#mention of sasha

[pandoratheprocrasticreator]

Oh god now that toh ends with luz being able to travel between worlds ppl are using that to dunk on amphibia. And now that belos died ppl are using that to dunk on su.

They are different shows people! They have different themes! Amphibia is a classic take on isekai as escapism! Marcy went to amphibia to avoid her real life and while she had fun she didnt mature until after she accepted she needed to embrace change in her life! Anne matured in amphibia bc she always recognized that she has her own life to get back to! Sasha matured after realizing that too! Leaving amphibia for good means to embrace the step out of childhood! Something thats inevitable for everyone!

The owl house is about finding a community in midst of ostracization! Luz stayed in the boiling isles because she found people who accepted her quirks! The boiling isles was in danger from a bigot and luz helps her new community defeat him! Its a very queer story! Community is the center of the story so it makes sense for luz to be able to go back to the boiling isles since shes maintaining her place in the community!

Steven universe is about choosing to be kind! Its that everyone has their own specific traumas that they can overcome with the right support! Its about surviving in a world of bigots at any cost, even if it you have to work with the bigots to carve out a space for the people you love! Because people like you exist and theres nothing anyone in power can do about it! Its also a very queer story! The diamonds can never stamp out the off colors because they will always be there! Steven works with the diamonds not because he likes them but because they can improve the world for his family if only he could get through to them! Hes rewarded for choosing to be kind with success because the theme of the show is hope! Hope that anyone can change! But even though the diamonds stop being fascist steven still doesnt like them because its not about forgiveness! Its about fixing things! Stevens just polite about it!

The owl house starts off with the assumption that everyone can change but its not about the potential its about the willingness to change! The focus is on belos, whos had every chance to turn his life around but will never admit that hes wrong! And the show posits that if someone isnt willing to change theyre not worth helping! Its not about whether or not the character is fascist its about if theyre willing to stop being fascist! Several characters stop being fascist and are welcomed by the characters with open arms belos just wasnt one of them! Several characters clean up their acts but dont adequately address the previous harm they did and are STILL fully forgiven eventually! For toh forgiveness is paired with fixing things you just need to give it time!

And theres an argument that some of these shows didnt do their themes well. If you wanted to portray amphibia as an escapism world that the girls need to leave behind to get to their richer futures then having them get such caring found families go against that by giving them a potential of a good life in the isekai world. Steven universe uses the diamonds as metaphors for mental illness and relationships but its hard to stick with that when you also need to consider the countless other gems they hurt. I think its also fair if people prefer one theme over another.

But a lot of stuff i see comparing these shows just go over surface similarities? Like oh shit! These two shows have the same character archetypes! They have the same inciting incident! This must mean that theyre exactly the same in everything but names and artstyle and are trying to say the exact same things! Like. No. Sometimes,,,,,two stories,,,,,,can talk about two different things,,,,,,,

[theanonymousclown]

I’ve been re-reading this Psychonauts fic by @magicalmilly and my GOD this scene never fails to make me laugh. Anyway this is my petition to PLEASE PLEASE PLEASE continue this fic it’s been unfinished since 2022 and it was JUST REACHING THE CLIMAX OF PSYCHONAUTS 1-

Anyway the basic plot of the fic is that Milla and Sasha are very concerned about Raz because of what he shares about his family life. High key recommend, Raz gets to apologize for intruding on Milla’s nightmares.

[munster0us]

Tell Tale really knows how to make some lovable characters

[vekovoysoldat-moved]

remember when bucky's therapist mocked him for the fact he doesn't call or text people much nor does he have many contacts?

[threefuckencrowsinatrenchcoat]

Whenever I do a TMA s1 relisten I love love love finding things that ended up changing over the next few seasons as the show became more fully fleshed out. Tim being serious and Sasha being the joker? Iconic. Whatever the fuck entity was leaving bags of doll heads and prayers on some random doorstep? Who even are you. How could you do that. What’s your number.

Anyway I need more of these to keep going thanks

[psi-tanium]

just some doodles

[iwannarunawayandbeapirate]

How I think RQG Characters would react to being given a gun

Sasha: Fascinated by the mechanics of how it works, but doesn't actually like it as a weapon because it's so loud. she tries it out once or twice and everyone hides

Grizzop: He thinks it's more efficient and practical than a bow, but he prays to Artemis before using it for the first time to make sure she's ok with it

Cel: Immediately tries to figure out if they can use it to make their explosions bigger. Or maybe add it to their village's tank? What about if we make it shoot electric bullets? Or maybe...

Azu: Handles it very gingerly, scared of shooting it accidentally. She's not entirely sure how it works, but she prefers to kill people with her axe anyway.

Hamid: "Well, i mean, it's not bad, but i can still hurt more people with a Fireball!"

Zolf: Keeps it in his room as an emergency weapon, is actually not too bad at using it but still prefers his glaive

Bertie: Oh no. By the love of God do not give Sir Bertrand a gun. You can't even imagine the casualties

Some NPCs under the cut

Bonus:

Wilde: Uses it to threaten people (especially while he doesn't have his magic)

Barnes: Uses it responsibly, spends most of his time trying to prevent carter from stealing it

Carter: The gun has been forcibly taken away from him.

Earhart: "Nice, another one!"

[citrusbusiness]

The Jon/Sam parallels of being inexperienced, confused, too curious for their own good, doing personal research, disliking the filing systems, and actually caring about the contents of the stuff they're filing.

The Gwen/Sasha parallels of being the one with experience who is actually very good at their job, should be taken seriously and be in charge but isn't, and holding the team together in the background.

The Alice/Tim parallels of being the comic relief, being the closest to our main guy before they got this job, not taking their job seriously at all, and having little brothers who are probably going to get into a lot of trouble.

I can't easily pair Colin/Martin sadly. They're constantly angry though. One's just a bit more subtle.

HOWEVER, consider this:

The Colin/Jon parallels of being frustrated by things not making sense, their desire to understand everything, the feeling that their systems are working against them, and intense paranoia.

The minor Lena/Elias parallels of having some weird stuff going on in their past and also up front just being frustrating bosses.

[shatterdome-underscore]

So I've been operating on the assumption that the Magnus Protocol takes place in an alternate universe from The Magnus Archives for obvious reasons. Lowri Anne Davis played Celia in the new episode, and she played a character back in TMA season 5 named Celia in Georgie and Melanie's cult, which means there are stronger ties to the original universe than I originally thought. I assumed that with different fear entities the shape of reality would be different, that there would be similarities, but exact people and lives would be different. I still half expect Gwen's last name to be a red herring tbh. But if there are versions of the original universe characters like Celia out and about (and certainly aware of the supernatural to some extent) then there's a chance that versions of other TMA characters could show up, like Sasha or Tim or Jon and Martin. And given how there are statements that were recorded in the first place (like needles or the tattoo case) then there's a chance that one of the "programs" could play out a scene with a TMA character. Given that "Chester, Norris, and Augustus" are reading statements relevant to their previous lives from TMA what's going to happen if there's a phonecall recorded of Tim seeing a ghost? An episode of Georgie and Melanie's podcast? Daisy and Basira responding to a call for an avatar? What about a version (the original version?) Of Annabelle Cane?

What if they found a recording of this universe's Jon and/or Martin?

[cy-fi-theansweris42]

Thinking about Sasha's mind and just how different it is to the other minds we see in both Psychonauts and Psychonauts 2.

There's a wide variety of worlds in both games, but from what I remember, they all have different areas that are connected to each other and you travel between. Milla has the different areas of her dance party, Bob has the different islands, Cassie different areas of the library, etc.

However, Sasha's is the only one that, even though you're inside his mind, you're not really in it. You're on the outside of the cube. There's nothing you can access, no memory vaults, no emotional baggage, no hints about his past, nothing, unless he lets you in (there's the different levels that appear in his shooting gallery but he admits to setting that up after Raz beats the course).

The potential implications of this are wild to think about, because you have to wonder just when exactly his mind became that cube, and how he managed to compartmentalize and lock everything away so thoroughly.

Personally, I like the idea that his mind was like that before he met the Psychonauts and joined the organization. We already know that his father wasn't emotionally available throughout Sasha's life, and as far as we know, Sasha didn't have anyone else growing up. That could have led to him just locking everything away, because what's the point of being open when the only family member in your life isn't truly even there? It could also be a little bit of Sasha taking after his father since his father seemed fairly stoic.

Then if he already had everything under lock and key (which is possible, remember, Raz also has high mental defenses and he's only 10 with no training at the beginning), then it could make for some interesting headcanons/ideas about his early days with the Psychonauts, especially if he already showed promise with PSI blasts or could already use them. Like they come across this young psychic who they can't learn anything about, even inside his mind, and he has a knack for PSI blasts which literally turn negative emotions into firepower? You could have some fun with a story like that.

[eye-catching-tma-headcanons]

Tim suffered from severe Capgras Syndrome after Danny’s death, and was in treatment for years.

It was actually working really well, and he was making an incredible recovery, until Not!Sasha was revealed — when he relapsed

Oh- I…

[butchmartyr]

god grant me the strength not to flame people in my notes, the serenity not to flame people in my notes, and the understanding not to flame people in my notes

also lol @ the reblogs from obvious cryptos within the first like 10 posts on their blog ofc ofc

[halfsixwakeup]

just showed my friend a lineup of Jon, Martin, Sasha and Tim and she responded 'Twink twink lesbian librarian twink' and damn she may as well have already seen season 1

[supercantaloupe]

What is the antisemitism in TUC season 1? Does it have to do with Wally the golem?/gen

[ID: an ask from an anonymous tumblr user that reads "would love to hear more about the antisemitism in unsleeping city! was a while ago that i watched it and can't remember what you might be referencing but definitely want to be aware of it.]

no, it's not about willy the golem -- i actually think willy is a great addition to the season (even if i wish we got to see more of him), and an indication to me that brennan/the showrunners were definitely trying to be sincere and inclusive. i want to make it clear that i don't think anything antisemitic in tuc is there intentionally; i think it's there out of simple ignorance, which is also why i think fans don't frequently see/comment on it either. but i don't think that's an excuse, either.

my grief with tuc1 is largely centered around its portrayal of robert moses as the villain. especially by making him a greedy, power-hungry lich working en league with bloodsucking vampires. (also his mini is literally a green skinned skull man in a suit. yikes.) here's the thing; i know robert moses was a real life horrible person, who actually was racist and powerhungry etc etc. and i know that robert moses, the real actual person, was jewish. my grief with tuc1 is not that they chose to use robert moses over literally any other person (real or fictional) to be their season villain (though i'd be really curious to know what tuc1 would have looked like with a different villain), but that they chose to take a real jewish person, turn them into an antisemitic caricature, and then only barely add other portrayals of judaism to balance that out.

like, tuc isn't completely devoid of other jewish representation. as you mention, there's willy the golem -- and again, i really like willy, and i love that it's a portrayal of a golem that's faithful to jewish folklore (ie as a benevolent, guardian construct rather than a mindless destructive monster. i am not a fan of how 'golem' is so frequently misused as a generic enemy creature in other fantasy and ttrpg spaces, including other seasons of d20). but as i said earlier, i wish we see more of him in the season, because he's not around very much, and feels a little more like worldbuilding than a full character to me. also, he's not human. jews are people.

the only other human jewish character in tuc1 is...stephen sondheim. which, again, yeah, that's a real person who really was jewish. but i really wouldn't blame you if you had no idea of that when watching tuc1. maybe from the name you could guess he might be jewish, but i don't think people ought to make a habit of trying to 'clock' someone being jewish by having a 'jewish-sounding' surname. as he's portrayed in tuc1, you'd never know he's jewish, unless you happen to already be pretty knowledgeable about the man in real life. it's far more likely you'll know him as a theater legend than anything else (may his memory be a blessing).

now i'm not saying that brennan or the showrunners should have played up the jewishness of Real Person Stephen Sondheim to counterbalance the depiction of robert moses; that just feels weird to me, especially considering that sondheim was literally alive when tuc1 was filmed and released. it's a tricky thing to portray real people in fiction alongside made up characters, especially when they are contemporaries, and i don't think 'outright caricature' is the way to go about that. nor do i think that moses' jewishness should have been played up at all, because again i don't think that would have been particularly true to the person/character, and also Fucking Yikes. but, c'mon, if you hear the names 'moses' and 'sondheim' next to each other, which one do you associate more with judaism?

and as it stands, these are the only representations of judaism in tuc1. one admittedly nice but very minor nonhuman character; one human character you'd never be able to tell was jewish; and a third human character who, while never explicitly referenced as jewish, plays into some really hurtful antisemitic stereotyping. and it was a choice to not include anything else. maybe not a deliberate one, probably more likely one made out of simple ignorance than anything else, but a choice nonetheless. in a city with one of the largest and most visibly jewish populations in the country, and a culture that is inextricably influenced by that jewish population. a jewish population which has been and continues the target of rising hate crimes for years. i know that nyc means different things to different people, and everyone's nyc is their own -- but my nyc is jewish, and it sucks that that its jewishness is referenced directly in only one very minor way, which is greatly overshadowed by its, in my view, really insidious indirect references.

i don't know exactly how to go about addressing this. obviously, the show can't be changed by now. even if it could, i think the final product would be very significantly different from what it is now if the villain was something/someone else. i think including more references to jews in new york, more (human) jewish characters, hell, even mentioning hanukkah celebrations and menorahs in windows (it takes place in late december, after all; depending on the year it's not at all out of place for hanukkah to coincide with xmas!) would help. having literally any more positive jewish representation in tuc1 would, i think, help balance the bad stuff that's there. because, yeah, robert moses was real and he was terrible and he was jewish. but he's one jewish guy in a city with over a million jews, the vast majority of whom are just normal people. i don't want him to be the only vision of us that people get, in tuc1 alone or in any media. i'm not saying that jews can't or shouldn't be villains in fiction; but especially if you are a goyische creator, you should be really careful in how you're portraying us, and if there are other contrasting depictions in your work, too, in order to not (even accidentally) demonize jewish people as a whole.

[cologona]

If you won some sort of lottery contest and DC allowed you to write a comic run for any character, any topic, no limits, what would your comic be like?

What kinda plot and characters would you want to etch into official DC canon? (Or would you prefer to write an elseworlds kinda thing?)

-redhoodinternaldialectical from the "main" blog

Sorry it took a while to answer this, I got pretty carried away! Jason is my favorite character and the character I know most about, so of course I'd write about him. This is going to be pretty long winded and fanfic-y, hope you don’t mind!

First things first I’m making both UTRH and Lost Days mostly canon again. Jason was a crime lord who did Mean Crime Lord Things for a while and that’s what I’ve decided everyone is referring to when they gesture vaguely to his villainous past.

I’m also bringing back the original “big boob” backstory where Jason makes Bruce laugh on the anniversary of his parents’ death. Catherine was an opioid addict due to illness, Willis was the person who taught Jason about cars (and thus how to jack tires) and Faye Gunn is no longer Jason’s grandma. (I really disliked Ma Gunn’s “redemption” in RHATO.) Just in case, I’m also reiterating Sheila’s role in Jason’s death.

Here’s a few lines I came up with for the Todds:

Jason keeps the letters Willis sent him from prison - the ones Ma Gunn hid- in the same picture frame that holds his Robin graduation photo with Bruce. He loved and resented Willis in equal parts, but mostly he regrets not having gotten more time. It’s all the same with fathers.

Catherine is curled up in bed, her expression is half a grimace. She asks Jason, who is reading a picture-book by her side, to get her ‘medicine’ for her. Jason doesn’t know how else to help her feel better so… that’s exactly what he does. In a moment, he returns with a small heart shaped box and a cup of microwaved soup.

If I can imply in some way that Catherine is in denial about the possibility of her dying I’d like to do that too.

I’m also doing a total overhaul of the All-Caste.

Essence is getting proper Tibetan braids, Ducra is going to wear a khampa chuba instead of her current old coat, and the Acres-of-All are getting reimagined as a towering Ziggurat with all the murals, pillars, curtains, and ornate trim befitting a monastery! The All-caste of memory will be bright and fantastical, but the ruins of the present will be dark and spooky.

Some references for what I'm talking about.

I’m also reframing the “Absolute Evil” part of the All-blades’ description to be an epithet for the Untitled. The sword is not literally judging Goodness and Evilness anymore; now they cut through negative psychic energy Jujutsu Kaisen style. I don’t think I need to spell out a justification for Jason being able to summon them whenever, but for any sticklers I’ll just say it’s because Jason- like the Untitled- has a lot of bad feelings and trace amounts of Dionesium in his system (among assorted other chemicals.)

Since Lost Days is being brought back that means instead of spending an entire 3 years with the All-Caste, Jason only spent a few weeks with them during his world-wide training arc. Ostensibly because a little magic would give him an edge over Batman. Ducra wouldn’t normally just give away powerful magic weapons to any chump with a free weekend, and she knew Jason was dangerous, but since the All-Blades are so specific and the ritual to attain them nigh-unsurvivable she saw an opportunity to use Jason. Sure she's one of the Good Guys, but she's not called a conniving old witch for nothing hoohoo!

Now a few plot ideas for a vague overall mini-arc.

First, Jason goes to ugly lengths to protect or prevent consequences from finding one of his family. Maybe someone threatens their secret identity…? The ‘opponent’ should be someone innocent and/or noble but not easily bought or fought. Maybe Vicki Vale, another Hero, or some kind of wealthy heir. The point is to cast doubt on if Jason’s return to the Bats is really so unquestionably redeeming. Jason has pretty much chosen to betray his morals for them after all.

Then, Jason chooses not to kill a villain who shortly afterwards victimizes more people and skips town before he can get caught. Basically a rehash of Diplomat’s Son except the Garzonas figure gets away. It’s technically a win for Batman- his presence kept Gotham safe after all. But it doesn’t feel like a win, especially not to Jason.

And finally, Jason frames himself for various murders committed by victims against their abusers. Maybe kick the story off with one of Ma Gunn’s boys killing her and telling the cops it was Red Hood in a desperate bid to avoid jail.

Obviously Jason can’t be allowed to do this long-term. It’s a bad precedent to set, an obstruction of justice, etc… Jason hasn’t broken The Big Rule though, and Bruce can only act so sanctimonious when those same complaints could be are made about him as well. There’s no way this ends any other way than Batman running Red Hood out of Gotham again and they both know it, but neither deviates from the path set before them.

One or two “monster of the week” issues where Jason fights various assassins and bounty hunters sent by his more influential enemies might be good- one should occur right after the above story. A consequence for his “return to form” so to speak. Batfamily fans may appreciate a scene where Bruce says something indicating that he ran Jason out for his own safety as well as Gotham’s. Batman may be able to hide in Bruce Wayne’s skin during the day but Jason’s only identity is that of Red Hood, and at times that makes him vulnerable in a way other heroes aren’t. This + some panels contrasting the generic mercenary look of Jason’s guns and equipment with the Bats’ spandex future-tech will be great for showing how separate Jason is from the Bats.

Now while Jason’s out of Gotham again there’s this detail in one of RHATO’s flashbacks that I want to expand on- that being how he used to be able to summon a lot more All-blades.

Red Hood Outlaw 34

“I had a lot of soul back then” - implying that he has a lot less soul now…!?

Jason’s been through a lot, in life sure but also more recently. Fight scenes where the All-blades take the form of daggers would not only be cool and evocative of the wavy dagger Talia gifted him way back when, they’d be good visual sign of his declining emotional state.

Later on as his soul ‘shrinks’ further, I’d give him a pair of mystical guns through which he can channel his All-blades into bullets. If it’s another gift from Talia I’m thinking dark brass revolvers with paisley filigree and a red Endless Knot charm hanging from each handle. If they’re from Essence or S’aru I’m thinking black lacquer and silver cloud-patterned ornamentation, with red coral embedded on either side of the gun. Beautiful Bayonetta-style guns with glowing red veins and a cowboy flair!

antique guns which inspired me

As for what he’s using the All-blades (All-bullets?) for, I think it’d be fun to have Jason exorcising some ghosts. He can solve various murder mysteries, figure out why this place or that person is haunted, and get into fights with horrific otherworldly creatures. Jason is an interesting character to do this premise with because he might just determine that some some spirits should get their revenge, and act on behalf of a ghost rather than erasing it.

I’m not sure whether I’d want to have Essence join him or not… On one hand it only makes sense that Jason would help Isabel and Essence find a way to free themselves from the Blood Blade, and that goal would provide his character with some direction. Then again, Essence/Isabel could be cool as antagonists. Jason might see some ghosts as valid but Essence probably wouldn’t see any merit in appeasing manifestations of lingering resentment. She’s similar to him in that she also turned her back on her family, but she’s different in that she did it because she believed so wholeheartedly in their cause. She’s old and sort of a Jedi, but she’s hot-blooded and she’ll never not be Ducra’s daughter in the same way it seems Jason can never escape Batman’s shadow. I bet she has some real juicy sunk-cost fallacy type thinking too, that’d be fun to dig into.

Anyways I think this is a pretty good set-up to explore the politics/morality of forgiveness. What makes the difference between an injustice and a hatchet that ought to be buried? When is forgiveness empowering and when is it coerced? Who is it that must forgive? Justice vs Revenge, that whole kind of thing.

Other than the supernatural stuff I want Jason working with Talia, and I’m reintroducing Sasha to the post-52 continuity. Duela is getting nixed.

I don’t really have any specific plot ideas for Talia, but I would like to establish Jason as one of her associates. With Lost Days back they have basis for an actual relationship again. They’re not always on the same side but Jason can sometimes do tasks for Talia (outside the purview of Ra’s and the LOA), and Talia can occasionally support Jason with various social power-play type moves.

An instance of Jason getting into a fight with one of the Bats because he’s doing a favor for Talia would be great! I wouldn't write Talia as an evil evil bad horrible dragon lady, so it shouldn’t be a huge blow to Jason’s status as a Good Guy. Also I like the idea of Jason and Talia’s relationship mostly being inferred through their actions supporting one another, rather than directly showing much ‘on-screen’ interaction between them.

Also it’ll be interesting to go into Bruce, Dick, and Damian’s reaction to finding out that they’re not the only ones Jason is loyal to. Bruce thinking Talia was a bad influence on Jason (like fanon), silently frustrated because what he really wants is for Jason to be a full Bat-Believer (like the good old days…). Dick being fine with Jason never falling fully in-line with Bruce, provided that at the end of the day his loyalty belonged to his family.

-brief topical detour to talk about Sasha-

The new timeline of events is that Jason and Sasha met as fellow patients while Jason was in his Vague Villain era. They escaped the hospital building together (Sasha in her bloody dress, and Jason naked save for his skimpy hospital gown dhoti) and having no one else they stuck together. They got close but at some point Sasha lost her memories, giving her a chance at a fresh start. This was around the same time Jason “redeemed” himself and so just like Max Dawkins, ‘Numbers’, and Gabby Christiensen -Sasha became another person from Jason’s past that he didn’t let himself have a relationship with.

Sasha was just old enough that she didn’t have to be sent into foster care, so with some help from Wayne Foundations she got her GED and her feet underneath her. Now… she goes to work, goes to her physical therapy appointments, fights with her mother over the phone, and yes- sometimes she goes to the club.

The new Sasha still has spiky red hair but her face looks entirely normal save for a subtle scar tracing around her jawline and chin- the edges of where her mask used to sit. She wears dark makeup and even darker clothes. She’s prone to false memories and dissociation. She’s lost most of her ability to feel pain. She can’t watch certain shows she used to love anymore because they trigger her. She never returned to Russia. She doesn’t have many friends.

Since this is comics, her reintroduction will come by way of a dramatic fight. Sasha will regain her memories one day and show up out of the blue to fight Jason, angry and heartbroken that he abandoned her. He tries to explain himself but she just says look what they did to my face, referring to the facial reconstructive surgery she was given while amnesiac. She’ll be difficult to fight, not only because being a partial Dollotron gives her enhanced strength but also because she’s being reckless and the longer they fight the more strain and damage her body accrues.

After Jason apologizes and they reconcile (they will both cry) Sasha can become a recurring side character that Jason visits, keeping him grounded and up to date with Gotham. I think it'd be cute for her to bid him farewell by saying she’ll hold the city hostage until he comes back. (Is Sasha going to become Jason’s love interest? No. If I give Jason a love interest it’s going to be Numbers.)

--Going back to the previous topic, I want Sasha’s return to be part of this greater arc of Jason addressing his "shrinking soul" problem. My brain is a little fried now so I’m not exactly sure how but she is related. I think she ought to be.

Jason wants Bruce to be right. He would like for his problem to be fixed by going home and saying sorry. But at the end of my run I want him to face the reality that it’s not about that.

...Perhaps it should be about Jason 'abandoning' Gotham? I don’t really want the final thesis of my run to imply that Jason’s soul would just be fixed if he killed Rogues though, and Jason always came back whenever a big disaster was happening so it doesn't quite fit anyways… Jason does believe in the value of “pure” heroes it’s just not what he’s supposed to be. Whatever his problem's “about” , it ought to prompt Jason to stop taking Bruce’s shit. I'm saying the man is literally breaking Jason's spirit.

I’m sympathetic to Bruce but I wouldn’t write him as a nice father. I would also have scene where a younger Bat accuses Jason of being overdramatic despite 'not even having it the worst’. I don't know who 'has it the worst' but I want to make a statement that you don't need to win the pain-race to be fed up.

Ah anyways, now my brain is really fried. I hope this post was coherent all the way through, I neglected to edit and organize my thoughts as much towards the end. Thank you for asking me such a great question, I had a lot of fun thinking about it! :D

[opeothalmologist]

TMA reactions from a new fan who reached Season 4. 2/3: Season 2 (with spoilers)

Part 1, Part 3

“new character [Basira] nice”

“Basira isn’t smuggling confidential evidence illegal”

“Jon. Chill.” (this goes on for the entire season)

“PUTTING A KID IN A BAG?”

Imagines Mike Crew as Filipino for no reason

“MIKE”

“gerard keay world tour!”

“JARED AGAIN?”

“cool space episode”

“oh gosh not Mary making a statement—”

“Donna isn’t breaking into an ancient tomb without clearance illegal”

“NOM NOM NOM COMPUTER”

“reverse unboxing video”

No joke, I’m pretty sure I ate shawarma for dinner after listening to Ep 72…

“Oh great. My love Mike is evil now”

“Sasha :((((”

“weird underground tunnel book man is underwhelming but ok”

EXTENDED SOUNDS OF BRUTAL PIPE MURDER “REALLY? YOU’RE DOING THIS ON TAPE???”

“Elias Hate Club time”