#like there are so many in character options for this

[dalishious]

Zevran Arainai is an Underrated Delight

There is so much depth to Zevran Arainai’s writing that is often overlooked in favour of either sexually objectifying him or ignoring him altogether… which is kind of ironic, considering that’s how so many people in his life have treated him within universe. And then, of course, there’s the biphobia directed at his character back when Dragon Age: Origins first released. He was a joke in many Gamer Bro circles about how they killed him for flirting with their male protagonist. It’s such a shame, really. Because personally speaking, Zevran is one of my favourite characters in the entire Dragon Age franchise.

Zevran’s introduction to the game immediately sets him apart from every other character who is capable of joining the party. He first appears as an enemy; an assassin hired to kill the Warden by Loghain, the Warden’s political opponent. You immediately have the option to either kill him, or add him to the party roster. Zevran does not initially join the Warden’s cause out of the goodness of his heart; he does it because he knows that the Antivan Crows who essentially own him – which we’ll get to – will kill him for failing to assassinate your character. This really paints his original placement within the group’s dynamics in an interesting light. No one really trusts him; Alistair and Morrigan both outright voice this. Zevran himself believes he is only safe with the Warden so long as he makes himself useful, per how he sells his worthiness to the Warden when trying to convince them to let him join. There’s tension there that really makes getting to know him extra interesting, because before anything else, you need to build trust. So, when he’s finally ready to start revealing parts about his personal history, you the player really get to feel like you’ve earned something special from his character.

Zevran’s mother was Dalish, but fell in love with an elf from the city and left her clan behind. Unfortunately, Zevran’s father was assassinated, leaving her with nothing but his debts to pay. She turned to sex work, until she died giving birth to Zevran, and all that debt fell onto him in turn. Zevran was raised by the sex workers in the brothel his mother worked at, until the age of seven, when the Antivan Crow Guildmaster Talav Arainai bought him for seven sovereigns; one of eighteen children made into “compradi” (recruits) that year. In his training, Zevran was tortured in a variety of ways, and in his own words, “taught to know nothing else but murder”. Of those eighteen, Zevran was one of two who survived the training, the other being a human boy named Taliesen. Then, a woman named Rinnala (“Rinna”) was placed into House Arainai from the Azul Contract that dictated the Crows were to take in unwanted bastard children of the Antivan Crown. For a time being, Zevran, Taliesen, and Rinnala worked well together as a professional and romantic trio. But when Zevran and Taliesen were tricked into believing Rinnala betrayed the Crows in an internal Crow scheme, they killed her. When they learned otherwise, Zevran took it particularly rough, combined with the realization of how little he himself mattered, too.

The trauma that Zevran has experienced is something he often makes jokes about, or speaks detached from. I’ve been called out many times on doing the same thing with my own trauma, and I know it’s a pretty commonplace response in others as well. That makes it feel all the more real; his responses are so authentically relatable. It’s also in a way, I find a little therapeutic to get to comfort a character whose survival mechanism has been to downplay his trauma for so long. The Warden is able to tell Zevran that what he’s been through sounds horrible, and even though Zevran tries to excuse things as not being that bad, you gain significant approval from him, just for showing him sympathy. Sympathy is something he’s severely lacked in his life. For all Zevran jokes about his traumatizing experiences, they clearly left a mark on him. Zevran eventually admits to the Warden that he did not actually anticipate being able to kill them, and that what he really wanted in taking on the job was to die. Again, sorry to get personal here for a moment, but I too have attempted suicide, and honestly I still struggle with ideation sometimes. And yet again I must say that I find something really beautiful in a character like Zevran, who is able to find peace and happiness on the other side of surviving such a thing.

As for Zevran’s romance… oh, Zevran’s romance path is such a delight. He is so multidimensional in that he’s very flirtatious and fun, while also showing genuine vulnerability in time. He admits that his role as a Crow meant he was encouraged to use seduction as a tool. His only experience with a true relationship ended very poorly, with Rinna’s death and a wedge forming between him and Taliesen, who he is eventually forced to kill too in the game. One of my favourite moments in the entire game, is when you invite him to your tent and he says no… and if you accept his consensual rights, that is what changes everything for him and the Warden’s relationship. Zevran feels safe and loved, and he gets to be happy. As of Dragon Age: Inquisition, a romanced Zevran is still at the Warden’s side, too, if they’re alive.

I love Zevran Arainai so much. He truly is an amazingly well done character, and deserves so much more respect and interest than he gets.

*Sourced from in-game dialogue and World of Thedas vol. 2

[loudclan-clangen]

Fish in a birdcage for Rosehip amd Dodwood tho

YES

Bee is not one of the rogues himself, but two of his sons are! Also one of Butterfly's sons, and two of Coal's sons that he had after Fiercestripe left. They aren't really important to the story so they don't get names or anything, but I think that it makes everything a little bit more tragic that Fierce is fighting her nephews who she would have loved to watch grow up and might recognize her from when they were young.

2. Kingfur and Sockeyepelt would both be pretty devastated if Chumtail dies, she's similar to Dashpaw in that she's kinda the mediator between her two more polarized siblings. Really everyone who's up on the chopping block is the most stable of their family, meaning everyone is going to be very NORMAL after this, I'm sure. Also thank you!

3. Yes! There will be stickers of the mediator kids (especially now that you've asked). I'm drawing sketches based on what people have requested, and I'll make a post letting everyone know when they go up. Currently I have Weed, Siltsplash, the Mediator Kids, and some couple stickers in the works.

There were many factors in Fiercestripe's decision. 1. Thorn was 4 moons old by the time Fiercestripe left, so she was well past carrying size (especially with Fiercestripe being a small cat). Even if Wildfirecry could carry her, or she walked on her own, it would slow their pace significantly and require them to take more breaks, leading to the farm cats likely catching them. 2. If Fiercestripe had taken Thorn then the farm cats would have more justification to track them down and forcefully bring them back. It's one thing for a she-cat to leave, it's another for a she-cat to take her mate's kit with her. (part of why the farm cats have made it to loudclan now is because they're chasing a pregnant she-cat). 3. Wildfirecry hadn't agreed for Fiercestripe to come with him. He was a stranger who had stayed a couple nights with the farm cats and was just as likely to turn her away or harm her as he was to allow her to come with him. He would have been a lot less likely to agree to travel with her if she came with the responsibility of a kitten. 4. Wildfirecry and Fiercestripe did not have an easy journey. They didn't have a destination or a set path, they just wandered from place to place for years until they were convinced to join Loudclan. It's pretty likely that had Thorn been brought with them she would have frozen, starved, drowned or been eaten by a predator given that Wildfirecry was the only one with any hunting or fighting skill, and kittens aren't as tough as grown cats. All in all, bringing Thorn along wasn't really an option. Fiercestripe's only choices were leave Thorn or stay with the farm cats and hope that another outsider came along later when Thorn was grown. (Thorn's story is a bit different, Frost and Spider were outsiders who joined the farm cats later in life, so Frost knew how to hunt and fight, thus allowing them to wait for their kits to grow before they left.)

I designed them on my own! I find pretend genetics very fun and it gives me a chance to think more in depth about the rough backstories I have for these characters and how their childhood would have affected the way that we see them act in the story.

[buddierecs]

post season 7 buddie fics

in honour of season 8 coming out in a few days, here is a list of fics that have been released over the hiatus set post season 7. all of these are general audience, teen and up or not rated (no smut) make sure to kudos/comment on these amazing works :)

ice cream before dinner (my beloved) by: cloudydaisies "gerrard messes with the team's schedules and eddie 'i just drove my son to flee the state' diaz is the only option to watch mara and jee-yun after school on tuesdays, which, shouldn't be a problem at all, right?" word count: 58k important tags: girl!uncle eddie, fluff, friends to lovers, love confessions, feelings realisation, minor buck/tommy, family feels take me home (to my heart) by: literalmetaphor "eddie and maddie end up in an impossible situation." word count: 20k important tags: car accidents, injury, hurt!eddie diaz, hurt!maddie han, maddie & eddie friendship, worried!evan buckley, getting together it's always on the tip of my tongue by: allyasavedtheday "eddie diaz vs the great romance paradigm." word count: 17k important tags: character study, therapy, emotional hurt/comfort, falling in love, demisexual!eddie diaz all my little words by: youbetsya "eddie: did you just send me an email?? buck: yeah lol eddie: why… i dont think you’ve ever emailed me actual words before. just stuff to print when your printer is broken buck: did you read it? eddie: Not yet. too busy trying to figure out why the fuck you’re emailing me buck: just read it dude 🙄" word count: 11k important tags: texting, idiots in love, getting together, eddie diaz mustache three strikes and you're out by: eightpackdiaz "buck's soon-to-be-ex-boyfriend chooses to ignore him every time the kiss cam points in their direction. eddie does the opposite" word count: 3.1k important tags: minor buck/tommy, cheating, kiss him, jealous!eddie diaz, tommy kinard bashing, first kiss a honey shade of blue by: hattalove "one toddler, two conversations, and so many missed opportunities for buck to act like a guy not in love with his best friend." word count: 8k important tags: getting together, pining!evan buckley, first kiss catatonia by: dqstcrdly "buck and eddie get into a car accident, buck thinks eddie is dead, and goes catatonic about it." word count: 13k important tags: car accidents, near death experiences, love confessions, angst, hurt/comfort, getting together, tommy kinard bashing knowing me, knowing you by: kiwibuckley "five times eddie was the better (boy)friend, and the one time he was the boyfriend" word count: 10k important tags: 5+1 things, friends to lovers, getting together, minor buck/tommy, tommy kinard bashing, eddie diaz loves evan buckley, petty!eddie diaz, pining sweet talk by: daisies_and_briars "eddie asks to crash at the loft while christopher is gone, struggling to be on his own. only problem? there's only one bed, and no couch." word count: 6.5k important tags: there was only one bed, minor buck/tommy, healing, couch theory this postcard tells you where we've been by: daisies_and_briars "eddie finds a collection of postcards buck sent to chris over his summer in el paso." word count: 3.5k important tags: getting together, first kiss, fluff, christopher diaz has two dads glass on the pavement under my shoe by: doitgently "buck takes a great big tumble. like always, eddie is right behind him." word count: 9.4k important tags: near death experience, major character injury, love confessions, angst with happy ending you'd have to stop the world (just to stop the feeling) by: wenttoafortuneteller "the eddie diaz gay realization arc we all deserve. in which bobby puts some pieces together, chimney sees something he shouldn’t, hen gets to have a conversation she’s been waiting to have for years, and buck can’t understand why his best friend is avoiding him." word count: 23k important tags: character study, catholic guilt, pre-relationship, self-discovery, self-acceptance, feelings realisation hope it hurts, burns & you finally grieve me by: dylaesthetics "eddie spontaneously visits a church and things fall into place." word count: 4.8k important tags: character study, religious guilt, angst, friends to lovers, getting together

[cosmerelists]

Renarin Ranks Starting Places For New Readers of the Cosmere Series

"Renarin ranks something" requested by @themoonstonechronicler :)

Fans often argue about where new readers should start in the Cosmere: which book is the best starting place? In this list, Renarin will rank various options. Because if any character can break the fourth wall, it's either Hoid (of course) or Renarin with his funky corrupted Future Sight.

[Contains Stormlight Spoilers through Rhythm of War!]

1. Way of Kings

"Starting with Way of Kings is like jumping into a 4 versus 1 Shardblade duel armed with a sword that screams when you touch it after a lifetime of not really being allowed to train in real combat scenarios due to your blood weakness. Will you be in over your head? Yes. Might the experience harm you? Very possibly. Will Kaladin's presence save you? Absolutely. Is it a bad idea? Objectively yes. BUT does this choice make you inherently cool? I think so. At least, I have no regrets."

...

"Make that very few regrets."

"I give this an 8/10."

2. Elantris

"Listen...I get it. You want to start from the beginning. Proceed chronologically. I think my cousin Jasnah would be inclined toward this. But speaking as a 'funky time guy,' as Adolin called me once, I have to say that the past doesn't necessarily predict the future and uh...this one just might be a little tough to start with. In my opinion."

"4/10."

3. Tress of the Emerald Sea

"I think...I think I like Wit. Mostly. There was that one time he tried to make everyone think I was hooking up with, like, multiple women at once, which was...weird. But he also made fun of me. Which does not sound good, but it meant he respected me in a Wit way. In any event, this book is like sitting and listening to Wit for hours. Is it good if that is the first thing you ever do? Maybe? The little rat is cute."

"9/10."

4. Yumi and the Nightmare Painter

"This one is Wit too. Just to get that out of the way. And I think it might be a little bit confusing for a first-time reader since it is clearly being told to a Rosharan, which is not something a new reader would understand."

"But on the other hand, it is maybe...refreshing to have a main character who hasn't yet realized what he's good at, and another main character who hasn't yet realized that not all aspects of her religion should restrict her as much as they do."

"So a confusing place to start, but not necessarily a bad one."

"6/10."

5. The Emperor's Soul

"This one is short! That might be good for someone who is looking for less of a commitment. Plus, it involves a lot of research into how things work, if that appeals to you. But I think the real benefit is that if someone is reading it to you, it would probably only take a few hours."

"10/10."

6. The Sunlit Man

"This book is like seeing into the future, since it is literally about the future. It's also very painful. Which, in my experience, the future often is. The future can be changed...but not in this case, because now it's written down. So I would say: start here at your own risk. On the other hand, it will probably seem less sad if you read it without any backstory. But it will make other things sadder later, trust me."

"3/10."

7. White Sand

"This one can be good if you're a man, since there are a lot of pictures. There are also a lot of words, of course, but if you're just starting out on the reading thing, then having the pictures would help a lot I'd imagine."

"6/10."

8. Warbreaker

"Speaking as someone who...well, I can't say that I deliberately make dramatic reveals, but I have been known to do things like scrawl warnings on a wall or appear suddenly from the shadows or, you know, stuff like that. So I might actually recommend reading this before you read our books, just so you can have those, 'Wait, it's YOU!' moments over and over again."

"Seriously, why did so many of those characters end up in our series?"

"I'm not answering the question, though. This one is standalone, and not too long, yet still manages to have a pretty big cast of characters and a bunch of storylines. It is like Sanderson training."

"8/10."

9. The Final Empire

"This is what everyone always tells you to do. Sometimes it can get frustrating when everyone is SO SURE that they know what's good for you, especially your dad, who won't listen when you tell him that you don't want to become an ardent even though he thinks it's the best. And you know what? In the end, I am a fighter, but also a scholar, since men can do both now. So sometimes what people say is good, but only when it happens in the way you want it to and...I think I lost the thread. Um. You can do what people tell you that you should do IF you want to. "

"If you start here, I imagine you'll like it. Sometimes what everyone tells you to do is a good idea...but only if it's what you want too."

"9/10."

10. The Alloy of Law

"Starting with Mistborn Era 2 is like bonding a corrupt spren. It's almost what everyone agrees is a good thing to do (start with Mistborn / bond a spren), only you're going about it in a...different way. But different is not necessarily bad! Yes, I have abilities that are maybe from Odium and that give me a maybe sacrilegious ability to foretell the future...but when given the chance, I immediately recommended my best friend do the same thing."

"Being different can be good. 7/10."

[heysawbones]

Like a lot of kids, I had nightmares. Many nightmares. Often. Nightly, really. Initially, I thought the solution was to pray every night. I had to let God know how strongly I felt about not having nightmares, so I'd say "please" an escalating number of times. As you might guess, this was ineffective. Saying it 151 times was no better than 150. Real waste of time. It didn't even make me feel better about looking in the general direction of the open closet at night.

With prayer off the table and "talking to someone" about it never having been an option, I turned to lucid dreaming. I hear that some people don't think lucid dreaming is real. On the contrary: it's real, and I suspect it's easier for people who already have fucked up REM sleep. People with fucked up REM sleep are probably more likely to want lucid dreams, so that's a fine coincidence. What nobody ever says - or at least, I've never heard it said - is that knowing you are dreaming, and being able to control said dreams, are vastly different things. My subconscious didn't want to have its narratives fucked with. Oh, you know this is a dream? You think you're clever? Oh, you're deciding you're going to fly, now? Check this out. You're going to catch your ankles on these grocery store shelves as you take flight. You're going to fall down. A great hole will open in the linoleum, and suck you down an ominous cartoon pipe. Hope you liked that. You're escaping on a horse? The horse grows a gaping maw on the back of its neck and bites your upper body off. The thrilling highway escape Hot Wheels™ ramps off into the boiling ocean. The waterpark is abandoned. The multistory car park is collapsing at a barely perceptible speed. If you ever find yourself in Astroworld, despite the fact that you know you are dreaming, it turns out you are trespassing. The mall never has the clothes you want. Your characters never have their faces. You look at a dimly lit locker room full of padded toilets and wet footsteps without people to make them and you think, "I'm asleep, can't this be a normal bathroom?" No. Merely knowing that one is asleep is not enough. Lucid dreaming didn't make nightmares go away, it just changed the dynamic. My subconscious demanded to be heard, sans alterations. I reached out to turn the "What the Fuck?" dial down from nine to say, four or so, and it slapped my hand out of the way repeatedly, hissing and screeching. Very petty.

I settled on teaching myself to wake up.

[dungeons-and-dragon-age]

ok sorry i'm just. ????

rant and spoilers ahead because i gotta yell into the void a little

first of and most of all. WHY does it sound like Solas front and center of everthing now??? Including both Inky's and Rook's stories/motivations???? Like okay i understand that Solas will inevitably be important in Rook's story and that's chill! We knew he was gonna play a part in this story! But why do they make it sound like half or Rook's purpose is just there to further Solas's story/character

and it quickly becomes clear that Rook will have their own unique relationship with Solas, as the Inquisitor did before them. I think what's been fun for us, too, is trying to build Rook as kind of almost a mirror of Solas.

Epler also acknowledges that the Inquisitor “obviously has a very personal relationship with Solas,” one that will need to be reckoned with in The Veilguard.

“And I'd say the Inquisitor, to some degree, feels guilty or responsible for what Solas is doing to the world. So while we're not going to get too far into details about what role they may play, they absolutely are somebody who is going to be interested and invested in the outcome of Rook's journey in The Veilguard.”

Why. are you telling us how our Inquisitor is supposed to feel about this?? When you play DAI you agree to play The Inquisitor, yes, but you don't agree to play someone who Cares About Solas. Like. Yes. I get that he is important. That much has been clear since Trespasser. And i'm ok with that! But how come you say "this is a game about Thedas and a world in conflict" and then also talk like this story is About Solas, Actually.

The other thing i absolutely do not get and do not like. At All

Those decisions are: who your Inquisitor romanced (with the options gender- and lineage-locked in the same way that they were in Inquisition), whether or not you disbanded the Inquisition, and whether you vowed to stop Solas or save him.

?????

No "who drank from the WoS"? No "who is Divine"? No "does OGB Kieran exist"? No "is Hawke alive" (Varric is there. SURELY he cares about this a lot)? No "what happened to the Mages & Templars"? No "were Wardens banned from the south"? Arent't those uh. Really Relevant Decisions???? WHY is one of the whole grand three (3) decisions that carry over if Inky wants to save Solas or not. I mean ok i guess i get it cus that was The Big Decision TM at the end of Trespasser but again. Why is that the big thing that matters. out of all the things that SHOULD matter.

There's not as many decisions you have made up to this point that have an impact on what's happening in Northern Thedas.

But it’s also part of the advantage of moving the setting up to Northern Thedas, Epler says, with the prior games in the series taking place in Southern Thedas, a significantly different region both geographically and sociopolitically.

Uh. Yeah they do. See above points and also some that i forgot probably. Northern and Southern Thedas don't operate independently from one another that's not how this works. Especially again with things like the WoS or the Divine decision. Also half our companions from the other games are from the north?? Like yes ok i know get what you mean kinda and it's true to an extent but not like this

for one, the team focused on choices that they felt they could react to meaningfully – not just a cameo or one-liner.

“There's never a sense of, ‘Oh, that decision doesn't exist.’ But maybe we don't touch on it in this particular title,”

The. Cameos and one-liners are what make it special though?? You can't say "We want those stories to be personal." and then say you're not making any of those small decisions matter. And i don't mean matter as in having A Big Impact TM but i know that a lot of us LIVE for those small tiny nods to previous decisions that make the world feel actually alive and connected. I understand that we can't have full on-screen cameos or questlines or whatever for every little tidbit but not even. idk. Background convos about what's going on in Orzammar? Gossip about Ferelden's monarch? A line from Varric about Bartrand? Dunno man. Again not to mention the Big Things like Kieran. or the Well of Sorrows consequences. Or the Divine (which. yknow. is directly relevant everywhere except maybe Tevinter??). Those were always the things that made importing a worldstate so charming! because you could see the small little impacts that you have on the world. The tiny things like the line about the pigeons in Ferelden in DA2 or a wartable mission with Wade and Herren in DAI are so so special to me

[writingquestionsanswered]

hi! me and my co-writer ans in the planning phase. we dont how to end out story. its an abrupt ending, when tension an high and we dont know how to pick that moment or how to create that moment. thanks!

Stuck on Cliffhanger Ending

Even if your story has a cliffhanger ending, the story still needs to follow basic story structure:

Through the setup and rising action, you make numerous promises to your reader by laying out threads and posing questions. The climax and falling action should resolve the main conflict, and the resolution allows you to tie up most of those loose threads and answer most of those unanswered questions.

Cliffhanger endings happen during the denouement, at a crucial moment when a significant question or plot component is about to be resolved. Again, you want the main conflict to be resolved and most of the loose threads to be tied up, but this particular unresolved component will be something that won't ruin the story if it isn't answered right now (or ever). Usually, the answer is just about the be revealed when something surprising, shocking, or suspenseful happens to interrupt it. To figure out a good cliffhanger moment in your story, you first have to figure out your purpose in having a cliffhanger. Are you trying to draw the reader into reading the next book? Or are you simply trying to end with a gut punch?

If you’re just looking for a gut punch (with or without a coming sequel), look for an unanswered question that doesn’t need to be answered in order for the story to be resolved. For example, maybe one of the story’s many questions was the parentage of your orphaned protagonist. If the identity of the parents isn't crucial to understanding the story, and if you've already laid out options, you could have the character in the process of finding out when someone bursts through the doors and makes an important announcement. If you're going to have a sequel, it could be an announcement that sets up the conflict of the sequel... like that the antagonist they just vanquished has escaped the dungeon and taken refuge in the mountains. If you're not going to have a sequel, you would want it to be something that doesn't ignite a new story that will never be told. For example, maybe the protagonist is just about to open a book that reveals who their parents are, and then someone bursts in and says, "You've got visitors!" When the protagonist asks who it is, the character says, "Your parents..." Those are good gut punches. They'll leave your reader reeling, speculating, and wishing for more, but you're not leaving anything crucial unresolved.

Another example would be when your characters have spent the whole book fighting and triumphing over an alien invasion, and after all of the mourning, celebrating, and rebuilding, your character goes to bed one night, turns off the light, and hears the telltale hiss of one of the aliens. Again, GUT PUNCH! Is there really an alien left alive? Is it going to hurt or even kill the protagonist? Does this mean the fight’s not over? Does it mean the fight is really just beginning? There are lots of questions, but the answer could just as easily be, “It wasn’t really an alien, it was the wind. Or, it was the air conditioner turning on.” So, you’re not leaving the actual story unresolved. Your protagonist isn’t dangling off the edge of a building when the last sentence ends.

If you’re trying to draw the reader into reading the next book, you generally want to end with a new or re-stated question… and I don’t mean a question that you literally ask. I mean a question that the reader will ask themselves based on whatever you’ve laid out. For example, the reader might think, “The protagonist defeated the evil king in this battle, but the evil king is still out there. Will the protagonist be able to defeat them once and for all?” Or, it could be a new question that’s presented during the resolution. Like, maybe the protagonist defeated the antagonist in this big battle, but at the end, during the big celebration, a message is delivered to the protagonist letting them know the antagonist has struck again, in a new place this time. And your protagonist tells another character to gather the rest of the team. The reader is left with the question, “Where did the antagonist strike and what was the result? How will the protagonist respond? What will happen next?” Again, nothing of the main conflict is left unresolved. That’s a successful cliffhanger ending. :)

Happy writing!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[literary-illuminati]

2024 Book Review #47 – City of Last Chances by Adrian Tchaikovsky

This book was recommended to me by a few different people, and in any case I am generally a pretty big Tchaikovsky fan. So of course I’m only getting around to reading it now, however many months later. Having put it off so long for no good reason at all, I can say that the book is in fact very good. Not Tchaikovsky’s best work (that’s still Children of Time in a walk), but a good read and one that left me curious (if not exactly excited) about checking out the sequel.

The story takes place in Illmar, the eponymous City of Last Chances – scarred and oppressed, tyrannized by cursed dukes and conquering imperialists, built upon a dangerous and unreliable route to other worlds and forever attracting the sort of people with no better options available to them. While the book has any number of characters, it’s really the city itself that is the star of the story – a story of how the theft of an imperial magistrate’s ward before he makes an experimental voyage through the gateway in the woods leads to a whole series of byzantine intrigues and bloody misadventures, culminating in an abortive revolution against the Pallseen who occupy and rule them. Which in one sense is an absolutely massive spoiler and in another just feels like stating an inevitability that was obvious from the first chapter.

The book was apparently quite heavily marketed as harking back to the whole New Weird trend of a decade or two ago – marketing that is lived up to wholly and entirely. The whole book absolutely drips with Mieville and Vandermeer. The oblique worldbuilding, the mundane day-to-day life built around the opportunities and inconveniences of some intrusion of the sublime, the awkward intersection of ancient magic and industrial bureaucracy, and so on, and so forth. The Reproach in particular feels very Area X (or very Roadside Picnic, as you prefer), but in general the city feels like absolutely nothing so much as Bas-Lag with the weirdness dial turned down from an 11 to a 5 or 6.

It’s a real triumph of the book, I think, that the world genuinely feels vast and strange even beyond the points where it matters to the story - that all the little asides and the ways something affects a certain character feel like just small parts of something far grander and more uncanny than anyone can hope to understand. Maybe I’m just painfully tired of rpg-system worldbuilding, but it’s an effect I dearly love.

Much like Bas-Lag, Ilmar is very clearly a magical fantasy city going through a magical fantasy 19th century industrial revolution (instead of steam engines its demonic slave labor contracted and imported from the Kings Below). The meat of the book is playing into the whole tradition of the idealistic, virtuous but tragic liberal revolution – 1848 in Berlin or Vienna, the June Days and Commune in Paris, Warsaw a dozen different times, Les Mis. You know the type. Students singing patriotic old songs, workers rising up against class oppression, ‘revolutionaries’ who are mostly cowardly nobles pining after lost privileges and criminal syndicate putting on airs being caught flat-footed by events. You can probably tell the basic story in your sleep. But for such a venerable genre, this book's honestly probably the best rendition of ‘fantasy 1848’ I can recall. Something which won it my instant affection.

The other thing the book just overwhelming shares with the Mieville’s Bas-Lag books is a very keen sense of the necessity of revolution combined with an extreme cynicism towards anyone who might actually carry it out. The university students are sincere believers, and also naive sheep the narrative views with condescension (at best). The professional revolutionaries are all power-grabbing hypocrites who have wrapped themselves in the flag. The workers syndicates have a real sense of solidarity among themselves, and also none at all to the demon slaves that are used and broken powering the mills and factories. And so on. The overall thrust of the book is a tragedy not in the sense of railing against the inevitable, but in the sense that triumph and revolution were absolutely possible – indeed plausible – but for the flaws and frailities of the revolutionaries who might have accomplished it.

Not to say that it's misanthropic – the book is very humane towards the vast majority of its POVs. Of which there are enough for ‘vast majority’ to be a meaningful term. It was something like 130 pages in before any character got a second chapter through their eyes, a feat I had previously only seen in Malazan – and that’s not including the chorus chapters which just give a half-doze vignettes from across the city. But yes, most characters (even the ones who are really just viscerally repulsive) are shown through their own eyes as someone who is at least understandable, if not particularly sympathetic. The sheer size of the cast in a 500 page book mean that no one character or set gets that many chapters from their perspective (you could easily have written as long a book about roughly the same events with half or less of the cast), but some of the dynamics that are very lightly touched on are just incredibly compelling. Its enough to make you wish this was a series that would ever get any fanfiction written about it, really.

Given the way the book is so deeply concerned with oppression and violence on the basis of culture, class, and nation – imperial occupiers, native population, refugees and immigrants used and scapegoated by both – it is kind of fascinating that this is a world where misogyny and (possibly? Not very explored, the only example of a queer relationship we see is hardly going to be concerned by normative society) homophobia just flatly don’t exist. Which would be less interesting if it was unusual, really – the same could be said about very nearly every recent sci fi or fantasy book on the same lines I can recall. Interesting because it is very much not the case in Melville’s stuff – the cultural impact of Ancillary Justice continues to echo down the years, I guess. So yes the imperial police inspector will extort sex out of a brothel owner in exchange for not stringing up the entire workforce for peripheral involvement with the resistance, but also this is entirely gender-neutral. Something very modern about how oppression is imagined relative to the ‘90s or ‘00s (or just a different genre of self-consciously feminist novel a few book shelves to the left).

But yeah, great book, I am compelled. No idea where the sequel would be going, but will probably hunt it down sooner rather than later.

[dr-spectre]

Guess what game I just finished!!!

I dont have a lot to say on this because I think over the past 20 years people have already said enough.

But... MY GOD! The level of variety, creativity, and fresh ideas each chapter brings holy SHITTTT!!! One moment you're going underground with a cute goomba girl, then you're fighting a dragon, then you're playing a World 1-1 recreation with BOWSER! Then you're playing as Peach who has this deeply emotional and sad relationship with an AI (Tec is the goat, I love that ai. Top 10 ai in fiction idc), then you're doing a tournament arc AND THEN YOU'RE DOING A TRAIN MYSTERY OH MY GOODNESS!!!!

The combat is really fun and charming, THE DIALOGUE IS SO WELL WRITTEN AND I LAUGHED MULTIPLEEEEE TIMES!!! I love the characters, I love the world, I love the art style, i love most of the boss fights, the music is banging (I played with the original ost), God there's so much to love.

I will say, the final chapter of this game did kinda drag on, and there's so many points where I was thinking "okay NOW I get to fight the final boss!" And it takes another hour to get to them.... there's so many obvious signs of padding (copy and pasted hallways, a trash "pick the right door" puzzle, etc.)

I also didn't like how when you swapped partners that counts as a turn, i feel like you should be able to swap without wasting a turn because it would help with the flow of combat and make using Goombella's tattle less of a fucking pain...

Also....

VIVIAN IS SO FUCKING CUTE!!! I LOVE HER SO MUCH!!! SHE'S MY FAVOURITE PARTNER BY FARRRRR!!!!! Goombella is really cute too and she has amazing dialogue. I love the storyline of Admiral Bobbery too and that stuff made me cry... but...EEEEE I LOVE VIVIAN!!!!

GOD I JUST WANNA HUG HER!!! I WANNA PINCH HER CHUBBY CHEEKS!!! I WANNA RUB HER BELLY!!!! Nintendo I need a plushie of her yesterday. Come on. Please... I need one...

I shall leave my partner rankings as well, i wonder if I got any hot takes or not...

6. Flurrie.

No. Just... no I don't like her. Her design creeps me out, I don't give a shit about her moves. I never used her. Get her away from me.

5. Goombella.

Although very cute I found her more of a hindrance and i kept going, "ugh I gotta swap to her to get the tattle..." At least her design and personality are cute. Plus, she's more useful than that creepy ass Flurrie....

4. Koops.

I like him! He helped me out a LOTTT in the final battle, his later moves that you can unlock make him pretty damn good. Although I am jealous that this wimp has a girlfriend....

3. Admiral Bobbey.

Honestly I think the reason why he might be this high is because of his story. I really felt bad for him... his design is also killer, I LOVEEEE Bob-ombs so much!

2. Mini-Yoshi.

The fact that you can name him is really funny to me idk why. He's got some very helpful moves and his ability to help you move faster in the overworld is really nice. I like how he calls you Gonzalez too. What a fun character man.

1. Vivian.

I already said why I like her earlier but I'll go on further.

I LOVE HER STORYLINE TOO!!! I LOVE HER DESIGN!!! I LOVE HOW SHE'S TRANS AND THE REMAKE DIDN'T GET RID OF IT LIKE HOW THE ORIGINAL NORTH AMERICAN AND EUROPEAN RELEASES OF THE GAMECUBE VERSION GOT RID OF IT!!!

God.... I love her. I wanna kiss her on the cheek. She's so cute. Her moveset too is fire!.... wait..

Also btw I didn't know that this RATTTT was an optional party member... oops...

[ryuichirou]

RE: Ortho (+Shroudcest) post replies

Phew, alright, I think I didn’t skip anyone. If I did, I’m sorry, I’ll reply to you next time then!

Thank you so much for your wonderful messages of support and for your takes. I really appreciate it! I say it all the time but it saying it again feels appropriate: we had no idea we would ever see so many people who share our point of view despite not shipping Ortho with Idia or any other character. The fact that we can have this conversation really makes me happy.

You are welcome to share more of your thoughts if you want, but unfortunately I might not be able to reply to everyone. I will do my best though.

All of the asks in this blog are related to this post.

Anonymous asked:

Different anon, I think Ortho is in this nebulous situation like superboy in young justice who is physically 16 years old but chronologically 16 weeks old. I genuinely hate the uwu babying of characters. The dwarfs are all second years(so theoretically 17 at the youngest) but no one makes anything with them. Heck the characters I see get lewded the most are the octo trio who are the same age.

Heck, even Grim gets the baby mascot treatment by fans when he's also lumpedwiththefirst years. Like yes, he's a whiny brat but he's also grown up all alone as far as he can remember. I can't help but compare him to Puppycat who acts similarly and is a grown ass man.

Yeah, this probably plays a role too! Ironically, we were just having this conversation about Stitch the other day lol Being new to the world you exist in (and to existing in general) and being a baby aren’t necessarily the same thing.

And even in that case Ortho doesn’t fully fit into the trope because he was created quite a while ago and is already pretty well adjusted. But since he is still learning and doesn’t always understand people + doesn’t always get things like sarcasm, people consider it to be a proof that he is a toddler lol Who am I kidding, their reasoning doesn’t even go that far. They say “he died when he was a baby therefore he is a baby forever” and call it a day.

I feel bad for people who love Grim, I haven’t even thought about it… The Puppycat comparison is so spot-on lol

Grim is inexperienced and doesn’t know much about the world, but yes, he is one of the freshmen + just as he at times acts like a whiny brat, there are also times when he tells Ace that he should be more considerate of Deuce’s feelings, like wtf was that? That was Grim. Because Grim also isn’t a baby, he is a furry gremlin…

Anonymous asked:

As one of the most avid Ortho stans, it really is a pet peeve that people act like he's a little kid

You're so right that it's people that want to write him like Idia's little convenient plot device

I do want to note that it's also sometimes just the infantilization of an autistic coded character

God forbid he be somewhat optimistic, this must mean he's just an innocent baby /s

One small thing that gets me: Ortho can and has made his own gears!! Idia doesn't need to and maybe this is inspired by a post I saw that used the fact that Idia has made his stuff to take away Ortho's agency in what is supposed to be him having a tattoo analog. Not having a character be the architect of their own body mod equivalent is wild and I just.

He's a silly little guy, but he's not a fucking baby!

Indeed, Anon. I feel like people either completely ignore Ortho or see him as Idia’s appendix. I absolutely love them together, and of course I am biased towards scenarios that focus on their deep codependence, but I also really love how they get to have their own adventures, their own relationship, their own experiences separate from each other. Because they are wow, different characters, and Ortho has his own agency. He had it even before ch6, but after that he fully and officially became his own person. Being with Idia is his choice, not his only option. And just like you mentioned, he makes his own gears pretty much all the time now… even though I don’t agree that Idia making his gears has anything to do with Ortho’s agency.

I don’t even think Ortho is that optimistic. He is a little sunshine, but not even close to people like Kalim for example. Ortho even has his own cynical moments and douchy moments that people also tend to ignore. But even if he was 100% optimistic and naïve, it still would not be a valid reason to infantilise him. And you are absolutely right, people do that a lot. With Kalim too, actually, now that I think about it.

Anonymous asked:

Aaaaah, Ryuichi, after reading your post (rant) about Ortho, made me very happy! I'm glad there's someone else who shares the same opinion. The number of fans who infantilizes Ortho is beyond me. I absolutely hate the argument Ortho's mentally "8 years old" it's like they completely forget his storyline.

I'm guessing that the people who genuinely believe the theory that he's "8 years old" are younger fans with no media literacy so no hate towards them but it's frustrating when fans pretend it's Canon when it's not.

Not only that but it’s so sad to see how he's also so mischaracterized by the fandom. He's always seen just as Idia's little brother but never himself despite the fact that Ortho's life doesn't revolve around Idia. He has his own interest and hobbies different from Idia AND he is NOT innocent! Fans tend to forget this is a game about a school full of villains and that includes Ortho too! If I remember correctly Ortho has multiple times tried to blow up the school with his laser! He's violent! He's not a kid.

Unfortunately, I've seen this kind of stuff happening across all fandoms this isn't exclusive to Twisted wonderland. Heck a few months ago I've seen fans in the black butler genuinely believe that Ciel's in fact 9 years old instead of 13 year old!? And then they call us weird? The SebaCiel shippers? Like why do YOU want him to be younger?? I'm getting too old for this.

Thank you so much, Anon! I am happy you also agree.

I don’t hate younger fans, and I know that some people might be genuinely confused; but I also believe that there are a lot of people that simply do not care about Ortho’s actual story and any arguments one could make about this case. The actual issue isn’t Ortho being a certain age, it’s a pretext, an excuse, an invitation to harass. If Ortho didn’t exist, they would still do it with other characters, and even if all the characters were adults, they would still find a reason to do so, like, for example, their appearance. There is no winning in this game, this is why factual arguments won’t work even if Ortho Shroud himself looks in the camera and says “hi, I don’t care if people ship me with my niisan, I am also in fact not 8 years old”.

I am also very glad you mentioned Ortho being his own person! I mentioned it in a previous reply, so I won’t talk about it, but yes, you are absolutely right. Ortho is a menace, and all of his disappointed “come ooon, niisan, don’t do that” moments come from his desire for Idia to have more friends, not because he genuinely cares for other people. He clearly doesn’t – hence his multiple attempts to blow up the school lol

I love it when characters just keep getting younger with every single wave of this shitstorm. Didn’t you know he is 13? How dare you post something like that about a 9 years old! He is a toddler who is only 3 months old! That’s one powerful fountain of youth right there. Antis in Kuroshitsuji fandom do that a lot, just as antis in TWST fandom.

Anonymous asked:

I really feel bad for people who have Ortho as their oshi. It's not like fans of other characters don't get shit on too, apparently pretty much everyone is an immoral heathen these days, but I feel like Ortho gets often excluded in fan content, especially when it features any mature theme.

Also, if you a problem with people liking Ortho in the same way as they do with the rest of the guys, you should take your issues to the creators, since that was definitely their intention when they put him in the pretty boy gacha. Or maybe just play another game.

Anyway Ryu and Katsu, keep doing your thing, cause you guys are awesome!

What I love about it is that Ortho himself would be so pissed if he learned that all the other guys get to do fun mature stuff and he doesn’t lol That’s so not fair, he’s charging his lasers as we speak!

Also yes, it was absolutely the creators’ intention. He is supposed to look like that, just like Lilia is supposed to look like that – both caused confusion in the game story with how young they look, and yet both are a big part of the cast (+ As we know, even Idia was supposed to be younger looking…). Ortho has one of the biggest amounts of cards, he is clearly a popular character, not just a lovely addition or a mascot. 

Thank you so much for your support, Anon <3 It means a lot. This shit might be upsetting, but it will never stop us from creating.

Anonymous asked:

While I am not an Ortho/Idia shipper, I do like your art pieces because your art style is straight-up gorgeous. So when I do see your Shroudcest art Im like: not my cup of tea but I respect the time and effort made into this. (And here is my rant siding with you bc they are fictional characters)

The babyfication of Ortho is something I do not understand. As much as Idia made RoBro in trauma, rn I doubt he wants RoBro to remain stagnant in mind and hardware. With Ortho's ability to learn, he is practically a teenager like the rest. He displays more emotional maturity than most ppl despite his killer laser beam. Kindness, hope, and optimism are traits not limited to children. Shortness is also not limited to children. If we treat other characters by traits often shared by children, then Neige's fellow dwarf classmates are also children. What they don't count bc they are not human? Ortho is not human either. Similarly, Kalim and Silver display positive internal traits of kindness, hope, and optimism. Shortness? Well, we got Grandpa Lilia and the Napoleon complex twins Riddle and Epel. They are all teenagers (minus Lilia) and no one is babying them.

...And are we ignoring all the shit he has seen on the internet. The amount of porn (from adult sites and even the soft-core types you can even find by watching some twitch/yt streamers) that can be seen. Videos of violence, crimes, and ppl doing their best to win the Darwainism Award. Ortho could access and go through like 5 terebytes by the time I reach page two of Google.

As for the Shroudcest, they are fictional characters! You can go straight to phub and have incest type (the sheer amount of the step family porn troupe) porn being acted out by actual breathing people. Do you want to metaphorically die on this hill of ppl shipping fictional 2D characters? Are we just going to ignore you targeting this harmless ship? At least go for a larger target like Game of Thrones or House of Dragons. So much incest in those media that it has it's own fan wiki page, but you don't see ppl go for George R. R. Martin's throat for writing about characters willing or unknowingly committing incest.

It is like people reading/watching media of horror movie killers. It's something you can enjoy or have a preference for because you, as a sane person, will not become a serial killer. AND, as a productive member of society, you condemn actual, real-life serial killers. You read horror stories or watch scary movies for entertainment value not for a guide to be one. Similar logic to furries. Furries consider anthropomorphic creatures as hot, but those same furries are against beastilaity.

TL;DR: While I am not personally a fan of incest or shota type of media, I do not mind they exist (or go after creators who use FICTIONALLY characters to enhance their form of FICTIONAL media), bc they are FICTIONAL CHARACTERS from a FICTIONAL MEDIA. Stop with the performative activism. Use that effort and go after people who do it for real in real life. If you prevent/stop an actual crime from happening, I will applaud and thank you! AND I DOUBT I WILL BE THE ONLY ONE.

Thank you so much, Anon! I am happy that you like my stuff despite not shipping some of our ships. I am very grateful for the respect, and also for your message! I really like your points and I’ll go through them briefly.

The entire part about all those traits not being exclusive to children + about other characters having those traits but still not being babied – YES, thank you so much for that. Like I already mentioned, the game clearly plays with those tropes, and even though the characters are young-looking, they are still of high school age (other than Lilia). Ortho is weird, Ortho is different from some of the other boys, but all of them are weird in their own way, Ortho is just a robot. If we can make “not a human” excuse for the dwarves, why can’t we look at Ortho that way? And yes, Ortho absolutely knows stuff a kid wouldn’t be able to digest lol All of his difficulties come from him being an AI – he doesn’t always get sarcasm, he doesn’t fully understand why people do certain things and doesn’t understand some limitations of human’s body and mind; none of it is tied to him being childish or too innocent.

Incest in media is very popular indeed, and it’s SUPER popular in porn! You are right. If any kind of media ends up “normalising” this kind of relationship, it definitely won’t be shippers of incest. But also that won’t happen because wow, it doesn’t work that way. People love to say that fiction affects reality, and while in a way it does, it’s never a “everyone is going to start shooting people because the videogames brainwashed them” type of deal, and this is exactly what they’re doing with their arguments. It’s fear-mongering, moralism and ignoring the fact that people do in fact know how to separate fiction from reality. And the key to making sure no one is going to jump out the window because their favourite character did so isn’t in censorship, but in people learning this difference and always keeping in it mind. Ironically, that would mean that people who harass others over cartoons can’t make this separation very well because of their lack of critical consumption of media; but then again, they can’t even see (and don’t care, which makes it worse and my point stronger) how their own reckless actions seriously affect real people in real life, and I think this is a more important issue to resolve lol

Unfortunately, people who prefer performative activism very rarely end up becoming real activists, but I do hope that they will at least find some other hobby, something that doesn’t cause so much harm to both innocent people and the cause they claim to be fighting for.

I got a bit carried away there, but yeah, I totally agree with your point, and once again grateful for your understanding. There will always be media that makes you uncomfortable – and that’s the beauty of it. Creativity is a boundless ocean and no amount of bricks can contain it.

Anonymous asked:

I was just scrolling through and saw your explanation of ortho and shroudcest the other day. As tiring as I’m sure it is, it always gives me hope to see people who remember what shipping is really about. I mean problematic content has existed all through human mythos and history, and society still survives! According to the studies the “art morality” argument is roughly the same as “but da violent games!!” Argument, or metal music, or clothes, or any other form of media deemed ‘new’ or ‘too different’.

Anyway, I don’t ship cest stuff myself but your art is lovely and it’s become one of the things I can view without feeling uncomfy despite how my head usually responds to such content (woohoo free therapy??? /j)

I ship ortho with an OC who’s also 16. Said oc’s mother said she would never treat her child differently for who they choose to love, and while she definitely wasn’t expecting a robot, she’s not going back on her word.

Thank you so much, Anon!! YES, this is exactly what shipping is all about! It feels like “umm but they’re not even canon” type of people are suddenly the majority in fandom spaces ahhh lol

As long as art exists, there will always be people who are against it, especially if it’s something niche, and despite how popular fandoms are, all of the fandom activity is a niche, ESPECIALLY shipping, ESPECIALLY this kind of shipping. So unfortunately it’s unavoidable, but it’s so useless and annoying!

I am very happy that you like our stuff. Thank you for enjoying it. Your OC’s mother is amazing and very supportive lol I am sure she and Ortho will get along swimmingly.

[cyberbabyangell]

₊˚⊹☆after becoming a shifter...

hello! its been a while because school started, also because i had no idea what to post while i wrote about the innerspace..i was bombarded with 99+ likes and reposts so THANK YOU SO MUCH?? 😭 so did that happen on tiktok- i had 110 followers when i last checked, its been a month im at 300 😨 anyway i love u guys mwah 🫶

I legit forgot the concept of OCs 😭 like whenever i """create other people""" it's always people i know/ill script in one of my many drs, when i see people create someone i'm like "..OHR IGHT THIS IS YOUR CHARACTER AND NOT SOMEONE YOU KNOW IN ANOTHER UNIVERSE......."

I get so confused at the "life is short, YOLO" philosophies and it genuinely doesn't sit right with me anymore 😭

my brain somehow decided to put "shifter" as the default setting for every human my age i meet. "yeah i do that in my drs!" "in your WHAT." ".. sorry 😊"

i lost interest in media i know im NOT going to shift to 😭 like its a bit annoying but to me new media=new drs, and i dont willingly watch stuff i know im not shifting to which is so dumb.

self insert EVERYWHERE. im rarely the main character like in most my drs im less powerful than them, but i always see myself as this perfect being everyone loves and does everything right. kinda like the lucky girl in deadpool 2

whenever i see pretty people in the streets or meet nice people, im like "you're becoming my friend in my dr." so i may have 453455 friends that come from here that ive seen ONCE and probably even forgot about.

i kinda stopped asking questions to myself because in my waiting room rn i have a library with the answers to everything so.

i like dilemmas from my drs but i know they don't really matter because i'll go to a reality that has the perfect middle ground or a perfect 3rd option, even if its something that's currently beyond my comprehension

i like reminding myself im literally everything. like also objects cause its funny

whenever i see someone i admire or i like what they do i snatch it from them. "omg i like these songs!" and boom i sung those in my dr. "omg i love this content!" and boom i pioneered it.

i'm trying to get used to not be in 2024. theres not a single dr i shift to in 2024, and if i get caught lacking i might go on an fbi watchlist. like NOBODY can catch me saying rizz or singing songs that haven't been released yet. (also side note. IT SOUNDS SO TORTUROUS TO NOT BE ABLE TO LISTEN TO 80% OF MY CURRENT PLAYLIST CAUSE IT HASNT RELEASED YET. i be humming doing it first in 2020 😾)

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　　　 　˚　　　　 . ★⋆. ࿐࿔

　　　.   　　˚　　 　　*　　 　　✦　　　.　　.　　　✦　˚ 　　　　 ˚　.˚　　　　✦　　　.　　. 　 ˚　.　　　　 　　 　　　　 ੈ✧̣̇˳·˖✶ ✦　　

[bite-back-in-anger]

It's possible to empathize with Marina and not agree with/like the plan she had for Colin.

It's possible to empathize with Penelope and not agree with how she used Whistledown.

It's possible to empathize with Cressida is S3 and still not like her for bullying Pen in S1 and 2.

Why so many in this fandom have this idea that, no matter what, you either have to love or hate these women, without allowing any bit of grey area to surface, I don't understand. Sure, if that's how you feel, that's fine, do you. But honestly, these are 3 young women who, in some way, are dealt shit hands that affects them. And the way this fandom so casually creates villains while excusing others, is actually insane to me.

Of course, constructive criticism is good, so is having healthy discourse but a lot of what I see isn't that. For example, the way it's become popular to treat Penelope like she's the Antichrist when really, she was just a 17 year old girl when she started LW. A 17 year old girl who had been treated like an afterthought/ignored/and made to feel unattractive. Of course she's going to be bitter and petty. Of course she's going to use poor judgement and misuse Whistledown. Again, she was 17!

"I wOuLd neVer"... Great, but not everyone deals with shit the same way. Not everyone in Cressida and Marina's spot would've done the same either. And make no mistake, what they did, wasn't great. But that's how they dealt with their pain yet, they're treated like martyrs.

And saying "I'd never" doesn't make someone a better person either ESPECIALLY with the way the hater blogs (on ALL sides) are being used to write and spread the absolute shittiest things about the fans and actors. As I've said in the past, doing this, makes them worse than Penelope (or all three for that matter) because Penelope and who she writes about, aren't real. But the haters, and the fans and actors they write about, are very real.

Marina is left pregnant and alone with little options which prompts her plans for Colin.

Penelope is bullied and ignored by her family and society which prompts her to start Whistledown.

Cressida, while a bully in S1 and 2, in S3 we see that her upbringing and parents likely had a hand in how she treats people. (she won some points for not being the one who told about Colin helping Penelope)

I can empathize with all three and their hardships, while disagreeing with their actions. It really is that simple.

Women can and are allowed to be messy. They're allowed to feel what they feel, make mistakes, learn, grow and change. Why people are hellbent on erasing any trace of humanity in these characters by either coddling them or treating them like the devil, is just beyond me.

[morallysuperiorlips]

How I Come Up With Compelling and Fun Characters!

Back at you again with another TedTalk.

Coming up with well-rounded characters is my favorite part of the writing process. I like to come up with convoluted plots, so ofc convoluted characters have to follow. While I am someone who is VERY guilty of injecting my own traits/experiences into my characters (because I like to live vicariously through them or use them to cope don't @ me), I try to do that once I've established them as their own people. Because then they just end up being other versions of me, and we don't want that trust me

The adage I like to live by is "when the character feels real to you, they'll feel real to the reader," so I try to go out of my way to know as much as I can about them before I start to put them down on paper.

I know full names, birthdays (down to the hour), exact heights, blood types, favorite colors, foods, etc. and I try to know most of the surface-level things. I'll try to delve a little deeper but I do like to let my characters breathe when I'm writing them because sometimes they do things that make me stare into the camera like I'm on the Office and I want to give them the room to do so because that's like 60% of the process (in my humblest of opinions as a self-taught/ professional hybrid)

When I first started writing my novel, I could tell you off the top of my head that my protagonist, Odette Harmonie Cinq-Mars, was born in the little fictional town of Pendulum Province, France on December 14th, 1997 at 8:16pm, her blood type is AB+, she's 5'0, she's left-handed, and her favorite color is royal purple. I could also tell you she has anger issues, is hyper-observant, is a classically trained singer and dancer, and is kind of cold as a person. That last trait ended up writing most of itself out as she developed, but it's how she started, and I never got much deeper than that until I wrote her.

But, rewinding a little bit, I like to come up with ideas for my characters from tropes and stereotypes. My truest formula for coming up with characters is:

Trope/Archetype

- Some tropey traits

+ Traits you might not normally see in that trope/archetype

+ As many details as possible

+ Putting them in random situations that come to mind and watching them figure it out (even if it might be unrelated to the plot)

+ A little bit of yourself (always optional)

For example:

My "tropiest" character's name is Noel Masse; he was heavily based on the archetype of the peacocky gay theater kid who kinda has a hoe streak. Before you come for my neck, hear me out.

What are traits of this trope I could erase (or heavily modify) for him? From my experience theater kids get kinda cliquey--not all, but some--Noel has his friends, but he's the type who wants to be friends with everyone. He doesn't like to judge unless people give him a reason to. Theater kids might have their heads in the clouds all the time, and Noel airs on the side of keeping himself grounded when he needs to.

What are some odd traits I could add to him? What can I expand on? Noel has severe indecision--he's a theater kid who doesn't know if he wants to be theater kid. He has dedicated his life to being a musical theater star, but he has a calling in mystery solving, coding, and all things tech. This indecision often cripples him, and even seeps into his love life, which leads to some promiscuity~

What are the little details I know about Noel? Noel Coretyn Masse is a natural born witch, born in a little (fictional) city in France called Athamera on September 9th, 1997 at 12:11am. He is 6'0, 175 pounds, blood type O-, ENFP-T, right-handed, his favorite color is royal blue, and he has a gifted vocal octave range (3.8), and is very good at most forms of dance.

What scenarios have I put him in that helped him build? This was actually how I decided he was good with technology and all things coding, hacking, computers, etc. I figured out he was good at this stuff when I needed a character to hack something later on in the story and I threw him into the mix just to see what would happen and it stuck IMMEDIATELY. So, this category can also help build category 2 for sure.

Bits of me? His dedication to the arts and his desire for a large friend group hope I didn't just roast myself lol

DISCLAIMER: I want to make a note for anyone who thinks that this is overkill: yes, it probably is. But, I also want to note that I have been told time and time again that my characterization in my stories is my strongest point. So, clearly I'm doing SOMETHING right here.

I also want to note that this is NOT the "correct" way of coming up with characters. In fact, I don't think there is a "correct" way (as is with most things artistic and creative). This is just MY way of doing things. If you have a way that you come up with characters that works for you, I'd love to hear about it!

[vampemoqueen]

WoD Hallozine - a mini-Zine!

Introducing WoD HalloZine, a mini-Zine project for the Month of October!

WoD HalloZine is a short, one month project celebrating community and fanworks based on the World of Darkness. This zine will be free and distributed digital-only on socials. The theme of the zine is Haunting. Whether it be wraiths roaming the halls of an abandoned mansion, demons bound to their hosts, vampires lamenting on the nature of their immortal existence, or Garou communing with spirits in the Umbra, tell us your tales of dread, longing, and sorrow featuring your original characters. What sordid secrets are hiding in the dark? What Haunts You? How to Participate This is a time-sensitive event that's accepting submissions from September 24 - October 31, 2024. You can submit any art or written work based on original characters in any of the World of Darkness properties. You are welcome to submit existing work that hasn't been featured in a zine or create a new piece based on the theme. To sign up and be eligible to participate, please submit a form here: https://forms.gle/nnrShH3LDhbBtvip9 You will be contacted at least two times during the event: first to confirm your participation, second to check in and collect your final submission. You can always message more for questions and inquiries. Submit your piece through email or via DM on Discord. My Discord Art Server Gallery Noir will have an event specific channel for up-to-date news and a space to socialize. Joining is optional and not required for the zine. There are no limits on number of participants or submissions for this project. After October 31, all submitted pieces will be compiled into the zine and distributed via PDF format on my socials. No submissions will be accepted starting November 1st. Along with being in the Zine, you are welcome to post your pieces to your own socials and use as you see fit. If you do, I would appreciate if you tag me and use the tag #wodhallozine , though it's totally optional to do so! Submission Guidelines

This is a low pressure event where there are no hard standards on quality or content. I want everyone at all levels and mediums to express themselves however they see fit. There are no editing or draft phases and I will do my best to showcase the biggest variety of work across the community. That being said, to keep the project manageable and social media-friendly, there is a small list of guidelines for all work. General Content Guidelines

16+ or Rated-R at most

NO NSFW or sexual content

NO Gore or Extreme Violence

Light Blood and implied violence allowed

NO Offensive content like slurs or hate speech

NO AI generated or assisted work

If you have questions on what these mean, send me a DM.

Art Guidelines

You can choose to submit the following categories:

Single illustration/Image file

Short Comic (1-2 pages)

Any Size, 300 DPI, CMYK, PNG or TIFF format

Subject to formatting and placement choices

Writing Guidelines

You can choose to submit the following categories:

Short Story (3k words max)

Poetry/Prose (2 pages max including formatting)

English only, DOC, PDF, or ODT format

Subject to formatting and placement choices (please note if you'd like me to keep specific font and formatting choices)

You are open to submit as many pieces as you like. I reserve the right to include, exclude, resize, and rearrange pieces at my discretion for the sake of the zine's final composition. If a piece requires edits, I will touch base with you on the specifics. For any questions or concerns, email me at vampy269@gmail or message me on Discord at vampy8020. Thank you for your interest and have fun!

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[fadingstudentbananacookie]

Ship dynamic:

Rhysand x Cassian x Mor

What if Cassian sees Mor as an extension of Rhysand, which is why he gravitates towards her so much?

When reading ACOSF, Cassian came off as Rhysand's number one simp throughout the entire book (besides Feyre). Weirder is the relationship between Cassian and Mor, which has a clear sexual undertone, even though he repeatedly claims he sees her as a sister.

The thing is, Cassian grew up in a highly hypermasculine and abusive environment, so I'm sure that same-sex relationships were seen as forbidden and generally disliked in Illyrian culture. I definitely think he has some sort of deep emotional/romantic attachment to Rhysand, which, obviously, the latter doesn't reciprocate at all. So he goes to the person who's the most similar to Rhysand (figuratively and literally), and that's his cousin. In many ways, Mor is the safer option for Cassian and a way to keep a part of Rhysand to himself. Whether Cassian is aware of his feelings for him or isn't makes it all the more interesting.

In the same way, Cassian gravitates towards certain people who share similar personalities with Rhysand. Other than Mor, I can only think of Nesta. They are both stubborn, prideful, bitchy (a definite yes), headstrong, and powerful. I wish SJM could have written him like this. It would have made him a more complex character and a lot more pathetic, but still interesting to read.