#it will get no notes but what's new

[t-u-i-t-c]

okay i think i have an idea for my event set this month

[n3arell-art]

oh eye, always regarding

[invadergrabass]

"Before you do anything stupid, consider all it'd take is a snap of my fingers to have the best Zim this side of the multiverse take care of any problems you're considering making for me right now."

[deadboyswalking]

Imagine it's like, 10 years later and not only does Sanji realize that Zoro is kind of his best friend, but he also spends all of his time with him??? And he kind of loves him??? And in all of their time together, Sanji has rarely sought out other companionship (rarer over time) and Zoro has never seemed interested in it???

"OH MY GOD!"

"It's not a big deal, cook."

"I HAVEN'T SPENT A SINGLE DAY WITHOUT YOU IN SEVEN YEARS."

"And you've gotten on my nerves every single one of those 2,556 days."

"WE SHARE A BED!"

"I'm almost always on night watch and you're up before anyone else. Waste of space to each have our own."

"BUT WE SLEEP IN IT TOGETHER HALF THE TIME!"

"At least you don't kick in your sleep. And you always bitch about being cold when you're alone, so I'm not seeing the problem here."

"OH MY GOD, ARE WE DATING? WHAT IS THIS? WHAT ARE WE???"

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[deoidesign]

Doing master studies the only way I know how: Stealing them and making them my guys.

(Barberini Faun)

(The Fallen Angel - Alexandre Cabanel)

(Covent Garden - William Bruce Ellis Rankin)

[beaulesbian]

One Piece Live action season 1 + hints or similarities to future One Piece moments (specifically after East Blue saga)

- part 2: episodes 3 - 5 [part 1 here]

Again putting this small explanation here: This post isn't meant to be a comparison between the live action and the animanga during Blue East arc, but more so seeing these added/modified scenes that differ from the manga at that current arc, and instead seeing how they fit into future arcs and scenes, have similar parallels or even just choices for characters, and overall bringing these small details of their personalities from later arcs into the show now. (I just think it's neat.)

Luffy + food = classic. Food being very important instant strength and healing factor for Luffy, so that he even puts it in his pockets for later. || opla ep 3 // anime ep. 258.

Luffy & Going Merry - in opla, when Luffy first sees Merry, he thinks she's talking to him - already maybe a small hint what's going to happen (many arcs) later on. Then in this scene with Kaya, Luffy mentions how a ship is another crewmember - another friend to him // in anime the connection between them is especially shown with Usopp and more focus on it begins around Skypiea arc, but I felt Merry coming to rescue the Strawhats at the end of Enies Lobby was even better parallel to show here. She is their crewmember and friend, and they can hear her, thanking her as she saves them. || opla ep 3 // anime ep. 310

Zoro being stuck in places (or going to wrong places) happens so much, and somehow it never gets old. || In opla it's basically the whole episode 4 // in anime during episodes 246-254

Luffy & poison... there's a lot of it for future Luffy :') It's interesting that OPLA decided to add that so soon, & it could be seen as the beginning of Luffy starting to build up all the poison resistance he will need later... || Opla ep 4 // anime ep. 436

Luffy & Usopp's 'arguing' over the captain title. In opla it was a small scene meant purely in the joking way, just like a small scene in the animanga in East Blue arc, but I still wanted to add this as some sort of possible foreshadowing about their dispute/argument during Water 7 saga.|| opla ep. 4 // manga ch. 331

Zoro being directionally challenged. (much like Luffy in part 1 of this post, they think a little differently about the world directions). Not much else to say about this, just that it's still pretty much always funny.|| Opla ep 5 // anime ep 652

Luffy signing his name on the check/ bill for food - in the manga they showed something similar with a IOU on the bill, a future pirate king treasure tab, as Luffy was running from his first shenanigans with Ace and Sabo, so it was fun to see OPLA adapt this as a sort of continuation of Luffy always doing this. Love it. || Opla ep 5 // manga ch. 585

Garp talking about not wanting to be a fleet admiral or rising ranks any higher than necessary because it would take away his choices/freedom. - (Always an interesting opinion to see/hear from someone who 'raised' Luffy). It's mostly in the animanga before Wano arc, but it discusses the Akainu vs Aokiji duel that took place after the Summit war arc. Sengoku describes the same ideals Garp had about (not) being promoted, which is another interesting thing that opla moved already into s1. || Opla ep 5 // manga ch. 957, anime 958

[futurelabs]

leaving this here, it's a good shot

[clumsypuppy]

axolotl

[determinedskipping]

reading the sunlit man right now and oh my fucking god. it's like they made this book in a lab to appeal to me, specifically

[rmbunnie]

Okay so post-Seeing Red reread that comes with reading through Green Arrow 2001, I have 2 new things I've noticed and thought were interesting! This is the first, and the second will be here later on:

Ollie is kinda on his empathy A-game in this one? Like he's being a good dad, a good friend/colleague, it's impressive how much he isn't flying off the handle. I feel like all-in-all post-Mia-HIV-diagnosis, or maybe even post-City Walls, I can't pin down the shift exactly, he becomes much more self-aware in regards to his own temper and emotional shortcomings, and he doesn't like try to change that, but he does start avoiding situations that he knows he won't be able to handle with grace, (which feels like a much more natural progression for him and most characters in general than suddenly getting better and healing and no longer being flawed, but that's just my preference,) and he's doing his best with that in this one. All this to say, he:

keeps the conflict with Bruce to a minimum, except for when he's calling out his parenting style and rightfully upset by the possibility that Bruce only showed up in the first place to lure out Jason, and he and Mia were planned collateral. (It's worth noting that once he critiques Bruce's parenting, Bruce's knee-jerk response is to say pretty much "I know you're being mean and irrational because you're upset, but remember when Roy got addicted to heroin?" which, even disregarding the Roy part, he's kinda chalking any questioning of his parenting style up to Ollie just being upset, when like, that's a very valid critique of the situation. And I think context is added to his critique of Bruce's parenting style by acknowledging that a. that this comes after Bruce calling Jason "dirt in the gutter" and GA responding like "whatever you say," and b. Ollie is canonically aware that somehow, Jason ended up buried in rubble in his last fight with Bruce, meaning he has at least a rudimentary understanding of the Joker showdown (although I can't imagine he knows about the whole ultimatum part.) Several times throughout this run, Ollie alludes to Bruce being a difficult parent (mainly to Dick, via gossip from Roy,) but he doesn't know Jaybin well enough to even recognize him in Heaven, so I think it's entirely possible that when he says Bruce was a bad father to Jason, he's referring not only to Bruce's general closed-off and authoritarian approach to parenting, but specifically to recent, post-resurrection treatment of Jason, (maybe including the blowing up?) which would be VERY interesting.

sends Mia away when he wants to talk one-on-one with Bruce about Jason's turn towards evil! I don't know how I didn't notice this one in my first readthrough, but after she accidentally says something rude about Jason's death and the topic of drug dealing comes up, Ollie asks Mia to talk to one of her contacts about the weapons deal that's going on (and makes a point of praising her in front of Bruce for her network of sources and good information-gathering skills,) and then immediately goes in and tries to press Bruce on how hard it must be to see Jason doing the things he's doing (where Bruce doubles-down on having no residual care towards Jason.) This doesn't mean anything in the larger plot of things, but I think it's really sweet that once she gets embarrassed saying something insensitive, Ollie kinda gives her something to do off to the side so the adults can talk about something personal she'd be out of the loop on. I wonder if part of the reasoning behind sending her away is so she wouldn't be psyched out by the failed sidekick talk and the general idea of a sidekick dying, turning evil (relative to this way he was before,) and consequentially being abandoned (at a surface level,) by his hero parent, as opposed to Bruce's cautionary tale approach to the whole Jason debacle. It happens right when Bruce starts claiming that Jason is like, morally lost. The idea that she would see herself in Jason before the gym fight and Ollie could predict that upsetting her feels like a stretch typing it out, but a very interesting one imo. Either way, it's for the best that Mia wasn't around to hear the "another piece of dirt in the gutter" remark, and Ollie seemed to plan for this.

Gives Bruce run of the case, even before Jason comes into play, just in an effort to be cooperative, and because “he’s visiting." I'm also moderately obsessed with "Try and wear something nice tomorrow!" Like yeah Brucie public appearance, I understand what it actually means, but yelling "wear that dress I like ;)" out into the night is crazyyyy.

Is just so cute with Mia, if there’s one thing Green Arrow 2001 makes Oliver it’s a girldad. That really shines in this storyline. His first reaction to Mia when she escapes/is let out of the gym is “are you hurt? Did he hurt you?” he’s hyping her up, he keeps talking about Bruce’s “wild child” taking “his girl,” he’s actually explaining things about Bruce's m.o. and disposition to her, just being a great father all in all. And not to cornplate, but he makes a little joke about hating pineapple on pizza to some goons and Mia agrees with him pretty close after the Winick issue where she says it’s her favorite to the Teen Titans (another point of contrast with Bruce in the Mia-Jason parallel this storyline centers on: Oliver takes Mia to join the titans specifically so she can have a support system, while Jason was established to interact with them only behind Bruce’s back, under the pretense that he’d be punished for working with them, and dies isolated from his peers) which reads like she’s lying just so she can keep agreeing with her dad?? Mia Dearden cutest of all time! They both eat the pizza anyways...

I'm biased, but I just think it's kinda sweet that he continuously refers to Jason as "kiddo," "this kid," "wild child," etc. Like even mid-fight. idk Ollie acknowledging his actual age just hits, king of actually understanding the parental relationship between a sidekick and the hero who adopts him while Bruce makes a point of referring to both Jason and Mia exclusively as partners, charges, etc. all comic. Like it's ROUGH his direct response to GA calling him a hell of a father is admitting he has failings as a "mentor," both emphasized in quotes and bolded. Jason's wrong in the Mia conversation specifically about their fathers being the same, not because they aren't genuinely disconnected from his and Mia's backgrounds, they are, but because Oliver is a genuinely active parent, unbeknownst to Jason. And it's a leap in logic to think Mia's in the same spot, but with his reference to go off of? It's just a really fucking tough example to work off of, that he's internalized as the standard. But in reality, Ollie's... kinda killing it?

[psychopomp-namine]

the way everyone has a dislike in their profile that actually says something integral about their character. lu guang doesn't like plans getting messed up, cheng xiaoshi dislikes loneliness, xia fei with owing favors, vein with lying...

and then you have liu xiao, who dislikes... cilantro. and fish mint.

(shakes fist) (putting him in a glass jar and shaking vigorously) learn to be vulnerable!! tell me something about yourself!! I guess him liking movies lines up with the theater metaphors, and there's him liking chess, but that. doesn't count methinks

[goldensunset]

i looooove pokémon npcs whose team members subtly imply something about them that's never touched upon in the story or at least never outright said. i love villains having friendship evos. i love trainers who commit hard to one aesthetic or vibe with their team (beyond simply sharing a type) and i love it even better when there's one random exception especially if that's their ace. i love when later down the line someone boxes the cute fun soft baby pokémon they used to have in favor of a seemingly stronger or scarier one to show that they're getting serious. i love when they have a pokémon that's difficult to get and raises lots of questions about them. i love it when the lore behind a pokémon fits the character to a T and i love it even better when it appears to contradict them. give me the story-gameplay harmony but better yet give me what appears to be story-gameplay dissonance but might actually have implications if we're willing to dive deep into it

[clouvu]

Genshin catgirl yuri on the brain

[wtl-archive]

Intermission | MADELEINE 1

[Table of Contents]

[Masterpost]

In light of an official Rebecca endorsement I feel the need to make another Tumblr update lmao

And hey, perfect timing too, cause we got the roll credits moment!

[themintman]

Anyway back to space dog