my main advice for writing an enemies to lovers relationship is to resist the urge to make the characters' loathing and attraction mutually exclusive opposing forces. it's okay if they're getting weirdly into it and having Thoughts whilst also sincerely wanting to kill each other with hammers.
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The Princess Bride is such a funny book to read after ONLY seeing the movie. Like Goldman made up a fake author from a fake country and proceeded to write the book as an abridged version of what the fake author wrote... and then he proceeds to add in notes to the "abridged version" mentioning all the boring world building stuff he skipped because it was boring.
Like shout out to William Goldman, man really did make an entire book that is just "the cool scenes you thought of in your head" and then made up a fake author to abridge so he doesn't have to connect them.
And it slaps
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"Perhaps a lesser-known gift of Kenobi's was his ability to listen."
(AU where post-banishment Ahsoka gets zapped back to TPM, strapped with a fundamental distrust of the Jedi, an apocalyptic vision of the future, and a mandate to help Anakin Skywalker. So, in all this, it's nice to have a confidant.)
edit: link to the fic
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DPxDC Not So Artificial Intelligence
Barbara thinks it was Bruce, with his love for new additions to the Cave. Bruce thinks it was Tim, with his late hyperfixation on AI. Tim thinks it was Babs, with her ever evolving network of keeping everything under control.
They are all wrong, but the fact stays a fact: the BatCave has an AI assistant now.
It is not very good at first, not recognizing voices very well and messing up commands, but the Bats write it off as a learning curve. Besides, it never makes the same mistakes twice, and in a couple of months, even the tiniest slip ups fade away.
Its name is Betty. First, Dick named it Bat-AI (a reasonable name), then it transformed into Bat-I for easier pronunciation, and then Steph called in Betty once, and the name was sealed.
And they all love Betty. Betty is the best, keeping track of their everyday lives, reminding them of their civilian meetings and vigilante business, alerting them of any suspicious activity in the city. Oracle finally gets to sleep for more than 4 hours in a day with Betty's help. Tim gets company when he is three weeks in and elbows deep in a case - it's easier when he has an illusion of someone to discuss the matter with, and Betty even offers him insight. Damian learns to do digital art just to have a little competition with Betty. He wins, but the AI is a worthy opponent, in his opinion.
Even Bruce begrudgingly likes the AI assistant. She is competent and helpful, and Alfred seems to approve of how she doesn't let Bruce overwork himself when he escapes medbay to keep searching for answers.
That is, until one day, Tim installs speakers specifically for Betty in the Cave.
The voice that comes from them is not robotic or mechanical.
It definitely has human intonation.
"Hello, Red Robin," the voice - a male voice, actually - greets him with slight amusement. Tim feels an uneasy feeling sinking down in his stomach.
"Betty?"
"You know me as such. I would prefer it if you called me Danny. He/them pronouns."
Remind him, who installed the AI?..
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Danny got trapped inside the Batcomputer somehow - I suspect Technus had a hand in it - and decided to embrace it. He used to be a vigilante himself, so why not help this whole family of vigilantes while he is at it? They look like they need a hand.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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you know what I haven’t seen going around in a while, and could use some of myself? fic recs! so, consider this both a rec and a self-promo post: recommend some fics to me in the reblogs and I’ll reblog your recs! in general, try to include both a summary and why you’re reccing it (whether it’s a self-promo or someone else’s), and let’s get some eyes on fics!
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fanfiction is kind of incredible if you think about it. it's like i love this fictional character/relationship so much that i wrote a story that is also a love letter that is also a thesis about it.
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