#looking at reality

[isawthismeme]

[krmljam]

more bugs more drinking

[deadpoets]

DEAD POETS SOCIETY (1989) dir. Peter Weir

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[somewhereincairparavel]

everyone keeps talking about Jason vs Percy but why isn't ANYONE talking about how powerful they looked when they both used their powers TOGETHER at the same time, side by side, in Mark of Athena? Like Annabeth even got goosebumps watching them cook up such an intense storm from afar. Sparky and Seaweed brain, Power duo smh.

[ghost-bxrd]

Prompt:

Jason is terrified of Damian al Ghul-Wayne.

Talia dipped him in the Pit, fed him lies, put him through the worst kinds of pain possible for the sake of training and turned him into a monster that went to heel when called. A monster even Ra’s was wary of.

He’s terrified of Damian, because if his mother managed to manipulate and play him like a fiddle, then she must have taught the same to her son.

Damian, who only has memories of a catatonic Jason cooing at him, cuddling him and protecting him, is becoming progressively more distressed by Jason’s perpetual cold shoulder and skittish behavior whenever Jason sees him.

[sopuu]

1 left.

[canisalbus]

Real fan art is coming one day, but for now I really wanted to see if it was feasible to simplify their gradients into something that would fit a simple style like Bluey’s 😅

.

[aziraphalalala]

I am not entirely certain what will happen once the actors & writers strike ends, but I'm pretty sure Michael Sheen will break the sound barrier with how fast he will go feral on the internets about how Aziraphale wants to eat Crowley's ox rib

[crustyfloor]

Whenever Till sings about mizi and or needing her I notice that he always imagines her child self..

I think it's honestly because he's scared of actually seeing Mizi and how she ended up after all these years, because she isnt that child anymore.

he idealizes the child who saved him from his darkness when he was younger and gave him a reason to keep going through the pain of being in Alien stage. He idealized what Mizi used to represent, a sweetness and flowery purity that is rare in the world he lives in. She was untouched by the horrors of their reality in the way he could lose himself in. So he clung to her like a lifeline because she WAS his lifeline, but he has yet to recognize the Mizi who has changed so much from when she was a child, he hadn't met her yet. I hope Till has an open-eyed moment if and when he sees Mizi again not as the child she once was but as the woman she is now. I feel like that'll have a much-needed impact on his character development.

[spicyvampire]

Great's Dying Brain vs Reality : Hands, thighs and rhythm

4MINUTES (2024) EP. 4 // EP. 6

+ Bonus : Ass biting

[cherrirui-official]

I hope u guys don't mind me posting these au doodles while I work on things ahaha

I also gave JD slightly longer hair in these doodles as a funny haha but I don't think it's funny anymore he looks genuinely good with his hair like that ahahaha I hope you're not mad at me for changing his au design a bit

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[bixels]

Posting a sneak-peak of this now because I'm about to be In The Shit school workload-wise, so this'll take me a while to finish.

Doing some character design exploration/expression sheets for Celestia and Luna. Figuring out Celestia's weird ass anatomy while I'm at it.

[de4thart]

Spock breaking that vase barehanded turned them on and I won't change my mind

[anne-is-confused]

Captain Francis Crozier, at Furthest North.