#listen the entire episode was good but this scene

[sazernac]

The way Serena and June’s eyes connect despite the vast number of people between them on the train is👌. Then Serena’s little (I knew you’d come back to me) smirk paired with June’s (I wanna fuck kill you) eyebrow raise at the end was just delicious.

P.S…whoever chose bury a friend as the closing song…I see you!

[katierosefun]

oh there's something particularly painful about my mister in that dong hoon tells ji an that as long as no one knows, it's no big deal, and there's something particularly painful about how ji an tells dong hoon that sometimes, i want [my secret] to play out on big screens for everyone to see, and there's something particularly painful about how the second dong hoon meets the loan shark tormenting ji an, he starts screaming and yelling about how she's just a kid, how could you do that to a kid, and there's something particularly painful about how dong hoon doesn't even let ji an know he did that, but ji an knows. she knows because she was listening in the entire time and she just starts crying because someone actually knows this ugly, sad part of her and still took her side, and something particularly painful about how my mister started with as long as no one knows, it's no big deal but really concludes with there is so much risk in having someone know who you are but there's also so much comfort and peace to be found in that, too and maybe you shouldn't isolate yourself and maybe you should reach for that kind of comfort in being known and loved anyways

[sskk-manifesto]

:)

[asidian]

Can we talk about this scene?

This is in episode 4, right after they've gotten back from their Terrible Horrible No Good Very Bad Day at the Beach. This is after Charles has been put through the absolute emotional trauma wringer and had his sobbing breakdown.

This is the second time in the past five minutes of show time that Edwin – stilted, repressed, not-terribly-good-at-people Edwin – has stepped outside his comfort zone and made the effort to try and reach out to Charles when he's hurting, awkward though those attempts may be.

But what else does it come on the heels of?

Edwin deliberately failing to mention that the Cat King had shown up in the middle of the case. It only gets mentioned at all because Niko doesn't realize she's meant to be keeping it under wraps. And Charles is upset, not just because the Cat King was there, but because Edwin was planning to keep it from him.

Let's take a look at what Charles actually knows about the Cat King, here.

The Cat King spirited Edwin away for what seemed to be several hours. He did ??something?? to Edwin while he was there. Edwin is extremely cagey about telling the whole story. Apparently at some point he was whispering in Edwin's ear? He's showing up during cases now, and Edwin is out of sorts and trying to keep it secret.

From Charles' point of view, Charles is meant to be the protector. He's the brawn; it is his job to keep Edwin safe. For the entire series, he's stepping in front of threats and squaring up to take things down before they can lay so much as a finger on Edwin.

But all of a sudden, here's this threat to his most important person that he can't fight, can't do anything at all about, because Edwin is keeping it from him.

Charles is still feeling helpless after the Devlin house. He's feeling like he can't do anything to help anyone, and part of that is Edwin pushing him away for probably the first time in thirty years.

"I can't stop whatever it is that's going on with you," he tells Edwin, when he's listing all the things he can't fix.

And then immediately afterward, we get this scene. Edwin offers to listen, if Charles needs to talk.

And Charles? Who's still hurting, and feeling so damn keenly that he's been shut out of Edwin's life and problems lately, and that Edwin doesn't trust him to help with whatever it is that's been upsetting him?

Gives this answer, with that smile. And damn, it hurts.

[thesiltverses]

A very big thank you

I posted this on Patreon, but really wanted to share it here as well:

Post-show life begins

For a long while now I’ve been getting up at 4.30 or 5am, grabbing myself the first coffee of four, and then coming to sit at my desk.

I open up the assembly cut of the newest TSV episode.

I listen to it, I try and pin down which scenes I need to be going back over today. I try and push through the entire morning without a break because when the momentum stalls, that’s what kills your release schedule. (I also worry endlessly about just how much of my hair is falling out, and how spending 12 hours a day wearing headphones could be contributing to that.)

Today was different. I still woke up early - it’s a hard habit to shake off, and probably a useful one going forward. But I didn’t go to my desk, and I didn’t put my headphones on.

I went to the rocking chair we bought for our son when he comes, and I sat there - gently swaying and trying not to spill my coffee all over it, because for some reason it’s fucking beige - and looked out over the city skyline. 

I slugged back my coffee surrounded by all the stuff we’ve panic-bought for the baby, and I got to take all of it in - washcloths and the changing table and romper suits - with a sudden focus and a clarity and a rising excitement that I really hadn’t allowed myself to feel until today, because until today the work was still unfinished and there was still much left to be done.

All at once I felt very free, and fully sated, and happy and proud for everything that’s coming next.

There’s so much to feel grateful for from the past three years of working on this show. But what’s probably going to sit with me the most is being able to arrive at that moment and those feelings today, - and we have all of you incredible people to thank for that.

Not just in terms of listenership or financial support, although that’s been truly invaluable and a lifeline for us that’s enabled us to actually make the show - but also your enthusiasm, your passion, your jokes and comments and everything that’s helped to keep us motivated and working on it.

So - with as much feeling as words can convey, thank you so, so much for everything.

What’s coming next, in rough order

#1: Parentdom is going to take over our lives for a while! I also want to write the final Patreon episode commentaries in the next few days, while I have the time and the clear memories. #2: The next thing we’ll organise will be the post-season Q&A (we’d also like to do some kind of off-camera cast party if we can make schedules work, just to say thank you to our amazing VAs and celebrate with them). Please do ask us questions! #3: We have long-unfinished commitments to the Patreon which I need to complete: the last two episodes of So Long, Good Luck, and rounding off Sid Wright’s story. As ever, huge thank-yous for your patience with these; they’ve just been impossible to polish off while also working on the main show so much. #4: Something I’ve been thinking about for a long time is the possibility of going back to Season 1 and redesigning it from scratch to try and bring it closer in style to S2 and S3. We have the raw audio files - some of the mic quality will just be rough no matter what, but we can certainly try.  This is something I want to be conscientious and careful about; I very much want to respect the sound design work that’s already taken place, and ensure we’re not overriding anything. But I do know that the initial quality still sometimes puts new listeners off; we were learning a lot about direction and mastering from scratch, and our designers were working with limited budget and a total lack of plugins, so there’s simply a lot more we can achieve now. (This would also be a good opportunity for me to finally rework the transcripts, another fallen hurdle). #5: A few months back, we were contacted by a literary agent in NYC who was interested in us adapting the show into a series of novels. There’s a long road ahead to actually get published, but I'm thrilled to say that I have signed with them and I’m really excited to hopefully start work on the first book once I’ve settled into dad-dom. I’ll need to check what’s possible, but if it doesn’t interfere with any contract condition I’d obviously love to share excerpts on here as it’s written. #6: Then there’ll also be another larger audiodrama project - we’ve spoken about the different possibilities before! Excited to get started on our final choice.

Just one last word about endings

God, endings are scary. Because endings are impossible.

How many serialised stories actually end in a way that’s received unequivocally well?  People yelled at The Sopranos for its ambiguity and open-endedness. People criticised Breaking Bad for treating Walt too sympathetically at the end and relying on a generic mob of snarling Nazis to act as his final foe.

Endings are either too pat and neat, or too inconclusive to be satisfying, or too surreal and dreamlike, or they simply make what feels like the wrong choices for the characters we care about. We’re all caught in that barbed wire, creators and audience alike, weighed down by the baggage of what’s come before and we've already spent so much time anticipating the infinite possibilities of how it could all turn out - it’s like we can’t get free of the story that’s trying to end. 

And the beautiful thing about these longform, iterative works is that they insist upon becoming completely ungovernable. No matter how much of a planner the creator claims to be, how much prepwork they carry out - they were never really in control. There’s spontaneity and surprises and dead ends and beautiful distractions that come spilling out along the way (I was baffled and delighted to learn that people really - at the end of the show, with such limited time to spare - wanted to find out what had happened to Eddie*). 

So they can’t end. Not really. There’s too much wonderful mess in them to ever be reasonably disentangled.

And, of course, for every ending people remember with frustration or dissatisfaction, there’s another hundred endings that nobody remembers at all, because we lost our enthusiasm along the way and it feels better to keep going back to the start and avoiding the slow decline. (Who the fuck remembers how the umpteenth X-Files reboot ended? What increasingly tired post-modern antics was Alan Moore getting up to in the final League of Extraordinary Gentlemen books?). I really just didn’t want the show to end up in that latter category.

All of that probably sounds like I’m warding off criticism about the show's ending, but for me it’s actually been the opposite. 

For an ending which is all about narrative dissatisfaction, and failed potential and missed opportunities, and how we need to come to terms with the lack of existential fairness and certainty and narrative control in our lives and keep ploughing forward all the same for as long as we possibly can, I’m massively stunned at just how positive the reception has been on here and elsewhere, and that’s something I’m actively having to process, because I think I was fearfully anticipating much more pushback.

But, look - the Eskew finale was originally quite poorly-received and then people came back around to it over time. So I’m not going to pat myself on the back too hard, because maybe it’ll ultimately be the opposite with this show, and that’s OK. For 200 years everyone was convinced King Lear was improved by having everyone survive at the end and get married. Endings take time to settle into their final condition.

For now, I am incredibly relieved that the ending we chose seems to have landed for most people, and I’m incredibly grateful for the lovely messages we’ve got about it and for the trust in us that you’ve all shown throughout the story.

So, yeah, let’s end with another thank you, because that’s what I feel so deeply and so forcefully at this point.

Thank you so much again, and speak soon.

Jon

*My take? We’ve established that the guy is in some kind of blue-collar job and has been pushed into constant overtime due to the reduced workforce. We’ve seen that the so-called ‘national holiday’ doesn’t actually rescue workers from their commitments. So I personally imagine that Eddie was working during the parade somewhere on the city outskirts, and is alive and well.

[nutmeggery]

I need Neil Gaiman to know that Good Omens 2 made me feel emotions I haven't felt in nearly a decade.

When I heard there was going to be a Good Omens 2 I was looking forward to it, of course. I just wasn't expecting it do anything super special to my emotions. I was sure I'd enjoy it, though. I really enjoyed s1.

But, for the last few years, I watched shows and afterwards basically thought well, that was fun, and I quickly moved on and didn't think much about them. There was only about 3 shows in the last 5 years that had made me feel truly emotional and stayed on my mind to the point where I felt like I needed to engage in fandom for a while. (Good Omens 1 was one of them.)

I wasn't spoiled by the leak. I never even knew there was a leak. So I had no idea what was coming in s2. And oh boy...

See, I'd watched Our Flag Means Death, a show where you don't expect the lead characters to kiss, because, well, that never happens in these types of shows, right? And this is important because when they did kiss, it felt like a door that had been locked with just about all the high security locks in the world had suddenly, inexplicably, been opened. Something switched inside me. It took me months to understand what it was, but when I thought about Good Omens before s2 came out, I realized what it was.

I would never truly enjoy a bromance they're-only-queer/in love-by-your-own-interpreation story ever again. Stories where nothing is confirmed, just subtext that anyone who doesn't want to see it can easily deny and mock those who wish it was more.

While it was clear that Crowley and Aziraphale cared a lot about each other in s1, and were probably in love, it was still just a fun ship for fans to play with in fanfiction and fanart. Do they love each other? Oh sure. In what way? Well, that's up to interpretation. Ok, cool. But it's not quite Our Flag Means Death, is it?

Then I watched Good Omens 2. And from episode 1 I saw my favourite Angel and Demon duo love each other. And I was having the best time. I hadn't had such a good time watching a show in a long while. It was not only right up my alley, it was an alley I wasn't even aware was my alley until I saw it. I enjoyed seeing the old characters, the new characters. Oh, I was wonderful.

It was clear to me that, of course Crowley and Aziraphale love each other, are IN love with each other, showing it in their own way. And I wasn't expecting it to be THIS obvious.

And then when the kiss happened, I couldn't believe it. I covered my mouth with both hands and gasped and sat up straight in my seat. I had never expected it--the heartbreak it added to the already heartbreaking scene--it rewired something inside me.

It was like my emotions had been locked up in a stall like a horse for so, so long, and now the gate had been opened, the stable door kicked down, and the horse was running out onto the large pasture into the daylight, bucking and kicking up grass. Oh my god, I have to take a few minutes to process that entire 6 hour marathon of emotions.

And by a few minutes I meant a few days.

More than a few, actually.

I didn't need a kiss to understand how much they loved each other, but I did need the kiss to understand how intense and heartbreaking their separation is for them after everything.

But more than that, the kiss broke a barrier. They really did it, I thought. They really dared.

Aziraphale and Crowley aren't human males, no, but they're played by male actors. And that is significant. That makes the kiss significant. In the world we currently live in.

Weeks later, I'm still obsessed with the show, re-watching s1 and 2, reading the book again, listening to the audio drama. And I'm on tumblr, seeing people's posts and art to somehow sate my hunger for a s3 that doesn't exist (yet).

And I'm having a wonderful time.

[that-sarcastic-writer]

Mind Games (2)

Direct cntinuation to Mind games (til we lose control) (takes place before lost time)

Ben/Soldier Boy X Supe!Fem!reader

Summary: Herogasm proves to be a disaster for everyone involved, but at least you and Ben still have each other at the end of the night. Takes places during the Herogasm episode but like I did my own shit

Warnings: explicit sexual content, minors dni, unprotected sex (wrap it before you tap it mfs), p in v, shower sex (pls don't try to recreate this, SB has super strength, your man does not, you might break sum), oral (f receiving), fingering, multiple orgasms, creampie, dom!Soldier Boy, praising kink, Ben calls her mean things a lot (but she likes it), choking, hair pulling, spitting, Soldier Boy cause mf is a warning on his own, typical canonical violence for this show, no use of y/n, Violet isn't her real name, just a nickname.

WC: 6.9k I'm so sorry

A/N: WHAT DID I TELL YALL MFSSS. Took me 2 years to revisit it but yk what it's fine cause every year is Soldier Boy's year. So yeah here we are. I will warn yall im not too good at writing action/fight scenes, like it made sense in my head but idk if that image translated well into the scene. I only know how to write smut im sorry. But to my Ben/Jensen girlie's, this is for you. I'll see yall in hell <3

Gif is not mine I found it on Pinterest

Universe masterlist | I no longer have a tag list so if you'd like to keep up with updates follow @midnightreadinglibrary

Fucking Herogasm. Christ, you didn't remember the last time you were here. Funny, the last time you went to a Herogasm party it was coincidentally with Ben. And it was in fact the last one you ever went to. It never felt right to go back without him. 

"Fuckin' Herogasm," Butcher laughed and shook his head, glancing back at you with intrigue, "You ever been Violet?" 

Your lips curled up a bit and you licked your lips slowly, glancing at Ben for a second before you found two pairs of curious eyes on you. 

"Yeah, every year for like ten years." You responded, and you were met with a look of disbelief from Hughie, and even Butcher had a slight glint of surprise in his eyes. Perhaps they didn't take you as the orgy, drugs and depravity type of supe, not that you blame them, that never truly was your idea of fun. But you weren’t entirely innocent either. "I'm serious. You can ask Ben if you don't believe me." 

Both men gave Ben a long glance and he laughed, shrugging at you. 

"She ain’t lying, I took her to her first one, in 74' was it? Should've seen her, such a pretty doe-eyed lil’ thing, with a face like hers she fooled everyone." 

"Oh, yeah, you showed innocent little me all the ropes. It was very educational." You rolled your eyes, trying to hide the small grin on your face, and Ben had one of his own. 

For a moment you forgot neither of the other two men quite understood whatever was going between you and Ben, so you missed the uncomfortable look on their faces. 

"Oh, I showed you a hell of a lot more than just the ropes, sweetheart." 

"And I'll show you both the barrel of a gun if I have to endure another second of your trip down erotic memory lane. Can we focus here?" Butcher groaned, looking both annoyed and disturbed by your relationship, like a parent who was tired of keeping his two horny teenagers in line. 

You exchanged a look with Ben, eyes big and lips pursed as you tried not to laugh and you gave him a look of having just been scolded. He simply rolled his eyes and half paid attention to Hughie and Butcher as they went back and forth about who was going in first. 

You, as always, just stood there and observed, absentmindedly twirling your knife between your fingers as you listened to them agree that Hughie should go in first so you could be in and out as quickly as possible. In between your own priorities, Ben being the main one, you had almost forgotten why you were here in the first place. Despite the fact that you were picking off Payback's members one by one, you quickly realized this wasn't for you, or Ben and his plot for revenge. No, it was about Butcher getting his. And the two of you were simply there to make it happen. 

You had begun to wonder if this was all there was to it, a means to an end, and in reality neither you or Ben had much of a chance to make it out this revenge mission alive. But if there was something you knew for sure, it was that you would die before you let anything happen to Ben again. Deep down, you hoped he would do the same for you. 

"I'm gonna go check the area before we go in, make sure there aren't any surprises." Butcher announced after a minute or two of waiting, Hughie not being back yet. He started walking, but not before turning to glance at you both with narrowed eyes, "And you two behave, last time I left you cunts alone you broke a bathroom." 

You did a mocking salute to him and snorted when he rolled his eyes at you, grumbling something you didn't quite hear as he began to walk away. He was out of your sight pretty quickly and you could already feel Ben's intense gaze burn on your face. You ignored it at first, but when he stood in front of you, eyes never leaving you, you had no choice but to look at him. You stopped your fidgeting and you looked up at him expectantly as you leaned back against a tree.

"I don't need to read your mind to know you want to tell me something, what's up?" 

"What you said back at the motel, did you mean it?" He questioned, leaning close to your face as he placed a hand beside your head. You stared at him for a second, trying to dig in your mind for whatever it was that he meant. You found his green eyes and you realized. 

Ah. The three fucking words. 

"Seriously Ben?" You groaned, your head falling to the side with annoyance, but more of all you wanted to avoid his gaze, avoid the shame of having confessed your deepest feelings, knowing feelings wasn't something either of you ever talked about let alone ever admitted to. Because feelings meant vulnerability, and vulnerability meant weakness. And weakness wasn't something either of you would ever admit to.

He grabbed your chin, grip tight as he forced you to look at him, "Did you? ‘Cause I meant what I said, all of it." 

Your face softened and your lips slightly curved into a tiny smile. You never wanted to search his mind without his permission, it was like a line you never liked to cross, but you didn't need to this time. Just by looking into his eyes you always knew. You could tell a lot by looking into someone’s eyes. You searched his eyes for any kind of deceit or even manipulation, but you didn't find any. You knew what he meant, and coming from him, it meant everything. 

"Yeah," You sighed softly, "I meant what I said." 

"Good." His pink lips curved into a satisfied smirk as he squeezed your face and leaned down, capturing your lips into his own. It was slower, no rushed and desperate touches like before, but he still kissed you hard. There was nothing gentle about it, but was there ever anything gentle about him? 

His tongue slipped into your mouth as he dropped his hand, resting it on the column of your neck. He pressed his armored chest against yours, pretty much pinning you against the tree. His mouth was so skilled, like he knew exactly how to take your breath away in seconds, he knew you that well. You would never allow a man to have this much control over you. But it was always different with him. Your hands found his long strands as you explored his mouth, and you pulled hard. You felt him groan against your mouth and he squeezed your neck in response. You gasped, the sound quickly fading into a soft moan. He pulled back and watched with amusement the look of pure ecstasy on your face as he squeezed your throat. 

"You fucking slut, you still get off to me hurting you, don't you?" He bit his lip as he released your throat, thumb brushing over the skin he knew would bruise, just like everybody else's, even if it was for a little bit. 

You inhaled deeply, the short lack of airflow making you dizzy, but in the most delicious way possible. You opened your eyes, finding his green ones and god you wished nothing but to just ditch the mission and go somewhere where he could take you, over and over again. 

"Are we here to get revenge or are we here to get your dick wet? ‘Cause I'm getting some real mixed signals here." You mumbled, breath heavy and he chuckled. He leaned down, pressing his lips to your jaw before he moved them to your ear. 

"I'm gonna fuck you so hard I'm gonna break a hell of a lot more than just a mirror." He coaxed. The way he spoke in your ear made you rub your thighs together and the pool forming in your panties was impossible to ignore. It was embarrassing how quickly he could pull you apart and do with you what he pleased. "When we get back. Now pull yourself together, we're on a mission." 

And just like that he was standing a few feet away from you. He was looking behind his shoulder, almost as if he could hear someone. And of course, just in time for you to somewhat regain your composure, Butcher came back. Though it wasn't before you locked eyes with Ben one more time as you tried to control your breathing, and the cocky bastard winked at you, lips curled into a shit eating grin before Butcher actually approached you both. 

This motherfucker. 

"All clear. The twins are in there. You shouldn't have a problem going in," He said to Ben, but then looked at you, "You, though, you might get some attention. Pretty girl, dressed in black leather and strapped with knives, that's some BDSM shit if I've seen one." 

"Okay and?" You frowned, now standing by both men.

"Just stay close to him, people might recognize you and approach you. Do what you can to keep a low profile. You might have to get your hands a bit dirty." He looked between you and Ben. You stared at him with a small frown at first, but when he raised his eyebrows at you, you quickly realized what he meant. 

"Wouldn't be the first time." Ben commented with a chuckle when he caught on. You looked at him, slightly unimpressed by his lack of discretion but you simply rolled your eyes. 

Butcher sighed heavily, clearly done with your antics by then and he simply motioned you off with an unimpressed expression, "Off you go, ya dirty cunts." 

"Looks like you might get your dick wet after all." You commented to Ben as you both headed off to the house. 

He chuckled, shooting you a glance as you stood in front of the door. You were both eager to get this over with, you more than him. It was one thing for him to be able to face the assholes that betrayed him, and you were happy to do it with him. But the idea of being around dozens of supes, in an environment where there were no rules, no respect and no boundaries, made you uneasy. You didn't know if you could handle that many voices all at once. It had been a long time since you had been around other Supes, let alone that many, and you had made that decision for a reason. 

Almost as if he could feel the anxiety radiate from you, you felt a large hand fill your own. Confused, you looked down and saw he had intertwined his fingers with your own. "There's nothing to be nervous about, sweetheart, it wouldn't be the first time we do this." 

"I haven't been around other supes since…" You inhaled deeply, your throat slightly closing up at the memory. The last time you stepped foot at Vought Tower, when you realized you couldn't do it anymore. Ben looked at you, eyebrows slightly knitted into a frown, "It's been a long time is all." 

"Just stay by my side, nobody will lay a hand on you. I'll always protect you, remember?" He gave your hand a slight squeeze and the calm yet assertive ring in his voice made you feel almost at ease. Almost. 

You stayed silent, needing all your energy and focus to keep the dozens of voices beginning to infiltrate your mind one by one. The sound of Ben speaking as a very naked man opened the door sounded far, distant, you didn't catch much of what they said. You only knew to move when you felt Ben tug you along. Now the sound of your racing heart was almost as loud as the voices. So fucking many people here. So many Supes. So many voices. All at once. It was deafening. It disgusted you, to have to hear every passing thought these depraved beings had. You didn’t realize you started digging your blunt nails into Ben’s gloves.

It didn’t hurt, but your enhanced strength definitely made him feel the tightening grip of your shaking hands. He stopped and looked at you with a twisted frown.

“The fuck is wrong with you now? You look like you saw your father.” 

You eyes snapped up to find him looking back at you with both confusion, and his version of concern. You opened your mouth but you could only stammer but no words actually came out. You couldn’t think. It was so loud. Your lip quivered ever so slightly as you felt your chest start to grow heavy. Ben saw the look on your face, the way your eyes were frantically looking around the room, your jaw wound up so tight he thought you’d break it. The last time he saw you like this was when you first joined Payback and didn’t have full control of your abilities. 

“Stop that, right now.” He gripped your shoulders hard, really fucking hard, enough to make you shift your focus on him for a moment. You looked at him with wide eyes. “Hey, I need you to focus. Get your head under control. I need you to have my back here, okay?”

“I… I don’t.. I can’t get them to stop. They won’t stop.” You said, so close to being on the verge of tears. “There’s so many, I can’t get them to shut the fuck up. I--” 

“Hey,” He shook you ever so slightly, leaning in close to your face. “The fuck did I just say? Get. yourself. Together. You used to tune ‘em out, remember? So tune them out.” 

You breathed in, your chest rising as you tried to drown out the noise, focus on his face, on his voice. But you couldn’t. You hadn’t been around this many people in nearly a decade.

“I can’t. I just can’t. I can’t be here. I’m sorry.” You shook your head frantically and tried to slip out of his grip but he didn’t let you. 

“I need you here. Just—hey,” he grabbed your jaw, looking out of the corner of his eyes to make sure you weren’t bringing in too much attention before he met your teary eyes. “Just look at me. I’m right here. Remember you used to tune everyone else out and only focus on my voice, hm? Focus on my thoughts, okay? It’s just you and me, fuck everyone else.” 

You stared at him, the green in his eyes seeming more and more green the longer you looked. You even saw a ring yellow in there. His voice. His thoughts, they had always calmed you, centered you. The voices grew more and more distant the longer you looked at him. You listened to his voice as his thoughts became your own. Until only the sound of his voice was in your head. Your breath was shaky as you closed your eyes, a laugh of relief leaving your lips.

He held your face for a little longer, his deep frown less harsh as he watched your face slowly visibly relax and the tension left your body.

“Are we good?”

“Yeah, we’re good.” You exhaled deeply and nodded at him, feeling like you were slowly regaining control of yourself. “Let’s go find the terror twins.” 

You walked around this house for what felt like hours. But it didn’t help that you were being stopped every five minutes by every naked Supe you walked by. Ben was anything but amused.

“I swear to fucking Christ if one more of these slimy jizz-covered fuck faces asks you to use your knives on them I will actually shove my shield up their ass.” Ben grumbled with a look of disgust on his face.

“They’d probably like that.” You had to bite your lip to stop yourself from laughing at the death glare he shot you.

“Eat shit.” You actually snorted this time, and you were full on giggling when he started mumbling curses at you as he walked off. 

You ultimately decided splitting up was probably the way to go, the house was way too big and had too many rooms, you’d find the twins quicker if you each went your own way. Ben was reluctant at first, a bit apprehensive to leave you on your own after you almost broke down earlier. But you reassured him you were fine and perfectly capable of going on your own. You ultimately realized you made the right choice. You didn’t know exactly when or how but out of nowhere you heard a loud blast in the next room and you were launched right through a wall from the blast. Pain immediately started shooting through your body at the impact. You were a Supe, sure, but you weren’t Soldier Boy, you weren’t fucking invincible. You bled and you felt pain like any human. 

It took you a good minute to understand what the actual fuck had just happened. And when you did, you almost forgot about the throbbing pain going through your body. You pushed yourself up to your feet, stumbling and holding on to walls as you dragged yourself through the rubble and burned bodies. Your jaw slightly fell open at the sight of this much mayhem. You didn’t believe in God, but fuck were you praying to a higher power for Ben to be okay. 

You managed to stay on your feet despite the pain. It would go away eventually, in a day or so, but the first few hours were brutal. Still you pushed through, determined to find Ben. You stumbled into a hallway, the walls were falling apart and chunks of cement were all around the floor. But what caught your attention was the sight that fucking American flag and blonde head of hair you had grown to despise. Your heart stopped, you were frozen. You held your breath as you realized fucking Homelander was here. And he currently had Ben pinned to a wall.

This was such a bad fucking idea. You could die a very agonizing death. A bad idea indeed. 

Adrenaline kicked in, you sprinted and with a bit of momentum you landed on Homelander’s shoulders. You were surprised he didn’t hear you coming.You were thankful he was preoccupied with Ben. Your nails dug into the side of his temples and you used all of the energy and power you had coursing through your veins, and sent that straight to his brain.

You weren’t sure if it would even tickle. You tried using your shock powers on Ben once, a long time ago, just to test out how it worked on Supes with enhanced strength, he said it felt like being electrocuted. And right about now you were praying Homelander felt something, enough to stun him at least. You could kill an average Supe if you used enough power, but you weren’t so sure if you were strong enough.

You held on, but you were struggling, commanding your body to release this much energy was mentally exhausting but the sound of Homelander groaning in pain made you smile the slightest bit. The shocks of electricity weren’t going to kill him, but it sure did hurt, and it stunned him. Nobody’s brain was invisible afterall. 

“Hurts, doesn’t it motherfucker? Your body may be indestructible but your mind can only take so much before it breaks.” You spat. Sparks were coming from your fingers as your eyes flashed bright purple. “It’s fucked when its you being held down against your will, huh?”

He screamed, stumbling around as he attempted to grab at you, but this wasn’t the first time you tried to fry someone’s brain off while on their shoulders. You gasped when you saw his laser eyes go off as he screamed, leaving indents on the wall. This split second of distraction was enough to make your focus falter, and it gave Homelander the opportunity to find a grip on you. You cried in pain when he grabbed your ankle and tossed you off. 

You landed fucking hard, it knocked the air right out of your lungs. You coughed as you attempted to get up, but Homelander was grabbing you and pulling you up by your neck before you could blink. He held you up in the air as he levitated so you couldn’t find a way to escape. He held you at arm’s length so you couldn’t reach him, either. The way his empty, ice cold eyes stared you down with evil glee as you gasped for air was terrifying. 

“I always knew you were a fucking bitch. I should’ve killed you when I had the chance. Matter of fact, I’ll do that right now.” Your eyes widened when his eyes gleamed bright red. 

Out of the corner of your eye you saw Ben behind Homelander, with a grin as he grabbed Homelander’s cape and pulled down, and he pulled really fucking hard. Your body collided with the ground roughly, landing on your side with a pained cry. But you still saw Ben throw Homelander around by his cape, and had you not been mere seconds away from death, you would have laughed at the comedic irony. You were in and out of consciousness, an aura surrounding your vision. But in between your delirium you could see Butcher and Hughie had arrived, and the three of them were taking on Homelander. It wasn’t long before the three of them had Homelander pinned down. You could feel yourself fade, your muscles give out and your mind shut off. You hadn’t used that much power since you were in Payback. 

You heard indistinct voices and shouting before everything went black. 

“The fuck are you waitin’ for? Blast this cunt!” Butcher shouted and Ben grunted.

“I can’t! Just—Fuck.” His eyes found you in the corner, bloodied and passed out. You couldn’t run away and you wouldn’t survive the blast, he knew that. “You—kid, take her, and get out here. Now!”

“No fucking way!” Hughie shouted back, and Ben felt the urge to blast him instead. 

“Do what he says, take the fuckin’ girl and go!” Butcher shouted at Hughie, catching on to what Ben was trying to do. But before any of them could do anything, Homelander blasted his lasers, screaming as he overpowered the three of them while they were distracted. And just like that he was gone. 

The three men sat in silence, in defeat. They had a chance and they blew it. Ben knew it was mostly his fault, he shouldn’t have hesitated. But he refused to ever let you get hurt. In silent anger he glared at both of them and he stood and walked over to your passed out body. He clenched his jaw as he picked your limp body and carried you. He made eye contact with Butcher and Hughie and it took all of his power not to shoot both of them in the face. 

~~~~~~~~~~~~

Your whole body ached, and your head was founding. It was unbearable. You winced in pain as you began to peel layers of clothes off your body. God it fucking hurt. You closed your eyes as you attempted to hold back tears, only snapping back into reality when you felt Ben trace his fingers over your back. He noted every bruise and every cut. He knew they would heal, sure but it still made him seethe with anger. 

“What the fuck were you thinkin’, taking on Homelander like that? Did all the fucking pills you take for your psychosis fry all of your neurons or what?” He was so angry, and he never was exactly kind with his words. You always knew that, but it still hurt when he talked to you that way, especially when you had only been trying to help him. 

Your back was turned to him, so he couldn't see the hurt frown on your face but he did notice you huff at him and move away from his touch, refusing to look at him. 

“Okay.. Hey, no. I didn’t.. I didn’t mean it like that. Fuck.” He bit his tongue, squeezing his eyes shut with regret of his choice of words. You kept your back to him as you continued to undress. He groaned. “You would have died. And it would have been on me. I couldn’t live with that, is all.” 

“Well, I was passed out so it would have been a quick death, if that's of any consolation to you.” You answered shortly as you stripped down to your underwear. You don't think he understood that you stopped caring whether you lived or died a long time ago. 

“Okay, could you not be a bitch for two seconds?” He sighed, already annoyed by your attitude. 

“No. If you want a girl who doesn't talk back to you, go find Countess. Oh, wait, you can't ‘cause she sold you to the Russians. Guess you're stuck with me.” You answered with even more spitefulness, just to tick him off a little bit more. You didn't need to read his mind to know he was beyond pissed. You weren't exactly in a colorful mood, either. Your back was still turned to him as you tossed your bloodied gear in a corner. 

He breathed in deeply, pitching the bridge of his nose, “Violet, look at me when I'm talking to you.” 

You turned around with exasperation, your eyes open wide with a ‘what’ expression as you motioned your hands around passive-aggressively. 

“I didn't mean what I said. I know you were trying to help me… And I know that you can't always control your powers. I sometimes can't deal with my own head, I can't imagine having to deal with everybody else's.” Ben wasn't one to apologize. He was actually allergic to the words I'm sorry. You knew that. But you knew he at least tried to apologize using other words. So you listened. You knew he was having a hard time, too. “But I'm not really one to talk. I think I'm the one that's fucked in the head.” 

Your lips slightly parted at his words and you looked at him with a tiny bit of sadness. You never asked him details of what happened to him. Sure, you could look, but you never wanted to dig through his mind without his permission. He'd tell you if he really wanted to. But you didn't need to know everything to understand that what he went through messed him up. And it messed him up a lot. What happened at Herogasm was proof of that. 

“Do you want to tell me what happened at Herogasm? Don't make me look through your head, I don't want to.” You sighed softly, ultimately giving in, like you always did. Your delicate fingers dragged over his vest as you absentmindedly began to take off his gear. 

Ben stayed silent for a long time. He didn't think he even knew what happened. You were down to the last layer of the top part of his suit by the time he opened his mouth. 

“I blacked out. I don't.. I don't know what the fuck happened. I was talking to the fuck twins and then nothing. Next thing I remember is the burned bodies and the place was all fucked up.” He breathed out a little unevenly, a frown knitted deep on his face. He looked down at you when you stayed silent. “I didn't mean to. You believe that, right?” 

You did. But did he? 

“Of course I believe you.” You pressed a soft kiss to his lips, hands flat on his chest. He brought one of his hands to the back of your hair, holding your head in place. After a few seconds, you hummed, parting your lips slightly. “Can I ask you a question?” 

He nodded. 

“Why didn't you kill Homelander? You had a shot. Why didn't you take it? You would have done the whole fucking world a favor.” 

Ben stared at you with confusion. Did you really not get it? Were you that clueless or was he just that bad at showing his devotion for you? Probably the latter. 

“You saw what my blast did to the house. You wouldn't have survived that. I should have, I know, Butcher won't stop fucking reminding me. But he has nothing left to lose. Can't kill two girlfriends in the same week, y'know?” 

Your mouth fell open with indignation and you shoved at his chest, but deep down you felt warm at the fact that he chose you over his mission, for once. You still pretended to be angry at him, though. “Fucking prick.” 

He brought his lips to your jaw, leaving blunt kisses and you pretend to hate it. But the smile on your face was inevitable. 

“Wanna shower now or what?” He eventually said. That was the reason you were in the bathroom after all. 

You nodded. You could use the hot water on your bruised skin. You finished stripping, Ben just watched you with a perverted grin and smacked your ass before he stripped himself. 

He got in first, turning on the water and letting it run until steam began to fill the small space. He knew you liked it boiling hot. He didn't mind. You got in and immediately went under the shower head. You moaned in relief, the hot water running down your tense muscles, alleviating the soreness on your body. Ben watched you with a surprising amount of patience as he stood behind you. He leaned down and pressed his soft lips behind your neck, licking along the skin before he moved down your neck to your shoulder. He rested his hands on your hips, squeezing the skin as lightly as he could. You had enough bruises for one day. 

“I'm gonna take care of you tonight, m’kay?” He mumbled against your skin before he made you turn around. 

He crashed his lips against yours, rough fingers gripping your jaw as he slipped his tongue into your mouth. You whined, already craving more. When he kissed you like this, you just couldn't help yourself. 

“Need you, please.” You were breathless against his lips, your blunt nails digging into his chest desperately. He gave your bottom lip a small tug as he pulled away. 

He made you stand in front of him, his back to the shower wall as he slowly sank to his knees. Your eyes followed him longingly.

“C'mere.” He pulled you towards him, his eyes were full of greed as he made eye contact with you while he directed you to rest one of your feet on his shoulder. 

His eyes stayed locked with yours as leaned forward and licked a long stripe from your hole up to your clit. He wrapped his lips around the bud and sucked. You gasped, instantly pressing your hand against the damp wall to keep yourself up. Your mouth fell open in delight as he dragged his tongue around your sensitive clit. 

“O-Oh. Shit. Shit, Ben.” You whined softly, your free hand falling to his wet hair. He held your hip with one hand, steady vice grip holding you in place as he pushed his tongue into your hole. You swore the cry you let out was heard in the entire apartment. “Oh, my God. Fuck. That feels so good.” 

Ben hummed in approval as you wrapped your fingers around his hair and held his face against you. As if he would go anywhere. He happily kept his mouth on you, head moving up and down as he worked you with his tongue, his nose brushing your clit with every movement of his head. To say that you were so close was an understatement. You could feel your leg start to give out under you the longer you felt that heat build in your stomach. Ben was more than happy to assist you with that, too. His free hand grabbed the underside of your thigh and forced you further against his mouth until your leg was dangling over his shoulder. His other hand stayed on your hip, vice grip holding you upright effortlessly. 

His tongue found your clit one more time, and the emptiness it left was replaced by two long fingers pushing into your cunt. Your eyes rolled back as your mouth fell open in a silent cry. You leaned your forehead against the tile as you dug your nails into his scalp. Fuck, you didn't remember the last time a man ate you out, let alone ate you out like this. It felt so good you wanted to cry, you didn't even remember the pain in your body, all you could feel was pleasure. 

“Feels good, doesn't it sweetheart?” He spat into your clit as he fucked you with his fingers. If the shower hadn't been running the lewd sound of his fingers dragging in and out of your wet hole would've been so loud. But he could still hear it, and fuck did he love it. He took a second to look up at you. Such a pretty little thing when you were so close. “Oh, you wanna come don't you? Mhmm, yeah, you do. C'mon, gimme what I want. I know you can do it.” 

His tongue was back on your clit, he licked harsh stripes as he slipped his thick fingers in and out of your cunt with urgency. The sounds of him licking and sucking on your clit were almost as filthy as the sounds coming out of your mouth. His fingers fucked you without mercy, there was not a single thing gentle about his touch. It was rough and relentless. Just like he was. And it had you seeing fucking white before you even realized. 

You squeezed your eyes shut, lips parting in a silent cry as you held his face against you. But it wasn't like he'd go anywhere, if anything he kept his tongue on your swollen clit and his fingers never stopped. Tears formed in your eyes as your thighs shuddered. And when he didn't stop you were pulling at the ends of his hair to pull him off you. He groaned at this. Quite unhappy to be leaving the warm place between your thighs. 

“I wasn't done.” He looked up at you with a frown. You took in a deep breath, blowing out a small laugh as you grabbed at his face, weakly attempting to pull him back up.

“You can be down there all you want later, I just..” You swallowed hard, somewhat regaining your composure as he stood up to his full height. You pulled him down by his face and kissed him, and you kissed him fucking hard. And the taste of yourself still left on his tongue made you need him even more. “Just need you, okay?” 

“Need me where?” He grabbed your jaw, fingers sprawled out over your throat as he held your face back. He stared you down, malicious eyes full of greed as he waited for your answer. And he wouldn't give you anything until you did.

“Inside me.” You muttered through gritted teeth, almost delirious as you rubbed your thighs together with anticipation. He didn't look satisfied. You breathed in deeply, the aching need between your legs unbearable. “Need your cock, inside me, right now, Ben.” 

He lifted his eyebrows up in satisfaction and gave you a simple hum before he switched positions with you, without a word pressing your front against the shower wall. 

“I fuck you once and you're already acting like a pathetic whore? Okay. But you better fucking take my cock like the good fuck doll you've always been, hm?” He kicked your legs apart with his knee, his back pressing you further into the wall as he pressed the head of his cock against your entrance. You took a deep breath. “Yeah, you're gonna take this cock like a good lil’ fuck doll.” 

You gasped when he pushed himself inside with a snap of his hips, but it quickly turned into a moan when he pushed himself to the hilt, hips rutting against your ass. You dug your nails into nothing as you closed your eyes, taking in the delicious feeling of his thick cock stretching your walls.

“What a tight fucking cunt.” He grunted, gripping your hips, not wasting any time. He barely gave you time to adjust. “So fucking wet. Just for me, huh?” 

You were nodding against the wall instantly, pushing your ass back against him as he fucked you without mercy. You felt his lips on your shoulder as he leaned over you. The lewd sound of slapping skin was drowned out by the shower running but you could hear it clear as fucking day. 

“Yes! Mhmm feels so good.” You moaned softly, mindlessly reaching behind you to touch him, any part of him. Your fingers found his beard as you ran your hand over his face desperate to feel him, then you found his hair, and you latched on for dear life as he drilled into you. 

“Yeah? Like how my cock feels in your guts? You missed it, didn't you?” He pressed the side of his face into your head, allowing himself to close his eyes and soak the feeling of your nails on his scalp, he could even feel the faintest bit of electricity shooting through your fingers. He fucking loved it. 

“Yes! God yes.” You couldn't even describe how much. 

Ben smirked at this as he wrapped his arm over your chest and his fingers found your throat. He forced your head back, making you look at him. 

“Open your mouth,” He ordered, he held his finger to your pulse as he felt the fast rate of your heartbeat. You did as he said, and with a huff he spat in your mouth. “Slut. Swallow it.” 

How he could so easily break you down to nothing and treat you like no other man could, truly was beyond your understanding. But your mind didn't have to understand it. Your body just did it. You felt a pool of wetness seep through you at the damn near animalistic groan that rumbled in his throat. 

“You're such a good fucking girl.” He spat, pressing his lips against yours in a messy filthy kiss. You could barely keep your mouth open, not with the way he was so determined to make you fall apart for him. “You're my good fucking girl.” 

“I want to come. Please I—fuck.”  Your words were broken as your whole body burned up, and it wasn't from the hot water. 

“Of course, you do. It just feels so good, doesn't it?” He squeezed your throat harder, only choked out sounds could leave your mouth as he slipped his other hand to your swollen clit and rubbed harsh circles. 

Your orgasm hit you so hard you didn't realize it until you were shaking violently, your eyes rolled back into your head as you fucked yourself on his cock. Not that he ever stopped. He moaned loudly at the feeling of your wetness seeping on him. The wet sound of his cock slapping against your cunt made him want to come, too. 

“Fuck. Fucking Christ Violet. C'mon, make me come. Fuck yourself on my cock just like that. Be a good fuck doll for me, that's it.” His hand left your throat to pull at your hair. He dug his fingers deep into your scalp as his face fell on your shoulder. With a deep grunt he held you down on him. “Fucking take it, that's it, girl. Just like that. Fuck.” 

You could feel your mixed releases slip down your thigh. You sighed deeply, allowing yourself to close your eyes in ecstasy as he pressed his lips to your jaw. You hummed softly, reaching behind you to run your fingers through your hair. 

“I never want to leave this cunt. Feels so fucking good.” He muttered against your skin. 

You laughed softly, eyes still closed, you breathed heavily, “You're gonna have to eventually.” 

“Like fuck I am.” 

Both of his hands were on your hips and he turned you around. You whimpered softly at the emptiness he left you, but it was quickly replaced by choked out gasp when he grabbed both of your thighs and effortlessly hoisted you up around his waist. Your back was pressed against the tile wall and he slipped his cock inside you without a warning.

“Ben—” 

“You wanted my cock inside you? Well you better fucking take all of it. Every fucking inch ‘til I say so. You want it, don't you?” He spat, already fucking into you like you were nothing more than a toy. He held you up by your thighs as he kept them wide open so he could take as much as he wanted. And that he did. “Of course you do, this cunt is all mine to with as I fucking want. That ain't never gonna change.” 

What a long fucking night you were going to have. But you'd take a million of this over another day without him in your life. And this? This was all you ever wanted. You didn't need anything else, just him.

[mysticalalleycat]

I think something really interesting about TMA vs TMP so far is the different use of suspense, which I actually think "the cake scenes" (as I've started to call them in my head) are really good shorthand for.

In TMA, we spend four seasons very slowly getting the hang of things alongside the protagonists. We take all of that time to slowly understand how the world works, how fucked up it is, and how fucked up it can get. The narrative waits until we have a deep understanding of that (although maybe not entirely complete yet), until the characters and world have hit a new, very deep low. Then it throws us back to the start. It gives us cake scene number one (Jon's birthday) and says "Hey remember how when this started they were all (mostly) happy and just regular people working a kinda weird job and they were all friends and had joy?" And it hurts! Because we know how bad it is now, so the sharp contrast to how it was before it all started hits hard!

TMA's suspense is built on the audience not understanding what's happening alongside the characters, so the depth of tragedy happening to them can only be understood in retrospect.

TMP doesnt rely on TMA entirely, but it's written with the understanding that the majority of its listeners will have listened to TMA. It knows that a lot of the audience may not know exactly what's going on here, but they know the general shape of the world and they know exactly how bad it can get (thanks MAG200).

Because it's writing for (mostly) that audience, TMP doesn't have to write about its tragedy only in retrospect. The suspense comes both from not knowing what's happening (like TMA) and from knowing exactly what's happening while the characters don't (whooo dramatic irony). The audience knows what the fears are and how they can effect the world--Sam and Alice don't.

So TMP's cake scene (Teddy's going away party) happens at the start. "Look at all these people being (mostly) happy and just regular people working a kinda weird job and all being friends and having joy! Doesn't it hurt knowing exactly how bad things could get for them?"

And it does. We are two episodes in and nothing has happened to Alice and Sam, but it's already very clear that we are audience to a tragedy. Even if they don't end up totally fucked, it's clear that their arcs will be tragic.

[tangents-within-tangents]

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes. (Edit: and where Crosshair rejected the Empire and found new purpose fighting for his family, Rampart was still self-serving in the finale. He still tries to gain power for himself and he gets his comeuppance).

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

[bad-and-drawn-that-way]

Let me just say, I absolutely adore your writing so much!! Your More Than Anything series with Vox is honestly one of, if not my favorite Vox series!!!���💙 I was wondering if you could do a kind of silly, fluffy imagine with Vox where they're in their early stages of flirting/crushing and the reader avoids the topic of kissing... because they think Vox isn't able to kiss with his screen? Literally before episode 8, the question in my mind was "Can the dorky TV man kiss?" And then we got confirmation he most DEFINITELY could 🤣 I just think it'd be so cute and funny for that to be something the reader was wondering as well but wasn't sure how to ask him about it without being weird lol

Oh my goodness, such high praise aaaa! I actually have a scene in my Ao3 fic based on the same concept! I'd be happy to write some awkward smoochums! This guy is such a fucking dork and I love him.

Assumptions [Vox x Reader Fluff]

You and Vox had been dating for a month and the overlord was on the verge of insanity. He knew that Valentino had much more intense needs when it came to physical affection than most, but he wasn't expecting such a drastic shift in needs when it came to you.

He knew that being in a real relationship was very different from what he'd experienced before with his fellow overlord. But he thought the two of you would have done something by now. Not even necessarily sex. (Although he'd definitely been fantasizing about that more than he cared to admit.)

The two of you had cuddled, slept in the same bed, and even h*ld h*nds, but you hadn't kissed yet and it wasn't for his lack of trying. He'd invited you on romantic dates and set up several perfect opportunities. But whenever he'd try to go for it, you'd always pull away before he had the chance.

He didn't understand. The two of you had been doing so well. You always seemed to be swept up in the little heated moments just as much as he was, so why?!

Vox had been completely distracted during his entire news segment and groaned as slipped into his secluded dressing room. If it wasn't for the fact that he caught sight of you in his mirror, he probably would have flipped out when he felt your arms slip around him from behind.

"What are you doing here?" he chuckled as he lifted a hand to rest on one of your arms.

"I missed you," you smile, squeezing him gently before letting go. "And I saw that..." you cringe. "Performance. You seemed off. Is something on your mind?"

Vox's eyes widened and he cursed himself mentally for putting on a subpar show in front of the camera. If you noticed, then the audience probably did as well. No one really gave half a fuck about the news, but ratings were ratings.

"It's nothing," Vox muttered. "It's just..."

He looks up at you with an unreadable expression and you gasp as he reaches up and gently takes hold of your chin. His brow furrows as he tucks your hair behind your ear and your heart races a million miles per second as he searches your blushing face for something. His eyes flick down to your lips and he slowly starts to lean, only for you to suddenly push him away.

"A-Anyways I just wanted to check in on you and see if we were still on for a movie tonight," you stammered.

Vox froze, not listening to your ramblings as he processed your deflection. He felt a sharp, cold sting of rejection in his chest and wondered if maybe you weren't as interested in the relationship as he hoped. His heart started to break, but then he noticed the way you were blushing.

"Why?" He asked quietly.

"Well, I just thought maybe you wanted to-"

"No," Vox grit his teeth as he grabbed you by the shoulders. "Why the fuck won't you kiss me? Every time I try, you pull away. We're dating, so why?"

You blinked up at him owlishly, your jaw hanging open before you grabbed his arms and breathed, "You can kiss?!"

Vox's brow furrowed as he looked you over, "Wh- The fuck are you on about? Yes, I can fucking kiss! I've been trying to kiss you for the past three goddamn weeks!"

You gasped before burying your face in your hands and groaning. "Oh my god, I thought... There were a couple times that I wondered, but this whole time I didn't think you could and I didn't want to be weird and..."

Vox stood taller as he processed your words. You didn't hate him. You weren't repulsed by him. You were just...

He burst out laughing, clutching his stomach as he absolutely lost it. "O-Oh my god! You're such a fucking idiot!"

Your face was burning with embarrassment. You knew he wasn't being malicious, but you were still mortified at the misunderstanding. "Oh shut up! It's not my fault you're a flat-faced fucker!"

You were about to go bury your shame into the couch, fully expecting him to hold this against you for the rest of the day, but you were barely able to take two steps before Vox intervened.

You let out a startled yelp as you felt his claws wrap around your arm and yank you back. In the split second it took you to blink, he'd trapped you against a wall. You flinched as his hands slammed against either side of your head, trapping you as he grinned down at you.

"You are so fucking stupid," he snickered.

Your face only grew warmer as your heart pounded with mixed anger, embarrassment, and something else entirely due to the position he had you in. His hand traces lightly over your cheek before cupping the side of your face as he looks at you with the softest expression you'd ever seen from him.

You gasp as he leans down and presses his lips against yours. Your entire body feels like tiny fireworks are dancing lightly over your skin. You shiver as your hands instinctively reach up to grasp at his vest when he pulls you close.

You're both breathing much harder than is necessary when he pulls away. For a moment you just look at each other with half-lidded gazes as you process the sparks that just metaphorically and literally flew. You were pretty sure a bulb went out due to the little bits of blue energy that sparked off of your boyfriend during the kiss.

Speaking of your dork, Vox breathlessly grinned as he squeezed your arms. He let out a small laugh before stepping away from you and turning as more little sparks flew.

"Fucking finallyyyyyyyyyyyyyy!" Vox yelled as he pumped his arms in the air and kicked his legs like a giddy child.

[reiniesainyo]

IN BETWEEN. charlie bushnell x reader – 02

02 | WELCOME TO NY previous | next | masterfile

SYNPOSIS. when a girl's co-star is good to her and now she wants it more than everything in between. (smau)

A/N. wow actual content who knew! i give some tidbits about rina and lukes dynamic as well for funsies (takes place at the start of the season premiere to probably episode 4-5 ish)

liked by iamcharliebushnell, walker.scobell, and 322,778 others thelnarchive best people to star in my first show with actually

walker.scobell pov: you at the end of this sentence 🤓👆 ↳ thelnarchive that** ↳ leahsavajeffries destroyed him with one word that's insane

user1 she's so gorgeous it's killing me

user2 her photo dumps are so cute it's so RAHHHHH ↳ user3 thank you yn for keeping us fed

iamcharliebushnell no photo creds? thats crazy...... ↳ thelnarchive 📸: charlie bushnell  ↳ iamcharliebushnell thank you 😁

user4 she's so pretty, i would go to hell and back for her. she could be sent to the underworld and i would go and traverse the entire underworld for her and bring her back, have hades let me walk out with her only if i don't turn my back and bet you baby i'm no orpheus because you're coming home ↳ user5 this is so real but also what the fuck

dior.n.goodjohn PRETTIEST IN CAMP HALFBLOOD ↳ thelnarchive NO YOU!

iamcharliebushnell for everyone's information, she yapped for like the 2 hour makeup and hair session ↳ thelnarchive you weren't interested in the cultural impact of feminist retellings of mythology? 😔 ↳ iamcharliebushnell i didn't say i didn't listen to every bit

user6 yn ln being a yapper and charlie being a listener was not in my 2024 bingo card but it is pleasantly accepted ↳ user7 the chemistry is kind of crazy

bellie 💋 @G1LLMOREGRLS theres like less than 3 minutes of luke and rina screen time but the way they look at each other is insane. ik luke visiting rina before leaving was implied and like them him contacting her even after the attempt too i still want to see some because the potential angst is so insane 🗨 19 comments 🔁 129 retweets ❤️ 707 likes

user1 "i lost luke three times in my life." if they remove this it better be for something even more heartbreaking

user2 honestly truth i'm manifesting so hard to see some of their iris messages like i can just imagine it ↳ G1LLMOREGRLS oh my fucking god that's so true, i want to see luke begging her to come with him and then her begging him to change his mind

user3 i want the new seasons to come sooner because i trust in rick's capability to give us what we want 💳💳💳 ↳ user4 i trust in the editor's to make what rick gives us even better brah ↳ user5 what if i said lascotellan to a hozier song

user6 the show ate with levitating as the replacement for poker face in e6 so i'm expecting a tragic song for their scenes too ↳ G1LLMOREGRLS dare i say we get a scene of luke regretting his actions juxtaposed with a scene of him and rina arguing with her telling him to silver springs by fleetwood mac ↳ user6 LUKE AND RINA ARGUING OVER HIS ACTIONS TO SILVER SPRINGS. YOU'RE A FUCKING GENIUS OOMF ↳ G1LLMOREGRLS luke thinking about her constantly when he thinks abt why he shouldn't have done it is so "you'll never get away from the sound of the woman that loves you"????

user7 YOU'RE SO CORRECT FOR THIS ‼️‼️ i'm so insane over them, tragic greek couple of the century

user8 i fear no one will ever beat rina saying she wanted to go to the underworld to get him back but deciding not to and letting him repent in elysium or try for reincarnation

liked by thelnarchives, dior.n.goodjohn, and 350,232 others iamcharliebushnell hanging out with the muse

thelnarchives you call me "the muse" so often i'm starting to think you don't know my first name anymore.... 🤨🤨🤨 ↳ iamcharliebushnell 😔 i would never do that to you muse ↳ thelnarchives i'm gonna start calling you traitor. ↳ user1 wat why would she call him traitor ↳ user2 oh you sweet summer child

user3 picture 3 is so cute i love her so much !!! and charlie's there too i guess

dior.n.goodjohn why are you hanging out with MY girlfriend ↳ iamcharliebushnell you snooze you lose :/

walker.scobell you owe me like 2 meals from our past bets and you keep saying your busy but obviously you're not??? ↳ iamcharliebushnell hanging out with the muse is a trip priority, man 🤷

user4 i'm obsessed with how charlie calls her muse they're so i want to Bite them. ↳ user5 he ate with the pet name

user6 that's actually me in the second photo guys

user7 WHY IS NO ONE TALKING ABOUT HER HAND PLACEMENT IN THE THIRD PHOTO??? ↳ user8 girlie's just scratching her own cat

[markantonys]

i'll be interested to see if this holds true for WOT s3 since the s1 finale had so many extenuating circumstances and can't really be included in the comparison, but based off of the s2 finale, i believe that season finales tend to bear the brunt of "It's Different From The Books!" ire because they are the culmination of all the smaller changes made throughout the season.

this turned into a bigger analysis post than i expected lmao par for the course with my blog! read on for exploration of how the 2x08 conclusion of each season-long arc is the the most emotionally satisfying conclusion and/or the most thematically appropriate conclusion possible based on the show's particular version of the story, plus a bonus tangent on the nature of adaptation.

for a finale episode, the writers' prime concern 100% has to be "wrapping up all the season's arcs in a way that feels satisfying with everything that's happened in the first 7 episodes, using the book version of the finale event as the framework" rather than "recreating the book version of the finale event exactly as it is with all the same scenes and themes". the nature of storytelling inherently means that every single person who tells the same story will focus on different themes (just think of how many versions of the hades & persephone story there are), and a good adaptation knows that being internally consistent with its own Emphasized Themes is more important than copying-and-pasting scenes from the source material without making any changes to account for the specific way this adaptation is telling the story.

(but a lot of people can't even get past this first point because they don't understand that this is how adaptations - how storytelling in general - work. like, person B literally cannot tell the exact same story that person A told without putting their own spin on it. it's not possible! unless they're simply reading out the exact words that person A wrote, which can't be done when putting 14 massive books into maximum 64 hours of tv. so many readers like to meet this point with "but why does the books' version of the story need to be changed at all?" which is just a non-starter because a) medium differences require a ton of changes, and b) even if no changes were *required*, they would happen anyway because that is human nature when it comes to storytelling. when it comes to story-listening too! ask a hundred different book fans what WOT is about and you'll get a hundred different answers. rafe & co can't possibly make an adaptation that captures every single reader's idea of What WOT Is About, and nobody in the world could ever re-tell the story of WOT in the exact same way that RJ told it, not even the most die-hard book fan; all rafe & co can do is focus on making sure the show honors the core of the books' story while also telling a good story in its own right, independent of the source material.)

i was a classics major, okay? it gets to me! anyway, corralling myself back on topic.

for 2x08, it's very telling just how far Minority Reader Opinion deviates from the general audience opinion. general audiences fucking LOVED this episode (it's the highest-rated on imdb out of the entire show, currently at a 9.0; most episodes are in the 7-8 range), but a bunch of readers call it disappointing and one of the worst episodes of the show. if it was actually a poor quality episode of television, the general audience ratings would reflect that too (as they do for 1x08, currently at a 6.4 (i personally think 1x08 gets way more hate than is deserved and i thoroughly enjoy that episode, but i accept that's just me)), but they don't.

so what does that mean? to me, it means that 2x08 is objectively a very good episode of television which general audiences found satisfying, but which some readers disliked because it prioritized the emotional & thematic needs of its own version of the story over the exact nature of the falme events in the source material. which is exactly what a good adaptation should do! if you forget the books and just look at the show (which the vast majority of viewers are doing), then every resolution that happens in 2x08 is the most satisfying resolution possible and/or the only resolution that was thematically permitted for that particular season storyline.

egwene: her season arc was about learning to stand on her own two feet and not cling onto her mentor figures or compare herself unfavorably to others. thus, her freeing herself from the a'dam is the most satisfying possible conclusion to her season arc. nynaeve and elayne freeing her in the books is nice, but in the show version, thematically, it would've undercut egwene's Overcoming Impostor Syndrome arc to go "yeah actually it's true that she's not good enough on her own and when it comes down to it she does always need nynaeve to help her out". that version worked in TGH where she didn't have an Overcming Impostor Syndrome arc, but it wouldn't have worked in the show where she did. (but, yes, egwene learning in 2x08 that she doesn't have to rely on others is a double-edged sword, which nicely sets up her later-series struggles with trying to shoulder too much herself and not letting even her friends or partner help her.)

rand: his season arc was about learning to lean on others and not isolate himself or try to protect his friends by withholding his burdens from them. thus, him failing to defeat ishamael until all his friends come to lend aid in various ways is the most satisfying possible conclusion to his season arc. rand defeating ishy singlehandedly in the books is nice, but in the show version, thematically, it would've undercut his Learning That Strength Is In Numbers arc to go "yeah actually it's true that rand is capable of winning his biggest battles all by himself and thus it's no problem for him to push his friends away". given the themes that s2 emphasized for rand, the only appropriate finale outcomes were either success with his friends' help or total failure on his own, and they chose the former. (that being said, rand pushing his friends away is a continuous issue for him throughout the series, so i doubt he's perfectly learned his lesson after 2x08; we shall see!)

interesting to note that rand and egwene have inverse arcs in a way (foils!) and that some elements of their book falme climaxes were swapped, and that the way the show has done it subverts the expected gender roles. typically, men are expected to be Lone Wolves and women to be Team Players, and the WOT books absolutely play into these stereotypes throughout the series (sometimes intentionally as social commentary, sometimes unconsciously as an accepted truth of the world), but 2x08 and s2 more broadly did the opposite with our yin-and-yang co-protagonists. it's egwene who has the arc about learning to be a Lone Wolf and rand who has the arc about learning to be a Team Player. and imo these subconscious gender role expectations are a part of why some readers (esp reddit) got SO heated about "how come egwene can succeed by herself but rand can't", because it feels Wrong to them and Not How Things Are Supposed To Work (they've never questioned why rand can succeed by himself but egwene needs her friends' help in TGH, or all the other times in the books when men succeed by themselves and women succeed by relying on each other). but it's a totally apples-to-oranges comparison because egwene and rand had totally different season arcs and focal themes (but many paralleling & foiling moments within that), and so they each get a conclusion tailor-made to their individual stories.

mat: his season arc was about realizing he's a good, worthy person, finding the inner strength to overcome his worst impulses and temptations, and coming through for his friends after leaving them at the waygate. thus, him getting his Big Damn Hero moment with the horn of valere, getting validation that he is literally a hero, and overall spending the episode doing all he can to support his friends is the most satisfying possible conclusion to his season arc. (but stabbing his bff just as he was flying on a confidence high and trying to save the day was a downer note to end on, so we've complicated his relationship with heroism and set up some more internal issues for him to wrestle with next season.)

perrin: his season arc was about learning to acknowledge his inner wolf but also coming to regard it with fear and to believe that wolf & human sides can't coexist and he must Choose One (.......suddenly being struck by the bisexuality metaphor of it all. nice!) thus, him giving into violence to murder a human to avenge a wolf is.....well, it's pretty upsetting for him and serves to reinforce his growing belief that his two sides can't coexist, but thematically, it's fascinating and sets him up for some really great internal (and external) conflicts in s3. he's just gotten what he thinks is pretty strong evidence to corroborate ishy's claim that embracing his wolf side means embracing the shadow, so he's set up for a season 3 of deep-diving into his relationship with violence and his inner wolf. it's also a neat parallel with 1x08: there perrin's avoidance of violence allowed fain to escape, whereas here his embracing of violence has traumatized him (again), so our poor guy is really feeling conflicted in the pacificism-or-violence question because both sides seem wrong to him right now. huh, i guess perrin's full-series arc is about finding a middle ground rather than one extreme (pacifism/tuatha'an/human) or the other (violence/aiel/wolf). i feel like i've just had an epiphany lmao this is why i love the show! it tells the same story as the books, but tells it in a different way that makes me think about it differently and gain new insights!

nynaeve: her season arc was about learning that she, on her own, as she is today, is not enough to protect her loved ones. this is a tough pill for both her and the audience to swallow! but it's needed for her character, and we see it in the books too. nynaeve has an incredible amount of power, but she's terrified of having that much power and wants to pretend it doesn't exist. she's resistant to change, she's used to being in charge, and she's very "my way or the highway". these are all things she needs to grow out of (or moderate, at least) in order to be able to step up and do her part for tarmon gai'don. she has to learn how to embrace her power instead of being afraid of it or being too stubborn to let other people guide her and teach her, so s2 shows her what happens if she doesn't, first hypothetically in the accepted test (everyone she loves dies because she's blocked and refused channeling training) and then for real in falme (she couldn't help elayne fully or rand at all because of her block). so her 2x08 conclusion being Total Failure is not emotionally satisfying, no, but it's thematically exactly what she needed and will goad her into facing her block head-on next season. thematically, like rand, nynaeve only had 2 options for falme: break her block and succeed, or retain her block and fail, and it was too soon for the former (we gotta let her cook a while longer, plus the story will become too easy if nynaeve, or rand, reaches supernova capability too soon), so it had to be the latter. if the show had gone with a third option of her succeeding without breaking her block, then that would've taught her and the audience that it's fine to leave the block in place and she doesn't need to challenge herself to grow as a person, because when it TRULY matters she can always get around the block.

other characters get appropriate resolutions too! moiraine and lan get to work together to succeed after being at odds and failing on their own all season (rand foils!). elayne gets validation that she is an essential and trusted part of the friend group after feeling like somewhat of an outsider earlier in the season. ishamael getting vanquished and lanfear betraying him only to be betrayed by him in turn is exactly where their mutual mistrust was leading them (and it shows us why it's so important that Team Light be able to work as a team rather than as self-interested individual operators; the contrast between ishy & lanfear looking at the seals together while plotting to betray each other vs. rand standing on the tower with all his friends behind him makes me cry your honor. imagine hating that ishy's defeat was a team effort, could not be me!)

(it's also worth noting that the characters who had the least individual success/victory in 2x08 (nynaeve, rand, perrin) are the ones who will have the biggest individual storylines in s3 (tanchico & moggy, waste arc, two rivers arc), whereas the characters who had the most individual success/victory (egwene, mat, moiraine, lan) are the ones who will be taking a bit more of a backseat (of course they all have their own stuff to do, but none of them is *the* lead character of their TSR/s3 traveling group). this is intentional!)

so there you have it. 2x08 is adored by the general audience, and it's because of this: it gives us some damn satisfying conclusions to all the season arcs (and some exciting and visually stunning battle sequences to boot), and all the viewers who AREN'T beleaguered by "But The Books!", which is most of them, recognize that for the good storytelling it is. i for one will always care far more about the show telling a good story within itself than the show being identical to the books, and rafe & co will too, as they should.

the only downside to the episode is that, yes, it is quite cramped for time because there are a lot of arcs to wrap up. this should be less of an issue in future seasons when the season finale isn't "every single major storyline converges in the same place at once". for example, judging by the "goldeneyes" episode title it seems s3 might split it up so that perrin's conclusion in the two rivers is in 3x07 while other conclusions in other locations are in 3x08, giving each more breathing room. whereas 2x08 had no choice but to stuff everything in that episode into that specific episode because it's not like perrin could just do his falme stuff an episode early and take a nap while everyone else was doing THEIR falme stuff in the next episode, nor could the full falme sequence have been split into 2 episodes since that would have disrupted the flow of the story. the only solution would be for 2x08 to be extra long, which is nice to imagine, but we all know that streaming shows almost never deviate from their set episode lengths and so there isn't much point sighing about "this episode should have been 90 minutes long!" because that just is not on the table, never has been, and never will be. the first step to being able to jive with an adaptation is making peace with the limits of its particular medium!

plus, the only things i might deem "missing" from 2x08 are non-essential (ingtar darkfriend reveal - that is NOT important fight me, it's only important in the books as our first example of a morally-gray shadow-aligned person but the show has already been doing that in spades) or will likely be included in 3x01 (the gang spending some time together to breathe and process and catch up). at the end of the day, the show is always going to need to be paced very very tightly with not as much breathing room as those of us accustomed to entire books dedicated to reacting to the previous book might expect. and 2x08 did manage to pack in a LOT of character work amidst all the action and did a good mix of resolving s2 arcs while leaving some unresolved to carry into s3 and introducing some new arcs/issues/conflicts, all within 70 minutes, which i find pretty impressive. in conclusion, 2x08 my fucking beloved <3

[reigningqueenofwords]

Weakness

Pairing: Soldier Boy x Reader Word count: 1,181 Request: Anonymous. you haven’t written for any the boys characters but i was wondering if you could do soldier boy with #60 on the angst prompt? thank you 🩷 #60 “If I loved you, would I really have kept you around? Love is a weakness, I don’t have weaknesses.” A/N: I've only seen like 3 episodes of the Boys. I watched a compilation of all his sceneds to get a feel for him. Hope I did okay!

Read on AO3

His eyes were on yours. The look on his face was harsh. A look you couldn’t remember ever being aimed at you. “If I loved you, would I really have kept you around? Love is a weakness, I don’t have weaknesses.” His eyes never left yours. 

You sucked in a breath, thinking back over to the part year that you’d spent with him. Over a year, in reality. From meeting him, to your first date, waking up in his arms, spending lazy days together, and you felt working towards a life together. 

You loved living in a small town. The population sat around 800, and it was perfect. Many of the people you’d gone to school with had left years before, and a few trickled back in with families recently. You owned the local bakery, which was connected to the bookstore. It was a cute little set up, and you both benefited. 

Rarely did you ever see a face you didn’t recognize. That all changed a year and a half ago. A man stepped into your bakery and you were floored. He was beyond attractive, and there was no way in hell you would have forgotten a face like his. “Can I help you?” You finally managed as he approached the counter. 

He smirked at you before glancing over your display case. “I’ll take two chocolate chip cookies.” He pointed to where they were. 

You tapped that into your register, wondering if he was just passing through. Although, no one ever passed through your sleepy little town. “That’ll be $2.” You told him. 

“Wow, cheaper than I expected.” He said honestly, pulling out his wallet. 

“I try to keep a couple cheaper items on the menu.” You shrugged, taking the five dollar bill as he handed it to you. “Especially for kids.” It wasn’t like kids had a lot of money, afterall. “Are you new in town?” You asked as you gave him his change. 

“That obvious?” He chuckled as he watched you move to get his cookies. 

“I’ve lived here my entire life, and I know most people. If not by name, then I recognize their face.” Closing up the little bag for the cookies (you’d given him a free one),  you handed it to him with a smile. “I’m Y/N, by the way. Welcome to town.” 

“I’m Ben, and thank you.” With that, he gave you a small wave and walked out. 

Letting out a breath, you couldn’t help but to watch him leave. It was a good view.

Ben had been in town a month, and had been to your bakery a few times. Every time he got two chocolate chip cookies. Nothing else. He liked that you didn’t seem to have any idea who the hell he was. No one in town did. Did they just not care about what happened outside this town? It wasn’t like he was complaining, either. 

You were talking to someone when he walked in, and you didn’t look as bubbly as you normally did. “No, Jake.” You sighed. “I’m sorry, but I’m not interested.” 

“It’s one date.” The man, Jake, tried again. 

“Hey.” Ben snapped. “I believe she said ‘no’ asswipe.” He glared at Jake, crossing his arms over his chest.

Jake shook his head and looked back at you. “Who’s this guy?” He asked, pointing behind him with his thumb. 

“His name is Ben, and I’d listen to him.” You told him. “Because he looks like he’s about two seconds away from doing serious bodily harm.” While part of you’d be grateful, you didn’t feel like having to clean up your bakery from it, and you were sure Jake would call the cops.

He glanced over his shoulder at Ben who raised his eyebrow. “Beat it, chuckles.” He ground out. 

Finally, Jake walked out, clearly pissed off. Once he was outside, you let out a breath. “Thank you for that. Cookies are on me today!” You told him, going to get him his cookies. “Would you like to try any other flavors today?” You asked, keeping the display case open. 

Ben watched you for a minute. “One of your favorite.” He told you, moving to stand closer to the counter. “And your number.” He smirked when you nearly dropped the tongs you were using to get the cookies. 

“You…want my number?” You asked, surprised. 

“I do.” He nodded. 

“Okay.” You agreed, finishing up with his cookies before getting a piece of paper to write it down. You’d never seen him with a cellphone around town, so you didn’t know if he even had one. “Here.” You handed it to him. 

He glanced at it, and then slipped it into his pocket. With a wink, he made his way out of the bakery. Your cheeks were on fire, and you were glad to have a moment to collect yourself. 

He’d called you and asked you out a couple days later. Your first date had been simple, but perfect for you. He’d taken you out to eat, and then you’d had a walk down mainstreet as the shops were closing. At the end of the night, he’d walked you to your front door and kissed you goodnight. “I hope there will be a second date.” You said, looking up at him. 

“Damn right there will be.” He gave you that smirk that just killed you in the best way possible. 

“I look forward to it.” You were on cloud nine. “Can I cook you dinner next time?” You asked, hopeful. “I can do more than bake.” 

He grinned. “If you can cook half as good as you bake, I’m in for one hell of a treat.” He flirted. 

You giggled as you felt Ben’s lips on your neck. His beard tickled you, his arms around your waist holding you close. “Morning.” You said sleepily. 

“Morning, honey.” He greeted you. “Wanna make it a really good morning?” He asked as if he didn’t know your answer to that. “Give you some pep in that step while you’re working.” 

“You just want everyone to know how lucky I am.” You teased. “You know those little old ladies are gossips!” There were certainly days where your bakery was busier because he was hanging around and the older widows loved getting a good look at him. It amused you, honestly. 

He laughed at that. “Then let’s give them something to gossip about.” He moved to roll you to your back.

Now, here you were. Over a year later, staring at your boyfriend. His words ringing in your ears. Blinking, you shook your head. “I’m sorry, I don’t think I heard you right.” You breathed. “Did you just say if you loved me you wouldn’t keep me around? Because love is a weakness?” You asked. 

“You heard me.” He said simply. 

Your eyes watered. “Get out.” You managed, feeling a tear slip down your cheek. “Get your things and get the hell out of my house.” A sick feeling settled into your stomach. While you’d been falling in love, you’d been taken for a fool. 

[waltricia]

Bridgerton season 2 episode 3, “A Bee in Your Bonnet” is ✨magic✨ and let me tell you why.

For those of us who didn’t read the book and knew nothing of what was going to happen, we truly went on an incredible and surprising roller coaster of an experience.

We start the episode with seeing the guy from Hellboy and being like ‘oh yay, it’s the guy from Hellboy!’

… only for him to die three minutes later. And that scene is rough. It’s sudden and abrasive. And the sounds are jarring. The death is scored by tense strings. Then a moment of quiet. Then the AMAZING Ruth Gemmell begins taking us on Violet’s traumatic grief journey, which starts with her jolting Anthony (and us) out of the quiet.

And a thunderous heartbeat threatens him as he walks toward this entirely altered, unwanted life path. And that’s obviously the beginning of his PTSD.

In the other flashbacks throughout the episode, we continue to hear horrific, heart-rending pain radiate out of Violet while Anthony must not only attempt to endure it, but cover his own grief. Anthony and his siblings (and again, we the audience) all have to listen to Violet grieve while she’s giving birth! Screams on top of screams.

And the last flashback is technically quiet, but just as devastating because, like the moment of Edmund’s death, the quiet is weaponized. It signifies the death inside Violet.

It should go without saying that Jonathan Bailey is also a brilliant actor, but I’ll say it now anyway. Damn, he good! He and Ruth partnered perfectly in this grief journey. Serious props to them both because I felt this shit.

And then finally we come to the end. We had been immersed in the horrible aftermath of that striking tragedy. Between the flashbacks- in the present day- we had followed Anthony through the rooms and grounds where he had suffered silently. We had seen Edmund’s grave. We had learned that Anthony’s greatest fears and insecurities all stemmed from that tragic event ten years prior.

And then another fucking bee comes along.

And I swear to god, the first time I watched this, when Kate got stung, my heart was pounding, I was terrified, and my instinctive reaction was “oh my god, is she going to die?!” In hindsight, it’s obviously insane to think that she would be killed off at all, let alone in this scene. But the very fact that, for a moment, that was a legitimate fear I had is exactly why this episode is so god damn brilliant. I felt what Anthony felt. And I’m not the only one! I’ve seen other people’s similar reactions to this scene. The episode really is a roller coaster; easy, lighthearted moments (pall mall, drug tea), interspersed with the terrifying drops and loops that are Anthony’s painful memories which constantly haunt him. And then it brought us right back to that first traumatic moment. Because Anthony has PTSD! And that’s what PTSD does. Anthony is right back where he was, literally not far from the same spot outside Aubrey Hall, standing in front of a person he loves, watching them get stung by a bee on almost the same spot on their body. The tense string scoring comes back and Anthony panics because he’s completely helpless again.

And all of those elements- the setting, the scoring, the acting- combined to terrify us and make us forget something critical: most people don’t die from beestings.

And here’s where it gets really profound for me. Because it’s not just about how we feel Anthony’s fear. It’s also about how Kate completely obliterates it. Without knowing that history and without realizing the full extent of what her actions would mean, she does exactly the right thing. Rather than die and rather than also panic or shy away from his vulnerability, she meets it with her own in the form of care and steady assurance, which is true strength. And in so doing, she stops this cyclical moment in its tracks and completely alters the trauma. She puts his hand on her heart, and the heartbeat comes back. But this time, it’s not threatening. It’s inviting.

And just like in the first scene, the moment is over all too quickly. Just like in that scene, Anthony is thrust onto a new path. But where that moment was damaging, this one is healing. And we feel that too. And it’s the greatest experience that art can give us.

It’s catharsis.

And that’s why this episode is magic. 🐝✨

[zexapher]

Vacuan Nights, Like Vacuan Days

They’re just so great together! I’d love for Jaune and Weiss to get a little downtime in Vacuo to live out a moment like this. They really deserve it, and I’d love to see Jaune’s guitar make a reappearance.

The comic here was inspired by u/Silverstar1243’s excellent piece of art, A Serenade Under the Moonlight. Send some love to them on their twitter, commission some art if you’re willing and able, they’ve made some great stuff.

You folks may have noticed I threw in a couple of references for those in the know; the Golden Oreos behind Yang (double stuffed, I might add) for the trio’s ship, Weiss liking it rough for Mallobaude’s great fic, and of course I made a whole theme around the Arabian Nights Disney song. A song, along with its Aladdin compatriots, which I spent the better part of a day finding covers for just to listen to on repeat while I worked.

This one’s now officially my longest comic project, with 14 panels, two over the past record since I added the White Knight kiss at the end. I’m pretty happy with how it turned out. Not sure I’d say it was more difficult than my Vanity of Vanities post, but for this one I actually knew how to use my editing software going into it (at least somewhat).

Put a lot of work into this one, been working on it on and off since February. Took a few breaks for vacation, to make my memorial post for Rooster Teeth, and another five meme edits or so, but I came back around to it. First half was pretty easy, relatively minor edits inserting characters into scenes and so on. The second half with Jaune and Weiss was tougher though, with color correcting, merging poses, redrawing features, drawing Jaune’s entire head to fix some lighting issues, etc. Really like how the edit to make Jaune strum his guitar turned out.

The time it took to make the whole comic got me down a little, until I did a bit of math. Including my side projects since starting this, all the scripting and editing and all, I’ve been pumping out a panel every two days. That seems pretty good to me, that kind of accomplishment makes me a little proud of myself.

Really need to get around to watching the second part of the Justice League Crossover movies. It’s got a few Vacuo scenes that might make things a little more authentic instead of me just using Saphron’s house and pretending it’s a suite in Vacuo. I do love taking yet more character stills from Jaune and friends experiencing deep trauma and turning it into something positive, been making that a bit of a personal habit. And I’ve got to say, the background for Jaune and Weiss’ scene is really beautiful, pulled it from when Sun and Neptune hear Ruby’s message about Salem. That’s just a really good shot all on its own, I even saved a copy for my computer’s wallpaper after editing out the two.

Posting a big RWBY White Knight edit, watching not one but two RWBY Beyond episodes, and all on the trail of the news that RWBY’s found partners that they’re negotiating with and that the creative team is expected to stay on. And I'm sipping bubble tea. Life is good.

Anyway, pardon the long write up. I’m invested in this one, and am quite pleased with how the comic turned out. I hope you all get a kick out of it as well!

[annabelle--cane]

it's fascinating to me the way that different social media platforms result in different types of fandom behavior. while s5 of tma was airing, I spent a good amount of time on tma tiktok (I log back in about once every two months now, going back to in-person school after a year a half of lockdown seem to re-blanace my brain and made me once again not really enjoy the format) while still using tumblr as my main socmed, and while there was a lot of overlap in the fan culture, some things were notably different.

tumblr tma fans had near-encyclopedic knowledge of the source material, but it was kind of an ongoing joke for tiktok tma fans that everyone binged the whole show in a week-long fugue state and lost memory of about 35% of it. tumblr has virtually no character limit and allows posts to be passed around by users indefinitely, which lends itself to fairly in-depth meta analysis being made and shared until most any fan could say "the time and space discrepancies at hill top road? psh yeah, I know all about them, I've read seven scrupulously cited posts that lay out all the details." for the entire time that s5 was airing, tiktok videos could still only be a minute long, and I know from a lot of personal effort that there's only so much you can fit into a one minute script that you also have to memorize and record (and cc manually with tiktok text stickers, as they didn't add the caption feature until april 2021) if you want the process to take less than four hours of your one mortal human life. and then you only see the video if your following or fyp algorithm shows it to you. there were a few tma meta-ish videos that got popular because other people would make their own videos referencing them and tag the account so their followers could see what they were talking about, but it's much harder to circulate content you like there. several times I saw people post videos saying "I got into cosplay to film some [agnes or annabelle or gerry or another secondary character] and I just realized I have no idea what their deal actually is 💀".

a thing that tiktok tma fandom was definitely better at than tumblr tma fandom was accurately remembering certain pieces of characterization and the flow of certain scenes. I've seen a bunch of posts on here where someone is trying to argue a point with excerpts from the text ("x character is nicer than you all give them credit for" "x character is so mean to y character in this scene" "z theory can't be true because y character said a line that disproves it") where the argument only holds up because the poster has gotten these excerpts from a transcript dive and hasn't listened to the episodes they're from recently, because while the text alone can be construed to mean one thing, the way it's delivered on-podcast clearly intends another. tiktok, being an audio and video based medium, allows audio clips to be shared around a lot, and cosplayers would often all make videos acting along to the same show clips of juicy interpersonal drama, and so tiktok fans, though they may have had less overall memory of what characters said, always had a better grasp on how they said it. an average tiktok tma fan might not have remembered melanie's subplot about war ghosts, but they would know the nuances of how the way she talks to jon changes between mag 28 and mag 155.