#it's so very subtle that even I can't see it

[notebooks-and-laptops]

God I think sten in the fade might be the most heartbreaking one. Yes, Morrigan straight up can't believe her mother would ever care for her, yes Alistair just wants a family, yes Zev is out there literally getting tortured because that's familiar to him but there's something so subtle about Stens moment that I just love bringing him along.

Because he's...he knows. In a way. He knows exactly what's going on. He's not fooled into thinking this is real like Alistair or Wynne or Leliana or Zev. But equally he's not arguing his way out like Morrigan. When you talk to him he knows who you are, and why you're there, wants to make room for you at the fire.

Sten is... reminiscing. He's with these men who he knew who died and whose death signalled the end of his last true connection with home (both because of their deaths and because of the loss of his sword). He even says that the fade is no different from being in Orlais or Ferelden - none of it is home. It's such a stark contrast to Stens usual no nonsense tone and it really cuts to the heart of him and what makes him such a compelling character.

To get him to come with you, you remind him that he made an oath to you or other soldier things. Sten needs that order to be pulled from his memory here.

And it's just...it's heartbreaking. He misses home. He feels he can't go back. He doesn't know what the point is anymore. And it is the warden that quite literally gives him order and the ability to go back after his sword so he can head home. It's connection to people - you the protagonist specifically - that helps Sten move past his grief. And in that way, Sten mirrors Alistair and Oghren but that's a whole other post about themes of loss and grief and moving forward in origins ill make some other time.

(I also like it because it shows that Stens companions were joking about and very un-Sten like. I think there's this idea that flies about that before Bull was introduced, the Qunari were all very serious and stoic people and bull was a retcon in that regard. But we see Stens friends laughing about the lack of good food in Ferelden and making jokes)

[strwberri-milk]

I heard the raphael tipsy audio (omg he’s so sweet and attached) and now I cant hep but wonder how all the guys would react to MC going on a long mission.

Zayne doesn't mope - or at least that's what everyone thinks when they see how he goes about his day normally regardless of the fact that you aren't currently home with him. He's perfectly professional at work - almost too professional. In actuality he's trying not to let the fact that you won't be there to welcome him home bother him too much.

When he goes home he finds himself more distracted than usual. He watches the clock until it's time for you to call him, noticeably calmer during the call. He doesn't want to talk about his day at all - he just wants to listen to your voice talking at him for as long as possible. He manages to trick you into speaking about your day the entire call, looking at you with such an affectionate gaze you can't help but melt under it.

He counts down the days until you come back, planning a nice quiet evening for the two of you to celebrate a job well done for when you finally come back to him.

Xavier tried to get assigned to the same mission as you in hopes that the two of you could spend the entire time together. When he failed to make that happen he pouted a little as you packed for the mission, trying to convince you to call out or do something that would let you stay home with him.

He's even more quiet at work, finding that there's not too much that catches his attention if it's not you. He makes conversation with the others at least but he doesn't seem to be all there. Everyone knows exactly why that is but they choose not to tease him because it's like kicking a dog while it's down.

He plans little online game dates for you two to do while you're working. Even if it's just card games and he has to hold up your hand to you he's more than happy to do so because he wants to spend time with you doing anything.

When you come back he's definitely a little clingier, not wanting you to go anywhere without him in a subtle manner. You can tease him all you want but he won't admit it, just saying that he's allowed to miss you since you were gone for so long.

Rafayel isn't very happy you have to go but he understands that you have to. He will complain a little despite also packing your bag for you, asking you to text him or call him - preferably video calls - whenever you can so he can see your cute little face. He doesn't want you to forget about him after all.

He's significantly more prone to getting frustrated or totally zoning out. His art always somehow comes back to you or he just sits there thinking about you in his downtime until it's time for you to call him. He immediately brightens up and is in a significantly better mood when he can talk to you again, happily working if you're there on the call.

When you finally get back he insists on making back all the missed cuddles he can. He has to make up for lost time and totally insists on doing so by keeping you in bed all day with his face buried in your chest.

Sylus asks if it's really necessary for you to be gone for so long. You have to remind him it's part of your job and he casually tells you that Mephisto will be tagging along for your safety. You know it's partially that, partially because he likes the idea of being able to see you whenever he wants. You also know there's no point in saying no to him and it'd help with his peace of mind so you agree anyway.

He doesn't obsessively check Mephisto's camera, surprisingly. He doesn't want to accidentally scare you off despite knowing that his every thought centers you. He finds himself missing you more than he thought he ever would, attributing it to the fact that now that he's had you he doesn't want to go back to what it was like without you.

When you finally come home to him he's made sure to have your favourite meal and some presents as your homecoming. The calls the two of you had were all poor replacements for your presence and he makes it known with how he laments it to you, telling you that he won't be letting you out of his sight any time soon.

[yan-randomfandom]

P!Yandere!Pines Family x GN!Teenager!Reader

[PLATONIC] a continuation to this! decided to just make them all yanderes cuz y not lol errmm just subtle ykwim... i'm not proofreading all this so just have my draft

warnings: staring, violence, alcoholics, abuse, blood, implied murder. woah intense

❤️‍🔥

"Then I saved Ford by slicing its eye! You should have seen it!"

You laughed, settling down from your dramatic gestures that you've been making throughout the entire dinner. The entire Pines family watched you in awe, especially Dipper and Mabel, easily captivated by your personality and story.

"Yes, well, they certainly saved my life," Ford chuckled as he fed himself a spoonful of food.

"You have to stop lettin' kids save your life so much," Stan scoffed.

Dipper grabbed a book out of nowhere, clicking his pen in preparation—

"No writing at the dinner table! We talked about this!" Stan called out, earning a sheepish smile from Dipper who immediately drops the book on the ground.

"But what did the monster look like?" Dipper stammered, eventually turning to you with a curious look on his face. He looked eager to learn more. That's what you can tell anyway, if you remove his reddened face, which is most likely from embarrassment.

Mabel, who sat across from you, leaned towards you with the biggest smile on her lips. You grinned back to return her energy. "Bet it was super gross! Was there a lot of blood?! Blaarrrgghhh!!!"

"No gross sounds at the table, pumpkin!" Even Stanley felt like he's tired of his own voice. This is him trying his best to not let you be uncomfortable. Well, he supposed you and his brother brought up the story in the first place.

Speaking of, why were you even here? Ford came back in the mystery shack after missing for a day, only to bring a random teen with him. It's a good thing he cooked extra since he thought Soos was coming over.

But he needed answers fast.

"Ford," Stan whispered firmly, catching his brother's attention. Tilting his head, he tried to signal him to move out, but someone interrupted them before they could do anything.

"Hey! No sneaking out the dinner table!" Mabel exclaimed, pointing a fork at her grunkles.

Stanley stood up and Ford followed his actions. They were already heading out the door with Stan holding his twin's wrist. "Well, sweetheart, VERY REASONABLE EXCUSE!"

As soon as they were out of sight, you and the other kids exchanged looks.

"He did say it's reasonable."

"Yeah, I can live with that."

... You snorted. "You guys are a funny bunch. He literally said the excuse, and you let him go just like that? You must trust each other a lot."

"You have no idea, stranger, you have no idea," Mabel laughed. "Sorry, what was your name again?"

💥

Meanwhile, deep inside the mystery shack, where they were sure there'd be no eavesdropping happening...

"You let the kid stay here without telling their parents?!"

Stanley was freaking out. Yet, he really shouldn't be surprised Ford would do this. Ironically, poindexter would even criticize his behavior, his grunkle methods! How ridiculous is this whole thing, huh?!

"It's more complicated than that! Look, I know this sounds bad—"

"It does!" Stan yelped, his hands clenching. "Their parents must be so worried! And we can't just let them—"

"No, no, Stanley, walk with me here," Ford said, placing his hands on his brother's shoulders. "It's their parents that are the problem."

A few deep breaths from Stan. Alright, okay. This is making more sense now.

"We'll take them to their house first thing in the morning," Ford explained. "Let's see what we'll do from there."

🔥

"I hope my drawing isn't too bad," you chuckled, giving the journal back to Dipper. His eyes skimmed over your illustration of the monster you killed. "It doesn't match yours and Mabel, but..."

"Are you kidding?! It's perfect! Thank you!" Dipper beamed, writing more notes down the rest of the page.

From above, Mabel had her legs folded over the ceiling wood of the house. You looked up and made eye contact, as much as you can anyway. She's upside down.

"Hi! How old are you again?"

How did she even get up there, you wonder. You glanced around, smiling when you realized, and worked your way up.

They stared at you in awe when you climbed right next to Mabel's side. Now you're hanging upside down too. "Cool tricks, Mabel. Hope you don't mind me copying you?"

She doesn't respond, starstrucked. Glancing at Dipper, his jaw was also on the floor.

"Uhhh," you awkwardly smiled, "But I just turned sixteen! You guys are turning thirteen, right?"

"You're the coolest," Mabel whispered, dragging a hand across your face. Okay. That's a bit weird, but it's welcome.

"Thanks," you grinned, manually removing her hand from your face. You looked down at Dipper again. "Hey, Dipper, what time is it?"

He scrambled around and grabbed a watch from somewhere. "Uh, nine o' clock."

"Nine?!" your sudden outburst caused you to fall to the carpet, a pained groan leaving your lips. At least you managed to drop skillfully. "Oh, that hurt."

"Are you okay?!" Dipper rushed to your side, offering a comforting hand on your back.

"Yeah, I just," you paused. "It's nine already? My parents are gonna kill me, man. I gotta go home."

"What!!"

Mabel also dropped down from her outburst, but her landing isn't painful as yours, because you caught her in time. She gazed at you from your arms, stars forming in her eyes.

"Woah. You have fast reflexes!" she squealed as you gently put her down.

Dipper shook his head. "But you can't go home this late at night. Didn't you say you're from outside of Gravity Falls?"

You crossed your arms, pondering. "Yeah, but... Okay, wait, where's Ford?"

Footsteps followed your words. All of you turned to the doorway, seeing the older set of Pines twins. It's kind of amazing, really, you rarely saw twins and this family has two pairs.

"Oh, there you are!" you grinned, walking over to him. Ford blinked at you. "I'm sorry, dude, but I think I overstayed my welcome. I'll go ahead and—"

"Eh, nah," Stanley chimed in, earning your attention, "It's too dark for ya to go out. Let's take you home tomorrow, yeah?"

"But-"

"No butts, they're for sitting," he continued, gently pushing you down on his recliner. You sat down, albeit confused. "Think of it as a sleepover. That's fun, right kids?"

Mabel skipped to your view, an eager grin on her face. "Yeah! We can paint your nails and everything!"

"While I'll show you more of the journals," Dipper beamed, showing one of them to you.

Their ideas were nice, it truly was, but the circumstances are concerning. You couldn't help the frown forming on your lips. They all noticed.

Ford stepped in between them, kneeling and offering you a smile. "Don't worry, kiddo. We'll take good care of you 'til morning. I'm sure your parents will understand."

"I guess I can't really do anything about it," you muttered, eventually accepting the situation. You stood up with a grin. "Okay! Who wants to be unaware of me stealing cool stuff here?!"

"I do!" Mabel screamed, only to pause. "Wait, what?"

"Yeah," Stan squinted, "What?"

You hummed, suddenly behind him, and stared at his wallet. Ford shook his head at you. "You have a very alarming number of IDs. Is this normal? Then again, you're old."

A laugh left Stan as he took his wallet from you. "Oh, I could use that type of skill. Didn't even hear or feel you take it!"

"I can teach you," you smiled.

"Please don't," Dipper groaned.

🌬️

"This journal is amazing! And Ford wrote this? Seriously, no wonder why he was so smart!"

You flipped the book page by page, your jaw dropped the whole time. Sure, a while ago, you saw one page, but only because Dipper told you to draw on it. You didn't expect a whole research surrounding Gravity Falls!

"Interesting enough for you to visit Gravity Falls more often?" Dipper chuckled as he watched you.

"Woah," you smiled, "You like my company that much, Dipper? Don't you have any friends here— oh shoot, wait, I didn't mean—"

A ghost of a frown spread through his face. Why did you have to ask that?! You were just projecting if you had to be honest, but still!!!

"Sorry, that was insensitive," you blurted, closing the book and focusing all your attention on him. "I only said that because I feel that way. I know, that's pretty lame."

He looked surprised. "Really? But you're so cool?"

"Some people think I'm weird is all. But thanks for finding me cool, Dip," you laughed, glancing at Mabel who was snoring. "I find you and your sister cool too. A lot, actually. So it's nice to know you both like me."

Dipper sniffed. "Man. Ditto."

You grabbed a blanket and placed it over Mabel's body, making sure she's covered head to toe. She snuggled up to it unconsciously.

"Welp, bed time," you murmured, reaching for another one. You stretched the blanket, letting Dipper be able to invite himself in. "Come on."

He happily accepted, nestling his head next to your shoulder. Mabel followed him, her head tilting to your chest.

You slept, content.

🌪️

You woke up, disturbed.

The first thing you saw after sleeping is Dipper and Mabel staring at you in silence. As soon as you noticed them, they scrambled away from you and tried to act natural.

Yet, you couldn't forget the small glimpse of their faces. Wide-eyed, a bit of judgment, but most of all, solemn.

Before you could question them, Dipper yelled, "Grunkles! They're awake!"

You winced from the volume of his voice, having just woken up. He immediately apologized to you, but it's all good.

"Visit us again soon! Byeee!"

The next thing you know, you're in the backseat of a car with Stanley next to you. He was pouting, arms crossed.

"This is literally my car. I can't believe it! You won't even let me drive my own car?" he sneered at Ford who sat on the driver's seat.

Ford rolled his eyes. "I can't have you get in trouble by driving again. Think of the kid."

While driving to your address is certainly much faster than walking, it still took a while. You managed to fall asleep, tilting your head on Stan's shoulder. It seemed that you're not alone in being unconscious, because he snored loudly.

Glancing at the mirror, Ford simply exhaled.

You're here.

He parked in front of your house.

Ford nudged Stan awake, who poked you awake next.

You stood up drowsily, holding Stan's hand while walking up to your house. Ford took the lead and knocked on your front door.

To both grunkles' disappointment, things get messy.

Both your parents, drunk, loudly told them off and took you away roughly from Stan. Tears leaked out of your eyes, saying countless apologies to the Pines twins and your parents.

Without much of a fight, Ford forcibly grabbed you back, carrying your body with one arm. He looked at Stan who placed a hand on his shoulder.

"Psst, I'll handle this," Stanley murmured in the midst of your father yapping nonsense. Maybe the professional con-man can knock some sense into your deadbeat parents.

Ford took you back to the car. You sobbed relentlessly, whispering the most saddening things he wished to unhear. He hugged you tightly, muttering sweet nothings until you fell asleep.

After a long while, Stan finally came back.

His eyes were wide. He was shaking.

"I didn't mean to. They started it—I had no choice!"

Gazing down, Ford realized Stan's hands were covered in blood. He swallowed the thickness in his throat.

"...I'll help you clean it up."

[magniloquent-raven]

Day 4: Supportive Boyfriends

and for my next (LATE, SO LATE) @bucktommypositivityweek contribution. KITTEN FIC.

(read on ao3)

**

The 118 doesn't have a baby box.

In fact there aren't any in the state of California at all. Buck looked it up, after Maddie's postpartum episode. When half his family was missing and there wasn't much he could do besides wait and... think about things.

So he thought about safe haven laws. Read up on the training seminars for first responders who want to be better equipped to deal with hand-offs. Read a bunch of other stuff he sort of wishes he hadn't. Spent the next week haunted by articles about abandoned children.

He considered talking to Bobby about it. Only partly to ask him if they should get a box for the firehouse. Partly because Buck wasn't sure how he felt about the whole thing, and Bobby always seemed to have answers. But he never worked up the nerve to broach the subject.

And now. Bobby's not captain anymore, and Buck really can't imagine Gerrard giving a shit about any of this.

So, they don't have a box. But.

Well, this isn't a human baby. It's not like the same rules apply.

Buck has to wonder if wires got crossed somewhere, because. Someone left a kitten. Outside the firehouse.

Buck was just going to grab something—he can't remember what—from his Jeep, when he spotted an unlabelled cardboard box on the pavement, up against the side of the building. His first thought was bomb.

Until it meowed at him. A tiny, high-pitched peep of a meow.

Kind of scared the shit out of him, if he's being honest.

There's only one. All alone in the box. A poofy grey thing wriggling around half buried in an off-white towel. Like a very ambitious dust bunny with big round blue eyes and skinny legs. It wobbles slowly over a fold in the towel with all the effort of someone scaling a mountain.

Buck crouches next to the box, and pokes a finger inside.

"Hey, buddy," he murmurs, holding very still while the kitten inches towards his hand and squeaks. It's unclear whether there are teeth in that little maw. That means it's really young, right? Too young to be left alone for very long.

Shit, how is he going to explain this to Gerrard? He's still got, like, 12 hours left on his shift, but someone has to feed this thing. How long can kittens go without food?

Oh, it does have teeth. Really teeny ones. They're ineffectively poking his knuckle.

Buck fishes his phone out of his jacket—with the hand that isn't currently being drooled on—intending to go to Google for answers. How to figure out how old a kitten is. How often do kittens need to be fed. Do cats get separation anxiety. He has a million questions.

Only he doesn't pull up his browser. He calls Tommy.

It's a whim. Barely a seed of an idea. But when he unlocked his phone the first thing he saw was their text history (he'd been complaining about Gerrard off-and-on all morning, and Tommy had been sending random updates about all the chores he'd been getting done—his last message was a picture of a mop with no context) and he just thought... Tommy will know what to do. Not in so many words, more a feeling. Comfort and certainty, just from seeing Tommy's picture in a little bubble at the top of his screen.

"Evan?" Tommy answers almost immediately, and there's a subtle undercurrent of worry in his tone. Buck winces. Right, calling out of the blue while he's at work would look. Bad.

"I'm okay!" He says quickly, all in one breath. Then pauses. The kitten squints up at him, meowing again, long and loud. Its whole fluffy face scrunches with the effort.

"...What was that?"

"Uh. That would be why I called, actually."

—

Gerrard is less of an obstacle than Buck feared he'd be. Because he's holed up in his office doing paperwork when Buck sneaks in with the kitten, and Buck's decided he has no intention of letting him know the cat was ever here.

Tommy promised he'd come get her.

Buck didn't even really ask, and wasn't planning on asking. Didn't have any plan whatsoever, in fact. He just wanted to know if Tommy knew anything about taking care of kittens, and suddenly Tommy's voluntarily sacrificing the rest of his day off to scope out vets and pet supply stores and whatever else Buck's helpless little friend might need.

He hung up hours ago and his insides still feel warm and goopy about it. He can't stop thinking about the gentle fondness that softened Tommy's voice after Buck explained the situation. Buck would wrap himself up in it like a blanket if he could.

Tommy's getting so kissed when he shows up.

In the meantime, Buck's sitting upstairs, working his way through the dozen or so tabs he opened up after googling kitten care.

He thinks the one he found might be around three weeks old (ears not quite unfurled, can't sheathe claws yet, legs unsteady but mobile). And possibly a girl. She did not care for being picked up and turned over, and the indignant squirming made it difficult to tell what's going on down there. But he's almost certain he's right.

She was shrieking up a storm about it, and he was worried if he took any longer she'd alert Gerrard. (She didn't. She did, however, draw the attention of about half the firehouse.)

"You are disgustingly cute," Chimney coos, scratching under her chin with the tip of one finger. She's lifted her head as high as she can and her eyes are squinted happily. Buck can hear her purring from across the room. "Yes you are. Hen, can you get a picture of this?"

Hen pulls out her phone. "Sure... why?" She asks, leaning over his shoulder to snap a picture and eye him with mild suspicion.

"Jee. She'll wanna see when I tell her about my day."

Her expression softens to a smile. "I'll text it to you." She taps her screen a couple times. "Just had to make sure you weren't planning on calendar campaigning again."

Chimney grins. "Nah, my calendar days are behind me. The only person who gets shirtless pictures of me now is my wife."

"Gross," Buck says without conviction. He narrows his eyes at the site he's scrolling through, swiping away a Join Our Mailing List! popup. "You guys don't think she's cold do you? Are her ears warm? It's only, like, 70 today and we don't know how long she was out there."

Hen and Chim exchange glances, and then, disturbingly in sync, look from the cat to Buck. Chim gives her ear a perfunctory poke, which she does not appreciate as much as chin scritches, "She's fine, man."

Hen waves a hand at Buck when he opens his mouth again, "We're medical professionals. And in my medically professional opinion. She's fine."

"Okay, but—"

"Hey guys, look who stopped b—uhhh. Is that a cat?" Eddie slows to a stop at the top of the stairs, blinking at the kitten on the couch. "When did we get a cat?"

"Couple hours ago," Buck says, still frowning at Hen and Chimney. "Where have you been?"

"I found him polishing the engine."

Buck shoots out of his seat. "Tommy!"

He only half-hears Eddie muttering, "Favouritism," as he scuttles around the chair to meet Tommy halfway between the stairs and the sitting area. Tommy has just enough time to smile—and it warms Buck, like it always does, with a spark caught in his chest for safekeeping—and say hi before Buck's on him, palms clapped on either side of his face, smushing their lips together.

He makes a bit of a show of it, dramatically swooping in, because he knows the big smacking MWAH will make Tommy laugh, and he likes the way that feels rumbling against his chest.

Buck taps their noses together. "Hey," he says, savouring the mirth sparkling in Tommy's eyes for a second before kissing him again, properly this time.

His brain goes sort of fuzzy when Tommy's palm cups the back of his neck.

Someone in the distance wolf-whistles.

When they finally come up for air Tommy asks, "What was that for?" a little breathlessly, which is doing things to Buck.

"Mmn...y'know. For being you."

Tommy raises his eyebrows, kiss-reddened lips curling fondly. "Okay."

"Hey, Tommy. Good to see you," Chim calls in a very pointed way.

Right, public setting. Workplace. Friends watching. Buck exhales slowly, and tries to think about anything other than how much he wants to bite that bit of clavicle peeking out of the collar of Tommy's shirt. Like the fact that Tommy's hands are warm, and he's sort of rubbing his fingertips over the short stubbly bits of hair on the back of Buck's head, and Buck's lips are still tingling a little, and—no wait, not that either.

Tommy pulls away first, which is probably for the best, but also very sad. The corner of his mouth twitches like he can see Buck thinking it. He curls his index finger and gently taps Buck's chin with the knuckle before he turns to the group.

"Howie," he says, not even pretending to be contrite in the face of Chim's mock-judgement. "Hen."

"Tommy." Hen fails to contain her smirk.

Some time during all the kissing, Eddie moved over to the couch. He's sat next to the kitten, watching her attempt to groom her paw with all the grace of a toddler who's only a little bit sure they know how to hold a brush. She keeps starting and stopping at random intervals, sometimes licking the cushion beside her, sometimes sticking her tongue out at thin air.

She's so cute it makes Buck's chest hurt. It's a little much while he's still loopy from making out with his boyfriend.

Then Tommy goes and crouches next to the couch so he can get eye-level with the kitten while she sniffs his hand, talking to her all calm and soft with smile-lines crinkling his cheeks, and. Buck might need to lie down for a bit. Like, on top of Tommy, preferably.

The kitten seems to like him too, and he really can't blame her when she crawls up Tommy's sleeve to perch on his shoulder.

She looks so much smaller cuddled up on Tommy. He reaches up to steady her, and she's almost entirely obscured by his hand.

God, is it wrong that he's getting a little hot under the collar about that? He just looks so strong and competent and at the same time, like, gentle. Buck knows how it feels to be touched tenderly by those hands, and apparently just seeing it happen does not affect him any less. In fact it's only added dimensions to his desires.

"I should probably get going," Tommy says, bringing Buck back down to Earth with a resounding splat.

He opens his mouth to protest, then closes it. He's right. The last thing Buck wants is for Tommy to have another run-in with Gerrard, and they don't know how long the old bastard's gonna be occupied.

"Mhm, run while you still can," Chimney pipes up. "Before our dear old captain smells an opportunity to ruin someone's day."

"He does seem to have a sixth sense for that," Eddie adds sullenly. Buck makes a note to ask him what that was about. Later.

"I'll walk you out," Buck says, trying not to sound like a pouting child. He's fairly certain he fails, because Tommy laces their fingers together and gives his hand a comforting squeeze.

He says his goodbyes, the whole time being careful not to dislodge the kitten while she crawls across his shoulders.

Buck goes through the list of kitten care basics he memorized as they make their way to the parking lot. It's...more than he thought it was, honestly. It starts to feel overwhelming as he goes on, and on, and on. He's running out of time to get it all out, and he feels like it's just now sinking in his huge this responsibility that he's dumping in Tommy's lap is.

"You're sure you don't mind taking her?" The question bursts out of Buck before they make it to Tommy's car. "W-we didn't really, I mean. We talked about it over the phone, but..."

"Yeah, now that I've seen her she does seem like a real handful."

The kitten yawns, and curls up into a tiny grey ball in the crook of Tommy's neck.

Well. Alright.

"It's just, t-they need a lot of attention when they're that young, and I kinda just, just dropped this on you."

"Evan." Tommy gives him a look. "Are you worried that you baby-trapped me?"

Okay, when he puts it like that. Maybe a little bit. But also now he's having complicated yearning feelings that he really should not be having this early in the relationship.

Buck's pretty sure he looks like a deer in the headlights right now, because Tommy's doing his damnedest to pretend he isn't laughing at him.

He tugs Buck's hand, leading him the rest of the way to his car.

The backseat is full of cat stuff. Containers of milk-replacement powders, and a shiny plastic litter box, and toys, so many toys, baggies of fake mice and feathery things, just. So much stuff. Piles of it.

"I called up a friend who used to foster kittens. She had a lot of advice. And then I got a little carried away."

"I, uh. See that," Buck laughs breathlessly.

"Over the phone, you sounded like this meant a lot to you? And I think I got really attached to the idea of...this. Taking care of her for you. With you." He sounds hesitant, like he's trying not to say too much, and Buck can't stand it—

"I love you so much," he says in a rush.

"Well, good," Tommy purses his lips around a smile, eyes bright and crinkled at the corners. He reaches up to his shoulder, like he's absent-mindedly checking to see if the kitten's still there. "Wouldn't want her to grow up in a broken home."

Buck huffs a laugh.

"And I love you too."

[kisakis-boyfriend]

🎃 nsfw headcanons for fyodor, nikolai, and sigma (+dazai and chuuya if you’d like) with a werewolf s/o?

Author's Note: I'll do Dazai and Chuuya in a separate post, thanks to tag limitations 😔

Pairings: Fyodor, Nikolai, Sigma x male reader (separately)

Warnings: Male werewolf!reader, dom/top!reader, sub/bottom!characters, mentions of breeding, knotting, biting, scratching, leashing, mindbreak (Fyodor), virginity kink (Sigma)

Fyodor

The 'fake dom' Slut

Fyodor likes to pretend that he's in control, but really, who's he fooling?

Trying to control a semi-feral beast. Yeah, good luck, buddy

You'll allow our favorite skinny Russian to put you on a leash, but it's only because you know that he can't hold onto it while you're railing the brains out of him

Fyodor is literally folded in half in a mating press, drooling like a whore. And you're loving every second of it

He definitely keeps track of the moon cycles — clearing his schedule on full moons and coming up with an excuse to be around you those nights

If your human form is also bigger/taller/more muscular than him; Fyodor will swoon

Not that he wouldn't swoon anyways, no matter what your human form looks like. He's just possibly got a little size kink 🤐

Nikolai

The Overt Slut

Nikolai is so not subtle…

"Oh my, what sharp teeth you have. You could totally bite me and make me bleed haha :)"

"Such sharp claws… it would be a shame if you accidentally scratched me with them!"

"What a big, thick cock! I could never take one that big… unless? 👀"

He'll sit next to you, knowing that you can see his phone screen, and look at werewolf knotting porn 😐

I mean, literally. NOT subtle in the least

Nikolai loves when you take control and breed all of his little holes

Just manhandle him and cover him in your seed please. You'll have a very happy jester in your possession

Personally, I think Niko has higher than average stamina; so he'd be able to go quite a few rounds, even after you knot him. If you want to keep rutting into him, he's all the happier ☺️

Sigma

The Shy Slut

“I am not taking that! You'll never fit!”

30 minutes later, Sigma is crying as you pound the virginity out of him

Sigma acts like he doesn't enjoy being filled and having some rough sex, but it's just his insecurities, really

If you make him feel loved, he will eventually agree to certain things :)

Always screaming "I can't take it!" Or "it won't fit" but, again, none of that is true

Sigma easily becomes your moaning slut once your dick is fully sheathed within his gummy walls

Full moons make him nervous — he, conveniently, hangs out with you on those dates though…

Sitting in your lap as the sun sets, cupping your face and requesting kisses too

In a rare, confident display, your pretty boy will ask you to fuck him in your werewolf form all on his own

Still complains about his sore ass and the scratches covering his body tomorrow though 😶‍🌫️

[maoam]

Naruto most likely sees how the world around him works, and it affects his behaviour, especially since he craves for acceptance.

Notice the difference in his reaction when another guy says he likes him in part 1 vs part 2.

(Sorry for a bit poor quality, it was difficult to find an accurate translation, most were viz translations which didn't convey this convo very well). In part 1 he's just annoyed, because he doesn't like Kankurou as a person. He didn't even think about that "I like you" could have certain other implications. But in part 2 he's straight up creeped out by Kakashi saying the same thing, eventhough the meaning and intention is the same in both.

Naruto's reaction to Kurama mentioning his kiss with Sasuke was also way too over the top. Like really comical. Naruto was putting on a show in front of everyone. But whenever he's with Sasuke, he forgets all about this, he is fine with waxing poetry to Sasuke, or Sasuke being close to him...

My guess is since he went through puberty he also learned things about himself and thus started to become more sensitive to such things. Thus internalized homophobia.

Take this scene for example. He seems a bit uncomfortable being there. Sai was probably made to be like this (inappropriate, talking about p*nis all the time, being compared to Sasuke, challenging Naruto about his fixation on Sasuke) so Kishi could introduce more such themes into the manga. He's rather clever about this.

Another guess (it could be both combined) would be that since Jiraiya is so aggressively straight man (to the point he has to introduce himself by saying he's not into men lol) living with him for those years during the timeskip could have affected Naruto's mindset even more. But it's funny how Kishi keeps stressing over and over how Naruto finds Jiraiya's er*tic books boring. Also unlike Jiraiya who peeps on women for p*rverted reasons, Naruto does it as a prank, and in order to practice his oiroke no jutsu. Kishi is trying to show how they are different. I remember on one discussion forum one guy actually brought up he noticed Naruto's changed behaviour after he came back with Jiraiya! Like that he was even more gay and more sensitive to gay things. See, other people notice too.

Then he calls Konohamaru's boy-on-boy jutsu "nasty". Naturally, it's a shonen, Naruto can't have a comically interested reaction like Sakura to something like that, it wouldn't fly. Thus the internalized homophobia. But I also think he didn't want to see Sasuke who he's possessive over being with Sai like that lol. And Naruto really isn't one to talk considering what he came up with later.

Look how proud he looks. Little hypocrite. He's been working on those twink bods more than rasengan lol. Kishi wasn't very subtle with that comment. Also Kishi fought for this moment with his editors for YEARS because he just really needed to write this down. It was just that important to him...

Of course Naruto's repression comes up when it comes to Sasuke as well. Here he admits Sasuke is attractive, but then immediately backpedals on it. His real feelings just slipped.

Later, he was thinking about Sasuke, his mind consumed by Sasuke, but when Sakura and Sai appear his whole body language changes and he immediately claims he was thinking about a date with Sakura. He didn't want to be vulnerable nor let anyone know about his real feelings at the moment. He is hiding behind a heterosexual facade.

But sometimes Naruto doesn't even think of backpedaling on it. He is with his supposed "crush" yet unlike anyone else who would try to get closer or maybe flirt, he is just thinking about Sasuke. This is actually a moment that made many people raise their eyebrows. Including people who didn't like narusasu, or people who didn't ship anything. Specifically because it's written like a clickbait, as in Naruto says "he is happy" and Sakura going "huh?" and because she's his supposed crush who is taking care of him as I said most readers would expect next page have Naruto say something that would emphasize his crush on Sakura. But no, he goes on about Sasuke. No matter how much ss/nh insist we see gay everywhere, many other people picked up on Kishi's writing at many points during the story. But anyway, even with the internalized homophobia, Naruto's love for Sasuke is so strong he can say crazy things about Sasuke to other people and to Sasuke himself that things like "I'm starting to like you" (a completely average thing to say to another person) can't compare to, and still be unbothered by it.

Finally there is the interaction with Minato. Naruto wants to look good in front of his dad so he hesitantly agrees Sakura is his girlfriend, despite how in the previous arc we were shown that Naruto knew Sakura still likes Sasuke, and was angry at her when she tried to confess to him. So he is obviously not serious about Sakura being his girlfriend, but he is saying it to Minato hesitantly. Yet when his dad is leaving he doesn't want to lie anymore.... but he's also hesitant about admitting he hasn't found a girl like his mom wanted.

About the last part, I think it's referring to the armadillo scene? I think it was Kishi's typical humour, like how Naruto saw Haku in makeup and feminine clothing, and assumed Haku was a girl, but then was told Haku is a boy and went "oh okay, I didn't know that kind of thing existed". Here there was instead an armadillo that somehow looked like it was wearing makeup (??? idek or at least looked feminine) and since Naruto needed to write down whether the animals were boys or girls (a ridiculous cover up mission they made up to hide the war was going on from Naruto lol) but then it was flipped over with everyone else and Naruto saw its p*nis and went "even if heaven and earth switched places, a male is still a male". I guess Kishi likes this kind of thing lol... his d*ck jokes...

I know it says "the world might flip over" here but I know it's actually that proverb "even if heaven and earth switched places" that's often used in Japanese.

EDIT: this got flagggged by tumblr so I had to edit sus words.

[yanderes-galore]

Hiii! Absolutely in love with your writing! Never thought you'd ever write for Helluva Boss or Hazbin Hotel. Out of your top fandoms, may I propose that the reader is immune to Vox's hypnosis? Having this rare ability, they try escaping the V tower but it ends up being the biggest mistake. This TV seems to be possessive and canonically a control freak like a lot of TV based characters (looking at you Mr. Puzzles) lol! I know you're a busy person with their own life in the end of the day so I won't be mad if you refuse to write this. I love the content you provide us with already <3

Sure! I wasn't sure if you wanted a concept or a one shot, so I just focused on rambling out my thoughts on it. It could work either way though so maybe I'll follow this up sometime.

Yandere! Vox with Darling immune to hypnosis

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Manipulation, Violence, Anger issues, Kidnapping/Post-Kidnapping, Stalking, Possessive behavior, Mentions of Val's smoke/Drugging, Forced relationship.

It's hard to say who, at this time, has immunity to Vox's hypnotism.

It's currently only known to grab the attention of people who are... paying attention.

So, maybe you're oblivious or just never paying attention to his hypnotism.

Which in itself is incredibly frustrating to Vox.

However, another method is natural immunity.

I'm thinking maybe you're also an Overlord that has to, unfortunately, have meetings with The Vees due to a partnership.

Vox probably still outranks you, yet you're strong enough to resist his powers.

Another option is simply having a specific type of gear or tech you created that blocks his hypnotism.

Regardless... One way or another Vox can't use one of his most powerful tools on you...

Which naturally makes him pissy.

He can't do his usual subtle charms against you, carefully manipulating you into listening and being his.

Even when he captures you, you never seem to listen.

Normally it's easy for Vox to make other demons listen to him.

Unless they're Valentino or Alastor.

But now he has yet another demon who can just... ignore it.

He has so many fits when he tries to trick you into something, only for you to shut him down.

It's humbling and he hates it.

So, if Vox wants to keep you in the V Tower, he has to expect more resistance.

In fact, normally escape attempts would be amusing as he can just charm you again.

But now he can't do that.

I feel your immunity would stress Vox out at times.

Even if he manages to manipulate you into V Tower, keeping you there is difficult.

Vox is naturally charming, so you may agree with what he says at first.

Hell, maybe you two were dating before things went wrong or at the very least on friendly terms.

Then he goes crazy and locks you in your own personal room with high security and everything.

Vox was once drawn to (and frustrated with) you due to your immunity.

That was what got him obsessed in the first place before he started having all these... feelings.

Sinful feelings.

You're distracting, even more so when he can't charm you to give him attention.

So what better way to force your attention than manipulate you into the tower.

Maybe you were meant to be another V, but once you had enough of Vox and his obsessive behavior, you tried to leave.

Only for Vox to lock you away.

As he can't charm his way into making you listen, now he has to keep you by other means.

Such as cameras, screens, electronic locks, all sorts of security.

Fine... You may be able to bypass his hypnosis...

But he has other means to keep you his.

The issue he ends up finding though is a lack of affection.

He can't charm you into giving it to him.

You ignore him and no matter how hard he tries... You never pay attention.

Considering how Vox thrives on attention...

This is devastating and leaves him screaming in frustration.

One way I can see him forcing you to be more... attentive is using Val.

Vox would probably somehow get Val to give him some of his smoke/spit.

Disgusting and disturbing? Yes... but that's the point.

Vox seems like the type of person to control you in other ways, since he loves control.

If you tried to escape your high security prison, or withheld affection from Vox, you're essentially getting gassed/drugged.

He most likely would test it with just a bit.

Then afterwards, depending on his mood, would up the dosage.

(This makes my skin crawl-)

Of course, escape was never going to end well for you.

Vox will find some way to break you.

Be that showing you his security, using Val, or isolating you...

Vox is going to force your attention to make you rely on him.

There's no genuine love with him.

Only ownership.

Escaping is near impossible with his coworkers, employees, and security.

At some point, you'll break and only have him to greet you...

Leaving Vox to embrace you with eager arms, his claws digging into your skin once you're finally his.

[somewhereincairparavel]

Ok, but like I feel like I've never dove in how Jason was probably the youngest in the legion. Probably for a very, very long time. And imagine how it felt to watch as kids played in new Rome, and eventually joined you. And you could never join them as they played in new rome. Imagine all of the kids you know are older than you, and you can't make friends. Imagine having to lead quests of people way older than you that resent you for it because of your parentage. Imagine how happy he was when people his age finally started joining, and I wishing he could he them? Imagine basically being raised by a bunch of teenagers, many of whom dislike you? Would love to hear ur thoughts

honestly, i imagine all of the older members of the legion whispering behind Jason's back about how easy he has it in camp jupiter bc of his dad, about how he isnt "qualified" enough to lead missions, and how he has everything "handed" to him. i feel like he had a LOT to prove and only when his missions started getting successful, people actually accept that he is capable, but even then envious members of the cohort would say that he got lucky or only succeeded bc of jupiter's blessings or smth. could you imagine a baby jason going to the older members of the legion for advice and they just coolly shrug him off? i feel like in a realistic standpoint, they arent outright mean to him bc they are terrified of jupiter's anger but they arent friendly either.

They just let him sit in a corner. i feel like at some point, even when people his age start coming in, he still wouldnt feel loved, because they all would think jason is too scary or intimidating and would avoid him out of fear, also bc he doesnt understand their jokes bc he was brought up too serious. so he would be an outcast. he would be an outcast but not necessarily in a bad way, but like "he's too good for us" type of way which actually hurts jason way more. like when he comes in they all would give him a small bow or something and it gets on his NERVES.

overall i feel like there is too much jealousy surrounding him for him to have any comfortable conversation with people, especially because he is their "leader" even if he was a praetor very late, people still subconsciously saw him as one, even the old praetors consulted him before they came to a decision.

i feel like the moment people even remotely saw him as a human with feelings is when he joined the least reputed legion simply to popularize it. i feel like that was HIS moment where ppl were like "yep this guy is actually a living person with empathy!" but it reverted back to ppl seeing him as an unapproachable artifact

which is why im so upset that frank and hazel didnt have a closer relationship with him, i mean we did see jason and frank talking together on the deck of argo 2 after jason transferred his praetorship to frank, probably filling him in his position, but i wish their relationship ascended beyond just a mentor and his apprentice. because that concept with jason's character gets so old. literally everyone saw him as an advisor and leader that they could learn from, but who really saw something beyond that about him? only leo, nico, reyna, piper and percy tbh.

and in the end, reyna had a subtle fallout with him so they didnt talk, piper broke up with him so they were awkward and tense, leo "died" and never saw him again, the last time nico saw jason was probably during the strawberry field scene when nico told him he's staying at camp, and jason got too busy with his temple project to see anyone else. he was working to keep his promise till the very end, just like a true roman. honestly thanks to you i might actually expand on this in a separate post and tag you in it :)

[yesimwriting]

Importance

a/n i don't even feel the need to justify my taste in evil men anymore lmao, here's a drabble as i try to figure homelander's 'voice' :))

Summary: Homelander begins to reflect on your sort of friendship when you come over to watch a scary movie.

Warnings/info: me writing for a character for the first time so pls be nice

----

Humanity's connection to fear has always been a subject of fleeting interest to him, a concept that's only occasionally managed to become more than a shift of hormones and heart rate.

Now, though, with your legs pulled beneath you on his couch, body angled towards him, yet eyes still glued to the screen, Homelander can't believe he's never given this kind of adrenaline a second thought.

"You okay?"

The question seems to bring you back, your head turning towards him. "Yeah." What the response lacks in certainty, it makes up for in determination. He can see it in your soft nod, in the way your fingers press into your knees.

The nerves you're doing your very best to hide are so different from your usual demeanor. An investigative journalist who's always running headfirst into danger, who never lets fear of retaliation get in the way of your writing, can't get through a scary movie. It's such a prevalent dichotomy, Homelander has to work at keeping himself neutral, at remaining focused on what's in front of--

"Stop," you mumble, the word far from harsh.

He lifts a shoulder in a partial shrug without removing his arm from the back of the couch. "Stop what?"

You tilt your chin downwards, your lips pulled into the start of a pout as you attempt a glare. The expression is so particularly you, it briefly seizes some remote, unnamed aspect of his being that lives deep inside of his chest. "Stop making fun of me--I told you, horror movies make me so jumpy, none of my other friends will watch them with me anymore."

Other friends. The reminder of the others that get to be recipients of your kind smiles and reassuring glances is usually enough to taint his mood, but there's a warmth to the phrase that redeems the sentiment entirely. He's more than a friend, he's the only one that's here for you.

Homelander straightens slightly, arm shifting forward until his fingertips are against your shoulder. For the briefest second, there's an increase in your general tension, a stillness that doesn't suit you. The implication of tension digs at him--he's been this close to you before, closer even.

Before the thought of rejection can fully latch onto him, you're easing, spine relaxing against the couch's cushioning. The new position is enough encouragement for him to continue, his palm coming to rest against the fabric of your shirt, the loose collar letting the side of his hand feel the warmth of your bare collarbone.

He remains steady, leaning into what he knows as he offers you one of his more subtle, yet openly heroic smiles. It's the kind of look he'd use to comfort an almost-victim, the gentle curve of his lips a silent promise. I'm here. You're okay now.

You watch him in that way of yours--eyebrows drawn together and eyes bright yet not exactly admiring in the way that he's accustomed to. His inability to understand that particular look is what drew him to you in the first place.

"I'm not making fun of you," he says, voice leaving no room for argument, "I'm just making sure you're okay. It's why you wanted to watch this with me, right?"

It's not so much an exaggeration as it is a stretching of context. You had mentioned wanting to watch the movie, but not loving the idea of watching it by yourself. You hadn't meant anything by mentioning it during your coffee shop catch up, you never do. Your words are usually free of both probing and placating subtext.

"I wanted to watch this with you because we're friends." There's a genuineness to the correction that jabs at him. He has no response, but you don't seem to mind the silence.

A high pitched scream and a flash of color has your attention drifting towards the screen. Your adrenaline spikes, a fact you attempt to dismiss by leaning into his touch. "It's nice of you to check in, though."

The acceptance leaves him feeling a little warmer than he did a moment ago. You have a way of doing that. "It's what I'm here for."

You look away from the screen, the corner of your mouth tugging itself upwards. "All in a day's work for America's favorite hero."

"This is top priority."

You let out a breath that feels like more of a laugh. "I feel important."

The movie steals your focus, a fact that a part of Homelander is grateful for. You're too distracted to think of what contemplating your value might do to him. He swallows, a pointed dismissal of the uncomfortable feelings probing at his chest.

You move slowly, legs straightening and feet finding the floor. Before Homelander can overthink the changes, you lean towards him, your head coming to rest against his shoulder.

[vevobly]

Being Jackie Taylor's Girlfriend Headcanons (Pre-Crash) [Part 1]

A/N: I honestly don't know what to think of Jeff. I mean, he's a completely good guy in my opinion if you take away the fact he cheated on his ex-girlfriend with her own best friend and proceeded to pose as someone else while blackmailing his wife about the trauma she went through as an angsty problematic teen later on as an adult in his life.

Given Jackie's desire to maintain a perfect image and the fact that it's 1996, your relationship with her is undoubtedly kept a secret from most people.

You occasionally ask her if you'll ever make your relationship public, and she always insists that she wants to, but she can't—at least, not now. Both of you know how difficult it would be if your relationship were out in the open.

Jackie makes promises to you about going public, but when you bring it up, she either changes the subject or ignores it entirely. You guys get into arguments because of it sometimes. But nothing you and Jackie would ever dwell on for too long.

With Jackie constantly trying to live up to everyone's expectations about her, you're the only person she can truly let her guard down with. Of course, Shauna is there for her too but it's different. You're her support, the one person (other than Shauna) who sees through behind the whole image she works so hard to maintain.

If it wasn't already obvious, you're Jackie's escape from her life. With you, she can be herself. She doesn't have to be perfect or in control—she can just be Jackie. And I mean, she can be like that too with Shauna, but it's different. It's just different, okay? She doesn't always share everything going on in her life with Shauna, contrary to what everyone else thinks.

She often vents to you about the pressure she's under, the expectations placed on her, and everything else. Sometimes it's more of a rant, but you listen either way. You're always there to comfort her, reminding her that she doesn't have to be perfect. That you, along with Shauna and other people. will always love her for who she really is. You don't care if she's perfect or not, she'll always be your girlfriend no matter what.

You're not a big of sports but when it comes to Jackie and soccer? You are her biggest fan. Whether you're watching her practice, attending her games, or cheering for her on the sidelines; Jackie LOVES having you there. It gives her a huge boost of confidence knowing you're there to support her.

You two even have a little tradition: after her big wins, you two go somewhere private and share these really cute moments together. Sappy stuff, very incredibly sappy stuff.

Despite how she usually is, Jackie can be extremely protective of you. She makes sure to keep it very subtle but she keeps an eye on anyone who gets too close or questions your relationship.

When someone flirts with you? Jackie tries really hard to keep it cool, but her jealousy just gets the better of her sometimes. And since she can't exactly confront the person flirting with you, she resorts to other ways. Usually passive aggressive behavior. And if she's feeling petty, she might even direct some of that passive aggressiveness toward you. But she'll ignore you mainly for a few hours or days.

Balancing her relationship with you and the expectations placed on her only makes things harder for Jackie. You don't always bring it up, but you can sense just how torn she is between wanting to be with you and maintaining her "perfect" image. It makes you question your relationship sometimes, which one does she value more: you or her image?

While you TRY to be understanding, there are times when her desire (if you didn't know any better - obsession) with perfection frustrates you. I mean, it doesn't happen all the time. But when it does? It generally led to the two of you arguing or fighting. You both tend to ignore each other until one of you finally gets tired of it and apologizes.

Despite those rough moments between the two of you, you know Jackie really does care deeply about you—she's just struggling a lot. (Natalie tells you that's no excuse for her to be such a piece of shit towards you sometimes though)

Since your relationship is a secret, you guys both rely heavily on subtle gestures to show your love in public. Jackie will give you lingering touches when no one's looking, place a hand on your arm, brush her shoulder against yours, or sneak glances at you from across the room. Small things, yet they never fail to make your cheeks heat up.

Oh, and she also writes you these sweet little notes from time to time! Either slipping it into your locker or leaving it in your bag. It's nothing big, but it sure does make your heart flutter.

[tyrantchimeraart]

@elsa-fogen for the Charlie's Toys AU.

[hell-heron]

Sometimes the fact that GRRM has, amid all his efforts to have nuance and a wide spectrum in his female characters and to deconstruct certain tropes, played the daddy's girl tomboy in contrast to the hostility or complete elimination of the female figures in her life trope completely straight over and over again, with basically every female warrior he wrote, from his female lead to two whole secondary POVs to one note extras (with the exception of the Mormont ladies yeah at least, maybe when we get more Alysane content I will be less grumpy about this), leaves me kind of bitterly shocked tbh

[moe-broey]

GOD. HELP. PLEASE FORNTHE LOVE OF GOD. HELP ME <- is slightly self-conscious and extremely worried about doing something Incorrectly

[kuromi-hoemie]

fictional or not, dragon lore is always so interesting.

[puff0o0]

I can't stop thinking about Self Aware! Simon who will drop very subtle hints that he's aware of everything you're saying to him

You were playing a game of cod and were talking about your job, only to receive a comment about his work, almost as if this silly character on your screen was trying to make conversation with you

You left a very disappointed simon when you stayed silent the rest of the game

He loved your voice, he wanted to hear more. Why would you stop talking?

He kept talking or saying voicelines the rest of the game, even glitching the game to make you laugh. He was desperate to keep you talking. You were the only thing he looked forward to. You were real, you were beautiful, and you were his, even if you didn't know it yet

Another time he had accidentally said your name in one of his "new" voicelines that came with the "update", which was mainly just him saying 'good job, luv" and you assumed it was just fan service

That was until he said your name instead of luv

He thought he was going to be caught for sure. What kind of excuse could you come up with that would deny he was aware that he was in a game and could see your every move, even now while you're reading this on tumblr?

But maybe you were just hearing things? No one else is having this problem from what you've seen, so why would you?

That was until you came home after a long day, only to see the Simon Ghost Riley in front of you and a broken TV that most likely had fallen from him trying to get out of the screen and into your reality

What excuse would you come up with now?

[horsefigureoftheday]

Can you explain the "breyer horses are stylised" thing you said a while back? Not because I don't believe you but because I don't know enough about horses to see it (besides the mane and tail)

All artistic representations of a horse will be somewhat stylized. Humans can't help it, they imagine details, even when referencing photos or live animals. A swayed back gets exaggerated, sickle hocks are overlooked, the face becomes more expressive, because to a human who loves a horse, and who expresses their own emotions with their face, the horse's face just feels more expressive.

Take a look at this horse from Peter Paul Rubens' "Wolf and Fox Hunt" (1616) and how it compares to a photo of a horse

The artist was clearly familiar with horses, and most likely referenced off a live horse. And yet its face is much more expressive than a real horse's face - it's neotenous and borderline anthropomorphic, with its huge sorrowful eyes, and the short muzzle that puts the mouth in closer proximity to its eyes (making its expression more readable).

I think a lot of people see what they want to see when they look at a horse, and they reflect that in their art. Is the horse an independent agent or a tool of its rider? Is the horse an unthinking animal or a soulful creature like yourself? Does the artist admire animals, in spite of painting them in terrible war-like scenarios? Does the artist paint animals in these scenarios because he admires them? Is the horse meant to elevate the status of its rider, by being depicted as a soulful creature that nonetheless submits to its rider? (You can probably guess my own opinion from these questions)

Earlier art saw horses almost an afterthought, depicted from memory while their rider was drawn reverently. All those art pieces of emperors and kings on horseback, where the horse looks like a cartoonish oaf, use the horse as a symbol of power, with no regard for the animal itself. Even when the horse is beautifully rendered, it's nothing more than a vehicle to carry its rider. The artist has depicted the horse as expressionless, beastly, and soulless.

Even when you get into portraits of horses in the 17-/1800s, they are still stylized, though now you're just as likely to see a lithe and graceful companion, as you are a muscled working horse or a faithful old friend. Horse breeding really took off around this time, as did theories of animal minds, so adoration of horses-as-individuals became more widespread. Examples are "Lustre" (1762) by George Stubbs, "Mare and Foal in a Stable" (1854) by John Frederick Herring Senior, and "A Grey Horse in a Field" (1873) by Rosa Bonheur.

All this is to say that horses will always be stylized in art. Humans can't not twist the horse the suit their own tastes, and that's fine. I actually think it's kinda beautiful. The way horses are stylized can give you insight into the artist's opinion of horses. An artist with a neotenic, expressive stylization probably has more respect for horses-as-individuals than an artist who depicts them as inexpressive, powerful, willing beasts of burden.

Breyer horses have an airy painterly quality to them. Even the draft horses seem almost weightless. Compare Breyer's "George" with the self-released resin horse "Gustav," both sculpted by Brigitte Eberl.

George has much longer hooves and smoother curves in his legs - you could draw a near perfect curve from his hind knee to his toe -, giving him a flowing appearance with very little weight behind it. Gustav, on the other hand, has sharp edges and corners. He feels heavy. I'm a big fan of wrinkles and muscle on model horses, but the muscles on George seem like he's been through a rock tumbler. They're smooth and soft-looking, except for the extremely deep crevices between them, which are probably there to better catch paint and enhance the shading (an effect that's especially noticeable on George's thigh). Gustav, on the other hand, has very subtle muscling and virtually no wrinkles (he deserves neck wrinkles, give my boy neck wrinkles!!). He looks like a working horse with a solid layer of fat over his muscles. George's stylization is, for lack of a better word, smooth. Flawless. A bit too perfect for my liking. George is like the platonic ideal of a visually appealing draft horse. A horse like him can't exist.

I think resin horses by master craftsmen are the closest we'll get to depicting horses exactly as they are in life. The stylistic choices are extremely subtle, and seem more like a consequence of the medium than a deliberate goal on the artist's part (e.g., you can't make a realistic mane out of resin, so you have to compromise).

I love both the stylistic trappings that humans fall into when depicting horses and the endless quest for the perfect artistic representation of the horse. Both are beautiful. All horse art is beautiful.

(Obligatory disclaimer that I'm not an art historian or anthropologist, I literally studied bugs at university, so if you think I'm talking out of my ass you are MORE than welcome to add to this post!)