#like where did all that progress go???? what happened to the character ive grown to love????

[zarvasace]

Look, Vidow will always have my heart, but IM JUST SAYING in "closer-to-canon" post-manga AUs, there is absolutely a case to be made for Link/Shadow

[probably-haven]

Hello!! After seeing what you wrote about xiaoven fics I went to see what things you usually write and omg, your archon Venti headcanons????? I am absolutely in love. So if it isn't annoying, could you talk about xiaoven or Venti or Xiao or whatever ship or character you like? I don't care what you are going to say, I just want to know more about your thoughts ^^

I- is this... bestie, this is essentially a free ramble pass- kerujsgheskdfug. Trust me when I say that in no way is this, and in no way will it ever be annoying in the slightest- i literally- lets just say rambling off thoughts is kind of my specialty, especially when provided a topic to branch off of because otherwise I'm just- really indecisive about it so- iujskdh yeah- 100% definitely down to talk about Venti, Xiao, and/or Xiaoven XD. Also, yes- it may have been awhile since i last posted one(cuz again, indecisive about which direction to take part 5), but the Archon War Era Venti headcanons are still without a doubt my favorite posts I've made. It's just such an interesting topic with such endless potential that so few people actually think about or consider or even realize is there, so i always just get really psyched whenever i see someone interact with them lol.

.... this ended up being a bit of a mess: warning in advance

Anyway! onto the actual content!

- You see the thing about Xiaoven is that there's a lot of different ways that it could end up working out, and just personally my favorite way of portraying Xiaoven in my mind is as an unlabeled relationship because if anyone in genshin would give off that vibe its these two. And a number of other reasons.

- Firstly, I heavily headcanon Venti as being an aroace polyplatonic or perhaps heavily demiromantic. However, regardless of this I just don't think that Venti is really the kind of person to worry about how he should label his feelings, thinking it's silly to try to put them in one box or the other, especially with feelings and emotions being as fluid as they are in general. Plus it fits his whole God of Freedom vibe. I just- dont think he's the biggest fan of labels or social categorization in general.

- And secondly on the hand of Xiao... his defense mechanisms are very much ingrained in his personality. It's probably hard enough for him to not go into fight or flight(the answer is fight) at the slightest affection at first, at the slightest feeling of vulnerability. Even further down the line, with his fierce dedication to Liyue, I cant help but get the vibe that the moment he recognized that he was falling for Venti he would begin avoiding him, not only to avoid distraction from his duty, but to avoid corrupting him or losing him in general like he has with like basically every other person he gets close with(even believing that the cycle had repeated once more when he first heard of Morax's death)... now imagine Venti tryna slap a label on their relationship and tell me Xiao would have a positive reaction.

- The thing with Xiaoven.... honestly, i feel like theres more ways that it can go wrong than it can go right, but if they do manage to make their relationship work out, it's just simply beautiful in all terms of the word.

- Lets talk about killing. - During the Archon War, both were forced to kill a large number of people and gods alike- Venti out of a need to remain alive to protect Mondstadt, it's freedom, and the nameless bard's legacy by extent- and Xiao out of servitude to the god that was once his master

..... actually- break here- ive talked a lot about Venti on this blog but I havent actually spoken about Xiao all that much- so i should probably do that a bit first... do note though that my characterization of Xiao is pretty flexible actually- this is just- the possible characterization of him that i tend to favor as being the most- uh- "realistically complex"

-

Theres a line I saw this one time in a certain story: "He is a trained weapon. That's what he is, was, and always will be. You cannot change that so stop trying." And i just- think its a really interesting concept- that applies pretty well to Xiao now that i actually think about it. - the concept behind it is this: After spending more than a vast majority of his life killing or otherwise in battle, it's become a part of who he is, a normalcy that after centuries and centuries would be near impossible to get rid of or reverse, and even if it was possible, with his karmic debt constantly eating away at him its unlikely he has enough time left for that to happen. - it sounds like a cruel thing to say about him- but in context it's actually pretty layered and i think about it a lot. It's not as much a "he's a killer lol, that his whole personality" its more of a "The centuries of trauma he experienced have conditioned him into a constantly alert and battle ready mindset while also shaping his dehumanizing inferior-in-worth-but-superior-in-capability view of himself that would have likely been necessary to get through those time, and at this point he's been under that conditioning for long enough that it's essentially ingrained itself in his personality."

- the main idea is- it's a part of who he is, that needs to be accepted as who he is because its not something that he can just up and change. It's not all he is of course but his constant battle mode, as though always waiting to be ambushed or to be granted a new target to eradicate.

a couple character story quotes:

-"His past of service under the evil god had rid Xiao of his innocence and gentleness. All that remained within him was the means to kill and the weight of his sins. The only way he could be of service to mortals was in combat." -"Xiao does not feel any hatred. Having lived for over two thousand years, no single karmic debt constitutes anything more than a fleeting memory. No grudge can last a thousand years; nor is any debt so great that it cannot be paid off in this time. Xiao has spent many long years alone. But his battles have never been in vain." -"where did Xiao have to return to? He was merely leaving the battlefield." -"since Xiao wages a constant war against dark forces powerful enough to devour Liyue in its entirety, any bystanders who witness him in the heat of battle are likely to end up as collateral damage." -"The war he fights can never be won, and will never come to an end." -"Because ultimately, the one with whom Xiao wrestles is himself."

i feel like at some point this very nearly did consume his whole personality, almost turning him into nothing more than a being of slaughter under Morax's control, devoid of any "humanity" at all, consumed and corrupted by his karmic debt like his fellow yakshas before him. - until he experienced a moment of clarity- a song in the wind, the peaceful melody of a dihua flute. - and pulled back from the border of something he wouldnt have been able to return from, there a was a shift in his mind- a concept grown unfamiliar enough with time that it took him a great time to identify what it was; a curiosity. Something that there was no place for on the battlefield, something that by all means should have been completely useless to Xiao, and yet he held onto that curiosity, slowly regaining over time, a sense of who he was and who he could choose to be with each song that the wind chose to carry towards him every once in a blue moon.

and eventually that curiousity turned to longing. Longing "for a day to come when he will wear the mask and dance — not to conquer demons, but to the tune of that flute amid a sea of flowers"

...... uh- heh- if you couldn’t tell already i have a tendency to make my characterizations/analyses of characters more serious that i probably should. 

to summarize: Xiao is constantly toeing the line between his ingrained nature and his humanity- almost as though still trying to decide how much of that humanity he deserves to have, how much he is allowed to have, and how much is safe to have.

^looking back after writing this, i think the best way to explain it is that this is the view that i keep in mind/the lense that i tend to most enjoy looking through and refering back to while examining and/or analyzing his character, actions, story, lines, and overall personality.

idk- i kinda got off track but i just think its a really interesting interpretation to think about because it has some really interesting implications ig- it’s not the full extent of how i view him of course, but i kinda got ahead of myself and its long enough as is so ill just elaborate as i go- Lol i actually have in progress playlists for both him and venti and just- vibes- i could ramble about the playlists alone for hours explaining everything... It’s probably a problem- uh- ill keep going now lol.

anyways! stepping off the angst path for a brief break! Brought to you by their lines in the snow: both waiting for it to get thick enough, Venti for the purpose of a snowball fight and Xiao for the purpose of a tasty and nutritious breakfast.

but its actually something of note that Xiao doesnt actually need to eat so anything he does eat is usually out of obligation or enjoyment- so like.... snow.... like i dont blame him, but of all things- an adeptus who refuses to eat basically anything but almond tofu looks at the freezing-cold-floor-water that yeeted itself from above and decided at some point- damn- that seems more edible than basically ever single actually edible thing ever.... im gonna eat it- like- im glad if eating snow makes him happy but- at the same time...

He probably convinces Venti to eat snow too though and Venti wouldnt even resist I mean he’s wind and has probably consumed worse things in his time so- 2 anemo cryptids with glowing tattoos sitting in Dragonspine monching snow in the dead of night is an amusing thought to me.

- kay, now back to more serious-toned thoughts

One of the things about the ship that i really like is the different contradicting parallels between them:

A lot of how i view Xiao’s character is someone formed largely by the things he cant control and who was forced to accept that accepted that and learned to thrive in it as much as he can.  Venti on the other hand is surrounded by things he cant control and is ever adapting to control as much as he can while embracing whatever he cant as being part of the unpredictability of the world, seeing beauty in it. 

both of them have lost people and do what they do to honor their memory: Xiao continues to do what the Yakshas once did And Venti chooses to do what his friend couldn’t

Xiao’s power coming from himself  and Venti’s from others And both seem to appear to use their power for their own gain while truly helping others behind the scenes

both have killed a lot of people during the archon war Xiao views it as another necessary event out of his control and Venti would likely view it as a tragedy he chose to enact himself

and this is where we meet out balance

Xiao- contrary to how i think a lot of people view him as thinking of himself as a monster- seems canonically to have accepted this as part of his duty, as long as those he killed are not mortals. I dont think he enjoys it no- but someone has to do it and he’s just accepted that its a part of his duty Venti on the other hand-

See the beauty of the ship- as someone with an angst-centric mind- is this- these are two of the most traumatized mfers in the game 

Xiao is by far the one who needs the most help and who can serve to benefit most from the ship- but he is nowhere near self aware enough to recognize that there’s anything wrong or unhealthy about his mindset in the slightest-

whereas you have the contrast with Venti who sorted through most of his trauma with the nameless bard alone during the archon war and while the result appears more healthy- is still really not- but he’s not self aware of that either because i mean- who’s going to tell him? nobody even knows. 

however- venti is aware enough to notice flaws in Xiao’s mindset and “Venti” enough to want to help them through it-

Xiao- while not aware enough to recognize the flaws in Venti’s mindset, can recognize where it contrasts with his own, and is blunt enough to point it out- and then it’s out there to be mulled over- 

they’re so similar and yet so different and a feel just conversing between the two of them, being in each others precense, just being exposed to two mindsets that are so very different could do both of them a whole lot of good.

GEEE THAT BIT OF RAMBLING HAD LITTLE TO NO DIRECTION AT ALL- LET ME-- LET ME MAKE THIS START MAKING SENSE- WITH... DYNAMICS OR SOMETHING

I don’t think Xiao needs to sleep really- and i dont think that sleeping would do anything except make him uneasy at first- he’d probably just get nightmares after all he’s been through- but with Venti he would soon learn that it doesn’t have to be that way, lulled into the first peaceful sleep he’s had in... as long as he can remember.

anywho back to not making sense cuz im fickle and i think most questions about ships are best displayed through character interactions so like- a possible exchange thats cliche but cliches exist for a reason

Xiao: Why do you try so hard to help me, it isn’t easy. I know that much Venti, with the most adoring expression: Because you’re worth it, obviously Xiao: But surely there are others more deserving of- Venti: No Xiao, everyone is just as deserving as the next person, you included Xiao: Then why me above others? Venti: ehe, cuz ur my warrior of course [O//////O oh shit, hes right] Xiao: My contract is with Morax alone [gay panic but in broody yaksha]

it’s kinda difficult cuz neither of them really address their feelings.  I mean Venti does but he does it very indirectly and its rare that he ever does it with like- genuine directness- even spilling his backstory was in the form of a song- and told in the third person- so a lot of their interactions would often have some deeper meaning, especially with Venti being the bard he is. 

I come up with a lot of- errant thoughts about Xiaoven- but this is making me realize that a true analysis of their ship is rather difficult because it just encompasses so many dynamics so its hard to settle on just one and not go rambling about who knows what bouncing from one end of the ship to the other-  Because you truly can and thats the beauty of it

within one moment you can be having a heartfelt conversation about the archon war the impact of lost friends and times past, and the next moment Venti is trying to forcefeed Xiao an apple while Xiao screams about disrespecting the adepti and its just- so lovely

so while they have picnics with nothing but apples, dandelion wine, and almond tofu they can sit down and talk about the dreams Xiao once devoured, and the dandelion wine and apple cider that the first Ragnvindir invented from the plants that never could have grown in Old Mond. The foods that tasted of familiarity, or of the grilled ticker fish Pervases always used to eat, foods that tasted of friends and frankly family that had since passed, glaze lilies and cecilias and qingxin flowers scattered in the surroundings and woven into Xiao’s neat braids and Venti’s now messy ones, rebraided by the steady and inexperienced hands of one unused to gentle action. 

and then of course Venti steals Xiao’s tofu once the mood becomes too grim and replaces it with a bottle of wine that Xiao refers to as “vile poison,” a remark that fatally wounds Venti as he collapses on the floor, proclaiming how he can only be healed by a Yaksha’s kiss. Xiao ignores this of course and simply takes back his tofu with a slight smile on his face, but as Venti persists he soundlessly places a kiss on his own palm before intertwining their fingers and pulling him back up from where he was dramatically sprawled on the floor, grumbling about how such action was “unbecoming of an archon.” A sign of affection only Xiao would ever know about. But Venti is literally wind and I hc his senses work differently anyways so he definitely knows- plus Xiao’s face is red as the blood of his enemies and the way he is pointedly not looking at Venti at all really speaks volumes anyways. 

 -Venti playing epic battle music whenever Xiao goes into fights in what looks like a ridiculously extra performance to anyone else but is actually doing wonders to keep Xiao’s karma at bay

-Venti preaches the practice of “kissing wounds better” and Xiao is unfamiliar with this medical treatment but views it as unnecessary regardless because adepti have accelerated healing, doesn’t mean he’s going to stop him though. 

-Messages whispered on the wind

-Venti’s 1000 year sleep- an accident, not a fun time for the yaksha, and not a fun time for Venti once he woke up. Venti is actually more afraid of restful sleep than Xiao is, hence the sleeping in trees thing, but when Xiao is there, he can sleep restfully with faith that Xiao wont let another millennia slip through his fingertips. 

- Xiao tends to make excuses when doing things that aren’t necessary to his duty, like in his birthday voice line “Have this, it’s a butterfly i made from leaves... Okay. Take it. It’s an adepti amulet -- it staves off evil” because at the current point in his progress it helps him to feel like he’s allowed to do these things. Not wanting to put him off from progress, Venti never comments on his excuse but never fails to whisper a quick reminder of how proud he is of how far Xiao had come.

- Xiao’s karma saddens Venti greatly- not only because of how it effects Xiao but also because its a reminder that as much as Venti tries to honor the memory of those he’s killed, there will always be those who resent him for it, and when he took the option of living away from them, he truly can’t blame them. - And when he gets too wrapped up in thoughts, whether around this topic or similar ones or otherwise, eventually, he’ll hear the sound of a flute on the wind. It’s not divine by any means, but as his own wind connects him to the source, he gets the sentiment all the same. “What impact does one individual’s remaining wrath have on the present. You have done much to help the living in the present” the unspoken idea that Xiao has included himself in that statement, because now, with Venti’s help he’s beginning to learn just how to experience living for himself. 

- Venti’s form and Xiao’s mask are off limit topics though because if either mentions it the other will counter with the opposite and the mood will turn immediately bitter at the idea that both know that what they’re doing is destructive but neither are willing to change

- Venti who has different tells for negative feelings than most people because as much as he likes to pretend it is- this form isnt his, and Xiao who is able to identify those

- many fanfics and headcanons have Venti recognizing when Xiao is uncomfortable and getting him out of those situations. I see that and I love it but i raise you: - Venti taking Xiao to Mondstadt, careful that he doesn’t get to the point that he’s uncomfortable. And nothing goes wrong exactly, but Xiao notices the the way Venti’s cape is blowing in the wind, the way he’s holding his weight, barely on his feet so much as floating on the wind, connected with the ground only for the sake of appearance, all the while he looks just as happy go lucky as ever. And without a word, he grabs his hand and teleports them both out of Mondstadt.  - turns out it was just a slight thing that reminded him of the archon war (cuz i will die on the hill of him having more tragic backstory than just Decarabian), and he of course gives a sincere if not flustered thanks to Xiao, because he’s really not used to people noticing. 

- Venti trying to vent sneakily through fictional stories and Xiao is just like “Didn’t that basically happen to you” and Venti is just like “<_< shit”

- Venti once said affectionally that he wished he had met Xiao sooner and Xiao immediately and seriously shot it down by saying “If you had, I would have been forced to kill you” and both of them now stay up at night wondering who would have won that fight, not sure which result would have hurt more. (because honestly I have no idea who would win in that fight and that terrifies me- I like to think it would have been one of those legends that end with “and the fight persists to this day” or something along those lines)

- “How long have you been together?” “Adepti have no need for-” “1000+ years T^T how dare you deny our love” “O///O our...? ...useless”

- its disney- let me explain- i have this- i have this headcanon inspired by watching too many animatics- - so venti has a human form that isnt his- which he would have had to get used to moving in- and he’s a bard- - uh- anyway- as a third degree black belt in mixed martial arts, i can speak as an authority on this(not really an authority since i havent gone since quarantine but lets pretend). We have a thing referred to as the big three(most things do), and those things are martial arts, gymnastics, and dance. The idea is that they reflect really well off of each other and the best in any one category are good in all three. Timing, balance, form, discipline, technique, hand-eye coordination, grace, ease of motion, they all play a part- anyway-

- Venti taking Xiao’s prowess in martial arts and acrobatics and teaching him how to dance, and as someone who’s extremely skilled in the first two, the third comes easy to him, almost naturally. And it’s delicate and beautiful and lovely and it isn’t hurting anyone. And Venti points all these things out and more and despite how much Xiao insists that he feels ridiculous he truly does enjoy it and it goes a long way towards helping him form more healthy views of himself and his worth.  - Verr Goldett walked in on him once and made a joke about performing at the inn. unfortunately Venti was there and agreed on Xiao’s behalf before he could protest and- and it wasn’t as bad as Xiao thought it would be... he still wouldn’t do it again though without reason, but with good enough reasoning he could probably be convinced. 

- anyways point is he likes dancing to Venti’s songs and i just think that’s really cute - just picture the idea that all the animatics you see actually have the potential to be canon- ugh

- venti tries holding something out of Xiao’s reach since he’s taller and Xiao just fucking teleports 

- both need their space but when they dont, all they have to do is speak the other’s name and they’ll be there.

- and because i just had to.... love languages

- lets start with Xiao- i don’t think he’d view acts of service or quailty time as a love language tbh, and he blunt but really bad with words so affirmation is out, leaving gift giving and physical touch. However, he seems to view most material things as meaningless so- - Xiao who’s love language is in his fleeting touches, something he’s only recently grown comfortable with because of Venti, and now is giving back, which he knows he doesn’t have to do, but that he want’s to, though he’ll still continue to make excuses for each one. “you were shivering” “The inn is high up, you could have fallen..... I said what I said, you’d question an adeptus?”

- and as easy as it is to say words of affirmation for Venti- he does that for everyone- i want to say his is actually acts of service - its the acts of service that let him see just how much Xiao has progressed afterall, from teaching him to dance, to playing another song on the flute, to supplying him with the almond tofu he seems to enjoy so much. Every little thing he does helps Xiao to grow and he couldn’t be happier about that. 

-

- of course most of my headcanons for the ship do take place latter into the relationship because- y’know the less serious unhealthy vibes allow for greater range of thought, but i do still love to think about the serious implications so i kinda hopped back and forth. So sorry about how messy it is btw, i kinda- got carried away- it kinda got some kind of structure near the end tho so- maybe it’s okay. anyway- back to... lol something, we’ll see where thought forests lead. 

[idkwhoiamanymorebutwtf]

Amity absolutely in not going to choose the Emperor’s Coven over Luz.

 I keep seeing it suggested that Amity’s ties to the Emperor’s Coven could become an issue. That she may decide supporting Luz isn’t as important as her ambitions related to the Coven. That she might chose to side with the Emperor’s Coven, causing a rift between her and Luz. However I don’t believe that for a second, and that’s for two reasons.

1.) Luz is, as of right now, the most important thing to Amity. It's always felt to me like Amity already chose Luz over everything else. Amity has sacrificed her own physical wellbeing, even putting her own life in danger, to help Luz in the past. There's no way Amity's parents approve of Luz so she's put her relationship with her parents, something she's worked desperately for, at risk just by liking Luz, but she continues to be around her. Amity was willing to throw out her social group for hurting Luz. Why wouldn't she follow the pattern and pick Luz over the Emperor's coven too? And I mean..she must know she'll have to. Amity knows that Luz is Eda's apprentice. She knows that Eda is wanted by the Emperor's Coven. She's gotta know that she'll have to pick between the two things eventually, right? And if her plan wasn't to eventually pick Luz when she had to make the choice, why would she have put Luz before her own physical wellbeing, before her social status, and before her abusive parents' wishes? Not to mention , Amity's greatest fear was being rejected by Luz. It wasn't her abusive family. It wasn't being denied by the Emperor's Coven. It was the idea that she could lose Luz. Which makes it pretty cut and dry what the most important thing to Amity is in the end. Amity has already been willing to put so much on the line for Luz. I feel like she isn't going to stop now. Especially since, tbh, it seems like Amity has never been happier than she is currently. Realistically if you were a normal person with a good strong support system and a healthy conviction to follow your dreams then you wouldn't be willing to risk your life and dream job for another person. However Amity isn't a very healthy person. Her family is abusive, her friends are cruel, etc. Amity made their goals for her into her own goals because she didn't feel like there was anything else out there for her, not becsuse she personally wants it. She wasn't happy. Until Luz was kind and optimistic and showed her the potential that there are good people out there. I mean, why do you think she latched onto Luz so quickly and has put her physical wellbeing, social status, and relationship with her family in jeopardy just through having feelings for Luz and standing by her so far? She's willing to do that because Luz is one of if not the only person in her life that isn't abusing her to some extent. She isn't going to act like a normal person with a good support system and healthy ambitions they care about because Amity isn't any of those things and right now Luz means so so so much to her by proxy of being the only person in her life who's good. I don't think she'd give that up for anything, speaking both from personal experience and from the behavior ive seen her exhibit as of late and how much she's already risked.

and

2.)  Siding with the Emperor’s Coven would go against Amity’s strong sense of morality. Amity has been an incredible human being for her entire life. Every flashback we've seen of Amity has shown her as nothing but a good person. She was wrong to treat Willow the way she did, sure, but Amity did it all in an attempt to protect Willow and in the end how could anyone hate her for that? When she was told to befriend Boscha, Amity immediately refused, acknowledging that the other girl was mean, and for as long as the two were friends she never seemed to warm up to the cruel girl. When Amity accidentally got her Grudby teammates hurt she felt so horribly guilty that she quit playing forever. She's made mistakes cause she's a human being and people mess up sometimes, but I honestly think Amity has always been an admirable person. Why on earth would Amity ever support the Emperor’s Coven when she finds out what horrible things they’ve done? And some people suggest that while she’s not a bad person, her ambitions may make her do bad things. But Amity’s integrity has always come before her ambition. That much is made exceptionally clear back in Covention. Amity wasn’t willing to cheat in their magic duel. She refused to lie or cheat and that means that if Luz had really been better than her and won fairly, Amity would have taken the loss. She easily could have cheated. Everyone else did, it wouldn’t have been hard for Amity to do the same. But she didn’t, and she was extraordinarily upset that the other people involved did. Amity was horrified that Lilith cheated in her favor. Even if it helped her look good in front of the Emperor’s Coven, cheating was never even an option that crossed Amity’s mind and she was completed mortified that Lilith tricked her into it anyway. Her ambition was never as strong as her integrity back then, so why would it suddenly overwhelm her morals now? I mean, if cheating in a competition was a disgusting thought that she never considered for a second. Something that Amity screamed at Luz for doing and was completely ashamed when Lilith did it. Then how can anyone expect that Amity would support the Emperor’s Coven after all they’ve done? Even with all the pressure Amity’s under from society in general and her abusive parents, she hasn’t sacrificed her morals yet, and to suggest she might now is to completely disregard the strength of character she’s been shown to possess so far.

“But Wait!” I hear you say, “A clear parallel was drawn between the relationship of  Luz and Amity vs  the relationship of Eda and Lilith! That means Luz and Amity was likely to go down the same route and become enemies!”

And you are correct that there was a clear parallel drawn between these four in Covention. However i’d venture to suggest that this parallel will be used as a contrast rather than to show history repeating itself.

I’ll start by saying that I personally believe the “history repeats itself” trope is very hard to get right and is only really effective in certain situations, this not being one of them. Tell me, what, narritively, would be the positive effect of pushing Amity and Luz down the same route Lilith and Eda went down? I can’t see any good reason for it except the ~shock value~, and honestly anything you do with a character exclusively to shock or upset the audience rather than to develop the characters in their natural progression is a bad choice by default. There’s no reason Luz and Amity need to be like Eda and Lilith. And in fact, not only is the idea of their relationship being a foil the the Clawthorne sister’s relationship more interesting to me because it has an actual purpose (to show that the sister’s both screwed up their relationship and that if you communicate and try to be good people then you won’t end up in a fight to the death against someone you’re supposed to love and that both sister’s could have made steps to be better siblings but they didn’t and that’s on them), but it also seems to fit a lot more cohesively into the narrative knowing what we do about both the relationship between Lilith and Eda and the relationship between Amity and Luz.

I get the feeling Lilith was always jealous of Eda. That Eda was stronger. That Eda outshone her. It may not even have been fair a lot of the time, after all, Eda is known to cheat her way through things. And it also seems as if Eda, instead of supporting and reassuring her insecure sister, was proud of this and held it against Lilith that she was better. Well, when Luz and Amity first met, Luz outshone Amity too. Amity was angry and bitter and disliked Luz because it fucking hurt to have her achievements taken away from her unfairly. They easily could have gone down the same route Lilith and Eda did. With Luz sticking to her guns and insisting she was better, that she deserved the recognition more anyway and Amity acting like a jealous, vindictive child. But that didn’t happen. Luz tried her best to make it up to Amity and Amity, once Luz expressed her remorse and took steps to make amends, not only accepted it but reflected on her own behavior and admitted she herself could have been better too. How did Amity and Luz manage to overcome a conflict that’s still tearing two grown women apart?  By overall being better than Eda and Lilith were. Luz felt terrible for hurting Amity. Eda was proud of outshining Lilith. Amity didn't let herself be overcome with bitterness or jealousy and instead reflected inwardly on how she could have been better too. Lilith just kept getting worse and worse and straying from the path of morality more and more. We can see it clearly in Covention. Lilith cheated. Amity on the other hand would never stray from her integrity even if she wanted to win and was mortified to find out what happened. Eda bragged and taunted and teased Lilith for cheating. Luz ran after Amity to comfort her. Overall Amity and Luz are better than Lilith and Eda and that's why I don't see them making the same mistakes.  Another difference I see, Lilith let her desperation for power make her a bad person. Amity realized she was being colder than she'd like to and instantly ditched her cruel friends and tried to he better. Eda let's her wild nature make her inconsiderate (she's not just a criminal for not joining a coven, she does actual morally wrong crimes too) but Luz tries her best to be kind and to make people happy and he selfless in general. As I said before, they're both better than their mentors. Both Eda and Lilith made mistakes that lead them to where they are (although Lilith is objectively the worse of the two, she isn't necessarily the only one to blame for their relationship failing). Because Luz and Amity are a contrast to Eda and Lilith, not a repition of their story. Luz and Amity show what can happen when you communicate and try to understand and empathize with people and don't stray from your own morals no matter what other people may do to you.That's something it doesn't seem like the sister's ever learned how to do, and that's what tore them apart. But it's something Luz and Amity exhibit consistently. Communication, mercy, understanding. and that's why they aren't doomed to be like their mentors. Because as I said before, they contrast Lilith and Eda's dynamic in every way simply by being better friends to each other and people in general.   

[misterbitches]

Dude yong jie’s character is literally unbearable this is like how not to write a vharacter 101

Our first intro to him is stalking, then PUNCHING someone in the LIVER bc the person he “loves” was fucking drunk and he blames his best friend? Then his mom is like “lmao actually um hes psycho” so anything they try to do retroactively like how they peppered in HIS DAD DIED A BLOO BLOO but previously it was also his OWN MOM going “im afraid he’ll lose his humanity” so not only was there no breathing room then it’s bumrushing him into their lives as best friends and it doesnt work. This dude sucks and he isnt even fun to watch. You know how breaking bad has one of the most abysmal main characters of all time but all of us were fucking ENGROSSED but the show made it clear that every enemy he faces, even the DEA, we want THEM to win (it is also a class analysis but woreva) so i am like wtf they show us literally nothing here. He’s just there. Wasting space and being awful. What is the purpose of his character in ssu’s life? Once you rape someone it is fucking over full stop but he didnt even fucking manage to start off in any compelling fucking way. Absolutely bonkers dude Esp bc theres at least a base moral code ie DONT HARRASS GIRLS UR “INTO” and thats why mei fang the absolute mad lad beaut was like “lmao nah i hate u”

Soooooooooooooooooooooooooooooooo?????????????????????????????????? WHERE IS THE WRITING HERE? WHAT IS THE SCRIPT? awhat is the PROGRESSION? This is such an insanely fucking dumb plo5 point i rly cannnnjnnntoeiwijshsgsgsgsgsgsgeggwiwowiw GORL

Lets talk abt the good things in the characters (theres none for yong jie hes just there being a little bitch)

Li cheng - himbo dumbass “manly” cutie and the manly stuff is fun cos it gets heaped on and yet every bit of him can be extremely “feminine” and jubilant. Great.

Muren - seems >:O but i rly like that hes actually pretty open in his own way. Side note: he is so thin and willow-y i rly loke tall pretty boys (and all women lmao) and he doesnt do it for me but He suits the character like his body and the way his character is. Also u gotta be weird and he is

Hsinng ssu (girl im never gonna learn how to spell their names it’s too much work cos the eng alphabet andnromanization is terrible) - mild mannered, good son, a homosexual confirmed confirmed g”(awesome!) great friend, good brother (and i guess his reward is being raped, great message!) and someone ppl like

The establishment of the three of them and their distinct personalities happens within minutes and then we meet

Yongjie - what about him? He may have an MI, okay, but we dont know for sure and oh gee that doesnt matter actually bc u have to get urself treated and also not be terrible. Not even psychopaths do the shit he does BC THEY HAVE TO GET HELP. Why the parents didnt get him help and are just realizing their son is terrible? Who knows . His purpose seems yo be “boy obsessed with brother like his actual brother” i dont care id they arent related in that way bc that’s not the fucking crux of incest and it is so insanely Fucked every thing to do with incest is almost always a disgusting powe r issue. WHAT PURPOSE DOES HE SERVE? WHAT DO WE ONOW ABOUT HIM OTHER THAN HE IS A FUCKING JERK AND AN IDIOT AND SUCKS AND I HATE HIM AND THAT HE WANTS TO STALK AND ATTACK THIS REALLY AWESOME FUCKING DUDE OK

There’s no returning point deom rhe line they croased byt theyb set him up for failure. Even in the fight hes a fucking cheater hes a goddamn immature rat they know he fucking sucks but he just sits there and waits for everyone else to move around him. A fucking selfish prick with nor edeeming qualities snd hes also a violent rapist stalker. Really great that thry have no clue how to make this dude actually have any humanity or likeability. Hes the man from 365 days basically except not even that hot and at least he kidnapped her but “WAITED” for “CONSENT” but in that movie’s world nothing mattered and it was bad and the point was to have a horny movie. But this show is for younger ppl and also IT HAS RULES AND IT KNOWS WHAT BAD ACTIONS ARE???? Soooooooooooooo in all these other dumb salacious books there seems to be just a mutual agreement that it’s fucked up but totally normal i their movie’s universee (it isnt and it is still just bad filmmaking)

Also it is up to yong jie to figure put how to get over it and understand that his brother is concerned for him. Bc it is. His brother. There’s a reason that incest is never advisable and thays bc there is no way in that situation that people aren’t somehow being coerced. There has to be a sort of split in the pursuer and the person being pursued bc one person is not thinking that way. (This is why people who find out they are related after the fact and havent grown up together is something thatms really unfortunate. They had no idea and they have to grapple with that but that is another scenario and it happens bc THEY DIDNT GROW UP TOGETHER.) i have experienced this from a (not immediate) fam member and i was the vulnerable one, had less powr, that is how it must go.

Thats why the power imbalance is scary and none of this is acceptable but it begs the question how did they get to this point? But the show doesnt even address that bc they cant bc theyre not original. And power imbalance does not mean automatic absolutely not territory. Theres things we dont like (in my casee i hate age gaps a lot) but i will avoid that.

I havemt seen “right or wrong” and i have no desire but from what ive garnered from ppl i like who liked that episode, the show outlined the moral issues with it. Idk if they did it in a way i would have preferred (again no desire) but at lesst from what ive heard it...tries? Idk i dont see the need for these if they dont give us a reason why these ppl should be together and there’s several lines that cannot be crossed that were. Basically it’s like stockholm syndrome now and there’s no choice for him, it goes beyond power imbalance and “legality” so to speak and now it’s just entrapment.

Theres not even avoiding or enjoying. Even for MODC as stupid as i found the secondary rship and negligent even like ok. Fine. Whatever. His boyfriend is 100 but at least it was semi agreed upon. It is what it is, go forth. I will criticize it but at least it was the story and as stupid and gross as i think it is and they will probs break up (idc what the show says) at least there are set ups that can make us see “why” it works and oh, gee, their whole rship relies on a different fucked up but at least at some point it could possibly be transcended. The foundation of youngjie is “rape entrapment and aw now they are in lvoe” BITCH NOOOO???? Where is the REASON? And why should we root for them? (There is none and when the Thing happens it is now impossible for that not to be absolutely foundational to their rship lmao and that is never something that goes away.)

I would like to say theres nothing romantic int he flashbacks i know thats what theyre trying to twll us but the actor is 30 and that child is like 8.

Im not missing the point bc i see it with my eyes and it sucks. If you cant even write the character well then how do you interest something heavy and work out the links? The only solution is yongjie dying i mean fucking off forever and hsing ssu not letting him into his lifeXni doubt we will get that but at the very least they cannot end up together and that will be their crowning fucking achievement over the waste of time bullshit plot this was. Imagine actual conflict that wasnt so deeply fucking traumatic and, oh, again WHERE ARE THE PARENTS? They fucked up SO FUCKING BADLY. This gives people the wrong idea about how these things work. God he is truly a shitty character and his ass isnt even fat so wtf bitch why am i here!

[rinamoe]

**** Hogwarts Mystery Year 6 Chapter 45+ Spoilers / Theories

I've got some theories on the whole Merula is the mole thing. I've been reading some on tumblr when I finished the chapter. But also thought of some I havent seen, so I wanted to compile a list of all my theories.

1. Merula is the mole but she isn't doing it for bad reasons.

• When you think about how Merula has always viewed the MC as competition, its a no brainer to think she would play the MC for a chance to become more powerful. BUT during the course of 6 years their relationship has grown closer and she was even able to be the MC love interest several times. She also flirted with the MC and becomes shy when talking about crushes. She was also struck with revenge in wanting to avenge Rowan. And even almost killed Rakepick during the last cursed vault but was stopped by Jacob. I think if she was willing to kill someone whos in an organization she's so called committed to she would've been put to death had they found out. Merula could easily be trying to use R as a way to gain more power then betray them. She also used the truth potion to try to convince MC she wasn't the mole.

2. Merula is actually the mole

• Merula although I love her could actually be the mole. She could have been faking her relationship with the MC this whole time as a way to get closer to her without seeming too desperate. Notice key things like the fact that R has to somehow convince MC to join them. R knows the MC is powerful, impressionable, and want to use her. What better way to get someone to pretend to be her friend. Someone the MC trusts enough but wouldn't be suspicious about. Because Merula over the years before R was mentioned has always disliked MC. So Merula being caught hanging around shady people or being mean to her sometimes wouldn't be suspicious. As well as even though we have known Merula, amd could date Merula since year 6. We still dont have a friendship with her in the tab to gain friendship. So even if in game MC says she thinks of Merula as a friend, it can be the game showing that Merula never thought of MC as a friend and probably never will because she was betraying the MC. This is my least favorite theorie I've thought about since the last chapter of year 6 but it may be the one the game pushes.

3. Merula is being framed

• The option Merula stans around the world are praying and begging for. I have seen this theory a lot as well as thought about it myself. Merula could be being framed two ways Ive thought of.

Sitaution 1 : Someone is using a polyjuice potion to pretend to be Merula in front of R. This obviously means it has to be someone close to her because they need to consistently be collecting her hair/dna. And I say consistently because the dark witch who met 'Merula' said, "Late as usual". Which means they have been meeting up a few other times in order for the dark witch to inquire that 'Merula' is always late. This can be due to the imposters bad puncture OR because they have to sneak around since they're pretending to be someone else and are careful they aren't seen, which can lead to them being late. In this case R doesn't know that this isn't the real Merula Snyde but someone pretending to be her because of her obvious reputation of wanting to be powerful and being mean to the MC.

Situation 2: Merula is being framed BUT only that time during the last chapter of year 6. What if the mole knew that Mundungus Fletcher is somewhat of a friend of MC and purposely leaked information where he could find it and warn the MC. This would have had to be planned because the only way to pretend to be someone else is through a polyjuice potion. It also has to be someone like Jae or Ben who have connections to him or was with MC when doing deals. Dont forget once Ben turned into a 'bad boy' he was said to be hanging around the shady parts to 'find Rakepick.' Also on the topic of Ben, he was one of the friends who said they should disband the circle of Khanna. Ben knows R is out to get MC and that Rakepick wasn't the only member involved. And he knows about the hostage too. Which makes Ben a big suspect.

OR the dark witch was specifically asking around to make the MC interested in tailing them so that the MC could PURPOSELY overhear them talking. This still requires a polyjuice potion so they planned this at least a month in advance. But the dark witch and the imposter knew that the MC would be at the meeting place (which even though no one was around still in the public). All they had to do was pretend as if they're Merula and leave. Which we all know ployjuice potion wears off pretty quickly, and their meeting was quick then they left together.

This last one is the one I'm hoping for the most of course since I am a huge Merula stan and she deserves better honestly. She had this character growth and development, as well as shes always been a lobe interest and personally involved in lots of side challenges. (Unlike Ben a big suspect) Basically throwing her progress away by making her be actually working for R would be such a bad decision on JC part.

Also adding: Ben personality change could be his real personality all along. He probably didnt plan for Rowan to die or maybe he did.... Rakepick was aiming for Ben but if Ben was working for R and is powerful like they're making it seem he probably would have doged that attack but Rowan got in the way. Unless he also knew Rowan was following them and suspected they would get involved.

As well as another personality change, Merula. This and her newly aquired skill, wandless magic is what makes her look like a suspect. Since the books on wandless magic are in the restricted section at school that would mean Merula would have had to have access to 'illegal' books. Although since her parents are in Azkaban they probably had owned 'illegal' books and such at her home already. But then that begs the question why did she just learn it now and not the previous summer's going home? Why now when she's being caught in cahoots with R members? As well as shes acting much more mature but as well as distant. She came to the new school year celebration late. And also according to the MC been hard to track down.

I hope you enjoyed reading my thoughts on what I think is happening with Merula in Hogwarts mystery! Id love to hear what you think. Ive been playing this game since it came out but this was so interesting i had to make a blog to talk about year 7

[hilltopsunset]

I Regret Buying Pokémon Shield

I told myself I wouldn’t do it. I’ve seen time and again the lack of innovation from main-series Pokémon games, and I insisted nothing would convince me to buy this latest atrocity. Yet here I am, reviewing the game I said I’d never purchase. I should have listened to myself. I KNEW BETTER! Strap in, ‘cause this one’s pretty long.

Pokémon has been around for a long time—like, a long, long time—and I’ve been around for every single new main-series game that’s been released since the franchise’s first arrival in North America back in 1996 with Red/Blue. I was not yet 10 years old, and I still remember the childlike excitement of finding rare, never-before seen creatures, the stress of trying to catch a wily Abra or elusive Pinsir, and the challenging first encounter with the Elite Four and the Champion, a 5-man gauntlet of trainers with powerful Pokémon rarely (if ever) seen in the game prior to that moment. It was exhilarating in a way that keeps me coming back for more, hoping to rekindle those same flames of wonder. 

While the main gist of the games hasn’t changed much over the years, one of my favorite parts of playing a new Pokémon game is seeing the improvements each game brings to the series. Many of the initial sequels made huge leaps in progress: Gold/Silver introduced a plethora of new mechanics like held items and breeding; Ruby/Sapphire introduced passive abilities and was the first to include multi-battles in the form of double-battles; Diamond/Pearl was the first generation capable of trading and battling online and brought us the revolutionary physical/special split so elements were no longer locked into one or the other. These changes all had significant impacts on how players approached battles, formed their teams, and used each Pokémon.

Those changes, combined with the addition of new Pokémon to catch, regions to explore, and enemies to fight, were enough to keep me interested. But I know I wasn’t alone in imagining all the possibilities of taking the franchise off the handheld platforms and moving the main series games over to a more powerful home console. In the meantime, each generation that followed Gen IV highlighted a new, troubling pattern that became more and more prevalent with each addition to the series.

1.       Gen V: Lack of meaningful gameplay innovation

By Generation V with Black/White, not only was Game Freak quickly running out of colors, they were quite obviously running out of ideas for significant gameplay innovation. The bulk of Black/White’s biggest changes were improvements on or adaptations to existing staples to the franchise: many new Pokémon, moves, and abilities were added, and the DS platform allowed for greater graphical quality where Pokémon could move around a bit more on-screen during battles, the camera wasn’t as rigid as it had to be in previous games due to machine limitations; perhaps most importantly, they FINALLY decided to make TMs infinite. Thank goodness. While the updates were nice, they were nowhere near as impactful on the game as previous generations’ changes were and served more as needed quality of life adjustments.

I would also argue Gen V also had the least inspired Pokémon designs (like Vanillux and Klinklang) with the worst starter choices of any Pokémon game, but that’s a discussion for another time. Excadrill and Volcarona were pretty cool, though.

 2.       Gen VI: Gimmicks as the main draw

Pokémon X/Y (See? They ran out of colors) continued this new downward trend in innovation. Mega-evolution—while admittedly pretty cool—wasn’t enough to carry the new generation into an era of meaningful improvement because it was equivalent to adding new Pokémon rather than developing innovative gameplay, ushering in a new era of gimmicks in lieu of substantial updates.

Though the gameplay innovation for X/Y was minimal, the graphic updates were substantial: Pokémon X/Y was the first generation to introduce the main series to a fully 3-dimensional world populated by 3D characters. However, since X/Y was on the 3DS, it was a ripe target for the 3D gimmick seen in almost all games on the console, which I personally used for all of 5 minutes before feeling nauseous and never using the function again.

Despite the fresh look of the new 3D models, the battle animations were, to be frank, incredibly disappointing. Pokémon still barely moved and never physically interacted with opponents, nor did they use moves in uniquely appropriate ways. To my point, for years now there’s been a meme about Blastoise opting to shoot water out of his face rather than his cannons. I was sad to see that they didn’t take the time to give each Pokémon’s animations a little more love. But I figured, in time, when or if the franchise ever moved to a more powerful machine, they would be better equipped to make it happen, right? I also convinced myself that the lack of refined animations were kind of charming, harkening back to the games’ original (terrible) animations.

 3.       Gen VII: Focus on Minigames

The main innovation (gimmick) that came with Generation VII, Sun/Moon, was the lack of HMs in lieu of riding certain Pokémon. Sun/Moon also added Ultra Beasts (essentially just new Pokémon) and Z-moves (just new moves) which only added to the number of gimmicks present in the games. These changes, which provide some mild adaptations to gameplay from previous generations, don’t fundamentally change the way players go through each game, the way that updates in the earlier generations did. I personally played through the entirety of Sun/Moon without using a single Z-move or seeing a single Ultra Beast outside the one you’re required to fight to progress the main story. Ultimately, these changes were not a significant enough experience to warrant an entirely new game that is otherwise full of more of the same stuff with slightly different creatures who have slightly different stats and occupy a slightly different world.

Though Sun/Moon was comfortably embracing the franchise’s affinity for gimmicks, it brought to the forefront yet another troubling trend: mini games. Between photography, the Festival Plaza, and Poké Pelago, the focus on and attention to detail toward mini games had grown considerably over the years. Pokémon games have always had minigames and other time-sinks—which is great! Don’t get me wrong, I appreciate having more to do than trudge through the main story. But it is apparent that, with each new generation, more time seems dedicated to development of these extras. Pokémon Contests, Secret Bases, Super Training, feeding/grooming; a lot of their larger innovations after Gen IV were centered on non-essential parts of the game, which results in diminished game and story quality overall.

Admittedly, Sun/Moon did have some of the best exploration moments of any of the Pokémon games, which I did very much appreciate. More on that later as it relates to Sword/Shield…

 4.       Generation VIII: You Can’t Be Serious

When Game Freak finally announced they were launching Generation VIII, Sword and Shield, on the Switch rather than a dedicated handheld console, I was beside myself with excitement.

And then I saw gameplay footage like this, and my heart sank.

What is the purpose of launching the game on a stronger console if they are going to continue copy/pasting their sprites and their animations? If they aren’t going to provide the Pokémon any unique flair or create more appropriate animations? It was disappointing enough seeing the same animations/models from X/Y for Sun/Moon, but that was sort of expected since the games were on the same console. But now that the game has moved to the Switch, this is unacceptable.

When I learned that they were significantly cutting the number of Pokémon available in the game, I thought for certain that would translate to more time dedicated to the ones that made the cut, to focus on adding animations and character to the critters to make them feel like real parts of the world, rather than avatars of a child’s imagination, unable to fully process how the world functions. Alas, what was I thinking?

I thought the Dynamax gimmick would be one of my biggest gripes because it’s so pointless, or maybe the Wild Area’s severe lack of organic belonging (all Pokémon are just wandering aimlessly, weather can change drastically after crossing an invisible line, trees look like they were cut and pasted out of Mario 64, you can’t even catch Pokémon if they’re too high a level) but honestly the most disappointing part of the game for me was the pitiful routes between towns/gyms. Previous installments of the game included routes full of trainers and puzzles you needed to defeat or solve before you could progress—in Sword/Shield, the only thing that ever prevents you from progressing are some Team Yell grunts barricading paths the game doesn’t want you to take yet, for literally no reason. It completely removes player autonomy and a sense of accomplishment earned through overcoming challenges—now instead of learning that you need to find an item that allows you to cut through certain trees to gain access to new areas, you simply follow the story beats and then, upon returning, the path will be open. It’s inorganic, it’s clunky, and it’s extremely lazy.

Speaking of lazy, the story itself was another massive disappointment for me. Pokémon games are not particularly known for having deep stories, but Sword/Shield takes it to a new low. Every NPC simply pushes you to battle in gyms, and every interesting story beat that occurs happens just outside the player-character’s reach. Any time something interesting happens, you are shooed away and told to let the grown-ups handle it while you just get your gym badges. There COULD have been some interesting story moments where your character gets more involved with helping fix the havoc occurring around the Galar Region, but instead we as the player are simply TOLD what happened, why it happened, and who fixed it (usually the champion, Leon).

I honestly think having the game focus on the story of Sonia, Bede, Marnie, or even Hop (was not a fan of this kid) would have been a much more interesting game, because those characters actually had some depth to them, some bigger reason for taking on the gym challenges than simply “I want to be the very best.” Albeit those stories would have required a tremendous amount of work to add depth and details, the potential for a better story is in those characters. There is just no story at all to the main character, who is ushered from gym to gym because…because? Because that’s what kids do? I’m not even really sure what the motivation is.

There are SO MANY exciting, interesting, innovative ways Game Freak could drive Pokémon into a new and exciting direction while still maintaining its charm and building on existing mechanics, but they instead choose to demonstrate their lack of interest in significant graphical and gameplay innovation. I imagine this is largely because the masses will eat up just about any Pokémon product produced so long as there’s a new bunny to catch, and Pikachu is still involved. I’m disappointed, and I wish the Galar region could meet the expectations of my 10-year old mind’s imagination.

When abilities were added, we suddenly had to consider whether our Earthquake could even hit the enemy Weezing and adapt to the tremendous changes the passive skills added, reconsidering how we faced each battle. When the physical/special split occurred, entirely new opportunities opened up and certain Pokémon who were banished to obscurity due to their poor typing and stat distribution, like Weavile, were suddenly viable. Some even became incredibly powerful, like Gyarados, who had been hit pretty hard by the Special attack/defense split. There were also already-powerful Pokémon (Gengar, Dragon-types) who became even more so through access to STAB moves that benefited off their strongest stats.

I want new games to include updates that feel as impactful as these changes. If you’re interested in how Game Freak can improve on the main gameplay, I have some fun ideas that will be fleshed out in another article: How to Breathe New Life into the Pokémon Franchise. That article will be dedicated to explaining what those changes are, why I want them, and how they can improve future games.

[fencesandfrogs]

cloudtail’s daughter: lionblaze

continuing on with my journey of writing a whole au a posteriori of po3 so that omen of the stars isn't so trash, next character on our list to tackle is lionblaze.

since lionblaze is a fully grown adult by the time omen of the stars starts, i expect this to be much shorter than dovewing, because we had to go dovekit to dovewing (IV). actually, we're skipping straight to him becoming the mentor of ivypaw. because before that it's just him being cold to hollyleaf and mooning over cinderheart.

anyway, if you don't know what i'm rambling on about, this is an au where cloudtail and brightheart have dovekit and ivykit instead of whitewing and birchfall. see my cloudtail's daughter tag for more from this au. this is probably the least self-contained post about it to date since i'm skipping a lot of the first book/lead in to the first book and some major changes happen in there.

section one: mentoring ivypaw, pre-beavers

(i'm dropping the dovekit/dovepaw I, II etc thing because he's always lionblaze)

okay, so basically, ivypaw is a good apprentice but a lil angry, and lionblaze is just a golden retriever. he's just bumbling and loving and unaware of his own strength. (this is definitely tweaking lionblaze's character a little, but...he needs to sustain one and a half books. what do you want from me?)

so mostly he blunders on oblivious until cinderheart is like "hey uhh maybe make sure ur apprentice isn't plotting to murder anyone i gtg my apprentice is seeing things ttyl bye ily"

and as she leaves lionblaze is like "wait did she means she loves me loves me or was it an accident" while ivypaw slowly rips dovepaw's nest to shreds.

section two: dovepaw is away

ivypaw is basically angry all the time. lionblaze is like "huh this is a problem" and actually works with her in a productive way instead of just...aggresively emoting at her.

look, he's not good with emotions, he just thinks he is.

but ivypaw starts to trust him. he really does care about her and he's happy to see her getting better. he's like "huh i didn't teacher those moves" and then he's like "jayfeather! i found the third cat" and jayfeather is like "i literally was treating her scratches ten minutes ago she's just a good student."

am i good teacher?, thinks lionblaze.

no, says jayfeather. but you're not bad.

lionblaze continues to mentor ivypaw. she starts to make friends with the Bs (Blossom, Bumble, and Briar, who are Basically in Background character hell until they're needed), idk. lionblaze starts to talk to hollyleaf a little. jayfeather feels betrayed by this.

lionblaze goes about his life. again, his content is all 50% someone else max, because he just...doesn't get up to much. cinderheart and hollyleaf carry his books. it's not that he's unimportant, it's that ivypaw's drama is what's important, and he's kind of slow about that stuff.

section three: ivypaw and the tribe

so lionblaze's progress with ivypaw is pretty much aborted when dovepaw gets back. both because she's purposely messing up, preventing her from taking her warrior assessment, and because she's all angry and sullen again.

so he volunteers them to go to the tribe with cinderheart and dovepaw. it is only 75% because he wants to spend time with cinderheart, and that overlaps with 75% because of ivypaw. he does think cinderheart will be a good influence, that's the overlapping 50%.

anyway, when ivypaw starts looking less tired, lionblaze cottons on to what's up with the dark forest and is like "yeah that sucks. i can't get you out of this, i'm sorry, but that sucks." and ivypaw? she starts to get better.

lionblaze is proud of his angry little bean. she's growing up to be an angry medium-sized warrior.

section four: love is in the air

lionblaze and cinderheart are mates. they don't have kits yet. that's it.

see this is why his books are early. even though they're kind of boring, his life doesn't get interesting until later, and at that point there are like 14 other more interesting things to be thinking about. sorry, lionblaze. maybe i'll write lionblaze's vacation about you chilling in riverclan for like a month.

section five: riverclan

so after the prophecy is revealed, lionblaze goes to riverclan with, like, idk. blossomfall? bumblestripe? it's not really important this is about lionblaze chilling out see.

lionblaze is kind of like. weight-of-the-world on my shoulders kind of guy. he's always trying to be chill and cheery because he feels like he has to set basically a "good example" and to do that he needs to be positive but then riverclan just is chill and positive.

he's not nearly as useful for fishing as he is hunting, but he does learn to swim pretty well, and he gets a moment saving an apprentice. that's cool. that's a real thing he did that made someone life better. so that's cool.

he enjoys holidays. he just, like, has the time of his life while everyone else is prepping for battle.

see, this is why he doesn't get a book. outside of the militaristic structure of thunderclan, he kind of. turns into a lionblaze colored pile of chilling out.

section five: the rest of lionblaze

it's in canon go read that.

but yeah shortest post in this series to date coming in at under a thousand words which means it's not even getting tagged as long. god bless lionblaze.

[febailfe4]

I know most my followers don’t watch RWBY and I fully expect this post to get 0 notes but I’ve seen a lot of theories and predictions about vol 8 and I wanted to get my two cents out there. Specifically about Ruby herself.

One of the very most common theories ive seen is that Ruby is going to get hurt this volume. People like to talk about Blake getting stabbed by Adam, Yang losing her arm to Adam, Weiss being almost killed by Cinder, and Ruby not having suffered any bodily harm. But Ruby getting hurt is not something that needs to happen, and frankly unless they handled it really well would not progress the story or Ruby’s arc in the slightest.

This is really shown from all the way back in vol 1 with Ruby’s very first conversation with Blake, but then shown a lot more prevalent in vol 2’s Mountain Glenn arc. From the start of the show, Ruby has been the only one on her team that knows what she wants and what her end goal is. Blake and Yang both being hurt by Adam was ultimately something to bring them closer together and end in the fight we saw in vol 6 where they take down Adam together. And while Weiss’ injury was honestly more to progress Jaune’s character arc more than her own it still did help her get more used to summoning when she was able to summon the queen lancer directly after it.

Ruby doesn’t have anything to gain or learn from an injury to herself, except maybe how much people care about her. Ruby has been shown to always push aside her own problems to help everyone else, she thinks her worth is what she can give to others, she doesn’t care about herself ultimately and her getting hurt wouldn’t really change any of that.

Another thing about this theory that bothers me is this idea that Ruby “hasn’t been hurt like the other characters and needs to suffer and grow like everyone else did.” But that’s not even remotely true. Ruby has suffered. Ruby was the only one present to witness Pyrrha’s death. Ruby was the one who was closest to Penny at the time of her death. Ruby was torn apart by Yang being hurt, and struggled and beat herself up for leaving Yang like that when Yang needed her. Ruby blamed herself for putting JNR through all the emotional trauma they had to go through in vol 4, and also partially blamed herself for Qrow’s near death poisoning too. Ruby has repeatedly suffered in the way that hurts her most, not being able to protect those around her that she cares the most about. It’s like I’ve previously mentioned, Ruby cares more about others than she does herself, all of these events have hurt her more than any physical bodily injury could have hurt her. And honestly wanting her to suffer bodily harm on top of everything she’s been through is kinda sadistic of the fan base. And honestly she’s grown maybe even more than any other character in the show, and that is why there is no need for her to be physically hurt in vol 8.

That being said... if they did want to do something to hurt Ruby and have her struggle and grow the hard way, it wouldn’t be through hurting her, it would be through hurting her team again.

[leialannister]

Why C+B=R doesn’t work...

*rubs hands*

This is going to be fun…

I’ll start with busting the evidences that the theorist gave to make their theory believable (I’m not trying to mock them here btw don’t get me wrong) and continue with other factors why they simply do not work.

1)Follies done for love.

So the first thing the theorist talks about is Catelyn’s Tully morals and stuff, then they give Catelyn’s thoughts when she learns of Robb and Jeyne’s marriage as one of the evidences.

Only then came her belated remembrance. Follies done for love? He has bagged me neat as a hare in a snare. I seem to have already forgiven him.

-A Storm of Swords, Catelyn II.

They claim that the “follies done for love” is actually about Robb’s parentage.

“Brandon knew how to take what he wanted. Seems like he begged some,

(We will wed on my return he vowed) and she agreed,

hence the follies done for love.”

This could have been a good comment of the paragraph if we didn’t have a much better and realistic cause for her thoughts which is Jaime. Catelyn freed Jaime to get back her daughters, the daughters she loved fiercely, and she believes they are under Cersei’s claws, who she also blames for her husband’s death, and I don’t think I have to talk about the love Catelyn bears to Ned, for I never shut up about it. (Mind that Catelyn was unaware that Arya had escaped from the capital when she freed Jaime.) So no, passing off Brandon’s bastard as Ned’s isn’t the follies done for love, but freeing Jaime Lannister.

2)I did so gladly.

Here, the other evidence is that she marries Ned gladly and in a haste, because she’ll pass the child as his own, and she shouldn’t be far along or showing by the time they marry.

“When Brandon died shortly before they were to wed, Catelyn now having realized she is pregnant does not want her baby to grow up a bastard, so when told she must marry Ned in a haste, she does so gladly, planning to tell him that the child is his own.”

The problem here is how they interpret the word “gladly”.

Highborns rarely have the chance to choose whom they marry, especially if they are a woman and it’s their lord father who had arranged the marriage for them. (The Queen of Thorns, we all know she’s just another level.) Keep in mind that Catelyn is the favored child of Tully, (I love the Tullys but sorry Hoster that’s bad parenting 101) she is probably even more loved than Edmure, the heir to the Riverlands, and being his precious child, he wants Catelyn to be happy, for she deserves the world (FACTS!). But the man is also ambitious as fuck, she wants both daughters to be the wifes of high lords, and mother high lordlings. This is a great chance at hand, probably that comes very rarely too, considering the heir to the North has always had a Northern marriage. But Catelyn, being the dutiful daughter she is (Family, Duty, Honor) answers the way it would please her lord father.

And when Lord Hoster promised her to Brandon Stark, she had thanked him for making her such a splendid match.

-A Clash of Kings, Catelyn IV.

And when Brandon was murdered and Father told me I must wed his brother, I did so gladly, though I never saw Ned’s face until our wedding day. I gave my maidenhood to this solemn stranger and sent him off to his war and his king and the woman who bore him his bastard, because I always did my duty.

-A Clash of Kings, Catelyn IV.

She marries off Ned “gladly” because she has always done her duty, not because she wants to pass Brandon’s bastard as Ned’s.

3)Jon Snow…

“Another issue is the way that Catelyn treats Jon. Jealousy is understandable, but it's very uncommon for a woman and a mother, with maternal instincts, to treat a small child so badly.”

The whole Jon Snow/Catelyn relationship is severely misunderstood, and I think that is why this is mentioned in the theory.

The thing is… Catelyn rarely even treats Jon. She simply ignores him to at least make his presence bearable. Jealousy comes a long while after Jon is born and brought to Winterfell, and that never makes a change to Catelyn’s behaviour.

She might have overlooked a dozen bastards for Ned’s sake, so long as they were out of sight. Jon was never out of sight, and as he grew, he looked more like Ned than any of the trueborn sons she bore him.

-A Game of Thrones, Catelyn II.

Her problem is not Ned banging another woman in wartime, it’s that this child is in her home, where her trueborn children lives. He lives pretty much in the same luxuries with her own children. This might be bold of me, but there is no other ACKNOWLEDGED (The Baratheon (!) children are out) bastard in the Seven Kingdoms who lives in much luxury under such conditions (like Ned lacking a true born heir, etc.). As their marriage and relationship progresses, my parents (Ned & Cat) fall in love and this is where you can assume the jealousy comes in. She loves Ned dearly, fiercely, and it not only breaks her heart but makes herself feel as if she’s not enough to see that Jon remains in Winterfell, no matter how many sons she had bore him. Aye, she is aware that Ned is bestotted with her, but just like everyone, she has her dark moments where she wonders if she could never fill the hole that the bastard’s mother had left behind (Let’s not forget to mention that she doesn’t even know if she had ever left his heart at all). Despite being a fictional character, Catelyn is still human, and no one can ever blame her for being a human. That is what makes her a greatly rounded and complex character in the first place.

It is also confirmed by George R. R. Martin that Catelyn has never abused or mistreated Jon in any way, other than the time she snapped at him when Jon came to bid Bran farewell.

“Mistreatment” is a loaded word. did Catelyn beat Jon bloody? No. Did she distance herself from him? Yes. Did she verbally abuse and attack him? No. (The instance in Bran’s bedroom was obviously a very special case.) But I am sure she was very protective of the rights of her own children, and in that sense always drew the line sharply between bastard and trueborn where issues like seating on the high table for the king’s visit were at issue. And Jon surely knew that she would have preferred to have him elsewhere.

-George R. R. Martin.

“Keep in mind that the only way a bastard can threaten a trueborn 1st son is if the trueborn son is actually a bastard.”

Umm, no? The kid is a danger to all, especially if something were to happen to Robb. After all, Catelyn’s other children are also a part of the line of succession after Robb.

“In the show Catelyn says:
“All this horror that's come to our family,
It's all because I couldn't love a motherless child”.”

I think I have talked enough about how this scene totally ruins Catelyn’s character, and my opinions on this matter can be understood pretty clearly from the explanation I made about Catelyn and Jon’s relationship. The show is full of bullshit, and this is just one of them. (see my twitter account for this)

4)EvEn CeRsEi?!

“When Catelyn discovers Cersei's children are bastards who are not Robert's, she thinks:

"Would even Cersei be so mad? Catelyn was speechless."

Why EVEN Cersei? Why not simply say Cersei?

She can't believe another woman did the same thing she did, which is to let her husband raise another man's child, as his own.”

LMAO, she is talking about the freaking Targaryens!!! Cersei is literally the queen of the man who dethroned the mad incest supporters and she finds out that his wife is doing the same exact thing! Don’t you guys think it’s ironic? Well, I wonder what makes Catelyn so shocked...

(Oh and by the way, Cersei, baby you were so right..)

5)16,20,50 & Some Height Issues

“This is what Catelyn thinks about Robb:
“Let him grow taller, she asked the gods. Let him know sixteen, and twenty, and fifty. Let him grow as tall as his father, and hold his own son in his arms. ”

So let’s ask ourselves Why these numbers?
Does Catelyn just pick them out at random or is there meaning behind them?
They certainly don’t seem to apply to Ned and yet they fit perfectly when applied to Brandon Stark

-Brandon was 16 when he met Catelyn and they fell in “love”
-And was 20 when he died.
-Although Rickard Starks exact age is unknown,
I believe this is who Catelyn is thinking of when she says 50, Robbs Grandfather who died with Brandon.

So here we have Catelyn's thinking of Robb's life:
may he live to meet a girl and fall in love,
may he not die at 20 like his father
or die at 50 like his grandfather.
may he hold his own son in his arms, something Brandon was never able to do.”

This is one of the most well-thought evidences, but it’s wrong nonetheless.

Brandon Stark was born in 262 AC, and Catelyn was born in either 264 or 265 AC, we do not know the exact year.

So yes, he died at 20, but Catelyn was 12 when her father promised him to Brandon. That makes Brandon 14 or 15 when they met and “fell in love”.

Oh and the mention of “tall”:

““ Catelyn watched a breeze stir his auburn hair, so like her own, and wondered when her son had grown so big.

Fifteen , and near as tall as she was. ... Let him grow as tall as his father"

Catelyn specifically noted how disappointed she was with Ned's height, compared to Brandon who was tall.

So how DID Robb get so tall if Ned is short?

And if Ned is so short, who does she mean when wanting Robb to grow, as tall as him?

Again this sounds like Brandon to us.”

Brandon being taller than Ned doesn’t mean Ned is short. Considering the average height for men is 5’9 today, someone who is 6’3 is tall. A man who is 6’1 is tall as well, but shorter than other. This is the same case. Ned is never mentioned to be short, he is just shorter than Brandon, who is mentioned to be tall.

5.1)Fall in love

Oh, and just fyi, Catelyn was never in love with Brandon. Yes she might have liked or even loved the idea of him and their live together, but never really loved him.

6)When possessive pronouns confuse the f out of you

“"She had brought him forth in blood and pain, not knowing whether Ned would ever see him. Her son.”

so Why say HER son?

This is how the sentence should have been like,

Given the premise that Ned is Robb's father:

"not knowing whether Ned would ever see him. His son.”

Or:

"not knowing whether Ned would ever see him. Their son.””

So ok, I’ll admit that this is the best one by far. There’s nothing I can say to deny them, though Catelyn does mention the children as “our” and as Ned’s son as well. And while might imply, it does not give the theory %100 accuracy.

7)Nine moons

Catelyn thinking about Robb:

““Brandon Stark had bid her wait as well.

“I shall not be long, my lady,” he had vowed.

“We will be wed on my return.”

"Yet when the day came at last, it was his brother Eddard who stood beside her in the sept. Ned had lingered scarcely a fortnight with his new bride before he too had ridden off to war with promises on his lips. At least he had left her with more than words; he had given her a son.

Nine moons had waxed and waned, and Robb had been born in Riverrun while his father still warred in the south.

Nine moons since when? This paragraph started with Brandon, not with Ned.”

Nine moons since ‘Ned had lingered scarcely a fortnight with his new bride before he too had ridden off to war with promises on his lips.’ I think this was pretty clear but okay. Considering the huge hate towards Catelyn, I’ve come to a conclusion that Martin’s works are very open for misinterpretation.

8)A son

““he had given her a son.” He did give her a son, instead of a bastard.

By marrying Catelyn,
Ned has effectively turned her Bastard into a son.”

I think this would have been again one of the best well thought, if Catelyn mentioned more than words to Brandon as well. She basically said that Brandon just left her with words while Ned gave her more. If Brandon gave her bastard, she wouldn’t have just said “words”. Yes, she might not have mentioned it as “a son” but there would be more than that.

9)Lord Dustin is Actually GRRM in a nutshell

““On Catelyn’s own wedding night ...

When Lord Dustin had beheld her naked, he’d told Ned that her breasts were enough to make him wish he’d never been weaned”

Breasts are the very first to expose a pregnancy, way before the belly shows.

Why would GRRM make the effort to give us this little tidbit of information about how her breasts reminded men of nursing?”

I think this is just a way of GRRM describing his type. Quoting grrmartin from Tumblr:

“Catelyn’s descriptions make her seem like the most attractive woman in Westeros. And people comment on her beauty frequently. Unlike Dany or Cersei, people do not fear or need to compliment Cat in the same way. GRRM, the author, married 2 redheads. He clearly has a type. And based on your logic on what makes somebody the most beautiful, LF started the War of the Five Kings because he loved the beautiful Catelyn Stark, even after over a decade of not seeing her.”

see the original post here

GRRM’s like of hot women is known, and “hot women” by classic standards are big breasts, a slim waist and wide hips. They are big guys. Ned Stark is a lucky man. Don’t overread. Not to mention that Catelyn tells herself that she’s given her maidenhood to Ned. Yes, maidenhood does mean an unwed woman, but it is also the synonym of “maidenhood”.

9)First time

This is, again, a controversial remark, I personally believe that it’s her instinct. She felt it. Though, the way it could work is very simple.

Her moon blood might have been early due to stress or coming after a few days they wed anyway. This was a time of war and they didn’t wait till women were most “available”.

10)Timeline…

Ok so I was going to continue with the other stuff that the theorist had mentioned but this is getting too long and I’m getting bored. So let’s bust this theory with the simplest thing: Timeline!!!

“Age: Brandon died in 282AL , Rob was born in 283AL. Time wise, it's plausible.”

“they had spent that year apart, Ned off at war in the south”

This way, because she gave birth at Riverrun without Ned, Ned would not know exactly how long after he left Robb was born.

Robert's Rebellion timeline is speculative, at best.

This is how I think it went, in chronological order:

1. Catelyn and Brandon Conceived Robb at Riverrun.

2.Brandon left for KL, and died.

3.Ned married Catelyn BEFORE calling his banners, to make sure he has the Riverland's support. Riding all the way North from the Vale, only to go all the way back in times of war seems unlikely. Ned probably sent someone in his name to call his banners, while he went to wed Catelyn. This would place their marriage likely far less than 3 months after Brandon left Riverrun, probably around 6-8 weeks after Robb's conecption.

4.Ned goes to war.

5.Jon is born.

6.Robb is born.

Brandon dies In the early-mid of 282 AC (With the words arriving, Rickard coming to Kl) since Lyanna’s abduction happens early in the year. Then Aerys demands Ned and Robert’s heads so Jon Arryn calls the banners and Ned returns to the North and Robert leaves for Stormlands to call the banners. Then, The Battles of Summerhall happens, followed by Robert’s defeat in the Battle of Ashford. Having retreated to the Riverlands, The Siege of Storm’s End starts and we know that the defenders were already in bad shape “by year’s end.” Ned and Catelyn marry after the Battle of the Bells, since it is a double wedding and we know that Jon Arryn loses gallant cousin and heir, Ser Denys Arryn, so he needs a young wife to produce an heir. This means that Catelyn and Ned married in the early 283 AC.

If Brandon had impregnated Catelyn, she would have been heavy with child by the time they married, and Robb would have been big enough to know he’s not Ned’s by the time he meets Robb. I think this is the biggest evidence that this theory simply does not work.

11)Significance of Parentage

Robb getting in the list of the secret parentage reduces the significance of parentage. There are way more believable parentage theories (and canon ones like the Baratheon (!) children) out there that concerns other families, and they have much more evidence other than the crumbs here. Everyone being a secret bastard takes the excitement of the better ones like R+L=J or A+J=CJ (love this one, don’t think it’s true but love it anyways).

In conclusion, even if I’m wrong, and Robb is actually Catelyn’s son (though I know Catelyn to be better than that, there’s a reason why I stan her) it makes literally no impact to the storyline. Robb is dead, Ned is dead, Brandon is long dead, Catelyn is dead, at least the part of her that made her Catelyn is. How other people will be aware of this is a dilemma as well. There has to be a good reason for Bran to look from the eyes of the Godswood of Riverrun. The only way this can have an importance is Jeyne being pregnant, (The chances are quite low on this one.) though not much would come of it anyway.

[your-localghost]

so um who wants to read a 50 page essay of me and my mom's journey through the IT movies?

too bad you're reading it

so like i saw this goddamm clown, and i, also being a clown, said to my mom, also a clown, "lets watch this clown movie lol" and she said yes. and in the like first five minutes we are already awwing and stuff because??? omg georgie and bill are so cu- oh. oh my god. oh this us not what we thought at all-

so enter Losers. instant RELATE i am also a LOSER hellO?? hAh look at these 2 idiots theyre bickering like an old couple an- oh my fucking GOD of course there are bullies. one of them looks like draco malfoy??? guYs did draco malfoy play in this movie we see him like 2 times-

oh my god oh no poor bill he is trying to find his brother :( but alsO BEV IS SO PRETTY??? IM SO GAY???? and yeah i really feel the New Kid On The Block like same man i didnt even get to meet a pretty girl and a buncho losers who will go jump into lakes with me

OH and the lake scene? it bites me in the ass later. i fucking passed it off as a "theyre bonding" moment and then it transforms into a feelings plane and crashes into my house

--

me: they just keep leaving their bikes

mom: well It takes kids, not bikes

--

fastforward and??? the fight secene?? the fuckijgn fi Ght SCE ne??? o H M Y GO D

bill was so desperate to find georgie?? richie was so scared he would die??? beN BEING SCARED HIS FRIENDS ARE GONE?

i AM ALL OF THESE FUCKERS

and oh?? bev's dad??? hate the vibe this dude gives to me. like this dude def did more than mentally abuse her and im so glad she beat him up

uhHHH??? WHY DOES NO ONE TALK ABOUT EDDIE STANDING UP TO HIS FREAKSHOW OF A MOM??? HOW HE WAS SO MAD????? HE THREW HIS PILLS ON THE GROUND HELLO, HE STRAIGHT UP YEETED HIS FANNY PACK??? MAN the things a gay goes through for his friends

bill's speech on georgie, like, dude just fucking stab me it will hurt way less

fastforward more, the oath??? how scared stan was??? like i ddint really feel any connection with stan other than his actor played my fav character, stan, in ianowt, but uHm? i still love him??? so mUCH???

oOOOH i just realied i didnt talk about mikey

ahem

THE ROCK FIGHT THE FUKING ROCK FIGHT THE ROCK FIGHT OH MY GOD

THESE LOSERS ARE SCARED SHITLESS OF THOSE SHITBAGS BUT THEY SEE ANOTHER LOSER AND THE FIRST THING THEY DO IS THROW R O C K LIKE FUCK YEAH YOU FUCNKY LITTLE MIDDLE SCHOOLERS STAND UP FOR YOUR FELLOW BULLIED I LOVE MIKEY SO M7CH OH MY GOD

__

so between the 2 movies we realized it wasnt on netflix and went on various websites to watch the 2nd movie, got progressively angrier until i got my laptop and just watched it blindly because we are both blind

--

okay heres the tea yall

they completely erased bev's character in the 2nd movie. in the first it was emphesized SO MUCH just how brave she was compared to the others. she took the first step, she wasnt afraid to go into the house she fought her abusive dad and in the 2nd movie it was all gone. i really liked the fact that bev wqsnt a damsel in distress until in the 2nd movie she was. while in the 1st movue you forgot that gender roles existed in the 2nd it really seemed like they wrote bev as a "woman" rather than "bev" you dig me??? okay rant over. basically fuck the 2nd movie bev and im not just saying this because her 1st movie actor made me realize i was a lesbian. on to the movie

oh mY GOD HOMOSEXUALS??? WILL THEY HAVE A PART IN THIS STORY OH MY IM SO EX- oh. right. oh hey theres mikey :D

___

me: who's this??

mom: its bill look, its his surname

me:

me: you remember bill's surname but not richie or ben's names?

---

oh theyre all grown up!! oh bevs fighting an abusive man again and uh

___

mom: i have a feeling stans gonna kill himself

me: hah can you imagi

---

STANLEY??? BABEY BOY OH NO???? and also are we gonna let the spider with the baby head thing pass?

WHAT DO YOU MEAN THEY DONT REMEMBER ANYTHI-

"this is like a virus its been eating us for 27 years!" YEA MIKEY ITS CALLED PTSD YOU FOUGHT A FUCKING DEMON AND DIDNT SEE A THERAPIST????

also the whole tribe thing seemed really out of story and like it didnt belong there at all? idk maybe its just me but i dont wanna believe that bill's 3rd eye opened after he got drugged by his friend idk

so like hightlights because ive got many rants about the 2nd movie

what the fuck do you mean bev got out of jer specilized hell after ben recited 1 fucking poem are you kidding me are yOU FUCKING KIDDING ARE WE REALLY DOING THE SAVED BY LOVE BULLSHIT AGAIN OH OKAY

OH OKAY FUCK YOU

SO BEV GETS SAVED IN THE FIRST MOVIE AFTER BEN KISSES HER WHEN AT THE TIME HE PRIBABLY THOUGHT LOVE WAS AT ITS PEAK WHEN YOU GAVE YOUR 2ND GRADE CRUSH A BADLY WRITTEN POEM

AND UFKCING HELL IT HAPPENS IN THE 2ND MOVIE TOO??? DOES PENNYWISE JUST THINK "oh these bitches hetero bettet keep them alive" BECAUSE YOU KNOW WHAT? THIS WOULD ALL BE OKAY IF

IF

IF EDDIE LIVED TOO

FUCK I RELATE TO RICHIE SO MUCH??? HIS FIGHT WITH HIS PEERS AND HIS FIGHT WITH HIMSELF OVER HIS YEARS LASTING CRUSH ON EDDIE?? OH MY GOD IT WAS SO OBVIOUS THIS MOTHERFUCKER WAS GAY AND I DIDNT REALIZE UNTIL THE 2ND MOVIE WHEN HE HAS A BREAKDOWN BECAHSE HIS SOULMATE GETS STABBED BY HOMOPHOBIC FORTNITE DANCING CLOWN WHILR HE TRIES TO SAVE HIMA DN THEN FUCKIN G DIES EVEN THOUGHT THESE 2 IDIOTS HAD MORE CHEMISTRY THAN BILL+BEV AND BEN+BEV COMBINED OH MY GOD IM SO MAD THE HETEROS GET TO LIVE BY TRUE LOVE BUT THE GAYS DONT AND UG G H H G G HH "hes dead" NO HE FUCKING IS NOT THIS ISNT FAIR I LOVED EDDIE SO MUCH

well uh now that we got my love for richie on papet um

the lake scene

i cried and i had to watch heteros kiss underwater while wiping my tears. its only cool when percabeth does it guys

the lake scene aside i full on BAWLED LIKE A BABY at the ending because i felt so bad that stan died already and i felt bad that not only was richie facing years if bullying and homophobia anf the loss of his friends it finally is confirmed that richie had a crush on eddie and i

i just cried man? it hurt me so much as it weighed on me how many jokes richie made, how scared he was when he saw the missing paper of himself, his flashbacks to people calling him names, his speech to eddie and that he had to get dragged out because this fucker obviously couldnt let go of his feelings. and between all of that and stan's letter my brain blocks out everything and focuses on one

R + E

oh my god

OH MY GOD NO

NOW i dont really like watching movies. as a writer myself im really critical of everything involving the world building, the characters, the plot and all that jazz and usually the acting is so bad that i dont feel for the characters but THIS ONE. T H I S O N E

my mom turned to me and was SO SHOCKED to see my flat out CRYING because i just dont do that man, and she just asked my what made me cry and i just made a noise like "hhhnnnn" and she nodded and went "richie's love story" and i, still crying, went "hhhnnnn" but in a higher pitch

and im just so mad? that eddie didnt get to live?? we didnt get an "i love you" or even a "im gay" from richie??? we didnt get to see them holding hands and letting go of their trauma together and being gay and happy yet

yet the fucking bad-writer-white-boy and boo-hoo-i-had-no-friends and not-bev get happy endings??? mike can get a happy ending because he is a well thought out character

thESE 3 ON THE OTHER HAND OH MY GOD

bill had to change his endings which really makes me angry because ima writer yada yada

bill has been bullied his uh what whole life? he got told his opinion didnt matter and from what i remember even his parents shut down his ideas and i feel like he should have made the endings how he wanted instead of changing to what the public wanted. thats what he defended as a kid, thats why he was in the losers club unwilling to change, because they were losers. yet he changed.

ben should have stayed fat or at least have abnornal weight because that also defeats his story with bev. it makes it seem that suddenly and magically when ben is hot bev can BEGIN to consider that she loves him.

i already ranted about bev.

mike is decent i guess? i like that he didnt stay with whoever the fuck that was in the first movie because he seemed very aggreasive to me. im glad the chose to research into pennywise because others were too stupid not to (RICH AND EDDIE GET A PASS AGAIN BECAUSE THEY SHARE HALF A BRAINCELL AND I LOVE THEM)

well stan is just tragic

___

me: who the fuck is afraid of spiders why do they keep showing up

mom: its stan?

mom: he brought the hair things and all

me, about to cry: oh m y god

---

so TL;DR: we really liked the first film! the acting, the plot, the creepiness is overall better and you get to relate to a bunch of Losers who get abused by their parents

the 2nd film doesnt exist. i refuse to acknowledge it exist EXCEPT for the ending where stan writes a letter about how he would like to meet hks friends again while BREATHING and richie and eddie carve their initials on a piece of wood and get to be gay.

if your name starts with B your opinion is invalid in the 2nd movie

also can anybody give me fanfics where the fortnite dancing clown doesnt exist and richie goes to therapy to heal from the bullying and once he gets over his homophobia he gays with eddie??? specific i know but im willing to write it if it doesnt exist

[frozenbasalt]

I just found out there’s a reboot for the original Digimon series and oooh boy, I have a lot of feelings about all this. First of all I want to tell tumblr browser a big fuck out for making me lose my entire progress on this post simply because I wanted to resize the window. May this be some kind of PSA for anyone reading this. (also a second and ever bigger fuck you to tumblr browser for randomly activating the Insert command midway through the text, causing enormous chaos. MY KEYBOARD DOESN'T EVEN HAVE THE INSERT BUTTON FJHKDGAFKASDFJGASDKSADGFGADSFDSAAAAAAAAAAAAAAAAAAAAAAAAAAAA) Second of all the four first Digimon series arrived translated in my country simply as Digimon I, II, III and IV, so I have no idea about the English names most of y’all use for it. Hopefully I wrote this in a manner that won’t be an issue. Thirdly I want to clarify that when I say “Digimon” with a capital D (hehe, capital D) I’ll be talking about the IP, otherwise I’ll be referring to the digital creatures. ---

...I don’t know how to feel about this.

Digimon is something very dear to me, although I believe the corporation that financed it mistreated it terribly. It feels like Digimon was never able to be its own thing, as if it was molded to be a competitor of other huge IPs (most likely Pokémon).

Although I never played the games, I did research them quite a bit, and it seems that most fans love the first one, even though it’s a bit unbalanced and grindy. Most subsequent games doesn’t seem to have been too successful with the fans.

I did watch the series, and they always had some pretty intense stories going on, compared to other mainstream shows directed to children. Specially the first Digimon movies were AMAZING in both script and animation!!

But as I said, after this initial phase, Digimon felt like it was torn apart. Each new generation tried adding new interesting elements, but at the same time they tried sticking to previous established elements, and they just didn’t meld well together. It’s like an attempt to be Digimon and not be Digimon simultaneously. Also, many of their new games weren't even published for the Western public.

And then, in the last years, the movies were announced. The original cast of characters was going to be used, but they were grown, if I remember correctly most of them were finishing high school or something. The original protagonist, Taichi, seems to be troubled with the transition from child to the adult life.

You know, Digimon always had "evolution" as a theme: the digital creatures could become bigger and stronger, acquiring more mature characteristics. Even the stages of evolution were named after this ("baby", "child" and "adult" forms are some that I can remember now). Differently from Pokémon, digievolution was reversible, and that often happened with "domesticated" digimons - the ones with human partners - that would revert back to their baby or child form whenever they were out of combat, while "wild" digimons would rather remain as mature as they were able to.

I know that when we talk about real life evolution, there's proof that domesticated animals become less aggressive in both behavior and appearance. But back to the movie, Digimon's case seems to be more complex than that. As I was saying, Taichi was going trough a conflict transitioning from child to adult. For him, becoming an adult meant to let go of the DigiWorld (where the digimons live) and go live in the regular world. It meant to let go of the amazing sights, of the intense experiences, let go of being a legendary "DigiDestined" and become a regular person in Japan. I think this was a very interesting and mature choice of the writer, and I was excited about what could be the result. It seemed that Taichi would face those feelings, and no matter what he ended up choosing, that would be a farewell to the series.

And then, the reboot of the first Digimon is launched. Taichi and his friends are children. They are the DigiDestined again. They don't need to make difficult choices anymore because they're left with the binary choice of "fighting baddies" and "not fighting baddies", and even if they choose the latter, the baddies will go after them to fight. The animation style is faithful to the original, and it seems that the story will also be. Nothing new is being added, but it doesn't need to. The objective there is clear: to be faithful to the nostalgic memory of fans.

I just hope that, this time, Digimon can grow to become its own thing.

[carmenlire]

Off the Record Chapter IV

read chapter one

read on ao3

Looking up at the knock on his office door, Alec raises a brow at this floor’s administrative assistant.

“What’s up?”

Maia steps into his office and it’s then that he notices the garment bag slung over her shoulder. “Special delivery from a courtier downstairs. I was told to give this to you immediately.”

Taking the bag, she hangs it up on a hook on the back of his door. Looking over her shoulder, she adds, “Are you ready for tonight?”

Alec looks back at his computer at his half-finished email to CNN’s publicist informing him of his next assignment that will start in two days. Most of his mind’s still on that whenever he replies, “Of course. It’s a press dinner. I’ve been to a million of these things. It’s a few hours of reviewing the biggest stories of the past year while waiters in white tie serve lukewarm chicken and undercooked carrots.”

He’s rewarded with Maia cracking a smile that’s more of a grin as she dryly offers, “No need to sound so excited, Lightwood. Aren’t you up for an award?”

Leaning back in his chair, Alec nods. “Yeah,” he confirms. “There are a lot of other great journalists covering a lot of important topics too, though. Competition is stiff.” He flashes a self-deprecating grin. “Better to keep my expectations low.”

“Whatever you say, boss.” She jerks her head to the nondescript garment bag. “A Magnus Bane original, though? That’s something worth celebrating.”

Alec doesn’t say anything, merely sends her a blank look. Maia rolls her eyes before shrugging defensively.

“What,” she asks. “I might’ve taken a peak inside. It's very classic for Bane.”

“Iz made an appointment with him. I liked him. He was very professional,” Alec says, almost to himself.

Taking a step or two back until she can lean her shoulder against the door jamb, Maia crosses her arms over her front as she replies, “I’ve heard that he’s pretty no nonsense. Everyone respects him and most fear him, at least a little. Did you know he started his company in high school? He was a millionaire by the time he graduated fashion design school.”

“I didn’t peg you as someone who kept up with that kind of thing.”

Maia shrugs. “What can I say? Bane’s cute and he’s built his empire from nothing. It’s attractive, all that passion and drive. So, I might skim the occasional article about him in People Magazine.”

“We all have our guilty pleasures.”

Glaring at him--though with little heat-- Maia turns on her heel and leaves Alec’s office. Thankful that the interruption is over, Alec turns back to his computer and looks over his proposed itinerary. He’ll be going to China for a few weeks. Part of his assignment is a character profile on the President, Xi Jinping, but he’ll also be reporting about a variety of problems coming out of China, including the Hong Kong protests and their increasing tensions with Russia.

It’s nothing out of the ordinary and Alec feels a familiar tension seep into his shoulders. He loves what he does but goddamn if it isn’t stressful. No matter how many times he puts himself in untenable positions, there’s always a little voice in his head that whispers that this is the last time, this is his last chance.

Still, Alec finds himself preoccupied this afternoon. He has to start getting ready for the awards ceremony in a couple of hours and he’d wanted to get as much work done as possible before then. Instead, he finds his eyes drawn to the garment back hanging on his door.

Telling himself that he’ll just take a peak at the finished product-- make sure that Magnus delivered what he ordered-- Alec stands and tosses the pen he’d been holding in a negligent grip onto his crowded desk. Taking the few steps over to the suit, Alec unzips the bag and takes a cursory look at the clothing.

It’s a lot of black.

Alec laughs a little as he shuts the door and takes the suit out. He sweeps a thumb over the front of the black linen jacket, along the silk stripe down the pant leg. Deciding to make sure it fits alright now instead of fifteen minutes before he’s set to leave, Alec quickly undresses and puts on the suit.

He doesn’t have a mirror in his office but even he can tell that it fits like a dream and must look the same. Extending his arms out, he doesn’t feel the tightness in the shoulders he had during the fitting last week and he’s gratified by his range of motion when he leans over his desk and reaches for the top drawer where he’d stashed his cuff links this morning when he’d first came in to the office.

Sliding the understated gold and silver cuff links into his sleeves, Alec shoots the cuffs, readjusts the jacket.

It’s a wonderful suit, he thinks, and makes a mental note to tell Magnus.

He doesn’t know how he’ll do that but it’s on his to-do list. As Alec snags the belt he’d also brought from home earlier, he replays over the fitting from a week ago.

What a mess he’d been, Alec chides himself. Never hearing about the man before, Alec had pictured a middle-aged designer whose excesses had started to betray him. Instead, he’d been treated to the sight of the most beautiful man he’d ever met. He’d been awestruck and unpardonably rude for it.

Magnus had introduced himself and Alec had reciprocated his easy friendliness for a heartbeat. For two or three seconds, Alec had forgotten himself.

He’d seen an attractive man and been enthralled. It had been just a moment, though, before he’d remembered who he was and what was at stake.

Alec didn’t have the luxury of guileless interest.

Still, Magnus had been everything magnanimous and Alec likes to think that he’d fixed the foot he’d stuffed into his mouth.

Damn but it had been hard to concentrate on the conversation. While he appreciated quality, Alec was mostly unfussy about his wardrobe. Magnus just kept asking questions, though, about formality and bow tie versus open throat and when the designer had thrown his little notebook to the ground in a careless gesture and gone to his knees to fiddle with his pants, Alec had grown alarmingly lightheaded.

Looking over Magnus to see his sister positively grinning hadn’t helped matters.

Lost in thought, Alec’s mouth tips up in a small smile as he thinks about how their fitting had ended. While Alec has no doubt that Magnus was just being polite, ever the friendly businessman, he can’t help but wonder what it would be like to get to know him more.

And not with a business deal hanging over their heads but as acquaintances, maybe even friends.

Reaching into his coat pocket, Alec takes out a business card with edges soft from wear. It’s sturdy white cardstock and with elegant script engraved in bold black font. It’s simple for all its finery and Alec has an insatiable urge to learn more about the man behind the card.

Alec sighs and rakes a hand through his hair. He’s too damn busy to let himself become preoccupied with a man who is certainly not thinking twice about him.

Looking over at a clock, Alec sees he has an hour before he needs to leave for the venue. Deciding not to change, Alec goes back behind his desk. Instead of working, however, he pulls a book from his shelf. It’s an ARC and a promising one at that-- he respected the author and the premise he’d been given sounded intriguing.

It’s the work of a few minutes to put final touches on his look before Maia is buzzing him to let him know his driver is waiting downstairs.

The drive to the Andrew W. Mellon Auditorium is bumper to bumper and he passes the time scrolling through half a dozen news sites.

He’s always on the cutting edge. There’s never really a down moment.

Stepping out of the town car, it’s onto a red carpet that’s been rolled out. There are a few press publications taking pictures and Alec strolls down the carpet, up the handful of stairs. There’s a spot to pose for photos, which he does with grace even if he really rather wouldn’t. Distantly, he recalls Magnus’s coy, “I can’t wait to see how you photograph in my clothes.”

His cheeks heat and he desperately hopes the cameras don’t pick up on it.

The evening progresses much as he’d known it would. The dinner is atrocious, mediocre and not filling in the slightest. It's a little weird to be here without a date, without Lydia in his ear making snide remarks, but Alec powers through and thankfully no one asks about it.

The night is saved, though, when he and his team wins Investigation of the Year for his look into the Assassination of fellow journalist, Jamal Khashoggi. He’s brought up to the stage and talks for a few minutes about freedom of speech and the duty of journalism and how Kashoggi paid the ultimate price for his criticism against Saudi leaders.

As Alec takes his seat again and his eyes catch morosely on a half dozen wilted green beans, he can’t help but wonder if that’s his fate, too.

He plays with fire so often that he wouldn’t know what to do without the heat always licking at his heels.

His thoughts break off from that morbid line of thought when he feels his phone vibrate. Taking it out, unlocking it, Alec opens his texts to see a message from a contact simply labelled J.

Our usual place? I’ve booked room 1406.

Alec stares down at the dim screen of his phone and feels the expression shift on his face, into something anticipatory. Well, he supposes, that settles his plans for the rest of the night.

He’d thought he’d go home to an empty apartment and pour a glass of whiskey while he worked for a few hours. A bit of an insomniac, Alec rarely fell straight to sleep unless travel had exhausted him.

I’m at a work function tonight. I’ll be there at 11?

Alec barely waits half a minute before his phone is vibrating with a reply.

See you then, Lightwood.

Anticipation is a heady mix. While Alec had a strict policy against relationships-- that was a powder keg waiting to happen-- he didn’t have the same issue with casual hookups. There were a few men in a few cities he could rely on for their discretion. Jeremy, in New York, wasn’t out either and last Alec had seen him, had no plans to any time soon. His family was very Catholic-- two of his uncles were priests-- and his mother went to Mass three times a week without fail.

A restaurateur in the East Village, they’d met one night when Alec had joined work friends at his establishment for a retirement party. Now, almost a year later, they met up once or twice a month whenever Alec was in town at the St. Regis.

The rest of the awards pass in dull monotony, though Alec takes note of the Emerging Journalist of the year-- a sophomore at UC Berkeley-- and a few other categories. It’s closer to midnight when his cab pulls up to St. Regis and Alec keeps his head low as he walks past the doorman, not relaxing until he’s in the elevator. Alone, he slouches against the back, raises a hand to tug his tie undone.

He’s unbuttoning the first few buttons of his shirt and breathes easier for it. Keeping his eye trained on room numbers, Alec finally comes to a stop down the long corridor when he sees 1406 in gold.

Mouth tipping up in an easy grin, Alec leans against the door jamb as he raises an arm, using his knuckles for a careless knock against the door.

He waits just a moment before it’s swinging open. Raising his head, Alec meets Jeremy’s eyes and straightens, stepping into the hotel room without a backwards glance, determined to enjoy these few hours he allows himself.

And later, when Jeremy tentatively offers to take him out some time-- his pick, whenever he’s free-- Alec shuts that down with barely a thought.

“No,” he replies shortly. They’re still breathing harshly from their latest round, staring up at the ceiling and not at each other. “That’s not what we are, Jeremy. What we are is convenience. I’m sure as hell not cut out for a relationship.”

He turns, spares a glance at a man he barely knows but knows just enough. “Are you okay with that? Tell me if you’re not now because I can’t pretend this is something it isn’t. I meet you at a hotel, we fuck, and one of us leaves before the other wakes up. It’s a good system and one I’m not willing to break. Not for you. Not for anyone.”

Alec doesn’t much care one way or another. While it’d be an inconvenience, Alec is firm that he won’t pretend that this is something it’s not.

He’s gratified when Jeremy just sighs and tells him, “You’re a cold son of a bitch, Lightwood. You know that, right,” before he leans over Alec and they both forget about anything as obscene as attachment.

---

Alec wakes up the next morning feeling decidedly gross. His partner is nowhere to be found and when he manages to wake up, he sees all evidence of another person has vanished.

Blowing out a breath, he stays in bed for just a moment more before throwing the sheet away from his body and climbing out of bed.

He makes it home unscathed, heading directly to his shower as soon as he enters his apartment. Scrubbing the night from his skin, Alec feels a hollow sense of satisfaction.

He takes these pieces, sweeps them up into a little pile until he has something resembling enough. It’s far from perfect; the polar opposite from ideal. He couldn’t give a fuck about Jeremy or his other friends. He wasn’t lying.

They really were convenient hookups, ways to blow off steam, release the geyser of stress that’s always roiling just under the surface.

As he reaches for his body wash, Alec’s eyes cool as his mouth downturns. Christ, sometimes he wishes he had more-- that he could have more.

He doesn’t let himself think that too often but once in a while, a thought catches him off guard. Having a relationship, a proper partner.

It’s the antithesis to his life, that much he knows without a doubt.

Still. Alec’s always been more of a romantic than he likes to let on and it’s hard sometimes to see Izzy flirt unabashedly with anyone who catches her eye, with Jace flirting badly with Meliorn whenever the two cross paths at Taki’s.

Resolutely pushing those thoughts away, Alec finishes getting ready. Sliding his watch on, Alec sees he’s just on time to meet his siblings for brunch.

It’s Wednesday morning but both Jace and Izzy had insisted they could go in late. Isabelle, as the senior chemist at Idris Labs, had a pretty flexible schedule. Jace, for his part, owned a food truck and he’d been more than okay with pushing his hours back to see Alec.

Walking into their favorite brunch spot since they were teenagers, Alec sees his siblings already at a table. They perk up when he slides into the booth opposite them.

“Hey, bro,” Jace greets with a grin. “I caught the highlights of that press dinner. Congratulations!”

“Jace says that as if we didn’t watch them live. But, yes, congrats, hermano. We’re so proud of you.”

Shrugging, Alec merely offers, “I only did what was necessary. Koshoggi deserved to be more than front page news for a few weeks and the Saudi regime deserved the microscope I put them under.”

Thankfully, the waitress comes over and grabs their orders, all of which they know by heart so that they don’t even reach for the menus anymore.

Thankful for a breath, Alec looks up, first at Jace and then Isabelle. “So, what’s new with everyone? I feel like I haven’t seen you two in forever.”

“It’s been a week,” Isabelle says with a wry grin.

Nonetheless, they catch each other up on their lives. While they weren’t as close as they’d been before Alec had started travelling for work-- first as a freelance journalist and then signing on full time for CNN-- they liked to keep in touch. As long as Alec was within reach of a phone or laptop, they rarely went more than a few days without talking.

The next hour is a different kind of stress relief for Alec. He listens to Jace talk about his food truck and the cute guy that’s become a regular and listens as Isabelle shares her excitement for her upcoming date. The two of them make plans for dinner and Alec winces as they both look at him expectantly, as though knowing what he’s about to say.

“Actually,” he interjects when both of them have agreed they’re free Sunday night. “I’m leaving tomorrow for three weeks.”

Jace’s mouth tilts up but it’s barely a smile. “What a surprise.”

Stung, Alec snaps, “What’s that supposed to mean?”

Isabelle holds out a hand, staving off any argument. “Not today. I’m enjoying my meal and I don’t need you two ruining things. Alec, Jace didn’t mean anything. Jace, you didn’t mean anything by that. Okay?”

Neither Alec nor Jace say anything. They’re staring at each other and Alec’s a little taken aback by Jace’s glare.

A part of him wants to know what the fuck his brother’s problem is but he’s tired and most of his day will be spent with work. Letting it go for now, there’s still an undertone of tension when the bill comes after the three of them have finished their milkshakes.

Jace is the first to leave, citing needing to get to work, and Alec watches him leave, Izzy standing next to him.

“Wanna fill me in on what crawled up his ass since we last saw each other?”

Sighing, Isabelle loops her arm through his and they turn toward uptown where her lab is located. “Not my place,” she says simply.

Her response leaves him more irritated than before he’d asked but Alec bites his tongue, not completely sure that he even wants to open that can of worms.

They walk a few blocks before Isabelle needs to turn and Alec’s path to CNN headquarters takes him straight. She pulls him into a hug before stepping back and putting her hands on his shoulders.

“Be safe and don’t be a hero.” She smiles, just a little, and it’s equal parts resigned and chiding. “I love you, Alec.”

“Love you too, Iz.” Pulling her in for another hug, Alec holds on for a beat or two before finally releasing her and turning his own way.

Afternoon passes into night and Alec catches up on work. He has a dozen balls in the air at any given moment and keeping up with everything is a struggle. He signs off on reports and a few contracts that need final signatures. He makes a guest appearance on all three evening news hours, speaking as a special political commentator and doesn’t get back to his apartment until after midnight.

His flight is slated for five in the morning and Alec has just enough time to pack and make sure everything is in order before he’s being notified that the hired driver is waiting to take him to the airport.

Waiting to board his flight, Alec stops by Starbucks and orders a red eye. It’s strong as hell and exactly what he needs. Finding a seat at his gate, he fucks around on his phone for awhile. He sees a notification in his mentions and when he swipes over, he can’t stop his automatic grin.

It’s a picture from Tuesday’s press gala that a popular tabloid has tweeted. He’s at the photograph station and he knows he looks good. Magnus, however, has quoted that with the addition, “Alec’s wearing a custom Magnus Bane. Doesn’t he look like a million bucks?”

There are a few facetious emojis tagged on at the end and Alec huffs out a laugh as he likes the tweet. Going to Magnus’s profile, his eyes scan over the profile picture that shows him in low light. Scrolling a little, Alec sees Magnus is much more engaged on Twitter than he is and in a moment of weakness, he scrolls back up to the top and taps the follow button.

A little to his surprise, he gets the notification that Magnus has followed him back just a few minutes later. He didn’t think Magnus would be such an early riser, especially considering it’s not even light outside yet.

Alec doesn’t let his mind wander long, though, before he’s turning back to work. He spends what little remaining time he has before boarding begins to read over his notes. He continues that during most of his flight. Managing a few hours sleep, Alec still feels like death warmed over whenever he lands in China.

He has his credentials and passes ready and most of that first day is spent filling out forms with the Chinese government.

This assignment isn’t the longest he’s been on by far. Still, the three weeks seem to fly and drag by at the same time. He meets dozens of officials and uses what little free time he’s allowed to get a feel for the city and interview people on the fringes of his interest piece.

Every night he comes back to his hotel and types up his notes. Still, not all of his time is spent on China. He still has articles due for different newspapers back in the States and he spends a few hours every day keeping on top of things back home.

By the time his assignment is over-- he has all the information he’s going to get, his televised interview with Xi Jinping has been filmed-- Alec’s exhausted.

It’s an exhaustion that runs bone deep and when his car takes him back to the Hong Kong airport, Alec wants nothing more than a shower and his own goddamn bed.

The flight is uneventful and Alec surprises himself by choosing to read a book-- for pleasure even. The flight is uncomfortable no matter that he’s in business class and the first thing he does when he lands back in New York is call headquarters and get updated on what he’s missed and expectations for the next few days.

Thankfully, Jia tells him in no uncertain terms to take a day or two before he shows his face at work and Alec laughs and agrees. She usually insists that he take a bit of a break with longer assignments and luckily, it’s never more than two days.

She doesn’t know he always has work at home and Alec has no intention of telling her.

Most of the first day is spent faceplanted in his bed after the world’s most efficient shower.

The second day, though, Alec decides to pack up his laptop and notes for the book he’s been working on for the past six months. The publisher wanted a tentative first draft by the end of summer and with only four or five months left, Alec was woefully short.

It was a a treatise about America’s current political climate with personal anecdotes thrown in. Alec was slogging through it but it was dense as hell and he had enough research to make a Ph.D candidate wince.

Walking into his favorite little coffee shop in Brooklyn-- he’d discovered it during college and had been a regular ever since-- Alec settles in. Spreading his notes out, he focuses on work.

He works steadily, wrapping up the current chapter he’d been working on when he suddenly feels eyes on him. Sighing a little-- it happened from time to time even at the most inopportune times-- Alec looks up and freezes.

His chest squeezes a little as his gaze meets warm brown eyes.

“Magnus,” he says under his breath, too low for anyone to hear.

Magnus’s mouth kicks up like he heard Alec after all and then he’s grabbing his drink from the barista and making his way over to him.

“Alexander. Fancy meeting you here.”

Nodding toward his sprawled out pile of work, Alec replies, “I just flew back into the city last night. I thought I’d get some work done in a setting that’s a little more casual than the office.”

Blowing across the top of his drink to cool it, Magnus eyes the pile. “What are you working on?”

“A book, if you can believe that. Something political and dire as befitting the current administration.”

Magnus rolls his eyes before grinning. “I can’t wait to read it. I’m sure you’ll do justice to the topic.”

“I’m trying,” Alec says as he jerks a shoulder in a semblance of a shrug. “What are you doing here?”

Magnus’s expression is amused as he nods outside the shop. “This is the closest coffee shop to my apartment. I come in here almost every day. I’ve never seen you here before, though.”

“I found this place in college and have been coming ever since. I don’t come here as often as I might like but when I’m in the city, it’s at least once a week.”

“What a coincidence,” Magnus murmurs before perking up. “You mentioned you just flew back in last night. Were you somewhere devastatingly exotic?”

“China,” Alec replies dryly. “It was painfully mundane.”

Looking intrigued, Alec watches as Magnus hesitates for a bare moment before he gestures toward the chair across from him. Before he can ask, Alec is already waving him toward the empty seat. “Please, sit. Sorry. I didn’t mean to make you stand forever.”

“Thank you, darling.” Magnus shoots him a smile before taking a seat. It’s oddly graceful, elegant for such an everyday gesture.

“Now,” Magnus says briskly, crossing one leg over the other and staring at Alec with something indefinable in his eye. “How was China, as you put it, painfully mundane?”

Relaxing in his seat, Alec’s look is wry as he says, “It was work, Magnus. I spent an overwhelming majority of my time trying to get the truth from people determined not to give me any. It was exhausting. I have some great content that will start to drop in a few days but these trips are hardly ever pleasure for me.”

“Don’t say you’re a workaholic now. That ruins a fair bit of the image I had of you in my head-- you know what they say about all work and no play, Alexander.”

“My job is demanding,” Alec replies with a short laugh. “Sorry to spoil things, but any image you have of me is probably categorically false. As Isabelle’s always telling me, I’m a bit of a dud.”

Raising a brow, Magnus repeats, “A dud? Somehow I find that hard to believe.”

“I’m focused on my career. As it happens, that career is more high-octane than most. It doesn’t leave a lot of room for anything else.”

“More’s the pity,” Magnus says softly and Alec’s suddenly uncomfortably when he turns sharp eyes to him.

It’s like he sees everything Alec tries to hide, everything he doesn’t say.

And then Magnus is brightening. “Are you one of those people who become horribly distracted if anyone so much breathes in their direction while working?”

Alec sets a deadpan look over Magnus. “I’m a journalist. I can pretty much work through anything. Why?”

“Well,” Magnus draws out and Alec mostly thinks he imagines the tentative look in his eye. “I have a few hours before I have to be in my office but I have some work I could get done before going in. I was thinking a change of scenery might help me too, if you’re willing.”

It takes Alec a moment to understand what he’s trying to say but then he grins when he does, a small, pleased little thing. “Feel free,” he says and shoves some of his stuff away from what’s officially Magnus’s side of the table.

Magnus returns that smile before reaching down to his bag and pulling out a sheaf of papers.

And no matter what Alec might’ve said just a few moments before, he’s definitely distracted as he also pulls out a pair of black framed glasses, slipping them on absently while organizing his little pile of paper.

When he looks up and catches his eye, Magnus is sheepish. “I hate the things,” he says, pointing to the glasses. “But I need them, so. I know it doesn’t exactly fit my own dashing reputation.”

“I like them.” Alec’s reply is out of his mouth before he can think and while he feels heat climb into his cheeks, he’s rewarded by a pleased if surprised smile from Magnus. Swallowing hard, he adds, “They suit you.”

“Thank you, darling.” A teasing light comes into Magnus’s eyes as he continues, “Flattery will get you everywhere.”

Alec doesn’t know how to respond to that without getting embarrassingly tongue tied, so he just looks down at his laptop and reads the same sentence seven times without comprehending it.

It’s absurd but Alec is quickly growing familiar with the way Magnus is proving the exception to his most ironclad rules. He’s met people all of the world from all different backgrounds and he rarely has a problem engaging them in conversation. It’s part of his job and one that he’s good at even if those closest to him would be a little surprised to learn just how competent he is at socializing.

In his line of work, that particular skill set is crucial to forming ties and establishing trust.

With Magnus, however, that all goes out the window. The man makes an innocuous enough comment and Alec finds himself tongue-tied. A part of him wishes desperately that he could flirt back but he can’t-- that wouldn’t be fair to either of them-- not to mention that it would be just a little presumptuous.

Alec has a sinking suspicion that Magnus is friendly with everyone. What a faux pas would if be if Alec read more into things.

He shudders at just the thought.

Magnus doesn’t say anything else and Alec manages to turn his focus back to his work. To his surprise, Magnus is an acceptable work partner. He doesn’t click his pen, doesn’t have a need too fill the silence that’s fallen over their little corner of the coffee shop. He scans through documents, signing every so often, and every time Alec looks up, Magnus appears deep in thought. He has the endearing habit of bringing his pen up to his mouth to chew absently on the cap and it’s a little tick that Alec wouldn’t have suspected but enjoys nonetheless.

He’s startled, then, when he’s ass deep in research for a particular law he wants to use-- he needs to get a deep understanding of it before he can even begin explaining what it means and why it’s important-- when Magnus bites back a curse.

He looks up to meet Magnus’s incredulous gaze.

“I’m sorry, but it looks like I’m running late for my afternoon meeting. I hadn’t even realized so much time had passed.”

Looking down at the corner of his laptop, Alec’s brows raise as he sees they’ve been sitting together for over four hours.

“We should’ve set an alarm,” he says with a stunned smile.

Gathering his work, Magnus packs up his things as he returns Alec’s expression. “Yes, that would’ve been good thinking. I didn’t anticipate getting so distracted,” he admits.

“You’re easy to share a table with.”

“Thank you, Alexander. I’m glad I wasn’t a nuisance.” Magnus laughs and a part of Alec leans into the sound, no matter that he stays in place.

Magnus stands, slinging his bag over his shoulder. He takes a single step backward, toward the front door. “How long are you in town for this time around?”

Pausing to think, Alec finally offers, “As long as nothing crops up, I’m in New York for at least a few months. Most of my time needs to be spent working on this damned thing,” he says, nodding toward the evidence of his writing.

“Maybe I’ll see you around then. Bye, darling.”

Alec nods in acknowledgement and watches as Magnus turns on his heel and strides out of the little coffee shop, looking too big for the place, his presence too striking for a regular little coffee shop.

Blowing out a breath, Alec wonders if he’ll see Magnus again and if so, when. Most of him hopes he does and soon.

There’s a little piece, though, that he tries to tamp down on that whispers maybe it’s best if they don’t see each other again.

Something tells him that Magnus is different to everyone else, even if it's in ways he can't quite definite yet.

Shaking his head impatiently, Alec pushes any and all thoughts of Magnus Bane out of his head. The truth is, they probably won’t see each other again for months, if that.

He has bigger things to worry about than an interesting fashion designer who pulls off glasses like he was born for them.

---

Except the next morning, Alec comes back to the little Brooklyn coffee shop and almost immediately, his gaze lands on Magnus.

Magnus, who looks up with a smile that only grows when he sees the book bag over Alec’s shoulder.

“Fancy meeting you here,” he says, just like he had yesterday and Alec laughs, a quick burst, while he tries to recover.

“What are you doing here?” It could come off as rude, short, but Alec’s already nearing the table and bringing his bag down to rest on the floor against the chair that sits across from Magnus.

Magnus shrugs. “I have work to get through and I can do that just as easily here as I can in my office. My office doesn’t have such a view, after all,” he says with a little grin that reads just as coy as it is hesitant.

Alec doesn’t linger over the words. Peering at the table, Alec nods toward the half that has stuff on it; the other half of the table is perfectly cleared off. “Is this seat taken?”

“Yes, by you, darling.” Magnus beams at him and gestures grandly for Alec to take the seat opposite him.

Getting settled in, Alec pops up a few minutes later to order a coffee for himself as well as a refill for Magnus. The morning passes much like the past afternoon had. They both work on their own things but together and it’s odd but it fills Alec with a buzzing energy that itches just under his skin.

He likes the quiet and while he’s loathe to admit something so whimsical-- even to himself-- he likes the quiet with Magnus even more.

They don’t talk much that day, both focused on their work. Alec’s the one that has to leave first that day, off to the studio to shoot a debate between two political leaders of different parties. Magnus nods in acknowledgement, wishes him a productive afternoon, but nothing else.

So it’s pure coincidence when Alec goes right back to the little coffee shop the next morning and sees Magnus for the third day in a row.

It becomes a thing after that-- or really, Alec thinks, since the very beginning. And while the first week or so is filled with comfortable silence and the sounds of typing, the dull thrum of everyone else in the coffee shop nice in the background, Magnus and Alec rarely talk.

They both seem to want to preserve the spell that’s fallen over them but then one day Magnus is obviously distracted. He fidgets with his papers and Alec feels his eyes on him every four seconds it seems until finally, exasperated and fond-- too fond for the duration of their acquaintance, that’s for sure-- Alec looks up and meets Magnus’s eyes.

“What’s with you today?”

Magnus stills and then launches into a rambling rant about best friends who think they know best but really don’t know jack shit. Alec surprises himself when he bursts out laughing when he learns that Magnus’s best friend, Ragnor, has been surprising him with a different treat every day in the hopes that he’ll take the hint and take a break from things.

“He’s gotten me a gift card to a bookstore, a wine box subscription, and he’s started leaving little hints all over the office for me to take a vacation. There are little palm trees on the kitchen counter and Clary has started talking about the weather in a different tropical locale every day for the past two weeks. The man is driving me insane, Alexander.”

Shaking his head a little, the mood lightens considerably over their table as they both abandon any semblance of work. Instead, they order more coffee and talk.

They get to know each other a little better, piece by piece. Alec learns about Ragnor and Raphael and Catarina and he takes his own turn to talk about his siblings and how they drive him crazy but he wouldn’t have it any other way.

After that day, something shifts in their budding friendship. They spend a few minutes every day catching up with the other and it often devolves entirely into meandering conversations that poke and prod at what seems to be laying just under the surface.

There are some topics Alec doesn’t broach and Magnus gently hints before backing away entirely once he realizes the off-limit subjects-- the confidential aspects of his job, his dating history. Though Alec talks a little bit about Lydia-- by all accounts they were together since college-- he’s strangely reticent to share as much as he might’ve with anyone else.

He doesn’t want to lie to Magnus. Not about Lydia and not about what Lydia helped hide.

It’s a month later and Magnus and Alec have seen each other almost every day since that first afternoon at the coffee shop. Alec is dreadfully behind in his projected timeline to complete his book but he finds that he can’t care overmuch, not when he’s having so much fun getting to know Magnus.

He doesn’t look the man up, doesn’t want to learn about the famous designer before either of them are ready. He takes what Magnus shares and becomes just a little more infatuated every day.

He can’t tell if Magnus feels the same, one iota of what Alec’s feeling. It’s all a moot point anyway, he tells himself but. Still. He wonders if it’s as one sided as it seems or if-- in another world, another life-- there could be something more there.

Everything is going well until Alec gets the call from CNN’s headquarters that he’ll be leaving the next afternoon for his next assignment.

He takes the call and as he listens to the proposal, a part of him feels the familiar rush of adrenaline. There’s another part, though, that’s full of the tiniest bit of disappointment.

Four months.

It’s still not the longest assignment he’s been on. Not by far. But his mind skips to Magnus and their routine and even as he agrees immediately to his assignment, he’s dreading telling Magnus.

Magnus, who’s become an unwitting friend over the past month.

When they meet at the coffee shop just a couple of hours later, Magnus takes one look at him and immediately asks, “What’s wrong?”

Alec smiles, just a little, at Magnus reading him so well. It dies on his lips though as he opens his mouth to reply before getting out, “I got my next assignment. I leave tomorrow.”

He watches as Magnus’s smile dims, as he settles back in his seat as he absorbs the news. “Oh.”

“Yeah.”

It’s silent for a minute before Magnus looks up and smiles wanly. “How long?”

Wincing, Alec replies, “Four months. Depending on how it all unfolds, though, it could be extended.”

“Well,” Magnus says and it’s clear that it’s trying to be bright but fails spectacularly, “Do you have plans for tonight?”

Alec blinks. “Plans? Tonight?”

Something thaws in Magnus’s expression as he watches Alec’s confusion. “Yes, darling, tonight. If you’re going to be away for half a year, I’d like to see you one more time before you go. If you’re amenable, we could have dinner together.”

“That sounds great, Magnus.” Alec’s voice is soft, just above a whisper.

Magnus’s gaze warms even further at Alec’s easy acquiescence. “Wonderful. I’ll make the arrangements and text you the address-- Oh, we would need to exchange numbers for that, I suppose.”

It takes Alec a spare second to realize that the two of them haven’t even exchanged numbers yet. By tacit agreement, they both had just shown up to the coffee shop ever morning, letting the other know they day before if there would be a change.

“Yeah,” Alec breathes. “Let’s do that.”

The two of them exchange numbers and it’s such a small gesture but it lights Alec up. Though, he tries his damnedest to hide just how effected he is by having Magnus’s cell number.

The two of them don’t even try to turn back to their work after that. They spend the rest of the morning talking and there’s a new energy lingering in the undertones of their conversation. It’s almost frenetic, an impending knowledge that they only have this last day before they’ll be apart for the foreseeable future.

Magnus leaves in the early afternoon after half a dozen progressively more annoyed texts from Ragnor. He leaves with a promise to make the arrangements-- something private, away from prying eyes-- and leaves with his customary flourish.

Alec watches him leave and wonders how he’ll survive dinner with the growing acknowledgement that he’s falling for Magnus and the knowledge that there’s not a damn thing he can do about it.

[pixelgrotto]

A look at D&D’s Curse of Strahd

From about October 2018 to August 2019, I led a group of four friends through Curse of Strahd, the latest campaign book featuring a dive into the realm of Dungeon & Dragon’s most famous vampire, Strahd von Zarovich. It went well, and it was an interesting experience for me as a Dungeon Master, since this was my first time using one of Wizards of the Coast’s official modules. In the past I’ve always come up with my own homebrew adventures, and I still homebrewed a good chunk of Curse of Strahd, remixing characters and formulating story twists on the fly once I learned the ebb and flow of my group.

One of the things I love most about D&D, however, is that such behavior is encouraged, and pretty much all of the major 5th Edition releases outright tell DMs that they shouldn’t hesitate to make a campaign “their own” by only following the book when necessary. Thus, the version of Curse of Strahd that my players ran through was an experience specifically tailored to them - one where a motley crew known as the “Well-Doners” (like a well done steak...or a stake to the heart of a vampire!) were sucked into Strahd’s strange valley of Barovia and forced to ally together for the sake of survival...aided by a few key comrades, including a funny gnome mage who’d lost his magical mojo, the reincarnation of Strahd’s lost love, a grumpy monster hunter and a massive ranger and his dwarf wife. If I ever run Curse of Strahd again for another group, it’s very likely that many of these key comrades - as well as the general crux of the adventure - will turn out completely different.

To all enterprising DMs who might wish to run Curse of Strahd for their own groups, it’s worth first noting that this is very much a Ravenloft campaign. Ravenloft is the setting that sprouted from the 1983 module of the same name, originally devised by Tracy and Laura Hickman and then expanded upon during the heyday of D&D 2nd Edition. In a nutshell, it’s D&D’s horror setting, and the horror is very much steeped in the gothic tradition, with a heavy dollop of foes inspired by the Universal Monster Movies of the 1920s to 50s, sprinkles of Eastern European creepiness and a dash or two of dark romance to complete the mix. I quite like this combination because it reminds me of the melancholy yet deeply beautiful world of Mordavia in Quest for Glory IV: Shadows of Darkness, one of the formative experiences of my youth and a game that has a great soundtrack for the backdrop of any Ravenloft campaign. (Interestingly, Quest for Glory creators Lori and Corey Cole were D&D players before they went on to design computer games, which means that the gothic realm of Mordavia surely is a clear descendant of Ravenloft.)

But horror of any variety isn’t necessarily everyone’s cup of tea, and certain parts of Curse of Strahd - if run straight from the book - can veer quite sinister, because Barovia is ultimately a crappy place presided over by a crappy undead warlord. The introductory adventure of the module, dubbed “Death House,” actually deals with ghostly children who’ve died of starvation in a haunted manor due to the cultist ways of their mad parents. It’s entirely possible to make these kids untrustworthy antagonists in order to emphasize that the Ravenloft setting simply does not mess around, but since I was running this campaign for a group of four new players whose prior experience with D&D ran the gamut from limited to absolutely zero, I decided to make them into a spooky but still likable duo who could “possess” the players’ characters and offer sassy running commentary on the monsters infiltrating the manor. Like Casper but with a tad more snark, in other words - and the endearing nature of the children made the moment where my players had to lay their corpses to rest and confront their sad origins all the more compelling.

This act of balance - between ensuring that players recognize this as a dark adventure but also making sure that just enough light and humor alleviates the depression - is one that I tried to perform during every session of our game, and I’d encourage future Curse of Strahd DMs to do the same. I’d also encourage enterprising Dungeon Masters to perform a similar balancing act on the monsters and scenarios that permeate the adventure - specifically on the ones in the Death House opener as well as Strahd himself.

Death House, more specifically, is described in the book as a means to help the party quickly progress from levels 1 to 3, but played as is, it’s quite possible for players to get absolutely curb-stomped by everything within the manor - particularly a “final boss” that they’re technically not supposed to engage with, at least in a fair manner. Veteran RPG fans might relish the challenge, which is more reminiscent of Call of Cthulhu than D&D, but newbies might not like having to re-roll a character because their first one got wrecked by a Shambling Mound after only a few hours of play. So, retool Death House to suit the needs of your party - in my case, I limited the encounters somewhat to prevent a steady drip of HP and also gave my players a few tips on how to beat tricky baddies via those aforementioned ghost kids.

The opposite strategy goes for Strahd von Zarovich himself, who might be the big bad of Barovia but is surprisingly squishy when confronted by a hardy group of level 8 or 9 players, especially if they’ve found all the fancy sunlight-shooting artifacts of the adventure that can limit his powers. I can’t count the number of posts I’ve seen on the D&D Reddit or a Curse of Strahd Facebook group I’m in where frustrated DMs have written something like “Strahd was killed by my players within two rounds, where did I go wrong” - and in order to circumvent this from happening in the last session of a shared storytelling experience that had nearly spanned a year, I took a heavy pair of tweezers to Strahd’s stats and gave him three forms, each with their own HP. The first was his regular vampiric self, the second was him riding on his Misty Steed-summoned horse Bucephalus, and the third was basically Strahd going into berserker mode with black angel wings bursting from his back. (I stole the concept art of Satan from Castlevania: Lords of Shadow 2 for that. Worked perfectly!)

Speaking of Castlevania, I drew inspiration from the recent Netflix series - which I’ve written about here and here - when it came to developing Strahd’s actual personality, because even though the book updated his original Bela Lugosi-esque appearance into something more regal and fantasy-inspired, his essence is still something of a two dimensional bad guy, and the fact that one of his eternal missions in undeath is to make the reincarnation of his original lover fall for him is a problematic pill to swallow in 2019, even if it is meant as an ode to Dracula’s obsession with Mina Harker in Bram Stoker’s original novel. And so I decided to make my version of Strahd similar to the depressed, weary-of-life Dracula in Netflix Castlevania, turning him into a vampire of complexities - a guy who’s been immortal for so long that he almost wants the players to kill him, a man who believes he’s entitled to the love of a woman yet somewhere deep down realizes the inherent selfishness of that belief, and a lord who’s grown bored with his kingdom yet can’t quite relinquish the power he’s held over it for centuries. My Strahd, in other words, was still a bad dude, but at least a somewhat deeper bad dude that the cardboard cutout as presented in the book, and one of my players even described him as “a little like Kylo Ren,” which I took as a compliment.

Before I wrap this up, I’d like to return to the concept of the balancing act with regards to the structure and scope of Curse of Strahd, which is a true sandbox adventure. Players are not required to visit half of the locations outlined in the book, and the replayability factor is high, because the various artifacts that you need to defeat Strahd, as well as the specific non-player characters likely to assist you along the way, are dependent on a tarot card reading that occurs near the start of the adventure. The locations that I found the most important for my players were the towns of Barovia and Vallaki, the Wizard of Wines Winery, Yester Hill, Van Richten’s Tower, the Ruins of Berez, and Castle Ravenloft itself. Other groups online swear by Krezk, a third town that my players never bothered to visit (though I would have urged them to go there if we’d had any clerics or paladins in the party, since Krezk is a town with a giant church), and the Amber Temple, the lair where Strahd obtained his undead powers (a place I feel is best suited for players of neutral or evil-leaning alignments). Your mileage may vary, but if you’re going to DM this module, one of the best bits of advice I can give would be to see which locations your players are naturally inquisitive about, and then focus on those. Exploring every nook and cranny of Barovia can quickly turn into a slog otherwise.

With all this in mind, I think it’s time for the so-called “Well-Doners” to leave the world of gothic horror behind for a bit. They’ve somehow managed to find their way back to their home plane and the city of Waterdeep, and only one of the party was infected with a seemingly fatal curse after their stay in Ravenloft. What further quests await, I wonder, and what new campaign book will I hack apart to suit my players’ tastes? That’s for me to know, for them to find out, and for another long blog post examination...sometime in 2020, hopefully!

All photographs taken by me.

[asravine]

If in a few years they redid voltron with the original creators, I would watch, because they wanted to do klance (and I even like allurance, but not in the way they did it) and develop the characters correctly. Or, at least, better then what they did 😂😂😂😂 But would you watch?

hey anon!! im gonna cut this answer into two parts bc i have Many Thoughts on the matter but as of now:

short answer: i definitely wouldnt watch a voltron remake by the original creators (in this case im assuming u mean lm and jds, who are the executive producers) and i would be wary to consume any content they produce in the future. even if the vld re-reboot were to be made by another person, i would be cautious to approach it and would probably see the reviews first before watching any of it.

long answer: i was wondering what you meant by the original creators wanting to do klance and where you heard that from!! from what i know lm and jds didnt even think of adding klance as a pairing and it was instead tim hedrick (and a few other storyboarders like chartron) who suggested the possibility of klance (he was the one who included the bonding moment!!)

jds was bouncing around the idea of pairing off allura w someone (and even suggested keith and allura at one point) but ended up going for allurance in s7 on a whim even thou it didnt make narrative sense and regressed both lance’s and allura’s character development, which was also why allurance was done so horribly in canon. funnily enough, i was okay w allurance after s2!! it seemed like the most ‘likely’ pairing to happen and i was neutral about it as long as they had taken the time to develop the relationship in the rest of the seasons. but after how they botched it up by leaving little to no development from s3-6 and then adding a sudden and rushed resurgence in s7, my feelings for allurance soured by quite abit. i dont have any problems w fanon allurance but tbh i dont see how anyone (even allurance shippers) could have been happy w how canon allurance turned out.

the issue i have with lm and jds and the reason i wouldnt watch a vld re-reboot created by them (as well as be wary of any content they create) is due to their work ethic and the pride (or lack thereof) they have in the content they produce. lm and jds have admitted to wanting to kill off the entire main vld cast (and were even given the green light to kill hunk and replace him w acxa!!) in order to create a gritty and dark tale bc of personal tastes. the way they treat their minority characters is appalling (the best example being that they killed off their only female lead of colour, allura), the fact that they dont plan ahead for character arcs is frightening to think about, and the barebones plot they have stitched together that they call a storyline does not have any inherent moral substance or values that could be imparted onto audiences.

as a viewer, i am left unsatisfied and disappointed by the progression (and for the most case, regression) of the characters and as a content creator, i am disgusted by the clear lack of planning the vld team had. lm and jds do not respect the story they are trying to tell. in the case of vld, there IS no story to tell, apart from flashy fight scenes and the cropping up of bigger and bigger villains the team has to defeat. there is no talk about the importance of teamwork or the impact of found family or even the cheesy power of friendship. as such, i fear this would be the trend for any other content they produce which is why im hesitant to look at other shows they might work on in the future (and im esp worried for spiderverse since it is confirmed they’ll be working on the sequels)

i think theres a general consensus that most of the people who still actively engage in the fandom are only staying for the characters. lance, keith, shiro, allura, hunk etc have grown on all on us in these past three years and there was alot of wasted potential that could have been written into the show but wasnt. i think for this fact i would be open to consider a reboot of voltron, if solely only for the characters who never got the arcs they deserved (though i would be hesitant to watch it right off the bat)

i think ive spoken quite abit about my views on a voltron reboot (and my distaste for lm and jds in general haha) but thanks for this ask anon! i really do hope for all of our sakes that if there is a remake that they’ll do better and give these characters and the story justice

[recentanimenews]

Wedding Bells Are Ringing! Celebrate the Royal Wedding Counting Down the Top 10 Anime Weddings!

Weddings are a magical event, where two people who love each other come together to celebrate their love and tie the knot! Of course, a royal wedding takes the cake when it comes to the pomp, circumstance, and that special magical feeling in the air. It’s hard to ignore the pageantry of the dresses, decorations, the ring, and the ceremony! Even for non-royalty, weddings occupy a special place for many people as a celebration of love and union.

In honor of the royal union, we’ve compiled a list of top 10 amazing and memorable anime wedding couples! So, without further ado, let’s take a look at these happy couples and their nuptials!

10. Lupin III and Rebecca Rossellini  (Lupin III Part 4)

This unique couple certainly threw anime fans for a loop when Lupin III Part IV originally aired. Their madcap relationship throughout the rest of the series was quite the thrill ride, but nothing beats the initial chapter featuring their wedding ceremony. In true Lupin fashion, the wedding is seemingly part of a larger grift, but who is grifting who (and who has feelings for who) remains part of the mystery and intrigue of this partnership. While other couples could certainly claim to only be in it for love, Rebecca and Lupin never did sign any divorce papers…

  9. Arsène Lupin and Cardia Beckford (Code: Realize ~Guardian of Rebirth~)

Based on the otome game of the same name, Code: Realize ~Guardian of Rebirth~ shows why Lupin is the poster boy for the series! Upon their first meeting, Lupin Arsene declared to Cardia Beckford “I have come to steal your heart,” and that he did! After such a bold declaration, both Cardia and Lupin not only grew closer, but they grew to trust themselves and each other as they successfully navigated deadly situations together. Even though Cardia’s nature was revealed, Lupin’s heart was set; he kept on loving her no matter what, making sure to keep on his promise to steal her heart. Some questions remained, like how was Cardia able to survive when the Horologium’s energy ran out, or what would be the fate of the country. But even with those questions,  one answer remained: Lupin and Cardia would create their own new world together.

  8. Utena Tenjou and Anthy Himemiya (Revolutionary Girl Utena)

It’s hard to compete with a royal bride, but the Rose Bride comes pretty close! Utena and Anthy’s relationship certainly seems to come out of a fairytale filled with castles, princes, duels, and even tie-wearing monkeys, but the relationship between the Rose Bride and her defender truly take the cake. Although we aren’t treated to an official wedding ceremony like one might normally expect, the two are an iconic duo in their memorable official gear, and the iconography and displays that surround the two of them are certainly hard to beat!

  7. Yusuke Yoshihino and Kouko Ibuki (CLANNAD)

This addition to the list might seem strange at first, since neither of these characters are part of the main CLANNAD cast, but it’s the situation that surrounds their wedding that makes it truly touching and unforgettable. Series favorite Fuko has spent her time trying to desperately get people to go her sister’s wedding, and the circumstances behind Fuko’s attempts really tug at the heart strings of the viewers when revealed. The worst part is that it seems that due to Fuko’s circumstances, her sister cannot see or hear her, making the little sister’s mission to make her sister’s wedding a success even more important! This all leads to a touching and rewarding moment where Kouko and Fuko are finally able to speak during the wedding ceremony.

6. Hideki Hinata and Yui (Angel Beats) 

  Yup, that’s right, another Key title on the list. But can you blame me? The way Key writes their stories really tug at the heartstrings, and Angel Beats in no exception! While Hinata and Yui didn’t get a wedding ceremony, Hinata’s passionate declaration to marry Yui took fans by surprise. Yui was paralyzed by a car accident, leaving her completely bedridden and reliant on her mom for any care. She was so convinced that no one would marry her if she were in that condition, but Hinata swore that no matter where they met and no matter what handicap she had, he would love and marry her. They both talk out how their meeting would happen in the real world and how they’d fall in love and even how relieve her mother’s duty of taking care of her. Having fulfilled Yui’s regrets with his marriage proposal, she finally moves on...

5. Goku and Chichi (Dragon Ball)

Goku may not seem like the most romantic sort at first, and to be honest, he really isn’t! But the wedding between Chichi and Goku cap off the adventure of Dragon Ball, where viewers had followed Goku’s adventures from childhood all the way to adulthood. Along that way we saw Goku and Chichi meet and fall in love, and the two were side by side through most of the series, finally coming together once the evil of King Piccolo was defeated! Chichi and Goku finally tie the knot in the final episode in a simple but cute ceremony, and Chichi looks amazing in her white wedding dress! With the Earth saved (for the time being), it was nice to see Goku and Chichi get to make things official and ride off into the sunset… until Dragon Ball Z, anyway!

4. Naruto Uzumaki and Hinata Hyūga (Naruto: Shippuden)

Of course, we couldn’t forget Naruto and Hinata’s wedding! Both Naruto and Hinata have been on a grand journey from when they were kids, to teenagers and finally, to adulthood. Going through everything from chunin exams to rescue missions and many more dangerous feats, they’ve not only grown as ninja, but into lifelong partners. As the series started to wind down and the characters all progressed into adulthood, fans were curious to see who Naruto might end up with in the end, and he and Hinata make a perfect couple. Looking on at the Hokage Rock, Naruto and Hinata seem to have been reflecting on their journey that led them to where they now stood. From then on, it’ll be a whole new journey that’ll bring them blessings in ways they didn’t expect!

3. Professor Burnet and Professor Kukui  (Pokemon: Sun and Moon)

When it comes to surprise anime weddings, the proposal and marriage of Professors Burnet and Kukui certainly caught many viewers by surprise in the anime adaptation of Pokemon Sun and Moon! One of the more interesting episodes, this slice of life story took the focus off of Ash and company and gave us some insight into characters that surround them. After their adventures together, Professor Kukui proposes to Burnet on a sunset walk on the beach, and the ring box? A Pokeball of course! The proposal scene itself is quite iconic, with all of the major pieces you’d like to see in a classic proposal, but the two are later  surprised by a fantastic wedding ceremony thrown by Ash and the gang, including some Pokemon helpers! And as the wedding comes to an end, hearing Burnet say “I choose you,” is a fitting and sweet way to top off the event!

  2. Simon and Nia (Gurren Lagann)

Now, when it comes to weddings in anime, I truly had a hard time deciding on the top 2 spots! I think quite a few people would agree this one might deserve to be in the top spot, and I don’t blame you! But for now, let’s just say that Simon and Nia’s wedding is one of the best moments in the entire series, and maybe even in modern anime! For an anime as over the top as Gurren Lagann, one would be forgiven for expecting a lavish and outrageous wedding ceremony, but instead, the wedding of Simon and Nia is a touching and quiet moment, which is part of what made it so special. Watching Simon grow from a scared and confused kid into a dashing and commanding man wouldn’t have been possible without the love and support he got from Nia.  Their wedding comes after a battle with great cost, however, and although their marriage is bittersweet, seeing the two united together was one of the most touching and heartfelt moments in the entire series.

1. Yusuke Godai and Kyoko Otonashi (Maison Ikkoku)

And here at number 1 we have Yusuke and Kyoko! Perhaps one of the most classic “will they / won’t they” romantic comedy couples in anime, Yusuke and Kyoko drove fans of both the anime and manga crazy as Rumiko Takahashi tortured us with constant teasing, advancements, and setbacks in their burgeoning relationship. Yusuke was always committing at the wrong time and place, letting his anxieties get the better of him, while Kyoko kept fluctuating over whether or not to remarry after her husband’s death, or if some other suitors were perhaps better matches than Yusuke. The wacky cast certainly didn’t help, always butting in and interrupting the two lovebirds. So when the wedding finally happened, fans were able to cheer with joy and relief that the two had finally made the jump together! After nearly 100 episodes, the two are united in the finale, with a touching declaration of love that’s hard to beat, and the fast-forward time skip at the end really helps wrap up that these two belong together, and that Maison Ikkoku is not just their home, but a major reason for their love.

  Are there any wedding bells that you think deserved to ring on this list? Let us know in the comments!

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Nicole is a features and a social video script writer for Crunchyroll. Known to profess her love of otome games over at her blog, Figuratively Speaking. When she has the time, she also streams some games. Follow her on Twitter: @ellyberries 

By: news+feed@crunchyroll.com

[liesandarbor]

Mercy in Sandor, Sansa and Arya’s Arcs

Thinking a lot on Mercy and what it means for Sandor, Sansa, Arya, and especially with regards to Sandor and his Brother.  Jump under the cut: 

What Dogs do to Wolves

Both Stark girls embark upon their true character journeys once we reach the end of AGOT.  Fatherless, and void of the teachings they both so desperately need; a reality check on either end of the spectrum, if you will.  Where Ned Stark left his daughters in parenting - Sansa, politically soft and unable to see through lies, Arya, unable to distinguish that things aren’t always black, white, good and bad.  Sandor Clegane arrives in both of their plots as a pseudo-fraternal figure, teaching them hard lessons, and protecting them in his own gruff way.  

"What … what does he want? Please, tell me." "He wants you to smile and smell sweet and be his lady love," the Hound rasped. "He wants to hear you recite all your pretty little words the way the septa taught you. He wants you to love him … and fear him."

-Sansa VI, AGOT

The jerk-with-a-heart-of-gold trope rears its Stranger-resembling head, often smashing Sansa’s “true knight” fantasies throughout AGOT and ACOK, preparing her for the real world she lives in where white knights hit twelve-year old girls with fully mailed gloves on.  Offering her a handkerchief and a sad pat on the back, Sandor sees in Sansa what he once used to know, before his face was offered to the fire - and to Gregor’s errant and growing ego and power trip.

 "True knights protect the weak."

He snorted. "There are no true knights, no more than there are gods. If you can't protect yourself, die and get out of the way of those who can. Sharp steel and strong arms rule this world, don't ever believe any different." -Sansa IV, ACOK

 Exploring Arya’s naivety as the series progresses is just as interesting to watch.  While Sandor tells Arya that he thought her sister was the one with the romanticized songs in her head, Arya tends to lean to the other side of the naivety scale.  

 He is a man of the Night's Watch, she thought, as he sang about some stupid lady throwing herself off some stupid tower because her stupid prince was dead. The lady should go kill the ones who killed her prince. And the singer should be on the Wall.

-Cat of the Canals, AFFC

 Where Sansa is a dreamer in AGOT in the romantic sense, Arya tends to refuse to believe that anything could be more complicated than black and white, rejecting the idea that maybe things in life are more complicated than constantly “doing the right thing”.  Sandor brings Arya’s ASOS plot depth and introduces the idea to her that being a good person isn’t always easy, and sometimes, the best you can do is to survive.

 There was a stink to him too. He smells like a corpse. The man begged them for a drink of wine. "If I'd had any wine, I'd have drunk it myself," the Hound told him. "I can give you water, and the gift of mercy." The archer looked at him a long while before he said, "You're Joffrey's dog." "My own dog now. Do you want the water?" "Aye." The man swallowed. "And the mercy. Please."

and

When she came back, the archer turned his face up and she poured the water into his mouth. He gulped it down as fast as she could pour, and what he couldn't gulp ran down his cheeks into the brown blood that crusted his whiskers, until pale pink tears dangled from his beard. When the water was gone he clutched the helm and licked the steel. "Good," he said. "I wish it was wine, though. I wanted wine."

"Me too." The Hound eased his dagger into the man's chest almost tenderly, the weight of his body driving the point through his surcoat, ringmail, and the quilting beneath. As he slid the blade back out and wiped it on the dead man, he looked at Arya. "That's where the heart is, girl. That's how you kill a man." -Arya XII, ASOS

Sandor teaches Arya how to kill, and he teaches her that there are different types of killing - that life, much like the stories we are currently reading, is writ in shades of grey, not always black and white.

“Gentle Mother, Font of Mercy”

The rasping voice trailed off. He squatted silently before her, a hulking black shape shrouded in the night, hidden from her eyes. Sansa could hear his ragged breathing. She was sad for him, she realized. Somehow, the fear had gone away. The silence went on and on, so long that she began to grow afraid once more, but she was afraid for him now, not for herself. She found his massive shoulder with her hand. "He was no true knight," she whispered to him. The Hound threw back his head and roared. Sansa stumbled back, away from him, but he caught her arm. "No," he growled at her, "no, little bird, he was no true knight." -Sansa II, AGOT

Keeping Sansa and Sandor’s relationship mildly platonic for the sake of this post, we break down the idea that Sansa Stark, a thin, young wolf-girl, brought a grown, emotionally torn, hulking man to his knees by singing him a song.  And not just any song.  A song of mercy.  

"I could keep you safe," he rasped. "They're all afraid of me. No one would hurt you again, or I'd kill them." He yanked her closer, and for a moment she thought he meant to kiss her. He was too strong to fight. She closed her eyes, wanting it to be over, but nothing happened. "Still can't bear to look, can you?" she heard him say. He gave her arm a hard wrench, pulling her around and shoving her down onto the bed. "I'll have that song. Florian and Jonquil, you said." His dagger was out, poised at her throat. "Sing, little bird. Sing for your little life."

Her throat was dry and tight with fear, and every song she had ever known had fled from her mind. Please don't kill me, she wanted to scream, please don't. She could feel him twisting the point, pushing it into her throat, and she almost closed her eyes again, but then she remembered. It was not the song of Florian and Jonquil, but it was a song. Her voice sounded small and thin and tremulous in her ears.

Gentle Mother, font of mercy, Save our sons from war, we pray, Stay the swords and stay the arrows,

Teach us all a better way.

-Sansa VII, ACOK

 While Sandor steps in to parent Sansa and Arya in some of life’s harsher lessons, the two Stark girls surprisingly teach Sandor a few lessons of their own.  Sansa, showing him empathy, that while there is anger and war and killing, there are still beautiful things, and still ways to be kind.  She sings to him of mercy, of finding a better way.  You can always come back.

 "You remember where the heart is?" the Hound asked. She nodded. The squire rolled his eyes. "Mercy." Needle slipped between his ribs and gave it to him.

-Arya XIII, ASOS

 Where the mercy that Sandor taught Arya was a physical mercy, a kill, showing her that sometimes death is better than life for those that are in anguish (and not the last time we will see that represented in either of the character’s arcs), it is the first mercy to open Arya’s eyes to seeing the world around her.  War strewn, the ground littered with porridge-textured dead people, maggots every inch of the way; Jon introduced “Stick em with the pointy end”, but Sandor introduced “why”.

 "And the little bird, your pretty sister, I stood there in my white cloak and let them beat her. I took the bloody song, she never gave it. I meant to take her too. I should have. I should have fucked her bloody and ripped her heart out before leaving her for that dwarf." A spasm of pain twisted his face. "Do you mean to make me beg, bitch? Do it! The gift of mercy . . . avenge your little Michael . . ." "Mycah." Arya stepped away from him. "You don't deserve the gift of mercy." The Hound watched her saddle Craven through eyes bright with fever. Not once did he attempt to rise and stop her. But when she mounted, he said, "A real wolf would finish a wounded animal."

-Arya XIII, ASOS

Arya’s moral code changes from this point forward.  It takes entering a literal House of Black and White, for Arya to start the journey of coming to terms with morality not being a simple yes and no answer.   While she hasn’t quite perfected the lesson (as we know Dareon’s fate and the fates of several to come), she is very much so ‘in progress’ on the topic, much like Sansa is currently on the road to becoming politically savvy.

 Give up on this quest of yours. The Hound is dead.

"You sound as if you pity him," said Brienne.

"I did. You would have pitied him as well, if you had seen him at the end. I came upon him by the Trident, drawn by his cries of pain. He begged me for the gift of mercy, but I am sworn not to kill again. Instead, I bathed his fevered brow with river water, and gave him wine to drink and a poultice for his wound, but my efforts were too little and too late. The Hound died there, in my arms. You may have seen a big black stallion in our stables. That was his warhorse, Stranger. A blasphemous name. We prefer to call him Driftwood, as he was found beside the river. I fear he has his former master's nature."

The horse. She had seen the stallion, had heard it kicking, but she had not understood. Destriers were trained to kick and bite. In war they were a weapon, like the men who rode them. Like the Hound. "It is true, then," she said dully. "Sandor Clegane is dead."

-Brienne VI, AFFC

Sandor’s arc embodies major ASOIAF themes: Mercy, reclaiming identity, and resurrection.  In moving Sandor off the page and into the quiet isles, it gives George time to develop Sandor’s characterization in a believable manner, while not wasting too much page time.  In exposition that offers Brienne’s plot progression, we are also told where Sandor has gone and what he is doing there.  

She sang for mercy, for the living and the dead alike, for Bran and Rickon and Robb, for her sister Arya and her bastard brother Jon Snow, away off on the Wall. She sang for her mother and her father, for her grandfather Lord Hoster and her uncle Edmure Tully, for her friend Jeyne Poole, for old drunken King Robert, for Septa Mordane and Ser Dontos and Jory Cassel and Maester Luwin, for all the brave knights and soldiers who would die today, and for the children and the wives who would mourn them, and finally, toward the end, she even sang for Tyrion the Imp and for the Hound. He is no true knight but he saved me all the same, she told the Mother. Save him if you can, and gentle the rage inside him.

-Sansa V, ACOK

 When Sansa prayed for Sandor, her prayer was answered- Sandor was quite literally given a place to die, to reclaim his identity in resurrection, and a place to heal.

 "My lord is wise," Thoros told the others. "Brothers, a trial by battle is a holy thing. You heard me ask R'hllor to take a hand, and you saw his fiery finger snap Lord Beric's sword, just as he was about to make an end of it. The Lord of Light is not yet done with Joffrey's Hound, it would seem."

-Arya VII, ASOS

We are told quite literally by Thoros: The Lord of Light isn’t done with Sandor, yet.  Sandor is given to the Quiet Isle, in preparation for his role in the wars to come, whatever that may be.

 Frankenstein’s Monster: Putting the Dog to Sleep

I desired that I might pass my life on that barren rock, wearily, it is true, but uninterrupted by any sudden shock of misery. If I returned, it was to be sacrificed or to see those whom I most loved die under the grasp of a daemon whom I had myself created. (20.18, Frankenstein)

I planned on exploring Frankenstein and his Monster in regards to Sandor killing the creator who made him this way, but the parallels of Qyburn creating Ser Robert Strong ring just as true.  Where Sandor Clegane is given a chance at resurrection, at a second life, at changing his ways, Gregor Clegane shows us that sometimes, in such villainy, sometimes there is no coming back.  While Gregor has done terrible, awful things, he is reduced into a piteous shell of a being, a monster, with no physical chance at coming back and embracing humanity.  

His limbs were in proportion, and I had selected his features as beautiful. Beautiful! Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight black lips. (5.2, Frankenstein)

Who could pity the monster that Gregor Clegane has become? Even before the necromancy, the countless rapes, murders, tortures, all because he could.  No one stopped him.  He awoke one day, big enough to shove his brother’s face into a brazier, and no one stopped him.  His father covered it up for him.  He wanted, and he took. The mysterious Clegane sister, dead, the father, dead. And no one stopped him. Sandor, a young man, leaving home to find some place to belong and survive, before he was next.  Gregor’s rise to power is best put by Sandor: no one could withstand him.  So, once more, who could pity the monster he has become?

While Cleganebowlers everywhere cheer and chant and don their yellow “GO DOGS!” foam fingers, we are brought to an important point.

The Hound can not kill The Mountain, because the Hound and the Mountain are dead.

Instead of Cleganebowl, let me just offer you the following: clegane-soul.

Alright. That was a joke.  Stay with me.

Sandor can’t beat his brother, because there’s no beating a sad, pathetic, hollow zombie.  This isn’t the Hound and the Mountain.  No one is as accursed as the kinslayer, and it should never be easy to kill a family member.  Where killing Gregor would’ve been the Hound’s dream about a year ago, the Hound turned up dead.  Sandor will be giving his brother the gift of mercy, taught to him by the two little girls that snuck beneath his skin.  

 “Mercy, mercy, mercy,” she sang sadly.

 As she dragged it up the muddy bank, one of her little brothers came prowling, his tongue lolling from his mouth. She had to snarl to drive him off, or else he would have fed. Only then did she stop to shake the water from her fur. The white thing lay facedown in the mud, her dead flesh wrinkled and pale, cold blood trickling from her throat. Rise, she thought. Rise and eat and run with us.

-Arya XII, ASOS

 “Mercy, mercy, mercy.”  Both Stark girls sing their songs of mercy.  Arya has dedicated so much time now in the Literal Morality House of Black and White, preparing and washing dead bodies, skinchanging and dreaming of wolves, that her plot is sure to lead her back to Westeros.  And in her dreams, we know she’s been in the Riverlands.  

 Maybe some real wolves will find you, Arya thought. Maybe they'll smell you when the sun goes down. Then he would learn what wolves did to dogs. "You shouldn't have hit me with an axe," she said. "You should have saved my mother." She turned her horse and rode away from him, and never looked back once.

-Arya XIII, ASOS

Arya’s black/white morality problem hasn’t come quite to its head yet.  But it will.  Because, as the audience knows, saving Arya’s mother wouldn’t have happened - it just isn’t that easy, wolf girl.  And Arya herself will have to learn that when she comes back to Westeros, when she makes it to the Riverlands, and when she comes face to face with Mother Merciless herself.  While she dragged her out of the stream and life was given to her, Arya will be the one to put the fish back in the water.  Mercy, mercy, mercy - a real wolf would finish a wounded animal.

The Mockingbird

"Thank you, Your Grace," she murmured. The Hound was right, she thought, I am only a little bird, repeating the words they taught me. The sun had fallen below the western wall, and the stones of the Red Keep glowed dark as blood.

-Sansa VI, AGOT

 "You have a good heart, my lady," she said to Sansa. "Not every maid would weep so for a man who set her aside and wed her to a dwarf." A good heart. I have a good heart. Hysterical laughter rose up her gullet, but Sansa choked it back down.

-Sansa V, ASOS

Where Arya has spent time learning to give and show mercy, we spend books with Sansa where she has given quite a bit too much of it.  Where Arya wields a sword, Sansa wields her courtesy, her arsenal appearing soft edged.  

 But those equipped weapons will change, too.  As Sansa gains agency in the Vale, learning to be the lady of a house, she begins to awaken to the treachery of those manipulating her for political gain, specifically Petyr Baelish.

 What if it is truth he wants, and justice for his murdered lady?" He smiled. "I know Lord Nestor, sweetling. Do you imagine I'd ever let him harm my daughter?"

I am not your daughter, she thought. I am Sansa Stark, Lord Eddard's daughter and Lady Catelyn's, the blood of Winterfell. She did not say it, though.

-Sansa I, AFFC

So when Petyr lies, on his hands and knees, in front of all of the northern lords and lords declarant, begging for mercy- the mercy she’s shown grown killers and men, the mercy she’s given to her enemies- Sansa will show a different sort of mercy.

When Petyr is begging mercy, mercy, mercy, when Sansa finds all of Lord Baelish’s betrayals, remember that she is giving herself mercy for once.  Mercy. For her family, for her, for basically anyone in the universe who has ever had to deal with this disgusting man.  

Tl;dr Sandor will kill his brother out of mercy, which is one of the main themes of his character arc, and a concept that the Stark sisters helped instill in him and he in them.