#it's a really good comic I recommend you giving it a read

[olympeline]

Been thinking about why I found Arthur in the Dark so impressive and it made me realise something kinda significant. Something significant that I’m going to put under a read more because it revolves around a heavy subject. So I wouldn’t advise looking beyond the cut if you’re sensitive to that kind of thing.

Less important, but everything below is a big spoiler and, guys seriously. If you like USUK and can handle darker fiction - no pun intended - give AitD a try. Don’t spoil yourself here. Go try it first and then come back if you’re interested. Try it if you’re neutral on USUK. Or, heck, even if USUK is a ship you dislike but isn’t an outright NOTP. I’d still recommend checking out this comic. Arthur in the Dark is still worth a read in my opinion. It’s that good. But enough gushing. Read on for the meat of this post.

Ready? Here we go: Arthur in the Dark has one of the best depictions of rape I’ve ever seen in a piece of media. “Best” as in most skillfully crafted for narrative purposes. Honestly and truly. Not even kidding. Which is kind of amazing considering it’s a depiction that came from a fan comic based on a jokey, anime gag series. Why do I feel this way? A couple of reasons:

Firstly, the rape in AitD is frighteningly, tragically realistic. Something the majority of fictional rapes are not. We tend to think of rape as taking place in a dark alley in the inner city. Stereotyping up a scene of a bottom feeder, criminal man dragging a (young, attractive) woman away to violate her. They’re usually total strangers and it’s always violent. These kind of rapes do happen, but statistics tell us they’re the minority. The majority of rapes happen like the one in AitD did: between two people who know each other well. Friends, romantic couples, even family members, make up the bulk of rapists and their victims.

Most narratives prefer the less common type of rape. Usually because the creator doesn’t want to tell a story about rape. Not really. What they want is a gut-punch to add easy drama and darkness to their creation. The sliding scale of “irredeemable bad guy” roughly goes: murderer → cold blooded torturer → rapist → child rapist. Making a villain a rapist is one of the worst things he - because 99% of the time it’s a he - can be. Conversely having a character be raped gains them instant sympathy because people are moral and empathetic creatures at heart. Most creators know this and throw in a rape for the shorthand: “Look how evil our villain is!” Which often makes the rape and its aftermath feel artificial. In no small part because the rapist characters, by virtue of being written to be the worst of the worst, don’t come off as very human. They can’t be when their main purpose is to be loathed by the audience. I could go on because there’s tons more to unpack about rape in fiction, but you get the point.

The rape in AitD isn’t like that. America and England know and love each other. Their relationship is complicated (oh boy, is it ever!) but that part of it is never in doubt. They’re each other’s most treasured person and have been for centuries. They’re not a duo made up of a flat, hate bait, villain on a collision course with their victim. Who’s doomed to suffer and be pitied until the creator decides the audience has had enough of their trauma and shuts it away so the story can move on. America and England are two people living together, going through a period of immense change and stress, trying to manage as best they can, and sometimes getting it very wrong. From a narrative point of view, this makes what happens between them so much better and so much more upsetting at the same time.

Which brings me nicely to reason number two of why this particular rape works: the build up. Like everything else in AitD, America raping England is carefully planned out and set up. The chocolate bar scene, man. Brilliant, I have to say. Alarming, uncomfortable, and brilliant. The scene in the garden is not just sprung on the reader for a jarring “Oh no! Oh shit-!” moment. If your typical under written rape is a cheap jump scare, the rape in AitD is a carefully crafted slowburn dread. Early on we start to become aware we’re building to something bad. From the foreshadowing, the art, the atmosphere, etc. We just know a storm is coming. It’s done without America acting OOC too, which is very important. It’s how he can come back from what he did. Something that would be impossible if the author didn’t handle this setup well. America’s actions aren’t right, but they are understandable. That’s the crucial distinction. The psychology of the whole thing is so very well done. America was in love with England and had been for a long time. The guilt he felt tormented him because of what their relationship was in the past. Caught between his human side and his immortal one. The guilt helped keep America in check because he didn’t want England seeing the lustful way he’d begun to look at him. Then they started living together and England was suddenly vulnerable. Vulnerable in more ways than America was aware. Which is another vital detail of how the creator keeps America sympathetic, but more on that in a moment. England willingly went blind so he wouldn’t have to see when America - the man grown from the child he raised - looked at him with lust. The guilt America felt peaked, only to clash with the realisation that he could freely indulge in his fantasies. Indulge and push (again, chocolate bar scene) now the usual moral restraint - England seeing his desire - was removed.

Meanwhile, England himself felt that same guilt but his was also laced with panic and despair. He didn’t want to lose or strain his relationship with the most important person of his centuries long life. Pulled between human standards of morality and the very inhuman existence of nation-people. Incidentally the clash between their existence as humans, while also being something more than human, is brilliantly done in AitD. It’s something that’s hard to get right - especially involving such taboo topics - but Hotama nails it. USUK usually handwaves the implications around England raising America, but here it’s made part of the narrative. Part of the tragedy, part of the resolution. Good stuff. Anyway, England begged Arthur to take his sight away so he wouldn’t have to see the way America looked at him. Then banished Arthur back into the dark in an attempt to run away from his problems. But without Arthur - without his strength - England couldn’t stand up to America when he needed to. Not that America was aware of any of this because he never knew about Arthur. Which brings me to point three: nuance of blame.

“Blame” is a very loaded word in this context, so I’ll do my best to talk about this carefully. Rape in the media is almost always black and white. Absolutely evil, irredeemable rapist. Absolutely blameless, sympathetic victim. But real life isn’t always that simple. Obviously the rapist is always the perpetrator and the one most in the wrong. I need to make that very clear. But the scene in AitD illustrates that sometimes a victim could have done more to help themselves. Not always, but sometimes. This is a delicate subject so I hope you understand I’m not trying to victim blame. Just saying that rape, like all crimes, doesn’t always deal in absolutes. Unlike media, real life is often complicated and tragic. Good people can give in to temptation. Be weak, do bad things, or allow those bad things to happen. England told America to stop, but failed to follow it up when needed. When America pushed for more and used England’s own words to argue he’d already been given consent, that was when England needed to push back. Interpretation comes in here but, personally, I think if England had told America to stop when prompted, America would have. But England didn’t and he gave in instead. Something America took as a tacit “yes.” Again, not right, but understandable in how it could happen. Their power imbalance had grown extreme, stress and feelings were running high, they were struggling to connect as they used to, England’s prior cowardice and separation from Arthur prevented him from being strong when he needed to be, America was ignorant of his problem, and it all came together in a horrible, tragic mistake. All throughout, the rape continued to be brilliantly, awfully realistic. America not noticing - either genuinely or from denial - that England was not enjoying what was happening. England quickly becoming too distracted by the pain to do anything other than focus on enduring it. Then the aftermath where America didn’t realise what he’d just done due to coming down from a post-sex, post-stress euphoria. Awful, miserable, horrifying, tragic, perfectly crafted scene.

Which brings me to my final reason why this comic impressed me in its depiction of rape: where the story goes from there. Where it goes and how the narrative builds from the rape instead of trying to move on because the “shocking” part is over and now we’re in diminishing returns. Going back to my first point, too many stories see rape as something that happens in an isolated part of the narrative. It happened, it was shocking and brutal, now it’s done and we can move on because we didn’t plan to interweve the rape with the rest of the story. So we won’t give it the weight it needs. At best the victim might get a few scenes expressing their trauma later on - maybe a callback or two - but that’s it. It’s shallow. Plenty of fictional rapes could be replaced with a savage beating and nothing would change. In the worst cases you could remove the rape, not replace it with anything, then run the story with minimal problems. Not so in AitD. There, the rape isn’t just another semi-important plot point. It’s a crucial one which couldn’t be replaced with anything else. The whole first part of the story, the engine of the narrative, is built around America and England failing to deal with their changing relationship. A relationship between a pair of humans who also happen to be strange, immortal beings that ordinary humans can’t understand. Changing from platonic/familial to romantic over hundreds of years. With romance comes lust. Lust can be perfectly healthy just like any other bodily appetite. In this case it became twisted by circumstance, and the only “suitable” narrative payoff was rape. Nothing else would have had the necessary impact.

Then there’s how the rape compares to the final sex scene in some classic narrative juxtaposition. The final sex scene which happens to be the only one in the comic that’s fully consensual on both sides. The one that goes beyond sex and becomes real, honest to goodness lovemaking. It’s a perfect contrast. The rape scene had all the trappings of a classic romance. Right down to it being their first time and taking place in a rose garden. But it’s tragic, horrifying, and deeply unsexy. Then, near the end of their story, America and Arthur get lost on their road trip and have sex in their car. Their crappy, cramped car, where they’re surrounded by ordinary luggage, both of them sweaty and a little cranky with each other after a long day. It’s awkward, ordinary, imperfect and gorgeous. If we didn’t have the rape before to show us the nadir of this relationship, the healing and the dawn that came after wouldn’t be half so meaningful. A very strange thing to say without context, but it was a perfectly done rape that gave the audience the payoff of perfectly done lovemaking. It’s no small feat to get a reader to cheer for a romantic resolution after all of the above. Kind of in awe of Hotama’s skills, I tell you what.

Up to this point and I don’t know what else there is to say other than, geez. This comic, man. Blew me away. I’m so happy I rediscovered my interest in Hetalia if for no other reason than I got to read Arthur in the Dark. I’m a bit of a bookworm in my spare time and I’ve read quite a lot of classic literature over the years. Classic literature with rape scenes not crafted half so well as AitD did. Really think about that. An amateur fan comic based on a jokey gag series about national personifications being silly with each other. Did better at something than the books we hold up as the best of the best. Can’t really say anything else than that is genuinely bloody amazing

[rechicken-and-waffles]

Made a cover inspired by @avaarctic‘s fan comic: Tangle and Whisper New Roads!!!!!! I love this comic so much I wanted to do something for it 💖💖

You can check out their comic here!!!!!!

[insertdisc5]

🎮 HEY I WANNA MAKE A GAME! 🎮

Yeah I getcha. I was once like you. Pure and naive. Great news. I AM STILL PURE AND NAIVE, GAME DEV IS FUN! But where to start?

To start, here are a couple of entry level softwares you can use! source: I just made a game called In Stars and Time and people are asking me how to start making vidy gaems. Now, without further ado:

SOFTWARES AND ENGINES FOR PEOPLE WHO DON'T KNOW HOW TO CODE!!!

Ren'py (and also a link to it if you click here do it): THE visual novel software. Comic artists, look no further ✨Pros: It's free! It's simple! It has great documentation! It has a bunch of plugins and UI stuff and assets for you to buy! It can be used even if you have LITERALLY no programming experience! (You'll just need to read the doc a bunch) You can also port your game to a BUNCH of consoles! ✨Cons: None really <3 Some games to look at: Doki Doki Literature Club, Bad End Theater, Butterfly Soup

Twine: Great for text-based games! GREAT FOR WRITERS WHO DONT WANNA DRAW!!!!!!!!! (but you can draw if you want) ✨Pros: It's free! It's simple! It's versatile! It has great documentation! It can be used even if you have LITERALLY no programming experience! (You'll just need to read the doc a bunch) ✨Cons: You can add pictures, but it's a pain. Some games to look at: The Uncle Who Works For Nintendo, Queers In love At The End of The World, Escape Velocity

Bitsy: Little topdown games! ✨Pros: It's free! It's simple! It's (somewhat) intuitive! It has great documentation! It can be used even if you have LITERALLY no programming experience! You can make everything in it, from text to sprites to code! Those games sure are small! ✨Cons: Those games sure are small. This is to make THE simplest game. Barely any animation for your sprites, can barely fit a line of text in there. But honestly, the restrictions are refreshing! Some games to look at: honestly I haven't played that many bitsy games because i am a fake gamer. The picture above is from Under A Star Called Sun though and that looks so pretty

RPGMaker: To make RPGs! LIKE ME!!!!! NOTE: I recommend getting the latest version if you can, but all have their pros and cons. You can get a better idea by looking at this post. ✨Pros: Literally everything you need to make an RPG. Has a tutorial inside the software itself that will teach you the basics. Pretty simple to understand, even if you have no coding experience! Also I made a post helping you out with RPGMaker right here! ✨Cons: Some stuff can be hard to figure out. Also, the latest version is expensive. Get it on sale! Some games to look at: Yume Nikki, Hylics, In Stars and Time (hehe. I made it)

engine.lol: collage worlds! it is relatively new so I don't know much about it, but it seems fascinating. picture is from Garden! NOTE: There's a bunch of smaller engines to find out there. Just yesterday I found out there's an Idle Game Maker made by the Cookie Clicker creator. Isn't life wonderful?

✨more advice under the cut. this is Long ok✨

ENGINES I KNOW NOTHING ABOUT AND THEY SEEM HARD BUT ALSO GIVE IT A TRY I GUESS!!!! :

Unity and Unreal: I don't know anything about those! That looks hard to learn! But indie devs use them! It seems expensive! Follow your dreams though! Don't ask me how!

GameMaker: Wuh I just don't know anything about it either! I just know it's now free if your game is non-commercial (aka, you're not selling it), and Undertale was made on it! It seems good! You probably need some coding experience though!!!

Godot: Man I know even less about this one. Heard good things though!

BUNCHA RANDOM ADVICE!!!!

-Make something small first! Try making simple: a character is in a room, and exits the room. The character can look around, decide to take an item with them, can leave, and maybe the door is locked and you have to find the key. Figuring out how to code something like that, whether it is as a fully text-based game or as an RPGMaker map, should be a good start to figure out how your software of choice works!

-After that, if you have an idea, try first to make the simplest version of that idea. For my timeloop RPG, my simplest version was two rooms: first room you can walk in, second room with the King, where a cutscene automatically plays and the battle starts, you immediately die, and loop back to the first room, with the text from this point on reflecting this change. I think I also added a loop counter. This helped me figure out the most important thing: Can This Game Be Made? After that, the rest is just fun stuff. So if you want to make a dating sim, try and figure out how to add choices, and how to have affection points go up and down depending on your choices! If you want to make a platformer, figure out how to make your character move and jump and how to create a simple level! If you just want to make a kinetic visual novel with no choices, figure out how to add text, and how to add portraits! You'll be surprised at how powerful you'll feel after having figured even those simple things out.

-If you have a programming problem or just get confused, never underestimate the power of asking Google! You most likely won't be the only person asking this question, and you will learn some useful tips! If you are powerful enough, you can even… Ask people??? On forums??? Not me though.

-Yeah I know you probably want to make Your Big Idea RIGHT NOW but please. Make a smaller prototype first. You need to get that experience. Trust me.

-If you are not a womanthing of many skills like me, you might realize you need help. Maybe you need an artist, or a programmer. So! Game jams on itch.io are a great way to get to work and meet other game devs that have different strengths! Or ask around! Maybe your artist friend secretly always wanted to draw for a game. Ask! Collaborate! Have fun!!!

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye

[dunmeshistash]

Ryoko Kui Q&A (part of the Autograph event in Shanghai, China)

Here's the full Q&A copied from the post by Minute_Profession_34 on reddit

Original on weibo

About Ryoko Kui

Q: You have created a lot of interesting short manga in the past, do you have any favorite short manga by other artists?

A: A classic choice though, I think it's the collection of short stories by Fujiko F. Fujio. Other impressive works include "Hanshin: Half-God" by Moto Hagio, "Hanashippanashi " by Daisuke Igarashi, "茄子" by 黑田硫黄, "Skygrazer" by Ishiguro Masakazu, and "Tabi (The Journey of Life)" by Irie Aki. However, I haven't really read many short manga compilations.

Q: Do you prefer to create short manga or longer ones?

A: Long manga.

Q: Do you have a game that you highly recommend to fans?

A: Although not a game title, Steam Deck is the best thing I have bought in the last few years.

Q: What kind of music genre do you like?

A: I'm really not a music person and don't listen to music at all. Sometimes I listen to something like Tropical House.

About the creation & worldview of Dungeon Meshi

Q: Is the main storyline of the comics conceived at the beginning? Is the final ending adjusted during the serialization process?

A: I decided everything from the beginning. It may sound overly pretentious to say that, but I am the type of person who cannot move forward with each and every story unless I have decided on the main flow of the story. Of course, there are parts that I changed during the process because I thought, "I was going to do it this way, but it might not be natural," and there are parts that didn't work out the way I wanted them to. However, I think the story turned out to be roughly what I had in mind at the beginning.

Q: Will people outside of the dungeon incorporate the use of magic into their daily lives?

A: It would depend on the region. There are many sorcerers in elven and gnome cultures, but I don't think you will find many in dwarf and most short-lived cultures.

Q: What secrets of ancient magic are the elves hiding? Why would one be punished for doing anything related to ancient magic?

A: It is about the existence of Demon. They restricted that information because they didn't know what effect it would have on the world if the existence of Ddemon became known.

Q: How do adventurers know the time? Is there any dungeon having a different time flow from the normal world?

A: Some people bring things like clocks, but most only use their biological clock. There are also Dungeons where the flow of time is different from that on the ground.

Q: In the world of Dungeon Meshi, how do you deal with natural disasters, what would Laios or Marcille or Canaries do when there's a drought or a storm?

A: I don’t think it is so different from us.

About characters in Dungeon Meshi

Q: It’s about to give the new puppy a name again. Can Laos still beat Falin?

A: 7 out of 10, Laios will win. Or it may be decided by rock-paper-scissors or a raffle.

Q: Who will inherit the Golden Land after the passaway of Laios? The children and grandchildren of Yaad? Or the descendants of Laios? Or will there be a new Devourer?

A: Maybe the descendants of the Laios will inherit it, or maybe it will be passed on to someone with no blood ties at all. Or perhaps the monarchy will be abolished.

Q: Will Laios continue to eat monsters in the castle? And who will cook, maybe someone better than Senshi?

A: Many people in Merini are good cooks, but Senshi's cooking must be special to Laios. He may invite Senshi to cook from time to time.

Q: Where will Falin prefer to travel to?

A: She may prefer places where she can see landscapes and cultures she has never seen before.

Q: Would Marcille befriend a half-elf, such as Fionil? Since half-elves shouldn't think too much about longevity amongst themselves. Or would they not consider race as a factor to make friends but by fate?

A: Because mixed species in this world grow at very different rates and have very different abilities from person to person, there is often not much of a sense of sameness when you first meet them. They may or may not become friends as a result of interacting with each other as we would with any other human being.

Q: Is there any special meaning of Marcille and her mother's ribbons on the neck? And what about Cithis’s ribbon?

A: In elven culture, people with magic tattoos on their necks sometimes wear decorations covering their necks to hide the tattoos (mainly military personnel) This has spread to the general population, and many people wear decorations on their necks even if they do not have neck tattoos. Marcille and her mother's ribbons are just for fashion. While Cithis may have something special.

Q: Why wouldn’t Cithis wear a gorget? Or she’s not afraid of Dungeon Rabbits?

A: Maybe it’s suffocating or simply not liking it? The head-cutting Dungeon Rabbit is a fearsome monster, but it is not the first thing for the rear guard to be on the lookout for.

Q: How will Izutsumi and Falin get along with each other?

A: They may work together if necessary, but I doubt that Izutsumi will actively show interest in Falin (as she does with everyone).

Q: Itsuzumi has a beast soul mixed with a small amount of human soul, and does she shapeshift between a beast-man and a beast form like Lycion?

A: It can be done, but once transformed, she may no longer want to return to her human form.

*This Q&A seems to be strange

Q: What would Thistle do if he attended the former dungeon masters meetings?

A: Perhaps he would feel angry at the incompetence of other masters (their dependence on the devil).

Q: How did Milsiril accept Helki to stay by her side? After all, she hated elves and was bullied by her Canary teammates.

A: In the past, Helki was abandoned by his comrades for various reasons, and she could not leave him alone.

Q: Has Kabru ever had a real relationship with a girl? If so, what race or personality type of the girl was she?

A: I don’t think he cares about race, etc...

Q: What kind of soba will Mithrun make?

A: I hope he can make delicious soba.

Q: I would like to know the name of Mithrun’s brother or his brother’s crush!

A: His brother's name is Obrin (オブリン). I haven't thought of a particular name for his brother’s crush, so I'll name her appropriately now. Hmmm. Sultha (スルスハ).

Q: Since Mithrun used to assist Canary from behind, I wonder what kind of weapons he was good at using? Or was he good at using no weapons? (this is new info from the Korean Q&A)

A: He used a magic staff similar to that used by Pattadol. He was issued with the same one by the team. However, he no longer carried it because he lost it easily.

[mariana-oconnor]

Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

[flightyalrighty]

are there any sonic fan comics you would recommend? bonus points if they have shadow

Yeah! There's lots of really good ones out there!

Ghosts Of The Future by Evan Stanley - First Sonic webcomic I've ever read. Remains incomplete but I'll remember it always. It's the thing that got Evan her job with Archie (and then IDW and Sonic Team).

@pandoraaucomic by @starrjoy - Currently on hiatus! Really really really good and is the comic that convinced me to turn Infested into a comic! This comic is filled with beautiful art of some real high technical skill and a really gripping story.

@teamdarksupernovaodyssey by @sharpedgedfool - Really interesting premise and great character writing and acting (like expressions and posing and stuff). The way Orion crafts all those mechanical bits in their backgrounds blows my mind.

@the-heart-of-a-monster by @superemeralds - Action-packed different take on Sonic Unleashed! Really really good creature design going on here, and super rad paneling. Really nails the vibe of Sonic Unleashed while pushing that story much further. You'll especially dig this one if you like cool werehog designs.

@operationlove by @summersdale - This one is so cute and funny. Still pretty new, so definitely give it a follow and keep an eye on it for more pages. It's a small detail but I love how Summersdale draws Mobian noses.

[genericpuff]

I'm sorry, but this should come as a shock to absolutely no one.

Just a little bit of 'insider info' (and by 'insider' I mean I was a part of the beta testing crew a few years ago) Webtoons has been messing with AI tools for years. You can literally play test that very same AI tool that I beta-tested here:

Mind you, this is just an AI Painter, similar to the Clip Studio Colorize tool, but it goes to show where WT's priorities are headed. I should mention, btw, that this tool is incredibly useless for anyone not creating a Korean-style webtoon, like you can deadass tell it was trained exclusively on the imports because it can't handle any skin tone outside of white (trying to use darker colors just translates as "shadows" to the program, meaning it'll just cast some fugly ass shadows over a white-toned character no matter how hard you try) and you just know the AI wouldn't know what to do with itself if you gave it an art style that didn't exactly match with the provided samples lmao

And let's be real, can we really expect the company that regularly exploits, underpays, and overworks its creators to give a damn about the ethical concerns of AI? They're gonna take the path of least resistance to make the most money possible.

So the fact that we're now seeing AI comics popping up on Webtoons left and right - and now, an actual "Webtoon AI" branding label - should come as zero shock to anyone. Webtoons is about quantity over quality and so AI is the natural progression of that.

So yeah, if you were looking for any sign to check out other platforms outside of Webtoons, this is it. Here are some of my own recommendations:

ComicFury - Independently run, zero ads, zero subscription costs (though I def recommend supporting them on Patreon if you're able), full control over site appearance, optional hosting for only the cost of the domain name, and best of all, strictly anti-AI. Not allowed, not even with proper labelling or disclosure. Full offense to the tech bro hacks, eat shit.

GlobalComix - Very polished hosting site that offers loads of monetization tools for creators without any exclusive contracts or subscriptions needed. They do offer a subscription program, but that's purely for reading the comics on the site that are exclusively behind paywalls. Not strictly anti-AI but does require in their ToS that AI comics be properly labelled and disclosed, whether they're made partially or fully with AI, to ensure transparency for readers who want to avoid AI comics.

Neocities - If you want to create your own site the good ole' fashioned way (i.e. HTML / CSS) this is the place. Independently run, offers a subscription plan for people who want more storage and bandwidth but it only costs $5/month so it's very inexpensive, and even without that subscription cost you won't have to deal with ads or corporate management bullshit.

Be safe out there pals, don't be afraid to set out into the unknown if it means protecting your work and keeping your control as a creator. Know your rights, know your power.

[keferon]

Any starting resources for someone looking to get into Transformers?

I can’t speak for everyone but if I could time travel this is the list I would give to past me

1 - Transformers Prime. (Great series + basic lore/terms/names introduction for the new fans )

2 - Transformers : More than meets the eye + Transformers : Lost Light (IDW) (Infinitely dramatic gay clownery. Such a gem. 10/10. You need to have at least basic understanding of tf lore and terminology though. This is why I recommend watching “Transformers Prime” first)

3 - You probably have some of those robits as yours favorites at this point. Type “IDW insert name” into google or youtube to find out where to look for more comics with them. Use this image to navigate the timeline chronology so you always know what happens after what. (Don’t try to read everything on that list from the very start in chronological order - you will die of boredom)

4 - Transformers Animated (This series has it’s own version of tf lore that might cause a lot of confusion if you try to read IDW comics after watching it without being already familiar with the basics. That’s what happened to me lmao There’s a lot of primes instead of just one Prime. And Bots and Cons are kind of like two different species or something.)

5 - Transformers Earthspark ( Very good series but you need to have a lot of prior knowledge to fully understand its themes. It’s writers did a great job at showing how much their characters have changed but absolutely forgot to show what they were like before they changed. This is why you need to read comics or watch the other shows first. Earthspark Megatron is redeemed villain but they didn’t show him being a villain. Earthspark Starscream is traumatised but they didn’t fucking show what exactly happened to him, they just expect you to already know. I could write an essay about this lol I need to stop)

6 - Transformers 1986 animated movie. For some reason I really love it. (The reason is Roddy who am I kidding) Maybe also Prime wars trilogy? Cyberverse? Transformers G1? Poke at everything. Have fun.

[statisticallymorelikely]

✨00Q end of the year fic rec list ✨ (to commemorate the year of the lord 2023 when this ship came back to kick my ass)

the simplest of crimes by pdameron - fake marriage AU. my favorite 00Q fake married au just because the stakes are so low like they didn't have to do all that but the build up is so good.

come a lily, come a lilac by pdameron - florist!Q AU. this really got me giggling and twirling my hair.

James Bond Will Return by sorion - post-Spectre James comes back. a very charming character study.

as permanent as stone cathedrals by pdameron - pining Q. beautifully written with just the right amount of whump.

people can surprise you (or not) by pdameron - fake relationship but posh. i love whodunnits.

Hold Tight by orphan_account - Spectre fix-it. and fix it they did. also has my second favorite Q name.

lacunae (just the blood you owe) by finestkind - Q offers comfort as bond deals with grief. this fic honestly makes me ache, the way it handles friendship and grief and love UGH.

Say Something (I'm Giving Up On You) by Brihna - Spectre re-write where Q and James sleep before he goes off to Mexico. possibly my favorite Spectre fix-it, love emotional constipation and miscommunication.

Crossing the Bar by GwynDuLac - Q pulls bond out of retirement for an emergency mission. the best mission fic i have ever read hands down.

bloom on my skin, echo in my soul by Areiton - soulmate au. gorgeous writing.

if I couldn't be strong by SailorChibi - post-Spectre James is found abandoned in a hospital in a coma. i love how quietly vindictive Q is in this.

a bloodless coup by Ark - marathon sex. very vulnerable.

I Could've Been a Maths Teacher by Brihna - Q branch gets invaded. v good translation of the comic into prose.

I Don't Take Your Pleasure For Granted by Catchclaw - Q develops a crush. love me some pathetic Q.

I Won't Shiver, I Won't Shake by Only_1_Truth - Skyfall re-write, lots of Q whump. the hurt is so good but the comfort is even better. plus i love attack roombas.

Favours by dhampir72 - pining from Q's POV. fun fact: my gf once quoted a line of this fic to me and i knew immediately which fic she was reading, that's how much i've read this.

rain by Aniron84 - touch starved Q. god GOD, this fic!! there was a time in my life, i read this multiple times a day. the description of loneliness is so on point it always hurts.

Fidelity by marlowe_tops - Q seems to have picked up a stray. local idiot doesn’t know he’s in a relationship, struggles mentally

Indelible by enjolras_lexa - 5+1 of bond breaking into Q's apartment. quite gentle and funny.

A Hitch in the Holster by APrettySpy - Q is having A Time during a heat wave and like Q i'm not immune to the holster

when the world isn't fair by Mlle_Heloise - James rescues Q's holiday. warm and fluffy.

The Pros and Cons of Wayward Agents by Brihna - Q whump with a protective Bond. is it bad to be all teehee while reading someone beat someone else to unconsciousness

Best Dressed by HandsAcrossTheSea - PWP with kilts! really good p0rn and with bottom Bond to boot!

Through A New Lens: A Spectacular Love Story by christinefromsherwood - Q discovers he has a glasses kink, or does he? listen, i too am not immune to daniel craig in glasses so i can relate.

talk / listen by thestalwartheart - dirty talk. a masterclass in p0rn honestly, SO good.

The Inevitability of Time by dhampir72 - soulmate au. will never stop recommending this, it's so tragic and yet not?

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)

go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.

if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction

alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.

first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.

anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"

here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.

the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,

it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.

once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!

when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.

the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.

furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.

i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?

obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).

he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.

like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.

so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3

pt. 1 / pt. 2

[ninakoll]

a love letter i drew for a comic anthology here :3 over the past years i've become a pretty passionate home cook and above all else i want people who feel they're "bad" at cooking to give cooking a chance. i really really recommend reading the book "salt fat acid heat" since it's very funny + generally has good advice on how to make food taste good no matter your comfort level in the kitchen. (hit me up if you want a link to the pdf!) cooking food is inevitable for us all and can become something you do daily that can make you very very happy.

this comic was originally in estonian! the anthology features a bunch of wonderful short comics from creators in estonia and will be available for a limited time at comics events here, + have an event on the 29th of august (more info at the link)! i will let you know if it will be available online :3 thanks for reading!

[mandarinmoon]

how i'm studying mandarin (in 2024)

as a low-maintenance language learner working a 9-6 office job, i've been muddling around how to improve my mandarin in my free time and keep it fun! And I've found what works for me (thanks to a lot of lurking on here - appreciate all you mandarin langblrs <3), so wanted to share :)

Evening lessons (or italki) - Self studying is great but I do need a kick up the ass sometimes, so these really help. Plus my teacher is great at giving tips here and there which I probably wouldn't pick up on on my own.

ChinesePod - Their podcasts are really well made and accessible, I can't recommend them enough!

HelloChinese - This is my 'I'm bored waiting for my train/bus but I still want to learn Chinese' option that isn't Duolingo. It's not perfect but it has fairly good grammar explanations and native listening segments. You do have to pay a subscription if you're over HSK1 level FYI.

I am an anki hater first and foremost, so here's the vocab learning / dictionary tools I use instead:

TofuLearn - It's straightforward, uses spaced repetition learning AND teaches you stroke order - so ticks all my boxes. Picked it up due to @marilearnsmandarin's posts about it!

Pleco - Obviously, everyone has it downloaded for a reason.

Yabla Chinese Dictionary - Not seen this one talked about so much, but would recommend! It sometimes has video examples of the hanzi in use, which I find helpful.

A big goal for me this year is to consume mandarin content more regularly! It's all well and good watching Peppa Pig, but I need something that I actively want to engage with:

Bilibili Comics - Currently reading 肉店楼上的工作室 and able to understand a fair chunk, so would recommend as a "easier" option.

Mandopop - Not sure how much I'm picking up from listening, especially at my level, but it's fun to jam out to some good tunes. Faves include TIA RAY, Song Qian, Lexie Liu, No Party for Cao Dong & Shi Shi.

Dramas/Movies - Modern chinese dramas are a lot more hit-or-miss for me, especially compared to historical/fantasy. Recent faves include Accidentally in Love & Stay with Me (on Netflix/Viki). Currently watching Reset :) Any other recs, please send my way!

YouTube - I have a separate YT account just to follow Taiwanese/Chinese creators - it takes a bit of searching but you can find some great youtubers who talk about whatever hobby you're into (whether that's cute golden retriever vlogs, travel vlogs or reading vlogs!)

[yanderenightmare]

nerd-kun tomura crushin on the pretty clerk at the comic shop🥺 she's always so sweet BUT THEN HE FINDS OUT ABOUT THE BOYFRIEND

Shigaraki Tomura x darling

TW: f!reader, creepy behavior, stalking-ish, obsession, incel-vibes

fem reader

It spurs from something so small. Something you forget by the next customer in line, whom you treat just the same, bagging their comics and figurines with a trained smile. But for Tomura, it’s special. How you dub his fifteen percent membership discount as a “pretty-boy discount,” or when you give him an extra stamp on his loyalty card and flash him a cheeky wink as though to say “just between us,” or when you smile so brightly, looking him right in his eyes when you tell him to “please come again soon, Tomu-kun~”

He can’t believe you even remember his name. A pretty girl like you.

It’s all a delusion. Deep down, he knows you just read it off the registry after scanning his membership card. But it feels too good to imagine you know who he is, to imagine you actually hope to see him come back soon.

His favorite thing to do is ask you to recommend him something new. To see you nod all eagerly, gushing while skipping about the aisles, helping him search.

“You must have a lot of time on your hands to be done with those volumes you bought last week, Tomu-kun.” You joke, scanning the shelves with him trailing after – hood pulled over the mess of his hair with hands shoved down the front pocket – now looking up from the shadow it cast – eyes wide.

You know my name… 

You snort, giggling. “Of course I know your name, silly.” 

His stupor shrivels into a blush, realizing he’d spoken out loud. But you don’t seem concerned by it – nor do you even notice as you stretch up on your tippy-toes to reach for a book. 

“I’d be a real airhead to forget it – you’re in here practically every day.” You flash him that trained smile – all pearly white with a breath of laughter – offering the book you’d just picked out for him to reach. “You’re becoming my best friend – I see you more than I see my boyfriend!”

Tomura doesn’t reply. Nor does he accept your hand-out.

He’s too caught up in your words. A wrinkle scrunching up between his brows – eyes slim while staring at you – feeling his temple pulse. 

That’s not very service-inclined of you to say. Customers don’t want to know you have a boyfriend. That ruins the fantasy. You’re supposed to be the friendly flirt – the girl that’s really too pretty to be a weeb but doesn’t know it herself – the one he can go home and fist his cock to while imagining he has a chance even though you’re way out of his league.

His crush on you was harmless.

But you just had to go and ruin it, didn’t you? Had to shatter the dream – dropping the boyfriend bomb, calling him your friend. Jeez, could you be any more obvious? That’s how you nice sweet polite girls like to say you’re not interested, right? 

You love the attention, but you snuff it out the moment it becomes too tedious, don’t you? 

Fucking bitch.

You regret it, right? When you get off work and wind up in the boot of his car with your pretty face taped shut.

He’s going to teach you a thing or two about true customer service.

[ms-demeanor]

i really liked OJST in the mid-2010s but i didn’t stop reading cause of the cuck comic - wasn’t there also a comic erika moen wrote about (functionally) harassing lesbians with her now-husband?

In the mid 2010s closet-keys criticized one of Erika Moen's early diary comics and described Erika Moen as "Reassuring a cishet partner that it’s totally okay to use hate speech towards wlw at Pride" and condoning the harassment and fetishization of lesbians because of a 2007 comic that she had made as part of a webcomic she had written about gender and her interactions with her queerness.

The hate speech in question is the partner asking "are you sure you want to hold my hand with all these dykes around?" while they are pretty clearly at a Dyke Day event during pride, and the reassurance that 'it's totally okay to use hate speech toward wlw' is Erika responding "sweetie, I'm proud to be with you."

The comic is still up with a disclaimer that it was written at a different time, and I know that's probably not going to fly with a lot of people but if you were a bi woman in the early to mid 2000s it was pretty common to use statements like "lol yeah i'm into women my boyfriend is fine with it as long as I take pictures" to diffuse the biphobia from straight people AND to say shit like "I'm not a party bi, I actually love pussy, thanks" to diffuse the biphobia from queer people. (if you were a bi guy in the early to mid 2000s i'm sorry and I'm sorry now because we got LUG but that mostly went away and you *still* have to deal with the "gay in waiting" bullshit).

That comic ends with Erika and her partner looking at a woman and saying "I'd totally do her" while the woman thinks "pigs" and if you think that means that they literally sat on the street and vocally commented about lesbians passing by them or that they condone harassing lesbians (in, I cannot stress this enough, a diary comic written by someone in their early twenties who is realizing they are occasionally interested in some men some of the time after identifying as a lesbian their whole life), then I'm gonna go ahead and recommend signing up for some variety or other of literary analysis class. Do we think that Erika is seriously implying that she is going to make her boyfriend gay if she fucks him in this comic from a year later?

If this comic bothers you and you see it as a straight-passing couple giving the go-ahead to harass lesbians, you do you, I'm not saying you have to read the comic or enjoy Erika Moen.

I am saying it's a bit of a stretch, though, and certainly the least charitable explanation possible, and that we should probably give people some space to say awkward things about their sexuality and to make missteps when discussing it in their early twenties and not call them lesbophobic fifteen years after the fact for a college comic.

Moen also gets called transphobic because she has described trans men as adorable/cute in a way that could be read as patronizing in one comic and because she made a comic about wearing a packer for fun and for sexual gratification with her cis male partner as a cis woman.

Appropriately, all of these things feel very "late twenty teens tumblr callout post."

If it bugs you, you don't have to read the comics but I've talked about Moen before and I've gotten the anons in my inbox calling me lesbophobic for recommending her comic when in 2007 she made a comic about catcalling lesbians and condoning street harassment.

Which is frustrating because Erika Moen writes a comic about sex toys that has incredible body and gender diversity and is interested in making sure that people of all sexualities are having safe, enjoyable sex and talking openly about it. This is Rebecca Sugar condones war crimes level discourse over a creator who makes a genuinely good comic and gets dismissed as cringe by people who hate open discussions of sex and gets dismissed as a bigot (in ways that I think are incredibly unfair given the vast majority of her work) among people who *claim* to love open discussions of sex but who *actually* love witch hunts.

[fishing-lesbian-catgirl]

is there a way to experience arknights that doesn't involve playing a gacha game? i kinda wanna see what it's deal is the girls in it are really hot

Yes there is!

There’s an online tool that lets you read the visual novel story sections: https://akgcc.github.io/cc/story.html. It lets you read the main story, event side stories, operator records (mini stories focused on specific operators), it even has modules (upgrades to operators that cost a lot of resources but also give you a short story blurb when you unlock them). It usually takes a bit for new stuff to get added, so it can’t really let you read along with the current ongoing events (unless you can read Chinese, the CN server is 6 months ahead of the global server and I think the story reader gets updates for their stories but I haven’t checked, it might just be the ones on global).

There are 2 8-episode seasons of an Arknights anime covering the first 2 parts of the main story. They’re called “Arknights: Prelude to Dawn” and “Arknights: Perish in Frost”

There are a handful of official manhua covering various groups of characters, including one for the main characters at Rhine Lab (American science company with a lot of well meaning characters working for a flawed corporation with ethics issues) and one for Blacksteel (the mercenary group with Franka, Liskarm, Jessica, and Vanilla, who I’ve been posting a lot about. The new event side story is about Jessica so that’s why. The mangadex fan translations of this one were tagged as “girls love” and then the official translation made it even gayer, highly recommend for foxgirl dragon girl yuri). As well as a few others. There’s even the mostly lighthearted Rhodes Island test kitchen series about different operators making different foods from their cultures and backgrounds and stuff, it’s very cute. Official translations are here https://www.arknights.global/comic but for the ones that haven’t been fully translated you can usually find them fan translated on mangadex.

Speaking of mangadex, there are also 2 other comic/manga/manhua things you can read. There is the light hearted 4 panel series “Arknights Operators!” that has short, usually comedic, comics about various operators and their lives on the Rhodes Island land ship. I don’t think it’s explicitly canon (it has a gag about Hoshiguma bumping into door frames bc she’s so tall, but her “canon height” is 5’11” [no one likes the canon heights]) but it’s pretty fun and cute.

And what I think is the last thing I have the mention is the Arknights anthology manga series. It’s explicitly non-canon as the comics are all made by guest artists, but it is officially published by Arknights. It was only published in Japanese but scanlators have translated a large portion of it and it’s very good.

[severechaosduck]

I decided not to create fan art or post about Good Omens (Tv Show) anymore.

This fandom was a great support for a long time for me and the book is still one of my favourites from the time I started reading compulsively everything from Sir Terry Pratchett, but I'm so pissed with the fandom right now.

The fact that the recent allegations against Neil Gaiman (I was a big fan of his work until I discovered that like every white cismen of his era with a bit of fame he is a piece of shit and think he can do what he wants to women) was barely covered is a thing and yes, it's pissing me off too.

But the fact that so many people in the fandom try to find excuses or justification for his action and don't participate to spread the information or just say nothing about it thinking you can be "neutral" is pissing me way more.

I don't judge people who want to separate his work from him or those who consider that a fandom, at the end, is more the propriety of the fans than the artist, I'm totally agreeing with the last one and I think they are ways to consume the work of problematic authors without giving them platform and money if you really cannot do without it.

BUT, and my big point is here, the issue I have with GO fandom right now it's that a big fandom like this has the possibility to spread the information and awareness pretty easily and right now people continue to post their fan art or fanfic without any infos about the allegations like nothing happened, that's bad! And don't start me with those who are more focused on if the last season will be released or not. It shouldn't be, not with him as screenwriter and executive producer at least and with a lot of money sent to SA associations and transparency about the situation.

It's giving him the possibility to keep the whole thing discret and make people forget about it. It's giving him the opportunity to have kind of a come back at some point, even a small discret one, and give him access to more women in the future who might not know what he did and what kind of man he is.

I don't say that people need to speak about it on every post, but at least, please :

- stop tagging Neil Gaiman in your fandom works (Good Omens, Sandman, ...fan art, fanfiction).

- stop posting, blazing, or reposting quotes from him, or giving him a platform by showing off his work.

- don't buy first hand or loan at the library his books or comics. Why the local library too ? When more people ask for a book at the library, they buy more copies, and in most of the countries, writers receive something when people loan ebooks at the library, even physical books sometimes.

If you really cannot live without merch products from your favourite fandom, then by all means buy those who are not licenced on etsy or other platforms by small artists. I usually don't recommend that, though I prefer not to buy merch at all if the original creator of the license can not be rewarded, and here it's a bad thing if he is.

- and speak about it. If you post fanfiction, post a disclaimer about the allegation at some point on every fanctiction you post, adding at least the two links of the two principles podcasts. Same when you post fanart on whatever platform it is.

That's all I have to say for now, I think.