is possible that wherever draconids originated (and it’s entirely possible that “draconids” came from multiple different places, tbh) there was something bigger that preyed on them, but it’s not unreasonable to assume they were also apex predators in their previous dimension (I mean…look at them), and that adult draconids were never really preyed on by anything else! It isn’t necessarily an issue for there not to be predators of certain monsters on the Continent.

(Though, of course, we also shouldn’t forget that most apex predators are prey when they’re young—baby white sharks are snack-sized for a lot of fishes, and bear cubs and wolf pups are similarly vulnerable. Based on the size of the eggs you see in TW3 draconid nests, a basilisk is hatched around the size of a little dog, which is the perfect size for small, ballsy predators such as wolverines to sneak into a nest and snap them up—predators such as more wolverines or raptors like eagles and hawks might also come directly for the eggs.)

When it comes to smaller monsters such as nekkers, who likely weren’t apex predators in their original dimensions and would thus be subject to that lack of natural predators—there are usually specific reasons why prey species manage to avoid predation in their introduced range. Lionfish confound Caribbean predators because lionfish are covered with huge poisonous spines that Caribbean predators don’t know how to deal with.

Drowners, on the other hand, are basically just man-shaped fish; they don’t have any adaptations or defenses that would really stump a bear or a wolf. Again, bigger monsters are still probably checking the populations of smaller monsters no matter what, but there’s really no reason a bear couldn’t figure out how to eat a drowner! Unless a monster has a unique defense (e.g. scurver spines), is actively distasteful to eat (rotfiends, probably), or is just difficult to take down (nekkers in packs), most of the non-monster predators* on the Continent will have incorporated various monsters into their diet by now, or suppressed monster populations indirectly with the threat of predation or by competing with them for food. It has been over a thousand years, which is nothing evolutionarily but is still a decent period of time for mammals, who pass hunting techniques down to their babies, to figure out how to eat ghouls—especially if we’re considering that the Continent’s mammals may also be a result of the Conjunction and would thus have to have been just as adaptable as the monsters to establish themselves. And I’ve also actually talked before about how wolves specifically might be preying on necrophages!

* For reference, the non-monster predators are, considering the Continent is more or less Europe, most likely lynxes, brown bears/polar bears (in Skellige), wolverines, foxes, badgers, and a variety of large birds of prey.

So—yes, if monsters were truly overpopulating, then that would damage the ecosystem. However, canon tells us they are definitely not doing that, and there are also many factors that would prevent that from happening!

(Though I will say that some of the reasons white-tailed deer are overpopulated are that we got rid of cougars and wolves and human development creates a lot of extra habitat of the type that deer like. Given that we know many of draconids are for sure in significant danger of going extinct, and the trajectory that Europe’s wolf and bear populations followed in real life, it is possible that the Continent will have to contend with an overpopulation of some of the smaller monsters at some point as they continue to try to eradicate the larger predators, both monster and non-monsters—you think the drowner problem is bad now, wait until the bears are gone and city development has tripled the number of sewers. Yet another of those humans-make-monster-problems-worse things I am fond of in the Witcherverse!)

…whew. that was a lot of words. In conclusion: ecology is really cool & there’s a bunch of ways monsters can fit into it!!

#kaer morhen biology of monsters 101 #and a bit of #witcher book blogging #asks #anonymous

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iampikachuhearmeroar · 3 years

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sometime in this last week, or this week coming, my blog has turned/turns 10. god. a decade old. a whole ass chunk of my life i’ve spent on this hellsite. when i began on here, i was a kid. a lost, lonely, depressed and anxious 15/16 year old kid. a kid scared of her future. a kid confused about her future. what to do for uni. to change schools or not??? to do drama/acting at uni or english/philosophy or to move 8hrs away to another regional uni to “escape” her “washed up, dead end hometown” that was so typical of all the pop-punk music that she was listening to at the time.

she was a tad overdramatic, loud, “funny” (as described by her school friends) and terribly forgetful in regards to homework and school assignments. she was angry at the world, most especially the catholic school she was fucking sick and tired of attending. but she was convinced that since she was the so-called “funny girl”, that she simply couldn’t be depressed or anxious. she believed herself unloveable because she didn’t look like a weird mixture of hayley williams and emo-pop queen lights. but now, i no longer believe that i have to look like the women that i looked up to in the ~emo scene~. fuck beauty standards. i am loveable.

in the years since joining tumblr, i’ve managed to get through business college, my undergrad degree and, well, failed out of postgrad due to obvious burnout and health issues amongst other things. although i’ve lost many friends irl and many followers/mutuals online on here. for those who’ve stuck around to see me get through all of this, thank you. to all the friends/casual mutuals that have since deactivated or only followed me for a short time then unfollowed; thank you.

like obviously i was never/have never been a massive popular blog on here, like thebootydiaries or vampireapologist (who has since deactivated a couple of months ago) with tens of thousands of followers. my follower count is still close to the 8,000 range at 7,892. obviously that’s still a lot of people (and of course, porn bots lmao and many, many non-active blogs), enough like one super old post from like 2012 tumblr pointed out, enough for a small to medium sized city or town, or something like that. i don’t know how many people i’ve really reached. i really don’t know how i actually amassed this small army of people.

i am aware though, that on other platforms like snapchat (lmao does anyone even use it anymore in 2021???)/instagram/youtube/tiktok etc, i’d PROBABLY be considered as some type of ~micro influencer (🤮🤮)~. hell, i actually had a bot slide into my notes about being one on here on this hellsite back in 2019. i don’t know if i’ve ever actually ~influenced~ anyone on here with my shitposts (when i started making some) or my personal posts. i don’t know my reach. even though, now, i do occasionally get featured on buzzfeed listicles (although pay me buzzfeed along with the OPs of those original embedded posts), i still don’t know how many people i’ve reached… and even with my very occasional checks of google analytics lmao. on top of this, grappling with the loss of followers at times is much, much easier than it was when i began on here and the first few years following that. i know that my follower count doesn’t determine my worth and stuff.

but over these 10 years, i have grown. i turn 26 this year. back in 2011, 15/16yo me never thought she’d be here. she was partially down the suicidal thoughts hole, with things about ~picturing her funeral and wondering who’d bother to turn up. if only she could pretend to be dead for a day to see who’d give a fuck~ and 16-18yo me was defs down it with her HSC hellscape thoughts in 2012/2013. that 3rd floor tafe/tech women’s bathroom window drop and the thought of scarring her class for life (and that cool dude from catholic school that she crushed on who ended up at tafe with her) with jumping out of it onto the concrete below. instead, she just posted on fb about ~being a failure~ etc which ultimately did lose her a bunch of facebook friends lmao. it was practically the same thing. her mental breakdown after the end of her hsc, where she let her earrings go green and get infected in her ears because “fuck self care, bc what the fuck is it??? i’ll never get better! let me fucking wallow in my self loathing bc it’s the only thing that i’m fucking good at!!!” so i no longer have my ears pierced. oh! it was just all too fucking much!!

i am happier today. i no longer have those semi-suicidal thoughts. hell, i almost died in 2020 from a fucking bowel aneurysm, after my stomach tumour excision surgery. that forced me to put things into perspective. i appreciate the little things . i appreciate the very few friends that i actually have. yes. i’m still depressed and anxious. some days are still shitty and hard. but nowhere as hard and shitty as they were back when i began on here 10 years ago.

how the fuck last 10 years have gone past, with my ass on here; clearing out my blog and caring more about doing that than my uni work (lmao whoops); having made some lifelong friends both internationally (from the US) and long distance domestically in australia, it’s been a long ride; i honestly have no fucking idea. obviously over these past 10 years, i’ve debated with myself over and over and over again whether i should delete/deactivate this account or not. would it make me healthier??? more than likely. but then when i have meltdowns or just inner ramblings i have to get out somewhere, where else to post??? on fb?? obvs not. it’s “attention seeking” or the like on there. no one will read them. no one will resonate. but on here??? even if i got/get one “like” in the notes or one “yo i feel this” response in the tags or replies, it feels like i’ve reached someone??? okay yeah. i know this place IS NOT therapy and i’m not using my followers as amateur (or probs even actual professional) armchair psychologists…. which is a thing i think people need to stop doing internet-wide: but that’s a whole other post that i reblogged a few days ago lmao. i really need to get another therapist, actually lmao.

but it’s the community i’ve found hard to leave. i have what feel like friends, when i’ve never been employed (still as of yet); and when all of my irl friends/acquaintances are working and doing the whole ~adulting~ and ~grown up life~ thing right. it’s also the frenzied rabidness of spite with hating staff’s godawful ideas. the memes. oh the memes. and also the RaWrInG 20s XD emo scene reemergence on here that’s kept me here. the messy petty drama from time to time of big blogs fighting it out.

this place really is bizarre and fun sometimes. and also the fact that i can still hide behind the ridiculous “roaring pikachu” URL that i made all those years ago. i am anonymous. it’s freeing. but on fb it’s all like “WHY WONT YOU ADD A BANNER IMAGE AND TELL US 20 FUN FACTS ABOUT YOU!!!!!???? LET PEOPLE WHO HAVENT SPOKEN TO YOU IN 10 YEARS KNOW EVERYTHING ABOUT YOU BECAUSE WE’RE ALL FRIENDS HERE!!!” and the same goes for Corporate Hellscape Facebook™️ (linkedin) but in the professional sense instead. y’all know fuck all about me really. besides my posts. and i love that and live for that. okay yeah. y’all know more about my mental health than my fb feed obvs… which is probably a terribly unfortunate thing. but still.

over the last 10 years then, my superiority complex for being ~so original and intelligent~ or whatever the fuck i had in high school, has all but ebbed away. i’m not that smart just because i went to uni. hell, i literally did NONE of my in-class work and none of my philosophy readings in uni….. so i have fuck all idea of how i got through undergrad like that lmao. i’m not original when so many people can articulate the same thoughts that i have, but like, sometimes better, on a post (even though sometimes/most of the time the Tumblr User Hot Takes Tuesday™️ takes on here are fucking awful lmao). but still. originality is not something i really have anymore. or really had in the first place lmao.

so will i deactivate after these 10 years, like i’ve been saying for so, so long??? i honestly have no idea. but just know. thanks guise. have a nice gpoy selfie day XD. grab your wands. your tardises. grab your war paint. grab your whatever the fuck other fandom specific stuff that was one that hella cringe post from 2011 til 2015 random tumblr. that relic is as old as time itself. just as this mysterious roaring pikachu is for someone whose too loyal to leave this W E B B E D H E L L S I T E that’s just as much of a train wreck as she is. lmao.

#life #about me #shut up ilona #tumblr is legit my fucking life now #motivate me to deactivate this blog to leave the hellsite forever 2021 #trigger warning: suicide mention #tw: suicide mention

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shyrose57 · 3 years

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Brothers anon and ah, its just me than. Links on tumblr break half the time for me sorry bout that!

1: Mostly how it looks in the actual episode but with some changes. Its gaint, even has multiple floors, most rooms have a glass dome roof with iron railings (3-4) lining the bottom of the glass. The hallway typically have windows leading up to the roof, but the roof and both floor are a mix of materials like iron, copper, wood, and even gold. The most complex room is the Council room, which has a a higher roof than the rest, with mostly wood railings that go all the way up and lead to a circle at the top. The Council is the group that leads Mizu, they have 1 leader of every Idol to represent the different opinions of the citizens, with 1 special member that doesnt belong to any Idol, and is instead used to represent the opinions of people who either haven't chosen a idol yet, got kicked out of a idol following, and just to give a unbiased opinion most of the time. They do make most decisions, mostly those relating to topics like construction, farming, money distribution, where people can live, etc. And they also mostly agree on most subjects and don't agure, but they do have massive disagreements on topics and problems like Representation in other Cities/Kingdoms, trading, visitors and immigrants, and sometimes supply missions.

3: Situations like taking care of his siblings (I have decided Benjamin shall have siblings) and friends, and he was also put under extreme stress as a kid in school and family life, but unlike Ranbob, he managed to successfully communicate his struggle and find coping mechanisms. Also when he went off to live by himself for a bit, he was under sudden extreme situations where he had to make split second decision. So he just learned from everything thats happened to him over time.

8: Levi exists purely to make Watson and others go insane. People claimed it was made up because they claimed most events as unrealistic (like Doomsday, Techno escaping a death trial, Pandoras Vault (they believed it impossible for something to be inescapable)). Plus the fact it seemed cruel such young people where faced with such trauma that no sane person would let it happen, and the fact most historical important items couldn't be found, people claiming that they where made up (also cause if the land was that exposed to such devastation, it would've collapsed on itself). No to both of those, by this point their to far away from Dream for him to have a direct meaningful affect on the group, and while the residents of Kelalen know it was Dreams sword, the group does not know. Nope! Mizu came about years after Kelalen was forgotten about and shamed. And Mizu was only made because of the growing number of believers in the SMP history was causing disruptions in both the political sense and educational sense, so it was made to separate the "outcasts". Though Mizu eventually grew as big as most cities, and greatly civilized and advanced, though they where still often "forgotten" about and basically seperate from the Kingdom that set them up and became their own place (though not officially).

They do have a friendship! Its not super close but their definitely friends. Ranbob is definitely a worrier, he heard that two of his friends almost died he immediately goes to them and fuses over them. And when their recovering he doesnt leave their side, infact Benjamin has to drag him away from the two just to get him to eat. And he refuses to sleep unless he's like directly on top of them. Yeah, Cletus challenges Grievous to a parkour challenge over a Delta Basalt, and he happily accepts. They end up giving everyone a heart attack after Cletus slips and almost falls onto a magma block. Jackie plays in soul sand and dumps a handful down Rans shirt, Watson teaches Charles and Isaac how to make gold from gold nuggets and more Piglin culture. When Cletus is cleared to be ok and Jackie stops getting soul sand in areas he didn't even know existed. They all sit in a circle and decide what they should try first, with Ran and Watson watching carefully and preventing them from drinking anything that they recognized as harmful. But other than that they just let the others do whatever.

10: Because he couldn't use it, when Dream was a full human he used to be able to access his powers at his own will. But after his spirit got linked to his mask his power greatly reduced. To the point he relies on others for his powers, more specifically, he needs them to be exposed to him for a certain amount of time (like 2 weeks) until he can use their own essence/spirit to help his powers. When the group of people came after Ranbob left, they stayed for a long time, especially after they took the mask with them. Dream got the power back. Cause it is a "I worked to hard to give this up." Type situation. Ranbob was his first victim and the first person he had control over in decades, he considers Ranbob the puppet he was meant to have and refuses to let him go. Everyone is the nat to him, but specifically Ran. Cause Ran was the only person who survived the murders, so Dream sees him as a kill that was taken from him that he needs to fix. Everyone else to him is nothing more than an annoyance, and he's more than happy to use them as nothing more than a stepping stone to kill once he's done with them.

13: Ran is stronger than everyone else, Jackie is faster than everyone else, and Watson is more acrobatic than everyone else. Sorry can you reword "Is Jackie considered stronger than them aside from shared tactics, or is it the other way around?"? I dont completely understand sorry. Kind of, I'll say. There can only be 3 ranking members, but it can also be 2 Corporals and 1 Sergeant.

14: They where caught off guard, but also knew something must be going on due to the fishermen staying closer to Ranbob than normal. He never got too far, as he isnt very fast and Charles and both Isaac tend to be fast enough to get him. If the episode is really bad bringing him back can lead into physical fights but it rarely gets into that, as it seems like Ranbob really doesn't want to fight them most of the time, and holds himself back.

Well, I hope it’s working for you now, cause that sounds less than ideal, honestly.

1: Well, Mizu sounds gorgeous, quite frankly. As for the council having a member of no idol, what about that? People can get kicked out from an idol group? Why? Do some just never choose an idol? Also, how’s the housing situation there? Are there like, apartments on one of the floors, or something? Why does the council not really agree on outside affairs?

3: Not gonna lie, I’m rather curious. What kind of life did Benjamin lead to be under such heavy stress? Does he relate to Ranbob because of this? And what was he doing when he lived on his own to need to make fast-paced decisions? Also, siblings! What’re his siblings like?

8: He sounds like it.

And hm. There are several things I’ve taken from this.

Do totems no longer exist, if they don’t believe Techno could have survived, or did that particular piece of the story just get left out over time?

Has Pandora’s vault fallen? And why would people find it unbelievable? If it’s the future, shouldn’t they have even more advanced technology than that? Or is it simply the lack of evidence that leads them to disagreeing about it’s existence?

They don’t believe people would have been so cruel to the younger ones? Oof, um. Well, at least that says something about the future, I guess.

Mizu sounds like it has an interesting history in it’s self. How do Ran and Ranbob feel about being in a world that basically shunned the people of what would eventually become their home? Do they ever have issues when people find out they originate from Mizu, or worship an idol? From how you put it, it seems like that wasn’t really looked upon well, since they shunted the people who did it to Mizu.

Friendships for the win! Maybe not close, but it sounds like an interesting dynamic. Charles honestly seems pretty mild, and as you said, shy, so putting him with Mr.Random And Chaotic certainly sounds like something. How did these two become friends?

And honestly, it sounds like everyone had a lot of unique experiences in the Nether. It also sounds like Ran and Ranbob were probably an inch from a heart-attack the entire time, considering the shenanigans ongoing. It sounds kind of cute that Ranbob was only sleeping when he was close to them though, and it gives me the image of a giant fluffy cat, so win-win there.

10: Interesting. Was Ranbob not enough to fully return that power to him when the Fishermen first came and took him? Or did Dream just not think they’d get that far and not react in time, when he still had that power from his puppet?

And, uh, wow. Dream was certainly off his rocker before, but that’s definitely cemented now. Is anyone aware he thinks of Ranbob in such a way? Does Ranbob know? How are everyone’s feelings on that-besides y’know, ‘gonna murder Mr.Mask Man’. How does everyone feel about being considered as ‘nats’?

13: Huh. And yeah, I confused myself rereading that. Basically, is Jackie considered stronger than those two? You said they were mostly on par, because of the shared tactics, so when it comes to cutting those shared tactics out of the picture, does Jackie come out on top?

14: So the gang could tell? If I may ask, what were the tells that gave Ranbob away?

#Brothers AU #dream smp #dream smp au #tales from the smp #ranbob #ran

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border-spam · 4 years

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Leech Lord - HC dump

Been a while!

Siren wings aren't physical -mostly-, they have no heft or real weight to them and aren't "real" objects that exist within the same space as their owners. The wings are more manifestations of power, the visualisation of the Siren's concentrated energy. They don't fly with them, they aren't actually doing anything generally, any movement a Siren performs while their wings are visible is due to expending their power - hovering, levitating etc, it's not the wings displacing air.

To the touch they'd feel like... the warm static on front of an old TV screen, a tingling buzz of resistance you can pass through but feel like you shouldn't. They feel very off, other, it would be hard to experience one brush through your body and not carry some kind of creeping dread for a few hours after that part of it was still inside your chest cavity somewhere.

The forms they take on aren't related to their Siren Powers at all, the great sources don't care or even know when their powers are being used by a host, they aren't making decisions over things as removed from their sphere of concern as fucking wings, Siren wings are extensions of self. They represent how that Siren see's who they really are, in one way or another.

Amara hardens hers into solid fists, powerful muscle shaped into a protective cage or battering onslaught. They flex and posture in a display of raw physical power behind her back.

Lilith's burn everything she touches, friends, enemies, they destroy and warp reality around them. They don't belong anywhere, and they do more harm than good.

Troy's twitchy, skeletal right wing that's stunted and bent in on itself isn't related to his body damage at all... it's how he sees his form. The vile eyes rolling in their sockets and glaring hatred at everything around him that bulge from the pinions of his left aren't being created by The Leech, it's his extension of self, how he understands and translates its power, how he experiences it. He doesn’t know this though, and it's one of the reasons he's disgusted by his wings.

Tyreen is wretchedly proud of her own, the horrific tentacles of energy that rip through her back, but she doesn't understand those aren't the same as other Sirens. Those aren't wings at all, it's The Leech physically manifesting, not a symbol of her own power and control.

If she ever did leech Troy in LL hers would be the stunted, barely visible purple static ones from canon, because Tyreen has barely any sense of self left. There is so little of who she actually is, that her psyche forms... nothing. Sad, pathetic silhouettes that pale in comparison to the memory of her brother's breathtaking wingspan.

The twins don't like leaving Pandora in general, Troy seeing it as a nuisance, and Tyreen not dealing well with traveling on what she considers "cramped" transport vessels. There is also a major element of danger, cosmic space witches don't hold as much weight when the skirmish is outside a planet's atmosphere, and a hull breach doesn't care if you've got magic powers.

Her claustrophobia and issues with feeling caged are one of the reasons Ty leaves so much of the cult's off world business and faction schmoozing to Troy, he's far more comfortable warping in Sanctum with a small escort fleet than she would be knowing she can't leave her ship for 24 hours.

They won't make trips longer than a short jump to a border planet in anything smaller than their flagship, the danger of being swarmed by an ambush is a tad too real, and the COV's main transport is a -massive- cruiser class warship kept in orbit around Pandora. It doesn't have a name, it doesn't need one. Its city dwarfing silhouette of jutting spires and eye burning floodlights that beam from the building sized sockets of skulls scrapped together from the wreckage of enemy ships do more than enough to announce who's vessel this is.

It can transport an army comfortably, and while devoid of Psychos, is filled with rotating shifts of Bandit and engineering crew. It's iconic visuals are due to tireless work of acolytes and pious worshippers who cover the surface while it's resting in orbit, painting neon COV iconography in teams that can take days to finish a single building sized piece, welding spines, blades, screaming rusted skulls and fluorescent light tubes across the massive breadth of its hull.

The thing is a fucking monster in the dark of space, and if it's ripping through a planet's atmosphere alongside thousands of escort gunships decorated in its honor, the surface inhabitants know exactly who has come to claim their fealty.

The lower crewpeople call it "Vae Victus" with some mix of adoration and fear, Troy doesn't like that. Doesn't think things like his warship should have a name, it's beautiful as it is - free and nightmarish, it doesn't need to be described as anything other than the ship.

Tyreen doesn't feel physical attraction to people anymore, and hasn't really realised this. Shes not asexual, the feeling just isn't there, another symptom of The Leech consuming her piece by piece. She gets fiercely, painfully envious of Troy's "time" with willing followers, of the way he doesn't even really react to eager touches along his skin as he lounges sprawled across his throne while they sit in boredom and listen to whatever bullshit the queues forming all the way out of the Cathedral have come to confess, but it's how used to it he is that irks her. How much he takes for granted something she can't have. Tyreen doesn't like not being able to have things. There's a reminder there that she doesn't have the real control she seeks so desperately.

She has extreme issues with feeling trapped in every way, physical, in her environment, in her decision making etc, it's one of the reasons she can't stand being told she's wrong, or that she has to do something, and it all stems from The Leech rather than her.

Troy heals much faster than anyone would expect from someone with so many complex physical issues. He doesn't spend any time thinking about this and genuinely doesn't notice it's a factor, but the man has very few scars. A severe injury that would leave a horrific gash on someone else just seals for him, always has. He pulled a bayonet out of his abdomen just before he crushed that heretic's head in his maw's reveal, and didn't even react. Within a couple of weeks that was just another slight silvery line across the warmth of his ochre skin, and it wouldn't take much longer till it vanished entirely.

It's likely one of the little reasons he's so uncomfortable about the paper thin coverage of the major scarring on his empty right that never healed, it's such a horrible clash against his otherwise unmarred skin to look at, and Troy finds himself often letting his eyes rest absentmindedly on other people's scars, subconsciously comparing against his own, trying to understand if he's as abnormal visually as he believes.

He has a few, scratch marks across his knees from falling a lot as a kid, the indent cuts along the sides of his spine for his rig attachments, but they aren't that noticeable. His throat scars later, they don't heal great. They show for, well, forever, and it takes him a couple of decades to realise that's how it had always worked, that he chose what to keep and what to let heal all along.

He still.. falls a lot as an adult. He stumbles, he has severe moments of weakness that can make him trip to the side and rock down to his knees before he manages to get a hand under himself, and it’s never his right even though he usually falls to that side. He always tries to steady himself with his left, even after years.

For all her bullshittery about being well traveled and street-smart and blah blah blah, Seifa can be shockingly innocent at times with things she's not much experience of. Ven taking her to a track race? Wow. Where do they sit? How do you know when it starts. What happens if that shit goes on fire? Oh VEN that shit IS ON FIRE!! Is it meant to be? Oh whoah. OHHHH.

She's grabby, she's a super tactile person who tries to not touch too much and respect people's boundaries but if she's excited or scared or can see a close friend is hurting, she tends to give in. She'd be hanging off his arm, bouncing in her seat and screaming as the racers roared by, and she'll go back home and talk to JK about it like she's some kind of expert who's been attending them years.

When they do -eventually- stop doing a terrible job of pretending things haven't shifted for them to their friends, her playful nastiness towards Troy only increases. The sparkle in her eye does too though, and you'd have to not know either of them to think it wasn't intensely affectionate. Yeah she rips into him right in front of a chuckling Eli or JK, but he knows the things she whispers tenderly against his throat as she's falling asleep. He knows what it's like to wake up with her fingers loosely entwined in his, knowing she'd taken his hand in the night. He knows how gentle and soft she actually is, so he'll let her make the little digs. It's a good deal, and he's spent enough time around the little shit to know how to spot those.

(Genuinely awful job of hiding things. Ven pointing accusingly at the Troy sized mound and messy black hair desperately trying to hide itself under her duvet she's accidentally let him catch a glimpse of as she INSISTS everything's fine and she just needs five minutes to get her makeup on hey why doesn't he turn on the TV she'll just be a sec yeah she just has to close the bedroom door no don't worry about it pal yeah bye back in a minute etc)

Troy wears his prosthetic so much in public and has had to practice gestures with it so many times, that very rarely he tries to perform a learned gesture while not wearing it and shit goes to hell.

A huffy God King mid argument trying to cross his arms and just... going nowhere with the left as it swings towards the empty bracer, then pretending he did it on purpose while progressively getting redder and closer to a tantrum as the friend he's talking to desperately tries not to laugh.

It's almost all gestures it happens with, his regular movements and functionality are from a lifetime of not having the prosthetic so he's not going to run into any trouble there. He doesn't reach for things with an empty bracer because he automatically always uses his left, but the things he had to learn since Pandora and practice daily so he could look like he was a natural with it?

Those pop into his movements sometimes when he's only in the bracer and are usually a combination of frustrating and very funny.

Things like his physical threat, that's not something that was part of his life before the God King, how to hold himself and twist the massive arm forward while letting the shoulder blades spread for the viewers are things he had to practice and learn. If he's angry and not wearing it he'll sometimes shift into trying to perform the same actions and just looking confused for a second as his side shakes before he blushes and storms away.

If he's sitting lost in a story Ven is telling and starts absent mindedly playing with what's in his hand, he'll sometimes toss it to catch with the right, something he purposefully does in the background of streams to display finesse and strength subtly... cept in Sanctum that means just yeeting the fucking beer can sideways across the room and everyone stopping conversation for a second while he blanches.

Smarmy, stoned Troy getting into a insults chicken match with JK or Sei, grinning ear to ear and flashing a practiced cocky grin before leaning to rest arrogantly against a door frame and just falling into the wall.

It only happens when he's repeating something he's practiced for a persona, so it's a lot less hurtful than it could be for his esteem, but it's still embarrassing and he usually launches straight into being a huffy little asshole directly afterwards ( even if the genuine laughter feels nice in a way)

#borderlands #borderlands 3 #bl3 #tyreen calypso #troy calypso #calypso twins #leech lord #seifa #ven #jak-knife #my hcs #my writing

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brandonxdylan · 4 years

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Omg OK so there’s yet another gay 90210 storyline that I feel compelled to offer commentary on, and this one’s perhaps the most frustrating one of all (which is saying something because none of the gay representation on this show has been what I’d call good, and in fact most of it has only served to make me hate these self-involved heteros even more).  So here we are. It’s season 9, and all the drama is extremely contrived at this point, and you can tell that the writers are basically just pulling ideas out of a hat. What if Val murdered her dad? What if Dylan came back? What if Donna had a heretofore unmentioned cousin who was a pro figure skater and also a pro schemer? It’s from this context that we get “hey, what if Steve’s mom was gay?”  Personally, I’ve always appreciated the continuity with Steve’s family life. His parents are pretty well-rounded characters with full, consistently plausible(ish) backstories, which is more than I can say for half of the regular characters on this show (*cough cough* Noah). Given that, is it random and contrived for Samantha to come out as a lesbian? Yeah, probably. I don’t think this was some grand plan that the writers had been sitting on for nine years, just waiting to reveal. But I don’t really care because it’s also true to life. A lot of people come out in middle age if not later, and this was a post-Ellen world after all. Being a gay celebrity (Steve’s mom is a sitcom star) was no longer unheard of. However, it was still considered a huge risk to come out as gay and still expect to find work (especially if your work was expected to be “family friendly”). So the conflict here is timely, and fairly realistically written. The actress who plays Samantha, Christine Belford, sells it, and there’s a nice sense of empowerment that comes through in her character, who is clearly not willing to tolerate the bullshit box that society wants to put her in. There’s the makings of a truly compelling story here. But of course that’s not what we get, because man, does Steve piss me off in these episodes, and as per fucking usual, the writers completely let him off the hook.  When Samantha first comes out to Steve, he’s shocked. Fair enough. But it’s not long before he begins to place lots of unfair judgment on his mother (despite David trying to talk him down by saying lesbians are valid because two girls making out is a turn on…thanks for that David). Eventually he goes so far as to remind the reporter from a gossip magazine who contacts Steve for comment regarding rumours of his mom’s sexuality that’s he’s adopted. Naturally, Samantha takes this as tacit admission that he’s ashamed of her, as she sees this as being Steve’s way of distancing himself from her and her sordid Lifestyle.™ Which it absolutely is. This is where we get the exchange pictured above in which Samantha justifiably questions Steve’s selfish expectations of her and he comes back with this WAY HARSH slap in the face. He immediately regrets it, but the damage is done. His true feelings are crystal clear.  And to be clear, my issue is not with Steve’s homophobic feelings. I actually think that, especially for the late 90s, Steve’s reaction isn’t that unusual (sad though that may be), and I think there’s lots to be gained from digging into the ways in which latent homophobia can manifest itself in unexpected ways, and how that can cause massive problems within otherwise close families. No, my issue with this episode is with how Steve’s homophobic feelings are resolved. The storyline culminates in Samantha getting fired from her much-hyped comeback sitcom once she’s outed. And it’s not until this happens that Steve finally starts to come around. But this is what pisses me off the most, because right up until then, Steve is only thinking of himself, and how his mother’s sexuality impacts his life. He even goes so far as to question why she adopted him in the first place, asking if it was part of her heterosexual cover up. My good God, this is some hetero nonsense that I simply CAN. NOT. Anyway, when she drops the bomb that she got fired, suddenly Steve becomes protective of her and is furious that she has to suffer such injustice. But…like…BRO. You were literally JUST treating her the same way. The whole thing reads as “you’re my mom, and I can be homophobic and treat you like a pariah, but the rest of the world? HELL NO!”  And honestly, like so many Very Special Episodes of 90210, it’s not the fact that the characters are flawed that’s the issue. The problem is that no one ever learns from their flaws or has the opportunity to grow in a realistic way. The characters are often depicted as having latent (and sometimes straight up blatant) prejudices, and that is okay, because we literally all do. But almost every time, these prejudices only function to give the main characters an opportunity to simply change their mind and get a pat on the back for doing the bare minimum. Steve’s relationship with his mother changes exclusively as a result of external factors completely outside of his control. He doesn’t have to do anything. He barely even apologizes! It totally feels like the show is condoning Steve’s earlier behaviour, which feels pretty retrograde by today’s standards, and I’m sure was not particularly progressive even by 90s standards. It pussyfoots around the complexities of the questions it raises, and to be honest, that always leaves a bit of an icky taste in my mouth, because it seems clear that the issue isn’t being raised out of interest in exploring it - it’s being raised to pose as a problem for the straight characters.  Still, I don’t want to speak for all queer audiences, but I for one am very used to accepting scraps. I mean fuck, this blog literally exists because I projected a non-existent romance between Dylan and Brandon on to the show because queer audiences are so used to having to do the work that most shows won’t in terms of creating queer characters. So to see a show like 90210 actually attempting to address queer issues on TV in the 90s (however shallow and frustrating the end result may be), is still satisfying. It was a worthwhile endeavour, and many similar shows did it well. And as much as I’m tearing into this episode, I’m still glad it exists because even though it provides no answers or legitimate commentary (90210 is weirdly centrist when it comes to political and social issues), it at least acknowledges that gay people exist, and that they can be middle-aged mothers, which is a demographic that doesn’t even get a ton of representation now, let alone in the 90s. Most coming out narratives follow teens or twentysomethings, which is fine, but coming out can happen at any age, especially in the 90s when the stigma was only just starting to lift, and many people who had been closeted for decades felt like they could finally come out. And for all my issues with the way Steve is portrayed, Samantha’s portrayal feels surprisingly tender and sympathetic. But, like so many queer characters, she ultimately shows up only to offer complications for the straight people around her before vanishing into thin air, because this was the last episode Samantha appeared in.  At least this way I can imagine her living her best gay life somewhere.

#beverly hills 90210 #samantha sanders #christine belford #steve sanders #ian ziering #queer #90s #1990s #bh 90210 #season 9

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isozyme · 4 years

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just listened to "something to do w my hands" and WOW YEAH the savior complex & the need to support someone but a lil bit in a selfish way bc then that makes himself a good person... also YES idk why i haven't seen this yet but he's actually extremely smug & judgemental if you watch the corner of his mouth in cql it's VERY funny. would love your thoughts on why you think he doesn't ever put himself together again/come out of seclusion? have seen args either way & i think it comes down to jgy!

yessss you understand lxc!!!! the way his relationship with jgy is about lxc’s hunger to be needed, to be special, to be the only one who can see who jgy really is, to be better and kinder and more fair than everyone else, oof, it’s so good. i am hype to share my opinions on why lxc is irreparably broken at the end of the series.

to start, importantly: i basically take lxc/jgy as canon. i don’t think the plot makes sense without it. they are fucking, they love each other, they’ve both fucked around with nmj and that shit is fraught. you can’t convince me otherwise and all of my meta assumes this is fact.

i think lxc knew that jgy's hands were dirty, and almost certainly suspected that jgs’s death was jgy’s doing. i don’t think he knew about nmj, or how gross jgs’s death was, the incest stuff, etc. i think he saw enough to know that jgy probably killed his dad, went “you know what, that’s fair, i can forgive him for that” and decided that if he didn’t dig any deeper he wouldn’t have to know for certain and he wouldn’t be forced to do anything about it. lxc averting his eyes so he didn’t have to confront jgy doing a couple murders led to some...uh...bad stuff happening.

so that’s guilt #1.

then there’s guilt #2: he killed jgy. he got tricked into being a weapon and he put a sword through jgy’s chest.

guilt #3: he still loved jgy, even though jgy was an objectively vile person. he grieves jgy and he feels guilty for grieving and it fucks him up!

when it comes to lxc and guilt, you gotta take into account that this man has been told his entire life that he’s the most talented person in the five clans. he’s the first jade. he’s peerless. lxc strives for perfection and is pretty sure he’s basically nailed it, which means he believes fundamentally that if a thing is possible, he is capable of doing it. are we seeing where this is going? yeah. lxc thinks he could have stopped all of this. if he’d looked closer. if he’d been less selfish. it’s all on him. it’s his fault.

building on the “lxc has put his own damn self on a pedestal,” issue, now that he’s fucked up so spectacularly, all that certainty that he’s a perfect person is torn to shreds. he can no longer trust himself to make any good decisions. a huge part of his self-concept was a lie all along. he was not good. he was not fair. who the fuck is lan xichen if he’s not the cultivation world’s shining beacon?

in guanyin temple he shuts his eyes, drops his hand, and decides he doesn’t care how he dies, because he’s fucked up so bad. all the fight goes out of him. i don’t think he’s ever going to heal entirely from that moment.

oh also he’s really really angry and is absolutely not going to acknowledge that or deal with it, because lxc doesn’t do angry. (that’s the cost of having perfect control of your temper.) he’s furious that this happened to him and he was massively betrayed and that nhs used him and that his brother chose right when he chose wrong. so that’s fucking him up on top of the guilt and the grief.

basically that’s why i think lxc is permanently damaged by the end of cql. he’s never ever going to go back to being the first jade, zewu-jun, lan-zongzhu. that identity has been thoroughly destroyed. with time he might recover enough to be a functional member of the clan, but he’s always going to be fragile.

as for the seclusion question! i’d totally believe it if lxc walked into seclusion and never came out. that seems in character to me. with the right coaxing, he might come out again. absolutely not before at least 5 years have passed. likely longer. when he goes into seclusion i certainly don’t think he’s planning to ever return.

it really hinges on lz, who’s the only one with a chance of drawing lxc back out into the world. lz is stubborn enough to do it! eventually, even lxc would be worn down by “my beloved little brother, who i basically raised from a child, kneels outside my door for eight hours on the first day of every month, the same way he did outside our mother’s house after she died, and i can’t stop remembering scooping up his cold little body out of the snow where he’d fallen asleep waiting, again, for someone who’s never going to emerge, watching him kneeling bravely during lessons the next day even though his knees were so, so bruised, and i’m repeating every single mistake our parents made only worse because i know exactly how much it’s hurting lz because i’ve watched it before.”

i personally headcanon that a decade or so after guanyin temple, lxc shows up unexpectedly at lz’s shoulder at a cultivation conference. he’s got the exact same smile and makes the same polite conversation, because those things weren’t ever particularly connected to his actual emotions. but he’s thinner, and he holds himself like a porcelain statue, one missed step away from shattering. if he thinks nobody is looking at him, the smile stays on but his face doesn’t move, like there’s just nothing there underneath the polite expression because he’s not putting any effort into animating it. it’s unsettling as fuck!! he’s useful, efficient, great at killing evil things, he eats, he drinks tea, but you can tell his tether to the physical world is tenuous at best.

after guanyin temple, lxc never weighs in on a single important political decision ever again.

ONE THOUSAND WORDS LATER, that’s why i think lxc’s not gonna just bounce back from this one!

#the untamed #hey don't worry #it's not like lz's ever going to fully recover from wwx's death either!#although he definitely does better #hard to do worse tbh #what's that?#huh?#are you saying that i'm over-identifying with lxc?#don't know why you'd say that!#fuckin specious is what that is #i over-identify with lan xichen AND jiang cheng thank you very much #Anonymous

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karthicraj · 4 years

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Transcendence

MILD SPOILERS FOR THE SERIES AND MOVIES I HAVE MENTIONED BELOW. SO READ AT YOUR OWN RISK.

“Love is the one thing we’re capable of perceiving that transcends dimensions of time and space” ~ Amelia Brand(Interstellar)

Does love really overcome the obstacles of Time and Space? I had this thought dangling over me when I completed “Dark” (2017-2020). It is a series that travels through times,worlds exploring concepts like Quantum entanglement, Einstein Rosen Bridge and many more theoretical physics’ stuff. It revolves around the story of how two people manipulate time, space and other people’s lives so that they can keep their loved one (yes singular, all for a single person) alive. This livid tale span around almost 30 episodes to give us two thoughts , one of it being “ Loss of a loved one will make people do over the top things especially if you are a scientist who specialises in theoretical physics” and the other one being “Love does transcend time and space”. But this is not the first TV show or movie to use love as a central theme or aiding theme in a science fiction genre.

Lets take the movie of the quote I mentioned at the start “Interstellar” (2014). A movie set in dystopian future where Earth ran out of resources and looking for other planets to inhabit. The protagonist, Cooper tasked with that mission. As story unravels, Cooper encounters several twists and turns. Finally in a Hail Mary move, he jettison himself from the spacecraft saving his fellow passenger, Amelia Brand,his love interest.The spacecraft safely landed on a nowhere planet, As everything turned out well, Cooper returns to a space habitat inhabited by humans who followed a set of data sent by Cooper during his mission. He meets her daughter who have aged well enough to have a family of her own while he was of the same age when he left for the mission. The part which interests me is when the father and the daughter met, the daughter urged Cooper to go after Amelia. Do we really need this? A movie revolving around fifth dimension, blackhole, wormhole, time dilation, etc to end on a note where the lead goes after his love interest.

Once again let us travel back in time,a decade early to Interstellar -2004 “Eternal Sunshine of a Spotless Mind”. This piece of work had a machine and process that could clinically delete/erase a person’s memories. Yes, you read that right, erasable people memories. But they used this gold of an idea to erase a couple’s memories of them being in relationship. The story is spun around how they get back to each other even when their memories of each other been erased. This movie could have been about a massive conspiracy that a government uses this method to make their people believe that there was never a world war. Hell ! It could have been made into a spy thriller. No ! They had to use that to erase two people’s memories in a dysfunctional relationship. I mean, is love really that much important to keep a person sane and happy? And so quintessential it has to be a part of almost every movie even science fiction? Isn’t love just an elaborate way of convincing the other one for procreation. I know, I sound a lot like Schopenhauer but there is a reason behind my cynicism.

Entering the 90′s, the year 1997, “Good Will Hunting”. Will Hunting, a self taught genius who could solve Mathematics problems of postgraduate level while working as a janitor in one of the most reputed institutes in the world. Will is a trouble maker and on the other hand he could also defend himself in a courtroom for the chaos he caused. A math professor takes Will under his wing, grooms him, sets up interviews for him with several companies and corporations. He could have been the next best thing since Einstein and he also got a job offer from NSA. Instead Will turns down everything and goes after a girl in California. REAALLLLYY??!!

Now to next one, should I talk about a certain another Mathematical Genius who had A Beautiful Mind and how he overcame his mental crisis? Or should I talk about a Linguistic Expert who went through a whole sort of trouble, so that she could lead a normal family life (Arrival)? Or should I even start about Back to the Future? You got my point, I could go on to quote many other works.

Why is there a recurring theme of love surrounding the works which are majorly based on science? Does the writers/creators think people are so dimwit that we need these love themes so that we would pay attention to other complex issues? Or is it a clever strategy of the writers to draw a much wider audience if it had a central theme of love in contrast to a sci-fi audience? No ! the writers add this theme to sci-fi movies as a reminder that we should have to keep touch with our human self which is surrounded by all this advancements of human race. Why love? because it is the humane thing we do and to quote Ted Mosby from How I Met Your Mother,

“ Love is the best thing we do” .

This is why the writers tend to add love as an end to the works involving humans with superhuman abilities, who surpass thresholds, who harness time and space. Love and Will are the two things that makes us unique of other creatures. Our knowledge and advancements in technology and society are driven by the will to live at our leisure, This will may overshadow Love one day and in turn we may become less humane. So these works not just blow our minds with science but also state that we have to be human. Sorry, I had to end this on abrupt note because I have to go see about a girl. Yes! you caught me I just wanted to quote Will from Good Will Hunting, but seriously I have to go see about a girl.

#scifi #scifimovies #scifi writing #love #interstellar #dark #netflix #good will hunting #how i met your mother #eternal sunshine #humour

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garagedoorserviceinhouston · 3 years

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Mistakes To Avoid When Selling House With Real Estate Inspection Services In San Diego

Selling your house can be just as tense and emotionally rigid as it is thrilling and rewarding, especially if it’s your first time. It’s a massive, complex transaction that you have around the corner, after all. Irrespective of why you’ve decided to sell your house, there are several hazards you can easily fall into, making your home selling experience far less than ideal. Fortunately, we’ve put together a list of common home selling mistakes people make so you can sell your home knowing you have your bases covered. Moreover, you can hire professional real estate inspection services in San Diego to mitigate these problems.

Skipping Real Estate Inspection Services In San Diego Before Selling Your House Selling a home is hectic enough, even when everything goes as planned. But suppose a homebuyer hires real estate inspection services that catch problems like pests, mold, or a cracked foundation. In that case, your anxiety levels will multiply as you risk losing a potential sale. Given the affordability of home inspections, there’s not much reason to avoid getting a pre-listing home inspection. With that, you can be at ease, knowing your home is in good condition. Also, you’ll be able to handle problems before homebuyers have the chance to bring them up during that crucial negotiation phase. If an issue does arise, you can either fix it or let buyers know and then make a concession during the negotiation phase by reducing the price of your home accordingly. Not Cleaning Your Carpet Or Refinishing Hardwood FloorsIf you’re reading this at your house, look down. How do your floors look? Even if they don’t look bad, there’s a quite good chance they’re starting to show their age. Since potential buyers will be inspecting every aspect of your house, you should start thinking of refinishing your hardwood floors and cleaning your carpet to avoid these home-selling mistakes. When selling your house, the best time to have your carpet cleaned or hardwood floors refinished is right before you stage your home. Since you’ll already be moving most of the furniture to either a storage unit or a new house, this is an excellent time to get your floors done and make them a selling point to potential homebuyers. Not Cleaning Your House Before Selling Most of us will be lying if we say our houses aren’t overdue for a good cleaning, so don’t forget to tick this box before listing your house for sale. There’s nothing more off-putting during commercial property inspection in San Diego than realizing the house is dirty. The potential homebuyers might wonder what else you’ve been neglecting all these years. So make cleaning your home a priority as it is one of the straightforward home selling mistakes you can avoid. By hiring a professional cleaning service provider, you’ll guarantee that not only is your home spotless but that you’re going to make a great impression on homebuyers when they tour your house. Not Staging House For Quick Selling The key point of staging your house is to allow potential homebuyers a chance to picture themselves living in the space. They get to see a home full of furniture and art organized in a way that highlights the primary features of your house. That won’t be the case for an empty house that echoes every sound.

Staging your home pays off too. Twenty-one percent of agents told the National Association of Realtors that staging a home increased its sale price by as much as 10 percent, making it a worthwhile investment. Not Addressing The Exterior Of House Over the years, the exterior of your home has taken a pounding from the elements. With everything mother nature throws at it, the paint on your house’s exterior and the stain on your deck have probably lost a bit of luster. So before listing, make sure to power wash your home first. In addition, to ensure your home looks attractive in the listing photos, you will also boost the overall curb appeal when buyers ultimately show up for a tour. In addition to pressure washing your house, you can also take some time to pressure wash your driveway, garage door, patio, fence, and any walkways you might have. By keeping your home’s exterior looking good, you can effortlessly avoid such common home selling mistakes. Not Budgeting The Move When you consider the moving procedure, you have two options: doing it all yourself or hiring a moving company. If you choose to outsource a moving company rather than doing it yourself, they’ll pack, transport, and then unpack your belongings. That means that a full-service mover might be well worth the investment when you’re engrossed with all of the other tasks related to selling your home. Not to mention, when you outsource movers, your belongings are insured, so you’re covered if anything breaks. The RoofIf you haven’t replaced your roof in many decades, it can lead to water damage throughout the property. However, if the real estate inspection services in San Diego find issues with the minor roof, this is unusual and can be dealt with after purchase. You should be worried about the more serious issues that could damage the roof structure, eventually decreasing your home’s value. If the roof is relatively new, there might still be a warranty, so check with the seller. If this isn’t the case, you might need a quote from a roofing organization. A loose shingle here or there is not the end of the world. HVAC There might be problems with cooling and heating systems even if the unit is somewhat new. You might need some work to make sure ductwork is sealed correctly or the filters you might need to replace. The system can benefit from a service from a specialist to sort out these somewhat minor problems during real estate inspection services. These aren’t the only concerns for a home inspection, but they are some of the most important. You Never Thought About Repainting One of the first things a likely homebuyer will notice when they pull up to your home is the paint. If you want to have an excellent impression first up, make sure that your home is painted an attractive color. Moreover, the quality of your paint job should be top-notch. While the work of repainting your home may take a few days, the value of painting your house before selling will be well worth the effort. Recent research found that painting the exterior of your property has a fifty percent return on investment. Don’t stop there with the exterior, though. We’ve all seen some rather bad color choices on the walls of houses. If you happen to have lime green or bright purple walls, you’ll need to repaint them to a more buyer-friendly neutral color. Doing that will make it a lot easier for potential buyers to picture themselves living in your home. Make a Smart Choice Rather than making a home selling mistake like walking away, send them back a tempting offer that you and your real estate agent think is fair. If they are interested, then you’ll be glad you didn’t let your emotions get the better of you. When you hire a home inspection company, you’re also hiring the people who work for them. As a result, Eco Home Inspections has established itself as the go-to company for customers who need fast, detailed, affordable, and professional reports. Thus, call us now!

#Real estate Inspection Services in San Diego #Real estate Inspection Services #Commercial Property Inspection in San Diego

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sclfmastery · 4 years

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👫 if you’re still doing it

Send 👫 for 5 headcanons about our muses.

Oho, just five? No no, my child.

The Master genuinely loves Bill Potts. Like, genuinely loves. The fact that he was still able to hand her over to be slaughtered just in order to keep the Doctor from continuing to (in the Master’s eyes) imprison and brainwash Missy is a horrific truth about the collateral damage between himself and the Doctor. But he knew Bill, and was closer to Bill, in a way that Twelve never was. He listened to her when she cried about her mother, her various traumas old and new. He knew her toothbrush color, favorite color, favorite food, worst fears, weirdest dreams, all things mundane and massive that made her who she was as a well-rounded human being. She wasn’t “boring” to him; he said that to drive home the point of how “evil” and “irredeemable” he was, to give the Doctor maximal pain and grief about his best friend. This is the Master who would rather die than regenerate to make the Doctor happy. He’s his own worst enemy, fighting against what his hearts want most just in order to preserve his autonomy (after all, his autonomy is all he has . . . or had . . . ). Bill, even, perhaps especially, knowing all this, still can’t hear him doing his Razor voice, and probably never will be able to. In a strange way, it helps her that his real face is totally unlike Razor’s.

We have rped their first conversations, and the apologies he’s issued, and the things he’s vowed to do as atonement. Rekindling their relationship is entirely HER choice, and he has obliged. If anyone wants to read those rps, they’re both on Tumblr and on Discord, just ask.

Bill refers to the Master as a “Zilla.” He loves it, and tries to live up to it.

When the Master is feeling especially guilty, he bakes for Bill, because he first ran into her post-Mondasian-ship, with Heather, squatting in an abandoned house on an obscure planet, eating really stale biscuits, and he vows it’ll never happen to her again. The last time he baked for her, he made 26 rolls, five cakes, and a dozen loaves of bread, and we haven’t even touched on pies or cookies. Despite the fact that she’s an alien waterperson now, and doesn’t need to eat.

They watch tv together and she’s astonished by the fact that he can run a successful national political campaign, escape any deathly situation, build immensely hyper-complex machines and inventions, and successfully execute convoluted long-cons, yet he doesn’t realize the Teletubbies are fictional, or that Brooklyn 99 isn’t a romantic drama about Rosa Diaz’s love life. She finds it endearing that he’s as stupid as he is smart.

They shit-talk about the Doctor (they both live with Thirteen now) constantly, just like they did when they were watching the decade-long surveillance footage of Twelve.

Sometimes in the hospital they’d race each other in wheelchairs or riding on supply carts, especially in the middle of the night. They only crashed into things a couple of times.

In the hospital, when her chest gadget went wonky, he was the one to rewire it safely. She never questioned it, just thinking Mr. Razor had unusual skillsets and a strangely ingenious capacity for mechanics. He tried to convince himself he wasn’t doing it for her, but for his long-con on the Doctor. He was lying to himself.

They do each other’s eye makeup and nails frequently. Sometimes they accessorize each other’s outfits.

They still take tea together every day, to continue the tradition of their first meeting. It’s better tea this time. They take turns serving it.

The Master has a room on the Doctor’s TARDIS where he takes the bodies of enemy creatures (Daleks and Cybermen) and violently beats them with a bat or mace. He brought Bill into that room when she was having a flashback, and let her demolish a Cyberman. She felt much better.

He’s gone back in time and given her mother a bunch of big financial breaks as an anonymous benefactor. Even Bill doesn’t know this, because telling her would seem like emotionally manipulating her for her favor and forgiveness.

When she and Heather get married, which he’s convinced will happen, he wants to officiate, but he has no idea how to ask.

When Bill and Thirteen spend time together having fun, the Master usually excuses himself because he feels insignificant and guilty.

After learning about the Black Lives Matter movement, and Bill’s impassioned activism within the movement, the Master has volunteered to ruin the weddings, birthday parties, and other gatherings of known bigots, by causing some kind of (somewhat benignly) chaotic disturbance, or online rumor that wrecks their reputation, or report to their bosses, that gets them fired. He’s even made a little side “consultation business” out of this activity under the name of Koschei Oakdown, though he doesn’t get paid for it. This one goes out to @modernwizard who totally first invented this headcanon.

He’s double and triple armed Bill’s bedroom so that no one, including himself, can get in while her brainwaves register a sleep cycle.

He regrets what he did to Bill more than any other companion he’s ever hurt. He has nightmares about it, it’s the single most pointed way the Doctor can defeat him in any argument (bringing it up as a way to silence him), it’s the one thing done to a human being he’ll probably never forgive himself for, not fully. Which is probably a good thing, right?

#vericey #wheretherestearss #Tea? (Bill Potts)#I'm Alive (simm)

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snarksandsarcasm · 4 years

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World Trees and Akenash

It’s a big tree and a very fascinating one, too. It doesn’t have green leaves and it’s crown is small compared to the space its roots can inhabit. And it’s heart sits right there on the top, exposed to all sorts of elements, potentially, moving towards the sky as the tree grows.

Through its tree veins flows Amber, a golden sticky sap with many qualities. It comes in raw liquid amber, a distilled form fit for human consumption and a dried form.

Raw amber is acid and burns away human flesh (see young Aaron) and only elves and Styx/goblins can deal with that substance without any harm.

Distilled Amber seems to be used as a stimulant. It isn’t quite described what it does but it creates substance addiction. We know that guards yearn for it their boredom and possible loneliness in the tower and that Styx complains about the shared minds/thoughts. So consumption of Amber allows all users to share their thoughts. Like a magical Twitter. To the user this is all but a fantasy, so they just think anything (and we know how strange, exciting and disturbing thoughts can be) without constraint and find it enjoyable that others can join in their thoughts. If they substance users would talk to their peers, they would probably find out that they have in all reality shared the same thoughts, but I am sure that is beyond their understanding.

Dried Amber seems to be found widespread even after the Fall of Akenash. Another sign how big of a role the World Trees played in the environment of nature of this world in general. I imagine it to be a mix of a rubber and oil chalks. Brittle but also bendy. It’s like oil or rock minerals. Handling dried Amber doesn’t seem to cause any issues to humans. It can be brewed back into raw Amber and from that potentially into distilled Amber. Maybe it can be grated and further worked with to create explosives and to provide light and warmth.

The Tree seems to be a structure of twisted roots, stems and branches, intertwining and growing into a shape resembling a common tree. It is not quite as big as the Home Tree on Avatar, where it’s Navi people live in its giant structure, but certainly seems to have the same potential. Akenash’s tree is big enough for several such small levels, one of which is location for the final boss fight.

The roots are much larger than the rest of the tree. This may be the case for this particular World Tree as they ‘need’ to grow that long and large to find a place to take nutrients from. On the other hand, they don’t get anything from stone walls so what would those nutrients be in the first place? Certainly not water. Similarly the leaves don’t get any much light either, but how can we know the World Tree’s real potential if it’s looked up in a dark and dry place like this? Look at the initial cage structure to hold the tree in the picture. When we get to see the tree it has grown beyond and its roots reach into the lowest and darkest corners of the tower. In the roughly 40 years of Akenash’s lifetime. A big feat. Let this tree stand alone for 200 years and it will have outgrown the tower. Either way, it seems to live just fine without any much access to light or water. It does in fact deliver more to the outsides that it does consume in resources. It gives, it doesn’t take. The name ‘World Tree’ is a fair one. And if it’s not in such confinement it may just be a true and essential provider of life to all living beings.

The cocoons are marvelous. They are like large grapes growing from the roots here and there. Their cocoon wall is a see-through brittle substance but reusable. The human scientists refer to them as ‘embryos’ but I am not sure how accurate their understanding is. This would suggest elves grow from the Tree itself. But we also know elves where human once and we know how they reproduce (and SoD features both female and male elves). And looking how Styx was able to merely ‘rest’ in a cocoon and be ‘reborn’ … I see the cocoons more as rejuvenation and health pods. At any point any elve can rest in them to regain their health and retain their eternal life.

There are several World Trees but this particular one is the only one in human hands. One Akenash guard tells us as much. We know from OOAM that the humans occupy the centre part of the Iserian continent. In the North and West are the elves and dwarfs, the South is occupied by orcs, separated by a nice big wall. The East hasn’t been specified but I seem to imagine ocean for some reason. Styx left for an unspecified World Tree far away from where his Tribe lived. Upon finding himself changed he started his quest to undo the damage. Why not use the Heart of the Tree he studied? Why must he spend 200 years to ‘find’ the World Tree in Akenash? For some reason or other that previous World Tree wasn’t available to him anymore and he needed to locate another one with a functioning Heart. Musings for another time. Suffice to say, there ARE other trees, even more on the same continent, but they are not accessible to humans at this point.

It is not very easy to place all the races and determine their political positions. That would be musings for a different time. But we know that the humans don’t have access to any other World Tree, at least not unless they have good trade deals. So they protect their Tree and try to milk it as much as possible. Hence they built Akenash. It serves as a laboratory for Amber research and a factory for Amber resources.

Akenash was designed by Querberus, a human inventor. He refers to the tower as his masterpiece. It probably existed in his head for a long time before being used as a World Tree container and Amber factory. From my timeline attempts (I share them later) I figured that Akenash existed for about 40 years before falling. Orcs will build another tower in OOAM so I have little doubt they were also the main workforce for this one, too. Along with force-like magic in this world I can imagine such a massive structure was built in less time than we would think. Maybe a decade? Especially if Querberus is overseeing everything, knowing exactly what goes where, with the full support and resources provided by the human government for this project. Querberus went so far as even to design custom made, flying transport ships. Although, for that too, I am sure the inventor had some earlier prototypes at hand to finalize and perfect. From the final scene in MoS we can see the falling tower still sitting on a triangular patch of land, as if, some time prior, the whole tower lifted itself up from the ground. This may have been a desired result or an unexpected side-effect due to the powerful Tree housed inside the tower, we don’t know. That screenshot also suggest that the towers location was somewhere in a mountain range region.

We don’t know what else Querberus did before the tower of Akenash. But it seems his reputation is that of a Da Vinci even early on. He may have done many useful and practical inventions even before that at a younger age. He was a genius and it is a shame that after Akenash, he didn’t have the freedom to create many more projects. Shame on Aaron. (Side Note on the airships: They are designed with fire heating the air inside the balloon. I don’t think that is so effective, otherwise our Zeppelins would have functioned the same way …. but regardless of that, very little burning material is kept on the ship, unlike a whole coal wagon for early railway trains. I thus conclude that Amber might very well be used to keep the fire up one way or the other. I see it as a very essential, very powerful element full of energy in this world.)

We don’t get to see any females in the MoS game, for neither humans nor elves (whether the latter need them as such is also a question for another time). There are no family units or domestic areas. Therefore, the tower itself is a pure workplace, like an Off-Shore Oil rig. Shifts last for several months before one may return home. This applies to the humans and to the elves, although I can imagine the elves have less desire for intimacy with a partner than the humans do, when nothing really is private for the elves to begin with. But they may miss their original tribes and do their duty to this poor mistreated World Tree with honour and pride.

The infrastructure of the tower is massive. They have a library, a giant incinerator (does this keep the tower afloat?) and a huge prison complex. I think the humans had prisoners work on the tower construction itself and then in the tower to deal with the dangerous substance Amber and needed that area to house them all. Like a big prison/concentration camp. Only guards and high-end officials have the choice to go and work in Akenash.

Being vulnerable humans they can’t completely do their work without the help of elves. Styx referred to the last time humans died trying to extract the Amber from the roots of the Tree and reminds Barimen how the World Tree belongs to the elves, as a race. They have agreed to tend to the Tree on behalf of the humans. Hence the need for the elf ambassador to ensure good working conditions and to make sure the deal made is being adhered to. This also explains the human hatred towards the elves, who are here out of necessity, not nice company. And the elves don’t like the humans abusing a World Tree. Room for tensions!

We don’t know what exact Amber products are being made in Akenash. We see many containers full of raw Amber everywhere but that’s it. Considering the size of Akenash, there might be space to create huge items such as military weapons, vital airship engine parts or just silly little things such as light matches using an application of ground Amber on their tip. I guess this is another good topic for another time. Amber products!

Considering how much presence I give Amber in this world, the Fall of Akenash must have been devastating for the humans. Their primary source of Amber gone. Trading will continue and dried Amber is still largely available, but it’s not as convenient as having your own World Tree. But it’s consequences on politics and economics is something for another time. Especially as Styx suggested in the Intro that the World Tree is a big secret of the humans, hence all the locks and guards. But such a thing cannot entirely be kept secret. I can see how the government will not disclose it’s exact size/production capabilities etc to their citizens or trade partners but I am certain enough people know what Akenash is for. Why it took Styx so long to find this place? Good question. But we may equally ask why Styx went through such a pointless game anyway, considering he is strong enough to just go ahead to the Heart grabbing it. Hm.

Some questions I haven’t got an answer to:

Tree Reproduction

Is the Heart of the Tree a seedling? Do the new seeds sit in the glowing leaves in the crown? Does the tree bloom? Bear fruits? If it’s a tree this big, who does the pollination? Giant bees? Would it not be possible, that after the Fall of Akenash from the remains of the Tree a new one will grow? I would say that generally new trees are rare. There are many spread throughout the world, but I’d wager you can count them on two hands. If they’d grow like apple trees there would hardly be the need for the humans to put so much effort into guarding the one Tree they have.

Other Mutations

Humans mutated into elves many eons before. An Orc can mutate himself into a goblin within 2 decades. Roabies are mutated giant critters. So what else can and will mutate? Fruit flies? Little lizards? We haven’t seen anything else. Direct contact with raw Amber causes deformation and deterioration of tissue so that might be Cause Number 1. Digestion of distilled Amber seems to affect and open up the mind only. So really anything that has direct contact with raw Amber might change, which in actuality is less than what we think. Who would choose to do that? Death of the creature seems more like than the deformation.

#styx: master of shadows #my styx lore

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zydrateacademy · 4 years

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First Impressions / Review - Cyberpunk 2077

I have some screenshots but they’re mostly photo mode and the occasional interface showing off my gear. So this review will be pic-less for now. I got Cyberpunk off of Stimulus money so as far as I’m concerned, the government paid for this game which does negate some of the problems I’d normally have for dropping 80$ or so on a preorder. Use that information how you will. First, I want to address some technical issues. In the sense that I don’t have very many. I have a 1050 GTX, an i5 processor, and 16GB of Ram. That’s about as complex as my knowledge goes on that. I’ve had a few glitches like Jackie ghosting through a closed door, some vans were clipped into the parking lot, and some NPC’s being stuck in furniture. A lot of ghosting around, really. The odd frame drop but nothing game breaking, and I haven’t had any crashes except one on startup, right after updating my drivers. Just the one in ~21 hours of gameplay. I play on High (but not ultra) settings. So all in all, not a bad experience. Everyone’s computer is a unique butterfly so while you will see a lot of yelling on various communities, some of us are trucking along several hour sessions at a time and not having a problem. Let’s do a quick dive into the story, and there may be some spoilers here but it’s mostly for Act 1, which is reachable just a couple hours depending on how quickly you want to unlock the whole city (as you’re locked to one region until you complete a major heist).

You play as V, of any variety of gender identity you wish (though you are stuck with he or she pronouns). Basically a futuristic mercenary that does any kind of work available, kind of giving me some vibes from Burn Notice. Arms deals, stealing fans, VIP extraction, and so on. Of course, nothing goes as plan and you more or less lose your entire initial team after a heist goes wrong in every way possible. You’re witness to a world changing shift in a power structure and are forced to insert a chip with the ‘soul’ of Johnny Silverhand, an angry and incredibly bitter man who staged a bombing decades before V enters the game. This becomes the driving force of the game as you work to remove him safely from your body before he replaces you entirely - Something that not even he can stop, really. I’ve only had my toes dipped in Cyberpunk as a genre but it seems pretty standard fare. The concepts of “do cybernetics eat your soul’ and the various debate of how much human makes a human, all that. You’re put right there in center force as you grapple with these questions, even though our avatar as V is more concerned with just curing themselves like it was any other terminal disease. Even in-universe, the idea of a soul-preserving microchip is still a relatively new invention, though still in development enough to be advertised and talked about in news circuits. So let’s approach my first problem. It takes several hours for the game to essentially ‘wake up’. For a long time, you’re stuck in several conversations and interactable cutscenes with very little gameplay except taking advantage of V’s chosen origin in dialog. A couple of firefights here and there but the initial region locks you in and there’s only so many world encounters to just run into. The game more or less railroads you into completing Act 1 with some haste, because it also unlocks the ability to get more cybernetics and even some actual, full on mechanics. Within that railroading, you’re witness to so. Much. God. Damn. Talking. Mercifully you can press or hold “c” to skip through some things if you already understand the gist, but the first several hours of the game can very much feel like a very pretty walking simulator. Thankfully this kind of goes away after Act 1. You suddenly get called by a variety of Fixers that preside over various regions and they toss you dozens of side-jobs to do and so far, I find them to be delightfully varied. As a stealther, I found great joy in having a VIP escort quest with the optional objective of not sounding any alarms. So I went and bought myself a silencer and happily snuck around some gang mates boxing in the middle of a building, retrieved my guy, and escorted him outside while leaving several enemies alive. It was a great achievement. These side-gigs can be as complicated or straightforward as you please, giving me some Dues Ex vibes. The tutorial introduces you to hacking so you can distract and destroy your enemies how you see fit, and I have found that most encounters are designed with alternate routes to deal with enemies. Others are less clear. During one gig, I opened a door and the entire bar went ape on me, so I shot my way through and earned two stars from the police. Turned into a massive shootout that led to a dropbox that had gang members in it that also shot at me. Playing on Easy is a saving grace, but as someone who typically likes sneaking around games when the option is available, I wish the game made it more clear if I'm in a "suspicious" type zone. I also have no idea which NPC's are counted as potential enemies (the scan early in the story tells you if they're in a gang or not), as perfectly normal NPC's in the aforementioned bar just began unloading on me. It was wild, and I survived and got paid but the mission giver telling me it was sloppy work. Thanks, lady. Another time I opened a gate and trained my silenced pistol on the guard only for her to slightly sidestep as the gate opening “alerted” her. So I missed the shot, she opened fire, and the entire structure came out to play. It was an intense gunfight in which I was victorious, but it felt hollow as my silenced approach just botched the entire encounter. It was difficult for me to figure out what the game’s general “loop” is. So far it gives me the Ubisoft vibe of “hit everything you run into”. I do like the idea of V being something of a vigilante, as random police encounters pretty much allow you to intervene and gun down gang members without them bothering you about it. I must admit, however, I wish there was more to actually DO in the game. So far it’s mostly just side-gig after side-gig. Escort guy here, steal a van there, eliminate all enemies here. Though again, I said before that some of this can be quite enjoyable under the right circumstances. Maddening in others. In a way, this is kind of the Rage 2 problem all over again, in the sense that people loved the general gunplay but there wasn’t actually a lot of gameplay beyond the decent combat mechanics. Cyberpunk 2077 is certainly no GTA5, but I hope some day it can become that with DLC’s that add actual activities.

A couple of quick asides. I despise the driving, as most vehicles seem to want to spin out very easily if you hold the turning key for a second too long. In some fashion, it forces you to drive like an actual sane person and mowing down civilians (even accidentally) adds a GTA-esque wanted level though it seems stupidly easy to avoid. Narratively, it makes sense as the authorities in this universe are incredibly corrupt and it basically amounts to “eh, they’re too far now, let’s not waste resources”. So, fair enough. Still, I hope to GOD there’s no mandatory story-based racing. Games have screwed me on that before, and I have not beaten most GTA games because of that. Secondly, I don’t think the origin choice does a lot. You get different dialog choices and being a Corpo did lead to one interesting turn when you just ‘knew’ a credit chip had a virus on it. So there is that, but ultimately the rest of the dialog is identical. You could chalk this up to V spending six months with Jackie and he, more or less, lets your V really swim in Night City culture but honestly ALL V choices feel like they’ve become the same person. I was originally a Corpo but it just feels like her past and culture didn’t seep in through most of the dialog. At the end of the day, V is always just some mercenary punk. The world is gorgeous, albeit not as alive as it may have been advertised in promotions. Random civilians just have canned dialog, a lot of it rude. However I’ve been hard pressed to find doubles or clones of anyone just walking around, but that may change once I get into the hundreds of hour counts. It’s a very pretty game and despite some of my qualms, I am enjoying the experience. There’s a photo mode which is wonderful to utilize when you run into an environment that just captures the imagination. I took a screenshot of Jackie’s wall of pinups, including a typical slutty nun but as per the universe, her chest filled with beautifully placed cybernetics. It was just fun to see, and there’s a lot of semi-subtle world building like that that I just adore.

The game has issues. However, if you wanted a slightly scaled back idea of GTA5 with a different aesthetic, this is not at all a bad choice. However I will not blame anyone if they wait for the “GOTY” editions to come out. And on sale.

#Cyberpunk #Cyberpunk 2077 #2077 #cd projekt red

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