#making that its own tag

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[verflares]

(click for higher quality!) draconified link concept ive been chipping away at this past week ..... here's my funny little compendium concept for him:

"A heroic spirit has taken the form of this bestial dragon. Unlike it's kin, this creature exhibits an extremely aggressive disposition. It appears highly territorial, and will relentlessly chase down those who disturb its skywide patrols - of which it seems to be endlessly searching for either a long-time vassal or foe. Unfortunately, it seems the spirit within has long since forgotten exactly who it was looking for…"

[gallusrostromegalus]

Technical difficulties with the previous post but when we last left off I was making bows for the Sakura/Matcha Milk Tea Cow Sweet Lolita Fursuit... Thing. Look I have a vision, and that vision is adorable. Anyway, tail bow pics from last night:

Slept on it, then deep-cleaned the upstairs on it, and I've decided it needs... More.

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[tethrras]

dragon age fans!!! do you want to give your upcoming veilguard oc a niche theodosian hobby, or decide on the 3 books that your hero of ferelden took with them to read while searching for a cure for the calling? look no further! my google doc, LEISURE ACTIVITIES OF THEDAS, has an ongoing collection of non-lethal activities in thedas for your oc creation needs, including 14 pages of in-universe books! this does not sound like a lot but it is a lot!

it's not a finished document by any means, and i will continue to add to it when i can. if you have any suggests for things i missed or would like to help contribute, please shoot me a dm! 💃💖

[thatkoiboi]

Part 2

Previous | Next

This is a fan comic inspired by Cass' Apocalyptic Series and is just my own little fan art of how Donnie and Casey could have gotten closer!

The creator is @/somerandomdudelmao

hebehjeabaje I did a warm up doodle of Mikey on the canvas and liked it so much I wanted to incorporate Mikey somehow (literally made up an excuse just to drop a bunch of easter eggs for fun).

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[ryllen]

and some extra unused stuff while they are in affectionate mood

[jay-aro]

the bond between an aroace person and the fictional character(s) they find hot is a sacred thing

[krittec]

there’s something extremely extremely creepy about taking an actor that you have known since they were 13 years old, only JUST a teenager, and making them kiss a fully grown woman the second that they turned a legal adult.

Steve Blackman already has a ton of shit out against him which came out recently so it unfortunately doesn’t surprise me that he would write something like this but it makes me genuinely concerned for everything behind the scenes.

There has been a HUGE problem in the Umbrella Academy fandom since season ONE when Aidan was a 13-14 year old of people writing insanely disgusting stuff and defending it because his character was mentally an adult but oh my god did they make it worse. You’d think they’d protect actor & character by avoiding any romantic interaction but instead you have him kiss an actress 15 years older than him. The age gap being the age that he was when they filmed season two. Quite honestly I feel that if he could’ve done this seasons previously and gotten away with it then he definitely would’ve done it, given the jokes that are actively made.

Quite honestly may Steve Blackman never work again if this is how he treats his actors because this is awful. I’m not even done with the season but that gave me very little desire to continue and this show has been important to me in ways I can’t explain. Maybe I am blowing this out of proportion but it feels so insanely creepy and horrific to me and I needed to rant.

[stil-lindigo]

a non-comprehensive guide to my favourite characters in claymore, the best manga you've never read (more under the cut)

don't know what I'm talking about? here's a crashcourse.

[fizzlo-and-the-cubes]

uoghoughghg bloodbender au follow-up

(idk if any of you watched rottmnt and caught the reference here but i'm making this phil act more like a draxum-type character. there will be more references to draxum in the future. this is a threat.)

extra notes under the cut vvvv

phil wont get attached to these kids, he's a warrior after all (he gets attached after like a month lmaoooo)

missa first only came to the human world for it's music - he hates humans actually. after chayanne and tallulah showed him kindness though he started street performing and gave his earnings to the two of them

missa doesn't pull the wet cat act with phil here he gives that man passive aggressive hell

maybe phil disturbed something in the spirit world and it pissed missa off?

phil's plan is to move around unpredictably in order to evade someone and the kids follow him (to his irritation)

if i ever make this into a full on story i imagine they'd go to the earth kingdom first, where foolish and tubbo are building a city of their own that phil wants to seek refuge in

they go undercover most places (hence the different outfits) because phil is wanted in literally every country

cellbit is being held in a prison in the fire nation for bloodbending. while scouting ways to break him out, roier found pepito and brought him back to foolish

bagi is also a bloodbender but she barely uses her abilites. chayanne might seek her out later on in the story

roier carries a spool of metal rope and uses it to swing between buildings

charlie is a water bender and lives in the foggy swamp with juanaflippa

vegetta and willy are combustion benders

jaiden baghera and carre are air benders

etoiles can bend lightning

pepito is taught earth bending by foolish and roier, water bending by cellbit and juannaflippa (sometimes), air bending by carre and fire bending by leonarda

no dead eggs there will be no sadness (there will be sadness but i like the dead eggs and they cant bend if they're dead)

tallulah thinks chay wants to meet cellbit to learn blood bending, but in reality he wants cellbit to remove his bending entirely

if you've read this far you're being perceived YOU'RE BEING PERCEIVED OOGABOOGABOOGA NIGHTMARE NIGHTMARE-

please bear in mind I'm not an expereinced writer in the slightest and i've never had the balls to make an au before so please bear with me as I get a better understanding of the qsmp characters. there are dozens of people to account for and i want to be fair and accurate with who i portray. k thx luv u all /platonic BYEEEEE

[medicalunprofessional]

never change, man !

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[egophiliac]

Are you okay with spam likes/reblogs or do you find them annoying?

honestly, seeing a solid row of likes/reblogs from the same person makes me imagine them going through my art like it's some kind of delectable buffet, holding a giant plate and going "hmm, yes, a little of this...some of that...ooh, and can't forget this..." except, you know, on the internet. with the feeling of that one Tom Hanks gif.

(which is to say, of course it's fine! if it starts taking over my activity page I just use the filters, so no worries :D)

[lacecap]

nice shot