#it’s like the seventeen of musicals for me

[itneverendshere]

I love bartender!reader!!!!!! She seems so sweet and collected...but I was wondering if she's got a little fire in her? Maybe they're at a party together and she gets jealous......which is new because she's usually the calm one out of her and rafe. Hope you're doing great <3

loved writing this bc you're so right!!! it's just so not like her to lose her temper over trivial things but oh🫣 hope you're doing just a great as well💖

i'm usually so unproblematic - r.c

pairing: rafe x pogue!reader (bartender!reader universe) warnings: allusions to smut but no actual smut.

You’re sitting in Rafe’s truck, staring out at the huge house in front of you, stomach in knots. It’s a mansion, more like.

Kook house. Kook party. Rich people everywhere. You can already hear the distant thrum of music, even from inside the car, bass-heavy, vibrating through the seats.

You chew your bottom lip and glance over at Rafe. He’s calm, casually messing with the radio, probably about to put on those trashy songs he loves that you absolutely hate but pretend to like because you love him.

It's insane how easy it is for him to just... be cool about this. But you?

You’re not so sure.

"This was a bad idea," you mumble, half-joking but also half-serious.

Rafe turns to you, one eyebrow raised, lips pulling into a crooked smile. “Nervous?”

You give him a look. “Obviously. I’m not...I don’t do these things. I don’t know these people.”

You’ve been with Rafe for almost a year now, give or take. Said your I love yous, met each other’s families. Hell, you’ve spent more time at Tannyhill than at your own place lately, and you’ve grown used to Rafe’s kook side. His friends, though? These parties? A whole other beast.

“I already met Topper. Isn’t that enough?”

He laughs under his breath, reaching over to take your hand. “You’ll be fine. It’s Kelce, and a few other people. No big deal.”

No big deal, you think. Easy for him to say when he’s been around these people his whole life. For you, being a pogue, working extra shifts at the country club just to pay rent… yeah, this is a little different.

“I know, I know. I’ll be fine. It’s just— I’m out of my element.”

He squeezes your hand. “Hey. You’re with me. That’s all that matters.” 

You’re with Rafe. The Rafe who loves you, who can’t keep his hands off you even when you’re just watching movies. The Rafe who gets jealous over dumb things, like if you laugh too hard at one of JJ’s jokes, even though he’s just your seventeen-year-old neighbor. The Rafe who texts you goodnight, even when you’re in the same room, because he’s a sap and you secretly love it.

“Alright, let’s go,” you agree, trying to hype yourself up.

Rafe smiles, and then he’s out of the truck, jogging over to your side to open the door for you, like a perfect gentleman. You roll your eyes but step out, the night air brushing your bare shoulders. You weren’t sure how to dress for this party, so you chose to wear something…safe. A pretty red top you only used on special occasions and your best demim skirt. It wasn’t exactly kook material but at least you weren’t in your worn-out shorts and usual crop top or in your work uniform.

The moment you walk inside, though, it’s like stepping into a different world. The house is packed. People everywhere, laughing, drinking, hanging by the pool. Everything’s pristine and polished, and you feel their eyes on you the second you walk in.

Rafe wraps an arm around your waist, pulling you close. “Want a drink?” he asks, leaning down so you can hear him over the music.

You nod, trying not to let the fact that people are definitely staring at you freak you out. You’re not a Kook. You’re his girl, though, and you know how much that pisses some of them off.

A few minutes later, you’ve got a drink in hand, and Kelce’s talking your ear off about something you don’t really understand. Golf. You smile and nod along, doing your best to keep up, but the truth is, you’re not listening. You’re too busy watching the crowd, still feeling like you don’t fit in. Like you never really will.

That’s when you notice her. Tall. Pretty, in that rich, polished way that’s almost too perfect. And she’s glaring. Right. At. You.

Your stomach drops, and you tear your eyes away, sipping your drink to cover the dread that suddenly hits you. You don’t know who she is, but she’s been staring at you since you walked in, and it’s starting to mess with your head. Was there something on your face? Had you met before at the club? Maybe she didn't like your drinks.

“Baby, you okay?” Rafe’s voice snaps you out of your thoughts, his hand resting on the small of your back.

“Yeah, fine,” you lie, forcing a smile. He frowns slightly but doesn’t push it. Kelce’s still talking, oblivious.

You try to ignore it, but as the night goes on, she keeps popping up. Always staring. Always with that look crazied in her eyes. Like she could kill you. You’ve had a couple drinks by now, and your nerves are turning into a kind of irritation.

Finally, you excuse yourself to the bathroom, needing a break from the overwhelming feeling of being watched. You lock the door behind you, exhaling slowly as you stare at your reflection. Were you seeing things? Overreacting? Surely, Rafe or Kelce would’ve noticed as well, right? Or maybe they were used to this. 

I’m just overthinking it, you tell yourself. I’m fine. She’s just..

But when you open the door to leave, she’s there. Leaning against the wall, arms crossed, staring at you with that same stupid look, like you personally offended her by daring to exist. 

“Can I help you?” you blurt out before you can stop yourself.

She doesn’t smile. Doesn’t even flinch. Just tilts her head, giving you the most disgusted once-over you’ve ever seen in your life. “You’re Rafe’s new thing, huh?”

What? You’ve had just enough to drink that your filter is basically nonexistent now. You blink, confusion killing the buzz in your head. “Sorry, do I know you?”

“No,” she says, her voice dripping with disdain. “But I know you.”

You laugh awkwardly, nothing about this is funny. “Okay? So what’s your problem?”

Her eyes narrow, lips tinted pink curling. Oh, she’s mad now. She steps up closer to you, practically chest-to-chest. “My problem is that I don’t get why someone like you is with Rafe. He used to have a certain standard.”

Oh.

You almost laugh again because...wow. Really? That’s what this is about? “Okay, Regina George,” you mutter under your breath. You’re not in the mood for this. You tilt your head, giving her your best innocent smile.  “And who are you?”

“Sophie. I dated Rafe for two years, before you, obviously,” she says, like that’s supposed to mean something. You didn’t know him back then, you hadn’t even spoken a word to him. "Guess he didn’t mention me."

His ex. Of course. Of course she’s his ex. 

You snort before you can stop yourself. "Nope, pretty sure he forgot to bring you up.”

You feel a little sting of jealousy in your chest, but you try to swallow it down. You’re not about to let this girl get under your skin. You’re better than that. You didn’t know him, it’s fine.

 “I’m not really interested in whatever this is.” You move to step around her, but she blocks your path.

“Just a word of advice,” she grits out, like you’ve personally offended her, “He’s not the kind of guy who sticks around for long. Especially not with girls like you.”

That does it. The alcohol, the nerves, the whole night—you’re seconds away from losing it. “What the hell is your problem?” you snap, your hands curling into fists at your sides.

“Dirty pogues who think—”

"Okay. I’m not gonna play whatever this is with you," you interrupt her, gesturing between the two of you, stepping forward so you’re toe-to-toe with her now. "If he wanted to be with a walking Vineyard Vines ad, he would be. But he’s not. He’s with me."

“You really think you’re different?” she spits, voice laced with venom. "Like you're special?"

Your laugh comes out sharp, more of a bark. “If you were so special, you wouldn’t be here, playing guard dog outside the bathroom. Move."

“Or what?” she challenges, her lips curling in that same superior smirk that makes your blood boil. “What are you gonna do, pogue?”

That’s it. You feel the fire flare up in your chest. Screw this girl. Your hands ball into fists, and you’re half a second from knocking that smug look right off her face when Topper steps in.

"Whoa, whoa, whoa, let’s not turn this into Jerry Springer, alright?" He holds up his hands like he’s breaking up a fight at a middle school dance. You’re staring daggers at Sophie, and she’s glaring right back, but his hands are still up, a peacekeeper grin plastered across his face as he looks between the two of you. “Let’s not do this,” his eyes landing on Sophie. “C’mon, Soph, no need for the drama, yeah?”

She scoffs, crossing her arms and stepping back with an exaggerated roll of her eyes. “Whatever, Topper.

He watches her go before turning back to you, eyebrows raised. “You good?”

You nod, still fuming, but grateful he stepped in when he did. "Yeah. Thanks."

You let him take you away because if he doesn’t, you're going to follow her and throw a drink in her face or do something worse. You feel like you could punch her right in her perfect, stuck-up face. 

He leads you back to where Rafe is, and you’re too upset to even look at him. His hands are on you the second you’re close, pulling you to him like he can tell something’s off. "Baby," his lips brush against your temple. "What’s wrong? You look like you’re ready to kill someone."

You don’t answer. You can’t. Not without completely blowing up.

Rafe’s brow furrows, his eyes darting between you and Topper. “What the hell happened?” he asks again, more forceful this time.

Topper gives him a look but doesn’t say anything, just shrugs. “Nothing, man. Just some girl drama. Don’t worry about it.”

Girl drama your ass.

He turns to you, and suddenly, he’s all over you, his hands on your waist, the other settling on the back of your head, “Baby, talk to me. What’s going on?”

You pull away, shaking your head, still too mad to speak.

He follows, his hands reaching for yours. “Hey, c’mon.”

Finally, you look at him. Really look at him. And the second you see his face, that stupid, worried puppy-dog expression, the anger starts to melt away.

“I’m mad,” you admit, “I got jealous. Your ex’s a bitch.”

Rafe blinks, and then, to your surprise, he laughs. A real, genuine laugh. You glare at him. “It’s not funny!”

“No, no, it’s not,” he says, quickly sobering, though there’s still a stupid smirk at his lips. “I just, I’ve never seen you jealous before.”

You cross your arms, still pouting. “I’m serious, Rafe. She was awful.”

He wraps his arms around you, pulling you close. “I don’t care about her. At all. I care about you.”

You roll your eyes, but your heart is softening. “She said you wouldn’t stick around.”

Rafe’s smile fades, and he pulls back just enough to look you in the eyes. “That’s bullshit. You know that, right?”

"She’s a psycho.”

Rafe’s expression changes, his frown deepening. "Sophie?"

"Yeah," you snap, because you hate the sound of her name coming out of his lips, "Sophie. Called me a dirty pogue, which—real original.”

“She what?” Rafe’s jaw tightens, and for a second, you see a flash of that old Rafe—the one who’d get into fights at the drop of a hat. "I’ll handle it.”

You’ve seen it before—his protective streak, the one that could turn dangerous if he wasn’t careful. Part of you loves it, the way he’d go to war for you without even blinking. But another part of you hates that you have so much power over him.

But right now, you’re still too mad to care about him handling anything. You push past him, heading for the exit, needing air, needing space. Everything inside you is on fire, and all you can think is that you need to get out. Anything but this house full of people who make you feel like you’re just dirt. People like her. You can’t stop hearing her nasal voice in your head, those snide comments digging into you like little needles, bringing up that same old insecurity.

“Baby, hold on,” His voice is behind you, and his hand is instantly catching yours, tugging you back before you can make it to the door.

You spin around, already ready to snap, but then you see his face—eyes wide, brow furrowed like he’s genuinely freaked out that you’re upset. “Don’t listen to her, she’s full of shit.”

You stare at him, your chest tight and aching, because yeah, you know she’s full of it, but it still got to you. It still hurt. “It just…” You swallow hard, trying to find the right words, even though everything feels like a mess. “It got in my head, Rafe. Like, I hate that she said that. I’m so sick of people looking at me like I don’t belong just because I’m not—”

He cuts you off, stepping closer, and before you can even finish the thought, he's dragging you into him. “You belong with me. That’s all that matters.”

You let out a breath, but you’re still worked up, “But it’s like—I don’t need some stuck-up kook girl who thinks she’s better than me telling me I don’t fit in. I know I’m not like them, but she said it like I wasn’t good enough for you. Like I’m just some—”

Rafe’s lips are on yours before you can finish. He only pecks you, but it’s enough to shut you up, to make your brain go silent for a second. “Stop,” his voice is almost pleading. “Stop thinking like that. I love you, okay? I don’t care what anyone else says.”

You blink up at him, you want to stay mad, but also want to let it go because he’s right here, so close, and he’s got that look on his face that makes your heart flip. “You don’t get it.”

He pulls you closer, hands gripping your hips like he can’t stand to have any space between you. “Then tell me,” he murmurs, pressing another kiss to your lips. “Tell me why you’re letting her get in your head.”

You huff, but the fight in you is starting to die out. “Because she made me feel like I’m less.”

He tilts your head back just enough to look at you, “That’s bullshit,” his fingers are gentle as they trail up your jaw, his thumb brushing over your cheek. “I’m not going anywhere.”

You feel a little stupid for letting that girl get to you in the first place. But damn it, you’ve heard it before—from other people, from yourself—that nagging voice that says you’re not enough.

“I know.” you mumble though you’re still a little embarrassed.

Rafe smiles then, that sweet smile he only ever gives you, and he presses his lips to your forehead. “Good,” he says, tugging you even closer, like he’s trying to wrap himself around you. “Because I’m obsessed with you, and I don’t care what her or anyone else says.”

You let out a shaky laugh, finally letting yourself relax in his arms. “You’re obsessed with me?” you tease, tilting your head to meet his eyes.

“Hell yeah,” he grins, his hands sliding up your back, one hand slipping down to squeeze your ass, his thumb sliding just under the hem of your skirt. “I can’t keep my hands off you. You know that. It’s becoming a real problem.”

You roll your eyes, trying to play it cool, but you don’t stop the giggle from bubbling out. The way he’s looking at you right now, like he can’t even think straight because you’re standing in front of him—it drives you up the walls. Then he leans down and kisses you again, and this time it’s not...casual. His lips move against yours like he’s trying to take every thought in your head, and it’s working. Your hands slide up, wrapping around his neck as his tongue brushes against yours. You don’t think you’ll ever get used to this. 

He grips you harder, lips moving to brush against your ear, “You’re mine, baby and I’m not fucking going anywhere.”

That hits you, hard, like a truth he always reassures you off but still feels brand new when he does say it. Everything that pissed you off, all the crap Sophie said, it doesn’t matter anymore. 

“Stop making me horny,” You whine out, tugging at his shirt and pulling him closer. You can feel his grin against your skin as he leans in, biting your lip playfully before kissing you again, you know he’s enjoying teasing you. His hand slides down to grab a handful of your ass again, making you gasp against his mouth, and you feel him smirk.

“I like you horny.”

You’re in the middle of this stupid party, surrounded by people who probably hate you for breathing, but all you can think about is how much you want him right now. His lips move over yours like he’s trying to claim you, and you’re more than happy to let him. It’s messy, all tongues and spit, but you don’t care. You love how rough and needy he is, how he groans into your mouth like he’s been dying to kiss you all night. It’s the kind of kiss that leaves you dizzy, the room spinning, and you’re not sure if it’s the alcohol or him—or both.

You tug at his shirt, frustrated with how much fabric is in the way, and he chuckles against your mouth, biting down on your bottom lip just hard enough to make you gasp. His hands slide down up to your neck, tightening just enough around your throat, and you let out a soft whimper into his mouth, making him grin.

“You're just so—” his lips brush over your cheek, then down to your bottom lip, kissing and biting just hard enough to make you squirm, "Beautiful, aren't you?"

You’re normally not one for pda, not at all. The idea of people watching, of eyes on you while you're with someone, always made your skin crawl. But when Rafe kisses you like this? When he’s got his hands on you? God, your brain just goes dumb, and every ounce of self-consciousness fizzes out. It's embarrassing, almost. All you can think about is the way he’s making you feel, the way he’s holding you against him, leaving you breathless and wanting more. You’re so not this person, not the girl who makes out with her boyfriend in the middle of a crowded room.

But with Rafe? You can’t even think straight. 

His hands slide under your skirt for the millionth time, blunt fingernails gripping your plushy thighs, and you nearly whine, “Rafe,” you breathe, trying to pull away long enough to think properly, but he just kisses you harder, more insistent. “Baby, stop,” you manage to whisper, though you don’t mean it at all.

He pulls back just enough to look at you, his eyes all dark, his breath hot against your lips. “You want me to stop?” he teases, his hands still tight on your hips, his fingers digging into your skin in a way that makes your knees go weak.

You shake your head, biting your lip, and his grin widens. “Didn’t think so,” he murmurs before leaning in to kiss you again, like he can’t help himself, and honestly? Neither can you. You’re so turned on, it’s ridiculous. 

“I—fuck,” you pant, trying to get the words out between kisses, but he’s relentless, pressing you back against a wall, his lips latching on to your neck, sucking a bruise into your skin “Baby, please—”

He groans against your neck, one hand sliding up under your top, fingers brushing the bare skin of your waist, and you swear you’re about to lose it. “Please what, hmm?”

You bite your lip, trying to stay composed, but you’re way past that now. All you can think about is how much you need him. Right now. Anywhere but here.

“Take me to the truck,” you nearly beg him, just loud enough for him to hear, but you know he catches it because he pulls back just enough to look at you, pupils blown wide.

He smirks, running his thumb over your bottom lip, teasing. “Yeah? You need me that bad?”

You nod, not even caring how desperate you sound. “Please.” Your voice cracks a little on the last word, but you don’t care anymore.

You need him, and you need him now.

ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀➷ˏˋ°•*⁀

Forty minute later, the air inside the truck reeks of sex.

You’re breathless, flushed all over, and your legs feel like jelly. Rafe’s next to you, grinning like an idiot already fixing his jeans like he’s not still catching his breath. It’s written all over you—the tousled hair, the smudged lipstick, the way your top is barely hanging on properly as you try to straighten it out, the stickiness you can still feel between your legs, on your panties.

You feel filthy.

You bite back a smile as you adjust your skirt, your body still recovering from the way he had your face pressed against the seat.  

“Shit,” you breathe out, trying to get it together, your fingers fumbling to fix your bra strap, “I feel like my makeup’s a mess.”

He just chuckles, leaning back in his seat with that cocky look that made you want to jump him in the first place, “You look perfect,” he says, eyeing you up and down like he’s ready to go another round.

You roll your eyes but can’t help the heat that rises to your cheeks. “Yeah, well, you look like you just ran a marathon.”

He laughs, reaching over to pull you close, his lips pecking your hair, “Worth it.”

You’re just about to leave the truck when the door opens, and as you both step out, you catch sight of Sophie and her friends walking past. Perfect timing. Of course.

She’s glaring—hard—and her friends are snickering, whispering to each other like they’ve just seen something they shouldn't. Sophie’s nose wrinkles as her gaze flicks between you and Rafe, her expression twisting into disgust like you’re both some kind of wild animals who just rolled around in the mud.

But you? You feel smug.

You meet her stare for a second too long, the corner of your mouth lifting in the tiniest, most satisfied smirk. You know she knows exactly what just happened in that truck, and it’s killing her. She’s practically seething, her friends muttering furiously under their breath as they walk by, noses in the air.

Rafe doesn’t even glances their way—his fingers hook into one of the belt loops of your skirt, tugging you back to him with just enough force to make you stumble slightly into his built chest, like it’s the most natural thing in the world. And it is.

“Thirty more minutes,” he murmurs against your cheek, planting a kiss there, casual but so possessive, his lips lingering just long enough to make your stomach shake with butterflies again, "And I'm taking you home."

And that’s what makes it even sweeter.

[eddiethebrave]

secret admirer part twenty-two

759 words

one two three four five six seven eight nine ten eleven twelve thirteen fourteen fifteen sixteen seventeen eighteen nineteen twenty twenty-one

Eddie do you ever think about what you’re gonna do after high school? like how am i expected to know what i want to do with my life? i mean, i have another year to think about it but not that much can change in a year you probably wanna do something with music, right? make it big with your band and have people screaming your songs i’d go to every show if i could be your own personal groupie who knows? maybe that’s my calling p.s. have a good time at hellfire tonight i hope you win !!!!! -H

You’d think the win last night would put him in high spirits, and it did. At first. He celebrated with the guys, passed on the get together someone suggested, and drove home feeling proud. It was when he was laying in bed, though, that he started thinking. When he graduates, how often will he be able to ride a high like that? From pure accomplishment?

Steve puts on a brave face for morning practice. He doesn’t wanna drag anyone down with him. He goes through the motions of accepting congratulations and pats on the back from his peers and teachers alike all morning long. 

It only makes him think, though. 

Seriously, what comes after this? More school? Does he accept that internship at his father’s soul sucking company? Does he get a gob and jump right into adulthood?

What it really comes down to is the fact that Steve had never thought he’d have a future. Honestly. He’s getting closer and closer everyday to the next stage in his life, though. The years snuck up on him and now he has to deal with it. 

On a lesser scale, Steve doesn’t like thinking about what life will be like once Eddie graduates this coming May. How is Steve meant to tolerate this hellhole without him? Sure, he’d gone years without really noticing him, but now that he knows what it’s like to have a taste of him in his life, he doesn’t think he could go back. 

The whole thing makes his pulse quicken and sweat begin to bead at his hairline. By the time he makes it to art class, there’s a tension forming at his temples and he’s not looking forward to the headache. He doesn’t think he has it in him to act like everything’s normal. 

For once, Carol doesn’t acknowledge his foul mood. She’s too busy staring at Robin. For the portrait, of course. 

The teacher had informed them today the class is basically a free period and they can choose what to work on or what to not work on. 

Steve sits slumped over the table with his head resting on his folded arms. He kind of wishes Eddie hadn’t put the divider up and also that he had his sunglasses so he could stare at him without feeling weird about it. 

Instead, he rests his eyes and tunes into the sounds of pencil on paper surrounding him. He dozes for a while and has nearly fallen asleep when he’s awoken with a poke to his cheek. 

Steve peels his eyes open, but no one seems to be wanting his attention. There is, however, a piece of paper placed next to his left arm. 

It’s a drawing. 

A stick figure with tall swoopy hair and eerily realistic eyes. 

Steve looks to his left, only to find the culprit still hard at work with his face tucked behind the divider. 

Steve visually fills in the blank and surmises Eddie’s smile probably matches his own. 

Steve doesn’t dare fold the paper. He tucks it into the notebook he has to keep it safe. Throughout the rest of the day, he opens the book just to look at it. When he takes it home, he tapes it to a wall in his bedroom, somewhere he can always see it. 

Eddie did i ever tell you how sweet it is that your club has matching tees? i haven’t seen anyone who doesn’t do sports or the school band have a uniform but it makes sense that other clubs would, too you look good in black, don’t get me wrong, but GOD i thought i was gonna die the first time i saw yours so thanks for that also, while we’re on the subject of how hot you are,  you should wear your hair up more often p.s. sorry about the existential crisis on friday i wasn’t doing too good but i got a pick-me-up eventually <3 -H

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[pparacxosm]

wounded in

(blue-eyed son part 2: electric boogaloo !!!! ; (hate to be that gal but you may have to read the first bit for context); homeless era!patrick zweig x jaded businesswoman!reader; nonlinear narrative; tw office job; tw coworkers; tw mcdonald’s; the sound of music stuff is for myself; i fucking love sound of music; and i fucking love cats (the animal not the musical, though that's lovely too) so there’s that; pushing a patrick zweig can’t spell agenda; tw new england maybe; i gave new rochelle a better rap this time; kiss scene kindaaaa ??..? ; tashi coaching patrick after new rochelle is canon to me; tw descriptions of emojis; what if i told you there’s a part 3; then what)

You hold in a bout of laughter when Patrick brings the drinks to the table.

His hair is longer than the last time you saw him, which wasn’t that long ago, in scale. In bones, in feels like a while.

Dear old New Rochelle. Far enough out that the city is a twinkle on the horizon like a cluster of stars, far enough that there are some actual stars above you, now. It’s odd to see him in New England. It’s odd to see him in jeans. But then it’s September.

There are new lines on his face already. He’s aging quicker now, as if to make a point.

Drinks are on me,

Is the first thing Patrick told you, when you walked in in a juniper parka. Scanned the room, picked out his booth.

Is this the part where you tell me you’ve opened a savings account? you said, trying to seem completely blasé about it. It would have been childish to be thrilled by such meagre chivalry at twentyeight. I feel like I should pay, you’re in my city.

Yeah, but you’ve hosted me enough for now.

That’s what you are, half the time. A host to him.

A museum. Thumbing through a rolodex of all the different shades of blue his eyes could go in one humid night.

You pass on more nights out than you accede to. You got a cat. You’re getting LASIK soon. But what it really looks like is that you’re wearing glasses to show that time has passed.

“What’re you smiling about?” Patrick asks, placing the foamy mug of beer in front of you.

You wipe discreetly under your eyes, spreading the mascara smudge. “Just thinking about how my aweinspiring generosity has rescued you from the misery of total squalor.”

Patrick chuckles. “Well, they say to pay it forward.” He sounds pleased as he lifts his own mug with a wink.

You look out the window. There’s a film of dust on it. There’s dust on the faux-chintz curtains too.

You start to wonder if that’s what he really thinks. That this is him going forward.

Patrick picks up the plastic menu. “We ordering sidedishes or do we want a full dinner? What’s good in Wellesley?”

You try to laugh, though the noise has the distinct tender hue of a sob. But you’re sure you feel mostly fine. “What are you doing here?”

“Hm?”

“What are you doing in Wellesley?”

Patrick looks up at you with bright, twinkling eyes. “Challenger in Boston. Thought it’d be a waste not to come see you.”

You clench your jaw to prevent more runny mascara. It’s stupid. You don’t much like waste either. But you’re not going to weep in front of Patrick like a child.

“You hungry?”

You nod, picking up your own menu, hiding your face behind it.

His hand reaches suddenly across the table, trying to touch yours. You pull away, but make it look like you didn’t.

“Bet you had a hard time leaving Tobes for the night,” he says, trying to lift the mood.

“Um yeah. A little. I like to imagine what she gets up to when I’m away.”

“My sister had a cat, when we were young. My sister was, like, seventeen, and I was eight, so pretty big gap.”

Because he has to clarify those sorts of things. Because you don’t know he has a sister. You don’t know anything.

You find it hard to picture him pinned down in any humane way. It’s always his beautiful leg (now sheathed in denim) writhing in a bear trap. Always his papery wings unfurled and pinned against a picture frame like a butterfly. Something metamorphosed. Something capable of a great change, and that must be tortured for it.

“She found the cat in an alleyway. She called it Patrick.”

You lift your eyes. You feel it bubbling in you like magma, the urge to coo. You feel all soft these days. And maybe that’s just open heart season, and the passage of time. But you see a vivid meridian in your life, and it falls right along the night you met this guy. And this back half is all soft, so you sort of want to blame him.

You swallow.

“Well, that’s sweet.”

Patrick lowers the menu. “Nope,” he shakes his head, that huge smirk on his face, like his name is on every ticket of the raffle, like he’s cheating at something. “Let me tell you what she used to do. She used to put the fucker in, like, a blanket, right? And she’d lift it up like a sack, with him inside, and he’d obviously start clawing and making all of these noises—“

He makes the noises. Just starts whipping his head around and making kitten growls, imitating this cat with his name. You get the sense that this is one of those anecdotes that explains a lot about a person.

“—And she’d come into my room, in, like, the middle of the night—this is real psycho shit—and she’d lift my covers and drop the cat. And the shit would fucking claw at me and bite me, just—“

He’s doing the noises again. And now he’s clawing at the air with his hands.

He stops, and the way he closes his mouth around his grin makes his teeth look like they’re trying to escape past his lips. But it looks sort of lovely.

“When the fuck died, Saskia texted me. She was like, oh, he loved you so much, you should’ve said goodbye.” He pauses, widens his eyes, looks at you with the pointed intimacy of sharing in this ludicrousness.

You roll your eyes. But you catch yourself smiling. You like the idea of him being mauled like that, skin deep. You get the sense that life has done to him a lot of that—those growls and scratches. And that sounds a little fucked. But what you like about it is how he seems so unmoved now, by this psycho shit. This flailing animal, this torture device. Pinning him down. He's laughing.

You try to imagine him as a child, but the proportions are all comically bizarre, in your mind’s eye.

“Pork chops,” you say, throwing the menu aside. “I feel like stuffing my face.”

Patrick gets three sausage egg McMuffins on the way to the New Rochelle Country Club—and fries, and a hash, and a soda—and he’s eating the second by the time you pull out of the drivethru.

There is a compelling sense of chaos to how he drives. Like, he’s so bad at driving. Three different people honk at him in a dozenminute window. And you feel content knowing that whatever had had your heart thumping last night has not shrivelled and died with the morningtime. Though now it’s maybe a partial distress for your safety. But you get the sense that, maybe, this is actually the person you are now. The woman who sleeps beside a rugged stranger and buys him breakfast and doesn’t care how he speaks with his mouth open while he’s eating the fries. Doesn’t care about the writhing mire of half chewed potato on his tongue. The way his lips gleam pink with salt.

“I need to listen to really specific music to, like, get in the zone? If you don’t mind?”

He sounds so uncharacteristically shy, for brief a moment. You have to lean forward and look to see he isn’t joking. He isn't.

“Uh— yeah, of course. It’s your car.”

He slides a Sound of Music soundtrack disc into the mouth of the dashboard.

You laugh so hard you fold over.

He’s got one hand on the wheel, and shifts is his seat, peeling the unfamiliarly clean skin of his thighs off the leather before sitting back down. He’s tearing into his third breakfast sandwich with a reckless abandon reserved for death row. He laughs around the bite, glancing, bemused, between you and the road, and, ultimately, spending more time looking at you.

“What?” he laughs around a halfmasticated mouthful. “What?”

There are tears sluicing down your face. You can’t breathe. You think you can, and then you start laughing again, and you can’t.

“How do you solve a problem like Maria?” Patrick hums cheerily as he noshes. It’s a gross and wonderful noise, the food moving between his teeth, circumventing Hammerstein.

You think the large coke is probably no performance enhancer, not only because he all but tumbles out of the car when it’s hardly halfway parked (poorly, you’ll add).

“Fuck, need to piss,” he says frenetically.

When you know the notes to sing…, carols Julie Andrews.

You’re still laughing. Crying. Your tummy fluttering painfully.

Patrick makes you order dessert too, since you’re celebrating.

Celebrating what? you had to ask, though, at the time, you were wearing an impish, knowing, frankly celebratory sort of smile.

Patrick feigned great offense. He said, I’m fucking here, aren’t I?

He wants you to have sundaes together. You spill some ice cream on your skirt. He finds that funny. He’s always got this weasel smile, like he’s constantly ready for amusement. He’s shaved, at some point between now and then. The hairs on his face are sparser. The skin on his face looks milky and organic like a crinite litchifruit.

The frumpy diner was his idea too.

He’s spent some time on the veritable extremes of the economic spectrum—that’s what life tends to be for him; veritable extremes, scratching him meanly—and now he just wants to play at being the average wage earner.

“You really are welcome to stay with me, if you’d like.”

Patrick looks at you like he’d rather shoot himself.

You sort of marvel at his sense of pride, as if it were a rare stone, swallowing light and spewing it out at all angles. The Sociology course you took in uni had a whole two modules on personal pride. It is one of the few emotions that are unique to humans.

Patrick—for his weasel smile and beastly hunger and feline anti—is remarkably proficient in being human. In the real, visceral parts of it. In wielding his emotions like kaleidoscope hues. Dancing freely in confinement.

“When are you leaving?”

“Don’t worry about that. If you have time for breakfast tomorrow, we can—”

“Mm, not tomorrow, I don’t think. But I have no plans this weekend.”

You say it with this weird, bright intonation, like you’re jesting. Which—a lot of things feel like a bit of a joke these days. But he seems to understand you well enough. Delivers a curt, unspurned nod, and even a smile. Not the weasley, chronicling one. The wolfish one that makes his eyes crinkle up.

“Come here then,” he says.

Patrick leans in for a hug. You can’t avoid it. He enfolds you in a fascinatingly soft, burning embrace. He still smells sort of musky and acrid. Like even though he can shower regularly now, he maybe doesn’t as often as he should. But you find a gross comfort that. This pleasantly fetid, human man. His cologne smells like a wine cellar.

He says, “It’s nice to see you again.”

Something churns in your belly. Maybe the pork chops. Maybe the ice cream. This whole fucking day. You accidentally deleted some files and IT spent five hours trying to help you unsheathe them from oblivion. You felt like a failure. And now you’re here and,

“Fuck, you’re still so cool.”

You push away from him with a forceful laugh.

You used to be able to tell your sister all kinds of things. But, lately, you haven’t been able to talk to anyone about anything.

Working so many years for a soulless corporate hive mind has turned you into an expert at short, polite, and meaningless feedback that only varies with inflection.

“Right”, “Sure”, “Got it”, “Whatever you think is best”, “Already on it”.

Half the time you sound illiterate. The other half, you sound like you could have written Prozac Nation.

When your sister asks, how was New Rochelle? she expects you to say something annoyingly vague and ominous in your cool, collected adjunct’s voice, like: Everything is under control.

But, instead, you say, “Do you and Mark still go to mass? I really want to start giving more of myself away.” And you’re wearing this smile that’s utterly sincere.

That’s what spooks your sister.

Of course, you want to tell her more. Because your sister married a Herman Melville character; one of those grizzly, stinky, sacerdotal men who don’t want to work but don’t want to lose either. You know your tale of Linklateresque, serendipitous connection would render her mesmerised and marginally jealous.

But, soft and charitable as you may now be, you keep it all to yourself.

Patrick is still in Massachusetts a fortnight later. You say you’d have loved to come and see him play, but you’re really busy, and he says not to sweat it. Insists really. Maybe even begs. Do not sweat it.

You text him, presumably a day or two afterwards, and ask how it went.

Smahsed it!, he texts, and garlands the (misspelled) notion with eight sunglassfaced emojis. You counted. Dibner? he texts.

Then, a moment later,

*dinner?

You get to see your first New Rochelle sunrise.

You slink out of bed with toothfairy softness, even though Patrick is sleeping the sleep of death—with a deep, miserable snore like a resounding dirge to prove it—beside you. Your pillow wall, in the night, had collapsed like Berlin in 89.

You step outside. You check your phone, first, but you do go outside. You do believe in fresh air in the mornings, even if you don’t have the fortitude for mindfulness and journaling.

The parking lot is a vast open soul. Regretfully resigned and stunningly silent.

The sky looks like a bleeding mouth, but the hard grey edges around it don’t seem to care. The concrete enterprises and litter splay do not want anything to do with this bruise. A tart, sort of sewery smell makes your eyes water.

Cars drive by too fast. 

You think, in some faraway capacity, you can hear the soft, rhythmic thunk of tennis balls hitting asphalt. But it’s only your heart.

You hear things. You see things.

You don’t want to sound like some haunted Victorian heiress with a mystical past, but you do.

In the break room, mostly.

So you hadn’t noticed before. Your coworker, Sam, goes fucking wild for tennis. Sam’s slobbering lewd and voracious over tennis. It’s hard to witness. In fact, you feel dirty witnessing this. You should call HR. Sam’s in the break room doing an onanistic oneman scene play about tennis.

Or maybe he just kind of likes it.

And you hadn’t noticed it before.

There’s a lot, for your part, that you were content not noticing around the office.

But now every errant tenniscentric commentary makes your hands feel sore and weightless without the presence of a gun.

“No, you don’t get it, Deirdre, this is like if LeBron played a game at some random Y, and got dunked on by this fuckin’ nobody, and then just… quit the game.” He sounds tumid with bewilderment. “Just fuckin’ dipped!” Sam’s incredulous. “Forever!”

“LeBron…?”

“Fuck, Deirdre, you’re killing me.”

You slot the mouth of your bottle beneath the spout of the water cooler. You close your eyes—zombieleaden, uneven on the tiles; it’s only 10—and listen to the halting trickle, trickle… stream. The plastic goes cold against your palm as the water rises.

“All because of some… fuckin’,” Sam snaps his fingers, “Fuck, I forget the name.”

Peter Zeppelin, your mind supplies dryly.

It is then that Sam chooses to notice you. Points his finger. Wide smile. “Oh-ho, here’s trouble!” says Sam.

Sam and you have had enough one on one conversations for you to list on your one free hand, and you wouldn’t be spoiled for digits. But, all the same,

“Here’s trouble!” Sam announces, “Big shot boss babe, huh? Back from kickin’ rear in New Rochelle. I know you’re glad to be back.”

You don’t say anything. You feign responsiveness, flash a stilted smile. But you don’t say anything. Because what would you say?

Outside the men’s bathroom of the New Rochelle Country Club, you fidget awkwardly, standing against a wall and trying to look inconspicuous. Patrick’s duffel sits at your heels like a staunch hound.

Your gaze meanders around the venue with an idle sense of inquiry.

You’d expected a certain echelon of grandiosity, anyway. And the country club is nice—you feel silly casting any judgement at all—if a little outdated. All glossy wood-panelling and pea green outdoor carpet.

You can see yourself, warped and bleary, upon the polished floor. The bar flourishes a glassy sheen and cloistered amber rows of lavish whiskeys.

Through glass windows, golf splays unfurl, ceaseless viridescence, beset on all sides by sharpcornered hedges.

People mill about with the air of the lookedafter, and polo shirts as white as the maw of God.

Which is nice—it’s all nice—and all, but your chest seems to enwreathe a stark state of dread. You feel the sort of nausea that would rack you as a child. Floating in the curtains at your dance recitals, like an anxious little poltergeist.

When Patrick emerges from the loo, he is whistling. Fluting finely the swooping tune of ‘Sixteen Going on Seventeen’.

“You certainly seem unburdened,” you murmur, gaze shadowing him as he draws near. You know you sound unconvinced. For his part, he looks undeterred.

Slings his bag over his shoulder like it is floatable, even as you know it bears the poundage of half a man’s life.

He grins, flashing a canine.

To you, he has just eaten his weight in greasy, leaden carbcloth, and proceeded to piss for twelve minutes straight.

But Patrick seems imbued by morningshine.

He throws a heavy arm around you, squeezes your shoulder. Says, “Look alive!” Says, “I’ve had a good night’s sleep, a hot shower, the breakfast of champions, and I’m about to get paid!”

You wince a bit at his volume, and also because he seems to be emanating a bit of that morningshine. Not to speak of the heat. Searing from his very bones.

If nothing else you admire his buoyancy. In that way, the warmth—even as the sun blooms above you—is a fascinating comfort.

Like something to be shared.

You say yes to dinner.

You keep having dinner. He keeps taking you out for dinner, and to decent places, too, places you haven’t even been to around here.

You’re sitting across from him. You’re eating, as one does. He’s regarding you with something like awe. Though you wouldn’t know it, because he regards, too, his plate, when the waiter rests it before him, with a sort of comical reverence. Even though you’re pretty sure he’s not starving, anymore.

But hunger’s not always about those sorts of things, you suppose. Maybe he's just still hungry.

He’s winning a lot. Must be, if he’s taking you out all the time, and—hey—maybe you can get him to sign something for Sam. That’d be nice of you.

Patrick watches you eat.

You try not to stare back at him. As long as you keep chewing, you won’t have to ask why he’s still here.

“That’s a nice shirt,” he says after a long silence.

You smile. “Thank you.”

He doesn’t text you for months, many months, after New Rochelle. You’d given him your number, because you wanted to put the ball in his court, and—fuck—here’s hoping you didn’t say that.

But you can’t recall.

It’s been months.

So, when you do get the text, you’re pleased to see it’s aptly contrite.

ypu probably think I’msn idiot, it reads, and it’s late at night and you’re already in bed, stewing over NYT Connections.

You eye the ID. Maybe: Patrick Zweig, but that’s implied—so many implicit little shards—because not a lot of people are so tortured by the prospect of your opinion on them so as to text you at 1 AM. So.

Define idiot, you text back.

dictionary defenition is Patrick Rupert Zweih. There’s prpbably even a lil picture of me next to it.

A few moments.

A bad one.

Ten or eleven emojis of abject terror.

You consider this—not a bad picture of him (though he doesn’t quite strike you as wildly photogenic anyway), just... This Whole Wound—and tap the side of your phonecase in tentative thought.

Your full name is Patrick Rupert Zweig? Tough.

Like ypu didnt already look me up.

You blink. Whoa—okay.

Not a humble idiot, I see, you type.

You don’t know where you get the balls. There’s a sweeping litany of long, gorgeous miles between your bed and New Rochelle, but maybe he can smell you thinking as much because,

Im in MA next week

In the registration room, a man with a binder asks his name, and Patrick sheathes his canine in a way that makes him look conspiratorial and bemused. You suppose it’s become an inside joke.

The ATP official seems to gleam with recognition when Patrick does give his name—his real name—and he says, “Oh wow, that is you!”

You can’t see his face from this angle, but you can envisage the way his moue has settled in confusion.

Apparently, the ATP official was a line judge at the Junior US Open back in 06.

You try to think back to what you were doing in 2006. Probably populating your microcosm in The Sims. Trapping little imitations of those who had scorned you in swimming pools to drown.

“You were really something back then, huh?” says the ATP official.

Your eyes flicker to Patrick’s profile. He doesn’t quite know how to respond to that.

The official hands Patrick a packet. There’s a little map of the facility in there, in case he gets lost. His first match is against one Gonzalez, on court seven.

Patrick says, marginally halting, “Hey, so, is there any chance of an advance payment on the prize money.”

The official blinks.

“Because I know I’m guaranteed a minimum of four hundred dollars even if I get knocked out today—“

You frown a bit at that. The official frowns a lot at that.

“Well,” he says, “Generally we don’t give out winnings until a player makes his way through the tournament…”

A beat.

Then,

“You could always just lose today. Then we’d have to cut you a check this evening.”

Patrick hardens to bone. You hope he has another lifeaffirming piss in him. He doesn’t meet your eyes when he turns to leave, but flicks you a glance that seems to ask that you spare him the judgement.

You leave New Rochelle today. Good as the night’s sleep may have been, he knows better than anyone that life’s loveliest things are fleeting.

So—fine—you don’t begrudge him. Instead,

“He seems hopeful,” you say wryly.

“Must’ve been thrown off by my pretty caddie,” he says dismissively. Maybe a little bristled.

The warmup courts, deep blue plane, shimmer in the sunheat.

Patrick takes the asphalt, flicks his racket around by its handgrip as though refamiliarising himself with the palmfeel for the first time in a while. Which—well—doesn’t give you confidence, at risk of contesting Julie Andrews.

He practices his serve. Starts to work the ball up and down the court. Hits a few forehands, a few backhands.

Then,

“He was lying,” he yells to the bleachers.

The bleachers are mostly empty. A few errant loiterers. Bored spectators who have finished their lunch earlier than their friends. What have you.

He’s looking at you, though. With a staggering precision from so far away.

“What?”

“That guy. He was lying. Or… bigging it up. Or whatever. I wasn’t really something, I was just decent.”

He strikes a ball over the net. You can see, from here, the vibration ricochet through the racketstrings with a shudder that has you expecting music to flutter out.

You lean back in your seat, sort of sliding down against the glossy plastic, a tremor of induced electric tickling your bum through your jeans. You cross your arms.

“That’s kind of bullshit,” you call out.

He spares you a glance, sort of doubletakes, and you can see the corner of his mouth tremble with intrigue.

He takes another ball from the basket. Tosses it up. You watch the neon starsphere spin fleetingly in the air before being walloped to oblivion. And what do you know of tennis? But you do think his serve is a thing of beauty. Beauty measured in power and precision, sure (he hits the ball straight and hard and fast and low, just barely clearing the net), but you can also see the way his muscles work beneath his skin. Which—you know.

Patrick walks to the fence that partitions the courts from the stands. He leans over, rests his arms on the palisade, and looks at you.

“This was the whole problem,” he tells you, “Everyone was always telling me how good I was. And it got to my head. And now I’m here.”

It’s a shabby imitation of humility. What it really is, is an attempt to scale down the apogee, so the fall seems less mythic. So the years seem less unkind.

“I didn’t come here to watch you sulk just because some guy was nice to you.”

Patrick grins. His cheeks are flushed with heat, and there are little spots of sweat on the hollows where his skin and bones meet. But he seems to know not to exert himself fully right now.

“You think I’m sulking?”

“I think you seem pretty torn up for a guy who’s going to play a thirty minute match, and walk away a few hundred dollars richer.”

He makes a noise like you’ve wounded him, but he seems elated.

“A few hundred dollars?” he says, raising his brows. “So you’ve lost your faith in me.”

“I have some,” you allow, and you’re not surprised to find that you really do. “Just don’t choke.”

Patrick wears the smile of a newly crowned Miss Universe. He looks touched that you’re being so frank.

“I won’t,” he says, with a sense of finality and what you feel is an incongruous tenderness. “I’m pretty good at dealing with pressure. My parents always used to take me to work with them and tell employees to come to me at random intervals with madeup highstakes scenarios. Like, pretending to have a breakdown, and saying they needed me to help them out and make the final decision. Some of them could cry on command.”

You try and fail to hide a look on your face that divulges how demented you think that anecdote is. But you try to find something neutral to say.

“Well, maybe you’re lucky,” you tell him. “I was horrifically nervous as a child.”

“Not anymore?” he asks, swinging his racket idly, and you get the sense he’s actually very interested in how you will answer.

So it’s hard not to answer him honestly.

“I don’t know,” you say finally, and you look away from his eyes, and instead at the sky. You’re alarmed to find they are precisely the same tincture of aegean. “Mostly not. But if I have to give a presentation or speak up in a meeting, I have to take one of those beta blockers, you know? Propranolol?”

You are stricken, at odd moments, in New Rochelle, in Massachusetts.

You get the sense that he’s trying to be cavalier. But, at the same time, there’s this unmistakable fragility about him. Like it wouldn’t take much to knock him down.

You are stricken by how he’s managed to maintain this cocksure swagger for so long. With such a brittle, aching core.

How easily it all might’ve been shaken by the wrong person, and the wrong word.

You love the smell of your dear kitty’s head right after a bath. The fluff of dandelions and baby bird. You love toweling her, taking her little paws in your hand and prying the toes open.

Toby pretends not to like being fussed over, but she doesn’t put up much of a fight. In fact, most nights, she falls asleep in your arms.

When he pays you the visit, Ms Tobes is breathing evenly in your arms, your thumb caressing the organtender slope of her silky head.

You open the door, and great weeping gales have been jostling your windows all evening. But he is in shorts.

Patrick’s been in New England for nearly a month.

There’s an odd sort of look on his face, and an unlit cigarette behind his ear.

Hands in his pockets, he leans against the door frame, staring down at you. You feel a remarkable heat radiating from the downy flesh of his bare legs.

He doesn’t seem confident, nor does he seem unperturbed. He seems… pensive and maybe even penitent, but he wears it with a fascinating poise. There’s still something wounded and vulnerable about the way of his shoulders, the slant of his mouth. It's the softness that kills you, anyway, you think incoherently. 

You peer up at him, dubious, through the briar of your lashes. He looks down at Toby, at the sweep of your finger over her head. You do not know if it is he or Toby who purrs.

When he speaks, he is whispering very softly, though there’s a frayed, low seep of his voice in his throat. It feels revoltingly intimate.

“When Patrick died,” he says, “The cat. I felt so shitty. I had this weird feeling of—like—I don’t know. Shittiness. Because of how Sassy said what she said. You should’ve said goodbye. What am I supposed to do with that, y’know?”

You swallow. The hallway is so vacant and noiseless you can hear the plush shuffle of his running shoes against the carpet. Dutifully beyond the boundary of your home, even though he’s been here quite a few times now.

“Patr—“ you croak.

“I’m not in Massachusetts for a game,” he tells you, shrugging hopelessly and almost smiling. But failing to. Which you register. “There’s no challenger in Boston. There’s just you. In Wellesley. All these… fucking ponds everywhere. Private schools. Bunch of rich little assholes who need a tennis coach, I bet. All these res—fuck. You know,” he shifts, taking the cigarette from his ear and gesturing with it between the two of you, “We’ve been out, like, twenty times, since I’ve been here, and there’s still, like, fifty restaurants we haven’t been to.”

You stare up at him. Your palms, where they cradle Toby, grow damp. The throbbing organ of your heart takes up residence in your throat. There’s a sad sort of clanging from the clock in the hall.

You lift one trembling finger to your lips.

Please, don’t say anything else, you beg with your eyes. Please, not in front of Toby.

Patrick’s eyes glint ruefully. Almost ominously. He seems insulted by your gesture, but he understands. He always understands. He never holds anything against anyone.

“No need for that,” he says very quietly. “I come in peace.”

He moves closer, breaking the enclave where the carpet of the hall meets the vinyl of your floor, until he is inches away.

A head taller, yet shrinking, as if you were seeing him from across a room.

He smells very good today. He smells like spice and bergamot and the laundered fabric of his navy blue halfzip. You sort of miss the musk. Of course you think of New Rochelle. You think of Bob Dylan and Hello Kitty and thermostats. Fucking Sally.

You lift your chin.

“I’m not asking you to—“

Patrick leans forward, his nose touching your nose.

“I’m gonna do the tennis,” he speaks the words into your mouth, voice like gravel melting in the sun.

You part your lips. A part of you hates him, hates how he’s insinuated himself in your life without warning. Another part, however, is asleep and betrays you.

He shushes you, though you’re sure you haven’t said anything. It’s just that you’re crying now. Completely still and silent. Weeping like the dead, because the dead weep, too.

He shakes his head, his nose brushing over yours, says shhh like you’re a cat, and, even then, Toby only stirs between your fingers.

“It’ll be good,” he says, and you’ve heard him sound convincing. You know that right now he sounds… something else. And he’s still shaking his head as he whispers, “It’ll be good, I’ll be good. I have a coach, I’m not done, I love the tennis.”

You look up at him. Lick your lips, which, when you’re so close, also means sort of licking his. Sort of licking into him. You want to say, fuck your tennis and fuck you too, but you also want to fuck him and you want to fuck his tennis, too.

You think of New Rochelle.

Patrick’s hand meanders upward toward Toby, and, if his cigarette was lit, you’d see sweeping coils of smoke floating heavenward.

It isn’t lit, but still.

You catch him quickly. You hold him by the wrist.

His skin is nauseatingly warm.

“You love it?” You sound unimpressed now. Your mouth moves over and around and against his as you speak.

“I do.”

“You love it, you love the tennis?” You’re sort of spitting it at him, and he tastes it.

And he thinks of Patrick the cat, how he lay there and was mauled. Pinned down. He thinks he’d let you draw blood, now, if you really wanted to.

“Tennis doesn’t love you.”

“Do you?”

There is time enough for you to answer. But when a sound is finally made it is only Toby, who mewls.

Patrick smiles. You feel the seam of his lips touch your lower teeth. “Didn’t think so.”

He straightens, his lips swiping your nose on his way up. He gently removes his arm from your grasp, your nails scraping is skin.

You exhale sharply. You feel stung.

Poor Toby, caught between your beating hearts. Patrick steps away. He places the cigarette between his lips, and then you do not stop him from touching Tobes. He strokes her gently.

“You got a lighter?” he asks around the cig.

There are three aflame candles in your home right now. He can smell the vanilla. You shake your head. He smiles again. Toby purrs. Patrick’s fingers touch yours between the heather fur.

You feel a strange ignition in your bones.

The game begins.

Everything is quick and violent.

You don’t know if tennis is actually quick and violent, or if that’s just him.

You are astounded by just how much a man can sweat. You are spellbound by the visceral implication of being drenched in one’s own exertion.

Gonzalez is younger. A little bit more thrilled to be here. And he’s got the kind of easy, quick thoroughness that means he probably practices with a ball machine at home, but not a lot of real experience.

Patrick makes brutal work of him.

There is a certain way his muscles tense through his forearm and the pulse travels up his bicep when he strikes the ball. His shirt rises as he twists to send it flying over the net. There is so much laboured breath and dripping skin.

He has you sit exactly where you sat during warmups.

Between sets, he extends his arm, taut and sweatsoused, and points to you with the scratched edge of his racket, one eye closed like he’s mapping trajectory. And he does sort of have this bloodhungry precision in his gaze, like a marksman.

You feel it in your neck, the ache of your focus, how your eyes water for lack of blinking as you swivel your head side to side. You do not close your mouth once.

He hits the ball again, and then again. Each with an almost startling accuracy. Each with a deep and fleshsatisfying thwack that makes your very ear canals thrum with the sort of pain that has you expecting the warmth of dripping crimson on your shoulders.

But it’s not just the force that strikes you. It’s that precision. That bulletgleam precision.

He seems to know, with a profound, animalic certainty, exactly where to place each shot.

At times, they will land exactly where the last landed.

And by the time his adversary cottons on, he has set his hungry eyes upon another target.

It’s beautiful.

You start to wonder if you have ever—ever—looked so fucking beautiful doing any single thing in your life. This strange and beautiful violence. Refined and delicate violence. He is violent and graceful.

Patrick groans when he hits the ball. Makes a guttural sound, a pained sort of sound, like he loses something of himself with each forceful departure.

The sun beams down, and you see his beautiful legs flex aglow with the beautiful gleam of his abject labour.

You think, fuck—

New Rochelle is beautiful.

“You know, I could have gone pro.”

Sam leans back in his Herman Miller chair. Takes a deep quaff of his coffee before pointing to Deirdre with his mug.

“You played for two years in middle school,” Deirdre deadpans, her gaze unmoving from her monitor as she populates a spreadsheet with who the fuck knows.

“This is huge, D,” says Sam, unhurt, “This is like if Jamal Mashburn started coaching the fuckin’ nobody that demolished LeBron at the Y.”

Deirdre seems to have forgotten this analogy, which, for her part, Sam first made months ago now.

“But also if Mashburn was married to Lebron,” adds Sam.

Your computer screen casts depressing polygons across your glasses. You slide your AirPods in. You don’t want to know where Bob Dylan will appear on your Spotify Wrapped.

I met one man who was wounded in love. I met another man who was wounded in hatred. And it’s a hard, it’s a hard— It’s a hard, it’s a hard—

It’s a hard rain’s a-gonna fall.

[musicalmoritz]

Hey uh ,,, do you have any songs that reminds you of tbhk? Like specific characters or relationships ?? (Also I plan on updating my mitsukou playlist I have for coping reasons so some recommendations on that would be nice) ( little cat ^. . ^ / )

OKAY so a little bit embarrassing but the way I listen to music 99% of the time is by imagining my hyperfixations with whatever I’m listening to so I am the perfect person to ask this question. Fair warning tho my music taste does dabble in basic territory. This is gonna be looooooong so fasten your seatbelts

• Using You by Mars Ago is such an AoiAoi song to me. There’s always one specific ship in a fandom that fits this song perfectly and for TBHK that is 100% AoiAoi

• Heart-Shaped Box by Nirvana gives me HakuSumi and Sakuhiko vibes. I lean more towards HakuSumi tho bcuz…well…those of you who know the meaning of this song will get it LOL

• Soooooo many Beetlejuice musical songs remind me of TBHK. I started to make like a whole playlist that told the plot of TBHK through musical theatre songs but I gave up after the Mitsuba arc and it never made it to Spotify. Maybe someday…

• Say My Name from Beetlejuice is obviously very HanaNene coded. And The Whole “Being Dead” Thing is giving Hanako coded. Dead Mom is very Kouded

• I Know It’s Today from the Shrek musical always makes me think of Nene

• Drift Away from Steven Universe…very Yako. Her waiting for Misaki every day before learning he died…oof

• Dear Theodosia from Hamilton Remind’s me of the Minamoto Siblings. With Teru as Burr singing abt Kou and then Kou as Hamilton singing abt Tiara

• Beautiful Boy by John Lennon reminds me of Teru and Kou

• On a similar note, I Wanna Hold Your Hand by The Beatles is soooooooo NeneMei coded. Yes I’m talking abt that scene where Nene asked Mei to hold her hand to trick her in an escape attempt. I think about it often

• Townie by Mitski makes me think of Teru. “I am not gonna be what my daddy wants me to be” yeah…

• Ever since I heard HISS by Megan Thee Stallion it has made me think of Teru. I feel like he would be her biggest fan

• Mine by Taylor Swift works so well for any Aoi ship but specifically Aoinene or AoiAoi. “You made a rebel of a careless man’s careful daughter” I mean c’mon her fears surrounding love all stem from her father abandoning her so yeah

• Okay you specifically asked for Mitsukou so I should probably talk abt them

• To me they are so Lana Del Rey core…Video Games…Ultraviolence…the Diet Mountain Dew demo…Summertime Sadness…Yes I know I’m making her most popular songs, hush

• Line Without A Hook by Ricky Montgomery. It’s extra gut-wrenching when it’s from Mitsuba’s pov imo but it works both ways

• Waving Through A Window from Dear Evan Hansen is so Sousuke core

• All of Taylor Swift’s Red album reminds me of them but specifically All Too Well (both versions), Red, Sad Beautiful Tragic, Stay Stay Stay, Begin Again, Better Man, Come Back…Be Here, The Very First Night, and…yeah basically all of Red (Taylor’s Version)

• Northern Downpour by Panic! At the Disco also makes me think of them, this is embarrassingly my favorite song of all time I can’t lie

• Lacy by Olivia Rodrigo is so Aoinene core, yes I have written a fic abt them with that title (a lot of these come from my fic titles ngl)

• Tainted Love by Soft Cell gives me strong Terukane vibes from Akane’s pov

• I Wanna Dance With Somebody and So Emotional by Whitney Houston both remind me of Aoinene as well, basically all of her album Whitney does ngl

• Edge of Seventeen by Stevie Nicks makes me think of Natsuhiko

• Bernadette by IAMX reminds me of Sakuhiko

• She Liked A Boy by Nxdia is very Aoinene coded

• Stupid With Love from the Mean Girls musical makes me think of MeiAoi, specifically the version with No.4 Mei

• Music of the Night from Phantom of the Opera is canonically Hanako coded like c’mon we have a whole au for this

• In addition, Think Of Mei is very Nene coded, All I Ask Of You is Mitsukouded, Notes is v Terukane coded, and the title song is so HanaNene

• Valley Of The Dolls by Marina is lowkey Aoi core with the whole “pick a personality” line and the concept of losing your identity as a woman due to the boxes society puts us in

• Gemini Moon by Reneé Rapp reminds me of Kou or Akane (mainly bcuz of the “I could never pick a side” line…bi kings)

• Fly Me To The Moon by Frank Sinatra makes me think of HanaNene (any old music does tbh, I have a whole playlist for it)

• Me and My Husband by Mitski is, like, THE Hakusumi song

• There Is A Light And It Never Goes Out by The Smiths is so Mitsukou like “to die by your side is such a heavenly way to die” ?? C’mon

• Violently shaking trying not to name every Fall Out Boy song in existence

• The Pros and Cons of Breathing is SO Aoinene guys (“wish that I was as invisible as you make me feel”)

• Hum Hallelujah could theoretically be Kou

• HOT TO GO! by Chappell Roan is the vibe I have assigned to Minami and Himari

• Stacy’s Mom for Mitsuba’s mother. No elaboration needed.

• You’re On Your Own, Kid by Taylor Swift makes me think of Teru :(

• Lithium by Nirvana reminds me of Akane but also every Nirvana song ever reminds me of Akane, I have assigned Akane to Nirvana

• Whitney Houston’s iconic cover of I Will Always Love You for HanaNene…yes indeed

• Taste by Sabrina Carpenter with Terukaneaoi (Teru sings it to Akane so instead it’s “you’ll just have to taste me while SHE’S kissing you”)

• I have assigned Olivia Rodrigo’s Guts album to HanaNene and Sour to Mitsukou

• Bcuz c’mon, Deja Vu is such a Mitsukou/Soukou song

• Maneater by Daryl Hall & John Oates is Ghost Hotel au Kou and then Maneater by Nelly Furtado is main universe Mitsuba (get it? bcuz cannibalism but also they’re gay-)

• I like the concept of a “maneater” being a gay man and a “womanizer” being a lesbian. Therefore Womanizer by Britney Spears is Mei’s song

• Oops! I Did It Again by Britney Spears is Aoi with AoiAoi

• Espresso by Sabrina Carpenter is Aoimei with OG Mei, Bad Chem is HakuSumi, and Please Please Please is Sakuhiko

• Holding Out For A Hero by Bonnie Tyler is a Natsuteru song I have dubbed it that way

• Landslide by Stevie Nicks is so Aoinene it hurts… “well I’ve been afraid of changing ‘cuz I built my life around you”

• Every Breath You Take by The Police reminds me of Mitsukou from Kou’s pov…my boy can get a little obsessive

• Obsessed by Olivia Rodrigo is THE Sakunene song, especially since Nene thought Sakura was Hanako’s girlfriend when they first met

• Honorable Mention by Fall Out Boy is lowkey Mitsuba like hear me out…or maybe more-so Sousuke

• Their song Pretty In Punk reminds me of both Mitsukou and Hanamitsu

• Two Player Game from Be More Chill is HanaKou and then A Guy That I’d Kinda Be Into is Mitsukou

• Part Of Your World from The Little Mermaid makes me think of Nene and then Poor Unfortunate Souls is Sakura (or Tsukasa). Kiss The Girl is HanaNene or Aoinene

• Kiss Me by Sixpence None The Richer is Terunene, I’m sorry Ik a lot of ppl hate it but I adore them

• On that note of overhated ships I love, Jessie’s Girl by Rick Springfield reminds me of TeruAoi

• Ooooh and Uptown Girl by Billy Joel is a MeiAoi song

• My Girlfriend Is A Witch by October Country is so Aoimei and Sakuhiko core

• I Fall In Love Too Easily by Chet Baker makes me think of Nene

• I could make a whole separate post abt TBHK and Taylor Swift songs so I’m trying not to yap abt her too much but When Emma Falls In Love also reminds me of Nene. And The Archer is Hanako. And Mirrorball is Akane. And The Lucky One is Aoi. And-

• The Masochism Tango by Tom Lehrer is so Mitsukou but specifically the way I write them, you guys have to see the vision (Natsuteru as well)

• Miss You Much by Janet Jackson is lowkey AoiAoi core, ngl I just wanted an excuse to bring up Janet Jackson

• And Escapade by Janet Jackson is Aoinene so real so true

• I have seen ppl attribute Picture You by Chappell Roan to Meinene and I agree. I will add that Casual is Sakuhiko core from Natsuhiko’s pov

• Rock ‘n’ Roll Suicide by David Bowie reminds me of Terukane, both as individual characters and as a ship

• I Know You by Faye Webster is like THE AoiAoi/Terukaneaoi song to me

• Paper Bag by Fiona Apple is Mitsuba to me, trust I will be writing a fic that uses a line from this song as the title (unless it’s already been done before…it’s a very popular song so like that’s possible…)

• Lonely Hearts Club by Marina makes me think of TeruAoi

• Animal Cannibal from Possibly in Michigan fits both Sumire and Mitsuba imo

• No Surprises by Radiohead makes me think of both Teru and Kou

• Please, Please, Please, Let Me Get What I Want by The Smiths also makes me think of Kou

• Our Last Summer by ABBA reminds me of the Severance arc in a very bittersweet way, specifically the ending

• Silver Springs by Fleetwood Mac fits like so many ships. Hakusumi, Mitsukou, HanaNene…

• Killing Me Softly With His Song by Fugees and Ms. Lauryn Hill makes me think of Sumire/Hakusumi

• I Put A Spell On You by Nina Simone is very Sakura core to me

• Heart Of Glass by Blondie with Mitsuba hear me out hear me out

• Smooth Criminal by Micheal Jackson with Aoi and the amount of times she’s almost died lol

• The Boys Of Summer by Don Henley with Hanako and Kou, or Kou/Yokoo/Satou

• Moon River with HanaNene. Now cry.

• Romeo And Juliet by the Indigo Girls with Aoimei

• Psycho Killer by the Talking Heads with Tsukasa

• And circling back to the musical songs. A Lovely Night from La La Land with MeiAoi

• Fight For Me from Heathers with Mitsukou. Candy Store with Terukaneaoi. Seventeen with HanaNene. Meant To Be Yours with any ship tbh these guys are all insane. Lifeboat with Aoi. Much to think about

• Stars from Les Misérables with Teru. Let me repeat. STARS FROM LES MISÉRABLES WITH TERU. He is so Javert coded Javert my babygirl from my favorite piece of media of all time that literally shaped who I am as a person

• Right Where You Left Me by Taylor Swift with Sumire

• Also all of the Sweeney Todd musical gives me TBHK vibes with all the cannibalism, I could make a whole au

• Camisado by Panic! At the Disco with Teru

• No Good Deed from Wicked with Hakubo snapping after Sumire’s death…Hakubo my beloved

• Popular from Wicked with Aoinene, What Is This Feeling? with Terukane

• The Confrontation from Jekyll & Hyde with the Yugi twins

• Don’t Rain On My Parade from Funny Girl with Nene

• Suddenly Seymour from Little Shop Of Horrors with Aoinene, AoiAoi, Mitsukou, or HanaNene

• I like to imagine Unlikely Lovers from Falsettos with Aoinene and Terukane

• Two Wuv by Tally Hall with Teruaoinene

• American Beauty/American Psycho by Fall Out Boy with AoiAoi

Okay I’m cutting myself off because the music + hyperfixation brainrot will never end. I hope this was somewhat enjoyable to ya’ll lol ty for giving me the chance to yap abt this

[tulsa24]

oh i love waitress so much

[otlwoozi]

MAMA 2024 ALBUM DAESANG - FML

[minzbins]

JEONGHAN Super / 230428

[kaurwreck]

kunikida in bsd's dub calls dazai a useless cad. "cad." not cat. "cad."

[animentality]

i have a controversial opinion that will truly offend and bother most of you, but i must say my truth, may god rest my soul should i tell a lie.

i think "edelweiss" is the best song in the sound of music.

MUTING, BLOCKING, KILLING, FLEEING THE COUNTRY I will not argue!!!

[lesbiancarat]

[240524] min9yu_k Instagram Update

💚...💚

[riell-likes-music]

I feel like we, as a society, moved on from this song way too quick…

[cosplayspacepirate]

Okay but finding out that Nct127 and Stray Kids are doing a collab is the best way to end the year ngl!!!!

[peachandpinwheel]

I'd like to thank Seventeen for releasing the God of Light Music EP after Spotify Wrapped was done so I don't have to explain myself to anyone

[thekendallkathryn]

God of Light Music - Seventeen, 2023

or... if they can take a joke this far then so can I

[kwonhochi]

idk something really important to me is how.. dedicated seventeen are to spreading their messages of happiness and love. anytime they’re given a chance to speak, whether in their songs or interviews or inside seventeens or concerts, they take the time to say: look at me. happiness is a person. happiness is the little moments. happiness is life itself. happiness is the hope for tomorrow. dance, sing, feel that - it’s happiness, isnt that beautiful. happiness is something you discover and learn over time, carefully, lovingly. be kind to yourself, happiness is found there. your smile is something to be cherished. happiness is something you grow. you deserve to be happy, always always always. we want to give it to you anytime we can. i wish you happiness, forever - let’s find it together!