#like wanting the narrative to go so much his way that maybe literally entirely having yn (as a meal lol) would be like the best for well-

[the-moon-pal]

Thinking of Snake Actor Mark surprisingly and now I'm thinking of running with an idea HDHDH

[raininyourblackeyes]

Okay but it would be cool if that war Fukuchi received warning about actually happened. Like he received a warning and was scheming this whole mess of a situation to stop it but what if that exact plan of his is precisely what leads to the conflict? What if the warning was sent as a desperate hope that something would change, that he'd make a better plan... but no. It was always going to happen. There was no escape. Ever.

[legobiwan]

We need to talk about this. And I'm going to start right off with a contentious claim:

Ford was willing to gamble the fate of his entire dimension to feed his ego and insecurities and Bill had him pegged from Square One.

This sounds like a harsh statement. It kind of is. When we first meet Ford in the show, all we end up learning from him is that restarting the Portal was dangerous and could (and did) create a rift that would open the door for Bill and his gang to end the world. And Ford pins this entirely on Stanley, excoriating him for not listening to his warnings in the journals and doing whatever he wanted, like a set of monkeys flinging shit at walls until he happened to get it correct.

Ford is a highly unreliable narrator. After all, as Stan rightfully said, who built the portal in the first place?

But we need to go deeper.

In Journal 3, Ford speaks to the necessity of hiding his journals, which he - to be quite honest - does a crappy job of. Why keep two out of the three journals in Gravity Falls, a mere hair's breath from the actual Portal, which for some mysterious reason, Ford has declined to - you know - actually destroy? Why bury the Journals near an elementary school with children - children who tend to be curious creatures and can and will find a way to discover what they shouldn't? Why call on your estranged brother who you claim to despise as an absolute last resort? Ford's narrative, if you really start to analyze it, makes zero sense. And it makes zero sense because it's an edifice, a personal mythology meant to be a bulwark against the horrible truth of Ford's motivations.

"I've stared at the fire, journals in hand, for hours. I just can't do it. The knowledge in here could be a gift to mankind, the portal's potential limitless. Am I really going to destroy it all just out of spite? No, I won't give HIM the satisfaction. Instead of destroying my work, I'll find a way to DESTROY BILL INSTEAD. If Cipher has a weakness, I'll find it. I'll outsmart the devil yet! He may be a god, but I am a scientist."

Ford could have ended this thirty years ago if his ego hadn't gotten in the way. All he had to do was burn the journals and destroy the portal, just like every other human Bill tried to con over the years. How much did Ford actually care about the end of the world as much as he cared about Bill's betrayal and losing his earth-shattering (quite literally) research?

He didn't. And given this, is it a surprise that Bill, when he finally was able to breach dimensions and start Weirdmaggedon, still placed bets that Ford would join him in the end? The man who said, "Fuck the universe, I need everyone to know I was right."

This isn't about the possible apocalypse. Ford doesn't make one, single mention of that here, doesn't seem to give one fuck if the world burns, as long as he can prove himself to be better than Bill and better than everyone who doubted him for all his life.

And this is why, I am certain, that when Bill perused Ford's possible futures, a large majority ended up with Ford turning to the dark side, as it were.

There's a reason Ford pulled these journal pages. They don't fit his self-constructed narrative of the heroic martyr who wants to save the world. Ford edits his own story again and again, pushing everyone away so they won't see just how insecure and absolutely desperate for validation he is.

Sound like someone we know? Maybe a yellow triangle who literally outlines the steps to denial in his teenage angst journal?

Bill, in essence, promised Ford the universe. Yes, literally, but also the universe in terms of what Ford always wanted - recognition and revenge. Ford, by not destroying the Portal or his journals, didn't 100% reject this proposal, even if that equivocation was subconscious. It's why - I think - Bill feels Ford's just put him "on read" after he fell through the Portal (according to Alex Hirsch).

Ford's going to have to come to terms with this. Maybe he did during his time in the Portal. We have no idea how much Ford did or didn't mellow while being stuck on the other side of the universe, although we do know a) he still holds a massive grudge against his brother and b) Bill is still able to play him like a lyre when he asks about the equation to pop the bubble around Gravity Falls. (And I do not for one second believe that Ford was trying to buy time when he admits that "Of course, a simple equation could collapse the barrier," when Bill questions him about it. Ford needs to prove that he knows the answer, that he figured it out, that he's a scientist and outsmarted a god. Again, if the kids and Stan hadn't come to Ford's rescue, it's very hard to say where Ford would have landed in the end).

The thing is, there's a part of Ford that realizes he's being an ass, that he needs someone. We see this with Bill, obviously, with Fiddleford in the ways Ford runs so incredibly hot and cold with the man (I need you, no I don't need you) - with Stan, who is a last resort but the only person Ford trusts enough to summon to Oregon. Because Ford didn't need Stan to destroy the journals or the portal - but he needed someone, maybe he needed a dollar-store Bill in his life, maybe he just needed someone to reach out like that. Ford fucks it up, wildly, as he can't let his ego go and allow Stan (who is being extremely practical, if bitter) to burn the journals like Ford should have weeks previous.

And well, we all know how that turned out.

What I'm curious about - and what I think needs to be covered more in fandom - is how Ford deals with all of this post-Weirdmaggedon. He's obviously in contrition mode at this point, swinging wildly to this penitent, self-abusing figure who will claim fault for the tiniest infraction.

That's not going to last him long. The type of change and self-reflection Ford needs is not going to come overnight. At some point, his uglier tendencies are going to rear their head on the Stan O'War and Stan is going to have to weather the blowback (or just throw his brother overboard). One might say Ford himself needs a little time the Theraprism, as he nearly consigned his own reality to damnation just like Bill did.

I love Ford. I adore Ford. He is so, so, so complicated. But ohhh boi, Fordsy, do you have issues with a Capital "I".

[dykesynthezoid]

I do think we’re getting at least some escalation of devil’s minion in s3 btw. And I don’t think that’s even me being hopeful or optimistic I think it’s literally just logical.

I’ve seen people say oh, but devil’s minion happens in QOTD, and s3 is TVL; and firstly, they’ve definitely made it sound like some elements of queen of the damned are going to be present in s3. Secondly, I suspect season 3 is going to end with the lead up to Lestat’s San Francisco concert. So the whole season will be both Lestat backstory + the set up for the events of QOTD. And devil’s minion happens, guess what, before Lestat’s San Francisco concert. It would almost not make sense to not at least touch on it while the other story beats are culminating up to that moment. Like, Daniel and Armand are already present in the story (where they aren’t in the book in the modern day storyline), why would you not continue their storylines to the next logical step?

Also, I think you have to consider just how many new characters and storylines QOTD introduces and how daunting that can be to absorb if you’re unfamiliar. Waiting to do anything with devil’s minion until season 4 means that’s just one more new storyline to have to inject into a narrative already very crowded with exposition. It just doesn’t make a lot of sense to do that, and I suspect the writers are pretty aware of that.

And frankly like. What other storylines would Daniel and Armand be getting? Like how are either of their stories supposed to move forward without, y’know, each other? Are we supposed to expect all of season 3 just to be one big pause button on both their larger narratives? That seems very silly. Daniel at least has the journey of adjusting to vampirism, but Armand especially is like. His semi-redemption and character evolution comes from devil’s minion. That’s the only real next step for him.

And I mean. Look at Assad and Eric. I don’t think Rolin Jones could convince them to wait a whole other season for something to happen if he tried. I know, I know it’s easy to be like “oh but maybe it’s just actors being silly” but compare how open they’re being about it now and how much more tight lipped they were in between seasons one and two. It’s night and day. It is a very very different vibe. And apparently, Assad has been plenty excited about it this entire time, so he was actually somehow managing to keep his mouth shut before. But now maybe he doesn’t need to, because he knows season 3 will at least offer something in the way of that development.

I think it’s entirely possible we won’t necessarily see the full “culmination” of their relationship until season 4, but I do think season 3 will at least have development and escalating tensions that are undeniable. I think it’ll likely start out slow and ramp up as the season continues. I’m not going to panic if we don’t get much in the first few episodes or if it takes until episode five to see Daniel’s turning. That might be needed, honestly, in terms of giving Lestat his necessary focus. But I think more small pieces will begin to accumulate, will escalate to a place of higher tension by the mid season, and then the finale will include some type of reveal or emotional climax, setting things up going into season 4.

And you know what, it’s worth mentioning: things have happened faster on this show than I expected before! I did not expect Daniel to be turned at the end of season 2. I thought we probably had a whole other season to go before that happened. “Well they were afraid of cancellation” / “well Eric just wanted to be a vampire so badly” and will these things also not apply to season 3/Eric and Assad wanting devil’s minion?? Idk babes. I’m doing the math and it doesn’t seem that crazy to me

[nevermeyers]

Yeah, I know I said I'd keep quiet about it because I plan on ignoring the ending. I've done it plenty of times, even with books I consider my favorites. "Oh this book is so good, it's one of my faves... How does it end? I don't remember." I'm going to do that with jjk because I've done it more times. Anyways.

Seriously, where's the character development? Why dedicate an entire chapter to showing how much criticism affects you and making excuses for your narrative instead of fixing it? Gege could have written about the characters and their problems, their worries, their evolution even while talking about how the politics of jujutsu world are changing rn.

What are Nobara's thoughts right now? There could have been an entire chapter dedicated to her character to fill in the gaps and finish defining her, what about her mother? How does she feel about her childhood friends? What are her plans now?

What about Megumi? Yeah, seeing him laugh was therapeutic, but honestly his character hasn't had the development/ending I expected. The timeskip was weird, his acting is literally the same as the beginning of the manga. It feels like I'm reading the same person who appeared in chapter one and not a traumatized boy who is learning to live. Where is Itadori teaching him that it's actually worth moving on? Where's the whole PTSD thing I'm sure he has? (fuck megumi haters btw fuck them, and fuck the way they victim blamed a kid). What are his thoughts about Gojo? About Sukuna?

Yuuji... Our mc. I was expecting to see him mourning Choso, mourning Gojo. But no, apparently it's more important to explain that there was a secret society (lmao) than to have him show respect and tears for those people he loved. His family, who he never got to spend time with, and his sensei, who decided not to execute him and who taught him almost everything he knows. I wanted to see him taking his friends to the movies to see some B-movie horror instead of going through the horror of watching characters insult him and tell him that it's better if he were dead.

And yes, I know there are two chapters left and some of the things I mention here might appear, but we've already wasted our time with one chapter, that's many pages. There won't be time to fix whatever is this. I feel bad :/

Now, one of the things that bothers me the most is that there are characters that were implied to be dead and now suddenly appear alive. I thought this was about letting the new generations create a fair world, but no. Do you know which character bothers me the most? Mei Mei. No, I'm not against someone writing sa/csa in fiction as long as it's not romanticized (I accept the unreliable narrator because that happens a lot irl and it's sad). The thing is that Mei Mei literally embodies the values ​​of the jujutsu world. In the jujutsu clans there was everything, sexism, abuse, neglect and most likely incest since (at least that's how I see it) they are like the monarchies of the Middle Ages. Mei Mei is the embodiment of all those rotten values ​​that Gojo hated, that the new generations are destined to eradicate. Seriously. What is she doing alive? Take her out rn. Gojo didn't die for this.

I read someone saying that maybe the point of this chapter isn't to break the cycle, but to repeat it. I have to say that I'm a big fan of that trope! It reminds me that humans repeat the same mistakes, but even if that were the point I think it wouldn't be well written.

There came a point in the story where both options: love is worthless and love is worth it were acceptable by the end of the manga. This is the ending where love is worth it, but why hasn't anything changed? The characters we saw in 269 are almost exactly the same we saw in chapter number one.

If this is a story about how love is worth it, accept the consequences and write characters who, thanks to love, move forward and build a new world instead of neutralizing any kind of development

[aetherialpiplup108]

So, I've always been a little upset at the way Thalia was cast aside after TTC considering how important she was as a thematic clinch for the narrative (like, how wild is it that her death was a primary instigator pushing Luke towards his warped ideology—bro literally spends books 1 and 2 going "oh, you want to talk to ME about Thalia?? Well guess what, she'd be on my side"—and then she shows up with an uno reverse card, effectively ensuring his downfall etc. etc. etc.) and the neglect of her character comes to a head in the climax where she's irritatingly not present even though the entire moment centered around her dynamic with Luke and Annabeth.

But.

There is something to be said about how the only reason Annabeth is there to shock Luke into disillusion is because Thalia shoved her to safety, getting trapped underneath Hera's statue in Annabeth's stead. Thalia never gets the "lost family" emphasis that Luke and Annabeth get because she's always pushed out of the storyline (spending the first half as a three, the latter as a hunter) but even so, her love for them is embedded into every action she takes throughout the series. Luke might have been the one who made the promise to the little girl they found on the streets, but Thalia's the one that kept it.

Still…how cool would it be if the statue fell after the gang already reached Luke—forget Hera, what if it was Kronos/Luke that caused it to fall—and Thalia instinctively pushes Annabeth out of danger at cost to herself highlighting that the main difference between her and Luke is not their feelings towards the gods but that Thalia can't hurt Annabeth or another innocent demigod whereas Luke is so blinded by his personal anger, he's forgotten who he's supposed to be fighting for. And Annabeth sees this and just snaps because this is her family, the only people who were there for her as a kid, and they keep hurting each other over and over for a cause they each believe will serve her. It hurts so much that Annabeth doesn't even look up as Kronos stalks over and Percy screams for her to get out of the way, but she does spit out a bitter, "Family, Luke. You promised", and Luke flinches, turning unconsciously to look at Thalia and sees the legs she broke trying to stop him from hurting Annabeth of all people, and realization crashes upon him like a pile of bricks that he's hurt the two most important people to him in the world. So then he begs Percy—who's watching all of this with a damn, what soap opera did I just walk into expression—for the knife and tries in his last moments to rectify the ridiculous mess he's made and offers a well-deserved apology to the girl who stepped up when he did not and the other who never gave up on him.)

or maybe that's ridiculously cheesy and dramatic and totally stupid. idk.

[dubiousculturalartifact]

Obviously I’ve been queerbaited before, like, a genuinely incalculable number of times, and maybe thinking Buddie might actually go canon is a ‘fool me sixteen times, shame on me’ scenario, but I think one big thing that’s keeping my hope alive is this thought: If you genuinely believe that Buddie isn’t going to go canon, 100% zero possibility and absolutely no intention of trying... Then you also have to believe the people who create the show we’re all fans of are purposefully cruel dicks. 

Because we have SEEN what it looks like when the showrunner of 911 knows there is no possibility of it happening, has no plans of it, and is generally trying to avoid accusations of queerbaiting.

It looks like S5 & S6. Little bits here and there, the odd important scene to throw breadcrumbs… but a lot of keeping the two characters apart, being circumspect in interviews, PR shut downs on the actors, etc. The show has proven they are capable and willing to exactly that!

So indulge me, and imagine for a second. They had the conversation with the new network, and the execs told them they wanted to continue with the status quo, to write as if Buddie is never going to go canon, BUT were willing to bend so far as to make one of them queer, to keep the fans happy.

What would that look like?

I don't know, call me foolish.... But I think it would look like keeping the same dynamic from The Drought Seasons. Having them be friends and important to each other but still fairly disconnected, not having as much screen-time, etc, It would look like having Buck’s coming out arc be a SEPARATE, individual narrative. If they just wanted to write Tommy and Buck, and that's it, they could have done things differently.

There are just so many conceivable ways they could have written Buck’s coming out arc, to almost completely separate it from Eddie and have it be made clear, in no uncertain terms, that Buck is bi but that doesn’t mean he cares about Eddie like that, that Eddie is a hetero McHetero.

Buck’s coming out arc could have included him being jealous because he’s suddenly faced with Tommy in the flesh and is insecure about how he was technically ‘Tommy’s replacement’ at the 911, with Eddie not relevant to it at all, or have Maddie and Chimney be the ones to interrupt The Date, or literally any other scenario that didn’t make it all about Eddie. 

They could have had one short scene where Eddie and Buck talk about it, and then the rest would be like, Buck talking to Hen about being queer, Buck interacting just with Tommy and getting to know him, Buck doing a research binge about bisexuality and info-dumping at an inappropriate time during a call, etc etc etc.

That’s how you tell that story and only be writing it for the proverbial ‘general audience’.

But they didn't. They purposefully reversed direction. They chose for Buck’s coming out arc to... highlight his nigh-feral jealousy over Eddie forming a homosocial bond with another guy, having said guy repeat with genuine surprise and shock that it was him and not Eddie that Buck was interested in, have Eddie interrupt their date, have Buck be more worried about lying to Eddie than the fact that he’s queer at all, have Maddie say what she did to Buck about telling Eddie in specifically ambiguous terms…

In a season that also included the Fire Extinguisher Incident, and Buck saying he ‘wishes he could help’ with Eddie’s sexual frustration, and a big increase in social media engagement, and having Buck being Eddie’s rock in the last few episodes while he had a bizarrely platonic affair with his dead wife's doppleganger…

If they did that while KNOWING the plan was actually for Buck/Tommy endgame and Eddie riding off in the sunset with a hot female firefighter who has a cool motorcycle or whatever the fuck, or them both dying in a freak car-washing accident, or….

If they GENUINELY planned that? If the entire Buck jealousy plotline was intended to be nothing more than a deliberate queerbait-and-switch? Then they’re fucking assholes, sorry. They would have to know full well exactly what they were doing, how many people’s hopes and emotional investment they were toying with... If they were actually planning to keep dragging it along for seasons more of baiting and dangling things in front of us, while knowing categorically that they had no plans to deliver? That would be genuinely GOD TIER levels of specific, intentional queerbaiting.

Which could be the case! I won't deny that. Shows have done it before, plenty of times. Tim et al could be callous bastards deliberately instructing the actors to wink it up in interviews and share suggestive Tiktoks, and writing Buck’s coming out arc as being entirely focused around Eddie and throwing out hints... All while laughing behind Buddie fans' backs about our gullibility, how we’re keeping the show trending on the force of our delusions, etc. Maybe that's it! Maybe they just genuinely enjoying fucking with people. Or maybe they were just shitty enough writers that they didn't know what they were doing, and it was all a total accident, somehow, the proverbial monkeys pounding at keyboards and accidentally spelling out B U D D I...

But you know what? Call it naive, but I prefer to think they’re not huge assholes, or hugely incompetent.

That there might actually be a point to all this, somewhere down the line.

I guess we'll find out.

[xf-cases-solved]

i am aware that this is likely not a new take at all, and i'm not like, claiming it as mine, but i never had the chance to have this opinion (or hear other ppl have this opinion) on a public forum before, so i just want to take this opportunity to say to another person, possibly for the first time with the exception of mb my mother, who is no longer here to agree with me, that "existence" came out when i was 8 years old, i watched it live, and literally the day i watched it i remember thinking to myself "why did they have a boy named william? they should have had a girl named samantha. OF COURSE they should have had a girl named samantha," like it felt so obvious to me

and tho i couldn't rly articulate it this clearly at the time, my little muddy 8 year old thought process was that the entire story of the xfiles starts with samantha, right? mulder has his beliefs bc samantha was taken; he says so in the very first episode. the whole reason he even thinks aliens are real to begin with is bc of samantha. the person he spent his whole life searching for was samantha. he MET SCULLY bc of samantha. samantha is the thread that ties the whole story together, so then how beautiful--how narratively perfect--would it have been to tie THEIR story--their love story (bc xfiles is, at the end of the day, a love story, fight me) up with a bow, where the beginning starts with samantha getting lost, and then ends with samantha there in their arms, finally found, just in a different iteration. (instead of naming the baby after mulder's dad who he doesn't even like? or scully's dad. or scully's brother. or mulder's middle name, which is after his father ik, but still, why are there so many fucking williams??)

like, imagine it. rly sit there and take a moment to imagine how the end scene in "existence" would have gone if mulder had said, "what are you going to name her," and scully had said, "samantha"

not only does it get the "ding ding ding, you're the dad!" point across, but how fucking Touched would mulder have been to have the woman he loves--the PERSON he loves--more than anything on earth honor the sister who took up so much of his soul for so long? who always will take up part of his soul, just in a healthier way. it would be scully saying, "we know she's gone from this world now, but she's not gone from our hearts" emphasis on OUR hearts, bc mulder's pain is scully's pain; mulder's quests are scully's quests. she never met her sister-in-law (they're married, fight me), and will never have the chance, but by naming their child after her, she would be saying, "i love her anyway. i love her because you love her, and because anyone you love deserves my love as well, bc we are intertwined at our core. our fundamental values, our suffering, our joy, it is felt in us both concurrently, bc i am your person, and you are mine, and together we made a whole other person who is a literal representation of our combined selves, and we are going to call her SAMANTHA, bc that little girl you watched get stolen from you however many decades ago has been the pillar that has kept us going as a team for the last eight years"

or maybe it would have been even simpler than that. maybe she would just be saying, "your sister is IMPORTANT, mulder, even in death, and her memory isn't held only by you. it is unrelenting, and preserved forever in our child"

i wanted that scene. i wanted to feel the heaviness of mulder's grief mixed with his elation and gratitude and love. i appreciate william for who he was in the scheme of things, but that moment in the bedroom, with their baby between them, shouldn't have been lessened for me bc they chose a name that made me pause and go "his dad was named william? oh yeah! forgot about that guy, it's been a few YEARS since we saw much of him, and what we did see of him wasn't like... awesome. but sure, name your baby that ig, if you must"

that scene should have hit so much harder, and if that baby had been a samantha? it could have hit like nothing ever has, and for all the mishaps that show took after that (and there were MANY), i think the thing i will always have the most resentment for is the fact that i felt robbed of something that would have meant so much to me as a viewer who had followed their journey from the start (or, well, almost start. i was born the year it came out, so i didn't start watching until 1998, when my brain came online, but i'd seen the past stuff at least)

anyway! that's all to say, 8 year old me was salty as hell about that, and ykno what? she was RIGHT and should have been able to say it. but, again, 2001, 8 years old, not old enough to participate in fandom, so that thought has just festered and rotted away in my brain like a piece of old, putrid meat. but! finally i can give my 8 year old self some catharsis by letting her bitch and bitch and bitch to her heart's content about how "existence" should have been the series finale, and how that baby should have been a girl named samantha, and how i climbed onto that hill 23 years ago, and how i will die there with my heels dug down deep

ty, internet, for coming to my extremely overdue tedtalk. somewhere in the past there is a small child (who definitely shouldn't have been allowed to watch xfiles as young as she did, but what can you do?) finally has a weight off of her chest. it's just a tv show, and in the grand scheme of things, it doesn't matter, but also, it's a tv show that i grew up with in my formative and unfortunately very traumatic years, and it genuinely feels like a loved one who has always been there to comfort me, and so yeah, it doesn't "matter," but the truth is, it Matters so incredibly much

that's all

-diz

[salty-croissants]

I’m literally in love with your stuff. Can you maybe to Bullfrog and Rayman with an autistic reader?

Thank you for the request ! 

I’m so happy you’ve been enjoying my writings , it really means a lot ❤️

I gotta say I was a bit worried about not doing this one right … I did put a few things that I personally find relatable as someone who is autistic myself , thought it would be nice to include is all , I hope this works ! 

Details : use of gender neutral reader ; 

established relationships ; 

no warnings needed 

Bullfrog 💚 

So , this frog man ? He loves you unconditionally , and he just really wants you to know that he will always accept you and your unique traits , even when you feel insecure about them …

< I … I don’t know , Bullfrog … sometimes I just feel like all I’m doing is being a burden to y - > 

< Non . Don’t even finish that . 

You’re the most wonderful person I have ever met , y/n , and there isn’t a single day in which I’m not thankful for having you in my life . > 

< Really … ? > 

< Oui , mon amour . I long for nothing more than being with you . > 

< *sniff* > 

< Oh - Are you alright ? I’m so sorry , I didn’t mean to make you cry - > 

< Heh … it’s okay … I’m just really happy . 

I love you so much ~ >

  Bullfrog loves listening to you enthusiastically going on and on about something you’re passionate about , especially when he’s not having a good day : 

just hearing the sound of your voice is so , so very comforting to him … if he could he would sit beside you for days , his attention reserved for you and you alone . 

< … and what’s even more awesome is that there is actually a really subtle easter egg hidden in the background which changes the entire narrative for that charact - 

… wait , how long have I been … ? >

< That is very interesting my dear ! 

Please keep going , j'adore le son de ta voix ~ >

< Aww - > 

Your adorable expressions when he showers you with compliments …

Bullfrog can’t even begin to describe how happy they make him ://)

If being around people gets too overwhelming , Bullfrog is quick to pick up on that and he’ll immediately get you someplace more quiet , willing to do whatever it takes to make sure you’re comfortable and safe … 

< Is this really okay ? I’m so sorry , it’s just … it was so crowded and loud in there , and I … >

< Mon cher , there is no reason for you to be sorry … let’s just stay here for now , then if you wish to try and go back in we can do that , or we can always go back home : I assure you , you’ve already done more than enough tonight … I am very proud of you , and you should be too . > 

And if one day something starts making you very , very anxious ? 

Well , no matter what the reason is and no matter how small it might be Bullfrog is going to stay close to you to help you out in whatever way he can .

< I’m so sorry for making you put up with me like this … you already have so much to take care of , and this … is just dumb . > 

< y/n , ce n'est pas te supporter , you know that .

I want to be there for you , the same way you’re always there for me …

I promise you , we can find a way out of this , you don’t have to deal with it on your own . > 

< Thank you so much , Bullfrog … you’re amazing ~ > 

< Ce serait toi , my dear … I’m truly blessed to have you by my side ~ > 

Rayman 🧡

Saying that you mean a lot to this man would be an understatement …

You mean absolutely everything to him , so you better believe that Rayman will always be careful about all the things that could potentially make you uncomfortable , remembering them all very accurately .

< Here sweetie , hold my hand for a moment … > 

< Oh - okay , but why ? > 

< We’re gonna need to pass through that crowd over there , it should be quick but I don’t want you to get overwhelmed by having many people and loud noises all around , so let’s just stay close until we get through … > 

< Thanks Ray … just … don’t let go , please . > 

< I would never . > 

All the effort Rayman puts into making you feel as comfortable as possible no matter where the two of you are … it never fails to warm your heart . 

If anyone even remotely says something mean spirited about you … 

Ohh boy , he’s not going to let it slide .

< Uh , excuse me ? WHAT was that about my partner ? > 

< Ray , honey , it’s okay … > 

Yeah , Rayman is definitely very protective of you , and he will defend you with no hesitation if anyone dares to try and make you feel inadequate in any way . 

Rayman loves listening to you talk about whatever topics come to your mind while he’s working …

It actually helps him focus quite a lot , and he really never gets bored of seeing how happy you look when info dumping about something you’re passionate about .

You’re just so pretty ! He can’t get over it …

If you tend to lose focus to the point of forgetting to take care of yourself , Rayman has got you covered : he makes sure to remind you to eat and drink water often , even leaving little notes in places where he knows you’ll find them …

“Important : remember to eat today ! <3”

“If you’re reading this … get a glass of water !” 

His devotion to you is nothing less than adorable … but then again , you’re the person he cares about most , the one that showed him kindness without asking for anything in return , so now ? 

Rayman deems it only fair to repay that kindness in his own way . 

[ourflagmeansgayrights]

man i saw this and i was gonna write a whole post abt how maybe the problem for these ppl isn’t that ed wasn’t punished enough (even tho that’s what they say) maybe it’s that it’s a poorly-executed redemption arc but they don’t know how to verbalize that.

and that would actually make sense bc ed doesn’t have a redemption arc in s2. bc the show does not think ed needs redeeming. even at his worst and most harmful to the people around him the show is deeply sympathetic towards him and gives us sooooo much screentime dedicated to showing us that everything ed does he only does bc he’s hurting. which doesn’t excuse any of what he does but it does shift the narrative framing away from an actual redemption arc, where a character needs to like, learn why the things they did were bad and try to make amends. but ed never needed to learn anything, he knew his actions were unacceptable and that’s why he did them. he was trying to be the most horrific monster he could be in hopes that someone would get sick of him and kill him.

so then i went looking for an old post i wrote abt redemption arcs to talk abt why ed’s s2 arc probably reads like a poorly-written redemption arc for ppl who are expecting an actual redemption arc and. i change my mind actually. because “is this character willing to accept that their behavior is harmful, to make amends for their past behavior if at all possible, and to try and become a better person?” yeah we see ed do all of that tho.

Accept Their Behavior Is Harmful: i mean aside from the fact that ed knew this the whole time, we also see ed talking to fang about how guilty he feels for how he treated the crew. but like this isn’t zuko slowly unlearning an entire lifetime of fire nation propaganda, ed doesn’t need a season(s)-long arc abt this. He Already Knows

Make Amends For Their Past Behavior: like literally the whole thing with getting pushed off the ship!! wearing a sack and a collar at the crew’s behest!! he’s very much trying to make amends!!!!!

Try To Become A Better Person: there’s a lot i could talk abt here but just on a surface level, he’s trying to quit his job where he attacks and steals from random innocent ppl for a living. like objectively that job does not make you a good person. and also that job makes him miserable and when his mental health is in the shitter sometimes he hurts other ppl in his efforts to hurt himself so like!!! he is very much trying to not be the kind of person who forces crew members to fight to the death anymore!!!!

so yeah, thinking this was abt a “poorly-written redemption arc” was giving these ppl too much benefit of the doubt lol they just want to see ed grovel and suffer for an entire season, which was never going to happen lmao. the show thought izzy had more to apologize for than ed and that’s why ed’s apology was one sentence and izzy’s apology was a whole speech on his deathbed. the show thought izzy needed more punishment for his actions than ed did and that’s we see izzy get put through the physical ringer in the beginning of s2 and ed getting beat to death by the crew happens off-screen. ppl can argue all they want abt how ed did so much worse than izzy but at the end of the day the show disagrees with those takes and that’s why it treats these characters the way it does. die mad about it.

[justatalkingface]

for an op izuku story. it could even make aizawa’s reaction towards izuku understandable in a way. smart, powerful midoriya who came 1st in the entrance exam by a country mile, who was quick to make friends and those friends call him “Dekiru” because he can do it. maybe he couldn’t see past the shiny quirk whose only weakness is being TOO STRONG of all things. he’d still be childish and ignorant but more realistic i think. i stumbled upon your post from last year about op izuku and i thought it was a great read

You want to know the interesting thing? That's almost canon.

The thing about Aizawa's introduction to us is that he spends the entire time lying: not just at the end, where he says he was never going to expel anyone and the entire thing was a 'logical ruse'; he goes through about three different excuses for why he's even doing this: first, that they're 'too happy', which was always... deeply fucked up.

Then he zeroes in on Izuku and starts on about how uncontrolled his Quirk is, and combined with his reactions watching the them apply it makes it seem like maybe that's the reason... but after awhile All Might chimes in, and Aizawa unconsciously agrees with him, in that he's doing this because Izuku is like All Might.

The fact that he's a pure-blood product of All Might's Plus Ultra philosophy pisses him off so damn much that he goes through all this to find an excuse to try and kick Izuku out, knowing his Quirk control is terrible... and, as I've discussed before, when peak!human Izuku and his super throw outperforms a girl whose only power is invisibility, he fudges the results to put him at the bottom.

Literally, the the Quirk Test 'arc' is build around Aizawa's vendetta at All Might, Plus Ultra, and, as an extension of them, Izuku. And even if Izuku was actually the second coming of All Might, and, like All Might himself, actually able to use the Quirk from the first minute, All Might makes it clear that, no, he couldn't actually stop Aizawa from kicking out Izuku. Even though he's the Number One Hero.

Because Reasons(TM).

For whatever fucking reason, Eraserhead was given an absurd amount of power involving his students, and I don't think there's canonly anything stopping him from kicking out someone he just doesn't like, and the only reason he didn't kick out Izuku was his weird, twisted ethics that said only breaking a finger was such a big improvement he deserved to stay... and then he did nothing with the whole, 'breaking his finger' thing.

I'm not sure on the exact details, I'd need to brain storm it, but in an OP!AU where Izuku was able to actually use his Quirk I could imagine him constantly trying to test Izuku, looking to undermine him with morals and making the right choice in, like, disaster scenarios and what not (you know, that thing we had implied for five seconds before Shigaraki showed up), trying to make Izuku make the 'wrong' choice so he could have a 'good' reason to expel him, since once upon a time that shit actually mattered.

Have you read Ao No Exorcist? The way Rin was treated always pissed me off, and the fact that pretty much everyone did it kinda drove me away, but that kind of attitude is exactly what I'd imagine for this, where Eraserhead wasn't narratively made the Best Teacher and Izuku was allowed to be great, an attitude of constantly having to earn his place, again and again and again, and passing whatever the most recent test isn't proof that he's 'worthy', but that he's just barely making the absolute minimum.

You know, that, or just the energy Sir Nighteye had in general.

(Fuck Sir Nighteye.)

[audreyscribes]

Ω PJO DEMIGOD HEADCANONS:💀 PERSEPHONE: QUEEN OF THE UNDERWORLD, GODDESS OF SPRING, THE DEAD, THE UNDERWORLD, GRAIN, AND NATURE 💐 (PART 1)

AUTHOR'S NOTE: This is PART 1 of the Persephone Demigod Headcanons. Due to the size limit of Tumblr, I had to split the entire work into two. [LINK TO PART 2 HERE] Hi everyone! It took me a bit to figure it out but here's what everyone has been waiting for! Persephone is just 1 out of the 4 works I have planned and written for, and these works will be categorized as the MISCELLANEOUS GODS due to not the fact these gods are minor or anything, but because I did mention this in an ask before and it's easier to think about due to the canon PJO world building. These works will be a bit more loose since I'm taking a shot in the wild so hopefully you guys like it. Thanks for reading!!

*Disclaimer: mentions of unusual births, life and death*

People have been wondering if Persephone would have a demigod of her own, considering Hades has his own children, but also it’s slightly more believable if people know about the story of Adonis. However, there are very limited ways that the goddess would give birth to a demigod, since she’s very loyal and in love with Hades, and vise-versa.  

How you could’ve been born:

You really could’ve been born normally where Persephone’s eyes fell upon a mortal, when it was during Spring or Summer, or when the autumn and winter months have been delayed. 

Honestly, I can see this going for either gender of mortal: If your mortal parent is male, Hades couldn’t have done much because he knows Persephone’s preferences are strict and the last human she fell in love was Adonis, that Aphrodhite herself loved as well, so, Hades worrying about her being (repeatedly) unfaithful is very rare so your mortal male parent is the exception. So don’t expect any or more demigod siblings of Persephone. Not totally out of Hades’ ire, but given how many demigod children he has, he really doesn’t say anything. If your mortal parent is female, I can see it being this unusual birthing process where some sort of guidance is required: maybe Persephone offered a seed that your female mortal parent swallowed and boom, you were born. 

You’re a cabbage patch baby or a rose baby. or you’re born from a Peach. Turnip baby. Any plant based births. Quite literally. Don’t ask how this exactly works, but it involves the blood, sweat, and tears of your mortal parent planting the seed that Persephone gave/helped and raised you together. 

There’s a story where a woman ate a red and white rose to give birth, and I don't think that's not off the books for Persephone to do. Offering the flowers or something for your mortal parent to eat and boom, here you are-

You were either or an orphan, a completely child/baby that was near earth or had died, and you underwent the same process that (Zagreus)  Dionysus underwent with the weird death-rebirth thing; where you were (SOMEHOW) taken in by Persephone physically then reborn as a child of Perseophone when she gave birth to you. Since you technically died, you lost half of your mortal self because of the whole dying thing, but was replaced with Persephone’s godly portion.

That said, you’re not probably a double demigod if you went through the whole rebirth thing: where before you were a demigod child that died before Persephone gave you a new life. If you are however, oh boy, the Fates have something planned for you and it will not be an easy/happy life for you; doomed or tortured by the narrative. Your happy ending will have to be earned and fought with blood and tears. Afterall, the more powerful the demigod, the less easy it is for them.

 Either way, I don’t really see Hades targeting you on the level Hera does to the children of Zeus; though you still might want to refer to Hades (very) politely as Lord Hades or Godly Step Father. Just good manners, you know.

Regardless, everyone at camp is very confused and looking at you in a mixture of wonder, uncertainty, fear, amongst a few. When you get claimed, it’s like Spring has arrived, even when it’s Autumn or Winter. Nature blooms all around you with such vitality no one has seen before, with flowers, grains, and crops sprouting underneath your feet and all around you. Once the claim is over, if it’s Autumn/Winter, the world reverts back and everyone can see the rot that surrounds them except for you as you walk. 

Everyone expects you to be either a “Flower prince[ss]”, a soft person like Spring, or “A Prince[ss] of the Underworld”, terrifying like your mother. However, while you may lean one than the other, you can be both. Afterall, Persephone may be one to bring growth and fertility to the earth, and everything, she is also just as much as Kore that lends to herself being the Goddess of the Underworld and the dead where destruction follows. On the other hand, it’s a pretty cool thought where you’re wearing a crown of flowers and being all soft looking but switch to something darker with the flower petals falling off, to reveal a crown of thorns with the shadows curling around you to almost seem like your face is a skull, and vise-versa. You do you.

When you walk on the earth, you’ll sprout flowers and plants underneath your feet but as soon as you raise your foot to step away, the plants will wither and die, leaving rot behind. Sort of like the God of the Forest walking in Studio Ghibli’s “Princess Mononoke” .

[PART 2 TO PERSEPHONE DEMIGOD HEADCANONS HERE]

[stagefoureddiediaz]

ugh this is horrible news tommy is still around, hope to god he's gone in the finale. v

Maybe in your world Nonnie, but not in mine and I'm not entirely sure why you felt the need to come and complain about it on my blog, but here we are!

It makes perfect Narrative sense for Tommy to still be around in the back end of the season, and even possibly into the start of season 8. The show is telling a story of Bucks bisexuality, so why woould they get rid of Tommy so quickly? To do so would do a disservice to that story - a massive disservice. I'm guessing you're hating on this relationship becasue you see it getting in the way of Buddie, rather than viewing it as a vital step on the route to Buddie.

Lets put it into simple terms - Buck figures out he's bi and then begins to explore that newly discovered aspect of himself. The show has also taken the time to move Buck from someone who didn't really do relationships (of the long term variety), into someone who is looking for love and looking for forever. But in amongst all of that, he hasn't really had a healthy long term relationship, the closest he had to that was with Ali and that one didn't last especially long and she wasn't around for most of it

Buck isn't ready for an endgame queer relationship right now - he is still to immature from a relationship perspective - especially a queer relationship perspective. If Eddie was available and he and Buck got together - as they are as characters right now, they wouldn't last - they're not in a position to do so successfully. And this isn't me suggesting that they need to have figured everything out before they get together - to have fully healed etc, because thats neither realistic or something I would want to see - what it means is that they both need to get to a point where they are in a healthy enough place to put in the work together, understand each others flaws, and their own flaws and proactively work towards overcoming those things together and as of right now, neither of them are - they are getting their and moving rapidly in the right direction, but Buck needs to learn a bit more, and in many ways learn how to be with a man, before he will be ready to start anything with Eddie.

The growth we're getting to watch Buck go through right now - in the aftermath of the lightening strike, his reckoning with his mortality etc and the fact he's now off the hamster wheel and moving forward - in a healthy and faster way than we've ever seen from him, speaks volumes.

Tommy is also a far better developed love interest than any other love interest we've seen Buck (or indeed Eddie) with (Abby excepted but she was a main, so had her own purpose on the show)- I'm sure I'm not alone in feeling like I know Tommy more after 3 episodes plus what we got from the begins episodes he was in, than I managed to ascertain about Taylor or Ana or Nataila etc!

Not to mention, him figuring out he's in Love with Eddie as part of this process is going to be fun to watch. The show has made no bones about re-enforcing at every. Single. Opportunity how close, how entwined and how important Buck and Eddie are to one another - the show has quite literally been prioritising that over anything else Buck and Eddie related - Buck was there front and centre - placed very much on an equal footing with Shannon and even Eddie himself in 7x01, and then Eddie was the centre of Bucks bi arc in 7x04 and in his coming out in 7x05. They are literally moving chess pieces into place to tell an amazing story of queer love in later life and creating an epic slow burn for the ages.

And finally, Eddie is, as far as we know at this point in time, still in a relationship with Marisol - why shouldn't Buck get to explore who he is and what he want's within a relationship rather than sitting pining on the sidelines - that isn't healthy in any way shape or form. Eddie still has stuff to figure out about himself.

Even Tim and Oliver have stated in interviews that this is about a happy and joyful queer experience of figuring out bisexuality and therefore within that is giving the narrative a romcom vibe. But they have also stated that Tommy isn't going to be around for that long - that he is very much a narrative device.

It is worth pointing out that timelines on various aspects of the narrative may have been shifted because of the season 8 renewal - but that is only going to help tell the story because now it doesn't have to be rushed. I'm still fully expecting some form of feeling realisation from one of them by the end of the season (my money is on Buck), setting up for season 8 and Buddie going canon either 8a finale or early into 8b.

You have every right to dislike Tommy if thats you jam - have at it, but don't come to my blog and expect me to agree with you. I'm not a multi shipper by any means - I'm a one ship kind of gal and I will be a Buddie shipper until the end of time, but within that, I am here for amazing storytelling and amazing queer storytelling - the like of which I've not had the privilege to watch on my screen before - especially one that hits so close to home. Its a really important story to tell and I'd rather it not be rushed.

And if you had to pick - I'm pretty sure you'd rather have Tommy around for a bit longer that Marisol!!!!

[m3nt4llyr4v3d]

I loathe Andre Bourgeois

I hate this man so much, I hate his character, I hate how the narrative treats him, I hate how some of the fans treat him

I hate that I’m supposed to completely sympathize with a corrupt politician, but his daughter? The one he had the sole job of raising for most of her life, and obviously didn’t teach her how to act? Yeah, she’s awful, look at how she’s treating her poor father :(.

What’s that? He constantly abused his power? He literally tried to steal from Marinette’s family at some point? Erm, well he never wanted to be a politician in the first place! He had to give up his dreams cause of his awful wife :(. What do you mean he’s still intentionally using underhanded and illegal tactics to put certain laws in place, keep the public on his side, and win elections when he literally just shouldn’t do that? Well he gave up his power, so shut up!

What do you mean his constant abuse of power in his daughter’s name would literally enforce the idea that she can get away with literally anything without repercussions? No, she bullies him! What do you mean he still should’ve not indulged this since she was like, 7? Nah, she just bullied him then too! This makes perfect sense, now he doesn’t have to take a single ounce of responsibility for her parenting! That’s stupid and he should’ve been investigated by CPS literal years ago? Well Chloe’s gone, so the problem’s fixed, right? ————— I genuinely cannot believe of the fans are defending this man. I can get feeling sorry about the treatment he gets from his wife, but some of them literally try to absolve him of any and all parenting mistakes.

“Oh well, Chloe is old enough to know what she’s doing is wrong! It’s not anyone’s responsibility except hers! Everyone tried to reason with her, oh, and the one time he tried to discipline her, she said she’d call her mom! That means that he should literally never try, because she can do that!”

Except he fucking raised her like this. Him taking responsibility for the way he RAISED HER should be, I don’t know, getting her psychiatric help? Maybe actually setting boundaries? Disciplining her and making sure she doesn’t rely on his money or power? And her threatening to call her mom to complain? Do any of you genuinely think her mom is even going to answer that call? And even if you say it’s the threat itself, you should still absolutely be pinning this on Andre: he raised her to complain to him every single time she has any issue and to abuse his power constantly, this is a teaching he reinforced her entire life. She is taught to not take any responsibility and she harasses everyone because of this. She is taught to complain to someone in a higher power to fix/do everything for her. And when he does try, once mind you, to discipline her, she’s obviously not going to stop, she’s not going to reflect, because that’s not how she was taught to act.

Also the ridiculous double standard between people who completely him and not Chloe. Chloe’s mom leaving her and being verbally abusive for all of Paris to see doesn’t excuse Chloe’s actions, but I’m supposed to feel sad for Andre because Audrey is a terrible wife, and I’m just supposed to brush all his actions, including his fucking PARENTING, aside?? Not only that, people are saying that Chloe is old enough to know her actions are wrong therefore she’s not redeemable, but somehow her fucking dad is?? The grownass adult gets more sympathy? Absolutely ridiculous

You genuinely expect me to believe that I’m not supposed to feel anything other than pure vitriol towards Chloe, but sympathy towards that asshat? Get real

[sixpossumsinatrenchcoat]

la mort en rose

A study on Ryoji, Minato, and the people they love. P3(R) spoilers abound.

“You guys are a weird combo,” Junpei says. “You know that, right?” “What!!” Ryoji gasps. “No way! Minato and I are made for each other! We’re like rice and curry! Peanut butter and jelly! We even finish each other’s…” “Homework,” Minato mumbles, swapping the papers in front of them.

Minato is… quiet.

Not the kind of quiet that makes you a good listener—the kind that makes you seem like you’re not all there. Like even when he’s standing right next to you, he’s really somewhere else, listening to something else. Buried so deep inside himself that not even sound can reach him. Somewhere that light has never touched.

It should make him bad company, but it doesn’t. Minato is exceptional company. Transfixing, even. And it’s not just Ryoji who thinks so. He’s seen Minato’s phone. It’s an endless stream of inbound texts, a hundred colorful characters vying for his attention. Most of which are left unread.

Which should be rude! Shouldn’t it? But when Minato doesn’t text back, it doesn’t feel like an insult. You just sort of assume he had something more important to do.

Maybe it helps that Ryoji is so different. ‘Opposites attract,’ and all that. Minato’s silence gestures at hidden depths, abyssal-dark and ocean-deep. And Ryoji is all surface.

“Something about him just feels so… free,” Ryoji says dreamily. “Do you know what I mean? Like nothing he says is ever forced. Like he’s achieved, oh, I don’t know, nirvana, or something; only he doesn’t have to tell anyone, because he doesn’t have anything to prove.”

“Uh huh,” Yukari says, stifling a yawn.

She’s sitting across the table from him, twirling her straw in her iced latte and trying to look like she’s not bored out of her mind. In her defense, Ryoji is kind of a broken record. It’s all, ‘blah blah blah, Minato, blah blah blah, mirrored souls, compliments and complements and narrative foils and Minato Minato Minato.’ Like, seriously, get a hobby.

When she looks up, Ryoji’s eyes are shining, his hands clasped earnestly. “Don’t you think so, Takeba-san?”

“For sure. Totally.”

She only agreed to go on this stupid date to annoy Minato into actually doing something, instead of just staring holes in the back of Ryoji’s head and brooding at him. But she hadn’t expected to spend the entire date talking about her housemate. Wasn’t Ryoji supposed to be popular with girls?

“…so mysterious!” Ryoji is gushing now. “You get the sense that he’s always thinking about something important, something real.”

“Mhmm.” A few tables over, there’s a girl wearing the cutest little cropped halter, hemmed with lace and embroidered with tiny purple roses. If Ryoji were just a little less attentive—if he’d go to the bathroom, at least—Yukari could probably sneak away for long enough to ask where she bought it. But he hasn’t.

The shirt isn’t really in her palette. That girl has the hair for it, long and dark and silky-straight, but Yukari is a summer; jewel tones wash her out. Maybe it comes in pink?

“…do you do, anyway?”

Yukari looks up to find Ryoji smiling at her, clearly waiting for an answer. Oops. She was totally not listening. “Sorry, what?”

“In your club! The Specialized Extracurriculur…” He frowns thoughtfully. “You know, I’m not sure I’ve ever heard the full name! Just the acronym. You have to admit, it’s a little mysterious.”

Oh. Oh. Unfortunately, Mitsuru explained their cover story back when Yukari was busy hating her. And now it’s way too late to ask. “Oh, um… our senpais would be better at explaining…”

“I don’t think Kirijo-san likes me very much,” Ryoji says morosely.

“What,” Yukari snickers. “Did you make a pass at her or something?”

“I only said that, with that hair and those boots, she’d—”

“No, stop, I literally don’t want to know. You didn’t hit on Sanada-senpai too, did you?”

“Well…”

(Hah!!) “You didn’t.”

“If it’s any comfort, I don’t think he noticed.”

She can’t help snorting a laugh. “Ryoji-kun! You are relentless!”

“People like it!” he protests, but he’s grinning, too. “It makes them laugh!!”

“Some people. If you try that stuff on the wrong person, you’re gonna get your butt kicked, you know.”

“Well…”

“Oh my god. Please tell me this story.”

To her relief, Ryoji seems to forget about SEES after his second story makes her laugh so hard that coffee shoots out her nose. And good riddance. Girl talk is way more fun than prying into her supernatural extracurriculars.

You can read the rest of chapter one here: ao3.org/works/58634896/chapters/149399371

[sugarpasteltmnt]

First of all, I gotta say that I absolutely LOVE your fic. I read the first chapter and just... didn't stop reading lol. It was so compelling and the way you describe emotions and depict Leo's mental state is so good!!!! I can't get enough of it. I love how you write his manic thought process and the way that his thoughts jump around in a very 'word association' type way! (That's super accurate to manic episodes!) I also really like the way that his awareness ebbs and flows and how you are able to indicate that to the reader while also maintaining the narrative. For real, kudos to you, that's a super difficult thing to do and you've pulled it off so well! It's absolutely stunning!

Question (and feel free not to answer if this is a spoiler or if you aren't sure), did Leo age in the Prison Dimension? Cause obviously the five years was FIVE YEARS, he didn't just time skip or anything, and he's definitely five years older mentally (for better or for worse, poor guy) but if the Prison Dimension essentially 'stops' bodily functions like hunger, thirst, exhaustion and.. dying, was his aging paused as well?

I'm low-key dying over the idea of Leo still being a kid physically. Like, the mental image of his brothers coming face-to-face with a visibly teenaged Leo who is more scar tissue than skin, it's just, ugghhgg. It's one thing to know 'oh he was a kid, he shouldn't have had to deal with this. He shouldn't have had to have been in that position, this is all so fucked up' but it's another thing entirely to see it, y'know?

Anyway, again feel free to ignore the question if it's spoiler territory or completely off the mark or if you don't have the spoons to answer. I mainly just wanted to say that I'm obsessed with your fic and it has me completely unhinged (pos). Was literally sobbing at 3AM while reading it. 10/10. Would recommend.

(also how the fuck do you write Leo so scary and threatening and yet also so adorable and charming and 'wet meow-meow stuck in the rain'. I'm frothing at the mouth wtf. The whiplash of being all 'oh no he's gonna kill- oh he's purring now, he's baby' is so fantastic holy shit)

THANK YOU THAT'S SO NICE WAAAAAAH 😭😭😭 i'm so glad people seem to enjoy it because i can always go a little TOO in depth at times and i hope it's never like, too boring or repetitious

and yes, Leo did age!! while the idea of Leo being a time capsule of his teenage self but now so warped is DELICIOUS... I love the idea he aged for several reasons. It was one (or maybe the only) way Leo knew time was passing for him-- which adds to the mental strain of knowing he was stuck there. Forever. And the emotional damage it would inflict on his family because it makes it just more transparent and painful how much time had passed. How long they left Leo there. As well as prove the point that time in the Prison Dimension passed at the same rate as it did on Earth.

Plus, I feel like there's another, dark, angsty edge to it that I couldn't resist. I feel like when the Prison Dimension was made, the primary goal was to trap the Krang for eternity. Whether intentional or not, the Mystic Warriors had practically made a place you could age. Where you can get hungry. Where you can get thirsty. Where you have to face all those painful needs of the body you just can't satisfy... But you just couldn't escape it. Ever.

That might make it a bit TOO dark to think about, but ultimately I just loved the idea of the brothers seeing Leo older like them and knowing that they had left him behind for so long. (toot-toot all aboard the angst train)

but omg i'm so glad you like it 😭 thank you for the ask it was super sweet 🩵

also

My Brother in Christ Pizza Supreme I wish i knew