#it's one of his prose comedies

[necromancy-savant]

I need to start re-pursuing my dream of directing Bartholomew Fair

[britneyshakespeare]

i didn't like the roaring girl by middleton and dekker as much as i was expecting to. i have the feeling it's just one of those you-have-to-watch-it plays but as someone who has read a lot of elizabethan-to-restoration era comedy this year, there are other have-to-watch-it plays that still fare as better entertainment in a reading. basically the selling point to me moll cutpurse as the main character herself, and on that front she didn't disappoint, but every other character in the play had minimal interest to me, or if they did, they only had a little bit of time on the stage. having already known that the plot is that she saves other women from dishonor and remains a single woman by choice, yes, that's still cool—the gender fluidity inspired by the real moll cutpurse is cool. i enjoyed reading about that. but the whole action and plot around it. lackluster.

[ankh-morporkianpostalworker]

This is a bit of a ramble, but:

I truly believe that Sir Terence David John Pratchett is the greatest fantasy author of the post-Tolkien era. No one has done it as well as he did - prose, characters, tone, plot, themes, humor - he was the master of all of them.

His words danced off the page, from single lines like Death's

"LORD, WHAT CAN THE HARVEST HOPE FOR, IF NOT FOR THE CARE OF THE REAPER MAN?"

To the Vimes Boots Theory or Humans Need Fantasy monologues.

His characters are some of the most richly textured I've ever encountered - Death and Sam Vimes and Moist von Lipwig and Granny Weatherwax, each of them feels like they were given thought and care and used to tell stories that they were uniquely suited to tell.

He controlled tone like a master, from slapstick comedy to serious satire to tense moments where you feel that, just for a second, things might not be okay.

His plots were always believable in the context of the worlds he was telling, and were always engrossing - that the metaphysical adventures of Death and co. felt as natural a fit for Discworld as the starting of the setting's first newspaper, the solving of street crime and unraveling conspiracies and the grand re-opening of a post office is proof enough of that.

He used these plots to explore themes of responsibility, social inequality and duty to a person's community with razor-sharp wit and a deep anger for the injustice of the world around him. He fought the evils of the world with a pen and paper, even as he died. No one will ever do it like he did, but that he did it himself might just be good enough.

He brought comfort and joy and happiness and thought and introspection to millions.

GNU, Terry Pratchett. Mind how you go.

[yumeka-sxf]

Thoughts on Spy x Family: Family Portrait

I finally got around to reading the SxF light novel, Family Portrait...and I mean "finally" because it's literally been sitting in my shelf since it was first released in English back in December of last year! I was distracted by Code White and the SxF video game which came out around the same time, but even long after that, I was having trouble getting motivated to read it. For some reason, experiencing SxF in novel format instead of in anime/manga just didn't appeal to me, plus the fact that it's not written by Endo himself (these weird preferences of mine are also why I'm not into reading fanfics either). Don't get me wrong, in general I love reading stories in prose form too, but for a series like SxF that already has such an established visual identity, it doesn't feel as "authentic" to me if that makes any sense. But I did want to read it eventually, since it is an official part of SxF media and Endo did the illustrations and does acknowledge the book (he wrote a nice afterword at the end). So I finally sat down and read it in sections over the course of this week! I'll share my brief thoughts on each of the contained stories:

Novel Mission 1

Since this was the first story in the book, it took me a while to get used to experiencing the world of SxF in novel form. There were some things I felt would have been better conveyed in anime/manga, for example, one of the very first gags about Yor misinterpreting Anya's nature class as some sort of hardcore outdoor survival trip. As I was reading that part I was like "I get the joke, but it would have been funnier if I actually saw these images and the characters' expressions with Endo's comedic illustrations." It was also a bit jarring to hear the characters thoughts and feelings from third-person narration, but I got used to it. As for the story itself, it was Damianya focused, something I'm not particularly into, but I don't mind it either. I liked the rare, soft Damian moments, and the thing with the squirrel eating Anya's peanut trail was funny. I also liked the scene at the beginning where Loid and Yor feed Bond together while Anya watches.

Novel Mission 2

Oddly, this was my favorite of the stories! Of all the characters, I think the author nailed Yuri's unhinged thoughts the best - as I was reading, I couldn't help but hear every cringe thought in his voice, which is a good sign of how well the author gets the character! I actually chuckled at a few parts too, both from his insane Yor-obsessed and anti-Loid musings, as well as from his banter with Anya. The police interrogation scene was great and would be even better if it ever gets animated! I also found it interesting that this story has the first instance where we find out what Yuri thinks about Bond (that he's fat and useless - rude!) Also his first time hearing about Franky apparently...makes we wonder if Endo will make him feel the same way if these things ever come up in the manga.

Novel Mission 3

I liked this story a lot too! I think it worked the best in novel format out of all of them, probably because it was more focused on drama and emotions than comedy. It's ironic that the two official SxF stories that feature the deeper side of Franky's character - this one and the omake chapter from volume 13 - are both not even part of the main canon! Alessa would have definitely accepted Franky's job as an informant, but he felt that someone like her should only be surrounded by "beautiful things." The poor man really needs to see that inner beauty matters too, and he has that! I also think he should have swallowed his pride and told Loid the real reason why he wanted the disguise...not that it would have changed the outcome. Poor Franky.

Novel Mission 4

This was a cute Forger-focused story, but like the first one, I felt it had parts that would have been more effective in anime/manga form, for example, "hair monster" Yor and whatever hideous painting Felix ended up making! But despite that, it was still funny and cute. Though I do think the author went a tad overboard with Yor's flustered antics...they just kept going and going, lol. Also, like the movie, we have another scenario of Loid getting flung into the air by Yor but landing gracefully on his feet (though this instance was much tamer since she wasn't drunk and only pushed him instead of hit him). Again, maybe I would have appreciated the humor in this story better if I saw it in anime/manga with Endo's hilarious designs and expressions, but for what it was, it was enjoyable enough.

Short Novel

This extra short story would be perfect as a reintroduction story for a future anime season...maybe one day!

-----

Overall, the Family Portrait novel is a nice addition to the Spy x Family universe. Even though I feel the humor in the series is most effective in illustrated form, it's still nice to have more stories in the canon, especially ones that show new sides to the characters, like the Franky and Yuri stories. Like the movie, it's debatable if this novel should be considered true canon or not, but personally, I don't find anything in it that contradicts canon, at least not yet. So yeah, definitely check out the novel if you haven't already! 😁

[youngstalactites]

Trigun and The Onion headlines, pt.1/?

I made these on google slides and included one tristamp Vash in honour of Stampede Saturday ❤️❤️❤️

[ID: Trigun scenes overlaid with Onion headlines.

Vash, bandaged and looking extremely strained with his head in his hand: Man Reaches First Of Dozens Of Breaking Points To Come

Meryl and Milly looking surprised in episode one: Husband, Wife Unaware They Are A Comedy Team

Vash (as Eriks) and Wolfwood standing together: Genuine Love And Respect Only Thing Holding Area Relationship Together

Meryl's face twitching in an aggravated smile: Relaxing Tea Better Fucking Work

Meryl being annoyed with Vash in episode one: Woman Rushes To Hide Fragile Objects, Cover Up Sharp Corners On Tables Before Boyfriend Comes Over

Trigun Stampede Vash with a conflicted smile: Average Time Spent Being Happy Drops To 13 Seconds Per Day

Wolfwood: Gay Teen Worried He Might Be Christian

Wolfwood and Vash talking in "Quick Draw": Work Friend Accently Becomes Real Friend

Vash firing a gun into the air: Man Always Carries Gun In Case He Needs To Escalate Situation. End ID]

THANK TOU @princess-of-purple-prose for making the ID <33

[burningvelvet]

Lord Byron writing about book-burning, queer representation, and the value of poetry . . . in 1821:

“Let us hear no more of this trash about ‘licentiousness.’ Is not ‘Anacreon’ taught in our schools? translated, praised, and edited? Are not his Odes the amatory praises of a boy? Is not Sappho's Ode on a girl? Is not this sublime and (according to Longinus) fierce love for one of her own sex? And is not Phillips's translation of it in the mouths of all your women? And are the English schools or the English women the more corrupt for all this? When you have thrown the ancients into the fire it will be time to denounce the moderns. ‘Licentiousness!’ — there is more real mischief and sapping licentiousness in a single French prose novel, in a Moravian hymn, or a German comedy, than in all the actual poetry that ever was penned, or poured forth, since the rhapsodies of Orpheus. The sentimental anatomy of Rousseau and Madame de Staël are far more formidable than any quantity of verse. They are so, because they sap the principles, by reasoning upon the passions; whereas poetry is in itself passion, and does not systematise. It assails, but does not argue; it may be wrong, but it does not assume pretensions to Optimism.”

Context: this letter was written during the Bowles-Pope Controversy, a seven-year long public debate in the English literary scene primarily between the priest, poet, and critic William Lisle Bowles and the poet, peer, and politician Lord Byron. The debate began in 1807 when Bowles published an edition of the famous writer Alexander Pope’s work which included an essay he wrote criticizing the writer’s character, morals, and how he should be remembered. Today, we would say that Bowles tried to “cancel” Alexander Pope, who had affairs without marrying, and whose works had sexual themes. Lord Byron defended Pope, who was one of his all-time favorite writers. Pope had been dead since 1744, so he was not personally involved. This debate shows that while moral standards have changed throughout the centuries, the ways people have debated about morality have remained similar.

Source of the excerpt: — Moore’s Life of Byron in one volume, 1873, p. 708 - https://books.google.com/books?id=Q3zPkPC8ECEC&pg=PA708&lpg=PA708&dq=%22Are+not+his+Odes+the+amatory+praises

Sources on the Bowles-Pope Controversy: — Chandler, James. “The Pope Controversy: Romantic Poetics and the English Canon.” Critical Inquiry, vol. 10, no. 3, 1984, pp. 481–509. JSTOR, http://www.jstor.org/stable/1343304. — https://www.britannica.com/topic/Pope-Bowles-controversy — Bowles, Byron and the Pope-controversy by Jacob Johan van Rennes, Ardent Media, 1927.

[saccharinescorpion]

4 Things You Can Try Now That You’ve Read THIS IS HOW YOU LOSE THE TIME WAR

(technically 5 things)

Mabel - a podcast by Becca De La Rosa and Maybell Marten.

Anna Limón is a home help worker currently looking after the elderly Sally Martin. When Sally has a bizarre and frightening reaction to a box of letters Anna finds in her attic one day, Anna attempts to seek answers by contacting Sally’s only known living relative: Mabel Martin.

“A podcast about ghosts, family secrets, strange houses, and missed connections,” Mabel is a story that is difficult to describe, but one of the most important points is that the vast majority of it is an epistolary narrative between Anna and Mabel, just like how This Is How You Lose The Time War is an epistolary narrative between Red and Blue. It also has a very distinct writing style- dramatic, flowery, and a little bit intimidating. However, if you loved the writing style of TIHYLTTW, I personally think that Mabel is a perfect match for you.

And I’m not just saying that because Mabel is a story about two extremely overdramatic women who are somehow both frighteningly caustic yet almost adorably useless.

The Honey Month - a book by Amal El-Mohtar 

I certainly hope I don’t have to tell you this, but Amal El-Mohtar is one of the authors of This Is How You Lose The Time War, and The Honey Month is a short book she wrote several years ago.

The Honey Month is almost more of an experiment than a book- in its introduction, a friend of El-Mohtar explains how she sent her several small samples of honey, leading El-Mohtar to use the gift as in a unique way. For one February, every day she used a different vial of honey as inspiration for a small piece of writing.

The Honey Month contains 28 short pieces of writing, poetry, prose, and some things in between. It’s a small book full of things with big impact, and contains the lyrical yet meaty writing I enjoyed from El-Mohtar in TIHYLTTW.

Otherside Picnic (裏世界ピクニック) - A series of novels by Iori Miyazawa (illustrated by Shirakaba)

College sophomore Sorawo Kamikoshi longs to find an escape from other people, and in trying to find it discovers the Otherside, a strangely beautiful yet unfathomably dangerous parallel world inhabited by the-once-fictional creatures she knows from net lore. She also meets Toriko Nishina, another young woman with a knowledge of firearms and a desire to find her missing mentor. Together, these two girls explore the Otherside and find themselves changing little by little, both due to their adventures, but also due to their relationship with each other.

If you know me you probably aren’t surprised at this reccomendation. Otherside Picnic is a truly odd beast- it’s sci-fi, it’s horror, it’s comedy, it’s yuri. It’s about trauma, it’s about Japanese creepypasta, it’s about useless lesbians, and it’s about how the scariest thing of all is being vulnerable with another human being. I think fans of  This Is How You Lose The Time War  will enjoy it- Otherside Picnic’s writing style will likely feel almost spartan compared to TIHYLTTW, but in my opinion there’s a similar level of poetry in it. There’s also a similar level of women who are “badass” yet kind of messes. You’ve heard of “Enemies to Lovers,” get ready for “Accomplices to Lovers”!

(there’s also a manga adaptation by Eita Mizuno, as well as an anime adaptation directed by Takuya Sato)

The Handmaiden (아가씨) - a movie directed by Park Chan-wook (written by Park and Chung Seo-kyung, based on the novel Fingersmith by Sarah Waters)

In Japan-occupied Korea, the pickpocket Sook-hee is recruited by a con-man to aide him in his scam of a Japanese heiress, Lady Hideko. While the con-man poses as “Count Fujiwara” and woos Hideko, Sook-hee will play the part of her maid and subtly push the heiress towards him. But as time passes, Sook-hee begins to realize there are things occuring in the mansion that are even more sinister than her and the Count’s scheme, and there is much, much more to Hideko than meets the eye.

This is a list of recommendations for “people who have finished “This Is How You Lose The Time War,” but I try to recommend The Handmaiden to as many people as I possibly can. I’ve described it in the past as the cinematic equivalent of running a marathon: with a 144 minute runtime full of gorgeous direction and set design, dark machinations, twisted yet romantic writing, often troubling themes, and so, so many plot twists, it’s a movie that nearly feels like too much of a good thing. But for fans of TIHYLTTW, I’m sure what will intrigue you most is the relationship between the two main characters, one so complicated that “Enemies to Lovers” can’t hope to capture the roiling feelings of pity, guilt, hatred, desire, annoyance, sympathy, and everything in between. 

It’s also just really hot.

The Handmaiden is a movie that is best enjoyed going in knowing as little as possible. That said, it is also a story with dark and often upsetting themes that are absolutely crucial to its narrative. If you are concerned about that statement,  I reccomend looking at the movies’ entry on DoesTheDogDie, which I have looked at and found to be a pretty comprehesive list of content warnings that can be examined in a way that doesn’t spoil the twists of the story.

Fingersmith - a novel by Sarah Waters

I’m sorry, I’m sorry, I swear I’m going to get around to it!! I can’t technically recommend the book that inspired The Handmaiden since I haven’t read it yet, but I have at least one friend whose opinion I trust who sings its praises, so it’s good enough for me. Besides, if the recent popularity of This Is How You Lose The Time War has showed us anything, it’s that people constantly crave stories about complicated women, so it certainly can’t hurt, right?

[borzoilover69]

ULTIMATE JAKE: an idea and an execution

 iA I Aka the post where borzoi talks to the crowd how awesome Lord Jake English is, the guy that everyones seen around, but have no idea who he is. Pull up a chair, this will get long. 

If Ultimate Dirk can be summarised by the mask of tragedy in theatre, LE Jake, AKA Ultimate Jake, could be summarised by the mask of comedy. I’ve barely read HS2, but from what I can see, Dirk wants to make a serious nitty gritty tragedy of serious and epic proportions. But he tries so hard that he ends up making it almost laughable.

Jake wants to make a thighslapper huckshaw comedy where everyones having a grand old time but  there is such deep and hollow tragedy hidden within the folds of all those pretty smiles.

If anything they abide a lot by aristotles theory on comedy and tragedy. While tragedy imitates men better than average, comedy parodies those who are worse.

Aristotle stated that those of a more serious type that may have once been inclined to celebrate the actions of great heroes in poetry and prose turn to tragedy, while those who’ve been dishonourable, humbled, turn to comedy. It comes down to duality, tragedy viewing duality as a fatal contradiction forever a fault in things, while comedy views it as natural, but something that everyone must live with the best they can, enjoy.  Do you see where I’m going here? Dirk, who praised Aristotle and read the epics turned to tragedy. Jake, dishonourable and hiding from those who he care about, turning to comedy. They line up well with the cognitive psychology of the tragedy and comedy visions, which you should totally look into when you can. 

Tragedy is idealistic, stubborn and serious. They long for something higher and greater than common existence. They value heroism, hierarchy, and finality. 

Comedy is pragmatic, adaptable, and playful. They consider the self, comfortable in their own skin. They’re anti-heroes, valuing situation-based ethics and reversal.

With that out of the way, lets keep to philosophy like it’s a boat in the atlantic. If Dirks look in life upon going ult is one of pessimistic realism, Jake is an absurdist.

If life is a cruel joke to jake, and it has been, then in his ultimate form hes acknowledged it, and given the cruel void, hes decided to seek out his own meaning. And it just so happens to be his best friend.

Misc details

- Capitalist

- He wears old 3D movie glasses because he’s that idiot. 

- He collects a lot of things. He has plenty of things hes shot killed and stuffed in his collection. 

You could say he’s rather past oriented, taking care to document it all out of interest and perhaps a subconcious pursuit to figure out the future.

- Very apathetic. He may be charming, but he’s still a jackass. He thinks existence itself is funny, he’s an absurdist; but he’s also a guy who realises he’s been kicked to the curb too many times and started shooting people. - His crew consists of John/June, (in place of rose. They have a lot of movie nights!), Karkat, and one (1) dead dave.

And finally some thoughts about ult Dirkjake: Maybe Dirk wants Jake to just kill him. It’s a game of cat and mouse, and perhaps it’s love for someone who deems himself unworthy, no, incapable of doing so. What better love than to kill someone? To trust and know they will kill you. Feeling safe in the knowledge they’ve known you in every universe and are here to kill you. Not that Jake would let him. I like them.. I think it’s my fave brand of dirkjake besides the original.. they’re dysfunctional, intolerable, and they hate each other, but it’s just interesting. For better or for worse, they’re stuck, and they’re not afraid of the fact they suck. If anything, it’d spur them to be worse.

“Oh yeah. I find the other guy fucking annoying and I’d gladly take a moment to rip his guts out and walk him around a tree until they’re all out and he's calling me every bad name he can think of, but if anyone tries doing this shit with him without my consent, I’m going to be hells of more pissed off.”

Look. It’s funny in the way that realistically, they could probably do a lot of damage to everyone else but due to the fact they know the other guy exists, they’re too busy trying to kick the others ankles out and then beating each other up to become dangerous.

Oh you bet your nanny it’s the gayest most fucked up kismesis known to man. Ultimate Dirk hates LE Jake, because he doesn’t give a damn. Because Jake makes him feel things he denies feeling. And that ridiculously, somewhere in paradox space, Jake went ultimate and decided he was going to man up and pursue Dirk to the ends of the universe. Ultimately: “My soul is bound to you in explicable ways. Our bonds cross the multiverse and wherever you are, somewhere I am by your side. Even in a hundred universes, maybe even a million. I will still find you.”

Perhaps the greatest thing and a closing note is that given they are the ascended versions of themselves, they’re aware of the fact that they’re aware of every time the other guy screwed them over, kicked them in the balls, etc. But they’re also able to see everything else. So what’s with a little hatelove eh?

[aziraphales-library]

Hi there everyone! Thank you so much for everything that you do~

I was wondering if you could please recommend some fics that have absolutely beautiful prose? I couldn't find a tag for it but similar to A portrait in synesthesia or The Injury Of Finally Knowing You (unpack_my_heart_with_words).

Thank you and hope you're all having a lovely day❤

Here are some fics from my bookmarks that I have tagged "beautiful"...

Strawberry Wine by GaryOldman (NR)

Human AU Ineffable Husbands one shot. "You’re in a car with a beautiful boy, and he won’t tell you that he loves you, but he loves you." - Richard Siken

Empty and Desolate, The Air by asparkofgoodness (M)

Ever a guardian, Aziraphale kept watch. Sliver-shafts of moonlight sliced ribbons across Crowley’s face. The emptiness of it unnerved the angel. Even in slumber, his expressive face had always told stories. Syllables shifted in the corners of his mouth; sentences found themselves punctuated with the movement of an eyebrow. Now, only still silence, even in sleep.   Heavenly forces decide the best way to get their once-dutiful soldier back is to slaughter his only real reason for rebellion. Their attempt leaves Crowley wounded and voiceless. Aziraphale tries his best to heal him and accept the soundlessness of this new verse of their song.

You Said Go Slow (I Fall Behind) by BlackUnicorn (G)

Further up, still, half-hidden by the branches of the trees and the leaves of the hedges, stood a cottage. It looked like any other cottage, really, with a thatched roof and a fainted paintjob and a garden out back. However, anyone who took a closer look would agree that this particular cottage was, in fact, quite extraordinary – the roses ranking up the stone arch in the front bloomed more lustrous than any roses ever seen on earth, the car in the driveway was almost antique and yet looked like it had rolled out of the factory no longer than a few weeks ago, the shelves inside held more books than should be physically possible, and the Mona Lisa sketch in the hallway was said to have been signed by dear old Leo himself. And there, in the first-floor bedroom, covered by piles of duvets and blankets, lay the Demon Crowley, alone, staring unblinkingly at the ceiling from behind his sunglasses, waiting for dawn. *** Sometimes healing and moving on is the hardest part.

Exit Wounds by racketghost (T)

“At least they were together for a time,” Crowley says, staring at the lit end of his cigarette, “maybe that’s enough.” Part 1 of Strange Moons series (G-E)

l’esprit de l’escalier by seekwill (M)

l’esprit de l’escalier: that feeling you get when you leave a conversation and think of all the things you should have said With his books and his clothes and other curiosities he’d collected since beginning his time in London, Aziraphale considered himself a curator of beautiful things. He found beauty in people too, in the way they moved and spoke and laughed. This man, who was very nearly past him now, almost gone, shook him. He couldn’t understand why. There was an impulse to reach out, to wrap his blunt fingers around the man’s skinny wrist on his handlebars, say “Hello there, might you have a moment to explore why I’ve fallen in love with you just now?” An adaptation of Jean-Pierre Jeunet's 2001 film Amélie, as part of the GO Romantic Comedy Event

Not a Human AU by maniacalmole (G)

Aziraphale knows Crowley has a crush and doesn't know what to do about it. Aziraphale wasn’t sure if he considered himself ‘alive’ or not. What would he do if he had to live a life? We may not be people, Crowley thought. But I do—I do want.

And the two you mentioned...

The Injury Of Finally Knowing You by unpack_my_heart_with_words (T)

Once in heaven, the angels do what they always do— a kindness. The only blessing is that without his memories, Aziraphale has no idea what he has lost. It will end, as it began, in a garden.

A Portrait in Synesthesia by DiminishingReturns (M)

In the innocent time before the Fall complicated everything, one shy, studious chronicler and one curious, chaotic starmaker fell in love. They were left with no memory of each other, but the soul remembers what the mind forgets, and their experiences together left them with a unique kind of synesthesia— the emotional state, mannerisms, and voice of one having a paired physical response (smell, taste, or color) in the other. Follow Aziraphale and Crowley from the pre-Fall times to the Apocalypse as these heightened earthly senses continually pull them back together. At first, they meet tentatively under Halley’s Comet, the last thing Crowley created as a starmaker and an excuse to keep returning to one another’s orbit. But over the millennia, their relationship deepens and they find new reasons to seek each other’s company.

- Mod D

[electronickingdomfox]

"The New Voyages" review

This one is actually a collection of short stories by fan authors, which makes the stories seem more like episodes of the series. It has also the distinct honor of being introduced by Roddenberry and most members of the cast. The stories are generally well-written and in character.

Some spoilers ahead:

Ni Var (by Claire Gabriel; intro by Nimoy) takes the plot of "The Enemy Within", but applied to Spock and the division between his Vulcan rational part, and his human emotional part. Besides the fact that I'm not sure such division works at that biological level, the two Spocks aren't all that different really. And it's not a very novel concept, specially right after a similar plot in previous book "Spock must die". But bonus points for Kirk giving the middle finger to his own reflection.

Intersection Point (by Juanita Coulson; intro by Doohan) is one of the best stories. The Enterprise is seriously crippled while navigating through an anomaly cloud, which is quickly contracting and threatens to crush the entire ship. Anyone who enters the cloud to retrieve a crucial component of the ship, is mentally destroyed by its eldritch qualities. Great tension and difficult choices.

The Enchanted Pool (by Marcia Ericson; intro by Nichols) is an attempt to write a fairy tale with Spock thrown in the middle for good measure. A bit of purple prose, and doesn't quite work. The resolution of the mistery is ingenous, even when convoluted.

Visit to a Weird Planet Revisited (by Ruth Berman; intro by Barrett) is actually the other half of a fanfic (Visit to a Weird Planet, not published here) where Kirk, Spock and Bones end up in the real world, right in the studio where they're filming Star Trek. Here instead, we follow the actors, who appear in the Enterprise and have to improvise to avert a danger. The other story was more fun, since Kirk and co. are more clumsy and hilarious in our world (being even "attacked" by fans), while the actors are just slightly less competent than their counterparts.

The Face on the Barroom Floor (by Eleanor Arnason and Ruth Berman; intro by Takei) is a really fun story. Kirk gets into a fight in a bar while in shore leave, is detained, teams up with a ratty thief, and crashes a party, while his crew search for him frantically. In the line of TOS best comedy-adventure episodes.

The Hunting (by Doris Beetem; intro by the editors) is a bit "meh". Spock goes into a Vulcan ritual which requires to mind-meld with a wild beast, and McCoy accompanies him. When Spock goes wild in the process, the good doctor has to hunt him and give him back his sanity. There could have been a more homoerotic fight between them, as in "Amok Time".

The Winged Dreamers (by Jennifer Guttridge; intro by Kelley) is another high point. The Enterprise crew falls under the influence of some creatures that make their fantasies seem real. So real that people can actually die if imagining the wrong thing. Spock is less affected, but slowly begins to hallucinate too, and the triumvirate fall into paranoia as neither they (nor the reader) can tell what's real and what's not anymore.

Mind-Sifter (by Shirley Maiewski; intro by Shatner) drags a bit at the beginning, when Kirk wakes up in a sanatory, his mind almost destroyed. It gets more interesting once Spock and McCoy start a quest to search for him. Great interactions between these two, reminiscent of "The Tholian Web".

After the eight stories there's still a little poem about Spock and Leila.

Spirk Meter: 10/10*. Not all stories are equally slashy, but the parts which do, are slashy in spades.

Ni Var has Kirk worrying about Spock all the time, and "human Spock" wondering if what he feels for the Captain is friendship... or love (something which happens too in one of Roddenberry's story concepts for a movie, around this time).

Intersection Point has a clear parallel between the anguish of a female crewmember, after a man (obviously her boyfriend) loses his mind in the anomaly, and Kirk agonizing once Spock has to enter the same anomaly.

The Enchanted Pool, where Spock refuses to kiss a beautiful female time and time again. Even when the woman assures him it's the only way to break a spell and escape. Even when Spock is doing far more dangerous things ALL THE TIME to solve problems. Of course, he considers the kiss a total waste of time once it doesn't work.

The Face on the Barroom Floor: Kirk is invited to a bar by McCoy and Sulu, who have found three women to pass the time, one for each. What does Kirk do? He gets out the bar two seconds later, puts on a samurai costume, and goes instead to a bar full of muscular, rowdy men, to get thrashed by them. Of course.

The Winged Dreamers has Spock wishing to stay on a planet with Kirk, just the two of them, for ever and ever. McCoy totally gets what's going on.

And I thought that Mind-Sifter would be about the love between a (quite unproffesional) nurse, and her mentally unstable patient, Kirk. But oh man, where do I even begin!? For starters, we have Kirk using his mind link with Spock to cry for help, across the galaxy and several centuries. And later he's concerned about how much can Spock read into his mind. Then we have McCoy informing the nurse that no, Kirk can't stay with her, because his love is his career and his... (trails off, having said too much). Gallant Spock carries an unconscious Kirk in his arms, and tells the nurse that, no matter how much she loves him, Kirk DOES NOT love her back (bitch!). If that wasn't enough, there's a lenghty conversation at the end, where Kirk almost melts in love and appreciation for Spock, and the Vulcan blushes at his own emotional display.

*A 10 in this scale is the most obvious spirk moments in TOS. Think of the back massage, "You make me believe in miracles", or "Amok Time" for example.

[kidukami]

☾┅ about me ┅ ☽

hi, call me mika! i'm 21+ and i go by they/them pronouns. i'm a se asian writer + aspiring literary translator based in the uk. this post is essentially a writeblr reintroduction as i am starting anew in the community with this blog, and i'm really excited to share my wips and connect with all you lovely writers out there! i'm also tag and/or interaction friendly (although my reply speed is... not the best especially for tag/ask games, but i'm trying!), so please don't be afraid to say hi ♡

☾┅ writing interests ┅ ☽

important note: my works may contain mature and potentially triggering topics. viewer discretion is advised.

╳ i'm mainly a prose fiction writer, although i may dabble in scriptwriting and poetry at times. ╳ genres: speculative fiction, historical fiction, thriller, literary fiction. ╳ themes: sociopolitical commentary, satire, dark comedy, angst/tragedy, tragicomedy, morally grey characters, queer romance. ╳ open to reading all genre and themes! you're more than welcome to reblog this with your wips or tag me in them, whether or not they feature any of the above. the above lists are not exhaustive because to this day i still don't know how my writing brain works. ╳ i take plenty of writing-related requests (beta/proofreading, critique, collabs, translation work, etc.)! please refer to my carrd for more info, or contact me directly for inquiries.

☾┅ main wips ┅ ☽

will o' the wisp :: adult sci-fi/thriller novel. ╳ award-winning talk show host and journalist noe crane is constantly treading a tightrope as he assumes his secret vigilante identity behind closed doors, but things get worse when his past comes back to haunt him. ╳ features: tragicomedy, morally grey characters, lgbt+ characters, complex relationships, modern setting, superpowers, conspiracies ╳ wip intro here!

the duña duology :: adult weird fiction duology. ╳ a troubled man in his 30s attempts to escape from his past and seeks refuge in a run-down inn, only to find himself caught up in a dangerous conspiracy against the world. ╳ features: adult (30+) characters, unlikeable protagonist, multiple universes, high concept, complex worldbuilding, retrofuturism, found family, conspiracies, aliens (?) wip intro coming soon! message if you want to be tagged.

a history of the tenshima gang feud (working title) :: new adult sci-fi/romance novel. ╳ when a national museum tour guide somehow travels back to the city's deadliest era in history as one of its disgraced figures, he will soon find that his beloved city isn't what it claims itself to be. ╳ features: time travel, alternate future, fictional setting, criminal underworld, ensemble cast, sociopolitical commentary, morally grey characters, lgbt+ characters, love triangle, lovers to enemies, friends to lovers, mcd, tragedy wip intro coming soon! message if you want to be tagged.

lilium carnage :: historical steampunk visual novel (collab with @nana7esque) ╳ four characters on two sides of the same coin. each of them are determined to deliver their own justice in the corrupted land of navona, even at the cost of their own lives, but little do they know that there will always be a bigger price to pay. ╳ features: alternate history, fictional setting, choice-based story, multiple endings, morally grey characters, lgbt+ characters, tragedy, enemies to lovers, complex chara dynamics wip intro coming soon! message if you want to be tagged.

☾┅ side wips ┅ ☽

shelved wips, wip ideas i have yet to develop, etc.

╳ by the kiss of the sleeping night :: thriller/romance webtoon collab with @nana7esque ╳ retelling of the nyi roro kidul myth ╳ modern setting character-driven script with each characters being an allegory to the seven deadly sins

feel free to interact with this post especially if you're also a writeblr! ♡

[squarebracket-trickster]

Writeblr Re-Intro!!

Friends and Enemy, hi!

I figured I would write a new intro because my old one is now out-of-date. I have finished my second draft of WIPVII (placeholder name until I actually bother to title it). It clocked in at 77 049 words, which was exactly within my goal of 80 000 +/- 5000.

After many false starts and a deliberate hiatus to flesh out some worldbuilding, I am now working on my third draft!

This blog is really just for me, to chronicle my thoughts as I write, but I have made so many friends on Writeblr already and am always open to making more!

For the actual intro bit:

My name is Kate, Square, Not-Square (thanks Not-Cheeto hehe), Rubiks (thanks Sleepy :3), or whatever nickname you would like for me (she/her). I mostly write fantasy with the occasional sci-fi project on the side. I love epic high fantasy (in the vein of LotR or Wheel of Time) and YA fantasy romances equally.

Funny enough, my current project is none of those things. It's more like a YA twist on a Shakespeare comedy than anything else -- if I had to pick a genre. Something like Twelfth Night, Cymbeline, or As You Like It. It's got a young women running from an arranged marriage, a b-plot to prevent a war, forbidden love, mistaken identity hijinks, a forest setting, bandits, a fairy-tale High Medieval backdrop, and it wouldn't be truly like a Shakespeare comedy without cross-dressing and queer characters.

I have several other WIPs on the go but this is the one I am prioritizing.

I don't post full chapters because I am hoping to query one of these centuries (and also, it's not yet ready for human eyes)... but I do live-blog the process when I am writing and I share my favourite lines.

My goal for my third draft is just to make the prose effective. My first drafts are word vomit. My second drafts are mostly structural and trimming the cringe. My third drafts are where it actually starts to reflect my prose ability.

If you write sci-fi, fantasy, or weird fiction of any kind I would love to get to know you. You are also welcome to hang around if you are interested in watching someone else go through the revision process of writing a novel, or if the concept itself intrigues you. I am happy to answer questions about first/second drafts and writing in general.

[pixiemage]

I was just reminded of this one but: Jimmy is very pretty. Tango, though, is not. Not ugly or plain, but like, as far as the average person is concerned he's also not catching someone's eye unless they have a very specific type. Like a 6-7 on a good day/10 sorta guy looks-wise. No one's looking at him and seeing shojo sparkles and blushing or waxing prose about his beauty on first sight, including Jimmy. Unironically a great personality/charming sort.

[For the MCYT Headcanon Ask Game]

Absolutely. 100%. Canon. Yes.

Jimmy is definitely attractive; the list of people who can't seem to stop flirting with him is proof enough of that. He probably doesn't think he's attractive, but he is. (He's been told this too and still doesn't always believe it.) It's not his only redeeming quality by far, but it's high on the list.

Meanwhile Tango is physically as average as they come - but he's magnetic for other reasons. His energy, his friendliness, his creativity, his enthusiasm and sense of comedy and fun - the guy's easy to get along with and a great friend to have, and that more than makes up for any "prettiness" he lacks.

[unexpectedly-haunted]

fic rec list!

assorted hermitcraft + life series fic recommendations!

attempt thirty-three by bee_4: Joe Hills centric time loop fic. Also features Cleo, Scar, and Cub, and I love everyone's characterisation! Haunting and open ended, but still points of hope. Words: 13,617 Chapters: 1/1

To Sit in Hell with You by enemyofrome: Last Life treebark fic from Ren's POV. Focus on these two in the Shadow Alliance because man, those guys were really something else. Obsessed with the characterisation, have reread a reasonable amount. Words: 2,664 Chapters: 1/1

monsters nearby series by enemyofrome: Treebark series where the games are over but the Watchers aren't leaving Martyn alone- really fun exploration of supernatural impersonations and how that might impact your relationship with the real person. I'm not normal about these ones. Second work has a hopeful ending. Words: 13,856 Works: 2

Lifeline AU by SlashMagpie: Scifi/Fantasy AU about body-snatching aliens, also including the emptiness of space, magical worldbuilding, unreality and time travel. Main POV characters are Tango, Impulse + Pearl, but also includes much of the Hermitcraft ensemble + Skizz. Read the entire AU in one night and haven't been the same since, cannot recommend highly enough. Words: 299,349 Works: 6

Blood & Snow by SlashMagpie: Tango gets eaten by the dungeon, or close enough. Unsettling, visceral, and features possession! Has Scar, Bdubs, Cub, Etho, and Hypno POV. Words: 12,425 Chapters: 7/7

the sanctity of the mundane by crabbunch: Double Life SMP series with a fic exploring the relationships between each soul bounded pair. Found each work really fun and compelling, great variety in tone. Shoutout especially to this Cleo + Martyn! Words: 24,712 Works: 7

sculk blossom by crabbunch: Cub centric fic that works as both a character study and a look at his sculk corruption on Empires. Delighted by the horror and characterisation here! Words: 4,065 Chapters: 5/5

Deus Ex Machine by crabbunch: Bdubs POV, an existential/magical horror piece about the power of belief, storytelling, and godhood. Also some great Clethubs! Words: 13,449 Chapters: 8/16

Tangotek Evil Incorporated: Supervillain Tango and superhero Jimmy as arch nemeses. Comedy with a happy ending, and SO much fun to read. Words: 22,445 Chapters: 2/2

there are many downsides to being a marine biologist by donnerstag: Doc's marine biology gets complicated when the latest specimen turns out more human than expected: the siren he names Martyn. Really engaging and well-characterised fic, impossible to read and not end up invested in docmartyn. Trust me. Words: 74,006 Chapters: 27/27

a falling axe, a sharpened knife by sesquidpedalian: Double Life Cleo + Martyn relationship study, where soulmates also have a telepathic bond. Just really enjoyed this one! Words: 2,081 Chapters: 1/1

ectype by sesquidpedalian: Third Life AU where Martyn is there when Grian visits for enchantments. Really neat character study of two guys who aren't anything alike at all, definitely not. Words: 1,603 Chapters: 1/1

never our blood on this sand again by cosmicretribution: Scarian and treebark timeloop AU. Includes angst, the Timeloop Horrors, developing relationships, and great prose + characterisation! Words: 8,905 Works: 2

A Romance Route for the Doomed Villain?! by skelew: Treebark isekai AU where Martyn gets hit by a 2007 nissan micra and transported to a dating sim featuring the villainous Red King. Crack treated seriously, and a great parody fic that also happens to be genuinely compelling. Words: 5,012 Chapters: 1/1

feel free to add on recs in reblogs/comments! :D

[gingerhastoomanyobsessions]

Blorbocore Activities for Dracula Characters

Jonathan:

Treat yourself to a cup of tea at the aerated bread company. Or, you know, a modern cafe. Or just at home. 

Write your significant other’s name over and over in glitter gel pen. Shorthand optional

Appreciate a scenic vista. Write it down in the most flowery purple prose you can manage

Try a new food. Bonus points if it’s spicy. 

Choose vengeance. 

Mina:

Write in ink or on a typewriter. Try shorthand for bonus points

Find a cool graveyard to chill in. Old man with an indecipherable accent is optional

Memorize something random, just for kicks

Similarly, adopt or hone a skill that could come in handy one day, but is otherwise just some fun tidbit 

Be an unapologetically goth queen

Arthur:

Hang out with your pets!

Take a leaf out of his dating notebook (fishing, tennis, outdoorsy stuff) 

Finally let your emotions overcome you and express them by sobbing inconsolably onto your sister-by-choice’s shoulder

Tell people you value how you feel about them, but phrase it in the context of their imminent demise

Dress up nice for no real reason

Jack:

Record an audio diary or “podcast” of your day. Imitate people’s voices to the best of your ability. 

Stare melodramatically into the middle distance, ideally looking pensively into the sunset

Is there something you can spend hours doing and never get bored? Do it. Now.

Learn a few Latin phrases to sprinkle into your conversations 

Listen to emo music. 

Quincey:

Have a campfire to roast marshmallows and spin yarns around

Put on your most exaggerated cowboy voice and talk slang for the day.  

Flee from a pack of wolves with your friends

Be the spontaneous friend! Shoot a bat. 

Be rootin, be tootin, be shootin, but most of all be kind

Van Helsing:

Do something supportive for your friends if they need a pick-me-up!

Embrace dark comedy. Bow before King Laugh. 

Mangle as many metaphors as you can in one conversation. The more times you mention corn, the better. 

Read up on mythology and folklore

Try to convince your most skeptical friend that ghosts are real. 

Lucy:

Keep a diary in emulation of your Good Friend Mina

Go for an evening stroll. 

Have a sleepover with your friends! They can try to stop you from sleepwalking out of the room. 

Dye your hair a new color on impulse

Donate blood. 

Renfield:

Find a non-aesthetic bug— not a butterfly— and examine it closely

Sing or hum in your room and ignore guests

Debate philosophy. 

Jump out a window and run over to bother your neighbor in the dead of night

Absolutely pummel a punching bag, pillow, or psychiatrist. 

Dracula:

get hit in the head with a shovel. 

[linguisticparadox]

Dr. Kemp's introduction is really fascinating to me, because it sets up not only his personality but also his function in the novel.

A couple of weeks ago, we had his thoughts at seeing Marvel running through the village: '“Another of those fools,” said Dr. Kemp. “Like that ass who ran into me this morning round a corner, with the ‘’Visible Man a-coming, sir!’ I can’t imagine what possesses people. One might think we were in the thirteenth century.”' These are his first words in the book, and they serve as an excellent sum-up of who he is and how he sees the world.

And so far, we might almost agree with him: although we know the Invisible Man is real, the whole story so far has read like a madcap slapstick comedy. Even Marvel, the Invisible Man's special victim, has been portrayed as a silly and rather stupid man in a silly and rather stupid situation, the stuff of modern-day sitcoms.

But then we get a sudden glimpse of the horror of Marvel's situation, and simultaneously we see that Kemp is judging at a distance, and so misjudging: "But those who saw the fugitive nearer, and perceived the abject terror on his perspiring face, being themselves in the open roadway, did not share in the doctor’s contempt." The more perceptive among us might cringe to think of our own reactions to everything that has happened to Marvel so far (and not to spoil anything, but later we will come to feel similarly about the Invisible Man, who so far has mostly just come off as kind of an asshole).

The narrative continues to paint Kemp as a rational man of science, who considers himself superior to the common rabble, with little tidbits thrown in here and there.

This week, he hears shots go off, and seems (or at least pretends) to dismiss them as nonsense, saying, “Who’s letting off revolvers in Burdock? What are the asses at now?” After that, he looks out the window and sees a crowd, which he watches for a few minutes, "during which his mind had travelled into a remote speculation of social conditions of the future." Based on his characterization up to now, we can assume he views this future with rather haughty scorn--"this country is going down the toilet, look at all these idiots," and so on.

Of course, he's more rattled than he seems, especially after the doorbell rings for seemingly no reason. But he manages to lose himself in his work again until the small hours of the morning.

Now, it only comes through in some parts, but the whole narrative is subtly framed as being told by a limited pov third person, who has evidently gathered together news articles and interviews with the various witnesses. We get only a peek at it here, with the line: "Dr. Kemp’s scientific pursuits have made him a very observant man, and as he recrossed the hall, he noticed a dark spot on the linoleum near the mat at the foot of the stairs." The tense at the start of the sentence suggests the image of Dr. Kemp sitting and telling his story, throwing in a moment of preening over his education and scientific prowess. These traits continue to receive attention with lines like "Dr. Kemp was no believer in voices"; and when we are told, "All men, however highly educated, retain some superstitious inklings," we can easily imagine Dr. Kemp rushing to defend his seemingly irrational thoughts to his interviewer.

In short, H.G. Wells tells us, plainly and repeatedly (though with a deft subtlety beneath his compact and engaging prose which characterizes his writing generally), that Dr. Kemp is highly educated, rational and scientific, and that he feels these characteristics place him above the common people.

And this, I think, is a gorgeous setup of Kemp's role in the narrative: to establish that education and rationality do not shield one from falling in with mob mentality and being complicit in the persecution of The Other.* Up to this point, we have had only comic scenes of the Invisible Man causing mayhem and blunt confusion among the simple-minded, straightforward but unimaginative denizens of small towns, the sort of people who needle a man for explanations, not to satisfy any real curiosity, but to gather fodder for gossip and win esteem in their social circles, and who consider it a grave insult when that man, a newcomer wrapped in bandages who just wants to be left alone, denies it to them.

But now, as if to head off any potential feelings of class-based superiority in the (necessarily literate, if not highly educated) audience, we have a well-educated, rational man, who considers himself Above All of That, and who views the situation exactly as we have been led to view it ourselves.

And this man, a stand-in for the rational, high-class, superior-feeling people in the audience, is immediately proven to be wrong. He misjudged the situation because he has only seen it from a distance: and the parallel with the readers, who are learning the story from a fairly removed narrative distance, ought to give us all pause.

*For the record, I think Marvel fits the bill as The Other, or ought to, as he is a homeless drifter. Certainly the Invisible Man expects to have sympathy from him on this basis! Unfortunately for him, Marvel in fact turns out to be much more comfortable among the "locals" than one might assume; and yet, in demanding his aid, the Invisible Man actually isolates and others him from his fellows, so that it becomes a sort of self-fulfilling prophecy. But that's a topic for another paper essay rant entirely.