#its hanging on by its gums | Explore Tumblr Posts and Blogs

moonjxsung · 7 months

Text

Reckless Convictions

Pairing: Han Jisung x fem reader

W/c: 31.5K

Warnings: masturbation, perversion, use of pet names, breast/nipple play, clitoral stimulation, unprotected sex, dry humping, trespassing, sex in a semi-public place (no one is around), fingering, cum eating, mention of cheating

Synopsis: Your senior year of college takes a strange turn when you develop a relationship with your professor.

18+. Mdni!

•

The first time you come across a coda in a piece of music, you are to ignore it. You may only jump to it once you’ve begun from the da segno symbol, and played through until reaching the written indication to return to the coda.

If we've passed the coda once, let this be our sign.

Come back to me.

•

Upon entering your senior year of college, the news is broken that the old lecture hall on the east side of campus is officially on its last leg as a functioning location for classes. You’re made aware of this through an email from the school’s president, detailing the intricate plans to demolish it entirely and build a new gymnasium in its place. And for the most part, the students are happy about this fact, whispering excitedly amongst themselves as they traverse the grand cherry wood flooring and picture all of the new sporting equipment this facility will soon house. They speak of the bright painted walls that will represent the school’s colors like every other new modern replacement for the old-fashioned buildings- cobalt blue and white, resembling that of a dentist’s office on most days. And they make sure to voice their very robust distaste for the spiral staircase that leads to the second floor of the lecture hall, the stairs always announcing the late arrival of students with the deafening creak of wood and a tarnished banister.

Yet as you hoist your bag further up your shoulder and follow a trail of students into the lecture hall for your first day back at classes, you can’t help but feel sorry for the old place, always having loved the courses you took here. A philosophy course one semester, where the ancient feel of the building only made stories of Greek myths more vivid as they graced your imagination. A writing course the semester after that, where your professor could hardly be bothered to properly read your essays, despite the attention to detail you gave to them. And now this course- the only remaining course with afternoon availability, something about the history of classical music.

One glance around the room tells you all you have to know about this course- it's full of students who couldn’t care less about courses pertaining to music, especially not general education ones for mindless credits. You reckon all of the students here would rather have landed art analysis, or even some form of a writing course, yet instead they’ll be stuck learning about Bach and Mozart for the next few months. Of course you’re not bothered by it, being a music major yourself, but it’s painfully evident in the way that they keep their faces glued to their cell phones and blow bubbles of gum as you wait for the arrival of the professor. The rows of chairs are fuller than you’d anticipated, groups of friends chatting amongst themselves, while those sitting alone are busy on their laptops or with headphones blasting muffled music.

You settle on a spot in the middle, away from most of the students already acquainted with each other, and cross your legs as you wait in silence. While the others groan about their courses and inquire about their remaining credits, you take in the sight of the lecture hall- it’s just as massive as you remember it from last semester, the ceiling housing patterned medallions and hanging pendant lamps that give a dim glow to the room. The seats are just as uncomfortable as you remember them, too, folding suede brown chairs that jerk violently if you move a little too much, and at the very bottom is a crescent-shaped desk and a tall podium reserved for the professor. It’s a little old, sure. And it smells like mothballs on most days- but it’s a shame to tear down someplace so historical like this.

Your course is set to start at three, and at almost five minutes past the mark, the students are visibly confused by the absence of a professor. You can hear them murmuring and speculating about canceled courses or retired professors, and it’s then that you realize you’re not even sure who the professor is. So you reach into your bag, pulling out your schedule for the one class you have today, and printed in bold black text to the right of the course name is the professor’s name.

Mr. Han, it reads, and you scan the name over a few times before shoving the paper back into your bag. You conclude he sounds like an older man, probably a little irritable toward students who couldn’t care less about music history. And he’s probably late to most of his classes like he is today, not bothering to be punctual for a group of students who will grow to despise him mere weeks into the semester.

A little past the ten minute mark, some students have begun to pack their belongings, ready to depart from the confines of the lecture hall and go inquire about why there’s no professor assigned to this course, maybe even beg for a switch of classes. And then, as though he can sense they’re making attempts at an escape, a man you can only assume to be the professor shoves past the double doors, a leather laptop case slung over his shoulder, making his way to the desk in rushed motions.

“Sorry, sorry,” he calls out, hoisting his bag over the desk and motioning for students to take their seats again.

“I apologize,” he reiterates, sighing deeply, hands tucked in his pockets as he glances around the room. It’s then that you notice he’s drenched, stringy black strands of his hair falling into his face, droplets of water speckled on the thin wireframe glasses that sit on his sharp nose.

And your second observation- he’s not old. In fact, he’s nothing close to the likes of the average professor- he’s attractive. Not just attractive- he’s alluring, captivating, like a model cut out from the thin pages of an editorial magazine. He’s tall, with a slim frame that contrasts his broad shoulders and sculpted biceps that protrude through the sleeves of his collared button up shirt. The white fabric clings around his broad chest so erotically, patches of dark gray rainwater conveniently providing you a better view, and his shirt is tucked into a tight pair of khaki slacks, hugging his toned thighs and leaving little to the imagination. He’s not even dressed provocatively, you mentally remark to yourself. He just looks like that.

All of this so perfectly complementing his flawlessly sculpted face, an angular jawline that clenches as he speaks, and plump pink lips that pull back to expose a pearly white and perfectly straight set of teeth. His pronounced nose bridge is made more attractive with his geeky pair of glasses, and those eyes- big and brown, framed by thick black eyelashes that flutter as he pulls off his glasses and wipes the lenses with the cuff of his sleeve.

“Lots of traffic when it rains,” he says sheepishly, pinching the frame of his glasses with two fingers and setting them so delicately back on his face. “It won’t happen again.”

And then he pulls his hands out of his pockets, leaning against the podium at the front of the room and taking a good look at the array of students.

“Welcome,” he announces, giving a small nod before continuing to speak. “My name is Professor Han. I’ll be your instructor for the duration of this course.”

He pulls back from the podium, shuffling through the leather bag on his desk and pulling out a stack of papers. The first student to the left is handed the stack, instructed to pass them to the back of the crowd as he explains it’s your course syllabus.

“Pretty much everything you need to know is listed here,” he says a little louder, as the room teems with echoing chatter. “I accept late work up to a week after it’s due, with a point subtracted every day it’s late. If you’re going to be later than 15 minutes, please don’t show at all. The stairs are too loud. Food and drinks are permitted, just don’t make a mess. And do whatever you want with phones and laptops, just shut off the sound.”

He paces back and forth as he speaks, his wet shoes squeaking along the tiled flooring as he does. He wears canvas sneakers with his fancy teaching attire, and he pulls them off remarkably well.

“A little bit about me,” he then says, and you perk up at his words, intrigued by just everything about his presence. “Been teaching here for about five years now, since I finished grad school. I love music, and I love music theory, so you’ll hear me talk about it a lot in between historical lectures. I teach three classes in total, all pertaining to music history, and in my free time, you can usually find me doing something related to music. Any questions?”

The class falls silent as his gaze scans the room, his curious eyes falling over the rows of seated figures who in reality, desperately want to ask him questions, but they’re also painfully shy in his presence. He gives a little nod as he takes note of their blank stares- and then his gaze falls momentarily over yours- staring directly into your paralyzed figure, almost as though he’s challenging you to ask him something, anything. But you don’t- you just remain seated, staring back at him, hoping the glowing blush on the tips of your ears doesn’t pick up under the dim lighting of the room.

“Okay,” says Professor Han, clasping his hands together and gesturing to the board behind him now. “Let’s see if I can figure out how to use this projector this time around.”

Lucky for you this semester, your schedule is sparse throughout the week, just a total of three classes on varying days. Which means you have ample free time to laze around your dorm when you’re not attending courses. Students make the most of their senior year, scoping out parties and sneaking out late at night to catch a movie or a quick bite- and you would join them, if you had people to join.

It’s not that you failed to make friends in the duration of your college career- in fact, you made solid efforts to befriend most of the people you came across, sometimes even allowing yourself to be dragged to a party and entertain mindless frat boys. But none of them stuck around, and you quickly realized they were much further from the simplicities you actually enjoy about college. Like the coffee shop on the second story of the student union, where the barista always adds a little too much caramel to your lattes. Or the windowed seat at the very back of the 8th story in the library, where when it rains, you can watch lines of people rush to their classes with hands over their heads and desperately clutching their umbrellas. Even your dorm room is a preferred spot for you, where you often find joy in curling up under your covers and getting lost in a good book. And although you’ve grown to love being alone, it’s a little jarring some nights, like the following Friday in your first week when almost everybody is out at a party, and the return to your dorm room is pitch quiet as you walk down the carpeted hallways. As you swing your door open, you gasp at the sight of your roommate, who’s not usually occupying her side of the room- not unless she needs something.

“Oh,” says Mina, as she places a stack of folded clothing into a large duffle bag and zips it up. “I didn’t know you’d be here today.”

You chuckle softly at her remark- of course you’d be here today. And the day after that, and the day after that… you’re always here. It’s Mina who seldom graces you with her presence, usually too busy at her boyfriend’s dorm or out with a group of friends.

“I’m here,” you say sheepishly, assuming your spot on the edge of your bed. Mina says nothing, raising her eyebrows a little and nodding, and you can tell she’s thinking about what a pathetic life you must lead.

You and Mina have never quite gotten along- not for reasons much more complicated than disagreements regarding her cleaning style or her boyfriend coming over unannounced. You’re simply from two separate worlds, and it’ll remain that way for the next few months until you graduate.

“I’m going to my boyfriend’s,” Mina announces unsurprisingly, hoisting the duffel bag over her shoulder. “I’ll see you on Monday.”

“Okay,” you say to her finally. “Have fun with Lucas. I’ll see you on Monday.”

She seems to roll her eyes as she makes her way out the door, not so much as a goodbye from her. And when the dorm is all to yourself again, you reach for the book on your shelf, one you’ve gotten halfway through since yesterday’s time spent alone, and curl up under the covers, the sound of gentle rain tapping on the window behind you.

By the time Monday rolls around, you’ve almost forgotten entirely who your course professors are.

It’s always taken you a few months to get situated with their lecture styles, and on occasion, even their names- but this semester in particular feels so unimportant. It’s your final one, after all, and while students talk excitedly about plans for the future and their graduation parties, the only thing you’re looking forward to is the physical degree you’ll get to leave here with.

Mondays are for your intermedia course, led by a professor who dismisses the class early almost every chance he gets. Wednesdays, you have another writing course, and you have to stop yourself from dozing off while students review their essays dissecting music theory during critique sessions. And Thursdays are spent in the old little lecture hall on the east side of campus with Professor Han. You’ve forgotten about him by the time your first official class with him rolls around, and you mentally scold yourself for dressing so casual in his presence when you remember how attractive he is.

When he saunters in, much earlier this time around, the students cease their chatter, and all eyes are on his handsome figure as he makes his way to the podium. He wears fitted slacks again, a knit sweater tucked into the belt that hugs his thin waist, and a collared white button down is visible at the neckline. His jet black hair is styled neatly out of his face to reveal his chiseled features, and his wireframe glasses are absent this time around, emphasizing the big brown eyes that peer back at his students.

“Good afternoon,” he says to the class, and they utter mumbled replies back at him.

“I hope you all had a good weekend,” he then remarks, pulling his laptop out of his bag plugging in a series of wires to set up the projector. The class remains quiet at this, not a single word from any of the students as they sip coffees and navigate their own laptops in hushed motions. Professor Han looks up at the class as his fingers hover over the mouse of his keyboard, his lips pulling into a grin, eyes forming little crescents as he lets out a soft chuckle.

“Come on guys,” he says dramatically. “Why are you so silent? You’re killing me.”

It’s the first time the classroom fills with laughter, and Professor Han seems to relax a little as he takes in the sight of smiling faces. He’s not quite sure he’ll ever get used to the silence that falls over college lectures, especially in the awkward first few weeks, when students are too scared to even look him straight in the eyes. And what Professor Han never quite grasps is that the students aren’t afraid of him- they’re intrigued by him, just the way that you are.

The girls wear full faces of makeup to a single 3pm lecture in hopes that he’ll take special notice of them, and the boys almost seem to mirror his dapper choices of clothing, trying their hand at knit crewnecks and slacks with canvas sneakers. Anybody who knows him concludes he’s just about one of the coolest professors around, yet he’s too consumed by his passion for music and theories of composers to take notice of anybody’s fascination for him.

And aside from that fact, he’s a professional at his job, only here for the purpose of lecturing and distributing course materials. He doesn’t make friends with other professors on campus, he doesn’t traverse these buildings when he doesn’t have to be here. And he certainly doesn’t care to know any of his students beyond the space of these four walls.

The projector starts up with a low hum, and a slideshow is promptly shone onto the wall across from you, a painting of some historical figure accompanying the title slide.

“I want to preface this lecture by saying that this particular composer is often deemed one of the greatest of his time, which is true for the Baroque period, and untrue in comparison to some of the other greats.”

There are stifled laughs from around the room as he makes his way to the screen at the top of the wall. As he transitions to a speech about the Baroque period, he reaches up to pull on the little string that dangles from the center, and your eyes can’t help but observe his lean figure as he does. The hem of his sweater is untucked from his slacks momentarily, revealing the small waist he flaunts beneath such a broad chest, and one hand reaches down promptly to cover himself again. It feels so wrong losing your focus from the lecture like this, your mind wandering places you know it shouldn’t be. Yet as he speaks, you can’t help but imagine what the rest of his chest must look like underneath the oversized knit that swallows his sculpted figure. Your eyes graze briefly over his navy slacks, ones that hug him so generously, and down to the stylish canvas sneakers he wears, the same ones he wore last time. They squeak along the tiled floor as he paces, hands gesturing passionately as he recounts the history of Johann Sebastian Bach, who you’ve only just realized this lecture is about.

“Not only was he a composer, but he was an organist, a harpsichordist and a violinist,” he explains, clicking the little remote in his hand and proceeding to the next slide. “He was a prolific part of the Baroque period, and he’s well-known today for some of his most famous instrumental and choral pieces.”

He paces the room confidently as he speaks, head down most of the time as he details accounts of Bach’s life, seemingly having memorized most of it.

“Does anybody happen to know any of his orchestral music? There’s one in particular he’s very famous for.”

The class falls silent again as Professor Han scans the room, pausing from clicking through slides as he awaits an answer. Nobody says anything, and all that fills the air are the sounds of keyboard clicking as they do their best to mindlessly copy his words. Without a second to properly think it over, and before you can even begin to doubt yourself, your hand is shot straight into the air, heart racing as his eyes fall to your seated figure, and then he gestures toward you, a small smile on his face.

“Yes!” he says enthusiastically. “Go ahead.”

“Brandenburg Concertos?” You voice quietly, a slight tremble in your voice as you speak. You’re not sure you’ve ever done adequate research on Bach- let alone any classical composer. But you are familiar with German history, and the Baroque period and the grand titles of symphonic pieces are still ingrained into your memory from years of piano lessons.

“That’s correct,” he replies, an amused breath escaping his lips as he speaks. His gaze lingers on yours for a second- just a brief second, not enough for the students to imply anything.

And Professor Han is admittedly fascinated by you himself, the question always marking the course as his first official question of the semester. One he’s never gotten the right answer to until now. In fact- one he’s never even had a student take a stab at answering until now. He’s well aware that no normal college student is going to have the Brandenburg Concertos in the back of their mind like the rest of the frivolous knowledge that dwells there, but perhaps he’s finally been assigned a student who gives the slightest shit about this course and its materials.

“Sorry- what was your name?” Professor Han then asks, the corner of his lip pulling into a half-smile before he proceeds with his lecture.

Students in front of you crane their necks to get a good look at you, and the peers on either side of you glance at the single sheet of notebook paper on your desk, scribbled with sparse notes in dark blue pen.

“Y/n,” you finally respond, your voice coming out more timid than you’d hoped it to. You feel microscopic with all eyes on you like this, quietly praying he’ll proceed with the lecture so that you can go back to admiring him from afar and in the comfortable silence of your thoughts.

“Y/n,” he repeats, giving a small nod, and then he finally transitions to the next slide.

Professor Han might not care to be on campus when he doesn’t have to- but that certainly doesn’t mean he’s generous about early dismissal when it comes to his courses. The analog clock above the doorway counts down the seconds before he finally dismisses his students- and even then, he’s not averse to keeping students a few minutes past to wrap up his lectures, either. While it’s a trait most students despise during their classes, not a single student utters a word of dismay when he requests just five minutes more of their time, their eyes still fixated on his pacing figure as he rushes through the remainder of his slides. He has a way of encapsulating a whole room when he speaks of ancient composers, like he’s meant to be up on a podium recounting Bach’s concertos. And the students soak up every last second they get to be in his presence, a sort of melancholia present in the room when they finally file out the door for the afternoon and back to their dorms.

When you find yourself lingering in the classroom a bit longer than the other students, completing the futile task of shifting around papers in your bag, Professor Han seems to take notice, glancing at you over the screen of his laptop and observing the way you shuffle about in the now silent room.

“Brandenburg Concertos, huh?” He calls out to you, and your gaze falls to him, where he’s seated at his desk, the familiar wireframe glasses now sitting upon the bridge of his nose.

“Yeah,” you respond, a little unsure of how to entertain the conversation without coming off as painfully awkward as you truly are.

Professor Han chuckles a little, and then he glances back to his laptop, typing something as he continues speaking.

“Nobody’s ever gotten that one right. In my five whole years of teaching.”

“Really?” You reply, thoroughly surprised nobody’s heard of the most famous orchestral pieces by one of the most significant composers.

“Nope,” he says plainly, shaking his head to affirm his answer. “Are you secretly a composer or something?”

It’s your turn to chuckle lightly, approaching his desk with your bag slung over your shoulder as you shake your head.

“Just years of piano,” you say to him.

“Piano? Very tricky instrument, it’s good to pick up when you’re still young.”

“I’ve been playing competitively for ten years,” you explain to him, heartbeat quickening a little as he lowers the screen of his laptop to make eye contact again.

“Wow,” he breathes out, thoroughly impressed by the fact. “I might have you teach a lecture or two, then.”

You chuckle in unison with him, shrugging as he pushes his glasses a little further up on his face.

“Convince them to put a piano in here and I’ll think about it,” you say to him. “I need a few course materials.”

“Deal,” he replies, narrowing his eyes a little as his lips pull into a smile, flashing you his perfect set of teeth. He glances around the room momentarily, and just as you think the conversation’s over, he sighs deeply, pushing back his laptop screen once more and continuing to type.

“Pity they’re tearing it down, though. A piano would have been a nice addition.”

It’s your turn to glance around the room, craning your neck up toward the tall medallion ceilings and elegantly crested walls. The room looks even more beautiful at this hour, rows upon rows of vacant brown chairs folded neatly back into their place, beams of afternoon sunlight streaming through the long glass windows on either side of the room.

“It is a shame,” you echo, grazing your fingertips along the smooth wooden finish of his desk. He seems to be lost in thought as he stares at his computer screen for a brief second, eyes glazed over as he remains silent. There’s not a sound in the room as he pauses his typing- no students remain in the hallways, no one taking notes in the stillness of the lecture hall. Just you and your professor, in silent thought about the unfortunate fate of the grand lecture hall.

“Maybe next year I’ll be teaching in a gymnasium,” he says finally, shooting you a sad smile and shrugging.

And then he winks at you- nothing romantic behind the gesture, just a brief blink of his left eye as he lets his gaze fall to yours.

And for the second time in the confines of this grand lecture hall, you pray the dim lighting doesn’t reveal the growing blush across your cheeks.

As the weeks pass, Professor Han’s lectures are stuck in your head like the piano melodies you’re so acquainted with. Beethoven Fidelio. Le nozze di Figaro. Adagio Cantabile.

The titles of famous composer pieces circle your mind like they’re suggestions by him, to you. And you like to think they are, when he’s slipping comments into his lectures about which pieces are his favorites, which are the most evocative and which ones he’s listened to the most.

The other students sit absentmindedly as he lectures, hearing the words he utters and writing notes like they’re translating his musical language to one they can comprehend. But they’re not listening to him- you’re certain they’ll never understand it the way that you do.

“Tchaikovsky’s Swan Lake was my first piano recital piece,” you’d told him once after class. And the way his face lit up when you did, indulging you in a long list of reasons why he deems Tchaikovsky his favorite composer of the Romantic period.

“Only a genius could have produced 1812 Overture,” he said to you excitedly, throwing his head back in disbelief and slouching back in his swivel desk chair as he collected his thoughts.

“That’s the one he used real artillery as background noise in, right?” You had responded, a bright smile on your face as you spoke the common language only the two of you seemed to understand.

“And church bells!” He had responded excitedly, clasping his hands together as he recalled the booming melody.

And then he had played it for you- despite the two of you already knowing the piece very well. His slender fingers hovering over the keyboard of his laptop, searching for the overture he’s listened to almost daily in the duration of his career as a professor.

As a quiet stillness fell over the lecture hall following the departure of the last few students, the speakers echoed with the booming instrumentals of Tchaikovsky’s 1812 Overture- the entire four minutes of the song. You watched in fascination as Professor Han gestured at his all favorite parts, waving his hand in the air to mirror the harsh eighth and sixteenth notes that span the intricate melody. Excited chuckles escaping his lips as the familiar sound of cannons could be heard in the background, followed by the lull of harmonious church bells.

It was then that he turned the music down a few notches, explaining how he helped teach this piece back when he still worked as a musical director. You recall the fleeting sadness that seemed to overtake him, his smile faltering a little as he seemed to think back to his time there. And when asked why he didn’t teach anymore, he had simply shrugged, failing to give you any sort of explanation for it. He just kept his gaze on his desk for a moment, snapping out of it seconds later, turning the volume up again and waving his hands in composing gestures as the song reached its end.

It was also the first time you recall feeling a little sorry for him, carefully observing the way these talks of music and composers seem to bring out a sort of sadness from within him. The dichotomy of him against the overtures he’s so drawn to- their booming crescendo notes and tempos noted allegro con brio, and yet when the lecture hall is empty and he’s all alone, he carries himself like a somber melody, beaming only with the mention of music and then shrinking like a diminuendo set of notes, dying down until a silence falls over the two of you again.

Some several weeks in, you’re certain the fascination is no longer rooted in lust, but simply a desire to speak this mutual language of music with him, the only time either of you ever really feel heard.

If someone were to tell you that you’d ever find interest between the pages of a course-assigned college textbook, you would have taken them for a complete liar. And yet you can’t help but find yourself engrossed in the textbook for this course, the thick red book taking complete precedence over the stack of unfinished books on your nightstand.

Weekends are spent flipping through the pages of quotes by famous composers, stories detailing their fast-paced lives and detailing all of their greatest accolades. You carefully study the music sheets, too, reading between the staff lines the same way you scan the plain text of the chapters. It comes to you easily, translating quarter notes to melodies you hum to yourself, reading key signatures like novel dedications.

And the book ignites a sort of spark in you again, reminding you of the days you still spend in front of the monochrome keys for hours, memorizing pieces and adding in your own annotations along the treble and bass.

So when Mina comes home one afternoon, desperate to borrow your textbook, you’re admittedly vexed by the request, reluctantly reaching into your bag to retrieve it for her.

“I didn’t know you had this course,” you say to her, wiping fingerprints off the matte cover and carefully handing it to her.

“Yeah, it’s the worst,” she says, making no effort to avoid transferring new fingerprints onto the cover as she stuffs it into her bag. “But the professor’s hot.”

And her mention of him is somehow vexing to you- of course she only sees the young, attractive professor he is, and not the sheer brilliance behind his lectures. Of course she doesn’t care to understand his background, his favorite historical pieces or take notice of the way he lightens up at the mention of his old days as a musical director. She’s just like the other students in your class- hearing him, but not really listening.

“Professor Han?” You inquire, knowing very well he’s the only professor who teaches that particular course.

“Yeah,” she says, reaching into her duffle bag and shuffling around for something. “Pretty sure he’s the only reason people still show up to that stupid class. I wonder if he goes for younger girls.”

She chuckles as she pulls out a tube of lipstick, uncapping it and reapplying the dark red tint to her pouty lips.

“I’m going to my boyfriend’s,” she then says to you, tucking the tube of lipstick back into her bag and pivoting to face you. “I can have your book back by Monday.”

“Could you have it back by early morning?” You say to her, voice almost cracking as you plead so desperately. “I really need it back before my quiz.”

You’ve already practically memorized the chapter you’re being quizzed on, but you’re always well-prepared for quizzes and tests in Professor Han’s course, reviewing the textbook a thousand times to earn the highest grade possible. You’d be ashamed to score any less than remarkable on his tests, feeling a need to prove to him that his course is something you take just as seriously as he does.

“I guess,” she says furrowing her brows a little at your desperation. “I’ll try to have my boyfriend drop it off before my class or something.”

“Tell Lucas it’s important,” you relay to her, as she keeps her gaze on yours. “I really need to pass this quiz.”

“I said I’ll try,” she emphasizes, making her way to the dorm with the same pink duffel bag slung over her shoulder.

And then she’s gone again, not so much as a wave goodbye as you’re left alone for the weekend.

By the time Monday rolls around, Mina is nowhere to be seen. She does this sometimes, spending entire weeks at her boyfriend’s apartment and ditching a long list of her classes.

Except along with the absence of your roommate, comes the absence of your textbook.

Lucas never shows on Monday to return your textbook, and Mina is completely MIA when you try to call or text. So by Thursday, you have no choice but to attempt your quiz without having read the textbook chapter a millionth time.

“Welcome, welcome,” Professor Han calls out as students take their seats. “Put your phones away and get out a pen or a pencil. We’ll start the quiz in a few minutes.”

You occupy the seat at the very front, where you always do now, and wait patiently as he digs around his bag for the stack of quizzes.

“This quiz covers all of chapter 7,” he says, passing along the stack of papers and instructing students to distribute them across the room. “You have 30 minutes from now. If you have questions, please raise your hand and I’ll come to you. Other than that, good luck.”

And the room falls silent as he makes his way back to his desk, the etching sound of pencils scribbling on paper as students begin their quizzes. You swallow nervously, scrawling your name across the top of the paper, and then let your gaze fall to the first question.

Name one the symphonic pieces Ludwig van Beethoven was famous for.

Your lips pull into a knowing smile as you pencil in a response with ease- Symphony No. 5, the same one you discoursed with Professor Han about just last week.

What time period defined Classical antiquity?

Between the 8th century BC and the 5th century AD, you write down quickly, moving on to the next question.

From his desk across from you, Professor Han glances over the screen of his laptop at your slouched figure, observing how you pencil in responses quicker than any of the other students, without even taking a moment to think over the answers. He smiles to himself a little, amused at the clear indication of the only music major in here, a clear liking for this subject the way he has, unlike the students rushing through his course for credits. His eyes fall back onto his laptop screen where he begins to work on an email, and yet before he can continue, you’re sauntering over to his desk with your quiz in hand.

“You’re finished already?” He inquires, lowering the top of his laptop to meet your gaze.

“Yes,” you say simply, sliding him the sheet of paper and giving him a little nod.

He grasps your quiz between his calloused fingers, and just like you assured him, every line is complete with a clear response in pencil.

“I can grade it right now since you’re the only one finished,” he asks, a challenging expression on his face as you stand confidently across him.

“Sure,” you say, gesturing to the paper as he retrieves a red pen from his bag.

You watch with bated breath as he scans the first question with the tip of his uncapped pen, giving a small nod as he then moves on to the next. The second question is the same, Professor Han looking it over and moving on to review the third now. Your heart beats wildly in your chest as he reviews your answers, despite being confident you’ve gotten at least the majority of them correct. Your gaze averts his seated figure as strands of his hair fall into his face, head hanging over your little sheet of paper as he checks and then double checks your responses.

“Yeah,” Professor Han finally says, sitting up straight once more and fidgeting with the red pen he neglected to even make use of. “It’s all right.”

He looks up at you with a curious expression, a kind of twinkle in the big eyes that are magnified by his geeky looking glasses. And his lips quiver with the intention to say something to you, but he can’t quite find the words. He’s simply taken aback by your skill, never having seen somebody share this similar level of knowledge regarding music history as he does. He wishes you would stay and discourse all your favorite pieces with him the way you normally do after his lectures, but the rest of the class remains quietly scribbling down their own answers, probably most of them incorrect like they usually are, and he can’t possibly request your presence for much longer in an unassuming fashion.

“You can leave early,” he whispers so as not to disturb the other test-takers, giving you a small nod as he slides the quiz into his bag.

“Really?”

“Yeah. That’s all I had planned for today. Just read chapters 8 and 9 for next class.”

You begin to pivot on your heel, excited to depart from class a little bit earlier today and hopefully catch up on other course work, despite this being your favorite class. But his words make you stop in your place, turning to face him once again and shrugging sheepishly.

“Professor, I…don’t have my textbook,” you say awkwardly, fiddling with the sleeve of your sweater as you speak. “My roommate borrowed it last Friday and I haven’t been able to get a hold of her. If there’s a PDF you know of, or maybe a library rental-”

He doesn’t let you finish before he’s reaching into his bag again, pulling out his own textbook and sliding it across the desk to you.

“Take mine with you,” he says confidently, giving you a thin-lipped smile. “Just remember to bring it back next week.”

“Are you sure?” You question, taking the thick book from his grasp and flipping it over to examine the cover. It looks a little different than yours, a varying colored font on the cover and much yellower, older pages, but it’s the exact same book as the one you’ve familiarized yourself with so well already.

“Positive. I think you’ll enjoy the next two chapters, too. Lots of piano stuff.”

He grins as he finishes, flashing you his signature toothy smile, and you feel your heart flutter at the fact that he’s even remembered you play the piano.

“I’ll tell you what I think,” you reply, tucking the book under your arm and smiling back at him. You hope that nobody behind you suspects why you’ve been standing at his desk for just a little too long, but you’re entranced by his presence in the silence of the room, wishing so badly you could stay and ask him about all of his favorite pieces like you normally do after class is dismissed. But you can’t be sure if they’ve taken notice, and you make your departure, anyway, giving Professor Han a small wave as you finally make your way out of the class and to the hallway.

Inside the lecture hall, Professor Han observes the remainder of the students working on their quizzes, not missing the way they visibly struggle to comprehend some of the questions or make guesses to material they should definitely know by now. And it’s a familiar sight to him, seeing his students disregard the course entirely and drag their feet just enough to pass the course.

You seem to be the only exception, though, thoroughly understanding and even enjoying the course material. And try as he might to brush off the thought of you, he can’t seem to, fascinated by the way you not only hear him, but listen to him, making his role on campus feel a little less futile- something he hasn’t felt in a long, long time.

His brows are furrowed as he works on his laptop, the room teeming with the scribbling noises of doubtful penciled-in answers by students on their quizzes and the subsequent erasing because they simply don’t know. But you know- you always know. Like the passing moments after class in which you indulge him in a fact about your journey as a music major, and he’ll often gift you with tales from his days as a prestigious symphonic director.

And you always send him off with a benevolent wave, tucking your hair behind your ear and sauntering out so gracefully, your short skirt flowing with your purposeful strides back to your dorm room.

Not that he’s taken notice of you, of course. Not that he sometimes prays you’ll be the last one out the room so that he can try to impress you with a fact about his musical knowledge or earn little anecdotes about your life he pieces together. That would be entirely inappropriate considering he’s a professor and you’re his student- and no fleeting amount of finally feeling listened to could change that fact.

Conversely, is he wrong to admit to himself that he’s fascinated by your musical knowledge? That the silence of the room is more unnerving when you’ve already gone home for the day?

Furthermore, that he doesn’t feel like such a loser when you beam at his stories and press him for more details about his musical career? Of course he can’t admit it to himself, because that would be entirely inappropriate- he’s a professor, and you’re just a student. But as he remains in front of his laptop, his eyes scanning the room at the students who are lost in thought- or lack of, rather, there’s only one empty seat in the front row. A seat typically occupied by your graceful presence, where you do your best to avoid making heavy eye contact, too, tucking strands of hair behind your ear and smiling at all his jokes. And inappropriate as it may be to admit it, he misses you when you’re not around- musical conversations, the sight of your delicate figure seated and paying attention to him and only him. Learning, listening.

The library is empty that same weekend, the gentle tap of rain on the window closest to you making for a peaceful ambiance as you settle on the velvet cushions of the vacant sofa. In your possession, a warm cup of coffee, as well as Professor Han’s textbook, held tightly in your grasp as you navigate to the inside cover.

Mr. Han, the inside hard cover reads, written neatly along the bolded black line. You smile to yourself, grazing the tips of your fingers along the black sharpie, imagining how he’d looked when he first penned it in. Probably the same way he does now, his big eyes blinking as he cocked his head in concentration and grasped the pen between his slender fingers.

You wonder briefly how old his book is- it appears much older than yours, the pages thin and worn like it’s something he’s utilized for a good while. Your fingers skim the smooth stack of pages before thumbing to the inside, landing on chapter 8 as he requested for this week’s reading assignment. And you smile as you do, taking careful note of the state of his book pages.

Surrounding the small black text, in disarray and almost indistinguishable in loopy blue penmanship, are his annotations, carefully analyzing the sentences as though he’s studied them a million times.

“Written at just five years old!” One sentence reads, underlining a sentence describing Mozart’s Minuet in G major. You can’t help but chuckle softly to yourself, fascinated at the fact that he annotates with the exact same level of enthusiasm he speaks of these pieces.

Another annotation specifies how Mozart’s music was tuned to 432 hertz, a frequency commonly associated with instilling a sense of peace and calmness within one’s body. And as you continue reading the bolded text of the chapter, his annotations provide a clearer image into the history of the composers, detailing minuscule facts about their lives and their music. They aren’t facts mentioned in the book, but rather ones he seemed to know based off memory alone, and you’re impressed he’s able to retain such a vast collection of information pertaining to the subjects. Some excerpts are simply marked with a “wow!” Or a series of exclamation points, and you find yourself endeared to how much of a clear liking he’s taken to the work of a textbook chapter.

As you skim a paragraph explaining the intricate work of Piano Sonata no. 12, his familiar blue annotation catches your eye again, except this time, it feels as though it transcends the page and speaks to you.

“Listen to this one,” it reads, underlined twice in blue pen. And for a moment, the thought overtakes you that he may be telling you to listen to it.

The sentence looks so intentional, almost begging for you to give into the simple request. The implication of underlining it not once, but twice, knowing he’s the only one reading this book. Except maybe he had intended to lend it to you, so that you might take the suggestion and listen to it like he had when he annotated it.

So without another second wasted on analyzing his intentions, you pull out your phone, popping in your earbuds and selecting Mozart’s Piano Sonata no.12 from a list of classical pieces. The piece is almost 20 minutes long, a fact which you find comfort in, knowing you get to think about Professor Han for the entirety of the 20 minutes you’re listening to his suggestion.

The notes begin short and vibrant, melting into one another with such fluidity and color. You shut your eyes to the flowing melody, letting yourself melt with the harmony and become one with Professor Han’s recommendation. And 30 seconds in, there’s a shift, from the joyful tune to a more rushed one, notes transitioning to staccato touches along the keyboard and picking up in pace. Like a gentle stride to a fast-paced sprint, similar to many of the tunes you lose yourself in completely while performing.

Then back to a gentler tune again, the pace slowing down once more and moving again in gentle strides. And just as you think it’s died down, the tune assumes both tempos- fast and then slow again, from a relaxed stroll to a purposeful sprint, in the direction of resolution and with every intention of taking your emotions for a wild ride in the process.

You scan the text again as you listen, indulging yourself in the complex history of Mozart’s experience writing the soulful piece, one he was presumed to have written in either Munich or whilst visiting Vienna. And you read Professor Han’s annotations in the process, heartbeat quickening as you allow yourself to imagine they’re all for you.

“This part is the best,” he annotates, referring to the melancholy movement that begins at nearly seven minutes in. It’s much slower, assuming a minor key and with little resolution at the end of every measure. Dragged-out half notes make up the majority of the piece which bewitches you, your mind racing with thoughts of Professor Han and his little inscriptions jotted down just for you.

The piece sounds a little like him- robust and enchanting, but with something more behind it all. Perhaps a story that’s dying to get out, a history he keeps tucked away in the back of his mind or even a secret he harbors. You think back to the way he gets when he speaks of his favorite pieces and his favorite composers- undoubtedly full of life and glowing with passion. And yet when questioned about his time directing, he’s quick to pull back again, shifting back into the professional composure he wears everyday, simply there to lecture from his memories alone and assign textbook pages as homework.

You’re not sure you’ve ever met somebody who mirrors your passion for music so well- like the two of you speak a language nobody else seems to comprehend. Even his annotations must look like gibberish to the masses, who probably wouldn’t bother to tune into Mozart’s Sonata no. 12 for the sole purpose of understanding him through it. Your alphabet transcends the English language- perhaps the two of you speak only in treble and bass, utilizing the eight notes available to you on a pin-straight staff and yet producing hundreds of thoughts in the process.

Ones that yearn to know him beyond the confines of a classroom, to understand who he was before all of this, before he was stuck in the old hall to the east of campus and made to preach to students who couldn’t give less of a shit about it all.

But you do- you always do.

And as the third movement begins at the 12-minute mark, the sounds of distressing melodies and ill-paced harmonies flooding your ears, you grasp a red pen in hand, leaning over his textbook and inscribing similar annotations to his.

“I love this one,” you scribble alongside his words, smiling to yourself as you converse on the thin pages of his old textbook. It doesn’t cross your mind once that your annotations will exist on the pages for eternity- in fact, you hope they do. You hope his message is received on the pages as much as they are by every inch of your yearning soul, that the bright red pen you wield contrasts so clearly against his blue marks and provides reciprocation to all of this passion.

“The third movement is my favorite,” you then note, scribbling something about the melody in juxtaposition to the evocative choice of tempo. And your annotations continue, and continue, all through the page, as though the book is yours and not something entirely borrowed.

The final paragraph is concluded by him with a simple sentence- one that critiques the lack of resolution.

“Discoordinate, fading notes,” it reads. “Feels like it’s missing something.”

And a bold decision it is, to make a record of Mozart having possibly forgotten something. But music is only reflective of your own emotions- perhaps it’s not Mozart forgetting something, but rather Professor Han feeling as though something’s missing. To you, the piece ends here- discoordinate fading notes that serve as the resolution. To Professor Han, there’s still something beyond those final few eighth notes, like the song isn’t reaching its full potential.

Beside his comment, one last penned-in annotation, one that you observe for a good while, reading it once, twice, and three times over as he practically offers a suggestion to Mozart himself.

“Coda?” It reads simply.

A coda- somewhat of an epilogue in music. It’s ignored the first time around- not really regarded by the musician until the da segno- to which a musician then plays until the indication to jump to the coda. And the coda serves as a resolution to the entire piece, typically a sonata, concluding with triumphant notes and the complete opposite of fading discoordination like Professor Han is so averse to.

You bring your red pen down to his comment, hovering the ballpoint tip over the paper for a moment, before making your final annotation along his pages.

A circle, with a cross in the center- a coda, a musical epilogue, an offer for resolution.

“Here’s your textbook,” Mina says casually when she finally returns that week, tossing it beside you on the bed and averting your gaze.

“Thanks,” you reply, entirely failing to confront her about having returned it a week later than you’d originally requested.

“I shouldn’t have even borrowed it,” she says with a frustrated huff. “I failed his stupid quiz.”

“Chapter 7?” You question, unsurprised by the admission to you.

“Yeah,” she replies, hoisting herself over her duvet and spreading her arms out behind her. “I don’t know a single person who’s passing that useless class.”

She keeps her gaze on the wall for a moment, and then she glances at you briefly, her expression unreadable as she speaks.

“Can’t believe I also have to waste my time at the stupid extra credit thing this week,” she announces, huffing as she concludes her speech.

You continue working on your laptop, not yet meeting her gaze as she rants, her legs dangling carelessly over the edge of the bed.

“What extra credit thing?”

Mina turns to look at you again, furrowing her brows together, almost in disbelief at your words.

“The extra credit thing Professor Han emailed about? There’s an exhibit at the art museum nearby for famous dead composers or something. If you turn in a ticket for proof you attended, you get like, 10 whole points or something.”

You stop typing on your laptop momentarily, glancing over the top of your screen to meet her gaze at last, a small smile tugging at your lips.

“This week?”

“Yeah,” she says, frowning slightly as you turn back to the computer. “You didn’t get the email about it?”

“I guess I didn’t,” you say to her, beginning to look up the event online. “I’ve been so busy.”

In reality, Professor Han’s email missed your inbox because you weren’t invited, consistently boasting an A in his class all semester. The extra credit is only intended for students like Mina, who are well on the route to failing his course without some form of extra credit. But to you, the event won’t serve as extra credit- it’s just an excuse to catch a glimpse of Professor Han again, maybe gain more insight into his favorite pieces and converse with him beyond the four walls of the lecture hall.

The rain is still coming down in sheets by the time your next lecture with Professor Han rolls around, the class much emptier than usual, most students opting to remain in the comfort of their dorm rooms. Professor Han produces a thought-provoking lecture on Mozart this time, conveying many of the works you read about in his textbook. And when his lecture concludes, he leans back against the podium, thanking all students who did attend today, an unspoken race against the clock unfolding as the two of you stall and wait for the rest of the students to clear out.

When the class is finally empty, he beckons for you with two fingers, remaining slouched against the podium and crossing his muscular arms out in front of him.

“I have your book,” you say to him, reaching into the bag slung around your shoulder.

He accepts it from your grasp, glancing at it briefly, before setting it down on his desk and folding his arms again. You want him to open it, to read your annotations and feel heard like the purpose your little scribbles are intended for. But he doesn’t- he just leaves it there, keeping his gaze on yours and remaining silent for a minute.

“What did you think of chapters 8 and 9?” He asks finally.

“Good stuff,” you say, giving him a shy nod. “I was familiar with a lot of it, but definitely still some new pieces I hadn’t heard of. I’ll try to get around to them when I can.”

Professor Han nods, and then you watch as he sprawls his hands out behind him, leaning back against the podium still and crossing his legs at the ankles.

“There’s an exhibit at the museum across the street later tonight,” he says, voice trembling a little as he speaks.

He’s not sure why he’s even bringing it up- maybe because he’s trying to keep the conversation course-related. It’s definitely not because he wants you to be there- a reckless way of thinking indeed.

“I know,” you say to him with a knowing smile. “I was wondering where my invite was for the extra credit.”

A breathy chuckle escapes his toothy grin as he holds his gaze on yours.

“You have a perfect score,” he replies in a low voice. “The extra credit is for people who are failing my class.”

“It can’t also be for art enthusiasts?” You retort, a teasing smile tugging at your lips. “Maybe I want to tour the dead composers gallery, too.”

Professor Han wants to entertain this- so, so badly. He wants to drop the professional act and flirt with you like you’re so clearly doing to him- but he can’t. You’re just a student, and it would be wrong to toy with the imbalance of power he holds over you. Still, there’s no reason you can’t also show to the exhibition, as a student who simply wants to partake in a walkthrough of the subject at hand. He can’t prohibit you from going, after all.

“I can’t give you any more credit,” Professor Han says with another breathy chuckle, cocking his head to look at you a little better. Your eyes sparkle as they stare back at him, a giddy smile plastered on your face and your hair tucked behind your ears between laughter as you meet his gaze again.

“But I can’t stop you from going, either.”

At this, he pivots on his heels, turning around to reach into the leather bag by his laptop. You watch curiously as he pulls out a small piece of paper, handing it to you and saying absolutely nothing.

But one glance at it tells you exactly what it is- a ticket to the exhibition, one that’s already been paid for. You remember Mina telling you she had purchased her ticket already, meaning this one was purchased for you- by Professor Han.

“Really?” You question with wide eyes, examining the ticket and then looking back at him with an excited smile.

“I didn’t ask you to come,” Professor Han reiterates. “You asked for extra credit. And you bought that ticket yourself.”

At this, he cocks his head a little, and then he shoots you a wink the same way he did once before. Only this time, your heartbeat quickens at his actions, ones that seem to desperately seek out attention from you and even make attempts at getting closer to you.

“I wanted extra credit,” you repeat to him finally, shooting him a wink, too. “And I bought this ticket myself.”

The so-called “dead composer’s gallery” has been an extra credit assignment of Professor Han’s for all five years he’s been teaching. It’s hosted in the art museum right by campus, the same few paintings of composers he lectures about making the rotation every fall to tell stories of their lives and flaunt the work they produced. Students don’t typically care for it, showing up to walk the duration of the gallery in a rush, flashing their ticket to Professor Han and collecting an easy ten points so as not to repeat his class.

He’s aware of the fact that they don’t read a single one of the bronze plaques that detail the names of the composers, or that they audibly insult the paintings, despite Professor Han being within earshot of them in the quiet space that houses the art. But for him, it’s simply a way to avoid teaching the same set of students a second time. One semester of watching them drag their feet is enough, he’s always thought to himself.

Professor Han has walked the exhibit a plethora of times, thus he usually shows in a simple sweater and some jeans, and the students marvel at the sight of him dressed so casually unlike at his lectures. And despite the exhibit being no different than the last few years, he feels compelled to dress up for this visit, admiring his efforts in the mirror as he adjusts the collar of his white button-down and centers his tie.

Of course, deep down, he’ll never admit he’s dressed up for you tonight, his mind racing with the unprofessional thoughts that you might show up just for him. He’s usually a mere spectator at these exhibits, silently assuming a spot in the corner of the room as the students make their rounds and eye him nervously. He emphasizes the notion that asking questions is encouraged, or that the students are free to chat with him about their favorite paintings and apply them to his lectures. Yet they never do- they just pace the marble floors at an expeditious pace and send him off with the wave of their ticket, not a single painting having resonated with them in the process. Some of them even groan, or verbally complain about the task, as though Professor Han’s forced them here tonight, and not the near-failing grade so many of them are stuck with. As though he’s not doing them a favor by offering extra credit for such an easy task, and an enjoyable one at that- or at least to him.

Wet sneakers squeak along the marbled floors as the students make their rushed rounds, many of them accompanying groups of friends as they stifle laughter at the art and then make their departure with the flash of a ticket in Professor Han’s direction. He remains in the corner of the large gallery room, one hand shoved in the pocket of his black slacks, the other grasping a folded pamphlet as he skims the artist names and waits for students to approach, should they require his attention. Yet it’s a futile task, having been at the event for nearly two hours now as the students come and go.

Admittedly, and with all the profound guilt weighing deep in his chest, Professor Han can’t think about anything except for you, desperately scanning the halls and glancing at the doorway for the familiar sight of you sauntering in, a beaming smile on your face and purpose in every stride. The exhibit is near closing by this point, just a handful of students remaining as he glances around the room and watches them rush to finish touring the display.

And embarrassingly enough, he counts down the seconds on the silver wrist watch he wears, hoping maybe you’re just running late by chance.

As the little hands on his watch tick in seconds, and you’re still nowhere to be seen, the thought suddenly overtakes him that this is all so stupid. What is he thinking, waiting around for a student like this- one he teaches, and one he’s tried his best to avoid having non-platonic thoughts about? It's silly. Not to mention- wildly inappropriate.

As Professor Han gathers his canvas bag hoisted over a nearby bench, and sends the last handful of students off with a polite bow, a quick turn of the corner confirms his first theory.

“Hi,” you say to Professor Han, bowing to him and tucking a wet strand of hair out of your face. “Sorry, I was running a bit late. Lots of rain outside.”

Professor Han can’t help but hold your gaze momentarily, enchanted by the sight of you, despite coming to the conclusion that this is wrong. If it’s wrong, he’ll have to sort out the logistics some other time- because you standing in front of him like this, dressed much more elegantly than he’s ever seen you, a smile on your face and already glancing around at the gallery at the works of art- everything about this feels right.

“Hi,” he says back, a nervous exhale escaping his lips as he does. He silently prays you can’t tell that he’s been waiting around for this all evening, longing to see you just once tonight and maybe talk about musical composers the way he’s been dreaming of.

“Vivaldi?” You question, brushing your way past him to the giant painting across from you, depicting the famous composer in a red robe clutching his signature violin. “I’m assuming, by the violin.”

“Yeah,” Professor Han says, turning to face the painting, too. “Kind of a scary dude, isn’t he?”

Professor Han realizes you’re the first student to make a single comment about one of the paintings here- a fact he’s well endeared by, and simultaneously completely unsurprised by.

“Debatable,” you respond. “For his portfolio alone, sure. But if we’re talking looks, I think Brahms might win this one.”

Your eyes shift to the left of Vivaldi’s at the cold stare of Johannes Brahms, a long white beard and a sharp mustache framing his glaring eyes. Professor Han laughs lightly, and then he takes note of the way you cock your head at the bronze plaque, reading a detailed little account of Brahms and scanning the art as you do.

“Brahms wasn’t scary,” he finally says with a shrug of his shoulders. “He was actually really lonely.”

“Yeah?” You question back, observing the way he stares up at the painting.

“Yeah,” he affirms. “There was a long-standing rumor that he had a crush on pianist Clara Schumann- of course she was already married. Some think Clara may have cheated and secretly reciprocated feelings for Brahms, too- but regardless, he died alone.”

The space is quiet between you both, a sort of melancholia falling over you two as you piece together the story in your mind. You can’t help but imagine how lonely it must have been for Brahms, keeping his love for Clara a complete secret in the presence of her spouse. A love so strong and so unmoving that he chose to die alone rather than find a woman that served as replacement for the love he felt for Clara.

Your mind paints images of Brahms and Clara together, his gaze fixed on hers and so helplessly in love while she was wed to another man all along.

“That’s tragic,” you say finally, feeling a pit form in your chest. “What a lonely life it must’ve been.”

Professor Han seems to take note of your change in tone, perking up a little as he chimes in again.

“He still had his music,” he says to you. “And a very successful career.”

And your head cocks again at Brahms’ face across from you, a stoic expression in his eyes and his thin-lipped pout- almost as though he was hiding part of himself from the masses all along.

“But he didn’t have the one thing he wanted,” you finish telling him.

Professor Han says nothing, giving a small bow to the painting with his arms tucked behind his back. He searches for the words to say, ones that might comfort you in this pity you take on him. But he can’t, feeling as though you may be right.

Brahms had music, a successful career composing everything from Wiegenlied to Symphonies 1 and 3, a long list of credits and enough fortune to travel the world when he wasn’t producing excellency. But he never had Clara Schumann- a tragic unrequited love he took with him to the grave. Could the tender touches and kindred soul of a lover ever be replaced by half and eighth notes on a staff? By the wave of a baton in a sea of brass and wooden reeds? Was he happy, simultaneously getting everything he wanted and nothing he dreamed of?

Johannes Brahms never had Clara Schumann. And conversely, perhaps Professor Han will never get close to what he wants, either.

The dead composer’s gallery quickly proves to be a lot more tragic than you’d anticipated. The paintings are beautiful- grand golden crested frames that house detailed depictions of famous composers, wearing powdered wigs and fancy dress robes. And every stride to the next work of art is accompanied by Professor Han’s tragic, detailed account of their love lives.

“Tchaikovsky was gay during a time when it was highly illegal,” Professor Han explains. “He had a long list of gay lovers with whom he’d write romantic letters to, and he came under heavy scrutiny when it was made public- especially since he was already of a low social class.”

“Must’ve been terrifying,” you tell him, narrowing your eyes at the intense stare of his painted portrait. “What did he do?”

Professor Han is quiet for a moment, glancing over at you and parting his lips as though he’s going to say something. But he simply remains silent, staring back up at the painting and swallowing nervously.

It’s only when you glance over at him, raising your eyebrows a little in the direction of his looming figure and almost gesturing for him to continue, that he reluctantly provides an answer to your question.

“He married a student,” Professor Han says quietly.

And he understands very well what the implications are here, producing stories of instructors being romantically involved with their students, when he’s here with a student himself.

Here with you, the very same student he’s been waiting on all evening. The student he’s enjoying telling stories of composers and their romantic involvements to, and the same student he’ll find any excuse to spend more time with once the dead composers gallery is already closed for the night.

“They didn’t last, of course,” Professor Han then continues. “It was impulsive, and they were severely incompatible. Not to mention his heart already belonged to another.”

It’s your turn to get quiet, simply nodding at his words and piecing together tidbits of Tchaikovsky’s tragic romance.

“Professor,” you say to him suddenly, turning to face him with a small smile on your face. “How do you know so much about the romantic histories of famous composers, anyway? Is this part of your lecture style?”

Professor Han chuckles lightly in response, his eyes forming little crescents as his lips pull back into a big grin. He looks much happier here like this, compared to the way he carries himself during his teaching- more laid back, comfortable, even.

“I think you have to understand where they fell short in romance,” he says, maintaining the same warm smile on his face. “It’s where most of the passion, and pain alike, stemmed from in their pieces. The sheer intensity of some of the orchestral or symphonic pieces, they’re…” his voice trails off momentarily, observing a painting of Mozart on the wall in front of the two of you, whose story he hasn’t even indulged you in yet as the museum staff prepare to close for the evening. He tilts his head to one side, pondering his words briefly and giving a little nod before continuing.

“They’re all crafted from yearning in one way or another.”

The evening rainfall is torrential outside, the sidewalks almost empty as people seek shelter in the safety of their cars and apartments. Once you’ve both exited the museum, Professor Han remains under the concrete roof that spans the entrance, looking out at the glistening pavement roads that reflect with red and green traffic lighting.

“Are you parked on the street?” He asks hesitantly, his hands shoved in the pocket of his slacks as he awaits your reply.

“I walked here,” you say to him, a light chuckle escaping your lips. “My dorm’s just a few blocks away.”

His eyes widen at the admission, thinking back to where his car is parked, just around the corner in the museum’s designated parking garage. He debates offering you a ride, but he knows it’d be in his best interest to avoid being alone in a car with the one woman he so dangerously can’t stop thinking about.

“Do you need a ride?” He then asks, the words leaving his lips before he can even stop himself. It’s like he’s overtaken by another version of himself- one who can’t cease this little chase you’re indulging him in, too.

“I don’t want to burden you,” you respond, a sheepish smile on your face as you try to veil the fact that you’re elated he’s even offered.

One more chance to make things right- and yet there’s no discernible boundary between what feels right, and what is right.

“It’s not a burden,” he affirms. “It’s not safe to walk home in this rain.”

Your gaze meets his, a sort of triumphant smile pulling on your lips as he cocks his head in the direction of the parking garage. There’s no distinctive plan either of you have in mind, but you’re also drawn to each other, admittedly wanting nothing more than to find little excuses to put off your departure for the evening.

He begins in the direction of the garage without even waiting for verbal confirmation, and yet he doesn’t have to, because you’re already trailing alongside him like it’s been your plan all this time. You maintain a giddy smile on your face as you both brave the rain together beyond the concrete ceiling of the museum entrance, tucking your necks into your shoulders and laughing as the rain drenches your clothes completely, strands of hair falling into your face and dribbling rainwater down your glowing cheeks.

“It’s just past here!” he calls out over the deafening sounds of rainfall, squinting his eyes amidst the drops of water that weigh on his eyelashes and making out the faint outline of his car in the dimly lit parking garage.

You trail behind him as he gestures for you to follow, also catching a glimpse of his parked car in the garage, seemingly the only remaining one at this hour.

Professor Han opens the passenger door for you, stringy pieces of hair falling into his face as he gestures for you to get in. And you do without hesitation, smoothing down your skirt and occupying the sleek black leather seat. When the door is shut, there’s a brief silence that falls over you as he makes his way around to the driver’s side, and you catch a glimpse of yourself in the rearview mirror. Your makeup is a little smeared from the rain, wet hair slicked down and your clothes clinging to your figure with dampened spots. But for the first time in a long while, you look happy, finally making use of your time beyond the walls of your dorm room.

Professor Han slides into his seat at last, the door shutting promptly beside him, and he runs his slender fingers through the slick black strands of hair that fall into his face. You watch him curiously, heart racing at the sight of him so close to you, your bodies almost touching if not for the center console that so conveniently separates your yearning bodies. Drops of rainwater find purchase on his bent knees, further dampening his slacks as he wrings out his jet black hair over them. And he chuckles as he does, a little embarrassed he looks so disheveled in your presence.

When he hears you reciprocate with a gentle laugh, he turns to look at you, and it’s then that he realizes how dangerously close he is to you.

From this proximity, he can make out the spheres of rainwater that collect on your blushed cheeks, every last speck of mascara that collects under your eyelashes and flutters as you blink curiously at him. He can distinguish the lipstick you’ve strategically worn just for him, one that almost mirrors the natural pink shade of his pouty lips. He can feel the clear tension that bubbles over the center console as you lean in just a little, not enough to graze his mouth over yours, but certainly enough to feel the sharp breath that escapes his lips as he leans in, too.

And just as your eyes begin to shut, with every intention to kiss him right then and there, the sound of distant rainfall lessening as your rapid heartbeat fills your ears, he pulls back again.

“Sorry,” Professor Han remarks quietly, resting his hands on the steering wheel and shaking his head as though he's physically ridding himself of the urge to kiss you.

Your eyes open again, met with his trembling brown pupils that fixate on the dashboard in front of you both. And then he starts the car without another word, not yet backing out as he sits with his thoughts for a moment.

You desperately want to think he was going to kiss you, too, but you feel painfully stupid for being turned away like this in his car. Maybe it’s not how you’ve been reading into- maybe this is strictly a teacher-student relationship the way it’s supposed to be.

“Do you want to go back to your dorm?” He asks amidst the silence, not meeting your gaze. He’s scared he’ll get the urge to kiss you again, or that you might clock how nervous he is to be here with you.

You’re quiet for a moment, a little angry with things as you ponder the question. He’s not quite telling you to go home- but he isn’t asking you to stay, either. He’s just putting the ball in your court- both a safe, and a risky play at hand.

“No,” you voice finally.

He just nods at your response, clicking his tongue once and waiting for you to say something else. But you don’t- instead, you wait for him to say something else, too.

“Do you want to get out of the rain?” He then asks in a quiet voice, not specifying where that may imply. And although he doesn’t, you nod in agreement, meeting his gaze briefly as he reciprocates with an affirmative nod of his own.

Professor Han may have physically refuted the notion that kissing you in his car was anywhere near appropriate- and yet at this hour, the only place he can think to seek shelter from the rain with you is his apartment.

His apartment is nothing special at first glance, just your typical run-of-the-mill unit on the third floor of his building, but at a closer inspection, everything is exactly what you’d expect it to be.

Music sheets scattered along tables and couches, scribbled hastily with notes and annotations, much like his textbook was. A studio piano against the wall of his living room, the leather-seated bench that accompanies it stacked high with music theory books and more sheet music. The walls are decorated with rows of photographs, ones that you wish you could derive answers from, much like the dead composers gallery.

“Sorry for the mess,” he says sheepishly, peeling off his coat and draping it over the back of a chair.

Your arms are folded behind your back as you traverse the wooden floors as though this place is a museum, too. You relish in the sight of every decorative item, every sheet of music and every placement of his old-looking furniture, like it might give you more insight into exactly who Professor Han is. It’s just like he is- classic, enchanting, captivating.

“What are all these?” You ask him, pointing to a wall with a neat collage of photos.

At a closer inspection, you realize many of them include him, presumably from several years ago. He’s blonde in one of them, wearing a black pinstriped suit and a stylish pair of silver earrings. Another one shows him with midnight blue hair, the cool-toned hue contrasting rather beautifully against his tanned skin. His hair is still black in many of them, but he looks younger, dressed casually with a big smile plastered on his face.

And the most fascinating quality in all of them- he looks important. Like he’s a notable figure among the other subjects, usually standing in front of a podium or a music stand, sometimes with a baton grasped between his hands and raised in motion.

“Are these from your directing days?” You then ask, knowing the answer already.

It feels a little wrong to be seeing the photographs, almost as though they’re not supposed to be visible to just a student of his. They’re a glimpse into another life he’s lived- one you’re too late to be a part of. And more importantly, one he hasn’t seemed to be interested in talking about. You remember the times he’d brush off the mention of directing, change the subject or even just respond with an absent shrug. And yet standing in front of the proof it happened, you can’t help but probe for answers, feeling as though they might provide insight into who exactly he is underneath this pensive mask he wears.

“Those are from my directing days,” he confirms with a sad smile, making his way over to you and staring up at the wall. He examines one in which he’s in the middle of composing, stick held high in the air and a concentrated expression on his chiseled face.

“You look really cool,” you tell him, and he laughs lightly in response.

“Thank you,” he replies politely. “I always felt cool.”

You begin to tell him that he’s still cool, the way he captivates a whole room with lectures about famous composers and music theory he just knows offhandedly now. But you quickly get quiet again, not wanting to overstep any boundaries.

When you turn to face him again, you’re well aware of how close he is to you, droplets of rain still gliding down the bridge of his nose and onto the damp collar of his dress shirt. You also notice he’s wearing his glasses again, which remain the only dry part of his attire.

He seems to take notice of the heightened proximity for the second time today, too, making his way over to the couch and sitting on the edge of the velvet green cushions. But his gaze still remains fixed on yours, admiring the way you peer at his space.

“Professor, can I ask you something?” You say to him, approaching him cautiously, yet keeping a comfortable distance from him.

“Anything,” Professor Han replies, swallowing nervously and resting the palms of his hands flat on his knees. His long legs are draped over the edge of the couch, bent at the knees and spread so that he’s comfortably resting against the back of the cushion.

“You didn’t tell me about Mozart,” you say to him, twiddling your fingers in front of you. “What was Mozart’s love life like?”

Professor Han thinks it over momentarily, his eyes darting to the ceiling as he recalls Mozart’s romantic involvements. And it doesn’t take long, because it’s another tale he knows very well already.

“Well he lived with a family during his time in Vienna,” he explains. “They had a daughter named Constanze, who he took a particular liking to.”

You nod at his words, approaching him a little more now and observing the way he tenses a little, yet also noticing he makes zero effort to move away.

“His father didn’t approve,” Professor Han continues, eyeing the gentle sway of your skirt as you near him. “And yet when Mozart moved out, they maintained a relationship in secret.”

“A secret relationship?” You echo, and he nods affirmatively. “And then what happened?”

“Well,” he begins, dropping his hands to his sides as you stand right in front of him now. “Mozart wrote Constanze’s disapproving father a very famous letter. And they later married.”

“A letter?” You question. “Do you recall what was in the letter?”

You eye him from above, your thighs practically grazing his kneecaps as he remains seated in front of you.

And then in a painfully slow movement, all the while reminding yourself not to rush it, your hands find his, intertwining your fingers together and allowing you to pull yourself even closer to him, effectively slotting yourself between his knees. Professor Han’s breath hitches in his throat as you do, his heart racing wildly in his chest, pulsing reminders grazing his conscience that this is wrong. Yet juxtaposed against your delicate touches on his skin, and your curious eyes awaiting a resolution to his story, he can’t help himself.

“The letter?” He asks nervously, and you nod at him.

“Yeah. Do you remember it, by chance?”

Of course he remembers it- he could recite it in his sleep if he wanted to, every last word and emotion ingrained so deep within his soul as though its memorization was some requirement to work in a music-related field. But he hesitates to utter the words, knowing that if he does, they serve as permission for this- all of this, to indulge himself in all his reckless convictions right here with you.

“You don’t have to,” you say to him shyly, loosening your grasp on his fingers.

And you refer to both the utterance of Mozart’s letter, as well as the actions you know are bound to unfold if he does.

“No, I…” he interrupts, a sharp breath leaving his lips as he speaks. “I want to.”

A small smile tugs at your lips, tightening your grasp around his fingers once more, and then you wait for him to begin.

Professor Han takes a deep breath, some form of a prayer or maybe a beg for absolute forgiveness to a higher power racing his mind before he speaks again. And then, with all the weighing guilt in his heart, he begins to voice the letter back to you.

“I must make you better acquainted with the character of my dear Constanze,” he begins, finally allowing you to pull yourself onto his lap and steady yourself with two hands on his strong forearms.

“Keep talking,” you say to him, reaching out to tuck a strand of wet hair out of his face.

“Her whole beauty consists of two little black eyes and a pretty figure,” he continues, swallowing nervously at every tender touch you produce against his skin. His hands rest on the curves of your waist, delicately grazing up and down as you watch him curiously. Your legs bend to straddle him, skirt flowing over his black dress slacks and draping over the fabric of his crotch, where he can feel himself growing unbearably hard for you.

“Mhm,” you say, two hands now grazing the fabric of his silk black tie and loosening the knot at the collar.

“She likes to be neatly and cleanly dressed, but not smartly; and most things that a woman needs, she is able to make for herself.”

At this point, Professor Han’s tie is completely undone, your nimble fingers now undoing the buttons of his shirt and grazing fingertips along the exposed strip of his chest to you.

He pauses momentarily, eyes fluttering briskly as he relishes in the sensation of your skin against his. And then in one swift motion, your hands tug the fabric of his tie toward you, grazing your open mouth over his and pressing a short, chaste kiss to his pink lips.

He waits for more, but you don’t indulge him just yet, pulling away to stare into the swirling galaxies he houses in his big eyes.

And before he can finish reading the letter, you’re speaking again, putting out the same words he completely intended to produce.

“I love her, and she loves me with all her heart,” you say to him, finishing Mozart’s signature letter for him. “Tell me whether I could wish for a better wife.”

Professor Han says nothing, his eyes widened with shock for a moment as you toy with the fabric of his tie. He wasn’t expecting you to know the tale, let alone echo the letter back to him- one he’s had memorized for most of his life.

“Mozart’s letter to Constanze’s father,” you voice with a small shrug. “It’s always been one of my favorites.”

And Professor Han can’t take it anymore, finally allowing himself to pull you in by the small of your back, desperately gripping his fingers against the fabric of your shirt and locking his lips with yours once again. His kisses are purposeful, and needy, but he’s still gentle with you, guiding you further down the length of his legs until you’re sat right over his crotch. The two of you say nothing in between kisses for a good while, remaining like that and exchanging gasped breaths into each other’s mouths as his hands explore every inch of your still-clothed body. Your arms wrap around his neck, pulling him into you and arching your back into his touches. And when his hands graze the length of your skirt, tenderly stroking up the skin on your inner thighs, you chuckle lightly into his mouth, well amused by the actions as though you haven’t wanted it all this time, too.

“Is this okay?” He says nervously, pulling away momentarily to scan your expression.

“It’s more than okay,” you say to him, toying with his tie again. “I’ve wanted to do this so badly.”

Professor Han chuckles lightly, not wanting to admit he’s been thinking about it, too. Maybe externally you’ve already taken note of the way he stares at you as he speaks during lectures, or the way he eyes your short skirts when you assume your seat in his classroom. But you don’t know the nights he spends alone in his apartment, desperately fucking his fist to the thought of you bent over the podium in his lecture hall and filling the space with your erotic moans. Or the way he’s had to divert your gaze in class sometimes, lest he accidentally flaunts a hard-on for the whole class to see, because he knows his mind will run someplace it shouldn’t be.

He’s completely ridden with guilt, his sleep schedule almost nonexistent as he spends hours after he’s already tucked himself into bed, praying the universe won’t punish him for thinking about a student like this.

But he can’t help it- not when you saunter into his classroom so confidently every week, speaking of composers with the same level of admiration he shares, earning the highest grade possible and taking a genuine interest in his life. He’s almost angry at the reality of it, questioning constantly why you hadn't crossed paths before he became a teacher.

“Where were you during my college days?” Professor Han says out loud, a sort of disappointment evident on his face as he speaks. “I wish I’d known you earlier.”

You chuckle in response, one hand tangling in the back of his hair as you rub in gentle massaging motions.

“What’s wrong with right now?” You retort, trailing one finger over his plump lips.

“What’s wrong is that I’m your professor,” he emphasizes, scoffing lightly. “Everything about it is wrong.”

“I’m an adult,” you respond, pulling him in by his collar to work kisses down the column of his neck. “And I want this.”

“Yeah, but…” he begins, the guilt weighing heavily on him all over again.

“You don’t want this?” You then ask, pushing yourself off him briefly and holding eye contact with him. He looks as nervous as he always does when he’s near you, his eyes wide with fear and his timid movements conveying a clear reluctance to reciprocate the affection.

“I do want this,” he mutters sheepishly, knowing it’s also not in his best interest to lie to the woman he’s been leading on for several months now.

“I can leave,” you say to him finally, acknowledging how scared he sounds at the prospect of being here with you. “I won’t tell a single soul. It’ll be like it never happened.”

And Professor Han’s eyebrows arch up in an almost pleading motion, not verbally conveying anything, and yet telling you all that you need to know in the process.

Without saying anything back to him, you reach down to pinch the bridge of his wireframe glasses between your index finger and thumb. His glasses are fogged up, resting almost crookedly on his face when you pull them off, snapping the frame shut between your teeth and setting them on the couch beside you. You can hear Professor Han’s breath hitch in the back of his throat, nervously awaiting your next move and practically shifting total control over to you, who wastes no time reattaching your lips to his and humming into his mouth. He looks completely helpless under you like this, beads of sweat forming on his temples, indistinguishable against the rain droplets that still grace his attire. When you pull away, you examine his chest again briefly- the very same one you couldn’t seem to look away from on your first day of classes. His broad pectorals jut out against the thin white fabric of his button-down shirt, almost completely see-through all drenched in rainwater. And two buttons reveal his sharp clavicles to you, but you’re still just as eager to see the rest of him.

So in slow movements, you graze your hands down lower, snaking off his tie and discarding it alongside him with his glasses. Your nimble fingers work his buttons now, undoing them one by one, pulling open the hem of his shirt so that his chest is visible to you, and when the very last one is undone, you practically tear open both sides of his shirt, allowing the fabric to drape down over the couch and slouch off of his shoulders.

His waist is a sight to marvel at, delicate yet still muscular, made even more erotic in contrast with his broadened shoulders that span much wider than his hips. And your lips quickly find every curve of his chest, pressing a trail of kisses along his clavicles, up to the crook of his neck, down where his nipples protrude and along his shoulders, which tense up beneath your touch.

“Fuck,” he breathes, shutting his eyes in blissful pleasure as your kisses turn a little harsher, pulling his flesh between your teeth and sucking small bruises onto the raised goosebumps that grace every inch of him. You can feel him shift beneath you, trying his best to keep his now swollen cock at a distance from you, as though the act might be less incriminating if you can’t feel his physical yearning for you. And yet it’s enough for you to take notice, scooting closer to him with a smile on your face as you meet his lips once more.

When he feels you squeeze your thighs around his still-clothed cock just once, enough for the friction to emit a bead of precum from under his slacks, his hands find your waist again, tugging lightly at the fabric to signal you to remove it.

“Can I take this off?” he asks in a low voice, his eyes now hooded with lust, lips parted at the sight of your body practically grinding onto his.

You don’t reply, simply crossing two arms over your torso and pulling your shirt off over your head. It’s discarded along with the pile of other things, and then before he has to ask, your bra joins it beside him, too.

Professor Han feels as though he might finish right here at the sight of your breasts on display for him, your hardened nipples protruding generously with arousal and practically begging for his touch. He feels his mouth water with saliva, desperate to take you in his mouth, but somehow even with you straddling him like this, he’s too scared to make a move.

“Professor,” you say to him quietly.

“Hm?” He responds.

You say nothing back to him, blinking innocently down at him and waiting for him to act upon his urges. You know what it is that he wants so badly- and you want it, too. But you want it to feel as mutual as the yearning has, for some confirmation neither of you are manipulating the other into this. His eyes don’t leave your breasts, examining the way your chest rises and falls with every heavy breath as you wait for him. And then he meets your gaze again, a sharp breath escaping his lips as he does.

“Jisung,” he says, now chuckling lightly. His hands snake up your sides, rising higher, and higher, until they’re resting on the mounds of your breasts, not yet making contact with your hardened nipples.

“What?” You hum in response, a small smile on your lips as he watches you carefully.

“That’s my name,” he now says, leaning in to capture your lips in a kiss again. As he does, his hands move lower, until his slender fingers are sprawled out over your nipples. He doesn’t stop kissing you, moving his hands in gentle kneading motions over your breasts as his kisses turn more eager.

“You don’t have to call me professor,” he says in between kisses, hands now reaching around to pull you in closer, gripping your ass just as tenderly the way he did your breasts and desperately grazing your smooth flesh against his calloused fingers . “Just call me Jisung.”

As you smile into the kiss, he flips up your skirt, looping one finger into the hem of your panties and toying with it as he adjusts himself below you. He tugs at your panties just an inch, now transitioning his movements to find the buckle of his pants, metal clinking between your bodies as he unfastens it and snakes it out beside him.

You pull your own panties off as he unbuttons his slacks, awkwardly parting from you momentarily to rid himself of the still-drenched fabric. And then all that remains are his boxers, his erection pitching a tent against the constricting fabric as he resumes his kisses.

“Jisung,” you breathe into his mouth, earning a toothy grin from him against your parted lips. “I love it. I love your name.”

“You’re welcome to say it whenever you want,” he says back, running his hands along the small of your back.

“Just me?” You ask teasingly, tangling two hands in his ebony hair.

“Just you,” he emphasizes, grazing his fingers along your inner thighs. “Just like you’re the only one who scores a perfect on everything she does,” he continues, the pads of his fingers attaching to your clit.

“Just like you’re the only student I’d bring back here in the first place.”

Jisung’s fingers begin slow, circular motions on your bundle of nerves, earning a gasp from you as he dips once into your entrance to gather your wetness and spread it around again.

His mouth accumulates with a needy wad of drool, cock growing even harder at the sight of your eyebrows arched for him as you grind into the pads of his fingers and push him even harder against your flesh.

“Do you think about me often?” You ask him between labored breaths, tilting his chin up to meet your gaze. His eyes are wide with lust and curiosity alike, peering back at you so innocently, with every intention to pleasure you.

“I do,” he affirms, pressing a chaste kiss to your lips.

“What do you think about?” You now ask him, scooting even closer and allowing your chests to make contact as you wrap your arms around him.

“Those short little skirts you wear just for me,” he replies, smiling as he speaks. “They drive me insane.”

“That’s on purpose, you tell him, grazing your nails along the back of his neck. “What else?”

“Your stories of piano,” he then says, surprising you with his response. “It’s so sexy how talented you are.”

“Really?” You ask him, chuckling lightly as he kisses you once again. He nods affirmatively, dipping two fingers into your entrance with ease, just past your glistening folds, but not yet moving them inside of you.

And then he grows quiet for a moment, meeting your gaze with a serious expression, before he begins to pump his fingers slowly in and out of you as he speaks again.

“I touched myself to your book annotations,” he tells you, this time a smile absent from his chiseled face.

“My book annotations,” you repeat, and he cocks his head to look at you.

“All for me,” he continues, filling the ache between your legs with the gentle thrust of his fingers. “Were you trying to get my attention?”

“Depends,” you reply, clutching his shoulders and moving down the length of his fingers a little further.

“On what?”

“On whether yours were for me,” you say to him finally, clenching down around his digits.

He moves his thumb to stimulate your clit as he fucks you, earning a breathy moan as you struggle to speak now.

“Tell me what it was like,” you say to him breathlessly. “Describe it to me.”

“It was earlier today- just before the gallery,” he explains, cocking his head as your lips part in pleasure. “I never annotate in red. I knew instantly that it was you. Your handwriting- your words,” he continues. “I wasn’t expecting it- I’d hoped maybe you penned in a phone number or something.”

You chuckle lightly as he speaks, taking note of the way his fingers pick up the pace inside of you.

“You would’ve loved that, huh?” You retort. And his fingers now move inside of you in a ‘come hither’ motion as he resumes his actions.

“I would’ve loved that,” he groans. “Too bad all I had was your handwriting, and the thought of you in that skirt you wore today. And ten minutes alone with my right hand, praying you’d actually show up tonight.”

Jisung can’t cease his perverted confessions once they begin escaping his wet lips. In complete contrast to his reluctance earlier, his fingers now thrusting in and out of your sopping pussy with such force, spilling every little detail about how much he’s thought about you these past few months.

“God, I love your body,” he breathes against you, craning his neck to take your breast in his mouth. His mouth latches around your erect nipple, tongue swirling in circular motions as he hums helplessly. And you let out a fervent moan at the sensation, not missing the way his fingers prod into your squelching entrance, your thighs trembling as you near your finish.

“Jisung,” you gasp, tangling a hand in his hair and tugging him gently off of you. A string of drool connects his wet lips to your flesh as he meets your gaze, labored breaths grazing your skin, desperate to taste you again.

“What is it?” He coos back.

“I want to finish with you,” you say helplessly. And your hand reaches down between the two of you onto his still-clothed crotch, taking his girth between your hand and giving a light squeeze. He’s wet, as though he’s already finished once for you, and he whimpers powerlessly at the contact.

“Fuck,” he whimpers, shutting his eyes in pleasure at the sensation. “Fuck, touch it again, will you?”

You chuckle lightly in response, looping a finger into the hem of his boxers and tugging down.

“I can do a lot more than just touch you,” you tell him, allowing his fingers to depart from your entrance as you position yourself over him. He watches too as you tug his boxers over his crotch, his eyebrows arching in preemptive arousal as he feels the cool air graze his exposed flesh. And when his cock is finally free, growing erotically against the concave of his abdomen, you can’t help but gasp, completely in awe at the sight.

He’s much bigger than you’d anticipated, a thick girth lined with pink protruding veins and a generous length, his cock almost red at the tip and leaking with precum.

“Fuck,” Jisung says for a third time, feeling another bead drip down his length at the prospect of you watching.

“Is it okay if-”

Jisung doesn’t let you finish your sentence before he’s nodding eagerly, practically begging you to ride him. And you waste no time indulging him in the request, positioning your entrance over him and steadying yourself with two hands on his broad shoulders. He says nothing as he waits, his nails digging into the small of your back as he shuts his eyes, reveling in the sensation of your body so close to his. And then before he can meet your gaze again, you’re sliding down the slick of his length with complete ease, almost bottoming out fully as he opens his eyes again and whimpers loudly.

He’s already pulsating rhythmically inside of you, the tip of his cock kissing your walls as you move even lower, precum mixing with your wetness and producing a light sloshing sound as you begin to move up and down.

His eyes watch your pussy swallow him for a few motions, doing his best to stave off his orgasm as you pant at the sensation. You can feel him all the way in your stomach, filling you up so fully and deeply, labored breaths leaving your lips as his whimpers fill the room. And then you capture him in a wet kiss again, just barely grazing your lips over his as his voice rises in pitch.

“Shit, I can’t,” he whines, gripping your skin a little tighter. “I’m gonna cum so fast.”

“It’s okay,” you emphasize, clenching around his girth and smiling against him. “We have all night.”

The words make him twitch once inside of you, the thought of fucking you a second time making him dizzy with anticipation. Any fleeting thought that this might be a bad idea is completely dissipated from his mind, replaced with unwavering pleasure and his longing to fill you up the way he’s imagined for the better part of the semester now.

“Can I cum inside of you?” He groans, using two hands to move you down his length a little deeper, your clit grinding softly against his abdomen as he bottoms out inside of you. “Jesus, you feel so good.”

You nod in response to him, burying your head in the crook of his neck as he continues to help you, one finger stimulating your clit again as beads of sweat trickle down his forehead.

For a while, no one says anything, the only sounds present between the two of you being the gentle slosh of your juices around his girth and the helpless panting that bridges the gap between your bodies. Your moans and his whimpers are a lot like the discoordinate piano pieces he analyzes so deeply, fading in and out of pace and searching relentlessly for resolution.

And as you crescendo toward your release, you can’t help but take note of how right it feels to be here with him, consuming each other the way you pour yourself into your music, as he does his work. He had asked you earlier where you’d been all his college life- but you know you’re supposed to be together like this now, regardless of his relationship to you. Had he been ten, twenty years your senior, you wouldn’t care- it’s your souls that keep you intertwined like this, the way he sees you for your passions and your interests, beyond just the traditional sense of a student and a teacher. He’s so much more than that- he’s so much more than just a professor.

As Jisung reaches back to tuck a strand of hair behind your ear, you feel yourself clench once around his pulsing girth, and then you let go entirely around him, grasping his broad chest as you breathe out his name like a prayer in the duration of your release.

“Jisung,” you moan against him, allowing his first name rather than his professional title to linger between your two listless bodies.

“Y/n,” he groans back, shutting his eyes briefly and arching up his eyebrows. And then as you tremble in exhaustion around him, legs aching from working yourself to your finish, he reaches his finish, too, shooting generous ropes of cum up inside of you and wrapping two arms around you to pull you closer to him.

He remains like that through his finish, his head finding purchase in the valley of your breasts, resting against the chest that rises and falls with deep breaths as his release dribbles down out of you.

And neither of you make any haste movements to get cleaned up just yet, allowing yourselves to remain pressed up against each other, hands tenderly caressing flesh and limbs tangled together.

In the midst of massaging his soft ebony locks, the pads of his fingers clinging tenaciously to your body, you can feel the presence of tears graze your chest, soft sniffles emitting from his flushed face against you. He weeps for you- for his guilt, for yearning, for the confirmation that he’s not better than his filthy conscience after all. And contrastly, because he knows he has all night to do it again, and again, and again.

By the morning, your bodies are sore and bruised, sunbeams absent through the giant glass windows of Jisung’s apartment as it continues to rain outside. There’s a chill in the air as thick clouds of fog caress the windows, and not even the layered duvet of Jisung’s bed is enough to warm your still-nude body.

You blink in a state of confusion around you, not realizing where you are momentarily. It’s not until you eye the stacks of music books, loose sheet music and picture frames that you recall last night’s events.

How many times had he fucked you- four, maybe five times? You can’t remember; you do remember he was good at it, switching back and forth between having his way with you, and then submitting to you again, letting you take the reins and ride him until you physically couldn’t anymore. As you sit up in bed, you catch a glimpse of him beside you, his bruised chest visible under the white duvet that drapes lazily over him and covers only his lower half.

He’s still asleep, lips parted innocently and his hair tousled around his chiseled face. He’s also in need of a shave, flaunting a generous patch of stubble on his chin. And you’re not sure he’s ever looked so tantalizing to you before.

When he hears you stirring about, his eyes flutter open, meeting your tired gaze and rubbing his eyes with the back of his hand. He begins to say something, but then he gets quiet again, sighing deeply and shutting his eyes once more. You observe as his lips pull back into a sheepish grin, his straight teeth exposed as he chuckles lightly.

“We’re in trouble, aren’t we?” He says with a groan. And you simply shrug in response, lying back down beside him, resting one hand on your pillow as he turns over to face you.

It’s a little more real at this proximity, the fact that you’re in bed alongside your professor. But the point still stands- it doesn’t feel awkward, nor do you regret any part of what unfolded yesterday. It’s like something that was bound to happen- if not last night, it would’ve been a week from now, maybe two weeks- definitely not three considering how long you’ve been thinking about him.

Jisung swallows from across you, his hand tucked under his pillow, too, and he watches as you reach out to trace the mole he flaunts on his cheek. It’s not one you’ve had the pleasure of noticing until now- it’s really not one that can be noticed from the vast distance between a lecture chair and a podium. But beside him in his bed, you take notice of everything- the mole in his cheek, the flutter of his long lashes, the sheer guilt he still wears on his face.

“Come on,” Jisung says from beside you, cocking his head in the direction of his bedroom door. “I’ll make you coffee.”

“The blue hair was a bold choice,” you say to Jisung, gripping a warm mug of coffee in hand as you sit cross-legged on his wooden flooring.

You’re in nothing but one of his t-shirts, your hair still messy from last night’s events and lipstick staining the edge of the white mug he’s provided you with. He’s a little more put together this morning, despite canceling today’s classes, a white woolen cardigan enveloping his figure and gray sweatpants hung loosely around his toned legs.

“I dyed my hair a lot back then,” he says from his spot on the couch, staring up at the photograph you admire.

And for some reason, the utterance of “back then” makes you laugh, the way he speaks as though he’s twenty years older than he is. He’s really just six years beyond you, a gap that most would overlook had he not been a professor. And sure, he already boasts a master’s degree and years of experience, but it’s not as though you’re not on the same path yourself.

“Why did you stop?” You ask, turning to meet his tired gaze.

He sighs momentarily, bringing the mug up to his lips for a sip, and then he shrugs at you.

“It’s not professional,” he says plainly. “I had to look the part.”

You smile at him, shaking your head before responding.

“Not the hair,” you emphasize. “Directing. Why’d you stop directing?”

It’s the first time you’ve asked the question so boldly, despite pondering it for all the time you’ve known him. And his composure turns uncomfortable again, as though the question implies much more than it lets on.

“You don’t have to answer,” you say to him after a brief silence, feeling guilty for having overstepped. But Jisung shakes his head, furrowing his eyebrows before speaking again.

“It was eating me alive,” he explains, his gaze falling to a distant stack of books as he thinks back to his days as a director. “I couldn’t do anything else. I couldn’t focus on anything. I couldn’t eat, I couldn’t sleep- I wanted to be the best. I just wasn’t a very good person.”

You nod at his words- it’s a phenomenon you know very well already, being a music major yourself. The soul-crushing weight of turning everything into a competition, of bypassing your peers and losing loved ones along the way. You’re pretty sure your lack of friends in college can be largely attributed to the same thing.

“Well I think you’re a good person,” you say finally, but his gaze still doesn’t find yours. You can tell there’s more he wants to say- but he remains there, staring into the distance, pondering a lifetime of regret he’ll continue to take with him if he doesn’t at least try to address the hurt.

“I wasn’t,” is all he can say, earning another head shake from you.

“You can’t blame yourself for wanting to be good, Jisung. I’m sure you feel the same thing working as a professor. Besides, that doesn’t mean you can’t-”

“I was a lousy husband,” Jisung finally blurts out, and your eyes snap to his gaze again, finally making contact with his trembling eyes.

“Husband?” You echo, and he swallows nervously.

“I married so young,” Jisung tells you now, folding his legs on the couch in front of him. “I thought it was the right move, fresh out of college with a girl I’d been dating for four years. I had everything- a job, a wife, a sense of stability.”

You’re taken aback by the admission, never once having taken Jisung to be a formerly-married man. He is young, and aside from the sexual tension that’s risen between the two of you, he shows no interest in pursuing another partner.

“The divorce cost me everything,” Jisung says, his eyes glazing over again as he recounts the story. “I was responsible for somebody walking away from what they believed was a lifetime of stability. And she knew it, too, that I was lousy. She told me- her parents told me. I just wanted to be the best at my work. And it cost me everything. So I quit. And I opted for something that wouldn’t drive me crazy anymore.”

Jisung’s heart races wildly in his chest as he speaks, and then he’s hit with the realization that he’s venting to a student of his- one who shouldn’t be occupying his apartment in the first place. One he slept with several times last night- one who he feels oddly safe confiding in. But a student, nonetheless.

“I don’t know why I’m telling you this,” Jisung finally says, furrowing his brows again. “I’m sorry- maybe you should go.”

You remain quiet, still sat on the floor, not even halfway finished with the cup of coffee he’s brewed. And he feels bad again, knowing it’s not fair to be taking his frustration out on you.

“Do you want me to leave?” You ask in a meek voice. Jisung chews the inside of his lip, meeting your gaze with a sorrowful expression. At first he shrugs, like he might indeed want you out of this space he calls home. But then he shakes his head sheepishly, shrinking back into the couch cushions and sighing heavily.

You’re not entirely sure what to say to him, not wanting to overstep any boundaries, but longing to keep him company. He just seems lonely, you can’t help but think to yourself. He’s so ridden with loneliness, and guilt and yearning for more.

“Jisung,” you say to him, setting your mug aside and folding your hands in your lap.

He meets your gaze again, a sort of heavy, exhausted expression on his face.

“Do you really think Mozart’s Sonata no. 12 is missing something?” You then ask him, referring to the annotations from his textbook.

He keeps his gaze set on yours, fascinated you’ve remembered his penned-in opinions on the aforementioned works from class. And then he nods lightly, humming a little in response to you.

“There’s no resolution,” Jisung huffs. “It just fades into nothingness.”

You nod back at him, sitting back on the palms of your hands and cocking your head slightly.

“That's a resolution to some listeners,” you say to him. “Maybe you just desire something beyond those last notes.”

His gaze flickers over your knowing expression, pondering the way you speak of the familiar tune.

“Maybe you ought to seek what a resolution is to you.”

“I think Professor Han is fucking somebody,” Mina says to you one day as she gets ready in front of the full-length mirror across from her bed.

“Why do you say that?” You retort with a small chuckle, your interest piqued at her words.

“Haven’t you noticed he cancels class a lot?” She replies, wiping a mascara smudge off from below her left eye. “He runs late all the time now, he just shows up in a t-shirt when he does lecture. And he just seems happier, overall. That’s every indication that he’s getting some action.”

You thumb the pages of your textbook- or rather, Professor Han’s textbook, red pen grasped between your fingers as you finish up an annotation.

An annotation you pen in just for him- responses to his music suggestions, comments about his analyses and flirting between the lines of music notes. The textbook is exchanged back and forth between the two of you, conversing secretly between the thin pages of music theory, producing poetry from a language only the two of you speak- by each other, and for each other.

Sometimes you imagine it the way Mozart and Constanze’s relationship unfolded- secret, but robust, full of passion and yearning for one another.

And when you tell Jisung about it later that week, he practically doubles over in laughter, eyes forming little crescents as the melodious tune of his “ha ha’s” fills the space between the two of you.

“I guess I never realized how presumptuous you students can be,” he says, pushing his glasses further up the bridge of his nose.

He doesn’t seem worried in the slightest- at least not with this cautious system the two of you have developed to maintain the secrecy. You don’t linger in his classroom when lectures conclude, careful not to make it too obvious that you’re waiting around for him. Instead, you meet him at his apartment, just a few blocks away from campus and void of people who might piece together the reality of the situation, like Mina. It’s convenient that she doesn’t seem to suspect anything regarding why you’re always absent from your shared dorm now, considering she’s always at her boyfriend’s place, anyway. And although Jisung makes a mental promise to himself to stop canceling his evening classes so frequently, he can’t help it.

He’s just as drawn to you as you are to him, finding solace in the way he can finally confide in somebody after so long. Jisung thinks back to the way he handled the divorce so privately, quietly putting in his two weeks notice as a musical director and opting for a career path which didn’t take so much of his time and sanity.

He recalls the majority of his friends and family acknowledging what a lousy husband he’d been, and the feeling of knowing he’d made a colossal mistake agreeing to marry so young when he could hardly grasp what he even wanted further down the line. But to you, he’s just a work in progress- you’re still enchanted by the way his mistakes are rooted in sheer passion for his work. The way he lights up when he speaks of his old days as a director, the alluring poetry he produces for you between the pages of a course-assigned textbook. He’s so much more than his mistakes- he’s so much more than the evident loneliness, and guilt, and yearning he harbors.

And although the physical aspect is but a minuscule factor of the relationship, it’s still undeniably sweeping, as though it’s another language the two of you share in secrecy. Jisung had admitted once that he hadn’t even been with another woman following the divorce- a fact which you now know to be true, the way he fucks with such desperation, as though he’s going to lose you to the same careless mistakes as before. But he also understands that you’re different, and that you don’t apprehend him for any of his former mistakes.

He indulges you in tales of his days directing, one arm slung lazily around your waist as he holds you close and plays old films of the symphonic band in action. And it’s more captivating to watch him get lost in his work, the way his eyes glaze over as he watches himself on screen, the thin black baton waving around in rushed motions as the band plays. He wears elegant suits lined with brass buttons and expensive cufflinks, and the expression on his face when the on-screen symphony turns to him for direction- hundreds of eyes eagerly awaiting his next move, as though he controls them. Pairs of eyes who actually give a shit about the field of work- not just make an appearance for a grade. He grins ear to ear when you pry for more answers, and especially when you conflate the pieces to that of your own, mentally recalling your own piano sheet music. And when you deluge him in compliments, reminding him that he’s remarkable for all that he’s done, and he’s still remarkable- as a professor, and even following his divorce, he can’t help but grow hard at the affection, reveling in the robust support and the love he’s not sure he’s ever felt before you.

He’ll often make love to you right there on the sofa, symphonic pieces still playing faintly on the tv in the background, and he’ll do it again and again to convey the reminder that he’s grateful, and that no one has ever heard him the way that you do.

One month into the arrangement, Jisung texts you in a sheer panic, requesting you meet him in the east lecture hall. It’s extremely uncharacteristic of him to make efforts to meet in the one place you could get caught, but still you adhere to his request, throwing on a sweater and rushing out of your vacant dorm to the east side of campus.

The campus buildings are almost haunting at this hour, no more than two, maybe three students in sight under the dim glow of the lamps that line the concrete pathways. The building names are also completely indistinguishable at this hour amidst the sheer darkness, and the only sounds that can be heard are the distant chirp of crickets and the occasional roll of a skateboard. When you arrive at the grand hall, you quickly realize it’s no longer accessible, closed off by rows of fencer wire and shut off entirely from the rest of the school.

“It’s finally done for,” a voice says from beside you, and you know it to be Jisung’s before even turning to face him.

“Already? I thought construction was supposed to begin next semester, though.”

Jisung shakes his head, hands stuffed in his pockets as he exhales deeply.

“I got the email today,” he says in a frustrated tone. “Just some short thing about not delaying the project. They’re moving me to the tiny little hall around the corner.”

You take a moment to think over the hall he speaks of- it might as well be a mobile classroom with how small it is in size, just one narrow hallway that branches off into a line of 3 other rooms. The desks are reminiscent of those from your high school days, and you can’t remember the heating ever having worked during your time passing through, the hall constantly freezing when it rains.

“I didn’t even get a proper send-off,” he reiterates, his gaze not moving from the bright orange temporary fencing. “I would’ve taken a moment to appreciate it one last time.”

You think for a moment, taking a brief moment to glance around you at the eerily empty campus, and then you turn back to Jisung with a small shrug.

“Don’t you still have your keys?”

“Yeah,” he says, scratching the back of his head awkwardly. “But…”

Jisung doesn’t finish his sentence, instead pondering the suggestion as he keeps his gaze on the fencing. He knows it would be reckless, practically breaking into the old lecture hall like this to give it one last look, but he’s also overtaken with frustration and a longing for closure.

“I do have my old keys,” he says suddenly, glancing around the vacant buildings nearby, at the faint silhouettes of shadowy trees and dim streetlamps. You watch curiously as he runs a hand along the tip of the neon orange fence, pushing down to locate where it gives in a little. And just at the very end of it, it does, pulling down much further and lowering just enough so that it’s adequate to climb over. Jisung hoists himself over the fencing, his muscular arms steadying himself as he lifts one leg over the fence, followed by the other, and then grounds himself in the muddy grass on the other side. It's the first time you take notice that he’s in a simple pair of blue jeans, brushing mud off his toned thighs and then meeting your gaze again.

“Come on,” he says to you, nearing the fence again and holding a hand out, beckoning you to follow his lead. You don’t think twice before you’re mirroring his actions, hoisting your frame over the plastic fencing and planting two feet in the mud, Jisung helping you regain your balance with his calloused hands finding purchase on your waist and then interlocking his fingers with yours.

“I hope they haven’t changed the locks yet,” he says, leading you to the familiar grand entrance of the lecture hall. His keys are fished out of the pockets of his jeans, jingling softly as he twists his gold key into the lock, and then with an affirmative thud of the door being pushed open, he smiles to himself, beckoning for you to follow him inside.

The lecture hall is even more eerie than the campus is at this hour, not a single light illuminating the dark wooden floors that span the tower. The moonlit glow through the windows flashes with the gentle wave of trees that almost grazes against the glass panes, and you can’t quite distinguish where the gargantuan ceilings even end in this darkness. Jisung makes his way to the spiral staircase to the right of the room, craning his neck up to get a good view of the room, and then he beckons you again with the wave of his hand.

“They haven’t touched the stairs yet,” he says, beginning up the stairs with one hand cascading along the wooden banister. You follow behind him, the only sound echoing around the hall being the familiar loud creak of the stairs as you make your ascent. And for the first time, it’s a sound you realize you’re going to miss very dearly, never having realized it was something you took for granted all this time. The way these stairs obnoxiously announce your arrival when you’re late to class with a coffee in hand, or how the wooden steps boom in volume when students rush down them in hordes toward their next class. Although you’ll have graduated and moved on by then, the knowledge that everything is going to be different remains a jarring fact.

At the top of the stairs, it’s comforting to see that nothing looks different just yet, the podium still intact and rows of chairs folded neatly in their places. Jisung doesn’t make any move to turn on the lights, careful not to reveal that anyone’s broken into the old building, and he makes his way to the podium, staring out at the sea of vacant chairs that sit untouched amidst the darkness.

“I loved this room,” he says after a moment of silence, his voice laced with regret.

You span the perimeter behind the podium, grazing your hands along the old walls, recalling how many times you’d stared at them beyond Jisung’s pacing figure as he spoke of composers and musical theory.

When you make your way to the podium alongside him, mirroring the way he stares out at the empty seats, he glances at you briefly out of his peripheral vision. Jisung wonders if you can tell that the demolition of this room is so painfully metaphorical for him, like one final indication that he deserves no better than the confines of a dingy little room far away from this one. As though every time he feels he’s that much closer to redeeming himself following a nasty divorce, he’s shut out again, misplaced, suddenly right back to where he was five years ago. Misguided, lost, full of regret and a permanent yearning for resolution- one that never seems to come.

In fact, he’s pretty sure you’re the closest he’s ever gotten to one, when you’re assuring him that there is a life beyond the mistakes he made in his early 20s- that the curse of pondering his place here doesn’t have to define him entirely. And that there’s always still time- to love, to better himself, and to revisit the passion which once drove him mad.

It doesn’t mean it’s going to repeat itself, you had told him once. You could do it differently.

“I don’t think Mozart’s Sonata no. 12 needed a coda,” you say to him, breaking the deafening silence between you two in the vast empty space of the room.

Jisung finally turns to look at you, hands still stuffed in the pockets of his jeans as he replies.

“Why’s that?”

“It doesn’t need to repeat the entire first part,” you explain to him. “That part is emphasized enough. I think the listener should appreciate that it just ends where it ends.”

Jisung thinks over your words for a moment, not entirely sure why you’ve brought up the piece way back from chapter 8 of his lectures. And yet he nods in response, his breath hitching in the back of his throat a little when you turn to face him, too.

“I like that it’s a little unclear,” you finally say to him.

And this time he doesn’t respond- not with words at least, opting to pull you in for a gentle kiss, his hands working their way down the small of your back. His lips feel somber against yours, like he seeks to inhibit his sadness with the tender touch of your lips against his, pushing you back against the wooden podium and spinning you around to work kisses down your neck.

There are no words spoken between the two of you, just the vibration of small moans echoing from your lips as he sucks a hickey into your flesh, even though he knows he shouldn’t mark you. And yet he does, a physical reminder that you belong to him, and hopefully one to convey the notion that you’re the closest thing he’s ever gotten to resolution.

Jisung’s hands work your blouse open, his jeans pressing into you from behind, already rock-hard for you as his hands tug off your shirt. And he giggles against your flesh when you gasp at the cold air that grazes your skin.

“Jisung,” you say to him, your hands gripping the wood of the podium. “We probably shouldn’t do this here.”

It’s he who brushes off the lewd act, consoling you with the unzip of his jeans, his bulge pressing into your thigh as he continues to work kisses down your neck.

“We won’t get caught, baby,” he says as his fingers rub circles over your clothed core under the thin fabric of your skirt. “I promise.”

And then it’s you tugging your own panties down, allowing him full access to your wet cunt as the palm of his hand works you in rhythmic back and forth motions. He doesn’t even need to touch you- not when you’re already dripping for him. And yet he remains like that for several minutes, breathing heavily into the shell of your ear as your moans echo around the dark lecture hall, his cock only growing harder against you with every touch.

It’s undoubtedly arousing for him to look out at the classroom he’s lectured in for so many years, one he usually associates with nervous test-takers and monotonous speeches- and to watch the very same space be filled with your gasps of pleasure. His eyes scan over the very seat you occupy every week, recalling the times he’s fantasized about exactly this- touching you the way he knows you deserve to be touched and making you his in the forbidden confines of a classroom. Without so much as a word, his boxers are pulled down too, positioning you in front of him and allowing his fingers to wrap around the base of his leaky cock. He strokes himself just once, eyes shutting at the sensation of his tip brushing against your warm flesh. And then he prods into your entrance, tapping ever so gently as his other hand intertwines with yours.

You take him with complete ease, the way you always do when he’s fucking you this sweetly, giving his hand a gentle squeeze as indication to speed up his movements. But he doesn’t- he just maintains a steady pace inside of you, his hips smacking lightly against yours as he resumes wet kisses along your shoulder.

A million thoughts graze his mind as he fucks you- like the fading notes of Mozart’s Sonata no. 12, and how evidently his annotations referencing a coda have resonated with you. Or the tales of Mozart and Constanze’s secret love, of Johannes Brahms and Clara Schumann and a lifetime of unrequited romance that never quite got its closure. Jisung thinks about the nights you two spend in his apartment, watching reruns of him directing symphonies, or mornings when he cancels class because all he can do is lie entangled with you and bask in the love you two share in the privacy of his home.

His mind also goes back to the divorce, a constant pain he carries with him, remembering all the ways he let other people down in efforts to focus on his career and his love of music. Nights he stayed out far too long annotating sheets of music, knowing very well that his wife was waiting up for him. Anniversaries he forgot, birthdays he failed to prioritize because music always came first. And consequently, begging his ex-wife to stay, knowing very well she had already made up her mind- that he was a lousy person, far too consumed by his career and incapable of loving the way she had.

Jisung’s movements pick up in pace as he thinks about the future of this old building- soon demolished into a pile of dust, the old walls crumbling despite the years of history pent up inside of it. Tests failed and lectures given, days he spent funneling that same passion into something entirely new, because directing was never the same once he understood what a neglectful husband he’d been. The walls to be painted blinding shades of cobalt blue and white, like a fucking dentist’s office, and not an inch of the building to suggest it had ever housed an appreciation for music, simply replaced by a basketball court and cold metal bleachers.

He also thinks about you, and how you made the semester far more tolerable, your beaming smile and your curiosity about not only music, but him, serving as a beacon of hope that perhaps this wasn’t all in vain. And your comforting words helping him understand that perhaps this isn’t what he wants after all, that this chapter of life may very well crumble along with this old building. Maybe this is the end, like resilient music notes approaching the finale of a symphonic piece- and he can either allow the fading discoordination to mark the finish- or take to the da segno, and start again.

Maybe a coda is sooner than he thinks- maybe resolution is closer than he thinks.

You’re well aware of Jisung’s now rapid movements inside of you, gasping at the sheer size of his swollen cock grazing your walls, your hand tightly gripping his and your mind wandering to where his currently lies.

But you can’t verbalize the curiosity- not when he’s interrupting you to tilt your face to his, planting a wet, open-mouthed kiss on your mouth and breathing desire back into you.

His fingers prod themselves into your mouth as he fucks you, murmuring little pleas to let him watch you taste yourself, his cock inserting in tandem with his fingers as he matches their pace. Your moans are stifled as your tongue swirls his fingers, eyes rolling to the back of your head as you let the pleasure overtake you.

And then he slides his fingers out for a moment, watching strings of saliva drip so erotically down your parted lips as you continue to take his cock obediently.

“I love you,” he says like it’s an epiphany. But it’s not- he reckons he’s known it for a long time now, almost scared at the intensity of his emotions for you. He’s not quite sure he loved his wife like this, and he’s not sure he knew he was even capable of loving again. In fact, Jisung only knows that he truly loved one thing in his lifetime- music. Music, and now you.

“How could I ever ask for a better woman?” He breathes against your skin, goosebumps rising as his words echo Mozart’s letter to Constanze’s father and echo in the vast, empty room.

Your reciprocation is muffled with the re-insertion of his fingers in your mouth as he reaches his finish inside of you, painting your walls with his release, holding you close and stimulating your clit again as he coaxes an orgasm out of you, too. And the finish is nowhere near fading, nor discoordinate, as the echoes of your moans reverberate off the walls and fill the emptiness with your passionate yearning for one another.

Da segno

Returning to the dorms to find Mina in her bed for once is a shock to you- especially considering she’s been speaking of a camping trip with her boyfriend for several weeks now.

At first you check your phone, briefly, thinking maybe you’ve gotten the date wrong. But you haven’t- it’s a Friday evening, the same evening you know she should be on route to her planned trip with Lucas.

She’s propped up in bed, carefully examining something when you make your way past her, eyebrows furrowed and deep in thought.

“Hey Mina,” you say to her cautiously, pulling your sweater up a little higher up on your neck.

She doesn’t reply, eyebrows still furrowed as she keeps her head down. And then she chuckles lightly, still not looking up at you.

“I feel like you’re out more than I am these days,” she says to you, and you can’t quite make out whether she’s being condescending or cordial with you.

“Yeah,” you reply nervously, sitting on the edge of your bed across from her and crossing your arms. “Just been trying to take more walks.”

Mina purses her lips, nodding, and then she exhales sharply before she speaks again.

“Lucas broke up with me,” she explains. But she doesn’t sound sad, or even angry- she simply relays the news with a straight face, not even glancing up to catch your shocked expression.

“He did?” You blurt out, feeling an overwhelming sense of sympathy for her- of course you don’t really care for Mina, but you also know how frequently she’s out with him, how highly she speaks of him and how in love she’s been with him for all the years they’ve been together.

“Yeah,” she reaffirms, sighing as she speaks. “He’d been cheating for several months. I’m over it now- I just thought I might get a head-start on this week's notes.”

You nod at her again, still aware she seems to be repressing something, far too casual for your liking and almost ready to lash out at any given second.

“That’s good,” you tell her, crossing your legs on the bed. “I’m really sorry. Let me know if you need anything-”

“I did find this week’s chapter to be particularly interesting,” she interrupts, slouching further back against the wall by her bed.

It’s your turn to furrow your brows, a little confused by her behavior, especially considering she hardly ever reads assigned textbook chapters.

“Listen to this,” Mina says, and then her lips pull into a wicked grin as she begins down the page, her voice laced with rancor.

“I must make you better acquainted with the character of my dear y/n,” she begins, and your heart all but stops in your chest.

It’s then that you notice the textbook in her grasp, the familiar old font and the yellowing of the pages- Professor Han’s textbook, the same one riddled with erotic poetry between the lines of music theory.

“Mina, please-” you begin, voice cracking, a futile task as she raises her voice and continues speaking.

“Her whole beauty consists of two sparkling eyes and a delicate figure,” she reads. “She likes to watch me direct symphonies, and she knows music theory like the back of her hand.”

Your heart races in your chest, mind swirling with fearful thoughts as she voices the familiar love letter back to you. Professor Han’s most recent addition to the textbook, derived from Mozart’s letter to Constanze’s father, and a written account of Jisung’s affection for you. A letter you’ve read over and over since he produced it, and the same one you so carelessly left lying open on your dorm bed in a rush to go see him at the lecture hall.

“She likes to hear the stories of famous composers and their romances, and she lets me make love to her as though she belongs to me,” Mina reads, her voice growing even louder as you now approach her. Your hands reach desperately for the book, which she holds away from your reach as she now stands up on her bed, her feet digging into the mattress as she steadies herself with one hand on the wall.

“Please, stop,” you beg, to no avail, as she then concludes the letter.

“Most things that a student neglects, she excels in. I love her and she loves me with all her being- tell me whether I could ask for a better woman.”

The room falls painfully quiet as she finishes, thumbing through the pages with a soft rustling sound.

“That’s just one,” she says, maintaining the same wicked expression on her face. “The book is full of them.”

And then she shuts the book, examining the cover, meeting your gaze as she assumes her position back down on the mattress and crosses her legs.

“This is the professor’s textbook, right? That’s why it looks a little different. I had wondered, when I first snatched it from your stuff.”

You stay quiet, your gaze falling to the floor as tears brim your eyes. You want to fight back, but in reality, the book serves as admission itself- there’s no denying it’s a letter from him, to you. It’s incriminating by his loopy cursive handwriting, the book she’s seen him wield so many times in the classroom during lectures and the way he speaks of making love to you.

“You’re fucking Professor Han?” She finally says aloud, and the words sting, although you’ve been expecting them.

“It’s not like that-”

“That’s why you’re doing so well in his class? While the rest of us bust our asses studying for his stupid quizzes? What do you even do, suck him off when nobody’s looking? How big is he?”

“Stop!” You exclaim, the tears now cascading down your flushed cheeks and gathering on your trembling chin.

Mina says nothing as she wears the same stupid smirk on her face, and then she tosses the book to you, which you grasp in your shaky hands. You hold it close to you, wishing so badly you could undo whatever it is she’s seen in the book, but you know that it’s far too late- the book is no longer a sacred little thing between you and Jisung.

“What do you want?” You say to her quietly, sniffling as you tuck the book under your duvet.

“What do I want?” She echoes.

“Yes,” you huff frustratedly. “Anything. Just please don’t tell the dean about this- or anyone, for that matter. I promise to do whatever it is that you ask, especially since-”

Your rambling comes to a sudden halt when Mina begins laughing, her hands clutching her stomach as she does, almost doubling over on the bed and kicking her feet with enthusiasm.

“Do you think I’m gonna blackmail you, or something?” She questions between laughter, meeting your gaze with tears in her eyes as she continues giggling between words.

“I always knew you were weird,” she remarks. “Not like, ‘fuck a professor’ weird. But it is weird that you think I’m gonna blackmail you.”

You don’t say anything to Mina, sitting on your bed again and sprawling one hand out to rest atop the book, which remains hidden under the duvet.

“You mean… you… won’t tell?”

“I’m impressed,” Mina replies, now lying on her side and propping her head up in her hand. “He is the hottest professor on campus. But no, I’m not going to tell anyone. Contrary to your belief, I really don’t care to ruin either of your lives. I have more important things to worry about.”

You sigh a heavy breath, relieved that Mina’s taken the high road and chosen to ignore the situation altogether. But you can’t cease the heavy weight it bears within you, one that fears not for your future, but for Professor Han’s. You know the majority wouldn’t believe it, the tale that this was a mutual thing between the two of you, that he’s just a pained divorcee, and you’re a lonely college student. To the masses, it would look like complete manipulation, Professor Han requiring a sexual relationship from you for an A in his course, and keeping the discrete flirting alive within the pages of his textbook. It’s more irresponsible on his end than it is yours- and although you both know it’s wrong, it still feels different. It still feels as though it’s rooted in yearning.

“I still need a textbook,” Mina says, breaking the silence between you two. “Like, for this week’s chapters.”

“Oh, right,” you say to her quietly, reaching inside your school bag for the correct book. You toss it to her without another word, observing the way she flips to the page she was on, and resumes reading as though nothing happened.

But her voice still replays in your head, reading aloud the sacred letter Professor Han produced for you within his textbook, one that never should have graced anybody else’s eyesight except your own.

And the tears resume as you watch her, a heavy guilt present as the words play in your mind again, and again, and again.

Jisung’s apartment doesn’t feel the way it normally does later that week- not when you’re first sauntering in with meek steps, being flooded by a barrage of questions about why you’ve skipped class for two weeks. And especially not when you finally recount the incident to Jisung, tears flooding your eyes and cascading down the deep gray bags that hammock under your lashes. The nights have been sleepless for all fourteen days, tossing and turning on your mattress about whether Mina is actually going to keep her promise about not telling. And she appears to, failing to acknowledge it whenever she’s in your presence, visibly still coping with the aftermath of her breakup. She simply comes and goes in casual strides, sometimes still borrowing your textbook from you and returning it far later than you care for, but it really doesn’t matter by this point. You’ve stopped reading the textbook entirely, coming to terms with the fact that you’ll have to rely on your own knowledge to pass any of the assignments distributed. And Jisung knows something is wrong when he finally does see you after two weeks, dressed loosely in a pair of sweatpants, your face flushed with tears and averting his gaze.

“You’re going to be so mad at me,” you emphasize to him, shielding the tears that fall from your trembling eyes with one hand, as he crouches on the floor in front of you and gives your hand a little squeeze.

And he’s adamant that nothing could make him hate you- that whatever it is you’re facing can be worked through, and that he’s going to stand by you regardless. Yet when you recount the incident to him, explaining the way Mina had read through his written confessions of sleeping with you and expressing his love for you, Jisung falls completely silent- a reaction which is somehow more scary to you than vexed words.

“Are you sure she knows it’s mine?” He asks, pulling away to stand in front of you. He feels much taller when he’s towering over you like this, pacing frantically along the wooden floorboards and chewing on the inside of his lip nervously.

“I’m sure,” you reply quietly. “She must’ve been reading it the entire time I was out. It has your name in it and everything.”

Jisung is quiet again, thinking over your words, and then he places his hands on his hips as he speaks again.

“Did she say anything else?” He inquires.

“She said that she wouldn’t tell anybody. As far as I know, she hasn’t. I just feel-”

“I’m never going to get it now,” he then says, running his hands through his hair nervously and glancing around the room.

“Get what?”

“Jesus,” he says, almost chuckling in disbelief. “I spent all this time interviewing, and if this gets out it could ruin everything.”

“Interviewing?” You echo meekly.

“Just when I thought I had it all again. I was so close to being back. Getting out of this shitty job and making a name for myself again.”

Jisung assumes a spot in one of the chairs across from you, burying his head in his hands and remaining silent. You want to ask him to clarify what he means by interviewing, but you’re also scared of him when he’s like this, knowing he’s reverting back to the version of himself who puts music above everything.

“You couldn’t just make something up?” Jisung then asks, scoffing lightly as he finally meets your gaze.

“What?”

“You couldn’t just fucking lie? Why on earth would you admit to it?”

“Lie?” You repeat to him with a shaky voice. “What did you want me to say?”

“Say I wasn’t interested in you,” Jisung retorts. “Say you were writing the letters to yourself. You’re putting my entire career at risk because you couldn’t be bothered to put my book away?”

You’re taken aback momentarily by Jisung’s words, hardly making sense of them at first. There’s no way he could be blaming you for this- not when he’s just as guilty as you are. In fact, Professor Han may be more guilty, acting upon his urges when he knows the power imbalance he wields over you- you’re just a student of his, nowhere near the status he upholds at this school. But as he continues prodding you for questions about why you hadn’t just lied, or made a bullshit excuse, or something, the message is conveyed loud and clear. He’s blaming you entirely for being found out.

“This is about directing,” you say when the realization hits you, almost laughing at the sheer absurdity of it.

“Of course it’s about directing,” he retorts, throwing his hands in the air and scoffing loudly. “I worked my ass off interviewing for one of the most prestigious roles a few hours out of here, I got an offer just yesterday, and now this is going to ruin everything. When they hear about the little fling I had, and they assume I coerced you into it, when you know damn well you led me on. And it’s going to be my divorce all over again.”

A silence falls over the room as you take in his words. You suddenly feel microscopic in his presence as the betrayal sets in, and for the first time since the arrangement, the discomfort of this being a student-teacher relationship washes over you.

“It’s not going to get out,” you say to him softly. “Mina hasn’t told anybody, and I’ll make sure it stays that way.”

Jisung gives a small nod at your words, and then he slides his hands into the pocket of his jeans.

“I hate that you don’t realize when you’re doing the same thing all over again,” you then say to him, averting his stern gaze.

“What are you talking about?”

“Why are we even doing this?” You continue, scoffing lightly. “Is this some sick way of reenacting the same mistakes you did before, and hoping for a different outcome? Now your directing days are just within reach again, and you’re doing the same thing, making your shortcoming’s everybody else’s fault except your own. I think you’re more afraid of not being able to relive your glory days than of losing anybody you love.”

“That’s not what this is, and you know that,” Jisung retorts. “You know how I feel about you.”

“Just admit that I’m a distraction because you miss your old life,” you continue, a little calmer now. “It’s the first time your career felt like it once did when you were directing, and in love, and I’m just some good fuck who takes genuine interest in your stories.”

“That’s not what I’m-”

“Do you ever imagine I’m her?” You ask him, meeting his concerned gaze. “When you’re fucking me in your bedroom? Do you ever imagine I’m your ex-wife waiting up for you the way she used to? Pretend you’re still a director and that you finally have everything you want?”

“That’s enough,” Jisung voices, and you shake your head at him.

“You might have been infatuated over some fleeting moment, seeing the face of your ex-wife whenever you looked at me. But I really, truly loved you. And she was right- you are a lousy person. You just can’t seem to understand when your interests take precedence over your emotions.”

Jisung is silent as his lip quivers in response, experiencing all over again what he did on the night his ex-wife left him. He’d always feared it would come back to haunt him- but not like this. Not through repeating the same mistakes all over again- just as he thought he finally found closure.

Like a musical piece with triumphant notes approaching an end, suddenly directing him right back to the symbol forcing repetition. It’s dizzying, and it’s painful, and he’s sure that a conclusion is far from his reach now.

Without another word, you pivot on your heel, gathering your bag and making your way toward his front door again.

“Y/n, please wait,” Jisung calls out, but he can’t find the words to clear his name of your accusations. Instead he remains quiet when you turn to face him, his shoulders sagging in a defeated manner as you shrug in his direction.

“I really think you ought to find what resolution means to you,” you say to him finally. “Repetition isn’t always it.”

The dingy old hallway within the radius of the old east lecture hall is indeed just as undesirable as you remembered it- it’s freezing cold when it rains outside, the students struggle to traverse the narrow hall as they brush against each other in passing and the classroom is nowhere near as enchanting as the grand room of the old hall. Made much worse are the stripes of cobalt blue and a blinding shade of white, which line every wall in the building, almost distracting as lectures are conveyed from the front of the room. The students maintain their same positioning as the lecture is given, typing on their laptops, the clicking sounds of keyboards much louder now at this close proximity of all the chairs to each other. And you don’t write down a single thing, staring at the stripes of blue and white on the walls, following their trail from one side of the room until they reach the hinges of the door, and then repeating the process over and over again.

Professor Han’s departure comes as a surprise to many, the students murmuring amongst themselves as they theorize what could cause such a sudden leave. He fought with the dean and quit. He has a terminal illness. He’s sleeping with a student.

Of course some of them come close to the truth, but they’ll never know for sure- not unless they’re one of the two people on campus who do know.

Mina makes an attempt to ask you about it at first, fiddling awkwardly with the pages of your textbook as she inquires about the status of your relationship. She proceeds to ask if you’d known he was leaving, but not before tears are streaming down your face, your words coming out between hiccupped sobs. And all that she’s able to coax out of you is the verbal confirmation that yes, you knew he was leaving, and no, nobody else found out about the arrangement.

Professor Han’s replacement is a shameful excuse for a lecturer, an older man who only knows as much as the textbook explains, and nothing beyond the printed text. He goes so far as to actively discourage questions, expressing his distaste for “wasting time”, yet the students are well aware it’s because he simply doesn’t have the answers they seek. Your classmates don’t care of course, their grades cushioned by the generous 20 points, instead of 10, which Professor Han opted to distribute for the dead composer’s gallery walkthrough as one final parting gift. And aside from one last email thanking the class for their participation in the duration of the few months he taught it, Professor Han promptly makes his departure from your life, too. Not so much as a thank you, an apology or even a love letter the way you know he once would have written, had he not been so consumed by a yearning for his old life. Just like his ex-wife, you’re shut out by him, made to feel as though reciprocated affection is somehow a selfish request. And maybe it is when it comes to Professor Han- maybe he’s truly just incapable of loving without the limitations of his work. Like the famous composers you learn of, he’s a genius in so many ways- just not in romance. And certainly not in learning from his mistakes.

On occasion, you write to him again, tearing out pages from old chapters in your textbook and scribbling along the vacant margins.

“The old lecture hall’s finally been torn down- all that remains are gray dust and pieces of the old stair banister. They’ve already built up part of the new gymnasium. If I look out the new classroom window, I can see them sampling paint swatches- all shades of blue and white, of course. The students miss you- the boys still dress like you, and the girls don’t even look up from their laptops when your replacement speaks. There’s nothing to look at, of course- not when you’re absent.

We finally reached Constanze’s short chapter in the textbook- chapter 14. Did you know she remarried after Mozart? There was no animosity between the two until his death- she spoke so highly of him until the end. We credit Constanze for many of his posthumous works. Ones that never would have seen the light of day without the respect she paid to him.

I think highly of you, too- I know you don’t know it, but I think back to your old videos, when you’d wave around that black baton of yours and lead symphonies. I understand the fear you harbored in letting all of that go.

You’re the most stubborn person I’ve ever met. I wish you hadn’t told me that you were falling in love, and I hope you’re doing terrible-”

Your red pen is set down promptly as you allow yourself to catch your breath, ceasing this unproductive flow of consciousness you spill onto the pages of your textbook. Many nights end this way, your thoughts poured out and then repressed once more, no method of delivering them to him, regardless. And although you want to reconnect with him, you have no way of actually doing so, even his apartment now vacant as he assumes his new role as a director a few hours out of town. It’s a jarring fact, coming to terms with the notion that you’re likely never going to see him again. But you know it’s his way of resolution- repeating the same process as before, hoping for a different outcome.

“You’re starting the tempo change too slow,” Jisung says with a heavy sigh, setting his baton down on the music stand and waving his hand. “Pick up from measure three, on your own this time. I’ll be back in five.”

The room fills with the discoordinate overlap of instruments practicing, woodwinds rotating their reeds and brass players emptying spit valves. Jisung makes his way past the double doors, shielding his eyes from the almost blinding rays of sunlight that glare down over the music hall at this hour. And then he leans against the same brick wall he always does when he’s this mentally exhausted, shutting his eyes momentarily and exhaling.

He’s directing again, conducting symphonic pieces he’s only ever dreamed of. His hair is two shades lighter than it was when he was teaching, his closet is filled to the brim with elegant blazers and he’s compiled a generous collection of gold and silver cufflinks the way he once used to. But something feels different- and it’s felt that way for months now.

Sometimes Jisung can’t recall if symphonies were always this arduous to lead. He’s almost certain he’s verbally noted the painfully slow tempo change to them about a trillion times, and yet every time the metronome is turned on, guiding them with the obnoxious repetitive click at 80 beats per minute, they’re too slow.

Slow enough for his mind to wander elsewhere- like whether they’ll ever have the chance to rehearse the final few bars of this piece. Or questioning if they actually respect him here, as a director, and not just as a replacement for a metronome when he’s not yelling at them.

And occasionally, as much as he hates to admit it, the thoughts involve you. His pride’s too far gone to admit he ruined things, and his ego would never let him find you and convey some form of an apology- especially not after begging someone to stay once long ago, to no avail. But his mind wanders to the image of you in the audience, observing him keenly with the same beaming smile on your face and a genuine interest in whatever it is he’s doing- whether it be conducting grand symphonies, lecturing facts he’s memorized like the back of his hand or even just recounting old tales alongside you.

In the pocket of his blazer lies the same pathetic scrap of paper he just can’t seem to let go of- and as he glances at the inching second hand on his wristwatch, he pulls it out again, carefully undoing it from its folded state and scanning the contents. Page 256 from his textbook, detailing Mozart’s Sonata no. 12, complete with his scribbled annotations, and yours, so perfectly complementing all of his remarks.

“Coda?” He had written along the margins- a little addition that stuck with you all that time. Every time you were tangled in his embrace, listening to stories of his days as a director, Jisung pressing little kisses to your forehead, you’d inquire about his need for a musical epilogue. One that you didn’t believe was necessary within the piece, feeling as though the repetition equated redundancy in this case. “I think the listener should just appreciate that it ends where it ends,” you’d told him once, a statement he disagreed with at the time, but one he finds himself thinking over a lot these days.

Perhaps you were so certain about the finale of Mozart’s Sonata no. 12 because you could appreciate every other measure of the piece. The triumphant swell of the crescendos that mark the introduction, the changes within tempo and the distinctly separate movements that complement each other with such force. Measures that Jisung seemed to neglect, always searching for something beyond the eight notes that make up the piece in its entirety. But maybe you were right all along, that sometimes a listener should simply appreciate where a piece ends- that there doesn’t need to be any form of repetition, or even the need for a coda. Maybe those fading, discoordinate notes are enough- maybe that’s a coda in itself.

The double doors swing open as Jisung takes careful note of the symbol you also tagged at the bottom of the page, an oval with a cross through the center, a coda- an offer for resolution.

“Jisung?” Somebody asks, and he glances up to catch the gaze of who he remembers to be a third chair woodwind player.

“We practiced measure three again,” he says cautiously. “Could you… have a listen one more time?”

Jisung sighs, tucking the folded piece of paper back into his blazer and glancing beyond the student through the double doors. The music hall is dark inside, despite it being the middle of the day, the navy blue carpeting and the tinted windows completely obscuring the beauty of the world beyond the four walls. And then he looks the other direction, at the clear blue skies and the bustling roads, where the people don’t look back the way he’s done for so long.

“Sir?” The student asks again, twiddling his fingers together in front of his collared shirt.

“Not now. I’m leaving early today,” Jisung says, buttoning his blazer closed and giving the student a small nod. “Practice measure three until it’s perfected for next time.”

And then he begins toward his car, taking purposeful strides with a plan he hasn’t even conjured up yet, only knowing he has to keep looking forward if he wants any sort of resolution to all of this.

“And for god’s sake,” Jisung then calls out suddenly, stopping in his tracks to convey the message clearly.

“Get the tempo right, next time, will you? I’m tired of hearing the same thing over and over again.”

Coda

The evening of some important date in December is marked by the particularly frosty air, your dorm window fogged up with a sheet of ice and the halls much too cold to traverse without generous layers of clothing.

The remaining students here walk up and down the length of the hallways with cardboard boxes balanced in their arms, talking excitedly amongst themselves about plans for graduation parties and post-college life. And you can’t seem to part with the comfortable atmosphere of your dorm bed, neglecting your own stack of boxes as Mina makes her way in and out of the shared dorm room you’ve gotten so accustomed to.

“Are you using that box?” She asks, loudly sealing one with packing tape and setting it on top of another.

“No,” you say plainly. “It’s all yours.”

She takes careful notice of the way you remain draped over the bed, eyes glued to the ceiling as you think back to the last of your college days. A formal graduation in a week, which you’ve already opted out of. A series of parties even Mina tried to drag you to, every invitation promptly declined. And a prestigious internship in the city waiting for you come springtime, where you’ll be right back to appreciating the intricacies of music theory and piano.

Everything should feel as though it’s falling into place- and yet it doesn’t. It feels different- and it’s felt different for months now.

In a perfect world, you reckon you’d be elated to make your departure from these dorms, and anticipate the new life that awaits you after these four years of dedication. But you can’t help but feel as though something is missing from all of this- something well beyond your reach.

You think back to Brahms and Clara Schumann a lot these days, and the passionate, yet unrequited love that he took to the grave with him. He never got close to what he wanted- he had music, and a career so successful he was deemed one of the best composers who ever lived. And yet much of his life’s work was still rooted in unadulterated yearning, because he never had Clara Schumann. You want so badly to place your own musical accomplishments over your yearning, and yet you can’t. Not when the yearning had quickly transitioned to unrequited love the same way it did for Brahms, and it’s been that way since Jisung left.

You also think of Mozart and Constanze, and how he fought for everything to be with her, despite the hardships they faced. And you want to scream at Jisung when you recall Mozart’s letter to her father, one that’s now been tainted by his poetic words to you along the margins of his course textbook.

“Y/n, you’re never going to finish packing today at this rate,” Mina remarks, occupying a spot next to you on the bed. “Do you need help or something?”

“I’m good,” you say to her, meeting her gaze as she looms over you.

She remains quiet for a moment, examining your expression, and then she folds her hands in her lap politely.

“You know,” she begins. “You’re the smartest musician I’ve ever met. It’s a little weird how much you know sometimes.”

“Thanks,” you retort with a small chuckle.

“And I don’t think messing around with anybody got you where you are today. You did that yourself.”

You meet her gaze finally, not speaking as she shrugs softly. You’re a little surprised at the kind tone she assumes, wondering briefly if there’s some sort of catch to her words.

“Just… give yourself what you deserve,” she finishes. “Whether that means going back, or looking forward. But don’t settle for less than you really want. I did, for so long. And I’ll be the first to tell you it’s not worth it.”

You swallow as you nod at her words, knowing who she refers to without the utterance of a name. And then you furrow your brows as you press her for one more thing.

“Mina,” you say to her. “Why didn’t you tell anybody? What did you get out of keeping my dirty secret?”

She chuckles softly, throwing her head back and shrugging before speaking again.

“Those annotations,” she begins. “They’re not just some dirty little secret. That’s… a sort of thing I’ve never seen at that proximity. They way you speak to each other, it’s like some language the rest of us would never understand. At first, I thought I was skimming too far ahead in the textbook or something. Of course, maybe it also had something to do with the 10 extra points he gave us before leaving.”

You laugh lightly at the same time she does, and then her expression grows serious again as she picks at a loose thread on the duvet.

“It just kinda sounded like you two were in love,” she finishes. “I wouldn’t get in the way of that.”

You hold her gaze for a moment as she stands up again, brushing off her jeans and hoisting another box into her arms.

“Anyways,” she continues. “I’m out of here. Good luck in the city, and-”

“Mina,” you interrupt her, sitting up to look at her properly.

She blinks a few times, surprised you’re sitting up in bed for the first time today, and holds your gaze over the sealed top of her cardboard box.

“Thank you. I’m sorry I didn’t say it enough.”

Mina smiles, her pink glossed lips pulling into a kind grin, and there’s no remaining tension between the two of you for possibly the first time since you’ve lived together.

“You’re welcome,” she replies, accompanied by a gentle nod. “Oh- and you might want to check out the new part of the gymnasium they finished constructing today. I think they followed your advice and finally put a piano in there.”

And then she’s off again, shooting you a small wink before she saunters out of your dorm, this time for good.

The chill of the December air is unforgiving at the early hours of the morning like this, the campus nearly empty as students depart from the place they’ve called home for four years, their college years packed up into cardboard boxes and sealed away at last.

You still have a lot of packing to finish yourself, a new chapter in the city awaiting you while you traverse the concrete village one last time. And although these halls have housed some of your most stressful memories, staying up late studying for exams and rushing to make it to class on time, you’re going to miss every part of it. Like the coffee shop on the second story of the student union, where the barista always adds a little too much caramel to your lattes. Or the windowed seat at the very back of the 8th story in the library, where when it rains, you can watch lines of people rush to their classes with hands over their heads and desperately clutching their umbrellas.

And of course, the grant east lecture hall- one you’ve already missed for the better part of the semester following its demolition. As you round the corner, you can make out the new gymnasium that’s already partially erected in its place. It’s another blinding shade of white, like the rest of the buildings are, closed off to the public and still lined with the same bright orange temporary plastic fencing as before. At where is supposed to become the entrance at some point in time, a rectangular cutout in the concrete slab of a wall, nothing but a thin plastic tarp prohibiting entry. And though you know that you really shouldn’t, you can’t help yourself, hoisting your legs over the orange fencing to the other side, your feet planting into the grass lining with a gentle thud.

There’s nobody around at this hour to watch you sneak into the new gymnasium- and realistically, what form of punishment can they even issue, anyway? Expel you?

The tarp sways with the gentle caress of a December breeze, like an invitation to come wander the new space which once housed years of history, now structured for basketball games and college rallies alike. And with one last look around, only to ensure nobody’s watching you partake in the prohibited act, you sneak your way past the orange fencing, kicking the tarp aside to gain entry, and then taping it back into place behind you.

It looks like a gymnasium- and it smells like a gymnasium. Gone are the overpowering scent of mothballs that once graced the music hall’s staircase, replaced instead by the woody notes of sawdust and fresh paint. The walls are white, true to the rest of the school’s buildings, and along the walls which are finished, the signature cobalt blue stripe. At this proximity, it’s almost humorous to bask in the putrid colors you’re grateful you’ll never have to stare at again.

As you take in your surroundings, you remember Mina’s words from earlier, recalling a new piano they placed here, and you scan the room from left to right- only there’s nothing. No piano- not even a dingy keyboard like the one in the old practice room. Why would a piano be here, anyway? In a gymnasium meant for sports and jock gatherings? Could it be Mina’s way of sending you off with one final bout of animosity?

You’re doubtful- that isn’t Mina. You know her way of comforting you earlier was rooted in the good intentions she’s always had. Which still begs the question- why did she send you here?

As you begin toward the other side of the gymnasium, a gentle rustle from the tarp startles you, the blue masking tape being lifted piece by piece and moved aside for another person to gain entry.

Construction workers, you think to yourself. It’s going to be awkward getting out of this one. And as you approach the cutout in the concrete wall again, ready to conjure up some form of an explanation, another person does make entry, crouching so as not to bump his head, as he stumbles inside and regains his balance.

His hair is two shades lighter than the last time you saw him. He still wears the same dorky wireframe glasses as before. And he looks elegant, in a white button down and black blazer, the same canvas sneakers he used to love double-knotted at the laces and complementing his black slim-fitting slacks.

“What are you doing here?” Is all you can say to him as he approaches, his hands shoved in his pockets and a leather bag slung over his shoulder.

“Mina practically chased me when I was leaving,” he says, gesturing to the empty space around you both. “Said I had to come see some new piano they put in here.”

He glances around the room, eyebrows furrowed in a confused manner, and then he turns to face you.

“Where is it?”

“There is no piano,” you say to him, crossing your arms frustratedly. “She told me the same thing.”

Jisung begins to say something, and then he stops, giving a small nod as he averts your cold stare.

His thumb toys with a loose thread inside the pocket of his slacks, and then he meets your gaze again, strands of brown hair falling into the shy expression he wears on his face.

“Graduated, huh? How’s it feel?”

“Fine,” you reply in a reluctant tone. “I leave today.”

“Where are you headed?” Jisung asks, swallowing nervously.

“Landed an internship in the city,” you tell him. “It’s close by. Just some piano thing.”

Jisung’s lips pull into a grin, chuckling lightly as he nods in response. “I always knew you’d land something good.”

You remain quiet, looking around the gymnasium once again, and then you turn to him with some hesitation.

“What are you doing here?”

Jisung sighs deeply, looking around the gymnasium, too, before speaking.

“I had an interview. Quit my directing gig.”

His words take you aback momentarily, a million questions racing through your mind about why he’s no longer directing and why he’d be interviewing here of all places.

“You interviewed here?”

“Wasn’t so much of an interview as it was a conversation,” he retorts. “They even had my old badge. I really need to get that updated considering my hair’s not technically black anymore-”

“Why would you interview here?” You emphasize to him again. “You hated it here. I thought you wanted some fancy directing thing.”

Jisung is quiet again, digging the heel of his canvas sneaker into the thick layer of sawdust that lines the floor. He knows that his ego is far too big, and he’s still consumed with an overwhelming amount of selfish pride. But he also knows that he’s not going to find any form of resolution without breaking this vicious cycle of repeating his mistakes, especially when a resolution is finally within reach.

“Look, I fucked up, okay?” Jisung finally says, taking you by complete surprise.

“The minute I started there again, I knew that wasn’t my calling anymore. Maybe it was back when I was still young, and all starry-eyed for the stupid baton and the fancy suits.”

He turns to face you at this point, taking a step toward you and almost physically demanding you reciprocate the eye contact.

“But you were right- that chapter of my life is finished now. And yeah, maybe the students don’t pay attention when I stand up there and lecture. And sure, I’m just going to be some lousy assistant college band director out here. But finding you- and the way you’d listen to me, and the way you never judged me for my shortcomings, even though I was a shitty husband once, and a shitty professor and an even shittier boyfriend to you- you made me realize it was finally time to let go.”

Jisung can’t seem to cease his emotional speech once he begins, frantically gesturing as he continues speaking. He feels like a different person entirely in this vulnerable form- like the Jisung you knew when he was first breaking his walls down around you. And the Jisung you know when he isn’t putting his dreams of a past life before the people he loves.

“… and then I couldn’t stop thinking about Brahms and Clara, and how he died without ever having told her how he felt. Or Tchaikovsky who had to hide who he loved- and then Mozart! God, that stupid letter- she remarried, you know that? Did you ever get to that chapter? Of course you did, before I could tell you, at least.”

Jisung paces the floor in rushed motions as he speaks, his wet sneakers squeaking obnoxiously along the gym floor as the words escape his lips. You don’t try to speak for a little while, carefully soaking in what you assume to be an apology. And then he stops in his tracks, eyebrows arching into a pleading expression as he towers over you.

“Music isn’t the same without you,” he finishes. “None of this is.”

You lock your gaze with Jisung’s, his big brown eyes almost trembling as he awaits a reply. And simultaneously, you do your best not to let your guard down too quickly.

“Is this how it unfolded back then, too?” You ask calmly. “When you begged somebody to stay after the first time you made this mistake?”

Jisung’s lips part to say something, but then he’s quiet again, waiting for you to continue, praying for something better than this.

“I think you’re a genius,” you continue. “I think you’re remarkable, and talented, and loving you comes so easily. But you make it hard when you do the same thing to everybody you’ve ever loved.”

“You’re the first woman I’ve ever loved,” Jisung blurts promptly, and a deafening silence falls over the room. He hesitates to continue at this point, fearing as though he’s going to scare you off, but he’s also never verbalized it to you despite thinking about it every waking second of the day, and he’s determined not to form new mistakes he could risk repeating.

“I let it happen back then because music was the only thing I loved,” he explains. “It was a shitty thing, and for so long I struggled to move on because I was still lost in the only thing I ever loved. And then you came along; I don’t need to direct when I have you. I’ll be a teacher- hell, I’ll be a fucking janitor if that’s what you want. You were my sign to move on from repeating the same fucking thing all over again- you are my end.”

Jisung breathes heavily as he finishes, gauging the shocked expression in your trembling eyes. He waits for you to say something, and then without averting your gaze, he reaches into the pocket of his jacket, pulling out a folded piece of paper and handing it to you.

You unfold it slowly, already knowing it by the familiar yellowing color and small printed font- page 256 of his course-assigned textbook, detailing Mozart’s Sonata no. 12, complete with all your annotations alongside his. Only his are no longer visible- they’re crossed out, completely scribbled over in black pen, concealing his call for any form of repetition within the piece. All that remains at the bottom of the page, in the same red pen you first marked in, is a single oval with a cross through it- a coda.

Your gaze meets his after examining the page briefly, surprised he’s kept it after all this time. And then he sags his shoulders a little, gesturing to the page still in your grasp.

“I passed my sign once,” he says sheepishly. “Just please come back to me.”

Jisung doesn’t wait for you to respond this time, instead cupping your cheeks gently with his hands and pulling you in for a passionate kiss, which you don’t hesitate to reciprocate, letting your hands wrap around the back of his neck to pull him even closer to you. His lips work against yours eagerly, but still tenderly, breathing all of his desire back into you and confirming the notion that this is all he’s ever really yearned for.

He smiles into the kiss against you, grazing his thumbs up to wipe stray tears that cascade along your cheeks, and then with one more chaste kiss to your lips, he pulls away once more, chuckling lightly.

“Can we just start over?” He asks you innocently. “No repetition, no secrecy. Just start anew.”

You chuckle lightly at his proposal, nodding in his embrace, and then he pulls away entirely to hold a hand out to you.

“Han Jisung,” he says. “I’m an assistant director for the college band.”

“Y/n,” you respond with a smile, shaking his hand firmly.

“So lovely to meet you- can I interest you in a tour of the gymnasium I work in?”

He throws an arm over your shoulder, beginning down the length of the vast space and gesturing to the walls beside you.

“This is where I yell at students to fix their tempos,” Jisung explains, giving your shoulder a little squeeze as you chuckle in response to him.

“And this is where I tell stories about famous composers and their love lives. Tell me, y/n- do you know the tale of Mozart and Constanze?” He then asks with a smile.

“I can’t say I do,” you play along, earning an exaggerated gasp from him.

“Well then I’d love to tell you all about it. How do you feel about art galleries? There’s one not far from here…”

And Jisung’s hand drops to yours, intertwining your fingers together as he lets himself start anew, alongside who he now knows to have been a sign for him this entire time- a coda, an epilogue, an offer for resolution.

2K notes · View notes

davosmymaster · 2 years

Text

No Time To Die

TAGS AND WARNINGS - +18, Minors DNI, no explicit smut but sexual themes, whump, a lot of angst, blood, graphic wounds and procedures (?) probably not medically accurate, could be almost gore if you squint, hurt/comfort, two dorks in love, canon-typical violence, near-death experiences. Not based on the game, I don’t know anything about the game and I don’t want spoilers please.

PAIRINGS - Joel Miller x fem!reader

WORD COUNT - 9.6k.

SUMMARY - The main difficulty of being Joel’s closest friend is not falling in love with him, but you still do. Those feelings are buried until you join him on a mission to trade supplies with Bill and Frank. With your life now hanging by a thread, Joel is determined to get you to safety, but the clock is ticking faster than he can run.

A/N - I honestly don’t know what this is. I tried to look for angsty and whumpy fics and couldn’t find any that hit the spot just right; so I wrote my own. This story is set in some time between 2010 and 2020, or so. Bill and Frank are still very much alive. The only warning apart the amount of blood in this, it’s my own knowledge of the English language.

'Breathe'

With a shiver, you try to comply with your own command. The action itself confuses you, and you don't know where exactly in your mind that thought came from; or why. All you know is that a moment ago you were nothing, absolutely nothing, not even human. You forgot your own existence in a still ocean made of black thick ink. The ink is now backtracking, though, but the remnants of it stay in your foggy mind, clouding it as your consciousness comes back in waves.

Waking up from a dream is easy, you just come back into yourself from a nice trip to your own imagination. Regaining consciousness, however, is a little more difficult. Instead of going somewhere, you go inwards into yourself. Your overworked mind, already tired and busy with keeping you alive, doesn't care much about bringing you to any other place so you can die peacefully. No. And the awakening is not as it should be either.

Coming back into yourself is your body crawling its way to the land of the living, with your flesh drenched in tears, blood and sweat; and nails digging firmly into the dirt. At least that's how it feels as you go back and forth between the two worlds, rocked violently by the waves threatening to drown you in its heavy never-ending dream.

You wake up tired, and cold. The first sense that returns is touch; and with it, a pulsing pain radiates from under the right side of your collarbone and all the way down to your chest and back. The —obvious— wound is warmer than the rest of your body. It's like you've grown a second heart right at the borders of the wound; it throbs relentlessly. The second is taste. Your mouth tastes like salt and melted butter; despite not having eaten either in at least three days. Around the dryness of your tongue you feel a sticky liquid swirling around in your mouth, plastered to your gums.

Whatever it is, you cough it out of your mouth. The old blackened blood splatters on the wooden planks below your mouth. Then, a second later, you feel a sprawled hand on your back; and the rest of your consciousness returns with it.

He calls your name. And he, whose presence you'd have recognized even blindfolded, even miles away from there, doesn't appear in your mind for a few seconds. But even half-conscious and at death's gates, his name leaves your mouth with a sigh of relief.

Joel.

"I'm here," he says, his palm now pressing a bit harder into your back, trying to comfort you somehow. If you had been fully aware, you'd have been embarrassed at the relieved groan that had escaped your lips while saying his name. "How are you feeling?"

His voice sounds less muffled now, but the pulsing pain intensifies the closer you are to the surface. A second groan escapes your mouth as the warmth under your collarbone becomes impossible to ignore.

"I know, I know" he says.

Your eyes flutter open. From your point of view there's not much to see except torn wallpaper, your blood stains, and the shadow of a window. You're on the floor, your cheek pressed against the dusty carpet, your body very still laying on them, and Joel rubbing your back.

The room is dark. His fingers enter your field of vision, they dip on the wet blood stains and turn around so Joel can see the sticky fluid staining his fingers. He takes a breath, a gasp, really.

"Goddamnit," he mutters under his breath. His hand stops rubbing your back, and as black stains crawl from the corners of your vision, trying to take you under the waves again, he talks to you:

"I need to turn you around..." he says with a gentle voice. It's like the icing on top of a sour and burnt cake; he's trying to sound caring, but that doesn't change the fact that it's going to hurt like a bitch. "You hear me?" he says, and his voice breaks for a second. Your ears ring, the next thing he says your brain doesn't process it, your vision has been clouded by darkness again...

A scream tores your throat as a shooting pain lights your body on fire. It feels like lightning going through your backbone. Suddenly, the waves are very far away and you're feeling way too conscious for your liking. Despite your pain, Joel is still as careful as he can as he lays you on the floor, now facing the ceiling instead.

The throbbing pain continues, and you blink to get rid of the tears that distort Joel's face. His hand wipes the tears from your face.

"I know," he says. He has a crease between his seemingly angry eyebrows that you had never seen before.

Both hands are roaming your ribs now, before you can even say anything. His warm hands give you shivers as he touches your naked skin. The pain is so unbearable that all you can do to mitigate it is hold your breath. If you could move, you'd be right now curled on the floor like a pretzel. You are not crying anymore, but you'd be lying if you said you weren't close.

"Can you breathe?" he asks then, when he doesn't find any cracks in your ribs by touch alone. You don't respond because you can't find your own voice, and he sounds desperate at this point. "You coughed blood, I need to know if any of your lungs are collapsing."

"It-it hurts..." you wheeze, your eyes tightly shut. For a split second, you wish you were back to being nothing. Being nothing sounds way better than having a gunshot wound in your chest. The bandages, tight over your bones and shoulder, don't mitigate the pain either. If anything, they worsen it. It feels like a tight sock over a painful pustule on your heel.

Worst part is you know all this pain is for nothing; you know you won't make it. If you go back to the QZ, you will be executed. If not, there's nobody to help you except Joel. But even if there were doctors or hospitals, you highly doubted you could find the necessary tools to extract a bullet and stitch the wound. That is, if you manage not to die of blood loss.

"Where?" Joel asks. Even beyond all this concern and well-hidden panic, he seems to cling to an ounce of hope. "Tell me where it hurts."

Your fingers gently trace your skin until they reach the area under your collarbone, and you sign to your back too. There's a bandage there, but nothing else, and that's when you notice you don't have a shirt on, just your blood-soaked bra.

"Is it bad?"

"Not that bad. The bullet went through," he said. That explains the pain on both sides of your body; you have a literal hole in your chest. "And it clotted soon enough to stop the bleeding, but you lost too much blood anyway... Anywhere else?"

Your whole body hurts and this abandoned house suddenly feels like penance, but you don't want to scare him further, so you shake your head no very slowly.

"Alright," he mumbles. Joel nods once, and it looks like he is reassuring himself. His eyes betray him, he looks like he is very far away from here, very buried under all the scenes playing on his mind; but despite his stillness, his lower lip quivers.

You can't move your right arm at all, but with the other hand, your fingers lightly touch his knuckles still resting on your stomach. He winces, and your fingers are wet with his blood too. He must have beaten to death whoever shot you, that you are certain about.

Your voice, little more than a weak breath, whispers:

"I-I want you to do it."

The crease between his eyebrows deepens. He seems confused rather than angry; the reaction you were hoping for. You take a breath to repeat your own words, but he squeezes your hand.

"Don't," he says.

"Joel..."

"Don't even think about it," he snarls. "You are perfectly fine, don't be dramatic."

You don't know what hurts more; his pain or yours, but his denial makes your eyes wet with tears again. This is already hard, but he is making it even harder. All he will achieve by trying to keep you alive is either prolonging his pain or getting himself killed. You both know this is no world for the injured and the sick, not out of the QZ, at least. And in most cases, not inside either.

All you ask of him is to not leave you for the infected to find. Is that too much to ask?

You want to insist, but you know he won't have it. Joel has lost so much already that the thought of losing what little left he has is not even going to cross his mind. Not until it's too late, at least. Also, you don't want your last moments with him to be a fight. You are tired of fighting, of swimming against the current. You just want to let go for once, give in to the external forces, close your eyes and peacefully breathe.

What's more, you should have already known that he wouldn't do you that favor. He is too selfish for that.

He pats your cheeks gently with his large hands, and your eyes, already rolling back into your skull, get focused on him again with a few blinks. You breathe slowly, trying to focus on him, on the world around you slowly twisting and turning.

"...that's it," he says, it doesn't sound like his first sentence, so you guess he's been talking to you before. When you look back at him, his breathing is shallow, and you know he is trying to take a hold of himself too, trying not to give in to panic. "Good girl, that's it. Keep your eyes on me."

Exhausted and hurting as you are, keeping your eyes open it's like asking you not to drop a weight that you cannot, in fact, handle; but you try nonetheless. It's your fault, really, for letting yourself go, for trying to give up on your fight earlier than you should. Joel is here trying to keep you alive, mending all your broken ends and stitching them together —he has always been good at that— while you're just trying to give up on him —you are really good at that too—.

Giving up on Joel has been one of the hardest things you've ever had to do; and now you're letting him go for the last time. Part of you is glad you don't have to keep watching how he chooses Theresa over and over again. You are even relieved that fate —or whatever there is out there— is forcing you out of the equation. After all, you would never have given up fully on him.

He refuses to kill you, what he doesn't know is that you've been dead for a long while now. Him being your executioner would be the kindest act he could have with you, the most intimate thing you'd ever share; your last moments. You want it to be him, you want him to free you from this torment.

He refuses, though; and it feels like a punch to the pit of your stomach. You shiver.

He gets up from his place on the floor, where you are lying just over the carpet. You follow him with your eyes and see a fire cracking up in a fucked-up chimney. He stokes the fire, throws some more wood on it and then comes back to you, covering you with his jacket, the very same jacket you had on before he turned you around. It's warm, his, and you have to stop yourself from sinking your nose into the collar.

"I had to take off your shirt to patch you up," he says, but he doesn't say sorry. Ever. So you guess it's his way of apologizing.

You simply nod, aware that you had wished for this very moment to happen many times before. You had dreamt of his rough hands over your naked flesh, caressing the sides of your body. You had dreamt of him watching you with those chocolate eyes as you took your shirt off, deep black pupils spreading over the brown as he watched the lace fall like a helpless witness.

But now the bra was covered in blood and he was watching you anywhere but the lace. He had a frightened and concerned look on his face, rather than aroused. A look that would have made you feel guilty and ashamed if it had happened in the other scenario. And instead of undressing you, he was covering your body with his jacket as if you were his child.

"What's wrong?" he is asking now, instead of whispering 'I want you' and it hurts all the same to know he's not ever going to say it, and that Tess now will have all those words for however long their lives are.

You guess they were made for each other. And it makes all the sense, really, no one like Joel would ever look at you twice. You were grateful that he even allowed you to be his friend.

"Nothing," you respond.

It's always 'nothing' when it comes to Joel. It's always that nothing whenever he notices you are under the weather. It's always nothing when you are hurt, when someone tries to rob you and they leave an angry black eye on your face. It's always nothing; and he never believes you.

"I don't make promises, you know that," he says, taking your left hand in his. "but you will be fine, I swear."

You don't know what to say, how to explain that you are not scared of death, that you are just scared of not seeing him again. But you can't, so you say nothing and just nod.

Does he want to hurt himself? Okay. You can't do much while lying on the floor anyway.

After that, both of you stay silent. Joel seems to be avoiding looking at you. His eyes are stuck in the fire creaking in the chimney, but they are too restless to be present and conscious of the yellow and orange haze.

Your palm lands on his thigh, your fingers gently brushing the denim. You want to comfort him somehow, but, at the same time, you are scared he will reject your touch and reassurance. That's all you can do for him: no words, no further touching, just a featherlight touch that indicates you are still present. There, with him.

"I thought we couldn't make a fire."

"Don't be dumb. The windows are all broken, it's winter and you are in shock. How else would you heat up?"

"Got it. You're not in a talking mood," you huff. "Alright."

Silence settles between both of you. However, one of his big, rough hands travels to where your fingertips are gently brushing his thigh. At the touch, even if you don't want to let go, your fingers begin to back off. He's not in a good mood, and you seem to be pushing his boundaries a little too much. Except that, instead of letting you go, he catches your hand in his and puts it back over his jean. This time, it's him who brushes his thumb over your knuckles.

For a minute, the only sound in the living room are both your breathing patterns, the flames licking the air and the wind rushing through the broken windows.

"I'm sorry..." you start. And immediately, his brown eyes are all over you again. Your voice sounds exhausted, more than you'd have liked. "...I fucked up the mission. I know-"

"You haven't fucked up anything," he interrupts. That's Joel, all stoic, swallowing his feelings and denying everything that it is not up to his standards. "Would you mind to just rest-"

Your eyes well with tears.

"Joel, for once... Just for once, don't lecture me, don't ignore what I'm trying to say just because you don't want to hear it," you tell him. Then, he thankfully presses his lips together in a pained grimace, but stays silent nonetheless. "I fucked up the mission getting injured. I know it isn't my fault, but it doesn't matter whose fault it is. If you wanna go on without me, I won't blame you."

His fingers are now squeezing yours, but you know he is not even conscious of that. He leans in a little, his cheeks now reddened in anger. He looks like he is about to spit on your face.

"I'm not leaving you anywhere," he says. He looks offended that you even thought he was capable of that. "You and I are gonna get to Lincoln, either if you like it or not. There, Bill and Frank will help you. We have traded all kinds of things with them, and I know they are very well supplied."

"Why would they help me?"

"They are not just people we trade with," he says. His fingertips brush a strand of hair out of your face. "I know they will."

"What if they changed their minds?"

His pupils lock into your own, his jawline swells as he grits his teeth.

"I'm persistent."

The mission was supposed to be an easy one. Walk out of the QZ undetected, walk fifteen miles to the town of Lincoln, just outside Boston, get our things and come back. Our cargo were the two last spools of aluminum that Joel had promised to trade with them and two packets of seeds. Theirs? Two pounds of rolling tobacco and a gun. Tess couldn't make it, she had appointments with other smugglers, probably the ones who snuck the drugs in; which was more than half of their business. If it wasn't that important, she wouldn't have stayed in the QZ for anything in the world. But Bill and Frank were also important, and Joel couldn't go alone.

The two of you should be home by now, and you wondered if Tess was regretting her decision of asking you to go with him. Last night you had both snuck out of the Boston QZ; and it usually didn't take more than six hours to get to Lincoln. But just outside the city you had bumped into raiders; and a stray bullet had hit you. Now you were stranded in a small cabin lost in the woods, about seven miles away from Lincoln; and unable to walk a single step.

And to top it all off, Joel was enraged and neurotic.

Still with the same expression, he takes your wrist and squeezes two fingers into it. Even if you had preferred him not to, knowing that your heartbeat got wild whenever he was around. You let him check on you, hoping that if your symptoms got better he would let you have a quick nap. Your nervousness, however, doesn't improve despite your efforts of trying to calm yourself down.

"Since when are you a doctor?"

He lets your wrist go, then gets back on his feet and gets his rifle.

"You should rest. You'lll need it," he says, now heading to the entrance. He's gonna be standing on guard all night, you are sure of that. "We're leaving tomorrow morning."

That is when you lose it. You can't believe he is that blind, that caught up in his own world.

"I know in your perfect fantasy this is just a scratch, but I truly can't move, Joel. Even laying here awake is hard. How am I supposed to follow...? Joel!"

But he's out of the house before you even finish the sentence.

[***]

Joel doesn't keep his word.

A few hours later, not even near dawn yet, you get pulled back from a dream. Your eyes take a few minutes to register your surroundings; again. And the memories gallop back to your mind in a rush; accompanied by the burning and piercing pain on the upper right side of your chest. Your eyes shut tight, and you inhale a shallow breath. Even breathing hurts.

"We need to go," Joel whispers. His voice sounds muffled, especially over the sound of your beating heart. "C'mon, wake up."

He is once again rocking you rather than shaking you awake. Just to be able to fall asleep you had rolled back into your chest, cheek once again firmly pressed against that twenty-year-old dusty carpet. When he came back from checking the perimeter, not even five minutes after your argument, he placed his backpack right under your stomach so your right side was elevated. You wouldn't have been able to fall asleep if it wasn't for that. The pain was maddening, atrociously painful. Joel had found you gritting your teeth even in your sleep.

He had said you'd leave the next day, but you felt like not even minutes had passed.

"Morning," you complained, half a grunt accompanying your words. Joel shook you gently again when he saw you relax a second time, and your voice came back. "Y-you said...mor-"

"I know what I said but we can't wait any longer," he answered. "I'm gonna sit you up."

Fear pumped enough adrenaline into your system to wake you up. The ache from before rushed back into your mind, and your 'please' and 'wait' left your mouth like a prayer.

"I can do it," you said, but it sounded more like begging than an affirmation.

"I know you can," he lied. As your eyes opened and you saw his expression —eyes focused on you, trembling hands, half of his face hidden in the shadows, the other half gently licked by the orange-like haze of the dying fire— you understood that you had to be in a really bad condition for him to look at you that way, and feel the need to lie to make you feel better. But then, a second right after that, his shoulders relaxed, his eyes fluttered between your face and the surface of his jacket over your shoulders. His stoic mask was back on. "I'm just gonna help you, okay? But you do it."

He did not, in fact, let you do it.

You had managed to lift yourself barely an inch over the carpet, using all the strength left in your healthy arm, when both his hands curled around your side and pulled you up to his chest. Clenching your jaw, you allowed him to drag you a few feet back and into a seating position against the wall; your whole weight over the left side of your body.

"Don't lean on the other side, your shoulder blade is broken."

"Oh..." you almost chuckled. "Great."

For a second, Joel looks at you as if you were completely insane. He reaches for his backpack, crouching on the place where you were lying just seconds prior. Then takes his flask and doubts when passing it on.

"I'm not that desperate for water," you respond, reaching for the flask and drinking a gulp of the liquid. You swallow despite the soreness in your throat. "Next thing you'll do is spit food into my mouth."

"Not even getting shot shuts your fucking mouth, does it?" he says, grossed out at your comment. However, a smile tugs at the corners of his lips. Relaxing him has a calming effect on you too.

You try to pass him the flask again, but he refuses.

"No," he says. "Drink it all. You'll need it."

You look at him with narrowed eyes, confused. It's hard to keep a single thought in your head other than the throbbing pain in your chest and back, but you still try. Rather than asking him how you are supposed to walk seven miles, with the aluminum and his pack, you try to approach the matter another way.

"What's the plan?"

He takes a deep breath.

"You're not gonna like it," he says, his deep voice almost slurring the words. It's barely a whisper. He looks into your eyes, then. "I'm gonna carry you."

"What?"

"You heard me."

There's not an ounce of doubt in his eyes. Joel has that look of determination, the one you only really see when he has his eyes set on something really fucking important for him; most times that includes his own brother or not talking about the times before the outbreak. And with that look on his face, you know there's nothing you could possibly say or do to make him reconsider his own words. He's stubborn like that.

You still try.

"It's seven miles, Joel..." you tell him on a thready voice, a whisper. And Joel sighs through his nose —as if he had forgotten. "And we have to carry..."

"We leave everything here," he says. "Come back for it later."

"They won't let us in empty-handed."

"You don't know them."

For Joel to be so certain about it, certain enough as to put both your life and his on the hands of strangers; you understand that their relationship goes beyond trading. Joel had told you about them, about their situation and the first time Tess and him had shared dinner with Bill and Frank. Still, you were suspicious of them, and you thought that he was too; up until now, at least.

"It's still seven miles," you tell him, and you know him, you know he's about to stop talking to you and leave the room if you don't, at least, partly give in to his reasoning. "...are you sure you wanna do it?"

His pleading brown eyes engulf you, then, with an emotion he had never showed before. His gaze diverts for a second to your wound, to the bandages that, as you look at them, you find they are once again covered in blood. They are soaked in it, the skin surrounding it has a large black bruise —internal bleeding, you guess. And when you try to take a full deep breath, you find yourself unable to, at least not at full capacity.

The understanding hits you, then. You don't have much time left.

"I don't have any other choice," Joel says, but what he means is 'I don't want to lose you'.

"Okay."

Not even a full second has passed from your reluctant acceptance, but he is already on his feet. Joel walks to the only table in the room, takes your gun and puts it in his hip, right inside the jean. The only other thing he takes apart from ammo is another set of bandages —and he silently thanks whatever it is out there that he put those there a month ago—. He doesn't have anything to clean the wound, though; and one of his biggest fears is that it might already be infected. Even bandaged it looks bad.

He approaches you, crouches down so he is facing the wound.

"I'm going to tighten the bandage, and I have to keep the pressure," he says, loosening the knot. His fingers are once again stained with you blood, and he has to fight the images of him pressing on your wound from a few hours ago, when he had found you and, with trembling hands, had tried to stop the bleeding coming out in waves. He looks at you, trying to forget the awful picture of your eyes closed, your body limp on the ground. "Bite something."

You reach for the sleeve of his jacket, the one hanging from your shoulders; and put the padded cuff of his jacket into your mouth.

Joel doesn't give you a warning; and you're not sure if that's a good or bad thing, either. He presses the heel of his hand right over the covered hole in your chest, with such strength that you wonder if he will end up breaking your clavicle in half. As he presses your body against the wall, you can almost feel the cracked bones in your back smashing against each other.

Needless to say, the pain is blinding. The view of the room, the feeling of his heat around you, the scent of him under your nose... all gone in a matter of seconds. Your vision turns white, all your senses stop functioning. Over the scream that falls from your lips, muffled by the jacket, you hear him say:

"I'm sorry, I'm sorry, I'm sorry."

He lets go, and your vision immediately darkens, the shadows flowing from the corners of the room quick to reach you. With your last grip on reality you feel yourself melting against the wall, slowly slipping to the side. Joel catches you before you hit the floor.

Cold water is what brings you back. Your breathing quickens at the coldness of it, and the next thing you feel are his wet hands palming your cheeks, throwing water from his flask all over your face.

"C'mon," he mumbles. "I need you awake."

Your eyes flutter open, your whole body relaxed now that he's not applying pressure; but alert enough that your unfocused eyes make a single shape out of him.

While coming back into yourself, Joel does not have any time to lose. He takes his jacket over your shoulders and slips your left arm inside the sleeve, the other, where the wound is, he decides to leave it as it is; and buttons it over your chest so you're not exposed.

"You good?"

In any other situation you'd have said some joke, or just something to piss him off. But as of right now, nothing comes to your clouded mind; and even if something did come, you're too exhausted to even do the mental effort to say it. So you just nod.

"Okay," he nods too, talking to himself inside his head, then takes your face in his hands and looks into your eyes. "You're fine, you hear me? I'm gonna carry you and you're gonna be on my back; so I need you talking all the damn time, alright?

You nod again.

"Starting now."

"Y-yes... okay."

"Good," he says. His hand crawls to the back of your neck, and he joins both your foreheads. He takes quick breaths. He's terrified when he whispers. "You're doing so good. I'm so proud of you."

"Y-you... are?"

"Mm-hmm," he says. And as his words settle into your brain, you feel your chest warm. When you open your eyes and he separates, there's a tear on his cheek, but he's quick to wipe it off. "I'm gonna open the front door."

It's just an excuse, you both know it, but neither dares to say anything. None of you wants to talk about the elephant in the room, the fact that your chances are slim even if this works.

Joel returns quickly, with his lashes wet and reddened eyes. It makes you speechless, to know that all this effort and tears are for you. You'd have never, in a million years, thought you'd ever see Joel Miller cry; let alone for you. He had always been so quiet, so detached from everyone, even from Tess.

Without a word, his hands get hooked on the underside of your thighs. He lifts you up, seemingly effortlessly, and your inner thighs surround his hips. You take a deep breath, again —or at least try to— as you try not to blush and show those feelings you buried long ago. This is not the time, nor the place; so you allow your head to follow his range of motion; forwards. Soon, your nose is pressed against the lapels of his denim shirt. With your good arm, you grab one of his broad shoulders. The other falls limp, and even that little movement hurts like hell.

He freezes, his shoulders now stiff under your hand. His beard grazes your jaw as he tries to look at you, so still in his arms.

"You okay?"

"Yeah..."

Better than okay, you want to respond. Better than I've been in a long time. But you don't.

He leaves you on the table, on the edge, with your legs dangling. His eyes waver for a second as he leaves you there, his hands squeeze your knees in such a brief movement that you wonder if he was even conscious of that. He looks like he wants to say something, but he can't think of what, so he turns around and bends his knees a little to get you to a good height.

"I need you to push yourself up with your good arm," he instructs. "and keep the other still, okay?"

"Okay," you respond, fighting the urge to just nod instead.

Not even following his instructions to a t saves you from the pain. The effort, even with your arm limp in the air, makes your body shudder and an agonizing stab runs through your whole spine. The scream that tores from the depths of your throat is so intense that Joel hesitates to put you back on the table, his back trembles for a second as his body shivers in distress. But, in the end, he has you in the air with a good hold.

He waits, but doesn't hear anything except shallow breaths, doesn't feel anything but the weight of your head over his shoulder.

"You with me?" he asks. He is seconds away from aborting the mission.

"Y-yeah..."

Your arm surrounds his neck loosely. Your fist is closed tightly, grabbing the other shoulder, and he wishes he could touch you, give you some kind of comfort, but he can't let go from his grip under your knees.

Joel does not have the privilege of time, every second is precious, so not even giving it a try, he starts walking as if you weighted nothing. He crosses the front door and the freezing cold wind of the East Coast cuts your cheeks. If he notices —and you know that he has, wearing just his shirt in the middle of the night— he doesn't react.

"Remember what I told you?" he asks.

In less than a minute he has crossed the space from the cabin to the highway, where you were surprised by raiders. You look around, see the bodies of five men sprawled on the floor; lifeless, drowning in a pool of their own blood. One of them has his face mauled to nothing. The sight is so sickening —or maybe you are getting so ill— that a sudden dizziness takes hold of your shivering body.

"Hey..."

"I'm sorry..." you start, teeth chattering from the cold. "I'm sorry I screamed into your ear earlier."

A sound, half a relieved sigh and half a chuckle, leaves his mouth.

"I'm half deaf from that ear anyway."

A light chuckle falls from your lips too. Joel keeps walking west through the highway, and you keep yourself desperately clinging to him for dear life. The moon is your only other companion; without her, you both would be completely blind in the darkness of the night.

[***]

Joel probably hadn't thought about the possibility of taking breaks along the way. That's why, fourty-five minutes later, and under a beautiful sunrise of orange tones, he's struggling to keep going. His knees are screaming for him to stop, his biceps and hands tired of walking with a person's weight over his shoulders. And for the first time in years he remembers the times before the outbreak, when he was capable of lifting and moving huge pieces of furniture; often times on his own, other times with just Tommy.

He might have overestimated his own strength, assuming he was as strong as before. But it seems that not only his mental health has deteriorated after Sarah's death, no. All of him has become older and darker and more broken since then. He hardly recognizes himself in the mirror anymore.

"Joel?"

"Yeah..." he gasps, out of air. "Sorry, I got distracted. You were saying...?"

It is in moments like this that he hates not to be that same person he was before. He wonders if he is, finally, paying for his past sins, for all the people, infected or not, that he has killed.

It is unfair, the fact that you're paying for his piper.

"You should stop for a while," you tell him, your voice low like a whisper. The warm air from your mouth slithers across his skin, up his neck, over his ear, and almost sends a shiver down his spine.

"No."

"Joel..." you huff. Before speaking again, you take a big gulp of air. "We are not getting anywhere if you don't take breaks. You'll just wear yourself off before we reach the halfway mark."

His mind refuses to agree, but it's as if his body takes a relieved breath when he hears the words. Little by little, his body starts to listen to you before his mind does. His thighs are screaming, sore from the pain of exertion; and before he acknowledges, even, his body has stopped moving.

"Okay," he gasps, quick tired breaths quickly entering and leaving his lungs. "...but just a minute, we don't have time for this bullshit."

"Okay," you say, in the same tone he used earlier with you; when he lied and said he knew you could sit up on your own. "Just a minute."

He pulls to the side of the road, and with the last of his strength he kneels down and tries to lay you on the ground as carefully as possible. You fall on your ass on the wet ground, but at least you don't hurt yourself on the spot. He asks you for the millionth time in the last twenty-four hours if you are okay.

"I think I'm doing better than you," you respond, but your voice is so exhausted that Joel would love to just lay next to you and lull you to sleep.

He turns around, his whole weight sitting on the grass as he takes gulps of oxygen. His eyes shut tightly, he wipes off a tear of sweat from his temple and looks at you.

Wide-open eyes stare back at you, but just for a split second. He gets closer, his thumb brushing the shoulder of the brown jacket, his brown jacket. His eyes pierce yours.

"Are you sure?"

"That bad do I look?"

Joel doesn't look at you, not at your face getting paler by the second or the dark circles under your eyes, or your hair now dishevelled. He sees you on his memories and can barely recognize you; your skin and eyes always glowing under the sun, your hair always perfectly done. Your job was often to act as an HR for their clients, and very rarely took actual FEDRA jobs that stained your hands; you weren't like Joel, you didn't care about rations or money or whatever.

Expert fingers gently tug at the buttons, unbuttoning them so he could take a look to the wound. He had barely a glimpse of it when your fingers stopped his hands. Joel looks at you with those puppy eyes, as if you were about to faint in the next second.

"If you wanted to see me naked you didn't have to wait until I got shot, you know?"

You had said it in a playful manner, kidding, as a joke; but he saw beyond that. Part of you had only expected him to laugh, the other was dying —not pun intended— for him to kiss you. You'd have never said it if you weren't in this position, you'd have never gotten in between Joel and Tess.

However, he didn't laugh, didn't make any funny remark. The way he looked at you, from under his eyebrows, lit a spark of hope somewhere inside you. Deep, deeper than your conscious mind would have ever reached. Joel didn't say anything, not even chuckled. His eyes came back to the wound, and uncovered the full sight of it.

He had to fight a shocked gasp. His eyes fluttered, while holding his breath, between your own face and the wound. The bandage was still soaked in blood, that he had expected, but not the large bruise growing into your neck; or your right hand slightly paler than the other. He lifted, with trembling fingers, a corner of the bandage, and his action caused a trickle of dark blood to gush out, as if he had crushed a piece of watermelon between his fingers and it was now running down his arm. He looked below, inside his jacket, and saw a trail of blood that landed right into your navel.

This time, it was impossible for him not to react. Not only his face, but also his body. He tried to get back on his two feet again, but before he finished the action, your fist closed around his wrist.

"Joel..." he heard you call.

"We need to go, now."

Pressing your lips in a sad smile, you pulled him to the ground and he sat, mesmerised on that face he had only yet seen once; that time when he got too drunk on a Friday night and told you about Sarah at three in the morning. He felt his pulse quicken, his heart beating at the ends of his fingertips.

"It's okay," you told him. Your gentle touch brushed his palm, danced around over his tan skin. "You can rest."

Joel felt like he was in a fever dream. The setting certainly felt like it. You hadn't left the Boston QZ in a long while, and he had never pictured you out of those big silver walls either. He had not agreed to Tess' idea either, the dangers beyond the walls were almost impossible to escape. Still, Tess and him knew the city, they could get out fairly easily, had done that for a couple years to share stories over dinner with Bill and Frank. And Joel had loved the idea of seeing you sitting at that dinner table next to him, surrounded by a garden full of flowers, going through the dresses in the boutique that Tess had sworn you'd love.

He had not signed up for this.

"We need to go, please..." he tried a second time, but you just shook your head. He understood, somehow, what you meant.

"A minute won't make a difference," you told him. In reality, you wanted to tell him that you'd be dead when he got the both of you to Lincoln, anyway. "If you are tired we will never get there."

Useless and powerless as he felt, his only option was waiting. He took your hand, intertwined his fingers with yours and took a deep breath. You had never seen him so upset.

"What are you so scared of?"

At your words, his lower lip quivered slightly; it would almost have gone unnoticed if it wasn't because you had been watching him attentively for so many years. He looked at you, eyes barely half open, from under his eyelashes.

"You're very important to me," he said. His tongue felt heavy in his mouth, he seemed to be even more breathless than he was before. Joel had a hard time admitting his feelings, even to himself. "I don't know if you understand to what extent you're important to me."

"I know..." you answered, nodding, your hand squeezed his for a second, trying to give him strength. "But you have Tess home, and your brother loves you... It will hurt for a while..."

"Shut. Up."

His eyes were tightly shut when he said it. It was a metaphor, almost, the way his eyes were closed not just to the physical world, but to the whole situation too that he couldn't escape from.

The tip of your tongue wetted your lips.

"What I'm trying to say is... it will pass..."

His chest heaved, his gaps the only sound that filled the space between the two of you. And you continued:

"People die all the time, Joel; and most times we can't do anything about it."

His body rushed at you, his hands locked perfectly on both your cheeks, like two pieces of a jigsaw puzzle finally in place.

"Not you, you hear me? Not you," he almost growled, his face a mixture of anger, determination, and grief. "Never you. You're not allowed to leave me. I will never forgive you."

There was something hidden between the lines, something Joel wasn't saying. It was something you had denied yourself for a long time, for years, something you had insisted on not seeing because you didn't want to see it. Because, deep down, you were afraid that Joel would never love you back, that he would break your heart, that the only good man you'd ever known inside the walls of the Boston QZ would also be the one to abandon you to your luck.

Joel had been your family for so long, and you had unconsciously protected yourself from seeing him as something else. But now there it was, clearly, latent in his confession. Your punishment for years of silence was now time, or rather, the lack of it.

"I'm not giving up," he said. "and I need you not to give up either."

He's close. His hot breath smells sweet -so instinctively Joel- and it's all around your face. His flesh is warm over the freezing skin of your cheeks. His body around you is shelter, is home.

Joel is soon leaning in. He's all erratic breathing, rapid heartbeat and trembling hands; and as you close your eyes to allow his presence to swallow you like a black hole, he closes his eyes too.

He doesn't let go, not just yet. He breathes in into your quick breaths the same way you revel in his.

"I need an answer," he whispers over your mouth.

"I won't, either."

At first it's like a collision. He kisses you angrily for a split second, demanding and impatient; then, once he knows this is really happening, once he does understand that this is —finally— not a dream, he relaxes into your touch, your fingers delineating his jawline, caressing the beard there.

He's quick, quicker than you'd have expected him to be; definitely quicker then he would have liked. He separates, then; and looks down at his jacket and the drops of blood staining the insides of it. It's not enough blood to send you into shock again, but it means part of the wound is ripping. You need stitches, not just a couple of bandages.

"Enough resting then," he says.

[***]

Seven miles is usually nothing for Joel. In the first few months trading with Bill and Frank, Tess and him usually walked the fifteen miles that separated the city and the town at least twice a month. But this is all the more difficult, not just carrying you there, but knowing that he is running out of time.

And you seem hellbent on making the journey even more difficult.

"So...Tess?"

"Pass."

You huff, and the warm air sends a shiver down his spine; but he says nothing.

"Okay."

Your voice sounds so disappointed that he feels a pang of guilt. You know him better than to insist, and he knows that too. The guilt increases, though; and now he's inhaling a big gulp of air while still walking as fast as he possibly can without hurting his own knees.

"We fucked a few times, before," he says. "but that doesn't mean anything. She's my colleague. That's all."

If he was better with words, and feelings, he could say that he didn't feel anything for her. He could say that their hookups were nothing, just a fun thing they used to do before, before he realized that the one who he really wanted was you. A few months back he had realized that it never actually satisfied him, that those moments with Tess weren't as fun and innocent as they seemed to be before. They had talked about it, of course. He didn't want to play with her feelings, and that had been the end of it. She was just as fine without him, anyway.

"I thought you two were dating."

"If selling drugs for a living is what you call dating, then yes."

Without even looking at you, he knew you were smiling, he could almost feel your lips stretching over his shirt.

"I..." you said, then he heard you take another deep breath before talking again. "I'm sorry I asked you," another breath. "I... ran out of things to say."

His brow furrowed in confusion.

"You can say anything," he says. "Anything you really like, even a story."

Anything just to know you're there...

"Well..." you started. Then, a wheezing noise filled the air, followed by a gasp. "I... liked rock music-" silence. "...back in the day."

"You okay?"

Your fist tightened around his shoulder, your forehead pressing against his trapezius. He heard that wheezing sound again, followed by a pant. His hands squeezed harder the tender flesh under her knees.

Joel tried to look at her, but all he could see from his peripheral vision was the top of her head and one eye tightly closed. His throat turned into knots.

"Baby..." that was the most gentle tone you had ever heard coming from his mouth. "C'mon baby. Hold on, we're almost there."

His whole body felt paralyzed, and he had to force himself to keep walking.

What he didn't know was that your lungs were burning. They felt like a pair of balloons squeezing against your ribs, trying to expand beyond its cage. And it made all the pain in your back, from the shot, double as painful. The air you tried to swallow so bad, sounded like a whistle, like the breeze through an almost closed window. You were suffocating.

"Talk to me, c'mon."

With a painful drag of air, you complied.

"I can't..." your fist tightened around the fabric of his shirt. "I can't."

"Goddamnit..." he was panicking now. "Okay, that's okay baby. Just hold on to me, don't let go."

Unable to do anything else, you just nodded as best you could and kept on holding on to him. His eyes desperately looked for signs of the town, and far away, in the distance, the row of trees ended; and he walked faster, hoping that Bill had already seen the both of you through the cameras.

"J-Joel"

You struggled to find air, and, therefore, the words.

"Easy, easy" he said. "Just a bit more. You can do it, I know you can."

His words lingered in the air, unanswered, not even him fully believed them. Joel was starting to feel his own shirt wet with blood from your wound. The feeling made him sick, his own imagination as he pictured what Bill was watching through the cameras, made it all a hundred times worse.

He kept hearing the panting, the wheezing, becoming more desperate by the second. He realized, with horror, that you were suffocating righ there, on his back; from a collapsing lung, he guessed.

He shouted Bill's name as he saw the fence that separated them from the town. Joel wasn't sure if he could hear him, but tried anyway.

He felt your grip on his shirt hesitate, and he had to fight the instinct to squeeze your hand; if he had done it, you'd have fallen from his own grip. He heard you try and say his name.

"Save it," he responded, even if it came out not as reassuring as he would have liked. "Don't try to talk."

Before he reached the fence, it was already opening. Bill came out running, yelling something that he was too distracted to distinguish, Frank came behind him. Joel felt his knees wobble once through the gate. And now kneeling on the floor, he called your name, tried to turn his head to take a glimpse of you.

"You did it. We're here."

He noticed, then, that everything seemed all too silent. Everything that happened after that, happened very quickly. The hand that had been gripping his shirt slipped, limp over his shoulder.

His mind disconnected, completely unaware of the other two people approaching. He released you with all the care that a person could have had, and his arms immediately caught you in an embrace. The sight of your closed eyes made him panic, and not having even checked your pulse, he buried his face into your neck and sobbed.

Trails of blood ran through his forearms, and he threw up all the words that passed through his mind; a string of 'please stay' and 'I'm sorry'.

"Joel," Frank struggled with him, fingers digging into his shoulder. "Joel you have to let go. Let us help her."

He was too far gone, so much so that once your body hit the floor, Frank didn't allow him to touch you again. He sobbed, and, for a second, Bill saw himself in him. He would have never thought he would see Joel in this state, but yet there he was. He kept pressure on the wound, and saw himself in Joel, and Frank in you; and promised he would never let this happen to the two of them.

Never.

[***]

The sun comes out the next morning. As it always does, as it always has. Orange light and blue skies illuminate the room, the clouds shine a different color; and Joel blinks; absolutely exhausted, devastated.

His body is heavy, even if he's not holding any of his weight. He's sitting on the cold tiles, on the floor, his sore knees and thighs in the space under the bed, his head lying on the mattress, his whole body is bent over and it feels like jelly. His eyes are the only thing moving, they look at the window and see the night sky turn into daylight.

Joel couldn't possibly say that he slept in that position; because he didn't actually sleep. He hasn't had a second of sleep since you got shot two days ago. Lying on the bed, is you, dormant; and his thumb draws circles on the back of you hand even if he's not paying attention to it. It comforts him to a degree, at least.

Suddenly, pretty much everything has lost its meaning. Frank opens the door an hour later, almost tripping with the tray of food and water that he left the night before for Joel. He hasn't touched any of it. In fact, he forgot about it, but if it bothers him, Frank doesn't say anything. He takes it in his hands so he can take it to the kitchen downstairs.

"We played 'I will survive' in the radio" he whispers before leaving. "It's a 70s song, but Tess will get the meaning."

"Thank you," he mutters, his mouth pasty from barely speaking in the last twenty-four hours. Funnily enough, the only word he's said to them is 'thank you'.

"You're welcome, Joel," he says. After a few seconds, waiting, he makes a dissatisfied sound. Frank approaches Joel, his palm squeezing his shoulder. "You should eat something, at least. Is there anything you want?"

Joel looks at him, lifting his cheek from the mattress for the first time. His eyes are blood-shot and black circles adorn his eyes.

"Coffee."

"Not coffee, you need sleep."

He huffs, his eyes lost in the window again. Frank, knowing he won't get anything from him again, vanishes behind the door and into the kitchen. He will bring him warm food later, hoping the smell will make him eat something despite his unwillingness to listen to any signal of hunger from his own body.

A few moments later, your hand slips from his. As he loses your touch, a pang hits the pit of his stomach. But then, as he lifts from the mattress again, your fingertips lightly touch his chin, your thumb lovingly brushing his beard.

"Baby?"

Maybe he lost his sense of time, because he didn't expect you to wake up yet. In any case, when he sees your eyes open he practically pounces on the bed. He sits on the edge, and swallows the image of you looking at him.

"Morning."

He smiles at your words, feels his strength coming back into his body.

"You're here," he says.

Even beaten up as you look, he thinks you are gorgeous. Your face has regained its usual color, the bruising is coming down, changing colors little by little, the wound is stitched and bandaged, and the blood flow seems to reach your fingertips normally once again. Joel has no idea how Bill fixed the collapsing lung, he had said something about medical knowledge being necessary in the field too, but he hadn't paid attention. He doesn't care about the details, though. He just cares that you're safe and sound, and despite the close call, that has seemed to be the end result to this whole dilemma.

There's no blood in sight, not even in the bandages. Frank had washed the blood from your hair the day before, and Joel had helped with the rest. He wished he could have you like this everyday: happy, clean, safe...

In the last few hours Joel had discovered he was jealous. He wished he had a town like Lincoln all to himself, just so he could see you picking flowers in the front garden.

"I'm here," you told him. The words felt like strawberries in his mouth. "and I'm not giving up on you."

He released a breath he didn't know he was holding, leaned in for both your foreheads to meet, and kissed you.

#joel miller x reader #joel miller x female reader #joel miller x f!reader #tlou fanfic #tlou spoilers #pedro pascal x reader #pedro pascal x female reader #the last of us fanfic #pedro pascal x oc

5K notes · View notes