#just wanted to mention that lol

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[nyerusnova]

yeah... things are pretty yikes right now in the current batfam storyline,

but at least Tim is rocking those thigh-high boots and I just wanted to appreciate that for a sec

[gingermintpepper]

I think, perhaps one of the funniest things to come from EPIC popularising the Odyssey is that now a ton of people think Poseidon wanted to kill Odysseus.

In the Odyssey, Poseidon has no intention of killing Odysseus. In fact, part of the whole reason Zeus lets Poseidon do whatever he wants even though he thinks Odysseus is rad and should get to kiss his wife is explicitly because Poseidon had no intentions of killing Odysseus. Poseidon wanted to pay back the suffering/inconvenience blinding Polyphemus would have caused. It's a really abstract thing tbh. How do you pay back someone permanently disabling your son? Poseidon's solution was just to amputate Odysseus from his other half; i.e. Penelope. The end game was never murder, it was always an endurance race.

(Od. Book 1: Zeus reassuring Athena that he is not, in fact, a part of Odysseus Hater-Nation. Trans. Robert Fagles)

Also, for those wondering if there's any sort of in text reason for why Poseidon wasn't around in God Games - at the time in the Odyssey when Athena petitions Zeus to let Odysseus leave Calypso's island, Poseidon was -checks notes- on vacation in Ethiopia. Yep. He left to Ethiopia for a festival and thusly was very much absent for Athena's whole "please let Ody go? Please? 🥺" request.

(Od. Book 1: While Odysseus was suffering, Poseidon went to party in the east)

I am begging y'all to read the Odyssey. It's a comedy for everyone except Odysseus and Penelope who are, in fact, suffering 24/7 365.

[torchvic]

that one ship dynamic but with levi and mc

(credit to @litriu! here is the original post (lmk if the link doesnt work pls))

[stilitrash]

Fionna was so damn h0rny in this episode and I completely support her <3

[puppetmaster13u]

Prompt 262

Pondering Ghosts are Dragons, and just rotating each design in my head I have for them. That is the ghosts we see in the show more than just once or twice lol. Just pondering each of them and potential types and descriptions and how the people of Amity see them, as they’re used to the dragons around, vs say someone from Outside, crossover or no, who are Not used to the maybe slightly eldritch undeath interdimensional dragons around everywhere. 

That is not normal for other people. 

To the Amity Parkers? Boxy is simply a chonky dragon with small boxy wings and covered in blue scales. To people just coming into the city, it’s like seeing a giant komodo dragon when you’re just walking home- not something you exactly want to see and something that is dangerous. 

Kitty’s and Johnny’s weekly relationship tussle? Par for the course really. But to visitors? Two giant wyverns tearing into each other, shimmering greens that could be scales, could be tendrils, and shadows lengthening and thrashing like a living beast all its own. 

And this is just the small dragonlings, not even beginning with larger ones like Pandora and Fright Knight, chill as they may be. 

Outsiders don’t understand that they’re more than just animals. Amity is used to this, but people who have no clue what’s going on? They don’t.

They call the police, the heroes, the government, for help, for answers. And that? That the GIW can use. 

[molotovmetro]

The 141 + König with a s/o who goes non-verbal

Tiny disclaimer: im autistic and have moments of being non verbal during breakdowns etc, so this is based mostly off of my own experience, but if anyone feels like ive said inaccurate or offensive things, please let me know as that would never be my intention. The way I've written this suggests this is a negative feeling (, since thats how i experience it) but I understand that might not be the same for everyone. For some people this might just be a daily or

Requested by @apocalypticseagull

Warnings: mentions of stress and the slightest hint at possible injury, besides that nothing I can think of

M!reader

Ghost

Ghost relates to you. While he wouldn't claim his experience is the same, he gets moments of overstimulation where he wants everyone to leave him alone, and will just stop reacting to people.

When he feels like this, he prefers to sit in his room, either completely in the dark or with only a small lamp on, and have as little noise around him as possible.

If you're in a stress situation, not knowing what else to do to help you, that's what he'll resort to.

He'll take you into either his room or yours, whichever you would prefer, and holds you while letting you get away from all the triggers for a bit. Unless you're dealing with life or death situations, whatever work you have left for the day can wait. Your wellbeing always comes first.

Soap

Soap is a lot more observant than people give him credit for. He's the king of avoiding stressful situations for you whenever he can.

But alas, he can't avoid it every time. Whether you start saying less and less as the minutes go on, or just stop talking suddenly, he notices immediately.

Not that he'd be quick to admit it, but he's got a written list of everything you like, even if it's just something you mentioned in passing. He absutely will use this list to do whatever he can to make you smile and relieve some of your stress.

He'll make sure to find a way to still communicate that both of you are comfortable with. He'll happily lend you his journal to write in, or he'll ask Roach for some lessons in sign language. He'd break his back bending over backwards to make you comfortable if he had to.

Gaz

No matter how often it happens, Gaz still feels a jolt of panic whenever you don't respond over coms when you're on a mission. He almost sags in relief as soon as he hears you hum, or even just hears the crackly static of you pushing your radio's button.

He knows you're a talented soldier and you're more than capable of handling yourself, he still prefers to be near you at all times. What if something happens and you can't tell him? You could be in trouble without him even knowing. He'll, just knowing you're stressed is making him want to reach for you.

He likes his job, likes helping people and ridding the world of danger, but his favourite part of every mission is when you're sitting in the exfil helo after a good mission, and you give him that wide smile he's been waiting hours, if not days to see.

Price

You and Price have been working together for so long, you both know the drill. When he starts to notice you going quiet, he makes sure he only asks yes or no questions. On your side; one click of your radio button for no, two for yes. Throw in some improvised morse code when necessary, and you've got a solid communications system.

Having this system is also a huge bonus during stealth missions, when he can't talk freely without risking being spotted.

He loves hearing your voice, but he doesn't treat you any differently when you can't talk. He'll support you in whatever way you need, without making it feel like he's babying you.

The two of you are a well oiled machine. No matter how stressful the situation, usually you can tell what the other one is thinking just by looking at them. You know you both have each other's back, verbal communication or not.

König

König doesn't mean to make a big deal out of it, and he won't if you don't, but he does worry.

After a situation like that happens once, he commits everything that helps you to his memory, and uses the knowledge to help you the next time it happens.

Even down to the tiniest detail, he'll remember. If you don't like a certain texture or can only stand a certain flavour of drink during moments like this, he's making sure you have everything you need and are as comfortable as possible. Whatever is stressing you will be dealt with by him while you're resting and calming down.

If you want to be alone, he understands and respects that, and gives you the space you need. But if you don't, there's nowhere he'd rather be than by your side.

[coldturkeybabe]

do you remember the Desert? /doodle

[inkskinned]

it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

[ganondoodle]

man, totk has truly broken something in my love for the zelda franchise, saw the new title announcement and didnt feel anything :I

[orcelito]

showing off the commission i got from @ruporas for my fic, In the Next Life!

i'm still so incredibly excited about this. it's been some months since the story event that caused these scars, but i wanted SO BADLY to be able to see what they'd actually Look like... & Here They Are.

ruporas rendered the scars So Well, i just cant stop Looking at them... there's a Fresh & a Healed version, which ruporas was kind enough to give me without additional charge (Thank U Again😭😭) so i get to see what it looks like at different stages.

Lichtenberg Figures. in terms of actual scarring, lightning strikes that people survive don't tend to leave permanent scars, but the lichtenberg figures that they (usually temporarily) leave behind are just So Cool... Now, what happens when you get someone who can survive an amount of electricity/lightning that would be Frankly Lethal to any normal human person?

This :]

[hellspawnmotel]

“caroline, please kill me” by coma cinema

[chirpsythismorning]

I’m sorry but nothing will ever beat Finn’s drive playlist that he made during s3 filming, with songs like Me and Michael, The Basement, Gay Thoughts and No Woman lmaoooo

[puppyeared]

just realized i forgot to make a page for sleight on my artfight, so i decided to update his ref while im at it

[silverware-is-interesting]

have some kinitoPET content, 'cause why not

a version with YOU

+ a thing and a few YOU doodles

[cheekinpermission]

I wanna talk about the scene in the museum with Azul...

(SPOILERS FOR BOOK 3 AHEAD. ALSO LOTS OF RAMBLING! :D)

During Ch. 38 of Book 3, Azul and Yuu have a short conversation post-overblot in the underwater museum place. I always felt that this bit of dialogue was weirdly charged? The whole scene felt very intimate to me (and the soft music in the background doesn't help lmao), but I never knew WHY since nothing said was inherently romantic.

So, I went back and re-read through every post-overblot and realized that Azul is the only who who has a one-on-one conversation with Yuu after their overblot??

It's rare enough to have one-on-one conversations between Yuu and another character, but then Azul goes a step further. He's the only one to open up to Yuu about his problems:

Some of the other overblot boys talk about their problems, but not to Yuu specifically. It's more of a declaration than confiding in someone, you know? (E.g. Riddle talking about how he prefers milk tea even though the rules stipulate lemon tea)

We, the players, are shown flashbacks of the overblot boys to explain how they reached this point but I can't recall if Yuu is privy to this information as well. (It's theoretically possible since Yuu already has visions / dreams of the Great Seven, but no one ever mentions it so who knows. I'm personally on the side of Yuu NOT knowing because it feels a bit invasive that they'd have this knowledge of people who weren't ready to share it.)

Regardless of whether Yuu can or cannot see those flashbacks, Azul is the only one to willingly talk about his motivations to Yuu. For Azul, this is especially important as he's so protective of his image as a clever and upstanding housewarden, and yet here he openly admits to Yuu that he was a bit of a loser as a kid (his words not mine!).

I guess you could argue that he felt there was no reason to hide it anymore since Yuu already saw him as a chubby octopus baby, but he didn't have to talk about it at all if he didn't want to. But he did. On his own. With no prompting. (Really, though. Yuu can either say they want to make sure he puts the photo back or that they're worried about him, and either way he drops his lore on them lol) And then Yuu tries to help him feel better??

To my knowledge, Yuu doesn't do this with any of the other overblot boys, either. I could have missed it during my research, but if they did it wasn't nearly to the same extent as with Azul.

I still don't know why Azul felt like opening up to Yuu. He didn't have to, but maybe he wanted to? Maybe he wanted to try his hand at being genuine for once and felt Yuu was the least intimidating person to do it with (the magicless human that they are). Who knows? I wish there were more scenes like this. It makes Yuu feel more included in the story. I also think it shows a lot of growth on Azul's end to open up about his problems to Yuu of his own volition.

I'm not sure what I wanted to say with this post, only that I wanted to get my thoughts out there about this scene because it always stood out to me. I felt there was always an undercurrent of something and I think it's because this was the only post-overblot private conversation we got with Yuu and an overblot boy, plus the added encouragement from Yuu at the end.

I'm curious to know if anyone felt the same way about this scene or if I'm just imagining things. I'm also interested in hearing any theories why Azul suddenly felt the urge to open up to Yuu, if you've got them!

Thanks for enduring my rambling!

Bonus!

Azul's so funny for trying to play it off all cool like he isn't doing flips and princess twirls in his head rn. Yuu laid it on THICK. We all know he's freaking out internally.